🎞️ Escape! (1930) – Wartime Suspense and the Price of Freedom
Set in the turbulent aftermath of the Great War, Escape! (1930) is a British dramatic thriller that captures the fragility of peace, the tension of justice, and the stirring resilience of the human spirit. Directed by Basil Dean and adapted from a play by John Galsworthy, this gripping film unfolds a man’s desperate bid for freedom after an unfair conviction, set against the rigid and class-bound backdrop of post-war Britain.
A poignant meditation on societal judgment, loyalty, and personal honor, Escape! remains a powerful example of early British cinema’s ability to tackle moral ambiguity with nuance and realism. With stark visuals, compelling characters, and a suspenseful narrative, it holds a mirror to a society struggling to redefine itself after a world-shaping conflict.
🎥 Plot Summary:
Captain Matt Denant (played by Gerald du Maurier) is a former army officer grappling with the haunting silence of post-war civilian life. One fateful afternoon in Hyde Park, Denant comes to the defense of a woman being unjustly harassed by a plainclothes policeman. In the ensuing scuffle, the officer dies accidentally. What was intended as an act of honor becomes the catalyst for Denant’s descent into a life on the run.
Convicted of manslaughter and sentenced to prison, Denant escapes and begins a perilous journey across the English countryside. As he moves through villages, estates, and forests, he encounters individuals from various walks of life—some willing to help, others prepared to betray him. The film uses these encounters to explore rigid class divisions, moral choices, and the complexity of justice.
With the law closing in, Denant is forced to confront his own principles. Will he continue running, or will he surrender to uphold the very code of honor that got him into trouble in the first place?
Set in the turbulent aftermath of the Great War, Escape! (1930) is a British dramatic thriller that captures the fragility of peace, the tension of justice, and the stirring resilience of the human spirit. Directed by Basil Dean and adapted from a play by John Galsworthy, this gripping film unfolds a man’s desperate bid for freedom after an unfair conviction, set against the rigid and class-bound backdrop of post-war Britain.
A poignant meditation on societal judgment, loyalty, and personal honor, Escape! remains a powerful example of early British cinema’s ability to tackle moral ambiguity with nuance and realism. With stark visuals, compelling characters, and a suspenseful narrative, it holds a mirror to a society struggling to redefine itself after a world-shaping conflict.
🎥 Plot Summary:
Captain Matt Denant (played by Gerald du Maurier) is a former army officer grappling with the haunting silence of post-war civilian life. One fateful afternoon in Hyde Park, Denant comes to the defense of a woman being unjustly harassed by a plainclothes policeman. In the ensuing scuffle, the officer dies accidentally. What was intended as an act of honor becomes the catalyst for Denant’s descent into a life on the run.
Convicted of manslaughter and sentenced to prison, Denant escapes and begins a perilous journey across the English countryside. As he moves through villages, estates, and forests, he encounters individuals from various walks of life—some willing to help, others prepared to betray him. The film uses these encounters to explore rigid class divisions, moral choices, and the complexity of justice.
With the law closing in, Denant is forced to confront his own principles. Will he continue running, or will he surrender to uphold the very code of honor that got him into trouble in the first place?
Category
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Short filmTranscript
00:06:42There you are, you lucky devil.
00:06:58A hundred to eight.
00:06:59What did I tell you?
00:07:01Well, thanks for the dinner, Matt.
00:07:03What becomes of you now?
00:07:04Oh, I don't know.
00:07:05I think I should have a rubber of bridges to go now.
00:07:07Let me drop you.
00:07:08No, I'll walk to the park.
00:07:10Well, don't get locked in.
00:07:11I'll take a jolly good care of the rest.
00:07:12Thank you first, dear boy.
00:07:13My job.
00:07:14Goodbye.
00:07:15Goodbye.
00:07:41Bye.
00:07:41Bye.
00:07:42Bye.
00:07:45Bye.
00:07:47Bye.
00:07:48Bye.
00:08:00Come on out the counter.
00:08:30Come on out the counter.
00:09:00Come on out the counter.
00:09:30Come on out the counter.
00:10:00Come on out the counter.
00:10:30Come on out the counter.
00:10:32Ask her.
00:10:33You back all the winners?
00:10:34That wouldn't be fair to the bookmakers.
00:10:36Pretty things, horses.
00:10:39Prettiest in the world.
00:10:41Prettiest women?
00:10:42Not always.
00:10:43Not always.
00:10:44I haven't seen you before.
00:10:46Do you come here often?
00:10:47Not very often.
00:10:50What are you, soldier?
00:10:55Once upon a time.
00:10:56Once upon a time.
00:10:57What now?
00:10:58I'm thinking of becoming a parson.
00:11:00Oh, you've got money of your own then.
00:11:03A million.
00:11:04If I have money of my own, do you know what I do?
00:11:07Yes.
00:11:08Get rid of it.
00:11:09To get my head under a second time?
00:11:10Not much.
00:11:11Oh, it's nice for you to talk to me.
00:11:12Not a bit.
00:11:13Would you like to come and see me now and then?
00:11:14On vera.
00:11:15What's that?
00:11:16An expression of hope.
00:11:17You don't like me, do you?
00:11:18Well, you're original, generally.
00:11:19Original sense.
00:11:20What made you start this sort of life?
00:11:21Cut it out.
00:11:22You all ask for that.
00:11:23And you can take it from me, you never get told.
00:11:24Well, I belong to the oldest profession in the world.
00:11:25I'm not sure you're going to be in the world.
00:11:27Well, I don't know.
00:11:28Well, I'm not sure you're going to be in the world.
00:11:29It's nice for you to talk to me.
00:11:30Not a bit.
00:11:31Would you like to come and see me now and then?
00:11:32On vera.
00:11:33What's that?
00:11:34An expression of hope.
00:11:35You don't like me, do you?
00:11:36Well, you're original, generally.
00:11:37Original sense.
00:11:38What made you start this sort of life?
00:11:39Cut it out.
00:11:40You all ask for that.
00:11:41And you can take it from me, you never get told.
00:11:43Well, I belong to the oldest profession in the world.
00:11:46Well, that's not true either.
00:11:48There's an older.
00:11:49Really?
00:11:50A cop.
00:11:51Mine would never have been a profession but for those years.
00:11:52No, no, no, no, no.
00:11:53I say.
00:11:54Hmm?
00:11:55Oh, wouldn't you like to drive me home?
00:11:56I'm sorry, dear.
00:11:57I get to stop as my sister.
00:11:58Oh, ho, ho.
00:11:59That's a good one.
00:12:00Oh, ho, ho.
00:12:01That's a good one.
00:12:02Oh, ho, ho.
00:12:03Oh, ho, ho.
00:12:04Oh, ho, ho.
00:12:05Oh, ho, ho.
00:12:06Oh, ho, ho.
00:12:07Oh, ho, ho.
00:12:08Oh, ho.
00:12:09Oh, ho, ho.
00:12:10Oh, ho, ho.
00:12:11Oh, ho, ho.
00:12:12That's a good one.
00:12:14Goodbye.
00:12:42Oh, ho.
00:12:43Who are you?
00:12:44Clean clothes, officer.
00:12:45I wasn't doing anything.
00:12:46No, no.
00:12:47Of course not.
00:12:48Well, I wasn't, I'd tell you.
00:12:49Come on, now.
00:12:50Why, he'll tell you so, too.
00:12:51You talked to me of your own accord, didn't you?
00:12:52Of course I did.
00:12:53Who might you be?
00:12:54I saw this woman across you, sir.
00:12:55I saw this woman across you, sir.
00:12:56I've observed her carefully, and not for the first time.
00:12:57I don't care what you've seen before.
00:12:58You didn't see it this time.
00:12:59No, sir.
00:13:00Hadn't you better keep out of this?
00:13:01Let go of that girl's arm.
00:13:02You're exceeding your duty.
00:13:03What are you doing?
00:13:04What are you doing?
00:13:05What are you doing?
00:13:06What are you doing?
00:13:07What are you doing?
00:13:08What are you doing?
00:13:09I'm doing.
00:13:10I'm doing nothing.
00:13:11No, no.
00:13:12Of course not.
00:13:13Well, I wasn't, I'd tell you.
00:13:14Come on, now.
00:13:15Why, you'll tell you so, too.
00:13:16You talked to me of your own accord, didn't you?
00:13:17I've seen you before.
00:13:18You didn't see it this time.
00:13:19No, sir.
00:13:20Hadn't you better keep out of this?
00:13:21Let go of that girl's arm.
00:13:22You're exceeding your duty.
00:13:23What do you know about my duty?
00:13:25Good heavens, made two people talk.
00:13:26I've made no complaints.
00:13:27I tell you, I know this girl.
00:13:28Now, don't interfere with me, or I shall want you too.
00:13:30I give you my word of honor, this girl hasn't denied me in the least.
00:13:32She was carrying on her profession here, as she's done before.
00:13:35My order is to prevent that, and she's going to be charged.
00:13:38This is the third night I've watched her.
00:13:40I've never seen your face before.
00:13:42No, but I've seen yours.
00:13:43I've given you plenty of rope.
00:13:44Now, come on.
00:13:45Oh, sir.
00:13:46It's time.
00:13:47Drop that girl.
00:13:48Go on.
00:14:01Run, my dear.
00:14:02Run.
00:14:03Oh, no.
00:14:04Don't fight.
00:14:05Grace has got it on you all the time.
00:14:06Go on.
00:14:07Run.
00:14:08Yeah, what's the idea?
00:14:09Don't you touch me.
00:14:10Watch that.
00:14:11Oh.
00:14:12Run, little idiot.
00:14:13Run.
00:14:14We need to set him a rail.
00:14:15I know the sun.
00:14:16See, he don't move.
00:14:17What's that?
00:14:18Oh, I told you not to slide.
00:14:19What did you want to slide for?
00:14:20Here it is.
00:14:21Quick.
00:14:22Before anybody comes.
00:14:23Across the grass back there.
00:14:24Nobody will know.
00:14:25I can't leave him like this.
00:14:26Go and get some water.
00:14:27Oh, no, come away.
00:14:28It's awful, Miss.
00:14:29Oh, what's his face?
00:14:30Don't be a little idiot.
00:14:31Here's his hat.
00:14:32Go and get some water.
00:14:33Go and get some water.
00:14:34Oh, no, come away.
00:14:35It's awful, Miss.
00:14:36Oh, what's his face?
00:14:37Don't be a little idiot.
00:14:38Here's his hat.
00:14:39Go and get some water.
00:14:40Go on.
00:14:41Oh, God.
00:14:42Go cię.
00:14:43Come on.
00:14:44Go second.
00:14:45What's his face?
00:14:46I'm afraid he's, er.
00:14:47What, who is he?
00:14:49Come on.
00:14:50Come on.
00:14:51Come on.
00:14:52Get back there.
00:14:53Get back.
00:14:54Come on.
00:14:55Stand back.
00:14:56Come on.
00:14:57Stand back.
00:14:58Is there a doctor?
00:14:59He's still a doctor.
00:15:00Is there a doctor, right?
00:15:01Come on.
00:15:02Come.
00:15:03Come on.
00:15:04Come on.
00:15:05Get back there.
00:15:06Come on.
00:15:07Stand back.
00:15:08Where is he?
00:15:09Come on.
00:15:10He's still a doctor.
00:15:11He's dead.
00:15:13He's dead.
00:15:15How did this happen?
00:15:19We had a ride.
00:15:21He knocked his head on that rail.
00:15:23Where's he at?
00:15:25Someone's trying to get some water.
00:15:27Who? A girl.
00:15:29He blew his whistle. What was the row about?
00:15:31Original sin.
00:15:33All right, mate. You stay with him.
00:15:35I'll go and get an ambulance.
00:15:37You come along with me.
00:15:41You come along with me.
00:15:43You come along with me.
00:15:45Give me Sally. Good luck.
00:15:47Come on, come back in.
00:15:49Come on.
00:15:51It's nothing to say now. It's only a call.
00:15:53Get out of here.
00:16:01There. Come on, Lee.
00:16:11Matthew Dennant.
00:16:13You are charged with feloniously assaulting and killing PCA511 William Browne at 10.05pm on the night of the 18th of June.
00:16:21On that charge, you will be detained and taken before a magistrate.
00:16:37You will be detained and taken before a magistrate.
00:16:39You will be detained and taken before a magistrate.
00:16:43Unfortunately, if you loved a magistrate, you will be detained by the Rusyr Union of Texas.
00:16:45Not a magistrate.
00:16:53No bid after all of this positions have one for three and on this patrim créd to happen.
00:16:58The sands running to come out.
00:16:59Hope crimes can be followed by all of this information.
00:17:01But she got you and thearks in the command.
00:17:03Radio vaccination.
00:17:33Survivor.
00:17:57Murray!
00:17:57How?
00:17:58Look, 1 buck.
00:17:59Party.
00:18:0010 men, sir.
00:18:00Aye, sir.
00:18:03Party, quick, march.
00:18:21Number one, Bob, party all present and correct, sir.
00:18:25Yes, sir.
00:18:28I've come up with a rather misty, sir.
00:18:30Very good, sir.
00:18:32I'll double the guard.
00:18:33I'll double the guard.
00:18:38Was it in London?
00:18:41Yes.
00:18:42Hyde Park.
00:18:43The poor Blighter was dead.
00:18:45I got five years for manslaughter.
00:18:52Wipes, a cop.
00:18:54You were lucky not to swing, mate.
00:18:57The girl stood by me.
00:18:58If she hadn't come forward...
00:19:00How much you got left to do?
00:19:06Three years.
00:19:08If I behave like a plaster saint.
00:19:14I got four.
00:19:15I say, you're a torf, aren't you?
00:19:20And it's like being spoken to like a dog, if that's what you mean.
00:19:24Steady, mate.
00:19:25Fog don't prevent them here in Blightham.
00:19:36It's come up very sudden.
00:19:38Think it's going to last.
00:19:39After a wet spell, this time of year, when the wind's gone, years.
00:19:48That's when you get the escapes.
00:19:53No one's ever got away from here.
00:19:55So they tell me.
00:19:56There have been a good few tries, though.
00:19:58Gosh.
00:19:59I'd like to have a shot.
00:20:01Don't you do it, Governor.
00:20:02You want money.
00:20:04You want clothes.
00:20:05You want a call.
00:20:06And then they get you.
00:20:08This moor's the hell of a place.
00:20:09That's a good fair potato.
00:20:13No talking there.
00:20:15Work down the next row.
00:20:17Then stand by to fall in.
00:20:19Hear me?
00:20:21Answer, Concher.
00:20:23Right, sir.
00:20:29Like a dog.
00:20:31Three more years.
00:20:32Like a dog.
00:20:39Here.
00:20:43You know the moor.
00:20:44Where's two bridges?
00:20:46There.
00:20:47A mile.
00:20:48It's only an inn, though.
00:20:51And Tavistock?
00:20:53Seven.
00:20:56Governor, don't do it.
00:20:58There ain't a chance in a million.
00:21:02I got away from Germany.
00:21:04Germany, me foot.
00:21:06The old countryside's a guinea.
00:21:11They don't like convicts.
00:21:14Funny, ain't it?
00:21:19Hurry up with that dark throw, you two men.
00:21:24Gosh.
00:21:25I'll have a shot.
00:21:28There's another blighter beyond that wall.
00:21:31He'll shoot.
00:21:32I'm going over that wall by the corner.
00:21:34Governor, if that chap's looking the other way, I'll get by.
00:21:37You're mad, Governor.
00:21:39They'll shoot at sight.
00:21:40Let them.
00:21:41I'll give them a run for their money.
00:21:43Well, if you must go, stick to the roads.
00:21:46That way.
00:21:48In this fog, they'll have to take us back before they dare start on you.
00:21:52If you go wandering about the moor all night,
00:21:55you'll be done in stiff before morning.
00:21:57The sooner the better.
00:21:58Never stop to look at a fence.
00:22:00Can I eat these raw?
00:22:01Never try, Governor.
00:22:05Here.
00:22:06Take this.
00:22:08Thanks.
00:22:09You're a good chap.
00:22:11Wish you luck, sir.
00:22:12Wish I was coming too.
00:22:15Only, only I haven't got the pluck.
00:22:17And that's a fact.
00:22:19Now then, old fella.
00:22:20Turn your head the other way.
00:22:22And keep it there.
00:22:23One, two, three, four, five, six, seven, eight, nine, ten.
00:22:50Gordy's off.
00:22:50You there.
00:22:57Where's your mate?
00:22:58Went beyond that ice deck, sir.
00:23:02He's not there.
00:23:03Now then, where is he?
00:23:05I don't know, sir.
00:23:06Anyone go over your wall, Richard?
00:23:07No, sir.
00:23:08I'll get to the far end, quick.
00:23:09Come, you.
00:23:10Williams, lost a man here.
00:23:15Anyone past you?
00:23:16No, no one's past.
00:23:17Sharp then, full eight is gone.
00:23:18Oh, he must have passed you, then.
00:23:19Oh, crap, this fog.
00:23:21Farther shot for warning.
00:23:23Oh, no, don't.
00:23:23I don't have the others running for it.
00:23:25Must have shot.
00:23:26Get home quick and report.
00:23:27All right.
00:23:31Man's gone.
00:23:32Must have by the haystack.
00:23:33Then get back quickly.
00:23:34Get him on board.
00:23:34Come on, you fellas.
00:23:38Come on.
00:23:38Come on.
00:23:39Come on.
00:23:40Come on.
00:23:40Come on.
00:23:40Come on.
00:23:41Come on.
00:23:42Come on.
00:23:42Come on.
00:23:50Right here.
00:23:51You.
00:23:51Shut the door.
00:23:52You know all about this army.
00:23:54No, me, sir.
00:23:55He will be on the right side.
00:23:56Let's see with the ducky.
00:23:57Come on.
00:23:58Come on.
00:23:58Get up.
00:23:59Come on.
00:24:00Get up.
00:24:02Come on.
00:24:02Get up.
00:24:03Come on.
00:24:04Oh, my God.
00:24:31Oh, my God.
00:24:32Oh, my God.
00:24:32Oh, my God.
00:24:34Oh, my God.
00:24:56Oh, my God.
00:25:01Baaaaa! Baaaaa!
00:25:08Baaaaa!
00:25:31Baaaaa!
00:25:51Bye-bye, Daddy!
00:25:52Goodbye, my beauty!
00:25:53Be you good children now!
00:25:54Yes!
00:25:55Goodbye!
00:25:56Goodbye, Daddy!
00:25:58Come on, Daddy!
00:26:00Come on!
00:26:01Let it go!
00:26:15Is there the Chief Constable Exeter?
00:26:17Good morning, sir.
00:26:19Look here, this prisoner of mine has been out 24 hours.
00:26:22What?
00:26:24Any news of clothes being stolen or a car?
00:26:28Well, he can't have got far.
00:26:30Perhaps you'll notify all outlying stations.
00:26:33There.
00:26:34Baa!
00:26:35Baa!
00:26:36Baa!
00:26:37Baa!
00:26:38Baa!
00:26:39Baa!
00:26:40Baa!
00:26:41Baa!
00:26:42Baa!
00:26:43Baa!
00:26:44Baa!
00:26:45Baa!
00:26:46Baa!
00:26:47Baa!
00:26:48Baa!
00:26:49Baa!
00:26:50Baa!
00:26:51Baa!
00:26:52Baa!
00:26:53Baa!
00:26:54Baa!
00:26:55Baa!
00:26:56Hello.
00:26:57Evening, Ed.
00:26:58Hello.
00:26:59It's all dirty weather.
00:27:00Evening, Mr. Summers.
00:27:01Too fine.
00:27:02Seen anything of this year convict here about?
00:27:03He'll get clean away in this year's fog.
00:27:04Sure.
00:27:05Sure I've seen him.
00:27:06Sure.
00:27:07Goin' as quick as a flash up along to Hamilton.
00:27:10Even like a fox, you do.
00:27:11We'll get clean away in this year's fog.
00:27:12Sure I've seen him.
00:27:13Sure.
00:27:14Sure I've seen him.
00:27:15Goin' as quick as a flash up along to Hamilton.
00:27:16Even like a fox, you do.
00:27:17Ha, into a trap just so fast as this hair.
00:27:18Ha, ha, ha, ha.
00:27:19Oh, ha, ha.
00:27:20Come, gentlemen, please.
00:27:21Come, gentlemen, please.
00:27:22Come, gentlemen, please.
00:27:24Come, gentlemen, please.
00:27:26Come, gentlemen, please.
00:27:28Come, gentlemen.
00:27:29Come, gentlemen, please.
00:27:30Good night.
00:27:31Come.
00:27:32Come, gentlemen, please.
00:27:33Good night.
00:27:34Time, gentlemen, please.
00:27:40Time, gentlemen, please.
00:28:04Good night, gentlemen.
00:28:08Good night.
00:28:12Good night.
00:28:28Come in.
00:28:34Eight o'clock, madam.
00:28:38What sort of day?
00:28:40Clearing up nicely.
00:28:42Oh, good.
00:28:44My husband's coming back tonight.
00:28:46I'm to be moved back to the double room.
00:28:48Yes, madam.
00:28:50Yes, madam.
00:28:52Good night.
00:28:54Good night.
00:28:56Good night.
00:28:58Good night.
00:28:59Good night.
00:29:00Good night.
00:29:01Good night.
00:29:02Good night.
00:29:03Yes, madam.
00:29:04They told me.
00:29:05They haven't caught that escaped convict yet.
00:29:08He's been out nearly two days.
00:29:10How thrilling.
00:29:11He might get clean away.
00:29:13Oh, they'll catch him.
00:29:14No one ever gets off.
00:29:16Does they?
00:29:17No, madam.
00:29:19Wouldn't never do.
00:29:27Shall I turn on the bath, madam?
00:29:29Yes, sir.
00:29:33No.
00:29:34No.
00:29:35I'm going to be able to ban the bath.
00:29:36I'm going to speak to you, too.
00:29:37No, no.
00:29:38Not as much.
00:29:39Is he?
00:29:40No.
00:29:41No.
00:29:42No.
00:29:43No.
00:29:44No.
00:29:45No.
00:29:46No.
00:29:47No.
00:29:48No.
00:29:49No.
00:29:49No.
00:29:51No.
00:29:52No.
00:29:53No.
00:29:54No.
00:29:55No.
00:29:56No.
00:29:57No.
00:29:58No.
00:29:59No.
00:30:00Aire in the water stone cold.
00:30:26Let me know when it's hot, please.
00:30:28Yes, madam.
00:30:30Please.
00:30:43Who?
00:30:45What do you mean by coming into my room?
00:30:46I'm frightfully sorry.
00:30:48You're the escaped.
00:30:50Do you mind talking quietly?
00:30:52What made you come in here?
00:30:54I was utterly done.
00:30:55And I had to have a rest.
00:30:56Yes, but...
00:30:57I should be eternally grateful if you would give me something to eat.
00:30:59I've had 40 hours on a bit of bread and two raw potatoes.
00:31:02Well, this is pretty cool.
00:31:04I ought to ring and hand you over.
00:31:05No, you look such a sport.
00:31:08I know who you are.
00:31:09Your name's in the paper.
00:31:11I've only got some chocolate.
00:31:16Thanks.
00:31:17Do you mind if I grab a drink?
00:31:18No, of course not.
00:31:29Have you ever met an escaped convict before?
00:31:42A hunted fox is nothing to it.
00:31:43Believe me.
00:31:45Do you realize that you're only three miles from the prison?
00:31:47I know.
00:31:47The first night, I meant to be near Exeter, my morning.
00:31:49Do you know where I found myself?
00:31:50A mile from where I'd started.
00:31:52I'd been running the circle.
00:31:53One does that in five.
00:31:55I say.
00:31:57There's a razor.
00:31:58My husband, why?
00:31:59I'm going to ask you a great favor.
00:32:00Do you mind if I use it?
00:32:01Like this, I haven't an earthly chance.
00:32:03Nothing attracts so much notice as a two-day's bill.
00:32:06Of course you can.
00:32:07You're terribly kind.
00:32:08How have you managed not to be caught?
00:32:18Twice.
00:32:19I've been within 20 feet of the hound.
00:32:20Hound?
00:32:21Yes, human.
00:32:22Just out of their jaw.
00:32:29How did you get in here?
00:32:31I waited until every life was out, chose your window because it was open, crept in and dived under the bed.
00:32:36Do you mind if I put on my boots?
00:32:38No, of course not.
00:32:48I read your trial.
00:32:50You think I'm a bad lot, of course.
00:32:53Do you know how I spend most of my time in prison?
00:32:56Holding imaginary conversations with the respectable.
00:33:00Oh, please then call me respectable.
00:33:03Very well then, I won't.
00:33:08Well, Captain Dennis, what now?
00:33:12You'll never get out of here as you are.
00:33:14You mean that picket outside?
00:33:21Yes?
00:33:22The fast-watered copse now, madam.
00:33:25All right.
00:33:29Do you think she could hear us?
00:33:30No.
00:33:30What are you going to do?
00:33:32Wakely is looking the other way.
00:33:34Flip along the balcony, drop down and make a bolt for it.
00:33:36No.
00:33:40No, look here.
00:33:41When I go to my bath, I see that there's nobody about.
00:33:45You step down the stairs.
00:33:47Hanging in the hall are my husband's fishing things.
00:33:51There's a raincoat, a brown hat.
00:33:53Put them on and go out of the front door.
00:33:55The river's down to the left.
00:33:57Do you fish?
00:33:57Yes.
00:33:59You'd better then.
00:34:00Oh, whistle something so that I'll know you're clear.
00:34:04Good luck, Captain Dennis.
00:34:06Bless you.
00:34:07Wait a minute.
00:34:12Take this.
00:34:13Do you see anyone looking at you?
00:34:15Drink.
00:34:15Nothing gives one more confidence in a man than to see him drinking.
00:34:19Right, George, I think you're sublime.
00:34:20You've got to know what it means, after a year and there, to talk to a woman again.
00:34:24If I'm caught, I'll say I stole everything.
00:34:26Don't bother about that.
00:34:28Get behind the door now, quick.
00:34:34Oh.
00:34:35Yes, Ellen?
00:34:36This is the bath, madam.
00:34:39Do you mind getting me the suit I sent downstairs to dry last night?
00:34:43Yes, madam.
00:34:44That was a narrow escape.
00:34:57All clear.
00:35:00Goodbye.
00:35:01Goodbye.
00:35:01Goodbye.
00:35:01Goodbye.
00:35:14Goodbye.
00:35:15Goodbye.
00:35:16Goodbye.
00:35:17Goodbye.
00:35:18Goodbye.
00:35:19Goodbye.
00:35:20Goodbye.
00:35:21Goodbye.
00:35:22Goodbye.
00:35:23Goodbye.
00:35:24Goodbye.
00:35:25Goodbye.
00:35:26Goodbye.
00:35:27Goodbye.
00:35:28Goodbye.
00:35:29Goodbye.
00:35:30Goodbye.
00:35:31Goodbye.
00:35:32Goodbye.
00:35:33Goodbye.
00:35:34Goodbye.
00:35:35Goodbye.
00:35:36Goodbye.
00:35:37Goodbye.
00:35:38Goodbye.
00:35:39Goodbye.
00:35:40Goodbye.
00:35:41Goodbye.
00:35:42Goodbye.
00:36:13Gone away.
00:36:43Good afternoon.
00:36:55Good afternoon.
00:36:57Has things cleared up too fine for you?
00:37:01Yes, it's a bit bright now.
00:37:04Best eating in the world, those little brown chaps, eh?
00:37:08By golly, yes.
00:37:09Very foggy recently.
00:37:10That's the worst point about the moor, the fogs.
00:37:13Only good for convicts.
00:37:15Ah, quite so.
00:37:16I don't envy an escaped prisoner in this country.
00:37:19We are a law-abiding race.
00:37:21There was very much structured a difference in America last year.
00:37:25A vital race there.
00:37:27Supreme disregard for the law themselves with a strong sense of moral curvature in honor.
00:37:33Personally, I have rather a complex.
00:37:35I escaped from Germany during the war.
00:37:37Oh, really?
00:37:38Oh, very interesting.
00:37:39Did you want to get thin?
00:37:42By the way, a convict got away the day before yesterday.
00:37:47Oh?
00:37:48Yes.
00:37:49Captain Matt Derent.
00:37:52I read the case with interest at the time.
00:37:54How did it strike you?
00:37:56I don't think I remember.
00:38:00The detective was undoubtedly doing his duty.
00:38:04Yet, quite a question.
00:38:08Rather dangerous giving the police a discretion on morals.
00:38:20Will you smoke?
00:38:24Thanks.
00:38:25I've got rather a bad habit of coming out without tobacco.
00:38:29I've often wondered what I should do if I blundered into an escaped convict.
00:38:47One's duty, perhaps, eh?
00:38:52Probably.
00:38:53I'm afraid I don't always do mine.
00:38:55Oh, don't you really?
00:38:56Well, I'm glad of that.
00:38:58Neither do I.
00:39:01Do you, eh, do you know the prison?
00:39:04A bad style of architecture.
00:39:06Unfortunately, it has been my job to send a good many people to prison in my time.
00:39:11I'd as soon visit the morgue.
00:39:13The bodies there aren't living, at any rate.
00:39:15Well, they tell me, eh, prisons are very much improved.
00:39:19They've introduced a more, eh, human feeling.
00:39:22Have they, splendid.
00:39:23What was the date of that?
00:39:24Do you know any convicts?
00:39:25I know lots of people who ought to be.
00:39:29Anything, madam?
00:39:30I'm afraid I must abandon your excellent cigar.
00:39:31I've enjoyed it, but I'm smoking on a rather empty stomach.
00:39:35Yes, well, tobacco must have been one of the great deprivations in prison.
00:39:50Afternoon, Sergeant.
00:39:51Didn't you find that in Germany?
00:39:52Oh, we got tobacco now and then.
00:39:53Well, one must never cease to be grateful to those who endured such things.
00:40:07I must be getting on.
00:40:12It's been very pleasant.
00:40:14At my time of life, one doesn't often get new sensations.
00:40:17Why, sir?
00:40:18Have I handed you one?
00:40:20Yes, I've never before talked to a prisoner who escaped from... from Germany.
00:40:28Goodbye, Captain Demmon.
00:40:30How did you spot me?
00:40:32Well, first of all, the way you looked at your fish.
00:40:36Ah.
00:40:37Shall I say wolfishly?
00:40:39And then forgive me your legs.
00:40:42Yes.
00:40:43I hoped you'd think I was a leader of fashion.
00:40:45Well, it's been very interesting because now I know what I should do if I encountered an escaped convict.
00:40:52Would it be indiscreet to ask?
00:40:55Well, this time, Captain Demmon, I say this time I should wink the other eye.
00:41:03Goodbye.
00:41:04Goodbye, sir.
00:41:05It's frightfully sporting of you.
00:41:07For the moment, I feel quite human.
00:41:10You know, it has had rather that effect upon me.
00:41:14Original sin, I suppose, eh?
00:41:18Goodbye.
00:41:19You're a regular weather-prophet, Captain.
00:41:34Oh, it takes a lot of weather to finish the state of them.
00:41:38Here.
00:41:39Here.
00:41:40Here.
00:41:41This fellow who killed the detective in Hyde Park.
00:41:43He's still free, but it says here that they nearly caught him.
00:41:46Twice.
00:41:47Oh?
00:41:48I always hate to think of those dreadful men at large.
00:41:50You can't sleep in your bed.
00:41:52Don't you get too excited, Mum.
00:41:54Think of the choice he's got.
00:41:56That's a bad case.
00:41:58The police will never catch him on them bicycles.
00:42:00No.
00:42:01They want to engage me.
00:42:02I'd catch any convict on my carton.
00:42:08Here.
00:42:09What's that bloke doing with your Ford?
00:42:11Boy, he's got in.
00:42:12Hey!
00:42:13Hey!
00:42:14Hey!
00:42:15Hey!
00:42:16Hey!
00:42:17Hey!
00:42:18Hey!
00:42:19Hey!
00:42:20Hey!
00:42:21Hey, Captain!
00:42:28I've got something in my shoe.
00:42:30Take it off, then.
00:42:32Hold on to me.
00:42:34It isn't in the shoe.
00:42:35It's inside the stocking.
00:42:37Well, you can't sit down here.
00:42:39The ground's still wet.
00:42:40There.
00:42:41See you.
00:42:50Look out.
00:42:51Here's the car.
00:42:52Oh, brother.
00:43:03I beg your pardon, sir.
00:43:04Can you direct me to Bavé?
00:43:05I'm afraid we're strangers.
00:43:07Yes, but it's up this hill anyway, isn't it?
00:43:09It must be, I think.
00:43:10Thank you very much.
00:43:13They say Bavé's pretty.
00:43:14Very good knitting, I believe.
00:43:15Ha ha ha ha ha ha!
00:43:16Ha ha ha!
00:43:19Ha ha ha ha ha!
00:43:20Ha ha ha ha!
00:43:21Ha ha ha!
00:43:22See convict, Price?
00:43:23Convict?
00:43:24No.
00:43:25See anyone?
00:43:26see convict pass convict no see anyone only a car what sort of a car oh ford i think who was
00:43:44in it a man what sort of a man oh a gentleman what did he say he asked the way to bubby ah
00:43:51what did he got on long raincoat and a hat like mine boy he was quite all right was he
00:43:58well you've directed the escape convict why didn't you stop him i would have if i'd suspected
00:44:04for a moment stop him first suspect after i'm awfully sorry he's done now i must go down along
00:44:09sharp and telephone
00:44:10hello that chap's coming back what have i to do we'll run out and stop him of course
00:44:36but but these chaps are desperate
00:44:37i'm awfully sorry my car started to back down the hill there's a constable that way too so i see
00:44:50now sir that constable's been talking to us the game's up look here i have a brainwave let's all
00:44:56get in my car and go to whitticombe i'll drop you on the other side but uh what no no we can't do
00:45:01that yes i'll come in the car if you're the lady you'll get through without being spotted splendid
00:45:05thanks so much will you get in look here now sir i i ought to be knocking you down and sitting on
00:45:10your head if you know what i mean oh no philip oh no come on shall we start right-o i won't have it
00:45:16if you don't surrender i'll tackle you what's that you know i think you'd better go on and as
00:45:22the constable's gone to telephone now by joe has he thanks so much goodbye goodbye good luck
00:45:35you can't go like that i'm dashed if you can stop run my dear run it's all right you'll be too late
00:45:42you really are
00:45:44yes sergeant double back now going south you say
00:46:13very well i'll send some more waters in a lorry immediately
00:46:20oh
00:46:22oh
00:46:24oh
00:46:26oh
00:46:28oh
00:46:32oh
00:46:34oh
00:46:36oh
00:46:38oh
00:46:40oh
00:46:42oh
00:46:59oh
00:47:05oh
00:47:07oh
00:47:09oh
00:47:11I am going to die.
00:47:30Let me go.
00:47:31Let me go.
00:47:32Let me go.
00:47:34Let me go.
00:47:35Let me go.
00:47:41Coloniously are supporting and killing P.C.A. 511, William Brown.
00:47:46Oh, I told you, Dr. Fine, if you want to try it for.
00:47:48Oh, I told you, Dr. Fine, if you want to try it for.
00:48:06Ahem.
00:48:07We am looking for the escaped convict.
00:48:11We had a sort of thought as you might be him.
00:48:13My good man, do I look like an escaped convict.
00:48:16Can't say.
00:48:17George, go and find Maester.
00:48:20You're making a fool of yourself, you know.
00:48:22This joker had fish and rod with him, too.
00:48:25The convicts, bosh.
00:48:27Not so much bosh, neither.
00:48:29Now, look here, my man.
00:48:31I've had about enough of this.
00:48:33Now then, now then, then, Lou, Jim.
00:48:35You there, on my land.
00:48:38Kindly give me your name, an account for yourself.
00:48:41My name?
00:48:44My name's Captain Matthew.
00:48:46I'm stopping at the inn at Lustley.
00:48:48What's yours?
00:48:49Browning's my name.
00:48:52Well, there's been some absurd mistake, Mr. Browning.
00:48:57Well, sir, when there are these escapes on the moor,
00:49:00we have to be careful.
00:49:05Go and fetch Constable.
00:49:06He's down along by that stolen car.
00:49:09Jim, you by deal.
00:49:13Now then, Mr. Browning,
00:49:14you ought to know better than this.
00:49:16I dare say.
00:49:18Perhaps you'll tell me the name of the innkeeper
00:49:19where you were staying at Lustley.
00:49:21Had he got one?
00:49:22Ha!
00:49:23I never noticed.
00:49:24No.
00:49:25Not the name of the inn, neither, maybe.
00:49:27What?
00:49:28The Red Lion.
00:49:29Ha!
00:49:30Well, it ought to be.
00:49:31And perhaps you'll show me the clothes you got on.
00:49:34Oh, all right.
00:49:37I own up.
00:49:38Oh!
00:49:40I thought we'd come to it.
00:49:42Now, Mr. Browning, be a sport.
00:49:44Give me a chance.
00:49:45Now, you know I can't do that.
00:49:46What's the use of asking?
00:49:48Well, I've had 48 hours' freedom
00:49:50and given them a good run.
00:49:52Have you got a cigarette?
00:49:53Now, don't smoke them things.
00:49:56Jim,
00:49:57have you got a cigarette for the gentleman?
00:50:05Thanks.
00:50:06Would you mind giving me your autograph?
00:50:26Ink or blood?
00:50:27Ooh, that'll be splendid.
00:50:29Mine or yours?
00:50:30I've got a French in pen.
00:50:38Thank you so much.
00:50:39When you're an old woman,
00:50:40you'll be able to say you met murderous Matt.
00:50:43Shake hands on it.
00:50:45So you won't give me a chance, Mr. Browning?
00:50:47No, no, Captain.
00:50:49I reckon a man who's killed a man
00:50:50can think he's had all his luck
00:50:51if he don't swing for it.
00:50:53Have you really murdered a man?
00:50:55Not yet, my dear.
00:50:56Sure.
00:50:58You needn't worry, Mr. Browning.
00:50:59There's a child here.
00:51:01I hope you'll see that my friend there
00:51:02gets the reward for my capture.
00:51:04He can have it.
00:51:05I don't want no reward for doing my duty.
00:51:11I appreciate your excellent intentions, Mr. Browning.
00:51:14He's away!
00:51:15The bomb!
00:51:16Answer him!
00:51:17Answer him, Jim!
00:51:19Oh, I do hope he gets away.
00:51:21Oh!
00:51:25I love you!
00:51:26I'm damn good enough!
00:51:27I can't help him.
00:51:28I'm sorry.
00:51:29In bed.
00:51:30He's fine.
00:51:32Under the project.
00:51:34Otherwise, I'll be surprised at Dr. Browning.
00:51:35From the상 which have darkened
00:51:50and he can't get olhos,
00:51:53Come on, come on!
00:52:23Have you seen him?
00:52:25Where's Mr. Indicott? The last where he be, too?
00:52:27No!
00:52:40Did you see anything of that escaped convict?
00:52:43Dora?
00:52:44No, thank goodness.
00:52:45Poor hunted wretch.
00:52:47If you think hunted things are poor,
00:52:49why do you go hunting?
00:52:51Foxes hunt?
00:52:53You expect to be hunted.
00:52:55So do convicts.
00:52:56Sympathy is wasted on them.
00:52:59Tea, Dora?
00:53:00Please.
00:53:03You're a good woman, Grace, you know.
00:53:05You're awfully hard.
00:53:07Tea cake, please.
00:53:22Which way did he go?
00:53:24Who?
00:53:25Convict!
00:53:26He might have come over your wall, around the corner there.
00:53:27Oh, yes. I thought I saw, yes.
00:53:29Across the lawn and over the wall at the far end, Mr. Browning.
00:53:31Quick!
00:53:32Come on.
00:53:33Come on.
00:53:38That was great of you, great.
00:53:40Keep back.
00:53:41One of them might see.
00:53:43Great.
00:53:44To tell such a lie.
00:53:46And for a convict.
00:53:50Very, Dora.
00:53:53I'm sorry to butt in like this.
00:53:57But it was neck or nothing.
00:53:59Listen.
00:54:02No.
00:54:04The hounds have lost scent.
00:54:05Now's my chance.
00:54:06No, wait.
00:54:07I'll be back in a minute.
00:54:08I suppose you call yourself a gentleman.
00:54:12You see the sort of woman my sister is?
00:54:14Impulsive.
00:54:15Humanitarian.
00:54:16Now, if you don't want to involve her in...
00:54:17I think I can hide you.
00:54:18Dora!
00:54:19No, it's not good enough.
00:54:20I'll clear out.
00:54:21I'm going to, Grace.
00:54:23Not in this house.
00:54:24It's as much my house as yours.
00:54:25You need have nothing to do with it.
00:54:26At least you haven't broken the law yet, and you're not going to now.
00:54:29I can't bear to see a man like that chased by a lot of yokers.
00:54:31Dora, you mustn't.
00:54:32It's wrong and absurd.
00:54:33I'll be back in a minute.
00:54:34I'll be back in a minute.
00:54:36I suppose you call yourself a gentleman.
00:54:37It's wrong and absurd.
00:54:40Captain Denham.
00:54:42He's gone.
00:54:44Did you see him go?
00:54:45I did not.
00:54:54Beg your pardon, Miss.
00:54:55We've lost him.
00:54:56We must have a look over.
00:54:57He may be hiding here.
00:54:58He can't be in the house.
00:54:59We must have a look, Miss, for all that.
00:55:00He's a prop of farming.
00:55:07Wake up, Henry.
00:55:08You try upstairs.
00:55:09I'll go in the kitchen.
00:55:12I won't have him caught.
00:55:13Stop fighting.
00:55:14Let go.
00:55:15I shall not.
00:55:16You're crazy.
00:55:17What is it to you?
00:55:18Let go, Grace.
00:55:19You can't help him without breaking the law.
00:55:20Will you let me go, Grace?
00:55:22I shall hit you.
00:55:23Very well.
00:55:24Hit me, then.
00:55:25He's not here.
00:55:26That's certain for sure.
00:55:27You're quite sure, Miss, you saw him go over that wall?
00:55:45Quite.
00:55:46And not seen him since?
00:55:49No.
00:55:50Nor you, Miss?
00:55:58No.
00:56:13What's this?
00:56:16That?
00:56:17Oh.
00:56:18Only an old hat of my brother's I use sometimes.
00:56:23It's uncommon like the one that varmint was wearing.
00:56:27Have you tried the vicarage, Mr. Browning?
00:56:30Aye.
00:56:31We must try that.
00:56:32Come, boys.
00:56:33It'll soon be dark.
00:56:35You told it beautifully, Grace.
00:56:39Thank me.
00:56:40For telling a lie.
00:56:41I'm sorry.
00:56:42Sorry.
00:56:43You'd make me do it again.
00:56:44Yes.
00:56:45I would.
00:56:46Poor fellow.
00:56:49Bye
00:57:48For the wings, for the wings of a dove, far away, far away, would I know.
00:57:59Oh, for the wings, for the wings of a dove, far away, far away.
00:58:11Hello. Sanctuary, sir. Who are you?
00:58:14Oh, the escaped convict. You oughtn't have come in here.
00:58:21Then where, sir? In old days, the church...
00:58:23In old days, the church was a thing apart. Now it belongs to the state.
00:58:29Wait a minute.
00:58:34I think I read that you were that Captain Dennent who...
00:58:38Poor fellow.
00:58:40Where did you come from?
00:58:42From the house of the two ladies over there.
00:58:44I left them fighting over me. It wasn't worth it.
00:58:47Yes. Miss Daughter wanted to keep you and Miss Grace to throw you out.
00:58:52Are they after you?
00:58:54Fool cry!
00:58:56My dear fellow, sit down.
00:59:04All right.
00:59:12I'll lock the door.
00:59:14I expect you're very hungry.
00:59:24Beyond it.
00:59:26Oh, Padre.
00:59:28How does it look to you?
00:59:30Going to give me up?
00:59:31Padre?
00:59:32As man to man, who am I to give you up?
00:59:35I can't help you to escape, but if you want rest, take it.
00:59:38I wonder...
00:59:40I wonder what Christ would have done.
00:59:43That, Captain Dennent, is the hardest question in the world.
00:59:47You may answer this or that, but nobody ever knows.
00:59:51The more you read those writings, the more you realize that he was incalculable.
00:59:56That's what makes it hard for us to try to follow him.
01:00:00Very tired.
01:00:03I didn't know one could feel so tired.
01:00:05My limbs have gone on strike.
01:00:08And to think I used to be a three-mile runner once.
01:00:11Why, you good man.
01:00:13This train here.
01:00:15If they get me.
01:00:17And I have to go back.
01:00:21Did anyone see you coming here?
01:00:23Can't have.
01:00:24Otherwise, they'd have been in on my heels.
01:00:26Mr. Turner!
01:00:27I just see them in the church yard.
01:00:28Do you know?
01:00:29Escape convict!
01:00:30Yes, I can't see you.
01:00:31See the safe convict, have you?
01:00:32Come, get out of here!
01:00:37Who's after you?
01:00:38The villagers.
01:00:39The constable.
01:00:41My villagers.
01:00:43And here am I.
01:00:45Yes.
01:00:46That's too bad.
01:00:47I'll clear out.
01:00:48No, no, rest while you can.
01:00:50You've asked for sanctuary, I...
01:00:52I don't know that I have the right to turn you out of here.
01:00:54I don't know.
01:00:56Anyway, I can't.
01:00:58Take your time.
01:01:00The constable.
01:01:01Come on!
01:01:02Wake up!
01:01:04It is
01:01:18Frickidala.
01:01:19Oh, I wonder if it returned this one.
01:01:24It is empty.
01:01:26that name and address. I tore it from the raincoat. You might say with unending gratitude.
01:01:31But please don't give that name away. No, no, I'll see to it.
01:01:42I read your case. You had cruel luck. I oughtn't to have hit him, of course.
01:01:46Original sin, you know. Well, if you're quiet in your own mind, that's the only thing.
01:01:52You needn't worry, Padre. I shall be caught all right.
01:01:55Someone's trying that door.
01:02:02Who is that? Me, sir.
01:02:05No, Thomas. I'm busy. I can't let anyone into the church now till service time.
01:02:13My bell ringer.
01:02:25The hospitality of God. I shan't forget, Padre.
01:02:30I have service at half past six. There will only be one or two gathered together, I'm afraid.
01:02:34Make a third. You can rest through the service. No one comes in here.
01:02:39You're a trump. But I'd rather go and take my chance again.
01:02:42I'll bolt and be caught in the opening. You might...
01:02:47You might give me your blessing.
01:02:50Not certain enough of myself.
01:02:52Not certain enough of myself.
01:02:55Trapped!
01:02:57What is it?
01:03:11Constable, sir. Open down, sir. Please.
01:03:22What's all this, Constable?
01:03:23It's a escape convict, sir.
01:03:25Have you been here long, sir?
01:03:26An hour at least.
01:03:28The front door's locked, sir.
01:03:29But are you quite sure there's nobody in the church?
01:03:31I don't know whether you have the right to search a holy place.
01:03:36But look for yourself.
01:03:40As quietly as you can.
01:03:41Please.
01:03:56You can go too, Thomas.
01:03:58I'll stand here.
01:04:01I'll stand here.
01:04:09Now, quick.
01:04:16Well, Browning?
01:04:18He'm not there.
01:04:19It is so bare as my hand.
01:04:20He got away from you, Benedictine.
01:04:22Aye.
01:04:23He'm a desperate, foxy chap.
01:04:26What's behind the cassocks?
01:04:29I'll look, darling.
01:04:32Thomas, he made a fool of us, seemingly.
01:04:36But I see men coming here.
01:04:37I see men with these eyes.
01:04:39I did.
01:04:40Surely.
01:04:41Service, Thomas.
01:04:42Go and ring the bell.
01:04:48I'm afraid I must ask you to go too, please.
01:04:51Unless you'd all like to stay for service.
01:04:53Our duty, sir.
01:04:54If you will excuse us.
01:04:55That's all right, Captain.
01:04:56Just a minute, Vickler.
01:04:59Are you certain sure you ain't seen this, Joker?
01:05:03What is it you're asking me?
01:05:04I'm asking you, on your honor, as a Christian gentleman, whether or no you've seen the escaped convict.
01:05:18I...
01:05:19No.
01:05:20Certainly is not.
01:05:21I'm sorry, sir.
01:05:22I was hidden there.
01:05:23I surrender, constable.
01:05:24I surrender, constable.
01:05:25I surrender, constable.
01:05:26Hold him tight, Cali!
01:05:27Hold him tight, Cali!
01:05:28He's part of the space station.
01:05:29I surrender, constable.
01:05:30Hold him tight, Cali!
01:05:31Hold him tight, Cali!
01:05:32He's part of the space station.
01:05:33I surrender.
01:05:34I surrender.
01:05:35As a Christian gentleman, as a Christian gentleman, whether or no you've seen the escaped convict.
01:05:38I...
01:05:39No.
01:05:40Certainly is not.
01:05:41I'm sorry, sir.
01:05:42I was hidden there.
01:05:43I surrender, constable.
01:05:44Hold him tight, Cali!
01:05:45Hold him tight, Cali!
01:05:46Hold him tight, Cali!
01:05:47Hold him tight, Cali!
01:05:48You're part of the space.
01:05:49And go out!
01:05:50You shame, God!
01:05:51I'm sorry, Padre.
01:05:52It wasn't playing the game.
01:05:53You are the man, sir.
01:05:54I'm sorry, Padre.
01:06:08It wasn't playing the game.
01:06:09I'm sorry, Padre.
01:06:12It wasn't playing the game.
01:06:14No, no.
01:06:16That you have done.
01:06:18That you have done.
01:06:20It's one's decent self.
01:06:22One can't escape.
01:06:24Ah, that's it.
01:06:26One's decent self.
01:06:30God keep you.
01:06:42Oh, no.
01:07:02Betty.
01:07:03Did they catch him?
01:07:04Yes, they caught him.
01:07:06Oh.
01:07:07Was he really a bad man?
01:07:09No, Betty.
01:07:10He was a fine fellow.
01:07:12And a loyal fellow.
01:07:14And it hit him in.
01:07:16Oh, I think it.
01:07:18Will he be in prison long?
01:07:20Another two years, perhaps.
01:07:22But when he comes out...
01:07:24What?
01:07:25He'll feel...
01:07:27as I would like to feel.
01:07:29Or he'll have had much.
01:07:34He was a man.
01:07:36This is the man you want, Chief.
01:07:38Go on, poor lady.
01:07:40Happy掰掰.
01:07:58Dearly beloved brethren, the scripture moves us in sundry places to acknowledge and confess our manifolds between wickedness,
01:08:03sins and wickedness, and that we should not dissemble nor close them before the face
01:08:08of Almighty God, our Heavenly Father.