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00:00Junko Koshino, a world-renowned designer from Kishiwada.
00:06The sound is important.
00:08It's like a fighter jet.
00:11Junko Koshino, who has been active in the first round of the design industry and is still at the top.
00:18But in the past...
00:213 million more.
00:25There's nothing I can do.
00:27There's nothing I can do.
00:29The biggest crisis in her life.
00:31What is the fraud case?
00:34The moment the uniform was born, the camera took it.
00:40Junko Koshino learns from the leader of Kansai, Nehori Hahori.
00:48Junko Koshino is from Kishiwada, Osaka.
00:51She was born as the second daughter of Ayako Koshino, who owns a clothing store.
00:56It's Kishiwada, isn't it?
01:00When she was in elementary school, Junko was...
01:05I did it! I'm number one!
01:10Koshino, you're fast.
01:12I can't beat you at all.
01:15That's right.
01:16I want to use this leg to pull the ball.
01:20When I play, I have to run with the horn.
01:24The clothing store where Junko was born and raised is in front of Kishiwada Station.
01:29It's a great place where Danjiri passes in front of the store.
01:34Junko not only saw it, but she actually played Danjiri until the second year of high school.
01:40It is said that the spirit of Danjiri was alive.
01:43It's Paris.
01:45It's a fashion that you don't know if it's a job or a play.
01:49That's when it's really alive.
01:52The spirit of play becomes a job.
01:55Originally, it was Danjiri.
01:57Anyway, I cut the thread and run.
02:01For Junko, the origin of fashion design is...
02:07The road to success.
02:09Her first work.
02:11I'm bored at the store.
02:14Mom, you should have come home early.
02:19I made a mess.
02:21What should I do with this?
02:23Let's put it in the store window.
02:28She put her own work on the ceiling.
02:35Maybe...
02:37Maybe...
02:39What should I do?
02:41I'm getting really excited.
02:43I did it.
02:49This is cute.
02:51No way.
02:53How much is this?
02:56300 yen.
02:59But when she asked the price...
03:04I'll come back.
03:07I was surprised.
03:10If I had said it cheaper, it would have sold.
03:14It's hard to set a price.
03:20After graduating high school,
03:22To follow the path of a designer,
03:24She entered a cultural clothing school in Tokyo.
03:27In the same year,
03:29Takada Kenzo, Matsuda Mitsuhiro, Kaneko Isao,
03:34Future stars such as
03:38It's amazing.
03:41They were rivals, but their relationship was...
03:47Ken-chan, Isao-chan,
03:50They're really good friends.
03:52They're like Jun-chan.
03:54They're like childhood friends.
03:58Jun-kun challenged many design contests.
04:03Ken-chan, you're amazing.
04:05Did you win again?
04:07Jun-chan won before.
04:09I want to win, too.
04:14These contests were a test of their skills.
04:19Because there was a show that everyone was aiming for.
04:26That's the Soen Show.
04:28It's a fashion show hosted by Soen.
04:32It is said to be the gateway to new designers.
04:35If she wins, her future will open up.
04:40Of course, you're aiming for it, right?
04:42Well, if I can draw a good one.
04:46I don't know if I can draw a good one.
04:53On the outside, she had a face that didn't eat anything.
04:57On the inside...
05:01I don't want to lose.
05:03Soen Show.
05:05I won the Soen Show earlier than anyone else.
05:10She kept drawing dozens of applications.
05:15Her efforts paid off in 1960.
05:18She won the Soen Show at the youngest age of 19.
05:24The road to success.
05:26The first exhibition.
05:29Jun-kun is in a hurry to win this glory.
05:34This is me.
05:37Can I work here?
05:43Soen Show?
05:45That's amazing.
05:47I want young talent like you.
05:52That's right.
05:54I'll leave the store to you.
05:56Give it a try.
05:58Thank you very much.
06:01The story went on for a while.
06:03She was able to set up a store in Ginza.
06:07She changed her name to Junko Koshino.
06:12I'm 20 years old.
06:1420 years old in Ginza.
06:16I haven't graduated from school yet.
06:18The era was in the middle of a high-growth period.
06:20The interest of the people who have become rich by setting up the Soen Show was heading for a gorgeous fashion.
06:27She opened her first independent store in Aoyama, Tokyo.
06:32It became a popular source of information.
06:37The road to success.
06:39She met a friend at a bar.
06:42She met Kurokawa.
06:48You're in a good place.
06:52Good evening, Mr. Kurokawa.
06:55I talked to the architect Kisho Kurokawa.
07:01I want you to make a uniform for the pavilion I'm producing.
07:06Kurokawa was in charge of the design of the pavilion in Osaka in 1970.
07:18Junko's answer was, of course, yes.
07:23Junko will be in charge of other pavilions' uniforms.
07:28Takara Beauty Leon is a vivid yellow pants style.
07:33Pepsi-can is a bright red long coat with black accessories.
07:38The lifestyle industry is characterized by a large necktie.
07:41In fact, she wears a lot of shoes.
07:44I wanted to do it on my own.
07:46Then I was very angry.
07:48I'm going to be a companion.
07:50It's like I'm going to be a good girl.
07:56I was very angry at my daughter.
08:02But I don't want to quit.
08:05It looks like a pair of boots, but it's just a little line.
08:10It's a t-palette shoes, not a self-made.
08:13Suddenly, it went well.
08:17It was a good day, but the biggest crisis of her life came.
08:26The deadline for the design of the pavilion is approaching.
08:28If it's not paid, it's a failure.
08:32Please wait a minute.
08:33The person who was in charge of the management of the pavilion,
08:36He was showing off his design in the company's name.
08:40The price is 30 million yen.
08:44The person ran away with the money and was lost.
08:48If you can't prepare the money, the store and the product will be suppressed.
08:54She asked her friends and acquaintances for a loan.
08:59I'll pay you back.
09:01Can you lend me some money?
09:04Junko-chan.
09:06When you're in trouble, it's up to each other.
09:10What's that?
09:12I only have a little.
09:17Thank you very much.
09:20The total amount of money collected in a week was 27 million yen.
09:27Three million more.
09:31I can't help it anymore.
09:35This is the end.
09:41I've been doing too well so far.
09:45There's something I want to do more.
09:52Are you still working?
09:54You're young, but you're great.
09:56I'm not great at all.
09:59What's wrong?
10:01The one who called out was the owner of the building where Junko's store was located.
10:06Junko opened everything up.
10:10Three million yen.
10:13Okay, I'll give it to you.
10:24Are you sure?
10:26This is a gift for you.
10:31Please accept it.
10:34Thank you very much.
10:37I'll pay you back.
10:40I gave it to you, so you don't have to pay me back.
10:43No, I can't do that.
10:45That's right.
10:47It saved me for a moment.
10:50I thought God wouldn't betray me.
10:54It's a miracle.
10:57You know how grateful I am for the money, right?
11:02Junko was reborn in 1978.
11:06After that, she will continue to participate for 22 years.
11:09This is her first time participating in Parico.
11:13I was very nervous.
11:15My legs were shaking before the show started.
11:18I couldn't go up the stairs.
11:20I looked at it from a distance.
11:24I couldn't go outside.
11:28How do you hear the reaction outside?
11:31It's not applause.
11:33What do you think it is?
11:35This is a quiz from KOSHINO.
11:38How do you hear the reaction of the audience from the back of the stage?
11:48There is a way to hear the reaction of the audience from the back of the stage.
11:53It's like the sound of the camera shutter.
11:57What is the answer?
12:00It's a flash.
12:03It's a flash of light.
12:05The cameraman doesn't applaud.
12:08He checks the reaction of the audience with the brightness of the flash.
12:12It's a flash of light.
12:14I asked her again.
12:16What is fashion for Junko KOSHINO?
12:20If there was no word for fashion, it wouldn't be interesting.
12:27I think it's a common language in the world.
12:29Because it's a common language, one fashion is a common fashion in the world.
12:35I want more people to see it.
12:38I want people to know it.
12:39I want people to enjoy it.
12:41I saw a part of Junko KOSHINO's life that continues to run.
12:46What did you think, MATOKA?
12:48The scale is too different.
12:50She is so young.
12:51She has 30 million subscribers.
12:53She has 27 million subscribers.
12:55It's hard for me.
12:58She has 27 million subscribers.
13:00What does this mean?
13:03The owner of the building came in.
13:07He said he didn't have children.
13:11He said it would cost a lot of money if he had children.
13:16So I said it was okay.
13:18He wanted you to come to the building.
13:20It took me about two years to return it.
13:24You didn't have to return it.
13:28I feel the spirit of KISHIWADA's DANGIRI.
13:35I think there are people who don't know it.
13:38DANGIRI will continue to exist.
13:42I'm lonely when the show is over.
13:45I don't think it will be until next year.
13:47It's the same as DANGIRI.
13:48It's like the loneliness after the festival.
13:50He took the certificate and sold it to a store in Ginza.
13:57The name is on the magazine.
14:00I am this.
14:01Can I work outside while I'm in college?
14:03There was still one year left.
14:05I couldn't graduate.
14:07I was already working.
14:09The teacher brought me the graduation certificate.
14:14I think many people wanted to get involved with KOSHINO.
14:20The strength of life force may be attracted to the sun and the stars.
14:26I was attracted to the words of the old student of the flower.
14:29That photo was amazing.
14:31Everyone knows it.
14:33It was very popular.
14:35Why did so many excellent people gather on this tree?
14:40Until then, the culture was a girl's school.
14:44It was a girl's school.
14:46It became a boy and girl's school a year ago.
14:49It's a man's job.
14:52It's not a flower training.
14:56It's a man's job.
14:58The direction of the man's opinion is the same.
15:03Motivation.
15:04That's right.
15:05I want to get along with such people and revolutionize fashion.
15:10It's a friend, but it's like a rival.
15:12I'm always a rival.
15:14I can't make such a face.
15:16You don't study, but you study hard when you go home.
15:20When I go home, my eyes get tired.
15:23When you were a model, you ate in front of everyone and said,
15:28I'm sorry, but I don't gain weight.
15:32I don't gain weight because I'm natural.
15:35I'm squatting a lot.
15:37I'm scared.
15:39I've been in Paris for 22 years.
15:41It's amazing.
15:42It's the second time in 22 years, so it's the 44th time.
15:45It's a great world just to do it once.
15:48It costs tens of millions.
15:50Can you afford it?
15:52It's hard to pay for it just to go to your office.
15:57Don't you have a sponsor?
15:58I don't have a sponsor.
15:59Do you do it yourself?
16:00That's right.
16:01Everyone does it.
16:02I'm sorry.
16:03You don't recognize it, do you?
16:04Is that the world?
16:05I don't have a sponsor.
16:06What do you mean?
16:09The fashion world has a very elegant atmosphere.
16:13To collect that money,
16:15Yuta is a duck.
16:17It's not a duck.
16:19It's a bird.
16:21Is it a swan?
16:23It's like a swan.
16:25It's elegant on the top.
16:27It's elegant.
16:28When I saw it, I was surprised.
16:30Is it red every time?
16:33It's basically red.
16:36It's red, but that's why I do it next time.
16:41That's how I started my business.
16:44It's an investment.
16:47I don't do anything.
16:48I'm always positive.
16:51The past is garbage.
16:54The past is garbage.
16:57You can't change it.
16:59No matter how hard you try.
17:00I think it was good at that time.
17:04We only talk about the past.
17:09Aichi Prefecture, Chubu International Airport
17:14On this day, Koshino was planning a fashion show to build a runway at the airport.
17:21To celebrate the 20th anniversary of the opening of Koshino Airport,
17:25Koshino was invited to an event.
17:31Koshino is wearing a black and gold outfit.
17:34The model walks on the runway.
17:41Koshino has polished its unique design on many stages.
17:45Koshino has created a mysterious space at the corner of the airport.
17:51I want to show the Japanese traditional culture in a contemporary way.
18:02At this show, Koshino focused on traditional beauty and Japanese spirituality.
18:08Koshino aimed to create a new kind of entertainment.
18:12The pattern of gold and silver is gorgeous.
18:18Each outfit is cool.
18:21Each model walks in their own style.
18:25It's very beautiful.
18:28How was the show created?
18:32The day before the show, Koshino appeared.
18:36When she arrived at the venue, she noticed something.
18:43What is that thing on the table?
18:46It's a guide board behind the stage.
18:52It's fixed and can't be moved.
18:55Can you put one panel on the stage?
18:57I'll put one panel on the stage.
18:59Try it.
19:00I don't like it.
19:03I'll put one panel on the stage.
19:06She hides the panel so that the audience can't see it.
19:14Spread the panel a little more.
19:18It's beautiful.
19:22She stands at the front and gives instructions.
19:26Like this.
19:29She doesn't compromise and pays attention to the details.
19:34She creates a world view that fascinates the audience.
19:42It's a bird's eye view and a bug's eye view.
19:45I look at the whole thing and look at the details.
19:50The rehearsal is the most important part.
19:56She does everything by herself.
20:01By the way, where did she get this beautiful costume?
20:07I got it at the National Museum.
20:11It was the 400th anniversary of Rinpa.
20:13I wore it when I woke up.
20:17Rinpa is a style of painting that developed in the Edo period.
20:21It's one of the features of the gorgeousness that uses a lot of gold and silver.
20:25Koshino was fascinated by this world view.
20:30It's a little exotic.
20:32I want to introduce the coolness of Japan to the world.
20:36It's not the time to admire the West.
20:42The show is over.
20:45The backstage shooting was allowed this time.
20:50Koshino makes the audience look at her until the end.
20:56There are three patterns for each model.
21:00They have to change their clothes and hair in a short time.
21:06Koshino is changing her clothes.
21:13I don't know how many times I've done a fashion show.
21:17It's different every time.
21:19I don't do the same thing over and over again.
21:21It's important to keep trying new things.
21:26The staff around her are also nervous.
21:31It's not just a normal clothes.
21:33It's a work of art.
21:35It's a work of art.
21:37It's drawn with a lot of power.
21:40I have to give an answer that no one has ever seen.
21:42I'm under a lot of pressure.
21:45She's going to battle now.
21:49She was the leader of the fashion show.
21:55I'm confident that I can do it all over the world in 22 years.
21:59Japan is special.
22:02I think it's a wonderful culture.
22:04I respect it and I want to do it in the future.
22:08Koshino has designed a lot of clothes.
22:11In fact, there is something that Koshino designed at this airport.
22:17That's the uniform that this staff is wearing.
22:22Fuji Dream Air Lines, which operates 27 routes in Japan,
22:26renewed their uniforms for the first time in 11 years last year.
22:31I asked Koshino to design it.
22:36Red and gray express the beauty of the world of Koshino Junko.
22:41It's a design that's hard to break down even if you move around.
22:46It's a design that's hard to break down even if you move around.
22:50She aimed for elegance and functionality.
22:55It's very flexible and easy to move.
22:59It's a unique design, but it's a design that suits everyone.
23:03I'm really surprised.
23:05Koshino Junko teamed up with an airline.
23:09Why is Koshino dancing?
23:16Koshino Junko and Koshino Air
23:26Koshino Junko teamed up with an airline.
23:29What did she do?
23:33Good morning.
23:37The airplane took off.
23:39Suddenly, in the air...
23:41Koshino Air
23:49A professional musician started playing live.
23:55Yes, this flight itself was produced by Koshino.
24:1230 minutes after taking off from the airport.
24:14Little by little, you can see what you're looking for.
24:20Mt. Fuji.
24:25This special flight flies at a lower altitude than usual.
24:29It's a flight around Mt. Fuji.
24:32It's a once-in-a-lifetime experience.
24:38You can see it from above.
24:40It looks easy, but it's impossible.
24:42I don't think it's a life where you can touch it with your hands.
24:46It's beautiful.
24:48I brought the costumes for the fashion show to the studio.
24:52It's vivid.
24:54What did you pay attention to?
24:58It's like armor.
25:00When the yin and yang become one, it becomes like this.
25:04It looks like a furisode.
25:06That's right.
25:08Many people abroad are interested in inbound fashion.
25:12Japan is like an idol.
25:15Many foreigners wear inbound fashion.
25:18What do they admire?
25:20They say kimono.
25:22It's hard to say kimono.
25:24This is a kimono dress.
25:27It doesn't matter if it's Japanese or Western.
25:29The feeling is kimono.
25:31My father loves Japan.
25:34He seems to have settled in Japan.
25:37I think Japan has been too modest so far.
25:41I want to show more charm to the world.
25:43Japan has a tradition and history that is proud of to the world.
25:46I think it's an exchange of ideas.
25:50It's not good for a country that admires the West.
25:54Junko Koshino is a fashion show hostess.
25:57I thought she was in a bad position.
25:59I thought other people were doing it.
26:01But she said everything.
26:03It's difficult.
26:05I want you to do it.
26:07If you do it, it will be difficult.
26:13Here is the next keyword.
26:15Soccer, Marumaru, fireworks.
26:20What do you think will be included in Marumaru?
26:25It's a tradition, but it also incorporates cutting-edge technology.
26:31It's like a drone.
26:34I see.
26:36How about a drone?
26:38I see.
26:40Here is the correct answer.
26:42Koshino showed up in Osaka last month.
26:50It's a lively place.
26:54It's Hanazono Rugby Stadium.
26:57Today is the opening game of the soccer J3, FC Osaka, which is a hometown of Higashi Osaka.
27:05But she didn't come to watch the game.
27:10Junko, 0-0.
27:14Koshino designed the uniform that FC Osaka has been wearing since this season.
27:24Next year marks the 30th anniversary of the establishment of the club.
27:29The club's tradition, Tatejima, was renewed as a motif.
27:34It's well-received by supporters.
27:39I like the gradation from blue to black.
27:46It's like Osaka.
27:51I want you to do your best like today.
27:56Koshino sees the design of the uniform.
28:01There is a cheer girl who came to the field.
28:09This uniform was also designed by Koshino.
28:15With the effect of the new uniform, FC Osaka succeeded in the opening dash.
28:22Koshino saw the first game.
28:26When everyone gathers, there is a lot of power and it's cool.
28:30In short, soccer is cool.
28:37However, Koshino came to Osaka.
28:40She came to see the 0-0 uniform that she designed.
28:47This design was the first challenge in her life.
28:55The identity of the 0-0 uniform will be revealed in 90 seconds.
29:02Koshino's uniform is not just a uniform.
29:05What is the 0-0 uniform that she designed for the first time in her life?
29:10It's a crane car.
29:16The height is 32 meters.
29:18It is used in construction sites.
29:22She designed a green body with a white and gray line.
29:30It's interesting. You've never seen it before, have you?
29:33I have no experience.
29:35It's very fresh.
29:37It's the same feeling as a child.
29:40It's a great experience I've never seen before.
29:44It's hard, dirty, and dangerous.
29:47Hamatek, a crane company in Sakai City, wanted to change the image of the 3 series on the construction site.
29:54She asked Koshino to design it.
29:57A fashionable crane car was born in the world.
30:04In addition, Koshino is involved in the company's work equipment and shoes.
30:12Would you like to ride it?
30:14There is a ladder.
30:16How does the crane car she designed feel?
30:23I don't have a driver's license.
30:29It's noisy in the middle of construction.
30:31But it's fun to have this.
30:34I think it will have a great impact.
30:38I'm really looking forward to it.
30:41It's fun to work.
30:45Dark construction is bright construction.
30:49Koshino is involved in the design of everything.
30:52She is not a fashion designer.
30:55She is a designer.
30:59It was a crane.
31:01I didn't expect it.
31:03Fashion and crane are hard.
31:06It's different from the image of fluffy clothes.
31:10I can't imagine.
31:12It's like a futuristic robot.
31:14It's like a robot.
31:16This is a firework.
31:18What is this?
31:20I drew an example.
31:22I showed it to the firework man.
31:24I asked him to make this a firework.
31:26I couldn't say it in words.
31:28This is a firework.
31:31You're smart.
31:33I asked Koshino to design it.
31:36It's difficult.
31:38I want to hear it.
31:40I don't know what to do.
31:43I don't know either.
31:46It's hard to say.
31:48What I want to do is the first thing.
31:52I can't help it.
31:54It looks fun no matter which image you look at.
31:57Koshino looks the most fun.
32:00It's a play.
32:02I don't care about the spirit of play.
32:06It's boring to just do it.
32:09I don't care about anything.
32:11When I do it, I think I'm good at it.
32:15Koshino's office in Aoyama, Tokyo.
32:18In December last year,
32:20he had a meeting with Koshino.
32:22He is an employee of Vivio chair maker Takara Belmont.
32:25He asked Koshino to design a white uniform.
32:31Takara Belmont has a booth at the Osaka Health Care Pavilion.
32:35What is the theme of the exhibition?
32:40Koshino designed Takara Belmont's uniform last time.
32:45It was a bold design, such as wearing a cape.
32:48It was a hot topic.
32:53After 55 years,
32:55Koshino designs again.
32:58I'm very happy.
33:00I'm going to do it again.
33:02I'm very impressed.
33:06As the years go by,
33:08the uniform production faces an important stage.
33:12What does Koshino design this time?
33:22It's a digital movement.
33:25It's not like a robot.
33:27It's not elegant.
33:33It's more like action.
33:39It's realistic.
33:43It's my room.
33:45I wear a cape.
33:48Koshino moves his hand.
33:52He holds a brush pen.
33:55He draws the outline without overlapping the lines.
34:02He doesn't start with the clothes.
34:05He starts with the hat and the head.
34:08It's Koshino style.
34:11Anyone can wear it.
34:13But it's too tight.
34:15I can't wear it.
34:18I'm going to wear it from here.
34:23It's Koshino style.
34:28He checks the fabric.
34:32He shapes the image.
34:38It's amazing.
34:44The design of the uniform is complete.
34:48He is conscious of the unity with the booth exhibition.
34:51The fabric is scientifically combined.
34:54He imagines the future.
34:56The color is silver and white.
34:59The theme is to wear Zanjo.
35:03That's why it's pants style.
35:06It's spring, so you can wear it quickly.
35:11I'm doing it for that.
35:15I want people to say that I'm the best.
35:18I want people to be confident.
35:21He checks the design with temporary fabric in February.
35:26He aims for a silhouette that looks beautiful no matter who wears it.
35:32He adjusts the overlap of the jacket.
35:35He is particular about details.
35:38The final presentation of the uniform is on July 7th.
35:43The uniform is shown at the fashion show for three minutes.
35:47The rehearsal started early in the morning.
35:53Everyone is wearing a manicure, right?
35:55You should wear a manicure.
36:00Good morning.
36:03You look good.
36:06You should take a picture.
36:09You should take a picture of this.
36:15You look good.
36:17You should take a picture.
36:19You should enjoy it.
36:21Don't be nervous.
36:23What is the result?
36:28A week later.
36:31Junko Koshino is designing the uniform.
36:34He is chasing the completion of the design.
36:38July 7th.
36:40How is the uniform finished?
36:57July 7th.
37:03The silver fabric shines in the light.
37:07The fabric is breathable.
37:12The hat is asymmetrical and three-dimensional.
37:16The last uniform was a challenge.
37:20This time, it is an experiment.
37:24Junko Koshino continues to design the uniform.
37:37I used silver to represent the future of light.
37:43I designed the light to enjoy.
37:50It's dazzling.
37:53It's strange to walk on the road.
37:56The future is a world of imagination.
37:59There is no answer.
38:02The uniform is a chance to challenge the design and image.
38:09The second uniform.
38:11What does Junko Koshino think?
38:15I want you to have a new experience.
38:18People from all over the world gather.
38:21The Osaka Expo may never be held again.
38:25I want you to have fun and have a good experience.
38:29This is the 1970 Takara Pavilion.
38:34It is reversible.
38:36The inside is a skirt like a belt.
38:40This is the Osaka Expo in 1955.
38:44The future is a world of hope.
38:51What has changed in the past 55 years?
38:55Is there a future 50 years ago?
38:58Will 2000 really come?
39:00I don't think so.
39:02It's a lie to eat in space in 2001.
39:06It's a reality.
39:11I think it's a repetition.
39:14The future is a world of imagination.
39:18There is no answer.
39:20I think I'm always chasing the future.
39:23The word challenge and experiment are used.
39:28Life is an experiment every day.
39:33This is a uniform worn by volunteer staff.
39:38I don't know if it's a man or a woman.
39:42Anyone can wear it.
39:44Is it for men and women?
39:46Only the bag is cute.
39:4810,000 people wear the same thing.
39:52Is the approach of monitoring different from the design?
39:56Monitoring has changed a lot.
39:59It's organized.
40:01It's not good to leave it as it is.
40:04It's organized.
40:06It's a subtraction.
40:08It's a little extra.
40:10Monitoring is a subtraction.
40:12It's not just a good thing.
40:14It's hard.
40:16There were a lot of things.
40:22It's a word that challenges the future.
40:30I thought it was wonderful.
40:34Today, KOSHIRO will draw a costume that imagines a leader.
40:52Today, KOSHIRO will draw a costume that imagines a leader.
41:02Can I see it up close?
41:05Sure.
41:07I will show you in no cut what will be drawn.
41:21It's a brush.
41:24It's unique to draw from KOSHIRO's face.
41:32There is no hesitation.
41:42It's a happy thing to be able to see how the design was born.
42:02KOSHIRO's signature is complete.
42:09Thank you very much.
42:11I don't know if I can applaud.
42:13I was able to draw it quickly.
42:17I want this.
42:19It's a signature, so it'll sell well.
42:23It won't sell.
42:25I want to put it in the frame.
42:27KOSHIRO, what is the point?
42:29It's a little formal.
42:33It's an image that anyone can wear regardless of age.
42:40Is it a type that covers from the head?
42:42That's right.
42:44It's a poncho.
42:46Anyone can wear it.
42:48I will give it to you as a gift.
42:50Is this a program?
42:53Why are you getting older?
42:58I will give it to you as a gift.
43:01Is it a gift for the program?
43:03It's not a window umbrella.
43:07I will draw two more.
43:10I will draw it later.
43:12It's a memo rather than a design or a fashion.
43:16It's a memo.
43:18I will draw it without forgetting the image.
43:22I don't make it when it comes to clothes.
43:25This is a message.
43:27I want you to understand this feeling.
43:30It's important to look at it.
43:36It's an impression.
43:38Do you always draw with a brush pen?
43:41I thought it was a pencil.
43:44It's a brush pen.
43:46I drew it in one minute.
43:48This is the last question.
43:50What does Junko Koshino think is necessary for a leader?
43:55Junko Koshino's leader theory.
44:13What does Junko Koshino think is necessary for a leader?
44:21It's a challenge.
44:23It's always a challenge.
44:25I should be positive.
44:27I should challenge myself to move forward.
44:29I should not look back.
44:31I should look at the future that I have never seen.
44:37There is no answer.
44:39It depends on the person.
44:43That's what I think.
44:45You said that the past is garbage.
44:48You still say that.
44:50We depend on the past.
44:54The present is the most interesting.
44:56The present is the most interesting.
44:58It's really interesting.
45:00I've seen a lot of relationships.
45:03There is nothing more luxurious than this.
45:06I know a lot of things.
45:08You accumulate them and draw the present.
45:10But it's always fresh.
45:13I want to be an adult who can say that.
45:16I want to be with a good person.
45:19I want to be in a good environment.
45:22This day is very important.
45:25It's a day I'll never have again.
45:28I'll come back tomorrow.
45:30I don't think it's a waste if I don't enjoy it.
45:33After the recording, she wrote a letter to the cast.
45:38I play the role of the First Pavilion.
45:42President Yoshiyuki Yamaya of Kansai Airport.
45:48The opening of the first pavilion.
45:51What is the First Pavilion that Yamaya holds?
45:54How does the entrance of Kansai change?
45:57There is a camera behind the stage of the airport reform.
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