🎥 Britannia of Billingsgate (1933) is a charming British comedy-drama film that brings the vibrant life of London’s famous Billingsgate Fish Market to the silver screen. Directed by Sinclair Hill, the movie is a slice-of-life tale infused with romance, humor, and a dash of working-class grit. It provides a unique snapshot of 1930s London and the daily struggles and joys of the people who populate its bustling marketplaces.
Set against the backdrop of the iconic Billingsgate Market, this film offers a compelling look at the working-class community, while blending in elements of light romance and social commentary. The script is based on a popular stage play by Christine Jope-Slade and Sewell Stokes, and the story reflects the resilience and camaraderie of London’s market traders during economically difficult times.
📖 Plot Summary:
"Britannia of Billingsgate" follows the story of Sadie, a spirited and hardworking young woman who works in the fish market alongside her colorful family and fellow vendors. Despite the tough and smelly conditions of the market, Sadie dreams of a better life. She is determined, resourceful, and not afraid to speak her mind.
Sadie’s life takes a turn when she catches the eye of an upper-class film director named Norman Green, who is scouting locations and people for his new movie. He becomes intrigued by Sadie’s charisma and considers casting her in his film. But the transition from a fishmonger to a film star is not smooth, and Sadie must navigate the divide between her working-class roots and the glamorous, often pretentious world of filmmaking.
The film blends real-life market scenes with dramatized moments, creating a lively and authentic atmosphere. As Sadie struggles to adapt to her new environment, conflicts arise between her personal ambitions and her loyalty to her family and community. Will she chase fame or stay grounded in her humble beginnings?
Set against the backdrop of the iconic Billingsgate Market, this film offers a compelling look at the working-class community, while blending in elements of light romance and social commentary. The script is based on a popular stage play by Christine Jope-Slade and Sewell Stokes, and the story reflects the resilience and camaraderie of London’s market traders during economically difficult times.
📖 Plot Summary:
"Britannia of Billingsgate" follows the story of Sadie, a spirited and hardworking young woman who works in the fish market alongside her colorful family and fellow vendors. Despite the tough and smelly conditions of the market, Sadie dreams of a better life. She is determined, resourceful, and not afraid to speak her mind.
Sadie’s life takes a turn when she catches the eye of an upper-class film director named Norman Green, who is scouting locations and people for his new movie. He becomes intrigued by Sadie’s charisma and considers casting her in his film. But the transition from a fishmonger to a film star is not smooth, and Sadie must navigate the divide between her working-class roots and the glamorous, often pretentious world of filmmaking.
The film blends real-life market scenes with dramatized moments, creating a lively and authentic atmosphere. As Sadie struggles to adapt to her new environment, conflicts arise between her personal ambitions and her loyalty to her family and community. Will she chase fame or stay grounded in her humble beginnings?
Category
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Short filmTranscript
00:00:00The End
00:03:01Yeah.
00:03:03Oh blimey.
00:03:04Another traffic jam.
00:03:05Looks like it.
00:03:06Yeah.
00:03:07You know, the trouble with this place is they haven't the foggiest idea how to run things.
00:03:12You're right mate.
00:03:13Quite right mate.
00:03:14Look at him for instance.
00:03:15There's brains for you.
00:03:17Ha ha.
00:03:18Birds of a feather.
00:03:20Ha ha.
00:03:21Now then slip along there Bolton.
00:03:23Aye aye sir.
00:03:24Aye aye sir.
00:03:25We're caught.
00:03:26We're caught.
00:03:27Who give me a bid?
00:03:31Ten.
00:03:32Ten.
00:03:33Twelve.
00:03:34Two to battle here.
00:03:35Got that bread?
00:03:36Yes sir.
00:03:37Wait with them.
00:03:38That's it.
00:03:39Shot then.
00:03:40Two more.
00:03:41Two more.
00:03:42Yes dad.
00:03:43Marking inspectors.
00:03:44Here's the doings dad.
00:03:45All six bob that one.
00:03:46All right.
00:03:47Oh look.
00:03:48Isn't he lovely?
00:03:49Oh come on you folks for God's sake.
00:03:50Nice basket of mixed here.
00:03:51I hope they are dad.
00:03:52Mum says the customers have been complaining we've been giving them tiddlers.
00:03:53Have they?
00:03:54Like their blinking sauce.
00:03:55Tiddlers.
00:03:56La la la la la la.
00:03:59From the same old words of love.
00:04:14We'll whisper still.
00:04:15.........
00:04:39is it mum?
00:04:42Thanks, Gail.
00:04:43Alright.
00:04:44Just like Mother makes it.
00:04:45She'd like to make a mean horse on it.
00:04:47That's the stuff, that's the stuff.
00:04:49Ta-dee-da-da-da-dee.
00:04:51I hope you have one of these, please.
00:04:53All right.
00:04:55Clear skate, please, Mrs. Fulton.
00:04:57Clear skate it is, Johnny.
00:04:59And Mum says we're pre-hutting a good love story.
00:05:02Love story with skate? What next?
00:05:04You want to get out of the best fish?
00:05:06Anyway, let's see what we've got here.
00:05:08Ah, sex, starvation from health and strength.
00:05:11Now, what more does she want, eh?
00:05:13Here's a nice piece for you, Brookings.
00:05:16That's right, Johnny.
00:05:17That's right.
00:05:18Ta-da.
00:05:19Hello.
00:05:20There's a good boy.
00:05:21Hello, Johnny.
00:05:22Hello, yourself.
00:05:26Don't you play for dinner, Fred?
00:05:28All right, Ma.
00:05:29I'm only going to...
00:05:30Oh, I know what you're only going to do.
00:05:32You and your blissing motorbike.
00:05:39What's up, Fred?
00:05:40Old junk.
00:05:41She's been a good old pal to us, anyway.
00:05:44Yes, I know.
00:05:45But I wish I had a proper outfit.
00:05:47I'd show the dirt-trek crowd what I can do.
00:05:50Mar or no mar.
00:05:52It's a pity she's so much against it.
00:05:54But I think I understand.
00:05:57Wish I did, Mordy.
00:05:59It's so risky.
00:06:00And you know what mothers are.
00:06:01Miss Bolton, have you heard?
00:06:02Well, what is it this time, Mrs. Wigglesworth?
00:06:03They're shooting in the market.
00:06:04Shooting?
00:06:05Shooting who?
00:06:06That's what they call taking pictures.
00:06:07You ought to see them, Mrs. Bolton.
00:06:08And he's an Italian film director, or whatever he's called.
00:06:09Well, he's jumping about like a flea on a gridiron.
00:06:10Oh, you English always have the answer, Pat.
00:06:11Like that.
00:06:12I say to it myself, Wilson, my act, quick.
00:06:18Well, he's jumping about like a flea on a gridiron.
00:06:21Oh, what a country!
00:06:27Here I make a picture of your fish market, and you have no lobster pot.
00:06:31I told Jim about it yesterday, sir.
00:06:33Oh, you English always have the answer, Pat, like that.
00:06:35I say to it myself.
00:06:36Wilson, my act, quick!
00:06:44Excuse me!
00:06:45What? Where is he?
00:06:48No, no, no, no!
00:06:49It is not the lobster that I want!
00:06:51But his pot!
00:06:52Bring me his pot!
00:06:53Oh, the believer!
00:06:54The lobster!
00:06:55Yes!
00:06:56Yes!
00:06:57Yes!
00:06:58Yes!
00:06:59Yes!
00:07:00Yes!
00:07:01Yes!
00:07:02Yes!
00:07:03Yes!
00:07:04Yes!
00:07:05All the English are all back!
00:07:09Pictures!
00:07:10I hope my pearl doesn't hear about this.
00:07:12She's got films on the brain already.
00:07:14Dying in bed all day, gazing at Harold O'Garth.
00:07:16What?
00:07:17Not him in a bedroom!
00:07:19No, his face fatted.
00:07:21Stuck all over the wall.
00:07:23Oh, Harold.
00:07:28At last I shall see you in the flesh.
00:07:31I must take you away from here.
00:07:32It isn't right.
00:07:33It isn't fair.
00:07:34Your charm is lost in a place like this.
00:07:35Don't you see?
00:07:36You don't belong here.
00:07:37You're wasting your life.
00:07:38Yes, yes, but what can I do?
00:07:39I'll show you what to do.
00:07:40Darling.
00:07:41Oh, go on, kiss, eh?
00:07:42Go on!
00:07:43Kiss, eh?
00:07:44You see?
00:07:45They laugh!
00:07:46They laugh!
00:07:47Why do they laugh?
00:07:48Because you make the love and you have no fashion.
00:07:49Oh, tell you what's wrong with them.
00:07:50They don't know how to run things.
00:07:51It isn't fair.
00:07:52You're wasting your life.
00:07:53You're wasting your life.
00:07:54Yes, yes, but what can I do?
00:07:55I'll show you what to do.
00:07:56Darling.
00:07:57Oh, go on, kiss, eh?
00:07:58Go on, kiss, eh?
00:07:59Go on, kiss, kiss, kiss, kiss, kiss, kiss, kiss, kiss, kiss, kiss, kiss, kiss.
00:08:01You see?
00:08:02They laugh!
00:08:03They laugh!
00:08:04Why do they laugh?
00:08:05Because you make the love and you have no fashion.
00:08:14I'll tell you what's wrong with them.
00:08:16They don't know how to run things.
00:08:17It is no good.
00:08:18I ask for love.
00:08:19I don't get love.
00:08:21I ask for a kiss.
00:08:22I don't get a kiss.
00:08:23Why don't I get a kiss?
00:08:26Where's Wilson?
00:08:27Yes, sir.
00:08:28Don't go away.
00:08:29I want you to give a nice kiss.
00:08:32Oh, yeah.
00:08:34So, come on.
00:08:35Come on, now, show me.
00:08:36No, no, let's show me.
00:08:38Now, you give me an office, a desk, and a pair of spats, and I'll show them.
00:08:43That's right, mate.
00:08:44Now then, slip along there, Bolton.
00:08:46Come on.
00:08:48Aye, aye, sir.
00:08:59Aye, aye, aye.
00:09:00Aye, aye.
00:09:01Aye, aye, aye.
00:09:02Aye, aye, aye.
00:09:03Aye, aye.
00:09:04Aye, aye, aye.
00:09:05Aye, aye, aye.
00:09:06Quick, sound.
00:09:07Sound.
00:09:08Sound.
00:09:09Sound, you hear me.
00:09:10It is Master's voice.
00:09:12And now we take the scene in the fish market.
00:09:15Bring the other microphone stand.
00:09:17Make it snappy.
00:09:18Ah, he gives me a pain in the neck.
00:09:20Cut him off.
00:09:21Oh, much longer, don't.
00:09:23Let's go.
00:09:24Sound truck.
00:09:25That's what that is.
00:09:26That's right.
00:09:27Sort of horse truck.
00:09:28Horse truck we put.
00:09:29Sound truck.
00:09:30What puts the talk in the talkies?
00:09:31Oh.
00:09:32Aye, leave that where it is.
00:09:33It's Big Bertha he wants.
00:09:34Come and give us a hand.
00:09:35That microphone's already connected off for the next team.
00:09:36Come on.
00:09:38Proper box of tricks, ain't it?
00:09:40Quite simple when you know how.
00:09:41Blimey.
00:09:42You know everything.
00:09:43Well, I've read about my house.
00:09:44You know everything.
00:09:45Well, I've read about my house.
00:09:46You know everything.
00:09:47You know what that is.
00:09:48You know what that is.
00:09:49That's right.
00:09:50Sort of horse truck.
00:09:51Horse truck we put.
00:09:52Sound truck.
00:09:53What puts the talk in the talkies?
00:09:54Oh.
00:09:55Hey, leave that where it is.
00:09:56It's Big Bertha he wants.
00:09:57Come and give us a hand.
00:09:58That microphone's already connected off for the next team.
00:09:59Come on.
00:10:01Proper box of tricks, ain't it?
00:10:02Quite simple when you know how.
00:10:03Blimey.
00:10:04You know everything.
00:10:05Well, I've read about most things.
00:10:08A lot of good reading wraparound fish.
00:10:10Ha ha ha ha.
00:10:11Here.
00:10:12Let's have a deco.
00:10:26Here you are.
00:10:27Film.
00:10:28What that is?
00:10:29What did I tell you?
00:10:30Quite simple.
00:10:31Yeah.
00:10:32All you've got to do is go.
00:10:34Quiddle a few knobs.
00:10:35I want a nice bit of attic.
00:10:36Attic it is.
00:10:37How are the children?
00:10:38Oh, not so bad you know.
00:10:39Except in little Johnny.
00:10:40He's always ailing.
00:10:41Oh, you want to give him more bit of means.
00:10:42What's that?
00:10:43Stuff what's in attic.
00:10:44Ha ha ha ha.
00:10:45Beautiful.
00:10:46Thank you to me.
00:10:47Oh, blind old, blind look out.
00:10:48Though faintest cruel it seems.
00:10:49All of our schemes in vain.
00:10:50Castles we've built in Spain.
00:10:51Oh, it'll fall for you.
00:10:52How are the children?
00:10:53How are the children?
00:10:54Oh, not so bad enough.
00:10:55Except in little Johnny.
00:10:56So bad luck takes what it may.
00:11:11Castles we built in Spain
00:11:14Only to fall
00:11:17No bad luck, take what it may
00:11:21Steeding away the rest
00:11:24We'll have the thing that's best of all
00:11:30While there are stars above
00:11:36Our hearts will thrill
00:11:39The same old words of love
00:11:45We'll whisper still
00:11:47While there's a rose left
00:11:51To bloom in June
00:11:54Two stars to meet
00:11:58Neat the same old moon
00:12:02While there are dreams to gleam
00:12:08Why should we wait
00:12:12While there's a sun to gleam
00:12:17The clouds will break
00:12:20Why should we care what tomorrow brings
00:12:28While there are stars above
00:12:33There still be love
00:12:43Can't you see you don't belong here
00:12:47That you're wasting your life
00:12:50Yes, yes, yes, but what can I do?
00:12:53I'll show you what to do
00:12:54Darling
00:12:55It seems that if I take four
00:13:01Well I don't think much of this stuff you shot yesterday, Baldi
00:13:05I know, I know
00:13:06It is like the louse
00:13:07But wait, we have now the big scene
00:13:10Oh, appassionato
00:13:11That's good news
00:13:12Let's have it
00:13:13Right up
00:13:14Let it go
00:13:15Now, you see
00:13:18They make the love so soft and low
00:13:21Oh, Italiano
00:13:23Scene 56, take three
00:13:26I'll give you the world
00:13:30There's only one thing I want
00:13:32Darling, what is it?
00:13:34I want a nice bit of edge
00:13:36I asked to make love and they took a fish
00:13:39What's the matter there?
00:13:40We seem to have got an extra sound
00:13:41Doesn't fit the picture
00:13:42That's what's in added
00:13:43I got it off
00:13:44Yes, cut her off
00:13:45It is waste of time
00:13:46Oh, wait a minute
00:13:47That's what's in added
00:13:48I got it off
00:13:49Yes, cut her off
00:13:50It is waste of time
00:13:51Now, wait a minute
00:13:52While there are stars above
00:13:56Our hearts will thrill
00:13:59This is worth the signal
00:14:00In the same old words of love
00:14:04We'll whisper still
00:14:07While there's a rose left to bloom in June
00:14:15Two lips to meet
00:14:17Meet the same old moon
00:14:25Well, I don't know how it happens
00:14:26But it's good
00:14:27Good!
00:14:28She make a song like the bird in the tree
00:14:31Yes, yes
00:14:32Where we must find her?
00:14:33She's great
00:14:34Yes, but how do we find this angel?
00:14:36Here's an idea, Chief
00:14:38Great publicity
00:14:40Offer a reward for finding the singer
00:14:42Make a record of the song
00:14:44Broadcast it from Radio Paris
00:14:47Hello, hello
00:14:48This is Radio Paris
00:14:50The next number is a surprise item
00:14:53That you will hear
00:14:55In their fan films
00:14:56That was offered by the Fenix Films of London
00:14:59A unknown singer
00:15:02With a mysterious identity
00:15:05Carious
00:15:06Hello, British listeners
00:15:11You're listening to the Film Fans Hour
00:15:14Which is sent to you from Radio Paris
00:15:16With the compliments of the Fenix Studios
00:15:19We're now going to broadcast the surprise item
00:15:22Of unusual interest
00:15:24The Fenix Studios have accidentally recorded a song
00:15:28We shall now give you this song
00:15:30We shall now give you this song
00:15:31And if any of you think you know the singer
00:15:33And will reveal her identity to the Fenix Studios
00:15:37You will receive a reward of ten pounds
00:15:40Here is the song
00:15:42While there are stars above
00:15:51Is this...
00:15:52Well... did you ever
00:15:53Blimey!
00:15:54It's Ma
00:15:55The dance
00:15:56There, there
00:16:01I left my husband's boat in the oven to dry, and then he forgot all the fare service.
00:16:12What is it? Where did you get on the wireless?
00:16:14I don't know. Well, turn me on then.
00:16:17Here, where are you going?
00:16:31While there are stars above, let's feel the love.
00:16:56Now move the finger, and don't forget the ten pounds reward.
00:17:03Hello, I want Grange 00325.
00:17:28Grange 00325.
00:17:31Here, have you got a job?
00:17:48Yes, thank you Mr. Bolton.
00:17:51Here, give me a job, quick.
00:17:54Go on, I'll have you on.
00:17:55Oh yeah, that's mine.
00:17:57Go on, I know Riley.
00:18:02Mrs. Bolton, have you got the address?
00:18:07Good.
00:18:08Phoenix Studios.
00:18:10Yes, yes, Mrs. Bolton.
00:18:14Yes, I know.
00:18:15Phoenix Studios.
00:18:17Phoenix Studios.
00:18:18I know Mrs. Bolton.
00:18:23Ah, the singer, the singer with the angel voice.
00:18:28We find, we find, her name is Mrs. Bolton.
00:18:34Oh, but yes, now I must see her at once, quick, tomorrow.
00:18:38Then you see, I make of her the shining star.
00:18:42I'm sorry, Mr. Gittevore, but I don't hold her pictures.
00:18:46You don't want to make money?
00:18:49More money in one small week than you make here in five years.
00:18:53We're doing very nicely, thank you.
00:18:55Good day.
00:18:56Oh, oh, what a woman, what a woman.
00:19:01The very spirit of this great country, uh, Britannia.
00:19:06Oh, but tell me, how, how can I get her in my picture?
00:19:10You leave it to me, old cock.
00:19:12I know how to run things.
00:19:13Yeah, prove so.
00:19:14Good day.
00:19:15Good day.
00:19:16I understand.
00:19:17All right.
00:19:18I'll get out of the way.
00:19:20Out of the way.
00:19:21I'm glad you are so clever.
00:19:25You see with me, the eye to the eye.
00:19:30You, uh, you make her sign the contract.
00:19:33Yes, no?
00:19:34Oh, for cocklin' it.
00:19:36Anything for me in this?
00:19:38On the business end?
00:19:39Yes, no?
00:19:40Oh, of course.
00:19:41It can be arranged.
00:19:42Anything can be arranged.
00:19:44Here, how you like a nice big office and a pretty girl, huh?
00:19:50Okay, baldy boy.
00:19:52Oh, very good boy.
00:19:53Thanks, old cock.
00:19:54Come, we go.
00:19:55So long, baldy old boy.
00:19:56So long, g'day.
00:19:57I've got an office now.
00:19:58And a secretary.
00:19:59That's what I've got.
00:20:00What are you going to do with her?
00:20:01That's my business.
00:20:02Blimey.
00:20:03Ain't they not got a great sou chat?
00:20:04They're not time, don't we?
00:20:05There.
00:20:06Come.
00:20:07Oh, boy.
00:20:08Working on you now, eh?
00:20:10I got an office now.
00:20:13And a secretary.
00:20:14That's what I got.
00:20:16That's what I got.
00:20:16What are you going to do with her?
00:20:17That's my business.
00:20:18Blimey, then I've got a great treater before you now, mate.
00:20:21Here you are.
00:20:22On the outs.
00:20:23Yeah, come over here.
00:20:25There.
00:20:26I'm in this.
00:20:28Come along.
00:20:30That's a dish.
00:20:31Yeah, we'll.
00:20:32Well, Dad?
00:20:46What happened, Dad?
00:20:47Come on, cop it up.
00:20:48Oh, I'm always dizzy.
00:20:49Oh, you would be.
00:20:50So are you, you know you are yourself.
00:20:52Says you.
00:20:53Well, it took some getting, but I got it.
00:20:57How much, Dad?
00:20:59Oh, a few hundred a week.
00:21:03Blimey.
00:21:04Yeah, not bad for the beginning.
00:21:06I can have a real bite now.
00:21:08Dirt track model.
00:21:09Yes, me can move to a real fosh neighbourhood.
00:21:11Park Lane, eh, Dad?
00:21:13Next door to Harold O'Garth, I'll bet.
00:21:15Oh, you such a dog.
00:21:17Yeah.
00:21:18And I'll be able to show them studio people how to run things.
00:21:21Have you all finished?
00:21:23Eh?
00:21:24No, we've only just begun.
00:21:26Oh, well, perhaps you'll let me get a word in.
00:21:28Oh, what's up, Fizz?
00:21:30You all seem to take it for granted that I'm going to sign this bloomin' form.
00:21:33Well, of course you are.
00:21:34Of course you are.
00:21:35How?
00:21:36Yes.
00:21:37Am I?
00:21:38Well, think what it'll mean for...
00:21:39Well, for the kids.
00:21:40Kids.
00:21:41Look, if there's all a chance to do something,
00:21:43instead of mucking about with fish.
00:21:44Fish?
00:21:45What's the matter with fish?
00:21:46Well, fish is all right in this place, but...
00:21:47Oh, shut up.
00:21:48Well, you don't want to speak your whole blinking light with an attic, do you?
00:21:51You give me the sick.
00:21:53Of course you are in all right.
00:21:57That old stove's smoking again, Mrs. Bolton.
00:22:00Oh, just have a sock on it for now.
00:22:02Well, I'll see if I can find one.
00:22:05The bottom drawer in the bedroom.
00:22:07Oh.
00:22:08Yes.
00:22:09Of course.
00:22:16Oh, socks and stones.
00:22:18Oh, Mum, why can't we bowl you out a bit?
00:22:21Oh, come on, Bess.
00:22:22Have an art.
00:22:24Yes, come on, Ma.
00:22:26Anybody think we're coming to a fortune?
00:22:28We have.
00:22:29All right.
00:22:30Have it your own way.
00:22:31Good old Ma.
00:22:32Oh, yes.
00:22:33Oh, yes.
00:22:34Oh, yes.
00:22:35Of course.
00:22:36Oh, Ma.
00:22:37Oh, what name?
00:22:38Good old Bess.
00:22:39I knew you would stick by the old firm.
00:22:41You're all bar me.
00:22:43So am I.
00:22:44All right.
00:22:45Have it your own way and see where it lands us.
00:22:47Well, I know where it's going to land me.
00:23:06Well, my dear, are you satisfied with your part in the picture?
00:23:21Satisfied?
00:23:22They've cut half of it.
00:23:24Have they?
00:23:25Hmm.
00:23:26Oh, too bad.
00:23:27I shall have to speak to the director about it.
00:23:29As if speaking about it will make me different.
00:23:31Oh.
00:23:32Now that depends who speaks.
00:23:37Tio mio percarista.
00:23:39Hello, hello, yes.
00:23:40What is it, eh?
00:23:41Who's that?
00:23:42Oh, is that you, Baldy, old boy?
00:23:44This is Bert speaking.
00:23:45Bert?
00:23:46Oh, Bolton.
00:23:48Oh, the man of the fish and the chip.
00:23:50Oh, cretino.
00:23:52Salami.
00:23:53In-bit.
00:23:58Yes.
00:23:59That's very comical.
00:24:00Well, that'll be all right then, will it, Baldy boy?
00:24:03Oh, go to hell.
00:24:04Hi there, boy.
00:24:07That's all right, my dear.
00:24:09Oh, you are a duck, Bert.
00:24:11Well, you ain't so bad yourself, plump.
00:24:15Hello, hello.
00:24:16There we go again.
00:24:18That'll be Geneva calling, I expect.
00:24:21Hello.
00:24:22Yes.
00:24:24This is Mr. Bolton, of the Phoenix Studios speaking.
00:24:27Ah, is that you, Bert?
00:24:29How are you, me old beauty?
00:24:31Oh, is that you, Harry?
00:24:33How are you, cop?
00:24:34Now, listen, it's about this horse.
00:24:36He's an absolute gift at 50 quid.
00:24:39I had four polies about him once and he skated it.
00:24:42Straight up.
00:24:43Stand on me.
00:24:45Yes, and when he's seen it run, he'll jump on you.
00:24:48No, kid.
00:24:49All right.
00:24:50I'll see you about that this evening.
00:24:52I can't talk about it now.
00:24:54I've, erm...
00:24:56I've a bit of business on end.
00:24:59Yeah.
00:25:00Bit of tasting.
00:25:02Bit of all right, eh?
00:25:06If that bit of all's for this don't get your money back inside a month, you can tread on me face.
00:25:14Might improve it.
00:25:15Ha.
00:25:16Ha ha.
00:25:17Ha ha ha.
00:25:18Ha ha ha ha.
00:25:19Give it a name.
00:25:20I'll have a brandy.
00:25:21Guinness.
00:25:22Guinness.
00:25:23Guinness.
00:25:24Guinness.
00:25:25Uh, Guinness for the old blinking lot.
00:25:28Well, I must be getting back to the studio.
00:25:31My old girl's first rehearsal.
00:25:33And I get a look after her.
00:25:35So long, Bert.
00:25:36Don't forget to throw your weight, Bert.
00:25:38You bet.
00:25:39I don't know how to run things at the studio.
00:25:57How's things going?
00:25:59They're not going.
00:26:00They're not going.
00:26:01Yeah.
00:26:02That's not the way to talk to me.
00:26:04Don't lose yourself.
00:26:05Well, you better be careful, my man.
00:26:07Here, boy.
00:26:08Yes, sir.
00:26:09Where's Mrs. Bolton?
00:26:10Over there, sir.
00:26:11Rehearsing with the director.
00:26:35Oh, there you are.
00:26:36What the devil do you think you're doing?
00:26:41Come off it.
00:26:42But what's weary ass?
00:26:43Oh, shut up.
00:26:44I can't help your troubles.
00:26:45Well, how are you getting on, my dear?
00:26:46That's just it.
00:26:47I'm getting on while you're getting on.
00:26:48Oh, no, no, no, no, Bert.
00:26:49Now, Bert.
00:26:50Be a good boy and leave us.
00:26:51We'll make the rehearsal.
00:26:52Right-o, baldy boy.
00:26:53And now I'm at best.
00:26:54You sell flowers in the playground of the world.
00:26:56Piccadilly.
00:26:57Leo Santos.
00:26:58What have we?
00:26:59A group of elephants?
00:27:00Army.
00:27:01Stop.
00:27:02Stop.
00:27:03It is terrible.
00:27:04You are meant to be a good boy.
00:27:05Come off it.
00:27:06Come off it.
00:27:07But what's weary ass?
00:27:08And now I'm at best.
00:27:09You sell flowers in the playground of the world.
00:27:13Piccadilly.
00:27:16Leo Santos.
00:27:17What have we?
00:27:18A group of elephants?
00:27:20Army.
00:27:21Stop.
00:27:22Stop.
00:27:23It is terrible.
00:27:24You are meant to be like the angel.
00:27:27Pretty.
00:27:28Put me as so.
00:27:35Oh, very funny, eh?
00:27:37Very funny, eh?
00:27:38Very funny.
00:27:39I make you laugh.
00:27:40Oh, Lily.
00:27:41If I only know.
00:27:42Good.
00:27:43We go.
00:27:45Ah, come on.
00:27:46Ah, yeah.
00:27:47All right.
00:27:48Very good.
00:27:49Very good.
00:27:50Oh, where is my star?
00:27:53Oh, Lily.
00:27:54If I only know.
00:27:57I'll show you.
00:27:58You have lost your daughter, Lily, in Piccadilly.
00:28:02She has what you call, take the wrong turny.
00:28:05That's a bit awkward, isn't it?
00:28:06Yes.
00:28:07No, no.
00:28:08You plead for two heroes, the god of love.
00:28:12With all your heart, make it come from here.
00:28:16Nope.
00:28:17Who is that?
00:28:20Nope.
00:28:24Disgusting.
00:28:25In the celly.
00:28:26Come, we try again.
00:28:29I'm sorry there'll be so much trouble, I'm sure.
00:28:31Trouble?
00:28:32Trouble?
00:28:33What is trouble?
00:28:34I live with her.
00:28:35I know it shan't be any good, you know.
00:28:36Oh, but yes.
00:28:37You make the star.
00:28:38Come, do the position.
00:28:39We make the rehearsal.
00:28:40Silence!
00:28:41Silence!
00:28:42Silence!
00:28:43Silence!
00:28:44Silence!
00:28:45Silence!
00:28:46Silence!
00:28:47Drop, quick, the power!
00:28:50Drop, quick, the power!
00:28:52Aye!
00:28:53Didn't you hear my men?
00:28:55Silence!
00:28:56Silence!
00:28:57Hello, I'm sorry.
00:28:59I'm sorry, I'm sorry.
00:29:00I'm sorry.
00:29:01You're sorry.
00:29:02You're a bit jerked.
00:29:03You're a bit too, and you're not sacrificed!
00:29:07You're a bit too!
00:29:08لty!
00:29:09Oh.
00:29:11Caviar on terry.
00:29:13Or somo.
00:29:14For drink.
00:29:15Soule, bonfarm.
00:29:21For omelette.
00:29:22Parcs et champignons
00:29:26Chateaubriand
00:29:28Pommes frites
00:29:30Carrots
00:29:32Carrots
00:29:34Carrots rotis
00:29:36Salade d'orin
00:29:38Pommes glacées
00:29:40Cheese
00:29:42Fruit
00:29:44Coffee
00:29:46Sounds okay to me, Mr. Rupp
00:29:48Sounds like an addition to me
00:29:50Suggestion to me
00:29:52Let's give the kids a surprise
00:29:54Take a bit to surprise them
00:29:56Let's have one of our real homely meals
00:29:58For some fish and chips, eh?
00:30:00Righto, not a bad idea
00:30:02Yeah
00:30:04It's been a stiff climb
00:30:06But I'm not too proud to eat a little homely food on occasions
00:30:20Allow me, sir
00:30:26Oh, don't keep missing a pet with them lights
00:30:28Whisterbrook kept them to get half a dozen trays
00:30:30Some potatoes
00:30:32He'll cook to wash them and I'll do the rest
00:30:34Very good name
00:30:38I say, you know
00:30:40You've heard his feelings
00:30:42Hello
00:30:44That'll be the studio I expect
00:30:46For you
00:30:48Well, of all the mints
00:30:50Pretty about them if they expect me down there tonight
00:30:54Hello
00:30:56What?
00:30:58I'm sorry, Mr. Giddybordy
00:31:00But I'm not having me photo taken any more today
00:31:02Ah
00:31:04Thank you
00:31:06They put that in this close up and fade out
00:31:19Just like old times
00:31:21Bring in the fish when he comes up
00:31:23The land of stars above
00:31:26Oh, la, la, la
00:31:30See you in his birds, will you?
00:31:42Hello?
00:31:44Is that you, Dad?
00:31:46Oh, oh, you.
00:31:48Yes?
00:31:49Oh, well, it's just to say, I can't get on for dinner.
00:31:53No. Now, Gwen's terribly ill, and I've got to look after her.
00:31:58See? Goodbye.
00:32:02Darling, for once you are right. I am ill.
00:32:06I've seen red five signs running, and the answer was blank.
00:32:10Could you be a darling and do something about it?
00:32:13My dear, would that be enough?
00:32:15Oh, my dear, you are a dear.
00:32:18Oh, don't mind.
00:32:20Studio again? No. Pearl. Not coming home to supper.
00:32:25Oh, such a nice bit of fish, too. He an angel.
00:32:29Yeah, looking after some girlfriend what's ill.
00:32:32Oh, well, I suppose it can't be ill. Bring them chips.
00:32:40Bone.
00:32:50Hello.
00:32:51That you, Ma? I shan't be home till late.
00:32:55Oh, sorry, Ma, I must say. They've got their eye on me for the novices race.
00:33:02No, I'll be all right.
00:33:04Cheerio, Ma.
00:33:09Don't like it.
00:33:11Now, Fred can't come.
00:33:16Look at all this fish.
00:33:18Never mind.
00:33:19All the more for us.
00:33:23Phone again.
00:33:24Well, you answer it.
00:33:26Get heart disease, won't you? Running about so much.
00:33:33Come on, blind old Riley.
00:33:35Hello.
00:33:36Oh, it's you, Eddie.
00:33:42Oh, I don't see how I can.
00:33:43Oh, come on, the old college chum.
00:33:46Archie's throwing a party.
00:33:50We're all here.
00:33:51In confidence, do you know?
00:33:54You're a good judge of figures, aren't you?
00:33:57Well, come and look them over.
00:34:01Confidence, eh?
00:34:02What's it?
00:34:05Five percent differential slipping?
00:34:08Consul's falling?
00:34:11Can't do without me, I suppose.
00:34:14No, I thought not.
00:34:16I'd hope.
00:34:17I'll be along right away.
00:34:19Dear, dear, dear.
00:34:28Now, ain't that just my luck.
00:34:29Just that I was going to have a nice quiet evening at home, right?
00:34:32Oh, what's that?
00:34:33Consuls have fallen.
00:34:34Gonna pick them up again, I suppose.
00:34:38Anyway, you can't wear a spectrum evening dress.
00:34:40Who says that I can't?
00:34:42You have position to come up as a faulty rabbit to go to a conference.
00:34:48So long, old girl.
00:34:50Mummy, what's come over you?
00:34:52Just to spare him.
00:34:53Just to spare him.
00:35:19Oh, and they love them.
00:35:21Lovely.
00:35:24My dear, do you mean to say you haven't seen his latest picture?
00:35:27You're fair that night.
00:35:28Oh, my dear, it's divine.
00:35:30A girl gets into his flat while he's out.
00:35:33And when he comes in...
00:35:35Dear.
00:35:39My dear.
00:35:41What happened?
00:35:42Oh, my dear.
00:35:43Can't you guess?
00:35:46My dear, I can.
00:35:47I can.
00:35:58Fred!
00:35:59Fred, you've been picked for the trials.
00:36:01If you get through this...
00:36:02I will.
00:36:03...you'll be able to go into the food race.
00:36:05You bet.
00:36:07Come on, Fred.
00:36:08Come on, Fred.
00:36:09Who else?
00:36:11Full house.
00:36:12What, again?
00:36:13Call it indecent.
00:36:15Which again?
00:36:16Absolutely.
00:36:17All with a call.
00:36:18Call to the bar, eh?
00:36:21Bert!
00:36:22You'll have to lend me some more money.
00:36:24Madam, my dear.
00:36:25I've never seen anything like this.
00:36:26Can't put a foot wrong.
00:36:28Could you take him anywhere?
00:36:30Talk about luck!
00:36:31Take luck, my boy.
00:36:32It's judgement.
00:36:33Is this all yours?
00:36:34Yeah.
00:36:35Put the old bees and honey in the sky rugged.
00:36:38Of course I've seen all your pictures.
00:36:40Really?
00:36:42Yes, but I've always wondered how you spend your very own private life.
00:36:47Really?
00:36:49How do you spend your time when you're not filming?
00:36:52Oh, a spot of golf.
00:36:53Oh, golf.
00:36:54I love golf.
00:36:55But I can never get the balls to go through the hoops.
00:36:58I suppose you'll have lots of girlfriends.
00:37:03No, only Tilda.
00:37:05Tilda?
00:37:06Yes, she goes everywhere with me.
00:37:08Oh.
00:37:10You see, she happens to be my dog.
00:37:13Oh, lucky dog.
00:37:16And, um, I suppose you'll take her out every night about, um, about ten?
00:37:21No, nine as a rule.
00:37:23Now, there's some friends of mine over there.
00:37:25Will you, excuse me?
00:37:26Oh, that's quip already, Mr. Hogarth.
00:37:28Uh, Hogarth.
00:37:41Ho, ho, ho, ho, ho, ho, ho.
00:37:43Here.
00:37:44I know a better one left.
00:37:45Here.
00:37:46She was only a dirt golf's daughter, but...
00:37:48That's got viscous on it.
00:37:49Well, how about it?
00:37:50How about it?
00:37:51No more poker for me.
00:37:52I'm broke.
00:37:53So mad.
00:37:54Well, if you haven't got any money, how about a game of strip?
00:37:57What's strip?
00:37:58Strip poker.
00:37:59You play for your clothes instead of money.
00:38:03What, cash done?
00:38:04That's the idea.
00:38:06That'll suit me.
00:38:07Come on, my girl.
00:38:08You want anything?
00:38:09Missy.
00:38:10Well, I never.
00:38:11Whatever are you doing here?
00:38:12Oh, I just have to come.
00:38:13Have a look round, you know.
00:38:14How are things going?
00:38:15Then I'll still smoke.
00:38:16I must have to smoke.
00:38:17I must have to smoke.
00:38:18I must have to smoke.
00:38:19I must have to smoke.
00:38:20I never seem to have any time for myself to stay.
00:38:21And I thought you could do anything you'd like.
00:38:22Well, pictures aren't all they've cracked up with the art interior.
00:38:23Can't call you sold your own.
00:38:25Or your family either for that matter.
00:38:26Well, I thought the family was.
00:38:27I thought the family was.
00:38:28Well, I thought you could do anything.
00:38:29I thought you could do anything you'd like.
00:38:30Take it out of that.
00:38:31Now then, Dot.
00:38:32Hand over that other, erm,
00:38:33I don't have to smoke.
00:38:34That old stove still smoke.
00:38:35I must have to smoke.
00:38:36I must have to smoke.
00:38:37I never seem to have any time for myself to stay.
00:38:38And I thought you could do anything you'd like.
00:38:39Well, pictures aren't all they've cracked up with the art interior.
00:38:41Can't call you sold your own.
00:38:42Or your family either for that matter.
00:38:44Well, I thought the family was doing wonderful.
00:38:47Yes.
00:38:48Well, I don't like the abbots they're getting into.
00:38:49Take it out of that.
00:38:53Now then, Dot.
00:38:58Hand over that other, erm, PR promotion.
00:39:03Huh.
00:39:04That makes me a corporal.
00:39:07The way you're coming on, you look like finishing up a Blinkin' General.
00:39:11I don't know what'll happen if my picture's a flop.
00:39:15Flop?
00:39:16Your picture can't be a flop.
00:39:18Oh, can't it?
00:39:19You don't know how I feel sometimes.
00:39:22Flat.
00:39:24Just like a bottle of stout that's been poured out all night.
00:39:27You ain't weakening, are you?
00:39:29You mustn't do that.
00:39:31Think what you're doing for your family and all.
00:39:33Yes, I'm just beginning to think.
00:39:35Look, there she is.
00:39:37Hello, yes.
00:39:38I don't do it to forget us.
00:39:40How do you do, Mrs. Bolton?
00:39:41There's a bit to get in on.
00:39:42Is that what you're singing in it?
00:39:44Good.
00:39:45What about a song, Miss?
00:39:46One of your old funny ones.
00:39:48All right, all right.
00:39:49It's lovely to be amongst old friends again, anyway.
00:40:00Come on.
00:40:01Come on, boys, it's a chance to do something big.
00:40:02Play for royalty this time.
00:40:03Come on boys, it's a chance to do something big, play for royalty this time.
00:40:07Ho ho, a real band boys, doing fine, eh?
00:40:11Well come on, let's start, off we go boys, come on, off we go.
00:40:17Ebenezer Brown, up in Camden Town, stands outside his fish shop with a frown.
00:40:23All the passers-by keep on asking why, he replies there's one thing gets me down,
00:40:29and that is, how does a fresh fish wish, if a fish hasn't got a wishbone?
00:40:37When it's lying there in the dish, longing to wish, ooh, what a position.
00:40:43Now what does a fresh fish do, when it's filled with a big ambish?
00:40:50Cubs dig, lie there and dig with unfulfilled desire.
00:40:54Keepers have no wishbone, so can't get what they require.
00:40:57So please will you tell me this, how well does a fresh fish wish?
00:41:04Oh Professor Binx, digging near the Sphinx, found some writing from the days of yore.
00:41:10He said this is fine, fame will soon be mine.
00:41:14But when he translated it, he saw this question, how does a fresh fish wish, if a fish hasn't got a wishbone?
00:41:24When it's lying there in the dish, longing to wish, ooh, what a position.
00:41:30Now what does a fresh fish do, when he's filled with a big ambish?
00:41:37Mr. Trout is walking out with Herring's daughter Rose, though he wants to marry her, poor fish he can't propose.
00:41:44Now what does a fresh fish do, when he's filled with a big ambish?
00:41:47How well does a fresh fish wish, how well does a fresh fish wish?
00:41:51Now what does a fresh fish wish, when the fish hasn't got a fresh ground?
00:41:57Now what does a fresh fish wish, when he's filled with a big ambish?
00:42:12Mr. Crabb upon the slab is looking most depressed, though he wants to go to bed, how can he get undressed?
00:42:18I'm so tired, I must get home now, you know.
00:42:33Of course he's tired, why don't you leave her alone?
00:42:36I've had a heartache, you know what I mean, boys.
00:42:38Just keep on, just keep on keeping on, my dear, that's all any of us can do.
00:42:43Look how you've cheered us all up tonight.
00:42:45I've never looked at it like that before, you're right, I will keep on keeping on.
00:42:51That's better, I hope your husband is doing nicely.
00:42:54Bert, ho ho, you want to see him now?
00:42:57If this goes on much longer, I shall have to become a blinking Zulu.
00:43:00Here, I'll tell you what I'll do Bert, I'll cut you for your spats.
00:43:05No blinking fear, whatever happens, you don't get them.
00:43:09I want them more, Helen.
00:43:12How are you?
00:43:31Fred, Fred are you hurt?
00:43:33No, no I'm alright.
00:43:35Too bad Walter kill me.
00:43:41Oh, it's nothing sir.
00:43:43This won't keep me out of the big race, will it?
00:43:45That depends on the doctor.
00:43:47Is that better?
00:44:05You've been asking for this, you know sir.
00:44:07Get the hell out of here, Westerbrook.
00:44:09Oh Fred, what a shame.
00:44:19What?
00:44:20He'll put you out of the big race.
00:44:22Will it?
00:44:23You see.
00:44:24The doctor said he wouldn't stop me.
00:44:26Look out, Ma.
00:44:29What's all this?
00:44:33Oh Mrs. Bolton, I...
00:44:34Maude's just looking after me Ma.
00:44:39Yes, so I see.
00:44:41I've got a bit of a cold.
00:44:44Does Maude have to help you to sneeze?
00:44:47Maude?
00:44:48Maude?
00:44:49Does Maude have to help you to sneeze?
00:44:50Maude?
00:44:51Maude?
00:44:52Maude, leave this to me.
00:45:02Now look here Fred, it's no good you're trying to kid me.
00:45:13Now, look here, Fred. It's no good you're trying to kid me.
00:45:16Oh, it wasn't.
00:45:18Might have killed yourself.
00:45:20And it's goodbye to this dirt track for you.
00:45:22Oh, Ma. What about the big race?
00:45:24Race? What you want, rest.
00:45:27I'm going to get the deprecation.
00:45:30You're making your name. Why shouldn't I make mine?
00:45:34I haven't made mine... yet.
00:45:43Oh, this blooming premier is getting me all of a doodah.
00:45:51You'll be all right, old girl. They've given us a private box.
00:45:54Swank.
00:45:55What do you mean, swank? Is it on with the boaters?
00:45:58Oh, it's wet in bed and all.
00:46:07Pearl's head so bad she can't come to.
00:46:09Let her there without, Pearl.
00:46:11Oh, it all seems to be a mess up, Pearl.
00:46:13Well, come along, Marlene Giffords.
00:46:19Funny.
00:46:25Just off, Pearl.
00:46:26Now, you stay there, won't you, Bea?
00:46:27And be in bed by the time we get back.
00:46:29All right, ma'am.
00:46:30Yeah, but there's a good girl.
00:46:31Now, sit down, my Dax. Sit down.
00:46:42Now, pretty sure you're all right.
00:46:44Mrs Wigglesworth will be here any minute now.
00:46:46Mrs Wigglesworth, Tommy?
00:46:47Yes, to keep you company.
00:46:48Oh.
00:46:51I know how you feel about missing that lady.
00:46:55Look here, Mum, I...
00:46:56What is it?
00:46:58Oh, nothing.
00:46:59Good luck to the picture, Mum.
00:47:00Thank you, dear, thank you.
00:47:02Oh, I'll need it.
00:47:19Oh, there you are, Mrs Wigglesworth.
00:47:20Oh, it's a regular hospital in there now.
00:47:22Pearl in bed with an headache and fed it with his bad knee.
00:47:24You'll look after me, won't you?
00:47:25Ah, take care of him, Mrs Barkham.
00:47:27Hold on, miss.
00:47:28No, all right.
00:47:50As you thought, Mr Wigglesworth, couldn't you?
00:47:58Yes, let's get out of your way, Mrs Wigglesworth.
00:47:59Oh, Miss Wigglesworth, can't you?
00:48:01No, we're already alright, Mr Wigglesworth, please.
00:48:02Not yet, but we're at home, Mrs Wigglesworth.
00:48:03Good luck to see you, Mrs Wigglesworth.
00:48:08Oh, Miss Wigglesworth!
00:48:09Come in.
00:48:11Oh, Miss Wigglesworth!
00:48:16Come in.
00:48:21You're welcome, Miss Wigglesworth!
00:48:22Yes, we're ready.
00:48:23You're welcome.
00:48:24You're welcome.
00:48:25Well, Miss Wigglesworth, yes.
00:48:27Well, Fred, can I get you anything?
00:48:30Er, yes, er, some glasses please. We're out of them.
00:48:34Alright, I'll run and get you some.
00:48:36You needn't run? Er, no hurry.
00:48:39Alright.
00:48:57Do you know Mulberry Mansion? Yes, ma'am.
00:49:11Go to number 24, quick as you can.
00:49:1324, Mulberry Mansion.
00:49:15Taxi! Taxi!
00:49:28Crumbs, I do feel awful.
00:49:30Well, you don't look it, old girl.
00:49:32Good lummie, I can make a meal off you.
00:49:34Here, Albert.
00:49:36Here, hold yourself.
00:49:38Here, I know where to put you right.
00:49:41A drop of the old mother's comfort.
00:49:43Ah, Christmas, we're here.
00:49:45Of course, Ruth.
00:50:03Everyone's just so crazy to see you come this way.
00:50:13Ah, good evening, Miss Bolton. We're all so glad to see you.
00:50:16Oh, everybody's most kind, I'm sure.
00:50:18And great reception.
00:50:19Oh, not too bad.
00:50:21Er, you know our manager, Mr. Williams.
00:50:23Oh, how do you do? How do you do?
00:50:25Oh, thank you, darling, so much. How sweet of you.
00:50:28Hold on, please.
00:50:30Have a long, Miss Bolton. We must be going in now.
00:50:35Have a long, Miss Bolton. We must be going in now.
00:50:38No, stay away.
00:50:40You're all right, Miss Bolton. Don't forget, you're going to have a huge success.
00:50:55Oh, thank you very much, Miss Bolton.
00:50:57It's very nice of you, I'm sure.
00:51:03Well, everything all right.
00:51:04Right as I can make it.
00:51:05But she'll be a riot.
00:51:06Hold off that concert.
00:51:07She never signed the option.
00:51:08Oh, we'll see about that after the picture.
00:51:10Now, come along, let's start the show.
00:51:16Sit down.
00:51:36Oh, love a duck, I wish it was over.
00:51:37That's alright, O'Gill.
00:51:39You keep a stiff upper lip, like me.
00:51:42Who the devil wants to look like you?
00:52:09He wants to look like you.
00:52:30¶¶
00:52:40¶ Make a dilly playground where night is day ¶¶
00:52:44¶ Make a dilly playground where hearts are gay ¶¶
00:52:48¶ Beware of Ian Oster, spreading his wings of love ¶¶
00:52:52¶ For he's the god of love ¶¶
00:52:56¶ On the way from Mayfair to Leicester Square ¶¶
00:53:00¶ There's a thrill of love in the air ¶¶
00:53:04¶¶ And if you lose your heart ¶¶¶
00:53:07¶¶ Playing the same old game ¶¶
00:53:09¶ Biggity dilly playground you're too brave ¶¶
00:53:12¶¶ But nights near me, who could cure me ¶¶¶
00:53:15¶ Seems like a mad reprain ¶¶
00:53:17¶¶ Echoing through my brain time and time again ¶¶
00:53:21¶¶ You're insisting, I'm resisting ¶¶
00:53:23¶ Each time I hear you call ¶¶
00:53:25¶¶ I should be happy before ¶¶
00:53:27¶¶ You've got a swellin' ¶¶
00:53:29¶¶
00:53:30¶¶
00:53:32¶¶
00:53:35¶¶
00:53:36¶¶
00:53:38¶¶
00:53:40¶¶
00:53:42¶¶
00:53:44¶¶
00:53:46¶¶
00:53:48¶¶
00:53:50¶¶
00:53:52¶¶
00:53:54¶¶
00:53:57¶¶
00:53:58¶¶
00:54:01¶¶
00:54:07¶¶
00:54:09¶¶
00:54:11¶¶
00:54:13Did you ring, madam?
00:54:34No, I didn't ring.
00:54:36I was just going out.
00:54:43Oh, I lay in the gold.
00:55:13Oh, crikey, that was close.
00:55:34Ah, he's dressing up, his pillow where he's dead now.
00:55:50A little glider.
00:56:20Come and have a look, Bill.
00:56:30This is the last number.
00:56:50He passes me each day.
00:56:58Never stops to say just how do you do.
00:57:03Days are long and really nothing comes my way.
00:57:11Yes, maybe my dreams will all come true.
00:57:19Let the world go drifting by.
00:57:26The moon, the stars, the sky.
00:57:30Let them all go drifting by.
00:57:35What do I care?
00:57:38Let the world roll on its way.
00:57:49A little bit dark and gray.
00:57:51With a smile I greet each day.
00:57:56What do I care?
00:58:02Fate will be kind.
00:58:06Just love when things go wrong.
00:58:09Love you will find.
00:58:12Life is like a song.
00:58:18I shall build my castle high.
00:58:23My star is in the sky.
00:58:28Let the world go drifting by.
00:58:33What do I care?
00:59:01I shall build my castle high.
00:59:04I shall build my castle high.
00:59:08I shall build my castle high.
00:59:11My star.
00:59:13What do I care?
00:59:15What do I care?
00:59:19Fate will be kind.
00:59:21Fate will be kind.
00:59:22Just love when things go wrong.
00:59:25Love you will find.
00:59:28Life is like a song.
00:59:33I shall build my castle high.
00:59:38I shall build my castle high.
00:59:39My star is in the sky.
00:59:43Let the world go drifting by.
00:59:48What do I care?
00:59:53I shall build my castle high.
01:00:08I shall build my castle high.
01:00:12Put the spark over there.
01:00:28Ladies and gentlemen.
01:00:33It gives me great pleasure to address you on behalf of my wife.
01:00:43I shall build my castle high.
01:00:54Go away.
01:00:55Don't be rude.
01:00:57I shall like to say.
01:00:59Sir, sir, where's madam?
01:01:01Didn't I tell you not to be rude?
01:01:03Yes.
01:01:04Yes, but sir, it's about Master Fred.
01:01:06He's gone to the dirt track with that knee.
01:01:08Well, he couldn't go without it, could he?
01:01:11We must find, madam.
01:01:12Come on, sir.
01:01:13Now, it's been a stern struggle that I shall...
01:01:18Well, I'll tell you more about that later.
01:01:35Have you seen Mrs. Bolton?
01:01:38Uh, she's just gone, sir.
01:01:39Where?
01:01:40Uh, the address I gave the driver was, let me see, 24 Mowry Mansions.
01:01:44Taxi!
01:01:45Taxi!
01:01:46Taxi!
01:01:47Taxi!
01:01:49I saw his name on the door.
01:01:51Harold Ogre.
01:01:52What do you think of that?
01:01:54I put a name on her door.
01:01:56Hmm.
01:01:57And a few knockers.
01:01:58Oh, yeah.
01:01:59There might be a call outside.
01:02:00Oh, yeah.
01:02:01Do you see a text?
01:02:02It's now in the beginning.
01:02:03Yeah.
01:02:04Oh, yeah.
01:02:04Hmm.
01:02:05In the beginning.
01:02:06I don't know.
01:02:07It's a call, yeah.
01:02:07Yeah.
01:02:08Oh, yeah.
01:02:39What's the matter, old lady?
01:02:58Here, that's all.
01:03:09Shoo, go away.
01:03:12What's up tonight, Gilda?
01:03:31Found a mouse?
01:03:31What's all this mean?
01:04:00It's only me.
01:04:07Oh, you wild creature.
01:04:10Oh, I say.
01:04:12I've come for my daughter.
01:04:14Is Mr Hogarth acquainted with your daughter, madam?
01:04:16Yes, and he'll soon be acquainted with me.
01:04:19Oh, real question.
01:04:21Oh, I say.
01:04:23What are you doing with my daughter?
01:04:24What's she doing with me?
01:04:26I've been trying to avoid her for weeks.
01:04:28I believe you, you blithering little idiot.
01:04:31What the devil are you doing?
01:04:31Oh, Mum, oh, Mum, I'm done.
01:04:33I didn't do nothing.
01:04:35Oh, Mum.
01:04:36Oh, oh.
01:04:37Don't, Mum.
01:04:38Don't, Mum.
01:04:38Oh, gentlemen.
01:04:40Oh, gentlemen, you can't come in.
01:04:43Westerbrook?
01:04:43What the devil are you wanting?
01:04:44It's Mr Fred.
01:04:45He's gone to the race with that knee of his.
01:04:47Oh, has he?
01:04:49Oh, soon settle that.
01:04:55Ah, my pet!
01:04:57At last I find you.
01:04:58For your premiere, you make a wow so big,
01:05:01and you not dare to see your triumph.
01:05:03Rats!
01:05:03I've had business to do to end to.
01:05:05Come on, let me get out of here.
01:05:05But, Mrs Bolton, the chief has sent me
01:05:07to bring you back to sign the biggest contract that ever...
01:05:09Contract pictures, they'll all have to wait.
01:05:12Come on, Pearl.
01:05:13Oh, he'll never look me in the face again.
01:05:17Come on, the lot of you.
01:05:18Now for Fred.
01:05:20Rule Britannia.
01:05:24Well, we've got to get her somehow.
01:05:26Come on.
01:05:26Hey, let's go, Fred.
01:05:27Are you sure you can ride with that knee, Fred?
01:05:38Anyway, it's not going to keep me out of this race
01:05:40any more than Mars.
01:05:41Try her again, cunt.
01:05:43Right on.
01:05:43Fred's not going to ride in that race.
01:05:44You can take my word for it.
01:05:46No.
01:05:47And I haven't finished with you yet, either.
01:05:49Film star.
01:05:51That sex appeal, he can keep it.
01:05:53Quite right.
01:05:54Let him have it.
01:05:55That car in front.
01:05:56You keep with him.
01:05:58Yes.
01:05:59Good.
01:06:05Is that all right, Pat?
01:06:06Okay, fine.
01:06:08We ought to give him a...
01:06:08There's a link, Jim.
01:06:09Not a dashy, Gus.
01:06:11Oh, we'll pistol up for second flight.
01:06:13We'll free about that.
01:06:14Thanks, John.
01:06:16Hello, everybody.
01:06:18Event number three.
01:06:20The sketchy.
01:06:21The riders are...
01:06:23Gus, Kuhn, Arthur, Moritz.
01:06:26Colin, Watson, Tom, Farmson, and Fred Fulton.
01:06:33The inside of the low line of the full of stars.
01:06:37This should be a great race, with nothing in it that's finished.
01:06:41Hello, Fulton's number one.
01:06:43Watson's two.
01:06:44One extreme.
01:06:45One more.
01:06:46Fulton's five.
01:06:46You're inside again.
01:06:48You're always inside.
01:06:49Inside again, Tom.
01:06:50Colin, how are you tonight?
01:06:51There you come.
01:06:54Oh, what a shame.
01:06:55Fred's been drawn on the outside.
01:06:57All ready, boys.
01:06:59Get ready.
01:07:01Let me get through.
01:07:02Let me get through.
01:07:04Who's this woman?
01:07:05Yeah, just a minute.
01:07:05You don't push like that.
01:07:07Right away.
01:07:11Here, just...
01:07:11Fred.
01:07:12Fred!
01:07:13We are now starting off on the precipatory attack.
01:11:53We're right back.
01:11:57We're right back.
01:11:59We're right back.
01:12:01We're right back.
01:12:03We're right back.
01:12:05We're right back.
01:12:07We're right back.
01:12:09We're right back.
01:12:11We're right back.
01:12:13We're right back.
01:12:15We're right back.
01:12:17We're right back.
01:12:19Just my luck.
01:12:23Oh Bert, have you broken your neck?
01:12:27I'm all right.
01:12:29Serve your right then.
01:12:31Oh Bert, it's the finest act I ever seen. You make one big riot.
01:12:37Right? I've had all the riot I want.
01:12:41Come on, get out of here.
01:12:45I can have a nice long rest.
01:12:47Rest? What have you and the old Pinky family been having for the last three months?
01:12:51Well, I've been working the gizzard out of meself.
01:12:53If you want rest, you get back to your bloomin' bottles.
01:12:55Oh Fess.
01:12:56And enough of this old best business. I'm the worm that turns.
01:12:59And when I turn, I turn.
01:13:01Well, I know what you're talking about.
01:13:02You're gonna work my boy.
01:13:03Work as you've never worked before in your bloomin' life.
01:13:06Work?
01:13:09I'd sooner go back to Billingsgate.
01:13:14Work?
01:13:15This ain't work, it's slavery.
01:13:17Nose to the grindstone of the old blinking day.
01:13:19Oh, subgressive for God's sake.
01:13:20Well, I mean to say...
01:13:21It's just like old times, isn't it?
01:13:22Eh?
01:13:23Now, edge off.
01:13:25Well, I must say you ain't lost an echo, old girl.
01:13:27Yeah, what's the matter with you?
01:13:29Another spashing?
01:13:30Hold on, hold on.
01:13:34Well, doodle-oo.
01:13:35A little bit.
01:13:36Off we go.
01:13:39Let's have our camera over here.
01:13:40Now then.
01:13:41Where's their eyebrows?
01:13:42Where are, Chief?
01:13:43Oh.
01:13:48How's it?
01:13:49Okay, Chief.
01:13:50What do you mean, okay?
01:13:51We don't want none of that vulgar studio slang.
01:13:54Wilson!
01:13:55Wilson, where is my script?
01:13:57Here, sir.
01:13:58And your hand, sir.
01:13:59To bring my act to the studio.
01:14:00For what?
01:14:01Vamoose?
01:14:02Creme?
01:14:03Hot feet?
01:14:04Oh, fair.
01:14:05Oh, Baldy.
01:14:06Oh.
01:14:08Okay.
01:14:09Oh, wonderful.
01:14:11But come, we go.
01:14:12For what we need?
01:14:13Let's go.
01:14:14Let's go.
01:14:15Let's go.
01:14:16Let's go.
01:14:17Ah, my face.
01:14:18Now we have the big number.
01:14:20You see, we have built your own home for the picture.
01:14:25And you must be yourself.
01:14:27Myself.
01:14:28The very spirit of this so great country.
01:14:31Britannia.
01:14:32Hurrah.
01:14:33Ah, you know, you know.
01:14:34Come, we go.
01:14:35Camera.
01:14:36Come on.
01:14:37Come on, girl.
01:14:38They open.
01:14:39Go on.
01:14:40Go on.
01:14:41Stop the camera.
01:14:42Okay.
01:14:43Walker?
01:14:44You've seen 99K Conn.
01:14:54While there are stars above, our hearts will feel.
01:15:01The same old words of love, we'll whisper still.
01:15:08While there's a rose left to bloom in June.
01:15:14Two lips to meet, meet the same old moon.
01:15:21While there are dreams to dream, why should we wake?
01:15:31While there's a sun to gleam, the clouds will break.
01:15:38Why should we care what tomorrow brings?
01:15:39While there are stars above, there'll still be light.
01:15:45While there are stars above, there'll still be light.
01:15:59While there are stars above, we'll flip.
01:16:00For there'll still be light.
01:16:01While there will be light.
01:16:02And our heavens above, we'll fure Bu'nton, may you gosaur.