ロンドンハーツ 有吉結婚発表後、初収録!マネージャー暴露…芸人取扱説明書
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00:00Even if I explain it carefully, I will forget it the next day.
00:05Tonight's topic is the explanation of how to deal with comedians.
00:10The manager of the company announces the secret behind-the-scenes operation.
00:14It's cute.
00:18What kind of management is that?
00:21Furthermore,
00:22I don't know how to propose.
00:25The first recording after Ariyoshi's marriage.
00:28Hey.
00:29Hey.
00:32It's terrible.
00:33It's not like that.
00:43Two days after the announcement of the big news.
00:47Today, eight comedians have gathered here.
00:51But they haven't told us about their plans yet.
00:54This is too much.
00:56What?
00:57What are you going to do?
00:58Don't you know?
00:59What are we going to do?
01:01It's too soon.
01:03Firstly, I will...
01:05I will...
01:06What did you say?
01:08That's terrible.
01:09That's too soon.
01:11I will...
01:12I will be a man.
01:16He'll be a man.
01:17I'm not going to tease you for the first time in a long time.
01:21I'll do it lightly.
01:25I've never seen him like that.
01:28Oh
01:58I was going to do it this way but I bit it.
02:00You're always good at playing the role of the role.
02:03I know.
02:04I was going to do it this way but I bit it.
02:06You're supposed to be good.
02:08So that's how much you hate shogi.
02:12You're good.
02:13You can marry a hokei.
02:16You're the one.
02:17You can marry a hokei announcer.
02:20That's your dream.
02:22Why am I suddenly playing the role of a hokei?
02:25You suddenly have a dream.
02:27Today, we have someone who was with us in the previous recording.
02:32He's the one who's staying with us today.
02:35It's this person.
02:37Who?
02:38No, no, no.
02:43He's here.
02:44He's here.
02:46He's here.
02:47He's always being teased.
02:50That's right.
02:51There's no chance to tease him like this.
02:54He's always being teased.
02:55It's the opposite.
02:56Are you going to participate?
02:57No, no, no.
02:59Here?
03:00Here, here, here.
03:01Really?
03:02You're married, right?
03:03That's right.
03:05You don't even have a pattern.
03:08You don't even have a pattern.
03:12He's here.
03:13It's not that he's being teased.
03:14It's that he's always being teased.
03:16No, no, no.
03:19You're getting married.
03:20I'm surprised.
03:21Where did you hear that from?
03:22It's boring.
03:23Are you filming on Friday?
03:24No.
03:26What?
03:27Friday?
03:28If you watch this, you'll be married.
03:31I'm curious.
03:32I'm curious.
03:33I'm not married.
03:35It's Friday.
03:36It's Friday.
03:37It's Friday.
03:38It's a holiday.
03:39I'm filming on Friday.
03:41Between the first and the second episode,
03:43I'm the manager of Skeeter.
03:45Do you have any recommendations?
03:47Stop it.
03:48That's enough.
03:49It's Friday.
03:50Tell him.
03:51Tell him.
03:52It's Friday.
03:55There's only one thing.
03:57There's a fan that puts in ice water.
03:59It looks cool.
04:00It's really cool because it puts in ice water.
04:04He's here to tease you, but he's being teased.
04:07He's being teased.
04:11There are a lot of things I want to ask.
04:14I want to ask about the amount of tapioca.
04:17Chassaba!
04:18Chassaba!
04:20You're not good at cards.
04:21Chassaba!
04:24It's not Chassaba.
04:26It's not Chassaba.
04:29Don't be honest.
04:30It's not like that.
04:31Wait a minute.
04:35I want to hear the words of the proposal.
04:37I want to hear the words of the proposal.
04:40Can I start?
04:41I'll start.
04:43What was that?
04:45You have to say it first.
04:46That's not polite.
04:48You have to say it first.
04:50You have to say it first.
04:51Wait a minute.
04:53I'll tell you what the proposal is later.
04:55That's enough.
04:56I don't want to hear it.
04:57I don't want to hear it.
04:58I don't want to hear it.
05:00He said he wanted to hear it.
05:02So...
05:04In front of the Disneyland Cinderella,
05:08I prepared a pair of crow's feet and knelt down.
05:12I said, please be my Cinderella.
05:16You two are divorced.
05:23Have you ever heard the words of the proposal from a divorced person?
05:27That's no good.
05:28It's not helpful.
05:29No, it's not.
05:30He said, please put tapioca in the glass.
05:32Since then?
05:34He said, please put tapioca in the glass.
05:36He said, please put tapioca in the glass.
05:38At that time, tapioca wasn't popular yet.
05:41It's not what I imagined.
05:43It's not what I imagined.
05:45I thought I'd say a lot of embarrassing things.
05:47I thought I'd say a lot of embarrassing things.
05:48I thought I'd say a lot of embarrassing things.
05:49You should sit down.
05:51I wanted to hear the words of the proposal.
05:54That's not the case.
05:55That's not the case.
05:56It's not about the private part.
05:57It's not about the private part.
05:59Because I'm not a dirty person.
06:03But he said that.
06:05Are those the words of a happy man who just got married?
06:10It's a dirty Friday.
06:13It's not dirty, it's clean!
06:15Go home!
06:16Go home!
06:17It's a dream!
06:20It's a dream!
06:21Is he the star of the show today?
06:23I don't know why he's being called today.
06:26I see.
06:27Do you have a proposal?
06:28No way.
06:29Do you want to hear it?
06:30My proposal is the most important thing right now!
06:32Do you have one?
06:33Why do you have to talk about my proposal right now?
06:35You're married, right?
06:37Get out of my way!
06:39Let me refer to it.
06:41Let you refer to it?
06:42Why do you have to refer to it?
06:44Before I went to my wife's house and got on the train on my way home,
06:49I asked her if she would marry me.
06:54This?
06:57I'll give it to you.
06:59Not yet.
07:01I'll give you this air.
07:02You're looking at me like this?
07:04Should I wrap this air?
07:05Should I bring it home?
07:06It's okay.
07:07Are you naked?
07:08I'll give you this air.
07:10Here I go!
07:13Sit down.
07:14Say it!
07:16Say it!
07:17Say it!
07:19Sit down.
07:20What is this?
07:21If you have a chance, please let me say it.
07:24This is today's topic.
07:27How to handle comedians!
07:33How to work with comedians,
07:35how to approach them,
07:37and what to be careful about.
07:39We will announce the survey that we asked our manager.
07:44I want him to tell us.
07:45We have to be careful.
07:46I've never worked with a member I've never worked with.
07:50What's wrong with you today?
07:52What's wrong with you today?
07:53You're a bad person!
07:55You're a bad person!
07:57You're hurting my integrity.
07:58It's okay.
07:59Even if you get married, don't let the poison fall.
08:01That's good.
08:04Let's begin.
08:05First is this person.
08:08Come here, Oda.
08:11He won the M-1 Grand Prix last year.
08:13He's a 42-year-old comedian.
08:17His manager is surprisingly considerate.
08:20This is from his manager, Takahashi.
08:23When he's not in a good mood,
08:25he's happy when I tell him that I'm praising Oda.
08:29That's why I have to check his tweets regularly.
08:33What?
08:35Does your manager know about this?
08:37No, he doesn't.
08:38Let's call him.
08:39Manager Takahashi.
08:42He's coming out.
08:43He's coming out.
08:46What are you doing?
08:47How do you search for tweets that make you happy?
08:51Come here, Oda.
08:52You're cute.
08:55Cute?
08:57You search for it and get caught.
09:00I'm happy when people say I'm cute like a squirrel.
09:04You're happy?
09:05Stop it!
09:07Why?
09:08You're happy.
09:09It's better to be praised for your looks.
09:11I've been in a scary life for 20 years.
09:16That's why I'm happy.
09:19Do you remember what made you the happiest?
09:21I'm happy that I look like a hamster.
09:23I like hamsters.
09:27You want people to think you're cute.
09:28That's right.
09:30By the way, there is a note about your looks.
09:33There was a time when you didn't sell well and had pink glasses.
09:38Please don't talk about it.
09:42Is that the manager's opinion?
09:45I don't know if it's the previous person or the former person.
09:49Did you say you were lost?
09:51Hey!
09:53It's scary.
09:55What?
09:56It's scary.
09:57It's scary.
10:01It's like a small animal.
10:11Can you do this with your eyes?
10:13Can you do this with your tongue?
10:15It's a squirrel.
10:17It's not.
10:18It's a squirrel.
10:19No, it's not.
10:20I'm trying to do it with my left eye.
10:21It's cute.
10:24If it's a squirrel, it's cute.
10:26It's a squirrel.
10:32It's a squirrel.
10:34What is this?
10:35What is this?
10:37That's right.
10:40What is this?
10:43What is this?
10:45Let's move on.
10:46Next is Dian Tsuda.
10:48What?
10:50He's treated like a computer in Don Quixote, but he's a veteran who's been in the industry for over 20 years.
10:56What kind of attitude does the manager have?
10:59I'm Yoshimoto's manager, Nakamura.
11:02Tsuda is in a bad mood when he's in a bad mood on LINE.
11:07So he tries to express his emotions by using exclamation marks and dots as much as possible.
11:13He's a difficult person.
11:15What is that?
11:16It's annoying.
11:17It's annoying.
11:18It's annoying.
11:20His ex-manager was a very cold person.
11:24I didn't like it.
11:26I even asked him to call me.
11:29He was a very cold person.
11:31I think that's about it.
11:33I want him to be more emotional.
11:35You were slippery today.
11:36Why didn't you tell me that?
11:38You were slippery in front of the heart mark.
11:41I'll kill you.
11:42He has a loud voice.
11:43He has a loud voice.
11:44He has a loud voice.
11:46He has a loud voice.
11:48He has a loud voice.
11:50Let's call him.
11:51Manager Nakamura.
11:53That's nice.
11:55What kind of attitude does the manager have?
11:58He says, I'm sorry.
12:00He says, I'm surprised.
12:02He says, I'm sorry.
12:03He says, I'm sorry.
12:06He seems to be saying it cheerfully.
12:09What kind of attitude does he have when he uses exclamation marks?
12:11He has a lot of negative thoughts.
12:14He uses exclamation marks to express his feelings.
12:16He uses exclamation marks to express his feelings.
12:19It's a hassle.
12:21It's not a hassle at all.
12:23You're less human than Tsuda.
12:26Amazing.
12:31You look cool.
12:33I'm sure you go to art university, too.
12:35Kyoto University.
12:37What kind of attitude does he have?
12:40I sometimes feel like I'm like a kid.
12:43When I see him in the hallway, he's walking around with a sore shoulder.
12:48What's wrong with you today?
12:50What?
12:51You're always like this.
12:52Is it a reaction to happiness?
12:54To make it flat?
12:56To make it flat?
12:58There are a lot of things that you can't say because you're married.
13:06By the way, there were other theories about LINE.
13:09Magical Lovely's Yoshimoto Kogyo.
13:11Ryogoku Manager.
13:12Me?
13:14Noda doesn't usually look at LINE.
13:16So when he gets a reply, he sends the next message right away.
13:22That's no good.
13:23Ryogoku Manager.
13:25Well, it's getting a little faster these days.
13:30I send it at 12 o'clock the day before and come back at 5 o'clock the next morning.
13:36That's no good.
13:37If I get a reply, I'll look at it now and send it right away.
13:42That's right.
13:43So I prepare for the next one and send it the moment I get a reply.
13:48That's amazing.
13:49Did you know about this?
13:50No, I'm actually looking at it.
13:52You can look at it by long pressing.
13:55You don't have to get a reply.
13:58I look at the questionnaire once so that I don't get a reply.
14:02If I get a reply after the questionnaire is recorded, I'll send it out.
14:08You're thinking a lot.
14:09Do you know what I mean?
14:10You're thinking a lot.
14:13You want to do it as soon as you think of it.
14:15I want people to think I'm a genius.
14:18I want people to think I'm a manager.
14:20Actually, Ryogoku, I'm looking at it.
14:23I'm returning the questionnaire as soon as I think of it.
14:27You write it down somewhere.
14:29I write it down and put it in my notebook.
14:31Now I know, but I think about it until 5 o'clock in the morning.
14:34You're thinking a lot.
14:37You don't think I'm a genius because it took me a long time to send the questionnaire, do you?
14:44I don't think so at all.
14:47Is it okay to send the questionnaire again?
14:50It takes more time, but it's okay, right?
14:53It's totally fine.
14:56Then let's do it once.
14:59As a solution.
15:01I'm not a genius.
15:02Next, Okazu Club.
15:04Okarina.
15:05It's out.
15:06It's a mystery that YouTube is just a topic to eat.
15:13How does the manager handle it?
15:17I'm Nakano, the manager of Yoshimoto Industries.
15:20What are you worried about?
15:21Okarina goes to take care of her face regularly.
15:25If you go once, you'll get sunburned and your face will be puffy.
15:29You have to tell her to do it when she has less work to do, such as TV.
15:36Let's ask her.
15:37Manager Nakano.
15:38It's hard, isn't it?
15:40You have to reorganize your schedule due to the beauty industry.
15:46I've done it before.
15:48I couldn't hide my make-up.
15:52Does it get that puffy?
15:54I want to put on a strong make-up.
15:59It's better to put on a strong make-up.
16:02It's like a down time for a week.
16:06It's like a plastic surgery.
16:07Do you get sunburn?
16:08Yes, I do.
16:09I don't notice it because I don't look at it.
16:12You have a white image.
16:15Not at all.
16:17Do you get sunburn?
16:18Yes, I do.
16:20I went to your house for shooting.
16:23Did you get sunburn at that time?
16:25Yes, a little bit.
16:27Really?
16:28At that time?
16:30Before you were eaten by Atsushi.
16:37It's not good for your skin if you do it too much.
16:40I want to do it once a month.
16:42You can get sunburn after a month.
16:47Sunburn.
16:48Sunburn.
16:49It's not good for your skin if you do it too much.
16:52Do you do make-up, too?
16:54I don't spend money on make-up.
16:57Mr. Okazukurabu spends too much money on make-up.
17:02He can't laugh.
17:04Both of you?
17:05With Yuipi?
17:06Yuipi is on a diet.
17:09He only talks about make-up in the dressing room.
17:13It's hard to get along with him in the dressing room.
17:16I've never been told that.
17:18He's like an actress.
17:20Nakano-manager complains a lot.
17:23I was told by my manager that I should keep my skin clean.
17:28That's why you care about your skin.
17:30Anri says that, too.
17:32My skin is clean.
17:34It's smooth.
17:35It's not just skin.
17:37Why don't you say anything?
17:39I said it.
17:40You didn't say it.
17:41I said it looks delicious.
17:42You shouldn't say that.
17:44You shouldn't say that.
17:46I'm in the news, too.
17:49You're leading me to say that.
17:51I'm not leading you.
17:53You're leading me.
17:55You're leading me.
17:57I told my stylist to stop saying that.
18:01But she said yes.
18:03That's right.
18:04She said yes.
18:05Next is Anri.
18:08She is 26 years old and has no experience in love.
18:11How does she treat her manager?
18:15Kuwako-manager of Yoshimoto Kogyo.
18:18She says she'd be happy if she could meet a man on the spot.
18:22She finds her favorite male staff at various sites and motivates them.
18:27If there is a handsome staff that Anri likes, she teaches him.
18:32That's good.
18:33She uses a lot of words.
18:35Kuwako-manager of Yoshimoto Kogyo.
18:37Kuwako-san.
18:38Every time you come in, you look for a handsome man, right?
18:42Yes.
18:43Is he there?
18:44Is he in Longhorn?
18:45He was in Longhorn.
18:46He is here today.
18:48Who is he?
18:49I haven't found him yet.
18:50He is a cameraman and wears a black hoodie.
18:52He is No. 12.
18:56He is famous for being handsome.
18:59He is always there.
19:01What's his name?
19:02He is loved by everyone.
19:05He is a little manly.
19:09He is the type of person who has a big camera.
19:12Like Shinichi Shinohara?
19:14It's hard to say no.
19:17Why?
19:18It's hard to say no.
19:20Chihon-man?
19:21Chihon-man.
19:22Chihon-man is impossible.
19:24Why?
19:25I can't say it.
19:26It's terrible.
19:27I can't say it.
19:28I can't say it.
19:30How do you feel about the price?
19:33There is a manga called Host Club in Borjuk.
19:38I talk about it in the dressing room.
19:41I think about what I should do if I become a host.
19:44She was talking about Ocarina.
19:46Yes.
19:47I didn't expect to become a host.
19:50I'm interested in it.
19:52I'm looking for the price with Tanabe.
19:55Are you going with Tanabe?
19:57No.
19:58With Tanabe?
19:59He seems to be deceived.
20:00I'm just going with him.
20:01You seem to be interested.
20:02No.
20:03It's terrible.
20:05You seem to be interested in the host next to you.
20:07What do you think?
20:09I'm a former host.
20:10Are you a former host?
20:11Welcome.
20:13I'm not looking for this kind of host.
20:16What is the name of the host?
20:18Matsumoto Kiyoshi.
20:19That's right.
20:20Matsumoto Kiyoshi?
20:21Rei?
20:23You like girls, don't you?
20:24Do you like girls?
20:25Matsumoto Kiyoshi.
20:26Matsumoto Kiyoshi.
20:27Matsumoto Kiyoshi.
20:28You should have said it straight.
20:30Matsumoto Kiyoshi.
20:31Next is Mr. Takagi.
20:33Yes.
20:34It's a mystery.
20:35Mr. Takagi.
20:37He graduated from the best high school in baseball.
20:40He is a two-time entertainer with a very positive mind.
20:43He is the manager of the sports club.
20:46He is the manager of the grape company.
20:49He has more than half a job to do,
20:52so he is careful about how to organize his schedule,
20:55such as throwing the ball.
20:58Considering the burden on his shoulders and elbows,
21:01throwing the ball is basic and expensive.
21:04He is not allowed to throw the ball the day before because it will be a continuous throw.
21:08He can limit the number of balls in one throw to 30.
21:14He is an athlete.
21:15He is an athlete.
21:16He can throw 100 balls.
21:17He is protected.
21:19He is an American.
21:21He is not a manager.
21:23Mr. Takagi has to be careful about this.
21:26Yes.
21:27Mr. Takagi is a person who overdoes himself.
21:32For example, throwing the ball here.
21:35He looks like an agent.
21:40He looks like a major leaguer.
21:42But you weren't good at such management, were you?
21:46I played baseball a little,
21:48so I understand the feeling of fatigue.
21:52Do you do icing after the game?
21:54The icing was prepared by the producer.
21:58He is a real pitcher.
22:01When we shoot the video,
22:03there are two people, a trainer and an icing.
22:06There is also a massage.
22:08That's right.
22:09Is there such a job as throwing the ball?
22:13Yes.
22:14I get a lot of requests.
22:17Injury is not good.
22:20I want you to throw the ball for a long time.
22:24It's a sudden request.
22:26He started playing baseball.
22:29He hasn't been taken care of like that.
22:32How many years is the contract?
22:37He is an important player.
22:42Next, Mr. Ogata.
22:44Mr. Ogata.
22:46Don't talk too much.
22:53Don't worry.
22:54I have a lot of bad luck today.
22:58You have a lot of bad luck before marriage.
23:00Good luck.
23:02Don't say good luck.
23:04Don't say good luck.
23:06Good luck.
23:08He works hard.
23:10He is a man of great power.
23:13How does the manager treat him?
23:17Manager Yoshida.
23:19Mr. Ogata has a bad memory.
23:22Even if he explains it carefully, he forgets it the next day.
23:26He has to explain it every time.
23:29On the contrary, he has a bad memory.
23:33When he doesn't have a job, he forgets it.
23:39He doesn't remember.
23:41He is stupid.
23:42He doesn't remember at all.
23:44Next, Mr. Yoshida.
23:46Is he hungry?
23:47He is not hungry.
23:51Why is he hungry?
23:54He is our manager.
23:56He is hungry.
23:58He is a rugby player.
24:00He is not hungry.
24:02He has a bad memory, but he is not hungry.
24:06He doesn't remember.
24:08Next, Mr. Yoshida.
24:09He has a bad memory.
24:11He has a bad memory.
24:13He doesn't remember the way he came here.
24:17He has to explain it every time.
24:21He can tell you that he has a bad memory.
24:25Why does he want to forget it?
24:27He said that he had a bad memory at first.
24:31But he has a bad memory every time.
24:35What are you saying?
24:37He is annoyed.
24:38He is annoyed.
24:40He doesn't remember.
24:42He doesn't remember anything.
24:54It is easy for him.
24:55He feels easy.
24:57He doesn't remember anything.
25:01He thinks he's stupid, doesn't he?
25:04Yes.
25:06Is this his second year?
25:08You're still in the second year, so you should have some money.
25:12I'm not hungry!
25:14You really don't look at my management skills?
25:18You don't do it?
25:20No, I don't.
25:21You're not, are you?
25:22That's not it!
25:23You're not, are you?
25:24That's the second year, though.
25:26Next, Nishikigoi, Hasegawa.
25:29The question is,
25:30Break at the age of 49!
25:33It's even a hot topic now!
25:35What kind of kiss is the manager going to do?
25:40I'm the manager of SMA, Tagami.
25:43Hasegawa was so poor that he ate the bread with mayonnaise.
25:50So he didn't eat the food and drinks that he was given.
25:55He took them away for Hasegawa.
25:59What is this?
26:01This is a great episode.
26:03Tagami is the manager of SMA.
26:13Hasegawa was so poor that he ate the food that he was given.
26:20Tagami is the manager of SMA.
26:23Hasegawa is the manager of SMA.
26:30Are you a writer?
26:32I'm a wind writer.
26:34Are you a wind writer?
26:36Are you a wind writer?
26:37I'm a street writer.
26:39I can't understand what Tagami is saying.
26:42I can't understand what Tagami is saying.
26:45I can't understand what Tagami is saying.
26:47I'm not a wind writer.
26:50What did you say, Tagami?
26:52I forgot.
26:54When I come to the company, I prepare food for Hasegawa.
27:04I feel like my grandson came to my house.
27:10You prepare food for him.
27:11You prepare food for him.
27:14You are a cute grandson.
27:16Where is my grandson?
27:19You haven't grown your beard yet.
27:21You haven't grown your beard yet.
27:26You haven't grown your beard yet.
27:28You have grown a lot.
27:30I have grown my beard.
27:32You have grown your beard.
27:34You have grown your beard.
27:36Your beard has fallen off.
27:38What else do you take care of?
27:40When I slip, I don't know the reason.
27:45I will explain it to you.
27:47What?
27:49The manager explains it to you?
27:51If the manager explains it to you, do you understand it?
27:55I think it's something like that.
27:59You don't seem to understand it.
28:02Basically, when it comes to that kind of treatment, it's the same as Koume Dayuu.
28:09Oh, because it's the same agency.
28:11Are you the manager of Koume Dayuu?
28:14Yes, that's right.
28:17No, I'm not.
28:19I'm the manager of Koume Dayuu.
28:22Then, would you like to go home with me today?
28:30Are you the taxi driver?
28:32Why do I have to go home with this person?
28:34Are you a taxi driver?
28:35Yes, I'm a taxi driver.
28:37I'm the taxi driver.
28:39Please.
28:41Let's move on.
28:43Next is Okazu Club.
28:45Okarina.
28:47I'm the manager of Yoshimoto Gougyo.
28:50Okarina loves onigiri.
28:53When there's onigiri in the dressing room, she gets excited.
28:57So, when I tell her that I want to cater to her, I always tell her that it's onigiri.
29:03What about today?
29:05There was onigiri in the dressing room.
29:07There wasn't any onigiri today.
29:09That's why you told her.
29:11You thought you could tell her, right?
29:13You're the manager.
29:15Yes, I told her.
29:17Then, she prepared onigiri for me.
29:20There was a video of her eating onigiri.
29:23Is she going to do that on YouTube?
29:26It's on YouTube.
29:28Is she going to do that?
29:30There's a video of her eating onigiri.
29:32I want to see it.
29:34Today...
29:36There are a lot of views.
29:39What is this?
29:41Itadakimasu.
29:43I love wakame seaweed.
29:45It's a round video.
29:47It's small.
29:49It's not a round video.
29:51There's no wrinkles.
29:53There's no wrinkles.
29:55There's no wrinkles.
29:57She looks happy.
29:59She doesn't talk, right?
30:01Yes, she doesn't talk much.
30:02She only eats in this video, right?
30:04She only eats, but she starts talking in the middle.
30:06She starts talking in the middle.
30:08She eats a lot.
30:10She's like Sayama Satoru.
30:12Thank you for the meal.
30:14That's fast.
30:16It's not a video to watch here.
30:18It has 130,000 views.
30:20That's amazing.
30:22What kind of onigiri do you like?
30:25I like salmon and cod roe.
30:29I like the ones with salt on the outside.
30:32There are ones without salt on the outside.
30:34If you want to catch someone, you should put onigiri like that.
30:37That's right.
30:39There's a possibility of catching someone.
30:41If you want to catch someone.
30:43Let's move on.
30:45Next is Magical Lovely Noda.
30:50Shining on the 2nd floor of M-1 R-1,
30:52Noda is a happy adult.
30:54Now that there are more TV appearances,
30:56what does her manager care about?
30:59Ryogoku's manager.
31:01When it's time to go to the dressing room,
31:03Murakami leads the duo to the dressing room.
31:06But when it's time for Noda to go to the dressing room,
31:08she gets nervous.
31:10So her manager goes with her to the dressing room.
31:13Is she an actress?
31:15Did she come today?
31:16She came with us today.
31:18She's taken good care of her.
31:20What if she goes alone?
31:22I asked her to go to the dressing room.
31:26She looked a little uncomfortable.
31:28But there's no one who wants her to come to the dressing room.
31:33That's right.
31:34Especially now.
31:36I have a rebellious spirit that I don't have to go.
31:43I don't think a genius would go.
31:45You don't need a genius.
31:47That's right.
31:49A genius is waiting.
31:51I want her to come.
31:53I want everyone to come.
31:56I want to see her.
31:58I want to say,
32:00Let me say hello to Noda.
32:02You can ask her to come if you like.
32:04That's good.
32:06I want to go.
32:09I'm sorry.
32:10Can I say, Are there any geniuses?
32:12Yes.
32:14That's enough.
32:16You're a pervert.
32:18From now on, Ryogoku's manager will be like that.
32:21I understand.
32:24You don't have to say hello to Noda.
32:27That's right.
32:29Only Ryogoku can go.
32:31I don't understand.
32:34Ryogoku can't go.
32:36Ryogoku has to come.
32:38What does Takagi do when he says hello?
32:41I'm always behind him.
32:43He guides you.
32:45Can you say hello without going?
32:49That's right.
32:51I respect his opinion.
32:53Is it okay?
32:55It's okay.
32:57I don't want her to come because I'm selling sleeping pills in the dressing room.
33:00That's right.
33:02You should quit right away.
33:04That's right.
33:06You should quit right away.
33:08You should quit.
33:10You don't approve of this?
33:12If it's not good, you should quit.
33:14You should quit.
33:16It's not good if it's not good.
33:18It's definitely not good.
33:21It's not good.
33:23You should quit.
33:25You should quit.
33:27It's easy to stop.
33:29I have a strong sense of justice.
33:31I feel like I don't want to be involved.
33:33I feel like I don't want to be involved.
33:35Next.
33:37Anri.
33:39Kuwako manager of Yoshimoto Kogyo.
33:41I want to eat delicious food, so I can't eat a lot.
33:46Also, I don't want to wear clothes that show my body line.
33:52Kuwako manager.
33:54I want to eat delicious food, so I can't eat a lot.
34:01You mean you value your diet.
34:03That's right.
34:04If you eat normally, you can't eat a lot.
34:07That's okay.
34:09How much?
34:10If I eat, I can't eat a lot.
34:13I don't want to be challenged.
34:16You don't want to be challenged.
34:18If I eat normally, I can't eat a lot.
34:21You can eat a lot.
34:23You can eat a lot.
34:25You should work.
34:26I don't want to be challenged.
34:28When I eat, I don't want to make an unpleasant face.
34:31What is your body line?
34:33I don't want to be seen with an unpleasant look.
34:36I don't see it.
34:37Who said you don't see it?
34:39I see it.
34:40You always see it.
34:43You always see it.
34:45I saw it when I was next to you the other day.
34:49I don't see your body line.
34:51I made a mistake and opened the shirt button.
34:54I saw it.
34:55You care about it.
34:57I don't care about it.
34:59I don't care about your boobs.
35:02I don't care about my brother's boobs.
35:04I don't care about my brother's boobs.
35:06You are the worst.
35:08You look like your ex-wife.
35:10I'm often told that.
35:12I don't like it because it's a little.
35:14I'm sorry.
35:16That's why I look like my ex-wife.
35:22I don't look like my ex-wife.
35:23Drink this.
35:25I don't look like my ex-wife.
35:29You don't look like your ex-wife.
35:31You don't look like your ex-wife.
35:33You don't look like your ex-wife.
35:35You have a good body line.
35:38You are being teased.
35:40I'm being teased.
35:42I had a chance.
35:44I was going to go several times.
35:46Don't you have a chance?
35:48You had a chance to tease Ariyoshi.
35:50I was going to tease him, but I was afraid that he would be angry.
35:55Next, Diane Tsuda.
35:57She is the manager of Yoshimoto Kogyo.
35:59When you are in a bad mood,
36:02when you want to change the topic,
36:05you can talk about games.
36:07You will be in a good mood soon.
36:09Is that so?
36:11Recently, I've only been thinking about games.
36:17Do you have such a bad mood?
36:19When you are in a bad mood, you are in a bad mood.
36:21I'm working from morning in the evening.
36:23I'm getting sleepy.
36:25You are a fool.
36:27I'm sleepy and in a bad mood.
36:29You are sleepy and in a bad mood.
36:31You are in a bad mood.
36:33You are in a bad mood.
36:35You can hit me.
36:37I'm going to sleep.
36:41What kind of manager am I?
36:43You can hit me.
36:45When I drink something, my back hurts.
36:47You can hit me.
36:49I'm 44 years old.
36:51Age doesn't matter.
36:53I wake up in the evening and my back hurts.
36:56You can hit me.
36:59You are a fool.
37:01What kind of manager am I?
37:03You can hit me.
37:09You can hit me harder.
37:17You are in a bad mood.
37:19I'm not in a bad mood.
37:21I'm not in a bad mood.
37:24You are in a bad mood.
37:26You can't sleep well.
37:28You can't sleep well.
37:31You can't sleep well.
37:34You are strange.
37:36I'm going to give you a boob.
37:38Why do I have a man's boob?
37:41You are a fool.
37:43You are a fool.
37:45You are in a bad mood.
37:49You are in a bad mood.
37:51You can't sleep well.
37:53You can't sleep well.
37:55You can't sleep well.
37:57You can't sleep well.
37:59You can't sleep well.
38:01Next, Oda.
38:03Manager Takahashi of Yoshimoto Kogyo.
38:05Oda is often depressed at the end of the recording.
38:09Koga, his partner, doesn't get depressed even if it doesn't go well.
38:13Oda is often irritated by his appearance.
38:16In the dressing room, Oda talks to Oda as much as possible.
38:19Oda is trying not to show Koga's appearance.
38:26Let's ask the manager.
38:28Manager Takahashi.
38:29Oda often jumps forward.
38:34Koga doesn't jump forward and ends the recording.
38:38Koga doesn't reflect on his actions.
38:41He is irritated by his appearance.
38:44That's right.
38:45I think he is worried because he is not a partner.
38:50He is depressed.
38:52What?
38:54Is he depressed?
38:55Is he depressed?
38:57He is depressed.
38:58You are too aggressive.
39:01You are too aggressive.
39:02You are too aggressive.
39:03You are too aggressive.
39:04What are you depressed about?
39:06What are you depressed about?
39:09It's started again.
39:11You are depressed.
39:13Why?
39:15You are sleepy.
39:17You are sleepy.
39:20You are sleepy.
39:22You are too aggressive.
39:25You are too aggressive.
39:26Can you say anything?
39:27You want us to beat you?
39:30What are you doing?
39:34You wake up suddenly at midnight, don't you?
39:36Yes, yes.
39:37You're a baby.
39:38He's calmed down.
39:40He's calmed down.
39:41He's calmed down.
39:42Let's see.
39:43Can you see?
39:44Gifu.
39:45Gifu.
39:46Oh, it's out.
39:47It's out.
39:48It's out.
39:49It's out.
39:50It's okay.
39:51It's okay.
39:52Why did you do this?
39:53At a sudden angle.
39:54You were talking about something else.
39:56Lick it.
39:57Lick it.
39:58Lick it.
39:59You don't do anything.
40:01It's Chon-chon.
40:02It's Chon-chon.
40:03Chon-chon.
40:04Chon-chon.
40:05Chon-chon.
40:06Gifu.
40:07What are you doing?
40:09You're lying.
40:10You're talking in a gag.
40:12What's a super animal doing in a gag?
40:14Are you a dog?
40:15Do it again.
40:17Again?
40:18No.
40:19Do it again.
40:20Do it again.
40:21Look at me again.
40:22Lick it.
40:23Chon-chon.
40:24Chon-chon.
40:25Chon-chon.
40:26Chon-chon.
40:27Gifu.
40:28Why are you doing it twice?
40:32You didn't even ask for it, why do it twice?
40:34It's too fast.
40:35Do it slower.
40:37It's too fast.
40:38It doesn't come out that fast.
40:40That's right.
40:41What are you doing?
40:43I want to hit it a little more.
40:45I wonder if it came out or not.
40:47I keep hitting it.
40:49I don't know.
40:50It's a huge thing.
40:51There's no baby.
40:52I don't know.
40:53That's the world's parents.
40:55Why do you have to do it realistically?
40:57It's not that simple.
40:59Next is Ogata.
41:01The manager is Yoshida.
41:03He loves the sauna.
41:05He goes there a lot in his free time.
41:07He is looking for a place where he can go near the sauna.
41:09He also loves the video box.
41:12He wants to go there right away.
41:14He checks if it's near his workplace.
41:19Let's see.
41:20Yoshida manager.
41:21Do you still go to the video box that often?
41:24If I have two hours between work, I will definitely go.
41:28In two hours?
41:29What are you doing in the video box?
41:31I'm scolding.
41:33What are you doing?
41:34I'm making a sound.
41:36Are you making a sound?
41:38I'm making a sound.
41:40I'm making a sound.
41:42I'm making a sound.
41:44I'm making a sound.
41:47I'm making a sound.
41:53You can't make a joke like that.
41:58Is that the job of a manager?
42:00That's the job of Yoshida manager.
42:03I want him to check it out by himself.
42:07Why does a talent have to do that?
42:11You think you have to find it.
42:13That's right.
42:14It's like a family.
42:17He often comes to my house.
42:19Do you get along with your wife?
42:21What are you talking about?
42:23He is handsome and cool.
42:25He is handsome and cool.
42:26Do you meet your wife?
42:29That's right.
42:30That's right.
42:32Why?
42:33When do you meet?
42:34Is it a meeting?
42:35Is it a meeting?
42:36Don't touch me.
42:39Are you laughing?
42:40Are you laughing?
42:42That's a lie.
42:44That's a lie.
42:46You should tell your wife that.
42:49That's not true.
42:50Don't laugh.
42:51Say something.
42:52I'm in trouble, too.
42:54I'm in trouble, too.
42:56It was a joke, right?
42:57Yes.
42:58Really?
42:59A little.
43:00A little?
43:01A little?
43:03How far is this?
43:07That's a lie.
43:08That's a joke.
43:09That's a joke.
43:10That's a lie.
43:11That's a joke.
43:13Lastly, there is one more person.
43:18This is dangerous.
43:19This is scary.
43:21Fujiwara, Yoshimoto.
43:24That's a lie.
43:25That's a lie.
43:26That's a lie.
43:27That's a lie.
43:28That's a lie.
43:29That's a lie.
43:33It feels good.
43:34The next TV shoot is the feeling moment Grand Prix.
43:38In English, it feels good because I'm feeling good.
43:45Sunday at 10 o'clock.
43:47Fujiwara's manager Is Fuka's manager.
43:53Really?
43:54Is that so?
43:56He is sudden.
43:58He is funny.
44:00He is sudden.
44:01He is sudden.
44:02He is sudden.
44:03He is sudden.
44:04Let him make a video.
44:06The manager of Fuka.
44:07Due to the recent success of the 7th generation,
44:09I was in a hurry to return to being a comedian.
44:11I was told that I wanted a job because I could do anything.
44:14I accepted the TV job without refusing the basics,
44:17but I was told that it was hard.
44:19However, I was scolded just because I had two years,
44:22so I carefully consider the pace at which I can get a job.
44:27It's okay to say it's hard.
44:29Because...
44:30What's in it?
44:32After today, I...
44:33I have to go to a deserted island in the morning.
44:37What?
44:39You should go home early.
44:41I'm not going home.
44:43I want to play around.
44:45It's okay because it's a deserted island, right?
44:47There's no one, right?
44:49It's okay to go to a deserted island, right?
44:51It's okay to go to a deserted island, right?
44:53It's strange.
44:55Let's do it at the end of the year.
44:57Let's do it at the end of the year.
44:59At the end of the year?
45:01Is that okay?
45:03What are you doing at a deserted island?
45:05I want to catch something interesting, eat it,
45:07and escape.
45:11I also want to enjoy the summer festival.
45:13Don't say that!
45:15I'll be serious!
45:17I'm just kidding.
45:19I won't say that.
45:21I also want to enjoy the festival at the end of the year.
45:23I
45:53Got that's what I
45:56Hope I can make it
45:58Let's go
46:06You know I'm at home
46:08I don't speak English. Okay. Got faint. I got it
46:13Almost on the water
46:16She'll kill she'll
46:19Forget about it. I'll tell you
46:21I'm gonna make a funny
46:23Oh, but let's go
46:26Subliminal yes, Kim
46:29What's all this cook?
46:31I don't know
46:33You know say to my father
46:35Do you know she be on a mission?
46:37Oh
46:39See go look
46:41You want to send a note a coach?
46:43I mean I
46:45Don't need to call
46:47It
46:49Kamaitachi
46:51No
46:53No
46:55No
46:57No
46:59No
47:01No
47:03No
47:05No
47:07No
47:09No
47:11No
47:13No
47:15No