モノづくりの源場～なくしたくないニッポン 2025年3月28日 【総集編】もう一度見たい職人たちのスゴ技
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
📺
TVTranscript
00:00I, Genta Aoki, jumped out of the studio and visited the craftsmen.
00:13I don't want to miss the manufacturing site where I got to know the technology and feelings.
00:21The symbol of Osaka Kansai Banpaku, which was closed until the opening on the 16th,
00:27and the architectural technology of gear dikes, which is also used in Ooyane Ring, have been passed on.
00:41I will introduce the amazing skills of craftsmen that I want to see again from those who have interviewed so far.
00:52First of all, the kayabuki roof, which creates the original scenery of Japan.
00:59I was able to see the amazing skills of female kayabuki craftsmen who protect such traditional architecture.
01:07What is the work to do from now on?
01:09It is a work to arrange the materials in the middle of the roof.
01:15This is the rice straw that I bought this year.
01:22Turn it upside down.
01:26The water flows like this, right?
01:28That's right.
01:29There is no gap.
01:30That's right.
01:34It doesn't shift, does it?
01:35That's right.
01:36There are leaves, so it's a friction.
01:39It's a pretty steep slope, but it's a good catch.
01:45By arranging the ends of the rice straw facing down,
01:48it is a technique called sakabuki that allows rainwater to flow through the rice.
01:55It looks like it's arranged separately,
01:57but in fact, it is a delicate work that spreads the straw so that the entire slope of the roof is uniform.
02:05It's not just about putting the straw on.
02:11When the roof is thick, the straw is firmly fixed with a large needle and rope.
02:18This work, which is done separately on the front and back of the roof,
02:22requires teamwork that matches each other's breath, not just experience and intuition.
02:29In order to hook the rope to the pillar,
02:31while avoiding the slightest gap so that the needle does not hit it,
02:34insert the needle in an exquisite combination with the person inside and fix the rope.
02:42Yes, please pull it out.
02:44Aim for just below.
02:46About here?
02:47That's right.
02:48I'll do it.
02:51Oh, I think it's gone.
02:52It's just right.
02:53Oh, it was just right.
02:54Perfect.
02:56Oh, it was just right.
02:57Perfect.
02:59Now it's 5.5 cm.
03:05It's good, isn't it?
03:06Oh, I was told it was good.
03:10Oh, it feels good.
03:14I'm glad.
03:15I'm glad.
03:16It feels like there was a breath.
03:18That's right.
03:19Kayabuki is like a team sport.
03:23Basically, communication is important at this time.
03:29Even if it takes 10 people, it takes about a month of hard work.
03:35With such efforts, the original scenery of Japan is protected.
03:43Next,
03:44A collaboration with Osaka Kansai Banpaku.
03:47It's also a great technique for Osaka's hand-pulling, which is now attracting attention.
03:53Here you go.
03:55It's dyed here.
03:58This is just in the process of being placed by the craftsmen.
04:03This is called Bosen Nori.
04:05I put the nori where I don't want it to be dyed.
04:09You put it where you don't want it to be dyed.
04:11That's right.
04:14First, fix the pattern on the fabric and apply the nori on top of it.
04:22By doing so, the design will be reflected on the fabric.
04:27If you neglect this process, it will not be a beautiful dye.
04:34Next, each pattern of the same color is surrounded by nori, which is called dote, and prepared to be colored.
04:45Do you use a variety of colors?
04:46That's right.
04:47Basically, we start with a dark-colored dye.
04:53The brown part.
04:54The brown.
04:55I pour the brown dye.
04:59There is a dote, so it looks like a pool.
05:02That's right.
05:03It doesn't leak anywhere else.
05:04That's right.
05:07Why did it sink?
05:09There is a pedal under my feet.
05:12I use this pedal to draw in the dye.
05:16It's a vacuum.
05:17By drawing in the dye, the dye is poured from top to bottom, and the dye is colored where it is dyed.
05:26Just by looking at it with your eyes, you can't tell how it's been dyed,
05:29so he adjusts the amount and time to match his years of experience.
05:36Now, the front part is finished.
05:38Yes.
05:39I'll turn it over.
05:40Yes.
05:45Oh, the color.
05:47It's in there.
05:49It's beautiful.
05:52He makes a dote with nori again on the back side, and dyes it so that there is no unevenness.
05:57By doing so, the beautifully dyed Chusentenugui is completed.
06:07Next is the Kishu Kiritansu, also known as the Yomeiridobu.
06:16I was able to see Sugowaza, which is full of wood.
06:21It's amazing.
06:22Even from here, various parts are shining.
06:25Of course, the metal fittings are shining, but the wooden panel is also beautiful.
06:32The wooden panel is made of one piece of wood.
06:36So, it was originally made of wood.
06:38Yes.
06:39It's beautiful.
06:40It's beautiful.
06:41It's beautiful.
06:42It's beautiful.
06:43It's beautiful.
06:44It's beautiful.
06:45It's beautiful.
06:46It's beautiful.
06:47It's beautiful.
06:48It's beautiful.
06:49So, originally, this size of the cabinet was made of one piece of wood.
06:55That's right.
06:56The front part was made of one piece of wood, and the side part and the back part were made of one piece of wood.
06:59A total of three pieces of wood were used to make this one-piece cabinet.
07:05You can close the drawer and see what's inside.
07:10It smells good inside.
07:12What?
07:15What?
07:17What?
07:19That's right.
07:20If you close the drawer, you can see what's inside.
07:22Mr. Azuma, what does this mean?
07:24It's a proof that the cabinet is well sealed.
07:28Oh, with air pressure?
07:29Yes.
07:30But you're measuring the air pressure in millimeters, right?
07:35That's right.
07:36The cabinet is well sealed, so there's no humidity inside.
07:41When there's a fire, there's no smoke, and there's no fire.
07:45The Japanese traditional kiri-dansu is a well-sealed cabinet that is not found overseas.
07:53One of the traditional techniques used to pull out a kiri-dansu is to show the process of assembling.
08:06Oh, it's going in.
08:11Wow.
08:12It's crumpled now.
08:14There's a dent here.
08:15Yes, there's a dent.
08:17I'm going to inflate this.
08:20He's going to inflate the dent, but he's going to use a technique that utilizes the characteristics of kiri-dansu.
08:28This is a wet towel.
08:29Yes, it's a wet towel.
08:31You iron it.
08:32Yes.
08:33So there's heat and moisture.
08:34That's right.
08:35And the wood inflates.
08:37It inflates.
08:38Yes.
08:40Oh, there's no gap.
08:41It's already gone.
08:43As you can see, the dented part is well-moisturized and there are no gaps.
08:53It's not just a material, but a kiri-dansu as a living creature.
08:58The kiri-dansu is made using the characteristics of kiri-dansu.
09:02It's a great technique.
09:06In addition, Mr. Azuma has started a new challenge.
09:11I received an order from Osaka Kansai Banpaku for a bowl for food used in the Wakayama Prefecture booth.
09:20And I was able to make it.
09:22It's a traditional kiri-dansu technique called kiri-dansu, where you pull out a piece of wood and insert a drawer into it.
09:30It's a technique called kiri-dansu plus art.
09:34It's a technique that uses a lot of techniques such as adjusting the drawer and making a straight line and a straight angle.
09:41For me, it's a big step to cut out a kiri-dansu and make a drawer.
09:50There are so many craftsmen that amaze me every time I see them.
09:53At the site of making things, I can learn a lot about the passionate thoughts of craftsmen I don't know.