Part 2 of 8 of the 2nd series. Nick Costello works to stir up bad feelings against his new competition. Joe proves his worth to the Marriotts.
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00:00To be continued...
00:30To be continued...
01:00To be continued...
01:29Listen to that.
01:31What are you doing?
01:34It's your Geordie friends in their mobile home.
01:39Come back to bed.
01:40I might as well get up and get started.
01:45It's seven o'clock in the morning.
01:47Well, I'm my own boss now.
01:48I can start when I like.
01:49I can start when I'm out.
01:57I can start when I'm out.
01:59It's not too late.
02:21We could just drive off.
02:24We're good.
02:27But we're not.
02:28Let's gut the place.
02:33Mum, I asked you to switch it off.
02:35Sorry.
02:36You should have done that last night.
02:38Now eat your breakfast.
02:40Thanks.
02:41Ooh, lovely.
02:42Did you sleep at all?
02:43Not much.
02:45Too excited.
02:47Hiya.
02:47Hi.
02:49Do you want a cup of tea?
02:50Ooh, please.
02:52How come your son's so gorgeous?
02:54Takes off to me.
02:55See?
02:56He's kind.
02:57Good-looking.
02:58Light.
02:59Shut up, Lucy.
03:01Thanks.
03:02Oh, Jim will fix it.
03:11I'll skip around here.
03:13Yeah?
03:14Sent one of them invisible ones.
03:16Can you let me see it?
03:21Hi.
03:23Morning.
03:25You remember Joe, don't you?
03:26All right, Sam.
03:27Off to school?
03:28Obviously.
03:29I thought I'd show him around the site first.
03:32What do you think of the flag?
03:34It's not a flag.
03:35It's a football shirt.
03:37Can you name the team?
03:39Call them a team.
03:41Come on, let's have a look inside.
03:50I like him.
03:51He's more discerning than his mum, isn't he?
03:55Look, we're going off to Pippers.
03:57I said we'd be finished by Friday.
03:59Trevor, Trevor, Trevor, Trevor.
04:01What, what, what?
04:03How many times don't make promises you can't keep?
04:05Which means don't make promises.
04:07Full stop.
04:08Well, look, we'll have to do something there, Joe.
04:09Otherwise, we don't get paid.
04:11There's no point in carrying on without a skip, is there?
04:15We work here till half past nine.
04:18I'll get us a skip.
04:20Don't get brain damage, will you?
04:22Look, don't get me wrong, Arnold.
04:27I know you should be allowed to supply skips to whoever you want.
04:30All I'm saying is that Pervis and Pervis won't be around for very long.
04:33Whereas you, look, you and me, Arnold, Arnold, you and me will be doing business for many years to come.
04:40So you've got to decide who's more important, them or me.
04:43Good man.
04:45Keep me informed.
04:47Oh, don't mind me.
04:49Finished anyway.
04:52Onwards and upwards.
04:57Wake me up before you go, guys.
05:00I've made some tea.
05:10Oh, lovely.
05:12Got your brisket?
05:13Of course.
05:16Well, you're doing a brilliant job.
05:17Is it nearly finished?
05:19Oh, thanks, sir.
05:20Maybe.
05:21Now, Trevor, don't tease me.
05:23Yes, Trevor, you mustn't tease the client.
05:26Isn't he naughty?
05:27Oh, he's evil.
05:29Time for a tea break already?
05:31It's first one today.
05:32I wasn't complaining, just wondering if there was a cut for me.
05:36In the kitchen?
05:37To work is only out here, Jeff.
05:38Excuse me.
05:40Thanks to your early morning serenade, I've been working since 7.30.
05:44I saw you.
05:45Tapping away on your keyboard.
05:47I thought you got the sack?
05:49No, I'm a freelance now.
05:51Ah, unemployed, as we say, in your castle.
05:54Actually, I'm setting up my own company.
05:56All right.
05:57How many people?
05:58Just me.
06:01Unemployed.
06:01So, given that I'm working from home now...
06:04He'll need a proper office.
06:07And you'd like Purvis and Purvis to build it?
06:10If the price is right.
06:12You mean if it's cheap?
06:13Look, my payment wasn't enormous.
06:16I've got enough for a basic conversion.
06:18Now, can you do me a quote?
06:19Well, George is the quotes.
06:20Yeah, but George, you know, hasn't seen what needs to be done.
06:23Well, where is Joe, anyway?
06:24Doing another job somewhere?
06:26I think so, yeah, maybe.
06:28But we've got Trevor, who's marvellous.
06:31Morning.
06:33For God's sake, Becky, put some clothes on!
06:35When I've had my shower!
06:37You'll have to talk to her.
06:39Jeff?
06:40Er, well, you know, like I say, we can leave Joe out of this and I'll do you a quote myself.
06:44Trevor.
06:46Do you want this job or not, Simon?
06:52Aye, I want it always.
06:56Lower the sills.
06:58To meet the floor level.
07:02No, no, I don't think so.
07:05What are you saying?
07:07Leave what it is and slap some paint on?
07:09No.
07:10I just want to do a decent job, that's all.
07:12Then use your imagination.
07:15How do you know I've got one?
07:17I'm just guessing, am I wrong?
07:22Look.
07:26See what I mean?
07:29Open all this up.
07:31Lots of glass.
07:32You've got sunlight streaming through here.
07:34Open up that volume of space there.
07:36Sunlight streaming through?
07:37You mean I'll be able to see out the window?
07:40Oh.
07:41I was thinking a bit of a new bandling.
07:45Fitted sideboards hanging off it?
07:47Oh, please tell me you're joking.
07:48Black marble floors each of the bathrooms with gold-plated towel rails.
07:53You are joking.
07:55Aren't you?
07:56Of course I am.
07:57Hey.
07:58Well, not that different you and me.
07:59What are you going to do about it like?
08:20Come on, man.
08:21Get out of your way.
08:22Come on, come on, come on.
08:25Come on down, come on.
08:26My first school's like this.
08:32Same smelling, huh?
08:35Which part of Newcastle is there?
08:38Would it mean anything about all of you?
08:41I was at college there for five years.
08:43Ah.
08:45I met Richard there.
08:47Sam's dad.
08:49We got married in Newcastle.
08:53Where is he now?
08:54London.
08:55You see much of him?
08:58When I drop Sam off, when he brings Sam back, that's all.
09:01Richard's a very ex-husband.
09:04Is he?
09:06Ah, well.
09:08Now, can he lie to you or Sam?
09:10He asked if we could knock his school down next.
09:13Been there, felt that.
09:15Oh, he was only joking.
09:16You know what kids are like.
09:18No.
09:19Have you got kids?
09:22Just the one.
09:23Girl, boy?
09:25Girl, Josie.
09:27How old?
09:29Same age as Sam.
09:32Don't see her anymore.
09:33I can't believe you've still not got a girlfriend.
09:40I'm just waiting.
09:41What for?
09:43I don't know.
09:47I like that Claire, though.
09:49Who?
09:51Claire.
09:51Nick Costello's sister.
09:52Oh, either one you took for a bevy.
09:55I rang her up to try and explain about the auction, but she hung up.
10:02So you gave up?
10:04Well, wouldn't you?
10:06No, man.
10:07Get in there.
10:08Can you imagine it?
10:13No.
10:16Lie down.
10:18Close your eyes.
10:21Come on.
10:21Close your eyes.
10:24Come on.
10:24What about now?
10:33Now it's gone dark.
10:37A sunken garden in the valley of the two roofs.
10:40Lightweight metal decking.
10:41Just picture it.
10:44Oh, hang on.
10:45Tell you what I can see.
10:48It's going to cost a fortune.
10:49This is my favourite time.
10:56And you can feel the possibilities.
11:04Can it?
11:07Can it?
11:11I like that.
11:19Costello's.
11:24Hello, Claire.
11:24It's Trevor Purvis here.
11:26Who?
11:27Trevor Purvis.
11:29Oh, Trevor Purvis.
11:31The lying, deceitful cheating, Trevor Purvis.
11:33I remember.
11:35Yes, of course I remember.
11:37Well, sorry to bother you.
11:38I just wanted to explain what happened.
11:45You still there?
11:47Yes, Trevor.
11:48I'm still here.
11:49It wasn't my fault.
11:52I'm sure it wasn't, sir, but I need that in writing and I need it tomorrow.
12:00Tomorrow?
12:02Trevor.
12:03With me.
12:04I'm on the phone.
12:07Hello?
12:09Hello?
12:13I'm finished.
12:14I think I'm, uh, off of that there, Becky.
12:22Shut up!
12:22Now, you said 7.30 a.m.
12:28That was nearly 11 hours ago.
12:30Are you sure it was today?
12:31Not next week.
12:32It was you.
12:33I spoke to you, wasn't it?
12:33No.
12:34Not me.
12:35Maybe that's the problem.
12:36Did you speak to Arn?
12:37Arn?
12:38Arn?
12:38Sarge!
12:39Arn?
12:40You's cocked it up.
12:41Listen, mate.
12:42Don't get stroppy.
12:43We'll sort it out.
12:46Arn?
12:48Arn?
12:49Arn?
12:49Where are ya?
12:50These blokes say they've paid for a skip delivery this morning.
12:56And you missed the game last week.
12:58Sorry.
12:58Look, a good sub is worth his weight in gold, Jeff.
13:01And luckily no-one got hurt, so we didn't need you, but we might have done.
13:04Well, I didn't think anyone would notice.
13:06I thought maybe you were worried about seeing me again after you gave me the sack.
13:09That really wasn't my idea.
13:12Pippa got it into a...
13:13You don't have to apologise to me, Jeff.
13:15I know what women are like.
13:17Hiring those cowboys.
13:18Have they told you what they're up to?
13:23With the conservatory?
13:25No, no, with the other job.
13:28What other job?
13:29A school at the end of your road.
13:32God, they kept it quiet.
13:32The crafty bastards.
13:34Sharper than I thought they were.
13:35No doubt it'll all come out in a wash.
13:40Same again.
13:42Don't be stupid.
13:43No, I'll get them.
13:44I am the one with the job.
13:48Dave.
13:52Yes, Nick.
13:53A pint of lager, a pint of pizza, please.
13:54Thank you, mate.
13:55Cheers.
13:57Wank.
14:02Did you have a good day?
14:04Yes, I had a good day.
14:05Now, upstairs, I've got work to do.
14:07What was Joe like?
14:12He was fine.
14:15Is he always going to be here?
14:19No.
14:20Now, off you go.
14:23I'll come down after my bath.
14:25No, Sam, straight to bed.
14:27Good night, Sam.
14:28Good night, Tom.
14:29I got you a beer.
14:32Oh, no, thanks.
14:33Are you sure?
14:34Yeah.
14:41She died.
14:42Really?
14:44You couldn't turn that down a bit, could you?
14:45Missing, presumed dead.
14:49Mauled to death by gorillas.
14:51Apparently, she was an animal conservationist.
14:56Disappeared in the middle of a rainforest.
14:59A week later, a gorilla strolled into the camp
15:01wearing a blue Gore-Tex jacket and a bra.
15:05Can I pace?
15:08No, Trevor.
15:09It's not my fault we can't get a skid.
15:11You're the one who gets things wrong, remember?
15:13I'm surprised Viv isn't coming to the pub.
15:16You're never apart these days.
15:18Still working.
15:19Oh, so you did ask her.
15:21Give us some money, will you?
15:22What for?
15:22I might want to go out later.
15:24We'll go now, now.
15:25Well, I can't buy you a drink.
15:27You never do.
15:28I might have had some money.
15:30Well, you're not getting any.
15:32You're a bit like Trevor in that respect.
15:35Not getting any.
15:40Nightclub?
15:42Planning permission was granted for residential dwelling.
15:45Maybe so, but a nightclub's what's being built.
15:48You should be calling a bike shed, I gather.
15:50Well, they can't do that.
15:52I'll get in touch with the council.
15:54I'll object.
15:55You make sure you do, Jeff.
15:56Otherwise, your lovely daughter will be surrounded by druggies and ravers every night of the week.
16:00And don't let that Trevor Purvis sweet-talk your wife into taking his side.
16:06She might think the sun shines out of his arse, but I'm telling you, he's well dodgy.
16:10Right, I'm off.
16:15Chin up, Geoffrey.
16:18See you later.
16:22Evening, lads.
16:24How's it going?
16:26Oh, are you off?
16:27What a shame.
16:28That's the last you're awake.
16:37Mine's a pint, Trevor.
16:38I have some service here, please, med.
16:44Evening, Mr. Marriott.
16:45All right, Geoff.
16:46Fancy a pint?
16:48You've got a nerve coming in here.
16:51Rough pub, is it?
16:52Oh, and by the way, you're fired.
16:55You can forget about the loft conversion.
16:57I'll find someone I can trust.
16:59What loft conversion?
17:04Give Simon a hand.
17:09Why didn't you tell me about this loft conversion?
17:11I was going to.
17:15I do the courts.
17:17Geoff asked me.
17:19And now he's sacked you.
17:23Why?
17:25I don't know.
17:27Now, who was he in the pub with?
17:29Nick Costello, sir.
17:30Think about it, Trev.
17:34Think.
17:36Geoff was drinking with Nick Costello.
17:38It's the same Nick Costello who got you sacked off your last job.
17:42And I suppose it was Nick Costello who stopped us getting our skip.
17:46I hate to say this, Trevor, but I think you might be right.
17:52I never lied to you.
17:58I wouldn't do that.
17:59You just never asked what the other job was.
18:02I trusted you, Trevor.
18:04I thought you were an honest person.
18:05I am.
18:07Look, if you think we won't get the conservatory finished, you really needn't worry.
18:11I'm not worried about the conservatory.
18:13It's the school.
18:14It makes me want to cry.
18:16Sorry?
18:17How will we sleep at night?
18:20We'll knock off when it gets dark.
18:22There'll be very little noise.
18:24The place will be full of drink and drugs and loud music.
18:28We can turn the music right down.
18:30I admit we sometimes have a lager at the end of the day, but we have never, ever done drugs.
18:34Me and Joe, anyway, you never know, Simon.
18:39I'm not talking about you.
18:42Well, what are you talking about?
18:44The clubbers.
18:45The ravers.
18:46The punters.
18:48They're turning the school into a nightclub.
18:52Aren't you?
18:54No.
18:57Nightclub?
18:57Nah.
18:58That's a kitty.
19:00There's no worries on this side of town.
19:01There's highlights.
19:02Oh, please.
19:03What, do you want to go somewhere you're in?
19:05Tonight?
19:06What time?
19:08He was talking to me.
19:09Becky?
19:10Nah, it's all night.
19:11I wouldn't mind a threesome.
19:13Nah, I bet you wouldn't.
19:15He didn't mean it like that.
19:18Didn't I?
19:19Oh, you're terrible, you two.
19:22Aye.
19:23We're very naughty.
19:30No!
19:33Joe, you're right.
19:35It is, Costello.
19:38And what exactly do you think he's done, Sherlock?
19:42Well, obviously, he's been the one who's been saying stuff.
19:46You know, saying that we're not up to the job.
19:49Bollocks, Trevor.
19:51Hang on.
19:52Why is it bo...
19:53Is it just because I'm saying it?
19:56Well, you poke a load of crap most of the time.
20:00Oh, aye, but every now and then, I get it right.
20:02And you know that, and that's why you're not listening to me.
20:05No, it's because you never say anything about listening to.
20:08No!
20:09No!
20:09No!
20:09Well, unless it's something about top-secret love conversions.
20:16Yeah, but at least we could have done that job, honestly.
20:20Just leave it, will you?
20:21Get back to the school.
20:24Aye, you mustn't keep a ladyship waiting.
20:26What's that supposed to mean?
20:35Well, you're always going up to see her.
20:38Lit-secret meetings with her.
20:42Honestly, Joe, she says jump, and you do.
20:47Now, Viv's just somebody who works for me.
20:49She's no different to you or Simon.
20:52I don't work for you.
20:54No, I mean, we're...
20:57It is Purvis and Purvis.
21:00We're equal.
21:03No.
21:04I think you'll find I'm a little more equal than you.
21:08I pull my weight.
21:11Yeah?
21:13Well, pull it over to Pippa's then,
21:15and get us some cash.
21:19Right.
21:24I'd still love you to do the loft.
21:32I'll talk to Jeff.
21:33Well, I'll try and talk to him anyway.
21:35So you're not a great listener, then?
21:38Don't get me started on Jeff.
21:41Look, I'll do what I can, but I don't expect any miracles.
21:43I don't suppose you've been to the bank lately.
21:50I'd be on site all the time.
21:55When you wanted to work in here, I could move my stuff somewhere else.
21:58It's just impossible to work at Liz's with Sam and...
22:01Hey, hey, hey.
22:03But I think it's a great idea.
22:04And I'd pay rent.
22:07Of course.
22:08Cash.
22:09It makes sense, doesn't it?
22:11Perfect sense.
22:12When can we do it?
22:14As soon as you like.
22:15Fantastic.
22:17I'll get packing.
22:18I'll give you a hand.
22:20Yes.
22:22There's not going to be a nightclub.
22:25Trevor promised me.
22:26And you believe him?
22:27A man who's back from his last year off at Pilgrim?
22:30I don't trust him a lot more than your friend Nick.
22:32He definitely got fired.
22:33I thought we called it voluntary redundancy these days.
22:36Hey, look, there's my stuff in there.
22:39Well, you obviously don't need it.
22:40It's up in my loft.
22:41Oh, your loft?
22:42If there's any other junk you want to get from up there,
22:44you'd better get up there.
22:45It's not junk.
22:47It is junk.
22:47Leave me alone.
22:49Just leave me alone.
22:50The whole house.
22:54Hiya.
23:01I'm Lizzie.
23:03Joe.
23:04What are you up to?
23:07I'm helping your mother.
23:10Fancy again?
23:11No, thanks.
23:15Kids.
23:16Yeah.
23:18Buy them, Lizzie.
23:20Yeah.
23:21See you, Joe.
23:22Joe.
23:22For God's sake, you're meant to have this skip collected.
23:35Fire me then!
23:43Oh, no, you already have.
23:46Oh, no, you already have.
23:47Mm-hmm.
23:51But I'll never get to see you.
23:53It's hardly a big move.
23:55It's only down the road is half cow.
23:56So why go to all the trouble?
23:58Because it's difficult to work here.
24:01And there's no other reason.
24:03Such as?
24:04I've seen you looking at that show.
24:06Actually, I've done a lot more than just look.
24:10You?
24:12When?
24:14God, that was him here.
24:15Calm down, calm down.
24:17Don't get so excited.
24:18Can you blame me?
24:19Look, this is a man who lives in a mobile home
24:24with half his family and all his worldly goods.
24:27It is not going anywhere.
24:30So?
24:31So, nothing.
24:33It's purely business.
24:35Oh.
24:38Well, from now on, obviously.
24:41Purely business?
24:43Yeah, I just said so, didn't I?
24:44Now, are you going to give me a hand with this lot?
24:49Nice place, you've got it.
25:05We like it?
25:06Yeah.
25:08We being who?
25:10Exactly.
25:13What's it got to do with you?
25:16Just call me curious.
25:17I'll call you what I like.
25:20No, don't take the piss.
25:21There's a love.
25:23I might change my mind.
25:26About what?
25:29Helping you.
25:31I'm serious.
25:33Look, let me buy you out.
25:36You can still work here.
25:38For me.
25:40Save you all sorts of grief.
25:43You're going to make me enough I can't refuse?
25:45Well, you can refuse it.
25:46I wouldn't.
25:49Bloody hell, these are heavy.
25:51Vivian!
25:52Hello, Nick.
25:53What are you doing here?
25:55He's just leaving.
25:57Am I?
25:58Oh, yes.
26:04I am very, very sorry.
26:08What's he sorry for?
26:15Being a prick, I expect.
26:18Oh.
26:23Is that working now?
26:25Should be.
26:26Joe's been hassling the cable company all day.
26:28Thanks, Joe.
26:34Oi.
26:35Sitting on your arse floor.
26:37There's work to do.
26:38Come on, schnell, levide.
26:41Thanks, Joe.
26:44You're all right.
26:48Thanks, Joe.
26:52Have you got a problem, Trevor?
26:53Trevor.
26:55Yeah?
26:58Trevor, I've got a ten-year-old son.
27:00I know when no means yes.
27:03And I recognise a major sulk when I see one.
27:08Sorry.
27:10It's not you.
27:12It's you and Joe.
27:14What about me and Joe?
27:19He's only bought this place to impress you.
27:23A bunch of roses would have done the trick.
27:25You should have talked him out of it.
27:27It's a fantastic opportunity.
27:29For you and him.
27:31This goes pear-shaped.
27:32It's us finished.
27:34Me and him, I mean.
27:35I'm not going to come between you and your brother, Trevor.
27:37I'm just excited by the chance of doing some good work here.
27:41It could be the start of something big.
27:44For all of us.
27:48You're just like Joe.
27:52God, I hope not, Trevor.
28:02You're very patient with him.
28:05I wouldn't let him talk to me like that.
28:09Used to it, I suppose.
28:12Is he older than you?
28:14A couple of years.
28:20I always wanted a little brother for Sam.
28:23It's nice to have someone to play with when you're younger.
28:26Not when he beats you up.
28:28Oh, has he always been a bully?
28:32Bully?
28:34Liar.
28:36Cheat.
28:38You've got to watch Joe.
28:39He takes what he wants and then he moves on.
28:44What's he been saying?
28:48About what?
28:49About us.
28:53You and me.
28:55Me and him.
28:56I'm not with you.
29:01No, neither is Joe.
29:03Sorry?
29:05It's not you should be, sorry.
29:06It's your brother.
29:07I couldn't use your fax machine, could I?
29:24Dear Claire, I hope you get this and I hope you read it.
29:27Because I just wanted to tell you that I had nothing to do with what happened at the auction.
29:35What's your record?
29:38Six and a half.
29:38All right, load her up.
29:51I'll give in, what is it?
29:54It's instead of the skip that Costello sabotaged.
29:58It is a skip, isn't it?
29:59I can start taking that stuff down the dump.
30:02Is that where you found the van?
30:05Look, it's a good runner and a lot of space in the back.
30:08Where did you get it?
30:14Joe!
30:15Where did you get the van?
30:17Don't worry, Trevor, it's all legit.
30:19Aye.
30:20Aye.
30:21Give us a little...
30:26They're supposed to have sent this bit off.
30:30To the DVLA.
30:32Trevor!
30:33Yeah.
30:34When?
30:36I...
30:38Well, if it has to be, it has to be, I suppose.
30:42Ah!
30:44Sorry.
30:46No, no, it's just my little boy being silly.
30:50Right, see you then.
30:52Yeah.
30:53Bye.
30:56Bad news.
30:57The planning committee want a site visit.
31:02Fine.
31:03Fine?
31:04This is not normal, Joe.
31:05Someone's made objections to the council.
31:07They want to come tomorrow, and I am nowhere near ready.
31:10Don't worry about it.
31:12I'm a B.M.
31:13Whoa!
31:14Bloody hell!
31:15Sorry.
31:16Oh!
31:16Look what you've done, you stupid!
31:18Oh, did I save it?
31:25Oh, please, God, tell me I saved it.
31:30Right, don't worry.
31:31Be fine.
31:31You stupid!
31:47You just don't get it, do you?
31:50This visit...
31:51We have to prove we can do this job.
31:56We can?
31:57I can.
31:58What about you?
31:59Well, it seems to me that you need to relax.
32:05Look, what do you say?
32:06We'll have a nice meal, a bottle of wine...
32:08I'd say, sorry, I've got work to do.
32:11I have to make complicated amendments to plans that need to be ready by tomorrow,
32:15and I'm working with a complete dickhead who won't take no for an answer.
32:22Not tonight, then.
32:23Oh, jeez!
32:24Oh!
32:25Oh!
32:25Oh!
32:26Oh!
32:29Right, we're on for a club tonight.
32:45Well, I carry you, then.
32:46And I film, there's an air-multi-screen down there.
32:48I'm knackered, man.
32:49Yeah, me too.
32:51Look at you. You're like a couple of pensioners, man.
32:54I didn't come down to Brighton for this.
32:56I want to live fast, die young.
32:58Can you lend a tenner?
33:02Go on, then.
33:04Don't be out all night.
33:05And don't wake us up when you come back in. Big day tomorrow.
33:09You're very sad. Did yous know that?
33:19I don't think we're sad.
33:20Of course we're not, man.
33:23We're fast out of here.
33:27Quaver?
33:28I'm alright.
33:36You know how you're always saying I've got a big mouth?
33:42Oh, what have you said?
33:43Then who to?
33:45I was chatting to Viv.
33:47I haven't said anything bad.
33:49What, you opened your mouth?
33:53What, like words came out?
33:56Oh, Jesus.
33:58I just thought if she's going to be working with us,
34:00you might as well know what you're like.
34:05I just thought...
34:06No, Trevor.
34:10You didn't think.
34:19Do you want a scotch with the next one?
34:22Of course.
34:31Go on, then.
34:35Richard.
34:36Say them again.
34:37A couple of scotches.
34:38Ladies and gentlemen, now.
34:46I'd like to start by saying welcome.
34:50Welcome?
34:50Well, obviously, the project, we can't go ahead without your approval, so...
34:58Any questions you have about the school, just shout them out.
35:04Ask me quietly.
35:08Can we get home, please?
35:10Absolutely.
35:13Happy to oblige.
35:14Why don't I lead the way?
35:15I know you're pressed for time, Bob.
35:18Sort yourself out.
35:20Some of you know the way I work, Bob especially.
35:24As you'll see from the plans, I'm proposing minimal intervention to the existing clearance,
35:29and the staff will remain uncharted.
35:34We'll be maintaining the existing fabric, both internally and externally.
35:39Obviously, the project has been designed to be sensitive to the requirements of the people adjacent.
35:44It's low density, with private car parking, which can be integrated into the newly landscaped site.
35:50Um, if you have any questions, please don't hesitate to ask.
35:59So when will they say?
36:03Well, don't you care?
36:05Right now?
36:06No.
36:08You can't take the piss anymore, you know, can you?
36:10Still drink you under the table, pal.
36:12Yeah?
36:14How are we then?
36:17Later.
36:17You're all mouth, lad!
36:21Are you coming to the committee meeting?
36:24It's the quickest way to get the results.
36:26Try and stop me.
36:28I, er...
36:29I couldn't get a lift, could I?
36:31Sure.
36:31My car's just round the corner, if you don't mind a bit of a squeeze.
36:43I'll be back soon, darling.
36:44Okay.
36:45See if he's home, she'll call you a supper.
36:46I'll be back soon, darling.
36:47I'll be back soon, darling.
36:48I'll be back soon, darling.
36:48I'll be back soon, darling.
36:49I'll be back soon, darling.
36:49I'll be back soon, darling.
36:50I'll be back soon, darling.
36:50I'll be back soon, darling.
36:51I'll be back soon, darling.
36:52I'll be back soon, darling.
36:53I'll be back soon, darling.
36:54I'll be back soon, darling.
36:55I'll be back soon, darling.
36:56I'll be back soon, darling.
36:57I'll be back soon, darling.
36:58I'll be back soon, darling.
36:59I'll be back soon, darling.
37:00I'll be back soon, darling.
37:01I'll be back soon, darling.
37:02I'll be back soon, darling.
37:03I'll be back soon.
37:04I'll be back soon, darling.
37:05This is Mario!
37:30This is Mario!
37:31This skips on fire!
37:35I hope we get the planning permission.
37:43This is Trevor Purvis speaking here.
37:46I'm coming round to the idea.
37:49She can be very persuasive and live.
37:52Jeff!
37:54Jeff, help me!
37:56Help me, Jeff!
37:58Someone help me!
38:00Somebody help!
38:24Help!
38:25Help!
38:26Help me!
38:36Help me!
38:38Help me!
38:39Help me!
38:40Help me!
38:41Help me!
38:43Come on, go to my office.
38:45Come on, hold my arm.
38:49Hold my arm.
38:50You're okay.
38:52Jeff!
38:52Trevor!
38:53Come on!
38:58Get away!
39:01Take yourself down on the wall.
39:02Come on.
39:04You take something to the wall?
39:06Let it go.
39:06Do you want an ambulance, George?
39:11I'm alright.
39:13River?
39:14Thanks to you.
39:16You stupid bastard.
39:19You should have had that skip emptied last week.
39:21This wouldn't have happened if you'd done what we asked.
39:23Are you sure you're alright?
39:24You nearly killed.
39:25No, Jeff.
39:26He saved my life.
39:54Everyone thinks you're a hero.
40:03I did quite a bit to help them all.
40:07Funny how nobody noticed me.
40:11Are you in shock or something?
40:15Who started the fire?
40:17Sam said it was that councillor.
40:19Bob threw a cigar into the skip.
40:26I've got some Savl on.
40:31Not at the minute, Trevor.
40:48Hello, lads.
40:50Is Joe around?
40:51No, he's lying down.
40:52I think saving your wife's life took a lot out of him.
40:57I'm very grateful to him.
41:00And to you both, obviously.
41:03Here's a little gesture.
41:06Here's another.
41:09We'll see that he gets it.
41:13Anything else?
41:15There's a conservatory.
41:17And a loft conversion, if you want it.
41:19And a loft conversion, if you want it.
41:21There's a little bit there.
41:24Right.
41:25Open the loft, then.
41:26Hi.
41:27Well done.
41:28Whoa, man!
41:30You stink!
41:31Right, open the loft then.
41:35Aye, well done.
41:37Oh man, you stink!
41:40Yeah, it must be from the fire.
41:42Yeah, well I think it's washed the heads of it.
41:44I mean, it's got the laundry.
41:46Now, sort out yourself, Simon.
41:48Come with me.
41:49Here we go.
41:55Costello's gone too far this time.
41:57I mean, it's one thing to stop us getting supplies.
41:59Yeah.
42:00It's one thing to stir up the planning committee.
42:02One thing to start rumours about a nightclub.
42:04That's three.
42:05Trevor, Pippa nearly burned to death.
42:09It was an accident.
42:11Well, he might not have started the fire, but it was his fault that Skip was still there.
42:14Do you want me to come with you?
42:16Just keep an eye out.
42:21For what?
42:29Pervets.
42:30Costello.
42:31Claire?
42:32Trevor.
42:33I've forgotten what you look like.
42:34What are you doing here?
42:35I just want to talk to you.
42:36If my brother finds you, he'll tell you apart.
42:37I don't care about your brother.
42:38I bought you a present.
42:39What is it?
42:40A perfume?
42:41I don't care about your brother.
42:43I bought you a present.
42:45I've forgotten what you look like. What are you doing here?
42:51I just want to talk to you.
42:53If my brother finds you, he'll tell you about it.
42:55I don't care about your brother.
43:01I bought you a present.
43:05What is it? A perfume?
43:08I don't think so.
43:13Whiskey.
43:14Cheers.
43:15Do what you like. I'm staying here.
43:20What are you?
43:21In Brighton.
43:23On my building site.
43:25I want to explain about the school.
43:27I'm not interested.
43:28I'll tell you anyway.
43:29I'm not listening.
43:30I'll make you.
43:31You can try.
43:31Well, what happened was...
43:33La, la, la, la, la, la, la, la, la, la, la, la, la.
43:37What happened was...
43:38La, la, la, la, la, la, la, la, la, la, la, la, la.
43:42Are you going to let me...
43:43La, la, la, la.
43:44La, la, la, la, la.
43:49Either way, I got your fax.
43:52Good.
43:54Thanks for that.
43:56And this.
43:57You know, you think you're hard.
44:11You're just another sudden wonder.
44:13I'm Irish.
44:15Irish wonder with a sudden accent.
44:17Will that do you?
44:17Yeah.
44:18That'll do nicely.
44:21It's my elbow!
44:22And...
44:23Trevor!
44:30What the hell are you playing at?
44:31Jesus, Claire!
44:33Hello.
44:34You ready to go?
44:36You get your brother off my sister.
44:38No, no, no.
44:39You keep your sister.
44:40We're from my brother.
44:41Gladly.
44:41Claire, come here!
44:43In a minute.
44:44Now!
44:46Put her down, Trevor.
44:48I'll see you later.
44:51Call me.
44:52What are you doing?
45:08It's no one in.
45:12Did you get my washing?
45:13Aye, it was crawling out the van when I stopped it.
45:16And Joe's?
45:16I've got it all except for what you've got on.
45:20I'm not taking these off.
45:22You are?
45:24Come on, everything except your boxers.
45:28I don't wear boxers.
45:31And your white front's dead.
45:33Don't know how you can stand them.
45:35I like the support they give.
45:37Well, it reminds you of Karen, does it?
45:39Haven't your knackers squeezed?
45:41Sure did.
45:46Hello, boys.
45:52Having fun?
45:53We didn't think there was anyone in.
45:55Otherwise, we would have asked.
45:57Sorry.
45:58It's all right.
45:59After what you did for my mum earlier today,
46:01use whatever you like.
46:02Help yourselves.
46:04And I brought you a little present myself,
46:06just to say thank you.
46:08Why?
46:10Yeah, it's upstairs.
46:12Simon, do you want to come and see what I've got?
46:14Yes, please.
46:15Simon, put some clothes on.
46:20What for?
46:21They're coming off in a minute.
46:25Eh?
46:27Simon!
46:28Simon!
46:40Didn't know you were back.
46:43Well, here I am.
46:45What are you doing?
46:52My job.
47:00We've got planning permission.
47:01Well, that's brilliant.
47:08And that is down to you.
47:12Do you think so?
47:13Oh, yeah.
47:21Listen.
47:21I think you've got the wrong impression about...
47:24No.
47:26You've been given the wrong impression about me.
47:30You should never, ever listen to Trevor.
47:34Maybe you shouldn't tell him so much.
47:37I didn't tell him about us, Viv.
47:40That's not to say you won't.
47:41True.
47:42True.
47:44True.
47:46Just leave it.
47:51Let's celebrate.
47:55Shouldn't we?
47:56Isn't that what workmates are supposed to do?
48:02I mean, it is, isn't it?
48:05If it wasn't me, would you go for a drink?
48:09It's not a date.
48:12It's two people.
48:13And a pub.
48:14John, John, come and play football with me.
48:17Hang on, hang on.
48:19He might not want to.
48:28Yeah, I'll be crap.
48:30I'm still a bit sore from the fire.
48:33What fire?
48:34Oh, it's excellent, Mum.
48:36The fire brigade came.
48:37And Mrs Marriott, she nearly got burned.
48:39But Joe came along and he pulled her out.
48:42So if Joe wasn't there...
48:44Slow down, slow down.
48:45Then Mrs Marriott...
48:46Well...
48:48What's all this?
48:51I'll tell you later.
48:53After the match.
48:55How are you, Sam?
48:56How are you, the lads?
48:57No, no, no.
48:58It's how are you, the lads?
49:00How are you, the lads?
49:01How are you, the castle?
49:02How are you, the castle?
49:03That's my name.
49:05How are you, the lads?
49:07How are you, the lads?
49:08How are you, the castle?
49:09How are you, the castle, the lads?
49:11How are you, the lads?
49:12How are you, the lads?
49:14How are you, the lads?
49:16How are you, the castle, the lads?
49:19You what?
49:25I'm just saying.
49:27Be careful.
49:30Costello wants to get rid of us.
49:32Might use his sister to help him.
49:35Oh, so you think Nick made Claire go out with me?
49:38Who knows, Trev?
49:39Rubbish.
49:42She likes us, it's as simple as that.
49:47Where's Simon?
49:51Says he'd rather sleep at the school.
49:56You know he's going out with Becky.
49:58Oh, Becky?
50:01What, as in Pippa's daughter?
50:04Afraid so.
50:05Oh, well, there's a lot of conversion up this swanny then.
50:08Yeah.
50:09He's with her now.
50:12Probably, you know.
50:14I can see why you like Viv.
50:27I think she's great.
50:28You, uh, you're seeing her.
50:35I mean, I know you're seeing her at work, but, uh, after work.
50:41Trevor?
50:42Shana?
50:44Shana?
50:45Shana?
50:45Shana?
50:45Shana?
50:46Shana?