情熱大陸 2025年3月16日 中島洋二（サンバダンサー・＃1344）
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00🎵
00:30I'm looking forward to it.
00:32Yes, I'll do my best.
00:40The country of samba is the hottest in this season.
00:47Rio's carnival started two weeks ago.
00:53The highlight is the world's largest parade.
01:00In fact, this parade is also a spectacular contest.
01:09Teams compete for the sense of unity of the dance and the artistic quality of the costumes.
01:20Teams aiming for each region like soccer aim for the top leagues.
01:25If you stand at the top, you'll get a prize of one hundred million yen.
01:32In the top leagues, there are Japanese dancers who have been competing for 28 years this year.
01:39Samba dancer Yoji Nakajima.
01:43He is a reliable foreign skater.
01:48It's like a dream.
01:50The way he calls the audience.
01:52The school of samba needs to be enchanted.
01:56His achievements are known in Japan.
01:59He was also featured in a movie that is currently being released.
02:21However, as long as he is not a local top dancer, he does not participate in the carnival.
02:32The life of going to Japan and Brazil is all about bringing it out.
02:40Many people will experience happiness.
02:44I don't feel like I'm sending my family to Brazil.
02:48I don't feel like I'm sending my family to Brazil.
02:52I don't feel like I'm sending my family to Brazil.
02:59There is nothing that shines without a can.
03:03The 52-year-old who talks like that is dancing.
03:06A moment.
03:09The temperature is 37 degrees.
03:12Rio de Janeiro is in the midst of summer.
03:18Nakajima appeared in a different place than he had promised.
03:23It's been a while.
03:24It's been a while.
03:25I'm sorry.
03:26I'm sorry.
03:27I'm sorry.
03:28I'm sorry.
03:29I'm sorry.
03:30I'm sorry.
03:31I'm sorry.
03:32I'm sorry.
03:33I'm sorry.
03:34I'm sorry.
03:35I thought there were more people.
03:39He says he spends every year in the area two months before the carnival.
03:51Excuse me.
03:52Sure.
03:53He has been living in Japan and Brazil for 30 years.
03:56He has been living in Japan and Brazil for 30 years.
04:05You are some ldk
04:10He show your dog no okay, but also stay here. Why each name or toast a cricket
04:21Hajimata, no, no, no, no
04:31Dancer, no, he's gonna take a kid on his lashing
04:35The design is instructed by the team's director.
04:59Since the costumes are also the subject of the festival,
05:02He continued the trial and error until just before the actual production.
05:09The triangle is straight here, and it looks like a horn.
05:12It looks cool in the design, but I thought it wouldn't look good on my face.
05:19So I changed it a little.
05:26There are some parts that he is particularly particular about.
05:32You attach this here.
05:35He went to China and collected the materials himself.
05:38It's a strong spring.
05:42This is about it.
05:44Wow, that's amazing.
05:46That's a lot of springs.
05:48Yes.
05:49But in terms of position and location, it's not this much.
05:53It's heavy.
05:54It's like the wings of a chicken's butt.
05:56It's short.
05:57The rest are all fabric wings.
05:59The type of fabric is different.
06:02Nakajima has a lot of travel-related ingenuity.
06:07I have to bring it back to Japan, and then I have to move it.
06:10So when I make something,
06:12I make sure to assemble it so that it can be dismantled.
06:16But I also calculate it so that it can be removed later.
06:20That's why it's like this.
06:23If you roll it up like this, all the small parts will be separated.
06:27To be honest, this is a company secret.
06:30When I make costumes.
06:32I have to finish everything by myself.
06:35I have to make it as compact as possible and not break it.
06:38And I have to go and come back.
06:40I did a lot of trial and error while doing this.
06:43I swear.
06:44I came up with this idea.
06:48Stop it.
06:49Stop it.
06:51Not many dancers ask for costumes.
06:56It was also an important source of income.
07:01It's cheaper to buy here than in Tokyo.
07:06This color is cool.
07:08It's fashionable.
07:10Isn't it?
07:11Isn't it?
07:13It's good.
07:14It's good.
07:16Great.
07:17This one.
07:18This one too.
07:20It's similar.
07:21Very similar.
07:22It's a little different.
07:24It's a little different, but it's close.
07:27It's close.
07:28It's close.
07:29But it's good.
07:30I'll take these two.
07:31These two?
07:32Yes.
07:33What else?
07:34This one.
07:35Are you closing it for me?
07:36Yes.
07:37That's it.
07:38Today I want a dish with vegetables.
07:44There's no Fiji in Portuguese.
07:48People sometimes ask me where I was born in Brazil.
07:59Born in 1972 in Kanagawa.
08:05His father was a former actor.
08:07But he couldn't get a job.
08:13It was harder for Nakajima to take care of his family than to make a living.
08:22Sadness and loneliness.
08:26The bright rhythm of samba permeated.
08:31He was shocked when he first came to the show at the age of 20.
08:38I was in the audience for the first time.
08:41There was a light and I was watching.
08:44The audience seemed to be more excited than me.
08:48I was over there, but I thought I wanted to be on this side.
08:55I said, no, no, no, I want to be over there.
08:58I didn't know if I was on the right or left.
09:00I came from the top.
09:03This music.
09:05Why?
09:22Let's stop.
09:24Can Japanese people play samba?
09:27Can you play samba?
09:29Nakajima started training in Brazil.
09:32The surroundings were cold.
09:36But in just two years, he grabbed an important position.
09:43Since then, he has been making money as a costume maker and dancer in Japan.
09:47He continued to participate in carnivals.
09:57The competition was approaching.
10:08Nakajima went to the team practice.
10:12The number of members is 3,000.
10:19There are also items of harmony and unity in the festival.
10:28The communication between the members unites the hearts.
10:32The parade begins.
10:53The parade must be carried out within the time limit.
11:02The members were checking the tempo while being instructed by the staff of the pacemaker.
11:13Nakajima is a solo dancer who dances in a space set in the middle of the line.
11:24There is no set choreography.
11:28How to get on or get on.
11:33It was the first time in 28 years to hold the key to the excitement.
11:47However, it is difficult for 3,000 people to move at a constant speed.
11:55The line was congested for a long time, and the space in Nakajima was under pressure.
12:03There is also a strong spring of Oubli in the performance.
12:08There was no anxiety.
12:1652 years old.
12:19It is rare to see dancers of that generation in Brazil.
12:33He doesn't think about retirement.
12:38Even so, there are times when his heart is about to break.
12:45At that time, Nakajima remembers a word that his father left behind.
12:51I carry my passport with me.
12:56I always carry this picture with me.
13:00This is a shot of my father in the middle of a movie.
13:05I always carry it with me.
13:08As an actor, Nakajima has a lot of memories.
13:13I remember the time when I was young.
13:16I always carry this picture with me.
13:20He couldn't live as an actor.
13:26It's not admiration, but it's a great influence.
13:32I didn't have the courage to succeed in this world.
13:47I've been successful since I was a kid.
13:52I didn't succeed before, but I've been told to succeed along the way.
14:17The day of the performance.
14:35The main venue, the center of Rio, is full.
14:46The day of the performance.
15:02Actually, Nakajima wasn't just waiting for the team.
15:07He was also waiting for the fight for himself.
15:17The day of the performance.
15:22I have to leave my fingerprints.
15:25I've been broadcasting live for 3,000 days.
15:29Good expressions, good performances.
15:32I can see where the camera is, where the drone is.
15:36I'm looking at all the cameras.
15:39I'm looking at the choreography.
15:42I'm having fun.
15:46It will be broadcasted all over Brazil.
15:51That will lead to the next year's offer.
15:56After class 22.
15:59Between class 22 and 23.
16:02Between class 2 and 3.
16:05Here.
16:10The scheduled time for the start is 1 p.m.
16:13However, the previous team was delayed by more than an hour.
16:22Something is wrong with Nakajima.
16:26I can't swim in such a situation.
16:33Excuse me, I'm going to the bathroom.
16:36Does your stomach hurt?
16:38I'm going to the bathroom.
16:44Class 3.
17:05It started at 3 a.m.
17:13Nakajima was on board.
17:32There was plenty of space to worry about.
17:43I'm going to the bathroom.
17:47The cameramen gather around the completion.
17:52I'm going to the bathroom.
17:55I'm going to the bathroom.
17:58I'm going to the bathroom.
18:01I'm going to the bathroom.
18:04I'm going to the bathroom.
18:07The broadcast was a one-shot of the Dodo Taru.
18:11We even saw a press conference.
18:41I'm going to the bathroom.
18:58Unfortunately, the result was a two.
19:01However, the excitement of the team and the gorgeous costumes were highly appreciated.
19:11Class 3.
19:23While returning from the carnival, another disaster was waiting for Nakajima.
19:32Class 3.
19:35Class 3.
19:40Nakajima visited the team of the Cup League, which aims to win.
19:52The staff of the old house had an offer.
19:55And other Indians will come here together.
19:59Another carnival together.
20:01We went there in victory with our friend.
20:05In this car here, he is the first highlight of this car here.
20:09He comes in this position, behind this angel here.
20:12What was entrusted to him was to dance on the dashi, the last decoration of the queue.
20:21And the best thing for us in the carnival is the championship.
20:26There is no midterm, there is no second, there is no third, there is the championship.
20:31The best is when you win.
20:34The parade venue of the Cup League is an ordinary street in the suburbs.
20:42Visitors are free, and stalls are lined up around.
20:53I really like Brazilians, their culture, their way of life.
20:57I've been here for 28 years, so I'm familiar with the way of life of Brazilians.
21:02In that sense, I really like the way of life of Brazilians,
21:06but I also enjoy the way of life of the carnival.
21:12I love it.
21:22There is no midterm camera.
21:27The parade is full of locals.
21:58This is also, no, this is the carnival.
22:20The summer of samba dancer Yoji Nakajima is over.
22:23Yes, because I'm a girl.
22:27Okay, we're done?
22:57Do you think your life is better here or in Japan?
23:01Wow, what a question you ask!
23:04Well, for me, to work, to make money,
23:09there in Japan is much better.
23:12But for you, to enjoy life here in Brazil, in Rio, is much better.
23:21And when you grow up, what do you want to be?
23:24What is your dream?
23:27Really?
23:30I was like that when I was a child, I always liked to dream.
23:34But for you to achieve your dream, you have to dedicate yourself,
23:38study, do what you like, never give up,
23:43because you are a Carioca, so you can never give up, right?
23:46A Carioca never gives up.
23:49Exactly, so never give up.
23:54Bye.
23:57See you.
24:00Bye.
24:03The dazzle and loneliness of pursuing a dream.
24:08In Rio's sky, light and darkness were melting together.
24:16In the next episode, the character everyone knows, this character,
24:21was actually created by this person.
24:25I want to create a character that only I can do.