それ、１００年前から行列でした！～その起源、明治にあり！～ 2025年3月23日 小山慶一郎＆松丸亮吾が明治時代にタイムトリップ！ “アレ”のルーツがわかる歴史バラエティー！
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TVTranscript
00:01In the Meiji era, a new era of Japan has begun.
00:05There, the origins of modern culture are revealed.
00:10When you find a line of people standing in a line from a hundred years ago,
00:15it's a time trip to the moment of civilization.
00:19This is going to be good.
00:21A meat dish from the Meiji era.
00:25In the birth story, a super famous person...
00:28What?
00:31And...
00:33Thank you all for coming!
00:36In the Meiji era,
00:39a popular idol from Meiji gave birth to the phrase...
00:43You can't lose to a taxi like this.
00:46And...
00:48I want to build a hotel like a jewel.
00:51The new building of the Imperial Hotel.
00:53In the shadow of glory, there is a grand story.
00:58He's just a con artist.
01:02A story that happened in the Meiji era, turned into a drama.
01:07It's a miracle that a person can be seen in front of a building.
01:12That's right.
01:14That was a line of people from a hundred years ago.
01:18The origin of that is in Meiji.
01:23The origin of Meiji
01:29The stage is the Meiji Village Museum in Inuyama City, Aichi Prefecture.
01:36The building is built around the Meiji era.
01:41While touching the building that is over 60 years old,
01:45you can experience the origin of modernity.
01:48This year marks the 60th anniversary of its demolition.
01:53Have you ever been here?
01:56I've been to the Imperial Hotel.
01:59I like buildings like that.
02:02I've been here a lot.
02:04Actually, I set up a riddle in the Meiji Village.
02:07That's right.
02:09There are two guides today.
02:11That's right.
02:13It's a place where you can get a job or go on a school trip.
02:18What is that?
02:20It's lined up.
02:21There are people who look like Meiji.
02:23There are people who look like Meiji.
02:25What is this place?
02:27Ooi Beef Shop
02:29Beef shop?
02:31This is a shop that has been in business in Kobe for four years.
02:38This building, which was built as the second store,
02:42has a Western-style architectural style.
02:45The entrance is decorated with Japanese-style furniture.
02:54Here in the Meiji Village, you can eat Meiji-born meat dishes.
03:01If you enter, you go to Meiji, right?
03:04Matsumaru, do you want to go on a time trip?
03:07I'll enter.
03:09Yes, please.
03:10Here we go.
03:12That meat dish is now a national dish.
03:17Actually, it wasn't loved at all when it was born.
03:24It was a super big thing that everyone knew that changed the situation.
03:31A time trip to the origin of meat dishes that bloomed with the decline of civilization.
03:36Beef Shop
03:39It's a meat shop, right?
03:41What is that meat dish?
03:46Good meat.
03:48Is it sukiyaki?
03:50It's a beef hot pot called sukiyaki.
03:53I see.
04:01It's a style I've never seen before.
04:04Really?
04:06It's not divided into several times.
04:09It's not just one piece.
04:12The building itself is from Kansai.
04:15The seasoning is from Kansai.
04:26It smells good.
04:29It smells good. It smells like delicious meat.
04:32I can smell the good smell of fat.
04:37Wow.
04:40Isn't it amazing?
04:43Now, it's an image of home cooking.
04:46In the old days, it wasn't something that could be made at home.
04:49It's been 30 years since it was made at home.
04:51It's not an image.
04:53It's quite a lot.
04:55It's a good era.
04:57You can eat sukiyaki anytime.
05:00That's right.
05:01The sukiyaki was born in Meiji.
05:05It's a beef hot pot.
05:07Let's taste it.
05:16It looks delicious.
05:18It looks delicious.
05:20It's delicious.
05:22The sweetness and umami are excellent.
05:26The rice is here, so let's eat it.
05:28It's luxurious.
05:29Excuse me.
05:37It looks delicious.
05:39It must be delicious.
05:42It's delicious.
05:45How did the sukiyaki hot pot come to be?
05:53It started in Keio in the Edo period.
05:59He is Kahei Nakagawa.
06:01He was the one who started selling beef hot pot.
06:05At that time, he worked as an apprentice cook at a Chinese restaurant in Yokohama, England.
06:10Since then, he has been selling beef to foreigners.
06:16He is a foreigner.
06:18Kahei suddenly became famous.
06:21Foreigners eat meat, so Japanese can eat it, right?
06:27Everyone thought they would eat meat.
06:32In fact, there was a ridiculous law in Japan at that time.
06:37That is the prohibition of meat eating.
06:41I didn't know that.
06:43Emperor Tenmu, who had a strong belief in Buddhism in 675,
06:48prohibited meat eating based on the doctrine that animals should not be killed.
06:56Therefore, he didn't eat meat for about 1,200 years.
07:03How did he cook the meat that was absolutely forbidden?
07:10First of all,
07:13simply grilled meat.
07:16However,
07:19It doesn't look good.
07:22Nowadays, even the smell of the fat of grilled meat is considered a bad smell.
07:30That's why Kahei used it.
07:34It was the seasoning that everyone was familiar with.
07:40The smell is gone.
07:42The smell is gone.
07:44That is
07:46miso.
07:48At that time, it was also used to remove the smell of fish.
07:53So at first, it was called miso flavor.
07:59This is how the beef hot pot, which is the root of Sukiyaki, was born.
08:04Add green onions to remove the smell.
08:06In addition, soy sauce and sugar were added to adjust the taste.
08:14It looks like beef stew.
08:21In this way, Kahei opened a beef hot pot restaurant.
08:27He believed that even in a world where meat was forbidden, it would definitely come to life.
08:33Then, what about the people on the street?
08:37It smells good.
08:39I thought it was rice.
08:43Cow?
08:47In the era of meat equals taboo,
08:50no matter how delicious it smelled, no one wanted to eat it.
08:54No one wanted to eat it.
09:01But what about the customers who came?
09:16At that time, there were only rare customers and bad-looking customers.
09:21There was no response at all.
09:27One day, a super big guy came to the store.
09:35Welcome.
09:39I came to eat.
09:42The founder of K-Food, Yukichi Fukuzawa.
09:46He came suddenly.
09:49How is it?
09:53It's delicious.
09:55Try it.
09:57In fact, there is a theory that Fukuzawa was already eating meat at the London Expo held in the UK.
10:05From now on, Japanese people have to eat meat and grow up like foreigners.
10:11In the midst of this, the aging of K-Food and young people began to appear.
10:18In addition, Tenkin, who supports beef hot pot,
10:23even ate meat at the Meiji Tendo.
10:29And in the 4th year of Meiji, the ban on meat eating was also abolished.
10:33And in the 4th year of Meiji, the ban on meat eating was also abolished.
10:39It was a time of great meat eating.
10:45In addition, that meat dish was also born in Meiji.
10:51Gyudon.
10:52This is the best.
10:53I'm glad.
10:54The beef hot pot restaurant is a dish that came to mind after the price competition.
11:00People who think about gyudon are geniuses.
11:04Kahei Nakagawa, who created such a beef hot pot.
11:08In fact, he is also the first Japanese person to post an ad in a Japanese newspaper.
11:15In addition.
11:16He is also active and amazing.
11:18He is a person who invented the frozen technology of food.
11:22That leads to Michiruya, which is famous for frozen food.
11:26Is that so?
11:28He is a genius.
11:29It's amazing.
11:30He noticed the situation.
11:32Next, let's go to the building on the 4th floor.
11:38But before that.
11:40There are some words born from Meiji.
11:47Konpa.
11:48Konpa?
11:49Konpa.
11:50Isn't that a recent word?
11:51It seems that it means that students in the Meiji era deepen their friendship with their classmates.
11:58Suddenly, a mischievous feeling disappears.
12:00That's right.
12:03The word society is Meiji.
12:06That's right.
12:07When I tried to translate the English word society, it didn't fit into Japanese.
12:11So I made a new word for it.
12:13Please don't go up the information.
12:18It's amazing.
12:20There are a lot of people lined up.
12:21There are people I saw earlier.
12:24What is this place?
12:28Can you read this?
12:30But it says Gofukuza.
12:33It's Kurehaza.
12:34Kurehaza?
12:36It was held in Ikeda City, Osaka in 1925.
12:39It is an important cultural festival in Japan.
12:43And this is it.
12:45What time is the performance?
12:48Sorry to keep you waiting.
12:49Please come in.
12:50Watch your step.
12:52Watch your step.
12:55Is it okay?
12:56I don't have any money.
13:01It's okay.
13:02Is it okay?
13:04That was close.
13:05Only Mr. Koyama got out of the way.
13:08A time trip to Shibai Goya in the Meiji era.
13:12And then...
13:13Everyone, thank you for coming.
13:17An idol in the Meiji era?
13:21After a long time of popularity, a new word was born.
13:25Podohodoni.
13:27What?
13:29Even modern people will fall in love with it.
13:31It's the origin of the Oshikatsu culture.
13:37What is this?
13:40It's a stage.
13:41Wow.
13:42It's magnificent.
13:44Wow.
13:46It's like a square.
13:48It's a square seat.
13:50Four people can sit in one square.
13:54There are two floors, so 400 people can sit in total.
13:58Wow.
13:59This is the flower path.
14:01Can I go through?
14:02Mr. Koyama often goes through the flower path.
14:04There is a flower path at the concert.
14:06You can almost touch it.
14:08It's close.
14:09This is good.
14:11If the news was held in this venue, it would be a big deal.
14:14This is good.
14:15Let's go.
14:16The stage.
14:18Wow.
14:19It's amazing.
14:20It's cool.
14:22From here, you can see the audience's faces clearly.
14:25It's close.
14:26It's a good stage.
14:27I think the audience will be satisfied.
14:31Then...
14:34Is it going to start?
14:36Can I sit here?
14:37If you sit here, you will be cut off.
14:39Are you okay?
14:41Wow.
14:43Thank you for coming.
14:47Wow.
14:48Wow.
14:50Wow.
14:52In the 1920s, there was an actress named Daiyu Onna who played shamisen and told a story.
14:59She was popular as an idol.
15:02There were 115 actresses at that time.
15:07Natsume Soseki and Shiga Naoya were also addicted to Daiyu Onna.
15:15For Shiga Naoya, he sent fan letters and posted posters in his room.
15:20He was very popular.
15:25And from the popularity of Daiyu Onna,
15:29the word that represents Oshikatsu was born.
15:34Fan.
15:35Fan.
15:36I think that's right.
15:37Fan.
15:38Isn't it chasing?
15:41Let's see the answer.
15:43Yes.
15:50This way.
15:51This way.
15:52This way.
15:53This way.
15:54This way.
15:55This way.
15:56This way.
15:57This way.
15:58This way.
15:59Thank you for always chasing me.
16:02But don't chase me too much.
16:07So,
16:09it's chasing.
16:10It's amazing.
16:11It's amazing.
16:12I think there were some people who were passionate about chasing.
16:15There was a woman who followed him to his house and even helped him with the housework.
16:19Wait a minute.
16:20No, no.
16:21She followed him to his house and helped him with the housework.
16:24She went into his house.
16:25She went into his house.
16:26And she chased him from the figure of chasing a passenger car.
16:32I see.
16:33I can't lose to a taxi like now.
16:35That's right.
16:36I can't lose.
16:38There was a scandal with a woman who was the most popular actress.
16:47Hide.
16:51There was a time trip in the scene of such a scandal.
16:56Isn't it a weekly article?
16:57It's an article.
16:58I think it's somewhere.
17:02Oshikatsu culture was born in the Meiji period.
17:07There was a scandal with a woman who was the most popular actress.
17:16I can't see it.
17:17Wait a minute.
17:18Can I see it?
17:19Can I see it?
17:20I wanted to see it.
17:22I want to see it, too.
17:24This woman is Ayanosuke Takemoto.
17:28She was the most popular actress.
17:30At that time, she sold hundreds of bromides a day.
17:34When this man appeared on the stage, all the women around him were mesmerized.
17:39He was a very popular man.
17:42But he was a fan of that man.
17:46He was the man who chased her.
17:47He fell in love with her.
17:49The fan is the best.
17:51In the midst of that, there was a scandal.
17:54Isn't it a weekly article?
17:55It's an article.
17:56I think it's somewhere.
17:59Hide.
18:02Is she hiding?
18:04She's not here.
18:08The man in the high-cut.
18:09The man in the high-cut.
18:11I'm sorry.
18:14I heard there's a man who's in love with Ayanosuke.
18:21Have you seen it?
18:23Where is it?
18:24I haven't seen it.
18:25I haven't seen it.
18:26I'm suspicious.
18:28I haven't seen it.
18:29Maybe she's not here.
18:30Maybe she's over there.
18:35You'll be found out.
18:37You'll be found out.
18:38What were you going to do if you were found out?
18:40I'm glad you didn't find out.
18:43At this rate, you'll be in trouble.
18:47I'm going to the U.S. until this war calms down.
18:51Are you going to the U.S.?
18:53Don't say that. Take me with you.
18:55Until it calms down.
18:56You stay here.
18:58Okay?
19:00Okay.
19:01That's fast.
19:04I'll wait for you.
19:05I'll wait for you forever.
19:09Let's go.
19:12Are you going to the U.S.?
19:14Don't say that.
19:15I'm sorry.
19:16You'll be found out.
19:19After five years of long-distance relationship, they got married.
19:25It's a custom to get married with a fan.
19:32The next destination is...
19:35The next destination is here.
19:38Here.
19:39There's a queue.
19:40Everyone is here.
19:43This is...
19:44It's magnificent.
19:45This is the Central Entrance of the Imperial Hotel.
19:50It's magnificent.
19:51It's magnificent.
19:53It was built in 1923 in the 12th year of Taisho.
19:58It was demolished on the day of the Great Kanto Earthquake.
20:04It's a miracle that it's still here.
20:09They often moved here.
20:11That's right.
20:12They left it here.
20:14This is called the Light House.
20:18It was designed by a famous American architect, Frank Lloyd Wright.
20:25The eight buildings he built are a world heritage.
20:31This is the Central Entrance.
20:33It's already cool.
20:35It's cool.
20:36It's amazing.
20:40It's spacious.
20:43It's amazing.
20:44I can feel the history.
20:46It's quiet.
20:47I'm fascinated.
20:51Each building is different.
20:54That's right.
20:55Each building has a unique design.
20:58It must have taken a lot of time to build each building.
21:02It's amazing.
21:05The Imperial Hotel Light House.
21:09It was said that it would be difficult to complete the building.
21:15Will it really be completed?
21:17The Light House is the face of the Imperial Hotel.
21:20We'll complete it no matter what.
21:24Hayashi Aisaku, the manager of the Imperial Hotel, is holding the key.
21:31He pushed the construction of the Light House forward.
21:36And...
21:38Mr. Hayashi.
21:41Thank you for coming all the way here.
21:47The man with the mysterious stone bowl.
21:50Kichinosuke Kisada.
21:54If these two hadn't met, the Light House might not have been completed.
22:01And if these two hadn't met, the sad ending might not have come.
22:09I want to build a hotel like a jewel.
22:12The Imperial Hotel Light House.
22:16A grand story in the shadow of glory.
22:19A time trip.
22:21He's just a con artist.
22:26In 1842,
22:29when the news of the assassination of Ito Hirobumi, the first Prime Minister, was making a ruckus in the world,
22:37the Imperial Hotel was in disarray.
22:42In fact, it was built for foreigners as a luxury hotel,
22:46but there were still few foreigners coming to Japan.
22:52The person who made such a situation was...
22:57Shibusawa Eichi, the father of modern Japanese economy.
23:03He was the first president of the Imperial Hotel, and was well-known for his management at the time.
23:10Shibusawa requested a meeting with a man.
23:17Nice to meet you. My name is Hayashi Aisaku.
23:21Hayashi Aisaku. He was 36 years old at the time.
23:26I'd like to make a request to Mr. Hayashi for the sake of Japan.
23:30What do you think?
23:33I have one condition.
23:36Consider me as Hayashi Aisaku's Imperial Hotel.
23:40I want you to take care of everything.
23:43At the time, Hayashi was a small business man dealing with Asian art in the United States.
23:50Shibusawa noticed Hayashi, who was entering a first-class hotel overseas to do business with the O.S.A.
23:59And Hayashi was actually the founder of a famous service that represented the Imperial Hotel.
24:09Let's create a new land leave.
24:12Land leave?
24:14That's right. That will be the star of the hotel.
24:18In fact, the Imperial Hotel started the land leave service of the hotel.
24:23In the Meiji era, when sailing was the mainstream,
24:26a service that no one noticed that the hotel was washing the clothes of the guests who needed a large amount of clothes.
24:34In addition, Hayashi's idea was to name the service as a luxury bread and the hotel was to bake bread.
24:43In addition, there were other hotel services that were born at the Imperial Hotel.
24:48You don't have to stay overnight.
24:51You don't have to stay overnight.
24:55I see.
24:57It's Viking, right?
24:58That's right.
24:59Viking.
25:00The Imperial Hotel was born.
25:03The name is really unexpected.
25:05I just took it from a popular pirate movie at the time.
25:10Viking is really a pirate.
25:13It doesn't mean to eat.
25:15I took it from a pirate movie.
25:18Also, hotel weddings and dinner shows were held in Japan for the first time at the Imperial Hotel.
25:27There are a lot of things that started at the Imperial Hotel.
25:29There are a lot.
25:30It has been running the industry for a long time.
25:33In addition, the manager at the time, Hayashi, also reformed the financial system such as buying and selling hotels.
25:40He rebuilt the management in just three years and started a project.
25:47I see.
25:51The current Imperial Hotel doesn't have a place for guests.
25:57No matter how good the service is, I feel that something is missing.
26:05So, I'm thinking of building a new building.
26:10Yes, it's a new building.
26:14Japan has been colonized for a long time.
26:18The culture of luxury is still incomprehensible.
26:22It was known as the monkey imitation of the West.
26:26In the meantime, Hayashi aimed for a hotel with a luxury room.
26:32The architect Frank Lloyd Wright relied on it.
26:38Hayashi, who had a good reputation during the Shoshaman era, asked for a new building in this era.
26:46However, it was the beginning of a big trial for the genius architect Lloyd.
26:58What arrived as a sample from Lloyd was a yellow brick.
27:05How should I prepare it?
27:08At that time, when it comes to bricks,
27:11the Yokohama Red Brick Warehouse in Meiji 44,
27:16Tokyo Station in Taisho 3, etc.
27:20When it comes to bricks, red ones.
27:24However, Lloyd said that he wanted to use yellow bricks, which he had used in the United States.
27:30And the number of bricks was 2.5 million.
27:37It costs a lot of money to import.
27:42Have you ever heard of a craftsman who makes yellow bricks in Japan?
27:49No, I haven't.
27:51In a world where red bricks are the mainstream, it was difficult to find yellow bricks.
27:57At that time, a savior appeared.
28:01Mr. Murai.
28:03You look tired.
28:05Mr. Murai.
28:07Mr. Murai Kichibe, who was the manager of the Imperial Hotel at that time.
28:11He was a tobacco king who made a fortune by selling tobacco.
28:15Have you ever seen a yellow brick?
28:18No.
28:20My room was yellow.
28:22Really?
28:24In fact, the Murai's villa, Chorakukan, was built in Meiji 42.
28:31A yellow brick was used in this mansion in Kyoto.
28:37In order to meet the craftsman who made the brick, Hayashi went to Tokoname in Aichi Prefecture.
28:46Tokoname has flourished as a city of trade since ancient times.
28:51In the Meiji era, a lot of clay production was carried out to maintain the city's upper and lower waterways.
28:58I see.
29:00Mr. Hayashi.
29:02Thank you for coming all the way from far away.
29:08Hello.
29:11My name is Kichinosuke Hisada.
29:14Thank you for calling me on this trip.
29:17Kichinosuke Hisada.
29:22This man is the only person in Japan who can make a yellow brick.
29:29Nice to meet you.
29:30However...
29:34Mr. Hisada, this is...
29:38He didn't have a right arm.
29:41He didn't have a right arm.
29:42I see.
29:46I'm so embarrassed.
29:48My old injury has healed.
29:51But I have confidence in my arm, so don't worry.
29:58This way, please.
30:07This is our factory.
30:09You have a great factory.
30:11Yes.
30:14What are you talking about?
30:16Actually...
30:20I'd like you to make a yellow brick like this.
30:24I can make it right away.
30:27Really?
30:28Yes.
30:29But this brick is wonderful.
30:32With this line, the impression of rugged bricks is softened.
30:38And with the movement of the sun in the deep water, I think I can make a good shadow.
30:46Wait a minute.
30:51You love bricks, don't you?
30:52Yes.
30:58This is the soil to make a yellow brick.
31:05Mr. Hisada.
31:06Mr. Hayashi, how do you like it?
31:08Why?
31:09I'm fine.
31:12This is the soil I finally got.
31:14Mr. Hisada.
31:17I'd like you to make a brick of the Imperial Hotel.
31:21Can you do it?
31:22Of course.
31:24But...
31:26I have to get a commission for preparation.
31:29Of course.
31:30First, can you ask for a prototype?
31:32Yes.
31:34All right.
31:36I'll do my best to make it.
31:40In this way, Mr. Hayashi paid the commission and signed a contract with Mr. Hisada.
31:48However, there is a sentence about Mr. Kichinosuke Hisada.
31:59What does it mean?
32:02It's a lie.
32:04No, no, no.
32:05It's a lie.
32:06He's the only one.
32:11Mr. Hayashi's work has arrived at the Imperial Hotel.
32:16The craftsman who makes yellow bricks, Mr. Kichinosuke Hisada.
32:22In the sentence written by Mr. Hisada in the late years,
32:26what does it mean?
32:31What does it mean?
32:35He was a craftsman.
32:37Where did he get the idea?
32:40He paid the commission and signed a contract with Mr. Hisada.
32:43It's a fraud that he didn't make it with the money he got.
32:47This light tube is made now.
32:50What is a fraud?
32:52The light tube is made of brick.
32:55It's been three months since he asked Mr. Hisada to make bricks.
32:59Hey, you.
33:00Did you receive any package from Mr. Hisada?
33:03No, not yet.
33:06What a surprise!
33:07The brick hasn't arrived from Mr. Hisada yet.
33:12It's strange.
33:13He immediately went to Mr. Hisada.
33:19Mr. Hisada.
33:21Mr. Hayashi.
33:22Why are you here?
33:24What's going on with the bricks?
33:27There is no coal.
33:29No coal?
33:31I'm very sorry.
33:36I made a lot of debt with the development of yellow bricks.
33:41Mr. Hisada said that he couldn't get coal until he paid the debt.
33:48I see.
33:49I'm sorry.
33:51This time, I'll deliver coal to you instead of money.
33:55That's better.
33:57I'm sorry.
33:59Mr. Hayashi, I'm sorry.
34:03Anyway, please come to me as soon as the coal arrives.
34:08I'm leaving.
34:09Mr. Hayashi was relieved that he could get the yellow bricks.
34:17It can't be true.
34:20It's a reliable source of information, so I don't think it's a mistake.
34:24Mr. Hisada sold the coal.
34:28Oh, no!
34:31Mr. Hisada sold the coal he got from Mr. Hayashi.
34:36That's terrible.
34:39For Mr. Hayashi, who thought he was a hard-working craftsman,
34:43it was a betrayal.
34:47The design is going well.
34:49The start of the construction is approaching.
34:54Mr. Hayashi, is the new building plan going well?
35:01Everything is going well.
35:03That's good.
35:05I look forward to working with you.
35:09If he can't prepare the yellow bricks, the plan will be in vain.
35:16So, Mr. Hayashi invested more money
35:19and set up a brick factory in front of the hotel.
35:25He also sent his employees as managers
35:28to manufacture the yellow bricks by themselves.
35:34However, no matter how much he worked with the same soil as Mr. Hisada,
35:40the finished product was reddish brown.
35:44I was deceived.
35:47Ah...
35:50What should I do?
35:54At this rate, the new building plan will be in vain.
36:04Mr. Hayashi, who was driven into a dead end,
36:06had no idea...
36:11Come in.
36:13Excuse me.
36:15What are you doing?
36:16What did you do to Mr. Hisada?
36:22The Imperial Hotel was built by himself and sent to his employees.
36:29However, even after all that,
36:33the yellow bricks were not burnt.
36:35Mr. Hayashi, who was driven into a dead end,
36:37had no idea...
36:43Come in.
36:45Excuse me.
36:47What are you doing?
36:49What did you do to Mr. Hisada?
36:52The one who appeared was an employee who was supposed to be dispatched.
36:56Why me?
36:57I didn't intend to make it from the beginning.
37:00Why?
37:01I didn't intend to make it from the beginning.
37:04What do you mean?
37:06When I came to him, he said,
37:07I don't care about you. I have my own ideas.
37:11He said he didn't understand anything.
37:14Mr. Hayashi, we were deceived by him.
37:18Mr. Hisada was just a con artist who was trying to make money from the beginning.
37:24Half a year has passed since he asked Mr. Hisada.
37:27Considering the situation,
37:29it's hard to say that he was deceived.
37:33He sold the bricks.
37:35Can a person who really can't burn bricks make such an expression?
37:42Mr. Hayashi couldn't forget Mr. Hisada's expression
37:45when he was facing the yellow bricks.
37:50I'll talk to Mr. Hisada.
37:54Mr. Hayashi, you're late.
37:55Mr. Hayashi, you're late.
37:57In order to get Mr. Hisada to take responsibility up to this point,
38:00I confiscated all the equipment in the factory.
38:04What did you do to me?
38:08Surprisingly, the only possibility of burning the yellow bricks
38:11by destroying the factory in Hisada was gone.
38:18Mr. Hayashi, it's not just a matter of perfection, but also a matter of responsibility.
38:22Let's ask other more talented craftsmen to make it.
38:25If you don't mind, can you ask Light to make the red bricks?
38:27What are you talking about?
38:29It has to be the yellow bricks.
38:36The yellow brick hotel designed by Light.
38:40It was already something that Hayashi couldn't give up.
38:52Mr. Hayashi, you're late.
39:05Isn't that Mr. Hayashi?
39:08Mr. Hisada.
39:10There was a Mr. Hisada who looked like a different person
39:13from the one Hayashi knew.
39:22Mr. Hisada, why don't you make it?
39:27What are you talking about?
39:31I'm sorry for stealing the factory.
39:35But considering what you've done,
39:38I have no choice but to treat you as a criminal.
39:47But...
39:51I'll tell you as an individual now.
39:55When I first met you,
39:58I was impressed that there was a craftsman
40:01who had such a brilliant expression.
40:04I want to make a hotel like a jewel
40:08wrapped in yellow bricks that you said you could burn.
40:14I'll burn it today.
40:17If you're a real craftsman,
40:21I want you to show yourself.
40:40If Mr. Hisada cooperates with me,
40:43the yellow bricks may be burned.
40:47If not...
40:49I have no choice but to give up.
40:58Then...
41:00Hey, what are you doing?
41:06When I rushed in, something terrible happened.
41:09Hey, what are you doing?
41:13You bastard!
41:15What are you doing?
41:16Don't touch me!
41:17Stop it!
41:18What are you doing?
41:19Don't touch me!
41:20Stop it!
41:21Don't touch me!
41:22Hey!
41:27You...
41:29The one who was there was...
41:32He's here.
41:33Hisada.
41:35He's here.
41:36That bastard Hisada...
41:38He sneaked into the factory and did something.
41:41What?
41:46No way...
41:48What?
41:52What?
41:55The brick kiln was broken.
41:58What?
42:13The culprit who broke the kiln was Hisada.
42:19However, there was something unexpected in the debris.
42:25That is...
42:27What?
42:34After going through the yellow bricks, Hisada finally set fire to the kiln.
42:40However, there was something unexpected in the debris.
42:46That is...
42:49What?
42:50It was a beautifully burned yellow brick.
42:56It's yellow!
42:57It's yellow!
42:58Mr. Hayashi!
42:59It's yellow, Mr. Hayashi!
43:00It's a yellow brick!
43:02It's done.
43:03Mr. Hayashi, it's done!
43:05Many betrayals have been committed by Hisada.
43:08Many betrayals have been committed by Hisada.
43:11Among them, the yellow brick found from the kiln.
43:16What on earth is this?
43:20It's too mysterious.
43:22In fact, no evidence has been found to prove the truth of Hisada's actions.
43:30However, Ms. Kato, who has been investigating Hisada...
43:34Making a hole in the kiln and putting air into it was the way to burn the yellow brick.
43:43The Imperial Hotel had a rule that if the temperature of the kiln was constant,
43:49the air would be blocked and burnt.
43:54But now, it's turned reddish brown.
43:59On the other hand, Hisada continued to circulate the air at a constant temperature,
44:04creating a yellow brick.
44:09But why did Hisada not tell the Imperial Hotel how to do it?
44:14Why did he go on such a rampage?
44:18He was cut off in just three months.
44:22I was wondering why he didn't tell the person who was fired.
44:27It's true that Hisada was the only one who couldn't burn the yellow brick.
44:32He showed himself how to do it.
44:34He showed that he was the only one who could burn the yellow brick.
44:41What about selling the coal he got from the kiln?
44:46Considering the manufacturing industry at that time,
44:49Hisada thought it would be a good idea to pay back the debt and buy coal again.
44:57Hisada was a craftsman who made complicated sculptures called terracotta.
45:05The world of mass production was unknown to him.
45:09So, as usual, Hisada prepared the soil and tools,
45:13and made a special kiln.
45:16Hisada did everything from the beginning.
45:21But it took a long time.
45:27On the other hand, the Imperial Hotel was in a period of modernization,
45:30and bricks could be mass-produced.
45:35As soon as he found a craftsman named Hisada,
45:38he thought he would have a lot of bricks.
45:42But Hisada's actions seemed like a man who didn't work for money,
45:49from the point of view of the Imperial Hotel, which didn't know business.
45:55The misunderstanding that each other was natural
46:01was the original famous fraud.
46:08And the real reason why Hisada broke the kiln.
46:13The appearance has changed completely.
46:15The birth was a miracle.
46:25The real reason why Hisada broke the kiln.
46:29That is...
46:31It was before I kept my promise with Hayashi.
46:36He was trying to keep his promise with Hayashi to make yellow bricks.
46:42Maybe that's why.
46:44I don't know.
46:50In 2012,
46:52a light can with about 2.5 million pieces of yellow bricks was completed.
46:59The beautiful appearance shining in yellow was called the Jewel of the East.
47:06Without seeing the shine,
47:09Hisada left this world a year after the conflict.
47:16And Hayashi also took responsibility for the fire that occurred at the Imperial Hotel,
47:22and replaced the completion with a year later,
47:24and made the manager a Jewel of the East.
47:28The Imperial Hotel Light Can still shines in Aichi.
47:35Behind the birth,
47:37there were two people who shared several fates.
47:43We must not forget that.
47:47The birth of this building was a miracle.
47:50That's right.
47:51The Meiji period was a period of many changes,
47:55so many things have changed.
47:57I learned that I still had a long way to go.
48:01I only focused on the building,
48:03but when I look at the people and the story behind it,
48:07it's interesting to see the Meiji era.