エンタメサーチバラエティ プレミアの巣窟 2025年3月30日 松山智一展を本人が案内！永野芽郁も魅力を語る
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00This is the first and last episode of Matsuyama Tomokazu!
00:11A world of diverse cultures and traditions, from historical to modern.
00:18The only art form that brings out all aspects of life.
00:23This might not be a big project.
00:25It's true!
00:27It's dangerous!
00:31Let's take a closer look at Matsuyama World!
00:37Tonight, we're at the Matsuyama Tomokazu exhibition at the Azabuda Hills Gallery!
00:47It's a hot topic!
00:49The internet is going crazy!
00:52Have you heard of it?
00:54It's the famous stick, right?
00:56That's right!
00:57It's a hot topic!
00:59I think it's the most expensive one.
01:02We're not good at art.
01:06That's right.
01:07What should we do?
01:09I invited someone who knows the most about this exhibition.
01:18There's someone like that?
01:19Leave it to me!
01:20It's this person!
01:25Nice to meet you.
01:27I can feel the aura.
01:30There are five artists.
01:32Five?
01:33Matsuyama-san?
01:34That's right!
01:35Matsuyama Tomokazu-san has five artists!
01:37Wait a minute.
01:38We've had a lot of artists introduce us to their works.
01:43Can we ask five artists directly?
01:48I'm Matsuyama Tomokazu.
01:53You're amazing!
01:54I'm so good-looking.
01:56Really?
01:57I feel like I'm being manipulated.
02:00I'm a little nervous.
02:01You're so cool!
02:03Matsuyama-san usually lives in New York.
02:06He came all the way to Japan for this exhibition.
02:10That's right.
02:11New York!
02:14Matsuyama Tomokazu has held exhibitions all over the world,
02:18including Japan, the U.S. and the U.K.
02:23He has worked with a lot of public artists.
02:26Currently, his works are on display at the Azabudai Hills Central Square.
02:33In addition,
02:34there are 19 works that have been exhibited in Japan
02:38that have only been seen overseas,
02:41including works from London, Venice and Shanghai.
02:45My favorite phrase is,
02:46This is the first time I've been to Japan.
02:48I know!
02:49Let's take a look around the exhibition.
02:56There are so many!
03:00What is this?
03:02I heard this is one of the series that represents your works.
03:10This is one of my works that I wrote about 10 years ago.
03:14I think it's about 6 meters wide.
03:17Did you have the idea that you were going to start with this size?
03:22I went to New York when I was 25 years old and started drawing.
03:27You didn't have a pen until you were 25?
03:30No, I didn't.
03:31Wow!
03:32What happened to you?
03:34You didn't do anything until you were 24.
03:36You couldn't hold a pen until you were 25.
03:38What happened to you?
03:40It's a bit dramatic.
03:42I used to be a semi-pro snowboarder.
03:45Snowboarder?
03:47You were a snowboarder?
03:48I used to jump over cliffs.
03:50You were in nature.
03:52It was a sport of expression.
03:54I got injured and couldn't walk for 10 months.
03:58I was in rehab.
04:00When I got injured, I realized that I couldn't do it for the rest of my life.
04:04I wondered what I could express for the rest of my life.
04:07If it was art, I thought that physical strength and experience could be compared.
04:12I thought that I could make it for the rest of my life.
04:14I thought that I could express it.
04:18Wow!
04:20This painting is a representative work of a Japanese painting hundreds of years ago.
04:26I made a jungle by combining simulated objects.
04:30That's why the canvas was big from the beginning.
04:33Because it was drawn on a canvas.
04:35I made the canvas bigger.
04:37I combined the identity of Japanese people and the idea that I would study alone in the United States.
04:44And I drew a self-portrait.
04:47Is this a work from the beginning?
04:50The energy is exploding.
04:53There are two people here.
04:56This is my painting.
04:58I'm writing a letter.
05:00I'm writing a letter and I'm receiving a letter.
05:03I'm talking to myself.
05:05The East and the West face each other and make contact.
05:09Do you mean that you are like that?
05:11The title of this work is WeMetThroughMatch.com.
05:15In other words, it is the world's largest dating site called Match.com.
05:20What?
05:22You're making an American joke.
05:25The point is that our era is digitalized communication.
05:30This is how we meet people.
05:34Information and communication are always moving forward.
05:39I'm writing a letter.
05:41I'm sending it to a place called America.
05:44Match.com is a tool that always communicates with people.
05:51How long did it take you to draw this?
05:54It took me 5 to 6 months.
05:56It's still a short time for me.
05:585 to 6 months?
06:00I've been drawing this for half a year.
06:02I didn't know if it would be evaluated at all.
06:06When I made this big work, it got a lot of praise.
06:11It became my turning point.
06:13This is it.
06:15It's a work that has a lot of memories.
06:19This work has a lot of memories.
06:25This is also amazing.
06:28This is a happy work.
06:34The couple is looking at us.
06:39Look at the top of this.
06:41Is that a cage?
06:43There is a parallel line.
06:45This is amazing.
06:47What is this?
06:49There are snacks and insects on the ground.
06:53I only saw this part.
06:55The world view is different.
06:57This may not be a cheerful work.
06:59That's right.
07:01I was about to be deceived.
07:03That's right.
07:05At first glance, everyone seems to be happy.
07:09We are living a good life because we are seen like that.
07:13Where are these two going in this picture?
07:17It's like the anxiety we have.
07:21I wanted to express the confusion of the world.
07:26This is a parallel line.
07:28Is this inside the room or outside the room?
07:31It's an uncertain future.
07:35I want to capture it.
07:39What is the shape of the canvas?
07:43Japan has a history of using vessels and wetlands.
07:50Japan has a history of using vessels and wetlands.
07:55In the United States, vessels are used for art.
08:01It's a tool, not art.
08:04In Japan, artists make their own unique shapes.
08:11It's like drawing a picture.
08:13It's like drawing a picture on a canvas.
08:15This is a vessel-like shape.
08:19I thought it would be a world language.
08:22I made it into an interesting shape.
08:37Is this a space?
08:39Is this a three-dimensional work?
08:44Yes.
08:45This is a total space.
08:48I wanted to make it a work of experience.
08:51When I saw this, I was surprised.
08:55I was surprised to see the question mark.
08:58This is the best art experience I have ever had.
09:02No one can look at this and feel ordinary.
09:08This is a picture of the same person.
09:12This is a picture of the same person.
09:16This is the boundary.
09:19This is the ground.
09:21The ceiling is low.
09:23I don't know if I'm taller or smaller.
09:27It's like Alice.
09:29The culture of young people in New York is different from that of culture.
09:36What remains in the past is culture.
09:40What remains in the past is culture.
09:46Why can't I display pictures in fashion magazines in art galleries?
09:51Why can't I display pictures in fashion magazines in art galleries?
10:04I started to think about it.
10:06This is a small object in my grandmother's house.
10:11I'm sure you have a sparrow in your grandmother's house.
10:15I feel nostalgia.
10:17Yes, thank you.
10:18Nostalgia and things that my grandmother knows.
10:22I thought that I could make this everyday thing into a heart.
10:28This is a pottery of this texture.
10:34This is not a pottery.
10:36If you show a material that is not a pottery, it will look like art.
10:41This is a 3D printer.
10:47I'm afraid I'll break it.
10:51This is very heavy at this time of year.
10:54If you make it light, you can put it on the ceiling.
10:57It's not a glass material.
10:59It's a glass-like coating.
11:01This is a polyurethane used in cars.
11:04This is a polyurethane used in cars.
11:08This is not a pottery.
11:13I was relieved to hear that it wasn't a pottery.
11:16The staff didn't break it.
11:19When I thought it wasn't a pottery, I wondered what it was.
11:23I want you to think about what art is.
11:26It's a 3D printer.
11:28It's a 3D printer.
11:30It's a 3D printer.
11:35This is interesting.
11:38Nagano-mei, the navigator, will tell you about her charm.
11:43I wonder how many people there are in Matsuyama.
11:47Let's introduce the event in China.
11:54Entertainment musical BEETLEJUICE
12:00BEETLEJUICE, a bio-exorcist, was re-enacted for the first time in two years.
12:04The confidence of STONES has returned.
12:07Ryo Katsuji and Jun Sena, etc.
12:10A wide range of active and talented performers will play a role full of personality.
12:16Please come to the spirit of black humor.
12:23BEETLEJUICE, a bio-exorcist, was re-enacted for the first time in two years.
12:28Kiki, who will play the fifth time, has been playing the role of Honoha Yamato since last year.
12:34Koki Kuroda, a new boy ninja, will play the role of Tonbo.
12:39I will do my best to play the role of Tonbo.
12:43I want to make a work that can bring a smile to everyone who comes to see it.
12:49I'm waiting for you at the theater.
12:52BEETLEJUICE, a bio-exorcist, was re-enacted for the first time in two years.
12:57Kiki, who will play the fifth time, has been playing the role of Honoha Yamato since last year.
13:01I'm Sazae.
13:03The story is about ten years later.
13:06The stage is Sazae.
13:08Sazae is a Fujibara Norika.
13:10Masao is a Katsurayama Shingo.
13:13The main cast includes veteran actors.
13:17The children of the Sazae family have been cast from the last performance.
13:21They have a fresh look on their faces.
13:25Please look forward to the world of the Isodoke family, which is fun and heartwarming.
13:32The 60th anniversary of its birth.
13:34The masterpiece of the god of manga, Osamu Tezuka.
13:36WONDER3 will be staged.
13:39Three aliens and an earthling, Shinichi, who came to investigate the earth,
13:43and a government strike that fights various evils.
13:47The production is by Wally Kinoshita, who attracted the world's attention with the Tokyo 2020 Paralympics opening ceremony.
13:56Please check out the theater to see how Osamu Tezuka's magnificent worldview is expressed on stage.
14:04After graduating from university,
14:06Ms. Mei Nagano, who served as a voice guide as an exhibition navigator,
14:10talked about the charm of Mr. Matsuyama's work.
14:14The impression of all the works was different.
14:18I was wondering how many people Mr. Matsuyama was.
14:21The shape is a little different, but as the same person,
14:25it was a very stimulating time.
14:28When I saw it live, the impact was completely different.
14:31I think it's best to bring your feet directly to this exhibition and see it with your own eyes.
14:47Mr. Matsuyama's precious works,
14:49such as commentary and documentary filming,
14:51are enjoyed by the audience.
14:55The next work is
14:58this.
15:01This is steel.
15:03It's a person!
15:05It's a person.
15:06It's a person!
15:07It's a hand, right?
15:08There's a face over there.
15:10There's a face!
15:12There's a woman's face, a hand, and a foot.
15:16This work is called Dancer.
15:18Dance!
15:20It's dancing!
15:21It's dancing?
15:22I can see various movements.
15:24I'm capturing that moment.
15:26In Japanese culture, people used to dance to pray.
15:32Like a shrine maiden.
15:34I'm trying to capture the dance in a pure sense.
15:40For me, this is a statue of a goddess.
15:42Wow!
15:43I didn't know there was such an active goddess.
15:46Wow!
15:48I've had projects from all over the world call for this kind of work,
15:52and I put it in a lot of different places.
15:55So, for example,
15:57is it possible to put this in a park?
16:03Actually, this was exhibited for about half a year
16:07at the center of New York's 5th street and 23rd street.
16:13Wow!
16:15So New Yorkers were watching, right?
16:17Yes, they were.
16:18I think they saw De Niro, too.
16:21It would be amazing if they saw him.
16:23If you see it on the street, you'll definitely see it, right?
16:25Yes, you'll be stunned.
16:27So I put it together to make it move.
16:29My sculpture works are held in various places,
16:33so I designed it so that it can fit in a cargo yokonaga.
16:38Wow!
16:39You can't put an airplane in here, can you?
16:41You're a kind artist even to carriers.
16:43Thank you!
16:45But I want people to see it in various places.
16:47You want people to see it, so it's a problem if you can't carry it after you make it.
16:51You can't get out of the room after you make it.
16:53That's why I do it a lot.
16:54You can't get out of the room even if you make it.
16:56I see.
16:59This is also amazing.
17:01It's scientific.
17:03It's a combination of various things.
17:06It's a bird, isn't it?
17:08Does it really have a beak?
17:10I make the color one of my individuality.
17:15It's like a collection of that.
17:17Some people don't notice that it's a bird.
17:20It's a abstract painting symbolizing a bird.
17:25I made it with the motif of Senbazuru.
17:28Senbazuru!
17:29It's a Japanese culture.
17:31It is said that they are inhabited by the things they make depending on the Gankake Inori.
17:36This is the dance I just did.
17:40In order to dance, there is a feeling of Inori.
17:43This is also a Senbazuru, so I feel like my feelings are connected.
17:48When I go to New York and work there,
17:51I don't have much to think about because America is an individualistic country.
17:56But when I went to New York,
17:58I wanted to express my feelings as a Japanese person
18:02for the abstract painting that I made in New York.
18:05I wanted to express my feelings by painting.
18:09I wanted to combine the fact that I was a Japanese person
18:12and the abstract painting that I was influenced by in New York.
18:17On the contrary, when people in New York see it,
18:20they realize that they didn't face their wishes and prayers as much as they did.
18:28I hope so.
18:29Abstract painting doesn't use a lot of brushes on the canvas,
18:33so you can paint relatively quickly.
18:38In short, it was the most advanced art that was born in the United States
18:42without drawing a painting.
18:45On the contrary, I change the color of the outline one by one,
18:49so it takes me 700 months to draw a mandala.
18:53The outline is all different colors.
18:57I paint all of them with a brush,
19:00so I was influenced and shocked by the abstract painting,
19:04but I decided to go with the ultimate handiwork of Japanese people.
19:08You can express everything.
19:12Next week, we will see Matsuyama Tomokazu's first and last performance.
19:17My daily life is like hell.
19:20It takes me a week to draw one box.
19:24Please do it if you can.
19:26Please look forward to it.
19:28It's like a car race.
19:31If you want to see Premier's Socks again,
19:33please watch it on TVER.