Blackmail (1929), directed by the legendary Alfred Hitchcock, is a landmark in cinematic history as Britain’s first full-length talkie. Initially conceived as a silent film, it was later adapted into sound, making it a rare hybrid that showcases the transitional period of cinema. This psychological crime thriller set the stage for Hitchcock’s signature suspenseful style, intertwining crime, guilt, and moral ambiguity.
🎥 Plot Summary:
Set in London, the story follows Alice White (Anny Ondra), the daughter of a shopkeeper, who is dating Scotland Yard detective Frank Webber (John Longden). One evening, after an argument with Frank, Alice agrees to go out with an artist named Mr. Crewe (Cyril Ritchard). He invites her back to his studio, where things take a dark turn. When Crewe attempts to assault her, Alice stabs him to death in self-defense.
Panicked and traumatized, Alice flees the scene. The next day, Frank is assigned to the murder case and quickly realizes Alice was involved. However, the situation spirals further when a shady character named Tracy (Donald Calthrop) tries to blackmail them both, having seen Alice at the scene of the crime.
As the net tightens, Hitchcock masterfully builds suspense, culminating in a thrilling chase through the British Museum. Blackmail explores themes of justice, guilt, and societal expectations, all under Hitchcock’s watchful eye for psychological tension.
🎥 Plot Summary:
Set in London, the story follows Alice White (Anny Ondra), the daughter of a shopkeeper, who is dating Scotland Yard detective Frank Webber (John Longden). One evening, after an argument with Frank, Alice agrees to go out with an artist named Mr. Crewe (Cyril Ritchard). He invites her back to his studio, where things take a dark turn. When Crewe attempts to assault her, Alice stabs him to death in self-defense.
Panicked and traumatized, Alice flees the scene. The next day, Frank is assigned to the murder case and quickly realizes Alice was involved. However, the situation spirals further when a shady character named Tracy (Donald Calthrop) tries to blackmail them both, having seen Alice at the scene of the crime.
As the net tightens, Hitchcock masterfully builds suspense, culminating in a thrilling chase through the British Museum. Blackmail explores themes of justice, guilt, and societal expectations, all under Hitchcock’s watchful eye for psychological tension.
Category
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Short filmTranscript
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00:08:59Good evening, Miss White. How are you? I'm all right, thanks. I haven't seen you for a long time. Have you come to take Frank for a walk? Yes. That's right. Well, I must push along. Good night.
00:09:29Good night, George. Good night. Good night. Good night. Good night. Good night.
00:09:59Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good
00:10:59More room upstairs.
00:11:02More room upstairs.
00:11:26All right, sir. Pull up here. More room upstairs.
00:11:28Go on.
00:11:29I think I told you there's more room upstairs.
00:11:33Sorry, sir. Pull up here. More room upstairs.
00:11:35Hey!
00:11:46Hello, Chris. How are you?
00:11:49Oh, have you been to the wife with you?
00:11:51No.
00:11:52Oh, so you're welcome, please.
00:11:54What do you say?
00:11:55What do you say?
00:11:56That was fun.
00:11:57Oh, yeah, sir.
00:11:59Oh, that's what we do.
00:12:00Right now.
00:12:02So, go and see.
00:12:03Now.
00:12:04You're welcome, sir.
00:12:05I am the voice of the end.
00:12:07I'm the voice of the end.
00:12:09I'll have another go.
00:12:11Oh, oh, oh, oh.
00:12:12You're welcome, sir.
00:12:13I've lost one of my gloves. I think I left it at the other table.
00:12:43Is this it?
00:12:53Yes, thanks.
00:12:55Thought so. There's a hole in two fingers.
00:12:59Would you like a pair of nail scissors for Christmas?
00:13:02Funny, aren't you?
00:13:04Oh, miss! Miss!
00:13:06It's no good being impatient. You'll have to wait your turn.
00:13:10What's the matter with you today?
00:13:11Got out of bed the wrong side?
00:13:14I don't like waiting about for you.
00:13:17Oh, don't you?
00:13:18Oh, miss!
00:13:21Do you expect the entire machinery of Scotland Yard to be held up to please you?
00:13:27You and your Scotland Yard.
00:13:30If it went for Edgar Wallace, nobody'd ever heard of it.
00:13:32Funny, aren't you?
00:13:35Anyway, what's the hurry?
00:13:37We're only going to the pictures, and we've got all evening.
00:13:41Well, I don't think I want to go to the pictures.
00:13:45Oh, and why not?
00:13:47I've seen everything worth seeing.
00:13:49You haven't seen fingerprints. I'd like you to see that.
00:13:52Still, it's about Scotland Yard.
00:13:55It might be amusing.
00:13:56They're bound to get all the details wrong.
00:14:00I don't see why.
00:14:01I did hear they've got a real criminal to direct it.
00:14:04So as to be on the safe side.
00:14:06Oh, miss!
00:14:07Miss!
00:14:09Oh, lass.
00:14:10Miss!
00:14:40Well, I've ordered.
00:14:44I'll go to the pictures with you, if you like.
00:14:47Oh, change your mind.
00:14:54Have you got an ashtray, miss?
00:14:56Yes, sir.
00:14:57I never seem to get an ashtray where I sit.
00:15:10Frank, Frank, I've changed my mind again.
00:15:19What about?
00:15:21About going to the pictures.
00:15:25You mean you don't want to go again?
00:15:28No, not particularly.
00:15:30Well, why not?
00:15:32I don't know.
00:15:34I just don't want to.
00:15:37Isn't that enough?
00:15:38No, it's not enough.
00:15:39Hi, miss!
00:15:41What are you going to do?
00:15:42I'm going to get the bill.
00:15:43I'm about fed up with you.
00:15:45You don't want to go, I do.
00:15:47Oh, all right.
00:15:49I'll come, too.
00:15:51Hi, miss!
00:15:55Oh, don't let's have a row.
00:15:57I'm sorry.
00:15:59I know I've been rather beastly today.
00:16:01Miss!
00:16:02Frank!
00:16:03I've said I'm sorry.
00:16:07Here.
00:16:08That'll cover it.
00:16:09That'll cover it.
00:16:38Yeah.
00:16:38I don't know.
00:16:40Thanks.
00:16:45That'll be fair.
00:16:48Hey, here.
00:16:49Nice.
00:16:49Thank you,íst.
00:16:49Here.
00:16:50Good for you.
00:16:57Put on a update.
00:16:59Bye-bye.
00:17:00Bye.
00:17:00Bye-bye.
00:17:00Bye-bye.
00:17:01Bye-bye.
00:17:02Bye-bye.
00:17:02Bye-bye.
00:17:03Bye-bye.
00:17:04Bye-bye.
00:17:04Bye-bye.
00:17:05Bye-bye.
00:17:06Bye-bye.
00:17:06Bye-bye.
00:17:06Bye-bye.
00:17:06Bye-bye.
00:17:07Hold on. I live here.
00:17:27Do you?
00:17:29Then you needn't come any further.
00:17:31Oh, Lord, I said I'd see you home, and I will.
00:17:34But I'm only just round the corner.
00:17:37Do you know White's, the newsagent?
00:17:40Yes.
00:17:40In the King's Road?
00:17:41Yes.
00:17:42That's my father.
00:17:44No.
00:17:45Yes.
00:17:46Well, isn't that fine?
00:17:48Then we're neighbours.
00:17:51Have you ever seen an artist's studio?
00:17:54No. I'd love to.
00:17:57Come up and see mine.
00:18:00Oh, I can't now.
00:18:03Another time.
00:18:04Why not now?
00:18:05Well, it's so late.
00:18:09Are you frightened?
00:18:11No. Of course not.
00:18:14Then why not now?
00:18:16No, really. Thanks awfully.
00:18:20I must be getting home.
00:18:22You are frightened?
00:18:24I'm certainly not.
00:18:26Take more than a man to frighten me.
00:18:28Yeah, that's what I thought.
00:18:31At first.
00:18:34What is the time?
00:18:36Not very late.
00:18:37Come on.
00:18:38What's the harm?
00:18:39Oh, there's no harm, really.
00:18:44Besides, I always think a girl knows instinctively when she can trust a man.
00:18:48Yes, of course she does.
00:18:52Do you trust me?
00:18:54Alice?
00:18:56May I call you Alice?
00:18:58If you like.
00:18:59Come on.
00:19:03Oh, Mr. Crewe.
00:19:05Before you go in, could I...
00:19:07Excuse me a minute.
00:19:08I'll speak to you.
00:19:17No.
00:19:23That chap's nothing but a sponger.
00:19:26Always pestering people up and down this street.
00:19:28Well, here we are.
00:19:38I'm right up there.
00:19:40At the top.
00:19:41Excuse me a minute, will you?
00:19:58Yes, I'm awfully sorry.
00:20:03I won't be a minute.
00:20:04You start walking up.
00:20:06That's all right.
00:20:25Oh, good evening.
00:20:26Sorry to disturb you.
00:20:28About this note, did he leave any message?
00:20:30No, he wouldn't leave any message.
00:20:33Have you seen him before?
00:20:35Yes.
00:20:35The same gent would call you several times.
00:20:38I see.
00:20:40Thanks very much.
00:20:41Good night.
00:20:58A bit of a lime, isn't it?
00:21:11A bit of a lime, wasn't it?
00:21:29What a lovely room.
00:21:30Did you do it all yourself?
00:21:35Hardly.
00:21:37I say, do you feel cold?
00:21:39I think I'll light the fire.
00:21:40Amen.
00:21:40A little bit of a lime.
00:21:41You're welcome.
00:21:41Eürdine.
00:21:42Thanks.
00:21:44I assume it's classic.
00:21:45Bye.
00:21:49Let's go.
00:21:50I know.
00:21:52I feel like a little am Soviets.
00:21:55And I'll be happy to do it.
00:21:58An old testimonies.
00:21:58I feel like you're good.
00:21:58I'm sure to love the doctors.
00:21:59I can't do it.
00:22:00I have anything.
00:22:01п ra.
00:22:01It's very good to know.
00:22:02I guess you feel good to see.
00:22:03I see. That's good, isn't it?
00:22:22Oh, that. Yes, that's a new one, just finished.
00:22:26Oh.
00:22:33Oh, oh, oh, oh, oh, oh.
00:23:03How do you hold it?
00:23:10What? Oh.
00:23:13That's easy. I'll show you.
00:23:21Oh, Lord, not like that.
00:23:25Let me show you.
00:23:27You take this, hold it like that, you see?
00:23:31Okay. Then you get the brush and hold it there.
00:23:36You try.
00:23:38Yes.
00:23:42Yes.
00:23:44Like this?
00:23:45Yes.
00:23:47Oh.
00:23:49Look what I've done.
00:23:50Oh, yes.
00:23:54Draw something, Alice.
00:23:56Shall I?
00:23:57Yes.
00:23:58Oh.
00:24:02Oh.
00:24:05Oh.
00:24:05Oh.
00:24:06Oh.
00:24:09Oh.
00:24:10Oh, gosh.
00:24:13Oh.
00:24:25Rotten.
00:24:35Never mind.
00:24:36We'll finish this masterpiece together.
00:24:39That's the idea.
00:24:40Now you hold the brush.
00:24:42I'll hold your hand.
00:24:44Steady.
00:24:45On the neck.
00:24:46And around here.
00:24:48Not too quick.
00:24:50Down by the leg.
00:24:54Push.
00:24:55Long here.
00:25:00Knee.
00:25:02Side.
00:25:06There we are.
00:25:09Again.
00:25:10Let me go.
00:25:14Now.
00:25:15There.
00:25:17There.
00:25:19There.
00:25:23You are awful.
00:25:24Wait a minute.
00:25:37There.
00:25:38Hooray.
00:25:39All ready for the academy.
00:25:41I'll go and get those drinks.
00:25:43Right you are.
00:25:44What?
00:25:59Ah.
00:25:59There.
00:26:00Here.
00:26:01There.
00:26:02Let me go.
00:26:03Okay.
00:26:04I say, how would I do for one of your models?
00:26:23That's an idea.
00:26:28Let's see it on you.
00:26:32Do you mean put it on?
00:26:34Yes, why not?
00:26:39Oh, it's so strong.
00:26:42Go on.
00:26:47Oh, no, I don't think so.
00:26:50Besides, I'll have to go home soon.
00:26:54I see.
00:26:58Petty, I'd like to have sketched you in it.
00:27:05Would you have rarely?
00:27:08Yes.
00:27:10Perhaps you're right.
00:27:12It wouldn't suit you.
00:27:16I bet it would.
00:27:17I would.
00:27:27Should I really try it on?
00:27:29Yes.
00:27:31Will you?
00:27:33All right.
00:27:42Do you think this will be big enough for me?
00:27:44What?
00:27:46I said, do you think this will be big enough for me?
00:27:50Oh, yes.
00:27:51Thanks, big sir.
00:27:52Thanks, big sir.
00:28:22Go on.
00:28:23Play something.
00:28:25Wait a minute.
00:28:27How's that thing go?
00:28:32I know.
00:28:33What are you doing?
00:28:34Oh, well, I'm a little bit drunk.
00:28:35You all are often overbearing
00:28:37And spend their latter days comparing
00:28:41Past times with the present
00:28:42With result that prove unpleasant
00:28:45To the latter
00:28:46Just idle chatter
00:28:47They praise the woman of the past age, and loathe her daughter of this past age.
00:28:54They sing a hymn of hate about me's up to date, and spend their spite, fun morn till night.
00:29:07They say you're wild, a naughty child, me's up to date.
00:29:14But gloomy few predict for you an awful fate.
00:29:21Critics of the day won't pardon you.
00:29:26It's such a shame the way they're hard on you.
00:29:32Although you're no saint, stop a blade, smoke and pain, drink a cocktail or two.
00:29:37While it's so long, for there's really no harm in the cute little things that you do.
00:29:45You've a heart of gold, so let them nag and scold.
00:29:52You're absolutely great, miss of today.
00:30:01And that's a song about you, my dear.
00:30:05You haven't said how you liked it.
00:30:10Marvellous.
00:30:14I can't do it up.
00:30:16Wait a minute.
00:30:17I can't do it all up.
00:30:18Never mind.
00:30:21How do I look?
00:30:22Well, wait a minute.
00:30:23It isn't quite right.
00:30:24That's there.
00:30:26No, that's right there.
00:30:28No, that's right there.
00:30:32And that's right there.
00:30:34I can't do it all up.
00:30:35I can't do it all up.
00:30:37Never mind.
00:30:39How do I look?
00:30:40Well, wait a minute.
00:30:42It isn't quite right.
00:30:43There.
00:30:44That's right there.
00:30:49Put your hands there.
00:30:50That's right.
00:30:53Yeah.
00:31:10I'd better go.
00:31:11I see.
00:31:41I've got it.
00:31:57Please give it to me.
00:31:59All right, come around.
00:32:01Come on, get it.
00:32:02Please, please.
00:32:04Come on, Alice.
00:32:08There it is.
00:32:11There it is.
00:32:12Now, don't be silly, Alice.
00:32:13Don't be silly.
00:32:14No.
00:32:16Let me go.
00:32:19Let me go.
00:32:20Let me go.
00:32:22Oh.
00:32:23Oh.
00:32:24Oh.
00:32:25Oh.
00:32:27Oh.
00:32:28Oh.
00:32:29Oh.
00:32:31Oh.
00:32:32Oh.
00:32:33Oh.
00:32:34Oh.
00:32:35Oh.
00:32:36Oh.
00:32:37Oh.
00:32:38Oh.
00:32:39Oh, let me go!
00:32:41Let me go!
00:32:47No! No!
00:32:56Let me go!
00:33:09Let me go!
00:33:39Let me go!
00:34:09Let me go!
00:34:19Let me go!
00:34:21Here we go!
00:34:25Here we go!
00:34:29Let me go!
00:40:41Who did you say it was?
00:40:42Mr. Crew.
00:40:43Mr. Who?
00:40:44No.
00:40:45No.
00:40:46Crew, I tell you.
00:40:47It's horrible.
00:40:48All right.
00:40:49Don't you worry.
00:40:50I'll send round straight away.
00:40:51What number did you say?
00:40:52Seven or eleven?
00:40:53Thirty-one.
00:40:54Thirty-one?
00:40:55What?
00:40:56Thirty-one, I said.
00:40:57No, no.
00:40:58Thirty-one.
00:40:59Fifty-one.
00:41:00Fifty-one.
00:41:01Fifty-one.
00:41:02Fifty-one.
00:41:04Five separate rooms.
00:41:06The jugular vein is much.
00:41:08Oh, good.
00:41:10Just take a look around, will you?
00:41:11Right you are, sir.
00:41:13Ten from me pretty well?
00:41:15No.
00:41:16Eight to ten minutes.
00:41:17How long is that, eh?
00:41:18Yes.
00:41:19He's a beacon.
00:41:20Well, he's a strong player, that six-beat man.
00:41:22Oh, of course.
00:41:23Put up a good fight?
00:41:24Yes.
00:41:25Yes, he's been a fighter.
00:41:26You know anything about him?
00:41:28I'm always an artist.
00:41:30You know that.
00:41:32You know that?
00:41:33You know much about him yet?
00:41:34Hmm.
00:41:35You'll find out more later on, of course.
00:41:36Yes.
00:41:37Yes.
00:41:38How about the increase?
00:41:39Will we have the body to move later on?
00:41:41Well, we can't do any help.
00:41:43What time is it like an increase fixed?
00:41:45Tomorrow afternoon.
00:41:47Afternoon, about 3 o'clock.
00:41:49Yes, that will suit me very well.
00:41:51All right, Doctor.
00:41:53We can't do any more.
00:41:55No.
00:41:57Nothing really anything to do, Mr.
00:42:00I'll get him taken away later on.
00:42:03Is anything known of him otherwise?
00:42:05Mmm, not much at present.
00:42:07We may find something like a thorough search of the place and find some papers.
00:42:11Listen to me.
00:42:13I'll sit it now again.
00:42:17Scratch.
00:42:19Scratch, I think.
00:42:21Don't.
00:42:23Don't.
00:42:25Don't worry.
00:42:27Don't worry.
00:42:29Don't worry.
00:42:31Don't worry.
00:42:33Don't worry.
00:42:35Don't worry.
00:42:37Don't worry.
00:42:39Don't worry.
00:42:41Well.
00:42:43He, of course, loose straightened rapidly.
00:42:47There you go.
00:42:49Mm-hmm.
00:42:50All right, well, now I'll see you.
00:42:52We'll get you together.
00:43:47Alice, wake up.
00:43:48Anyone think you haven't been asleep all night?
00:43:50Oh, no.
00:43:51No.
00:43:52No.
00:43:53No.
00:43:54No.
00:43:55No.
00:43:56No.
00:43:57No.
00:43:58No.
00:43:59No.
00:44:00No.
00:44:01No.
00:44:02No.
00:44:03No.
00:44:04No.
00:44:05No.
00:44:06No.
00:44:07No.
00:44:08No.
00:44:09No.
00:44:10No.
00:44:11No.
00:44:12No.
00:44:13No.
00:44:14No.
00:44:15No.
00:44:16No.
00:44:17No.
00:44:18No.
00:44:19No.
00:44:20No.
00:44:21No.
00:44:22No.
00:44:23No.
00:44:24Here you go.
00:44:25No.
00:44:26No.
00:44:27No.
00:44:28No.
00:44:30No.
00:44:31No.
00:44:32No.
00:44:33No.
00:44:34No.
00:44:36No.
00:44:37No.
00:44:38No.
00:44:39No.
00:44:40No.
00:44:41Oh, yeah, yeah.
00:44:43There's been a murder last night around the corner.
00:44:45BIRDS CHIRP
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00:47:15BIRDS CHIRP
00:47:17BIRDS CHIRP
00:47:19Pushed his lady friends under the water when they was having a ball.
00:47:43What was his name, you remember?
00:47:45I think that was ever so beastly.
00:47:47They gave me the shivers.
00:47:49After I read about it, I didn't dare have a bath for a month.
00:47:53And for weeks after that, I only used to have a rinse down.
00:47:57What was his name, you remember?
00:47:59Smith, wasn't it?
00:48:02What's wrong, Alice?
00:48:03You don't look very sharply this morning.
00:48:05You do look a bit peaky on my side.
00:48:07Dad, Alice, breakfast.
00:48:10Good morning, Mr. Light.
00:48:11Good morning, sir. Good morning.
00:48:17Breakfast.
00:48:17I couldn't look bacon in the face after what happened last night.
00:48:22And under our very noses.
00:48:23Mind you, I don't think myself it's altogether the police's fault.
00:48:27What I mean is they have to wink at some things.
00:48:30I mean, it's one thing to buy chocolates out of ours, but it's quite another to stick a knife into a gentleman.
00:48:35I must say, I feel the same way about that, too.
00:48:38A good, clean, honest whack over the head with a brick is one thing.
00:48:43There's something British about that.
00:48:45But knives.
00:48:47No, knives is not right.
00:48:49I must say, that's what I think and that's what I feel.
00:48:53Whatever the provocation, I could never use a knife.
00:48:57Now, mind you, a knife is a difficult thing to handle.
00:49:01I mean, any knife.
00:49:03I mean, if you use a knife, a knife, where wouldn't belong in it?
00:49:08A butcher's knife.
00:49:09Alice, cut us a bit of bread, will you?
00:49:11A knife.
00:49:12What's that of a knife?
00:49:13A knife.
00:49:15I mean, in Chelsea, you mustn't use a knife!
00:49:29Yeah, you ought to have been more careful.
00:49:32Might have cut somebody with that.
00:49:37Customer.
00:49:45No news of the murder yet.
00:49:48No, not yet.
00:49:55Good morning.
00:50:01Well, I must be going.
00:50:03I can't stand here gossiping all day like some people.
00:50:06Chatter, chatter, chatter.
00:50:07Give them a chance to talk about other people's business and they'll take it.
00:50:10What's the matter, Alice?
00:50:12Had another hour with Frank?
00:50:15Another customer, Alice.
00:50:23Another customer, Alice?
00:50:45Good morning, Alice.
00:50:49Here's Frank. Hello, Frank.
00:50:57I say, have you heard about our murder?
00:51:01Yes. They put me on it.
00:51:05Have they? That's good, isn't it?
00:51:08Well, I hope you get them, Frank.
00:51:11If they do, that'll mean promotion rotors.
00:51:13Do you reckon you'll get them soon?
00:51:17Well, I don't know.
00:51:26Well, I came in here to phone.
00:51:28That's all right.
00:51:43Alice. Here a minute, will you?
00:51:54Well, I must be going now. Goodbye, Mr. White.
00:51:56Goodbye, Mr. White.
00:51:57Goodbye, Mr. White.
00:51:58Good morning.
00:51:59Now, you too.
00:52:00You too.
00:52:05Shh.
00:52:07Be careful.
00:52:10What happened last night?
00:52:16Why don't you tell me?
00:52:31Look.
00:52:33You know what I found there?
00:52:43It's the only piece of evidence that you were there.
00:52:47I'm keeping it back at present.
00:52:51For God's sake, say something.
00:52:52If you're not using the phone, may I?
00:53:03I...
00:53:05I want to get onto Scotland Yard.
00:53:15I'll say.
00:53:22I want the best cigar in the shop.
00:53:25Certainly, sir.
00:53:28Perhaps you'd like the telephone while I get it down.
00:53:31Hmm?
00:53:32No, thanks.
00:53:33That can wait.
00:53:34What do they mean?
00:53:35Very well, sir.
00:53:37Now, what sort of a cigar would you like, sir?
00:53:40I've got...
00:53:42I've got Henry Clay.
00:53:44Or a Corona Corona.
00:53:45Corona.
00:53:46Certainly, sir.
00:53:47Yes, sir.
00:53:57Any news of the murder?
00:54:00No.
00:54:01Nothing yet.
00:54:03Have you heard anything?
00:54:08No.
00:54:09No news.
00:54:14Are you, uh...
00:54:17quite sure?
00:54:22What the hell business is of yours, anyway?
00:54:28You know...
00:54:29I looked everywhere for that...
00:54:32other glove last night.
00:54:36But, of course, you detectives are better trained
00:54:38at finding these things.
00:54:40Ah, here we are, sir.
00:54:44Excuse me, will you?
00:54:47Yes, sir.
00:54:55Well, they look good.
00:54:56They ought to.
00:54:58I've had them for years.
00:54:59Yes.
00:55:17All right, sir.
00:55:19Yes.
00:55:20I thought the top was broken, but it's all right.
00:55:22It's all right.
00:55:30Excuse me.
00:55:53I...
00:55:58Have you a light?
00:55:59Yes.
00:56:00Here you are.
00:56:05How silly of me.
00:56:06Hadn't noticed it.
00:56:15Ah.
00:56:16All right, sir?
00:56:17Hmm?
00:56:18Oh.
00:56:19Of course.
00:56:20Sorry.
00:56:22Ha.
00:56:25Ha.
00:56:26Ha.
00:56:27Ha.
00:56:28Ha.
00:56:29Ha.
00:56:30Ha.
00:56:31Ha.
00:56:32Ha.
00:56:34All right, sir?
00:56:36Hmm?
00:56:38Oh.
00:56:39Of course.
00:56:40Ha.
00:56:41Ha.
00:56:43Ha.
00:56:44Ha.
00:56:45Ha.
00:56:46I see. Would you pay for this?
00:57:16Is this gentleman a friend of yours, Frank?
00:57:23Well, we're not exactly friends. At least, not yet.
00:57:28But we're going to do a little business together. Aren't we, Frank?
00:57:39I look after the shop, Father. You go and finish your paper.
00:57:42What for?
00:57:46All right, my dear.
00:58:05Unfortunately, that poor man died last night.
00:58:16Look here, you.
00:58:20But perhaps it's rather fortunate that your little secret only came into the hands of a man like me.
00:58:34Do you know, there are some men who would make money out of a thing like that.
00:58:39What a chance for blackmail.
00:58:42Oh.
00:58:43Oh, but that's all.
00:58:45I couldn't do a thing like that.
00:58:48Come on, Miss.
00:58:49Two of each there.
00:58:50Come on, Miss.
00:58:51Two of each there.
00:58:53Two of each there.
00:58:56Uh?
00:58:58Oh.
00:58:59Shh.
00:59:00Shh.
00:59:01Sh.
00:59:02Oh.
00:59:03Oh.
00:59:04Wait.
00:59:05Oh.
00:59:06What?
00:59:07Oh.
00:59:08Oh.
00:59:09Oh.
00:59:10Oh.
00:59:11Oh.
00:59:12Oh, oh.
00:59:13Oh.
00:59:14Oh, oh.
00:59:15Oh, oh.
00:59:16Oh, oh.
00:59:17Oh, oh.
00:59:18Oh, oh, oh.
00:59:20Oh, oh, oh.
00:59:22By the way, if you're a detective, let me give you a tip.
00:59:30Don't wave important clues in telephone boxes.
00:59:34They've got glass doors.
00:59:37You know, uh...
00:59:40Detectives in glass houses shouldn't wave clues.
00:59:44Look here.
00:59:46Small conflict, please.
01:00:14Come on out with it. What do you want?
01:00:17What do I want?
01:00:21Oh, well, uh...
01:00:25Couldn't we discuss that over breakfast?
01:00:29Mother...
01:00:43This is a friend of friends.
01:00:47Mr... uh...
01:00:49Tracy. Pleased to meet you.
01:00:53Mr. Tracy.
01:00:55Would you like something to eat?
01:00:59Mr. Tracy.
01:01:09Lovely weather we're having.
01:01:11Yes, splendid.
01:01:21Who did you see that, Mademois?
01:01:23He's a very important friend of Frank's.
01:01:25I'll get the breakfast for him.
01:01:29Well, aren't very rude.
01:01:31Won't you take my chair?
01:01:32Oh, thanks.
01:01:33Uh...
01:01:41Joe.
01:01:53Did you see or hear anything during the night?
01:02:03No, sir.
01:02:05What time did you go to bed?
01:02:07About half past ten, sir.
01:02:11Did you write this?
01:02:23Yes.
01:02:37How old would you say this man was?
01:02:39I'm afraid I couldn't tell you, sir.
01:02:41He had his hat on.
01:02:45Did you notice anything particular about his clothes?
01:02:49Well, uh...
01:02:51He had a black hat.
01:02:53Uh-huh.
01:02:54And a...
01:02:55Loose kind of collar.
01:02:56Uh-huh.
01:02:57And a...
01:02:58Tie.
01:02:59Uh-huh.
01:03:00And that's about all, I think.
01:03:02Was he dark?
01:03:04Or fair?
01:03:05Well, you couldn't say he was a blonde.
01:03:08And you couldn't say he was a brunette.
01:03:11He was a bit of both.
01:03:12You know.
01:03:13Kind of mousy.
01:03:16Anything else?
01:03:17No.
01:03:19Except when he spoke to you, he went like this.
01:03:25All right.
01:03:28Give me records.
01:03:49Well, bring him along.
01:03:50Let's hear what he's got to say.
01:03:51Understood?
01:03:52Yes, sir.
01:03:53Right.
01:03:54Get along with it.
01:03:55Yes, sir.
01:03:56Yes, sir.
01:03:57Right.
01:03:58Get along with it.
01:03:59Yes, sir.
01:04:00Yes, sir.
01:04:01Right.
01:04:02Get along with it.
01:04:25All right.
01:04:33In fact.
01:04:34That'll do to go on with.
01:05:04How much longer is that man going to stay? Don't tell me to be here to dinner.
01:05:27Don't make things awkward, Mother. It means a lot to me, in fact.
01:05:32Well, I don't see why they should carry on their business in my parlour.
01:05:36I'll take it. Very well. But I don't like that man.
01:05:40And the sooner he goes, the better.
01:05:42Shh!
01:05:45Italy, you are very clever. I can see that, all right.
01:05:52Frank? Just a minute, will you?
01:06:02I'll take it.
01:06:14A man of yours at the yard said he thought you might be here.
01:06:18All right.
01:06:19All right.
01:06:27Hello?
01:06:29Yeah?
01:06:31Yes?
01:06:34Well, I thought you wouldn't mind if...
01:06:39What?
01:06:40Who?
01:06:43Who?
01:06:44Who?
01:07:08Any news, Frank?
01:07:14Who?
01:07:15Who?
01:07:34Alice.
01:07:36Lock that door.
01:07:44As you were saying,
01:08:06It's rather unfortunate the way that poor man around the corner died last night.
01:08:15On the other hand, perhaps it's fortunate, for us that is,
01:08:20that a suspicious-looking man with a criminal record was seen hanging around the place.
01:08:28You...
01:08:30Look here.
01:08:31Don't you try and swing this thing on me.
01:08:34That won't get you anywhere.
01:08:42Also rather unfortunate,
01:08:45that Scotland Yard are at present looking for that man.
01:08:52I say, Frank!
01:08:54Just a minute, Alice.
01:08:59There's one thing you seem to have forgotten.
01:09:10Oh?
01:09:14And what's that?
01:09:16Before we get to any hanging,
01:09:18I shall have quite a lot to say.
01:09:20And the first thing I shall say is that she was there too.
01:09:24Oh, you will, will you?
01:09:26Isn't there one thing you seem to have forgotten?
01:09:29That our word's as good as, or perhaps a bit better,
01:09:33than that of a jailbird.
01:09:37So we'll face that when the time comes.
01:09:40Meanwhile, we'll just sit quietly here,
01:09:44until the squad van arrives.
01:09:48That surprises you, doesn't it?
01:09:50No.
01:09:52It doesn't surprise me in the least.
01:09:54When it comes,
01:09:56the surprise won't be for me.
01:09:59Very well then. We're both satisfied.
01:10:01Yes.
01:10:03We're both satisfied.
01:10:05It's my word against hers.
01:10:07It's hers.
01:10:16Frank, you...
01:10:18You can't do this.
01:10:20Why not?
01:10:24Well, because...
01:10:28Now, now, don't interfere, Alice. I know what I'm doing.
01:10:30You don't. You don't.
01:10:37Please, Frank.
01:10:39Oh, for God's sake, be quiet, Alice.
01:10:44Why can't you let her speak?
01:10:46You'll mind your own business.
01:10:49In any case, she'll speak at the right moment.
01:10:50Look here, Frank.
01:10:56Why can't we both of us chuck the whole thing now?
01:11:00I've got nothing against you.
01:11:02You've got nothing against me.
01:11:05Except, of course, I...
01:11:07I had some cash from you, but...
01:11:09I wasn't serious.
01:11:11Well, look here.
01:11:13Have it back now.
01:11:20Well, can't you see that she wants to chuck it up, too?
01:11:30And so do I, now.
01:11:33Oh, look here, Miss.
01:11:35You tell him.
01:11:37Tell him that he's playing with fire.
01:11:40And...
01:11:42And we shall all of us burn our fingers.
01:11:46Oh, I...
01:11:48I'm not bad, really. I...
01:11:51Only...
01:11:53Things have gone wrong lately, and...
01:11:55No one's got to live, you know?
01:12:10All right, then.
01:12:12It's still my word against hers.
01:12:20That's it.
01:12:21It's still my word.
01:12:23Good morning.
01:12:45Thank you very much.
01:12:46Let's go.
01:12:48Oi!
01:12:50You meant to get me on the back.
01:12:51Frank, follow me.
01:12:55Let's go.
01:13:16Let's go.
01:13:46Let's go.
01:14:16Let's go.
01:14:46Oh, my God.
01:15:16Oh, my God.
01:15:46Oh, my God.
01:16:16Oh, my God.
01:16:46Oh, my God.
01:17:16Oh, my God.
01:17:46Why, he don't...
01:17:48Why, he don't...
01:17:50Why, he don't...
01:17:54Why, he don't...
01:17:56Why, he don't...
01:17:58Why, he don't...
01:18:00Why, he don't...
01:18:02Why, he don't...
01:18:06Why, he don't...
01:18:08Why, he don't...
01:18:10Why, he don't...
01:18:14Why, he don't...
01:18:16Why, he don't...
01:18:18Hello, very often I see you so early in the day as this, call to see Frank, no, I want
01:18:45to see Inspector Walls, please.
01:18:48Ah.
01:18:51You'll have to fill up one of these forms, you know.
01:18:54All right.
01:19:15Do you know something about this?
01:19:19Yes.
01:19:20George, just a minute.
01:19:24Take this along to Inspector Walls.
01:19:29Right, sure.
01:19:34Ahem.
01:19:39Well, I suppose you're going to tell them who did it, Miss.
01:19:58Yes.
01:20:02You can come along now.
01:20:08Here you are, Miss.
01:20:38Come in, please.
01:20:45Come in, please.
01:20:52Come in.
01:20:53Come in.
01:20:54Come in.
01:20:55Come in.
01:20:56Come in.
01:20:57Come in.
01:20:58Come in.
01:20:59Come in.
01:21:00Come in.
01:21:01Come in.
01:21:02You have something to tell us about this case?
01:21:03Yes.
01:21:04Well, what is it?
01:21:05Ah.
01:21:06You see, I know who did it.
01:21:18Is this worthwhile, sir, now that everything's been cleared up?
01:21:20Yes.
01:21:21Let's hear what she's got to say.
01:21:23What I was going to say is this.
01:21:26I'd better say what I have to say now.
01:21:29I'd rather not wait.
01:21:31What I wanted to say is that...
01:21:33I was the one...
01:21:34One moment, please.
01:21:35Hello?
01:21:36Yes?
01:21:37Yes?
01:21:38Yes, hold on.
01:21:39You deal with this young lady.
01:21:40I shall be busy for a minute.
01:21:41Yes, sir.
01:21:42This way, Miss, please.
01:21:43Is he there now?
01:21:44Send him in at once.
01:21:47You are there.
01:21:48I can't wait.
01:21:49You're here.
01:21:50You're there.
01:21:51I won't wait.
01:21:52You're there.
01:21:53I can't wait.
01:21:54But I can't wait.
01:21:55You are in the morning, sir.
01:21:56He's here.
01:21:57You're here.
01:21:58You're here.
01:21:59For me, Miss, please.
01:22:00Is he there now?
01:22:01Send him in at once...
01:22:02I have.
01:22:11Alice, what made you come here?
01:22:34I did it.
01:22:41I know.
01:22:53You don't know.
01:22:56He tried.
01:22:58Oh, I can't tell you.
01:23:00It's too terrible.
01:23:02I was defending myself.
01:23:05I didn't know what I was doing.
01:23:06And then...
01:23:11My dear.
01:23:41Ha-ha. So you found him, miss?
01:23:44Did she tell you who did it?
01:23:47Yes.
01:23:49You want to look out or she'll be losing your job, my boy.
01:23:52I say, I suppose we should soon have lady detectives up at the yard, eh?
01:24:05But I shall be all right on the door, won't I?
01:24:08Ha-ha-ha-ha-ha-ha.
01:24:12Ha-ha.
01:24:13Ha-ha-ha!
01:24:14Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha!
01:24:19Oh ho ho...
01:24:20I hope you've enjoyed Hitchcock's Blackmail
01:24:38and when you visit your video store again
01:24:40look around for Laser Light's other Hitchcock videos
01:24:43plus other special edition classics
01:24:45from the golden age of Hollywood
01:24:48so, so long for now
01:24:50see you next time