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00:00.
00:04.
00:09.
00:13.
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00:24.
00:28LHBD
00:32LHBD
00:35LHBD
00:38LHBD
00:44LHBD
00:46LHBD
00:49You shabby? Why don't you kill me?
00:52You want my voice to me?
00:53I don't know what to do!
00:55I don't know what to do!
00:56You know what, Friljoka?
00:57What?
00:58What?
00:59Did you change it?
01:00I am!
01:01What?
01:02I don't know!
01:03I don't know!
01:04I am changing it!
01:05I am changing it, but I don't see it!
01:07Give it to me!
01:1135!
01:13So, we had 420!
01:16Plus 35!
01:18That's...
01:19455!
01:21Then we hit the north and then we hit the east.
01:25Let's see!
01:29That's it, Friljoka!
01:30We've failed!
01:31We're just in the building!
01:33I'm going to get you!
01:35I'm going to get you!
01:37Thanks, Tanti!
01:38Thanks, Tanti!
01:39Thanks, Tanti!
01:40Thanks, Tanti!
01:41Thanks, Tanti!
01:42Thanks!
01:51Thanks, Tanti!
01:57Thanks, Tanti!
01:59I'll get out of here.
02:02No.
02:03I'll have to get in time.
02:08I'll take a while.
02:10We'll be back and place your brother.
02:15I'll take it here.
02:17Stop it.
02:18Good morning, Helmija. There's no coffee. Where are you going to put a little coffee?
02:33I'm going to ask you where you're going. I'm going to ask you.
02:39When you think you're going to go to my house, you're going to go to your house.
02:44I'm going to wait for you. I'm going to wait for you.
02:48You're going to wait for you. You're going to eat, eat, sleep, everything for you.
02:52You're going to make a revolution in Hilminov.
02:56You're going to make a revolution with you.
02:59Don't pour it. Don't pour it. Don't pour it.
03:08Did you eat everything?
03:10I'm sitting there.
03:12I'm going to put a lot of food in the pot.
03:14I'm going to put a lot of food in the pot.
03:16What are you doing?
03:17Is that a great thing to watch?
03:21I'm going to be happy.
03:23Listen, I'm going to play another one.
03:25Even if it was Hitler's picture, I'll be like a little.
03:28I'm going to put you in the pot.
03:29I'm going to let you go.
03:31I'm going to wear a black hat.
03:33Come on, come on.
03:34Come on, come on.
03:35Come on, come on.
03:36Come on, come on.
03:37Come on.
03:38Come on, Hilminov.
03:39What are you doing?
03:40Don't put a horse on the horse.
03:41There's a horse on the horse.
03:42There's a horse on the horse.
03:43What do you want?
03:44What do you want?
03:45What are you doing?
03:46What are you doing?
03:47Why did you come here?
03:48How did you come here?
03:49You came here and I'll be back again.
03:51I forgot.
03:52There are some important documents.
03:54What are you doing?
03:56We're going to see Hilminov.
03:58Let me put it on, Hilminov.
03:59What are you doing, Hilminov?
04:00Let me put it on you.
04:01Let me put it on you.
04:02Let me put it on you.
04:09Oh, man.
04:10Where are you going?
04:11You two of them always find yourself in the worst moment.
04:14We need to join the Portuguese, Hilminov.
04:16We have important news for him.
04:18What do you say?
04:19Why do I know where the Portuguese is?
04:21It's the Spanish village.
04:22He's not seen the Spanish.
04:24He's only on the list.
04:26But, filth.
04:27I go?
04:28When the afternoon trolling is the Portuguese.
04:30Come on.
04:31Let's get a look.
04:33Filth!
04:34My mother, who had a little wound,
04:35he went in my veins.
04:36He's gone.
04:37He's got 100%.
04:42The black flesh was burned down on the tree.
04:44It was sitting there and it would look at it.
04:46Sun시는 is on the right of the tree.
04:47The Red Thousand Dragon singing is on the way.
04:49You're even known?
04:50I was not about it.
04:51I thought it was my name of Safiya.
04:53They are interested in the meteorological situation
04:56and in your tracks.
04:58They are waiting for you.
04:59No, no, no, no.
05:00I have time for them.
05:01It's a priority for you to tell me.
05:04You're just a mess.
05:05Hermia, the situation is urgent.
05:07We can't wait for time to wait.
05:08Let's go to the room for urgent situations.
05:12Let's go.
05:15Hey Hermia,
05:16you're the other one.
05:18The chief of the staff is in a big crisis.
05:20It's a serious situation.
05:22You're the other one.
05:23You're the other one.
05:25No, that would be easy.
05:27What is it?
05:28It's impossible.
05:29What?
05:30There's no more money.
05:31There's no more money.
05:33What?
05:34God, you don't have money.
05:35There's no more money.
05:36No more money.
05:38You just tried it.
05:39You've tried it.
05:40It's a lot of money.
05:42What?
05:43The man?
05:44What?
05:45I don't have a lot of money.
05:46There's no money.
05:47There's no money.
05:48There's no money.
05:49You hear it.
05:50It's a big problem.
05:52The command is the top of the commandant.
05:55His ability is, see, broken.
05:58But the Portuguese Portuguese
05:59will make whiskey in the occupied Sarajevo.
06:02I'm not Al Capone.
06:03Ah, the money is not a problem.
06:06The money is the other one.
06:07The other one will find the other one.
06:09The main staff will find the other one.
06:11The other one is the other.
06:13The other one.
06:14It's clear.
06:15It's either you'll get the whiskey or...
06:18Let's try.
06:20Let's try.
06:21I don't want anything.
06:22Let's try.
06:23Now, Djevna is our divergent.
06:25The other black guy.
06:26That's what he needs.
06:27I'll go frontally.
06:28The black guy.
06:29The black guy.
06:30The black guy.
06:31The black guy.
06:32The black guy.
06:33The blue guy.
06:34Let's see.
06:38What are you doing, Mr. Vaso?
06:41Stop eating.
06:42You'll be surprised, man.
06:44Jesse has seen a bad divergent.
06:46Mr. Mr. Vaso, you've known me.
06:48I'm a Portuguese man.
06:50Tell me, my Portuguese man.
06:52Did you have a good job?
06:55There's nothing but there.
06:57The top commander told you.
07:00Shilling.
07:01Notches.
07:02No, no, no, no.
07:04No, no, no, no.
07:06No, no, no.
07:08Let me tell you, Mr. Vaso.
07:10No, no, no, no, no.
07:12How do you have a heart to hurt me in such a horrible situation?
07:16You have to stop Shilling's plan for the security of the city.
07:21It's hard to do, but it's hard to do.
07:25Don't give me a damn, idiot!
07:28I'm all in trouble.
07:29I'm all in trouble.
07:30What happened to you in the fascist?
07:32What happened to you in the city?
07:33What happened to you in the city?
07:34The plans of the city are not the perfect plans for the security of the city.
07:37This way, someone has to shoot on the dead.
07:39It's totally unrighteous.
07:41But, Mr. Schilling, you're not alone.
07:44You're not alone.
07:45I'm a German.
07:47We're not alone.
07:48We're not alone.
07:49We're all in trouble.
07:50We're happy to have a copy.
07:51We can do it on the plan, but the original is not the case.
07:55No.
07:56This way someone has to be fired.
07:59Where is the stupid, Zulfi Pushtan Pašić?
08:04There's no need to be.
08:09Oh, my friends.
08:10I don't have to go frontally into action.
08:13Someone has closed the plans.
08:15They're not there.
08:16It's just a long time.
08:17Keep it up.
08:18Keep it up.
08:19You can't change anything.
08:20You hear it?
08:21You have a copy.
08:22You must have to remove those copies.
08:24We know that you'd better give your own bags for the original.
08:27But we have a copy.
08:28It doesn't make the problem.
08:29I only don't know who could replace the original plan.
08:34I'm ashamed of one.
08:36I think he is…
08:38I am sorry.
08:40Let's go.
08:42If there is a sign, I will.
08:44I have to go to the house.
08:46I need something to give you.
08:48That's right.
08:50You, you, have to sit and leave the door.
08:56Hilmiya, give me the whole cup of tea, I am here.
09:00Is this a blessing, Mr. Karadjordjevic?
09:02I have received an order from the King of Petra for the praise.
09:06You received an order for a good service with a gold medal, and you're a bonus of the Albanian people.
09:11And the Serbs.
09:12And the Serbs?
09:13And the Serbs?
09:14And the order for a good service you received because you received a plan for a good city from Herr Schilling.
09:19That's right, when I was in London, my brother Petr was on me.
09:23He's a little bit better than he was.
09:26I don't know.
09:27Did you send these plans for London?
09:29No, I don't know how to go to London.
09:32These plans are all in my house.
09:34In your house?
09:35Interesting, interesting.
09:39Here we are!
09:41Where are we?
09:42Only half a meter vertically!
09:44That means you're ready to go!
09:46455 meters, friends, Portuguese!
09:49Every time, friends, every time!
09:51We won't have time and time until the evening.
09:54Friends, Portuguese!
09:55I think you should have to go to the evening!
09:58I'll bring a bomb with a timer in the evening to Sarajevo,
10:02so it'll be a big fireball!
10:04I think you should have to bring a bomb with a timer!
10:08Father!
10:09Don't worry !
10:10I know that you're up.
10:12Don't worry!
10:13That's my cell phone!
10:14I don't like it!
10:15Don't worry!
10:16And now I'm going to go to the window.
10:17What's the name?
10:18The second thing is that we're waiting for you!
10:20What's the name?
10:21You're waiting for now!
10:22I have to go to the room and talk just like that!
10:23The fuck is, so you're waiting for us!
10:25It's about the Richmond area, and we're waiting for the phone!
10:26You can't. It's not for the phone.
10:29Come on, we have to...
10:31Let me go, listen to the listener.
10:34He wants to get a lot of money, but he doesn't get mad.
10:41Hilmija.
10:42Great problem, Hilmija.
10:44I'm not going to die from Popovopoliza.
10:46I'm going to be looking for the Romanians.
10:48You're not normal.
10:50She's looking for the rice, she's looking for the whiskey, she's looking for the loz.
10:53You're not going to die.
10:55You're not going to die from us.
10:57You're not going to die from us.
10:59Hilmija, this Kresimir won't be able to get a lock on me.
11:02One time I got a card,
11:04and after that, when he heard that this lock is going for Chičo,
11:07he said he won't be able to die.
11:09Do you have money?
11:11You're not a problem.
11:13It's like this.
11:15When Kresimir comes, you have to do this.
11:18You'll listen to me and everything will be fine.
11:21Oh no, Herr Schilling, you're a soldier.
11:24You're a soldier.
11:25You're a police officer.
11:27Leave me alone.
11:28And with an analytical, analytical, dubious investigation,
11:31we can know who he has destroyed the plans.
11:34We can't do it.
11:36Okay.
11:37I'll give you a chance.
11:39How do you think you're going to do the investigation?
11:41With Hilmija's investigation.
11:43Did he have no plans?
11:45How do you think you're going to do it?
11:47Oh, good morning, Herr Hilmija.
11:49I have a few questions for you.
11:51Herr Schilling, what do you want in your head?
11:53I'm just going to see.
11:55I'm going to take a look.
11:57I'm going to take a look, Herr Schilling.
11:59Thank you, Herr Schilling.
12:01So, Hilmija, who has an approach
12:03to the private modems that he uses?
12:05Herr Schilling, who?
12:07No.
12:08Oh, Niko.
12:09Who changes the clothes?
12:10Who prints the clothes?
12:11Who dirty?
12:12Who doesn't clean?
12:13Sure.
12:14Herr Schilling knows him.
12:15He's doing that great job.
12:16This gentleman is a keep-up.
12:20Thank you, Herr Schilling.
12:21You're free!
12:23Thank you and you.
12:24I don't know what you're doing.
12:29And that was it?
12:30That was it.
12:31The previous incident was done.
12:32He's destroyed the plans.
12:34I want to go and honor our glorious man.
12:38When are you normal?
12:39Why is there an idea that I would live with the victims?
12:41I think I'm Ustaša.
12:42I'm a traitor.
12:43I'm a brave man.
12:44I don't care about the Croatian country.
12:45And you're like that.
12:46You know what?
12:47I'd have to kill you
12:48if I would have to live with those primitivists.
12:53Okay, you have to be from Popovapolja.
12:55Do you want any drug?
12:56Well, my dear friend,
12:57I don't want to hear a drug drug,
12:59except Lyoza from Popovapolja.
13:01Okay.
13:02I'm going to hear it with my Italian connection.
13:04Here in Hercegovina, they're Italians.
13:05Hercegovina, Dalmacia, Istra,
13:07you're your old man.
13:09The worst country he gave to Italians.
13:11He didn't get to the city of Musseline.
13:13He's not a dumbass.
13:14100% dumbass.
13:15Idiot.
13:15How about that?
13:19Babazorka, where are you?
13:20What's going on?
13:23I'm sure you're talking about it.
13:25Why don't you sit down?
13:26Babazorka, where are you?
13:28Don't let anything else.
13:33Digori, Hilmać!
13:34So I have a very delicate task.
13:37I need two vizquier-based vizquier.
13:41One now and one later.
13:42One vizquier-based vizquier.
13:45That's the complicated thing to do to do.
13:46But I don't know if you drink this milk.
13:48Cowboy!
13:49What?
13:50I know you!
13:52What?
13:53What do you know?
13:54Do you have to do whisky for a bandit?
13:56What are you telling me? Who am I?
13:58I don't know.
14:02What are you doing?
14:04Help me!
14:06Help me!
14:08Help me!
14:10Help me!
14:12Help me!
14:14Help me!
14:16Help me!
14:18That's it!
14:20Gojnerdi is also the place.
14:22In the end of the building.
14:24What? It's supposed to happen before or later.
14:26Someone has told him that he is not a Slovenian.
14:28Honestly, that you are not.
14:30I would have told him that he was even before.
14:32I'll tell you again.
14:34You can add it on a whiskey.
14:46How are you?
14:48Herr Hilm, I have a strange feeling
14:50that you are waiting for me.
14:52Herr Schilling, I don't hate you.
14:54I don't know one of my Slovenian, Janeza.
14:56Why not?
14:57He's not today.
14:58He wouldn't know how to destroy the snowman from the building.
15:01Where are your important documents from home?
15:03I don't want to talk about it.
15:05For me, that case is concluded.
15:07Herr Schilling, he needs me.
15:09He needs work and strength.
15:11It doesn't matter.
15:12He's going to call him in 1100.
15:15He's going to call him in 1100.
15:17So, you have told him that he has a document from your home?
15:21We didn't know how to prove it.
15:23He didn't want to admit it.
15:24But hear it.
15:25Someone stole the documents.
15:26Someone must have been shot.
15:27And the gun fell on your little Janeza.
15:30Herr Schilling, if you could...
15:32Herr Hilm, you are a good man.
15:35But don't worry about the war.
15:38We are a good man.
15:40Dr. Schilling, we have to have to give his men a world to go.
15:42Mr. Schilling...
15:43Mr. Schilling, you can call him the man?
15:44Mr. Schilling, I'm going to call him, please?
15:46I'm asking him to come in!
15:47You can call him, please, I'll find him!
15:48Mr. Schilling, I can close him out for you?
15:49Yes, yes, yes, I'd love him.
15:50Mr. Schilling, you will know him and see him.
15:51Mr. Schilling, you don't want to call him.
15:52Mr. Schilling's day, you need him.
15:53Mr. Schilling, he'll be happy.
15:54Mr. Schilling, you will be happy to.
15:55Mr. Schilling, you will be happy to give him worth it.
15:56These are the manifestly dead.
15:57Hymlija, at the end you will be grateful to me.
15:59That Slovenian was just a mess, so...
16:01...uprooted.
16:02Very, very bad.
16:04I know, Hershelin, he needs work.
16:07And you don't do anything with him.
16:10You don't have any plans.
16:12We'll find it, we'll find it.
16:13Today, I'll give you a proposal.
16:15We'll find all the houses, all the towns, all the towns, all the towns.
16:18And we'll find that plan.
16:21Let's go.
16:22That's it, Arabi.
16:23But, Hershelin, if I could, only Hershelin...
16:27...the death of the fascism is close to Hymlija.
16:32It's crazy.
16:33What are you trying to do?
16:34You're so black, Vaso.
16:35The whole world can hear your smell.
16:37Don't worry, I have to tell you what my task is.
16:39You all know.
16:40That answerable, counterfeit, cruel,
16:43...diverzant task.
16:44I can't understand that.
16:46I almost forgot that you're in the evening
16:49...for the secret of Hershelin.
16:51Do you know where he is?
16:52If you're in trouble, you'll get him.
16:53Now he's out.
16:54I'll come back to him.
16:55I'll call him in the evening, wine, music.
16:57You know how it's going?
16:58I don't know, I don't want him to know.
17:03Hymlija?
17:04What?
17:04You're still waiting for me.
17:06What?
17:06Hey, Hymlija, we have great problems with me.
17:09You don't have problems with me, you have problems with me.
17:12I'll tell you about it.
17:13You see, the Germans went home to the house.
17:15They were looking for these plans.
17:16I know, I've already said, Hershelin.
17:18Hymlija, why don't I leave this plan with you?
17:21Because you're only going to come to the Germans,
17:23because you're good with Schilling.
17:24The plans will stay with me.
17:26Until I find someone to send me to London.
17:28Hymlija, my mother.
17:30Hymlija, thank you in my name.
17:32In the name of the King Petrov.
17:33In the name of the whole dynasty of Karadžošević.
17:35Thank you, Hymlija.
17:35Come on, come on.
17:36Hymlija, my God, the plan with me.
17:41I'm going to take you to the house.
17:43I'm going to take you to the house.
17:45I'm going to take you to the house.
17:46That's it.
17:47That's it, guys.
17:48The last word of the Russian technology.
17:51I don't look like this.
17:54I can't take you to the house.
17:56It doesn't have to be much stronger than one.
17:59When we put them between German grenades, bombs and ammunition,
18:03it will be just an initial explosion.
18:06After that, everything will fall into the sky.
18:08Aha, I'm going to stop.
18:10It's an experience, friends, Portuguese.
18:12It's an experience.
18:13I'm just a pity, friends, Portuguese,
18:15because this bomb has no time.
18:19If there is no, I'll see you in the house.
18:22Look how many hours you have to be.
18:26It's been set to call in 11 hours.
18:30We are set to 5 to 11,
18:33and we have 5 minutes to go back to the house.
18:37Is it clear?
18:38How do I get this hour?
18:40You're right.
18:47Is it good to ask?
18:49It's good to ask a question.
18:51I just didn't ask anyone.
18:53Do you know what's going on with Durmiš?
18:55I don't know what to do with Dormiš now.
18:58You don't know?
18:59I don't know, I don't know anything.
19:01They told me that Nedi leads me to 11-0-0.
19:03I don't have any idea.
19:05Let's go a little bit and take your legs.
19:07You see, Dormiš, I've talked a few times with Herr Schilling.
19:11I've been able to do something.
19:13He tells me that when he's shooting,
19:17he doesn't have any idea.
19:19That's right, the guy is here.
19:21What's the black shot?
19:23Dormiš, dear.
19:25If you do something,
19:27you'll be able to take a two together for the gennage.
19:29I don't know.
19:31What's the black shot?
19:33What's the black shot?
19:35You have to be able to save Vasino.
19:37What's the black shot?
19:39What's the black shot?
19:41What's the black shot?
19:45What's the black shot?
19:47What's the black shot?
19:49What's the black shot?
19:51What's the black shot?
19:53What's the black shot?
19:55What's the black shot?
19:59You're a very rich person.
20:01You're a very rich person.
20:03You're a very rich person.
20:05I'm a real girl.
20:07I've found a guy from the story.
20:09You know how he's a girl.
20:11I've managed to get him.
20:13I've managed to get him.
20:15There's no one here.
20:17How do we get some fish?
20:19Especially in this movie,
20:21it's not a good one.
20:23That's why there's no one here.
20:25But we don't have a couple of people.
20:27I thought only one fish, two, three.
20:29We have a great fish.
20:31What do you mean?
20:33I'm saying that it's not Zora.
20:35Zora?
20:37Zor. Zort.
20:39Zor!
20:41This is what I really wanted.
20:43Just let me get out of the room.
20:45I've been out of the room.
20:47I've been out of the room.
20:49If you understand me.
21:00Just above the room, Herr Faso.
21:02The right height.
21:04The number is 9.
21:06Oh, this will be a strange thing, Herfaso.
21:10I'm afraid of you, Herr Schilling.
21:25Portugal! Portugal!
21:28Get out, God! Don't kill you! Get out!
21:31What happened, friend?
21:33Get out of the tunnel, Hitler!
21:35I can't help you anymore.
21:37I need to get out of the tunnel,
21:40and I'm going to fall into the German magazine.
21:42But the man's plan is against me.
21:44I can't help you anymore.
21:47I have to go to the end of the tunnel.
21:49But we have to find a black vase.
21:52It's not too late to save them.
21:54The black vase is a divergent.
21:56He's a professional.
21:57He'll keep everything he needs.
21:59Why wouldn't you save them if we can?
22:01Brother Hilmiah,
22:02the other black vase is in your hands.
22:04I mean, figuratively, in your hands,
22:06but actually, the objective.
22:08Portugal!
22:09We've reached the end!
22:11I've almost tried it!
22:12I've tried it!
22:13That's me!
22:14Get out of the way, brother Hilmiah!
22:16Get out of the black vase,
22:19so it won't be done without reason!
22:21Every Jadibelaj has to fall on me!
22:23My people!
22:24What do I need?
22:25What do I need?
22:26What do I need?
22:27Okay...
22:28The truth is!
22:30The shooting!
22:31I'm afraid of the truth.
22:32What are you afraid of me?
22:33I think they'll be fighting!
22:34And that's exactly right!
22:36But if you tell me where is the German plan?
22:39Maybe, but I can only do the shooting in a day tomorrow...
22:42I don't know, Mr. Policarić.
22:44I don't know any more documents!
22:45I've never experienced anything.
22:47If that's right…
22:49The shooting is in 15 minutes.
22:51But now, the amount of money is in the Essen.
22:52and I'm in Fidersen.
22:53Mr. Polcajz, wait for me to ask you!
22:55Mr. Polcajz, wait for me to try to get me out of the way, Mr. Polcajz!
23:00Oh my God! Oh my God!
23:06What will I do with you?
23:08Nothing.
23:10Neither women nor children.
23:12Nothing.
23:13Neither is left for you.
23:14Neither is in front of you.
23:17Why, because of your hudges,
23:20the world's power.
23:22Why do you sleep?
23:24Why do you sleep?
23:26Why do you sleep?
23:28Why do you sleep?
23:36Why do you sleep?
23:50I sleep.
23:51I sleep.
23:52I sleep.
23:53I sleep.
23:54Why do you sleep?
23:55Why do you sleep?
23:56I sleep.
23:57Why do you sleep?
23:58I sleep.
23:59Why do you sleep in the Japanese magazine?
24:03Why do you sleep in Japan and I sleep in Germany.
24:04pray for me?
24:07There's all of you.
24:08You are right.
24:10Here is my name.
24:11You bring me?
24:12Yes...
24:13I have H respected six domestic déto4ured 말이 from Popova Folha.
24:15And who else?
24:16But that's Mr. SpOKič but it is not hisie fever.
24:19Have you noticed frog?
24:20You've never here.
24:22Like a wood vlog!
24:24Wow!
24:54I think...
24:56I think it should be.
25:06Hirfaso!
25:08Do you feel the energy that is all around us?
25:12I can feel it.
25:14I can't feel it.
25:16I can't feel it.
25:18I can't feel it.
25:20Abort! Abort!
25:22What are you doing, Hirfaso?
25:24How beautiful you are!
25:26What is that?
25:28Before the war...
25:30I was talking about folklore...
25:32...and the cultural and scientific society...
25:34...and the rest of my legs.
25:38Did you hear me?
25:40No, I didn't hear anything.
25:42What happened to you, Hirschel?
25:44No, no.
25:46Nothing to do with us.
25:48This moment...
25:52What happened to you?
25:54Stop!
25:55Do you believe that...
25:56...this is not a crime?
25:58No, this is a crime.
26:00You can guarantee it.
26:02Look at me, look at me.
26:08There is no word.
26:10It is a crime.
26:11It is a crime.
26:12It is a crime.
26:13It is a crime.
26:14It is a crime.
26:16Nothing.
26:17We will activate the bomb...
26:18...when we are already here...
26:19...and then...
26:20...we will not run through the tunnel.
26:21Oh, friends!
26:22Can I help you?
26:23You can.
26:24You can.
26:25Let's go for them.
26:26But listen...
26:27...we have five minutes...
26:29...to get to the end of the tunnel.
26:31Where is the end of the tunnel?
26:32To the house.
26:33To the house.
26:34To the house.
26:35To the house.
26:36To the house.
26:37To the house.
26:38To the house.
26:39To the house.
26:40To the house.
26:41To the house.
26:42...
26:53Down away.
26:54Oh fake little.
26:55This is the enemy problem.
26:56My country is the only problem.
26:57To save yourriz estado.
26:58I will cut out my надо.
26:59Guys...
27:00You can see the place of whiskey to your black.
27:01Wait.
27:02How a kilo is yours.
27:03How many?
27:04Six.
27:05And that is�ies.
27:06What a family.
27:07Five!
27:08So limited.
27:09Here you go.
27:10We already did a white whiskey glass.
27:11What is this? This is food for men.
27:14Rugba!
27:15What is rugba?
27:16Let's eat it!
27:17Stop it, rugba!
27:18I don't know who you are!
27:41Oh, thank you!
27:43Thank you, my friend Marokanec!
27:45That you didn't have to be,
27:47and this head wouldn't be on the ground!
27:49Forget it!
27:50Do you want, Galioti,
27:53to never take this tunnel into a magazine?
27:57The last time there was a library,
28:00and the next time I pray,
28:03but I pray that it will be a mess,
28:05and I will love you!
28:07Others!
28:09I think I know where I was together.
28:11The last 200 meters
28:13that we were dug in the South East,
28:15we were supposed to go to the South East!
28:18Well, my father,
28:20I'm very proud of you!
28:22He's going to put a hand in the hand
28:24to put a hand in the South East!
28:26Friends, Portuguese!
28:28I'm because of you,
28:30we're going to put a hand in the hand
28:32and hit the South East!
28:34Great idea, Krki!
28:43Herr Schilling!
28:44What are you talking about?
28:46Did you hear that?
28:47It's a big explosion!
28:48I didn't hear it!
28:49What happened, Herr Schilling?
28:50I know!
28:51I've been up in my head!
28:52I've been up in my head!
28:53I've been up in my head!
28:54I've listened to music!
28:55I've been up in my head!
28:56I've been up in my head!
28:57Boom!
28:58A big explosion!
28:59I'm going to the command of the village
29:00to see what it is!
29:01Herr Schilling!
29:02Let's pray!
29:03I pray!
29:04When you're there,
29:05I've been up in my head
29:07a few minutes of war
29:08from my village, Slovenian!
29:09I pray!
29:10I pray!
29:11You can't wait to take that barbarous taking
29:12without a bad condition!
29:13We understand the way
29:14you are going in stage!
29:15Because I'm not in the head!
29:16Don't forget that Slovenian!
29:17Are you in the pressure?
29:18Don't shut down!
29:19Come on, sure!
29:21What happened, Herr Schilling?
29:22What was that? Is it normal?
29:26What was that?
29:27What was that?
29:28What was that?
29:29I'm in the middle of the most difficult task,
29:31and you're in the middle of my life.
29:33First of all, I didn't come to you.
29:35I'm going to tell you to make an action.
29:36Listen to that.
29:37Your voice was more.
29:38We got to the German plans.
29:42That's good.
29:43What was that?
29:44What was that?
29:45The Germans hit your left line.
29:47It wasn't that long,
29:49when we were in the main moment
29:51the explosion of the Schilling's explosion!
29:53I had more happy than I remember.
29:56This is for the rest of the world.
29:58Where is the Germans to go to a hotel?
30:00There's no Germans.
30:02What?
30:03There's no Germans.
30:05It's now liquidated from the German war.
30:08I'm going to kill them.
30:10I'm going to kill them.
30:12I'm going to kill them.
30:14I'm going to kill them.
30:16Durmiš!
30:17Durmiš!
30:18A little girl with a fist.
30:20He's alive!
30:21Here me, Durmiš, he's got him.
30:22They didn't kill me.
30:23I didn't kill him.
30:24Another Moroccanist!
30:25I'll talk all about you.
30:26I'll kill you for the racket.
30:28Durmiš?
30:29I'm going to kill you!
30:30Durmiš!
30:33The idea of the Germans shooting, Durmiš!
30:36I see that whiskey is what he says.
30:38What do you think?
30:40I'm getting out of the way.
30:42I'm getting out of the way.
30:44I'm getting out of the way.
30:46I'm getting out of the way.
30:48I'm getting out of the way.
30:49I'm getting out of the way.
30:51Where is the one?
30:52Here, on the table.
30:56How are you, black people, who have the war?
30:58I think it's never happened.
31:00But let's say it's happened.
31:02Did you tell him that I was making whiskey during war?
31:04I'm getting out of the way.
31:06I'm getting out of the way.
31:08I'm getting out of the way.
31:09Let's go.
31:16It's very heavy.
31:18But it's possible to check the sun.
31:20Who knows?
31:22It's possible.
31:24Let's go, the hell out of the way.
31:26You're familiar with me.
31:28Six cups of whiskey.
31:30You're amazing.
31:32You'll know that you're worth your illegal work.
31:36What is this?
31:38Whiskey?
31:39But what?
31:40Whiskey?
31:41I didn't want to write whiskey from Tennessee.
31:43Where is that Tennessee?
31:44They're in Dallas.
31:45In America.
31:46You're not normal.
31:48What are you?
31:49You're not normal.
31:50We're fighting for a lot of things.
31:52You're not in Portuguese.
31:54I don't know that you want whiskey and Tennessee.
31:56You should know that you do that.
31:58You're only a little fish, Donald.
32:00You say the American ass,
32:02you'll not buy him.
32:03I'll say it all.
32:04Did you do it for a short one?
32:06I don't know.
32:07I've earned six bucks,
32:08and you say whiskey.
32:10I don't know.
32:11I can't even wear that.
32:13But listen to me, Susana.
32:15I'm going to add a lot of Scottish whiskey.
32:18I'm not sure.
32:20The end of the war depends on whether you're going to add a lot of Scottish whiskey.
32:25Death to fascism.
32:28It's a stupid thing.
32:31Leave it.
32:33I'll give it a glass.
32:36I don't care about the whiskey, but it's a glass.
32:39And Tito is something that's wrong, brother.
32:42I don't care about it.
32:44I don't care about it.
32:46I don't know.