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00:00The opening scene of this episode is when he jumps out of the studio.
00:06I'm at Nara Park right now.
00:09The reason why I'm at Nara Park is because I played Tomoya Harada,
00:15the wife of Tomoya, in the 35th anniversary of Love Letter.
00:19This bench was used for that scene.
00:22Tomoya was sitting here.
00:25You ate 5 of the 8?
00:27I'm sorry.
00:29I'm sorry.
00:30Don't hate me.
00:32I'd rather die.
00:33I'm scared.
00:35It was a good scene.
00:39Mr. Tsurube.
00:40What are you doing?
00:44Was it here?
00:45It was used for that scene.
00:48It was a great scene, wasn't it?
00:50It was a great scene.
00:53More.
00:56It's okay. I can do it.
00:58I'm Tomoya Harada.
01:00I'm Tomoya Harada.
01:02I'm Tomoya Harada.
01:09This scene.
01:10The two of us.
01:11I ate a lot.
01:14Tomoya got angry.
01:18You ate 5 of the 8?
01:21How do you know?
01:22You usually eat 4 of them, right?
01:25Why did you eat 5 of them?
01:30You're mean.
01:32You're mean.
01:36You hate food.
01:37You're scary.
01:39I'll die and come out.
01:45I want you to show the atmosphere.
01:47What?
01:49Do it again.
01:51Okay.
01:52What was that?
01:57Mr. Tsurube.
01:59Hello.
02:01It was here.
02:02It was the love letter for the 35th anniversary.
02:05It was a great scene.
02:06I use this place a lot.
02:08Do you use it a lot?
02:09I've been here many times.
02:11There's a deer here.
02:13There's a deer here.
02:14You ate takoyaki here.
02:16Yes.
02:17I ate takoyaki.
02:19Then, a deer came.
02:21Then?
02:23You know what happened, right?
02:25What?
02:26What happened?
02:27You ate too much.
02:28What happened?
02:29You know what happened, right?
02:33You shouldn't use that tone.
02:35Really?
02:36You should use Tomoya's tone.
02:42A deer.
02:43Oh!
02:45There were 8 of them.
02:47You ate 5 of them, right?
02:51You ate less for me.
02:55I'm afraid of the hatred of food.
02:57I'll die and come out.
03:01It's a creepy Osaka accent.
03:02Is this okay?
03:03Is this okay?
03:04It's the Osaka accent that most Kansai people hate.
03:07Really?
03:09I imitated it a little.
03:10But it was a good scene.
03:12I've seen this scene a few times.
03:14You've seen it a few times, right?
03:16When you were young.
03:17You shouldn't say that.
03:19You don't have to say that.
03:21You can tell by looking at the poster.
03:24There are times when I laugh, but I also cry.
03:27You cry?
03:28Yes.
03:32They came all the way to Nara Park.
03:37Wait a minute.
03:38Don't bite me.
03:40Don't bite me.
03:43Don't laugh.
03:44I got it.
03:45Stay.
03:47Wait.
03:48No, no, no.
03:49This time, we have invited a great senior of the Showa period
03:54who played a big role in the movie Love Letter.
04:04Am I a deer?
04:06Let's take a look.
04:10Today's guest is Takashi Sasano.
04:13Welcome.
04:14Thank you for coming.
04:15You two have met before, right?
04:16Yes, yes.
04:17There's a Kanzaburo here.
04:20I went to see it after I left Kokun.
04:23That's how I got close to it.
04:25I've only seen you in private.
04:27Yes, yes.
04:28Is that so?
04:29This is my first time working with you.
04:30Is that so?
04:31So I'm not involved in the movie.
04:36I see.
04:37Is there a scene where you two appear together?
04:38No.
04:39There's a video of it.
04:40Let's take a look.
04:42I can't read and write.
04:44I can't even write my own name properly.
04:50A husband who can't read and write.
04:52Shall we read?
04:53A wife who supported him by his side.
04:55My hands were numb today.
04:57I've been lying to my mother all the time.
04:59Lie?
05:00Are you seeing her?
05:01I can't read and write.
05:03I just need to see her.
05:06I've always felt sorry for lying to her.
05:09But I've always wanted to be with her.
05:13Can you teach me how to read and write?
05:16Can I join you?
05:17It's okay.
05:18I'll teach you from the beginning.
05:20I can't read and write.
05:21It's too late now, but I want to be able to read and write.
05:25I want to repay my wife for her hard work.
05:30I'll write a love letter to my wife.
05:36I want to make a love song.
05:43I thought she was happy to marry me.
05:46No.
05:49Sorry.
05:50I can't do anything normal.
05:52I can't help it.
05:54I'm a liar.
05:55From today, I'll be in your hands.
05:59I don't think it's enough.
06:02I'm looking forward to the love letter.
06:05Kyoko!
06:07I'll send my heart and soul to you, who has always been by my side and supported me.
06:13I'm happy.
06:15Thank you so much.
06:17Thank you, San.
06:19The 35th Love Letter
06:23And today's guest, Takashi Sasano, who had an overwhelming presence in the work.
06:32I'll make you an omelet.
06:41Wait a minute!
06:43Oh, this is Yamabiko, too.
06:47You speak Kansai dialect, don't you?
06:50Yes, I do.
06:51You're good at Kansai dialect, aren't you?
06:53I'm bilingual.
06:55Bilingual.
06:57I'm from Awaji Island, so I can speak Kansai dialect.
07:00You're a funny guy.
07:04That's great.
07:05I'm Sasanobuchi.
07:07You're funny.
07:08Do it.
07:10Why?
07:11Hey!
07:13You're a weirdo.
07:16There are people like that, aren't there?
07:19You're not my wife.
07:21Why are you doing this to me?
07:24It's funny.
07:25It's funny.
07:27You're brave.
07:29Do it.
07:32Are you going to be a movie star?
07:35Tonight, the birth of the movie star, Takashi Sasano, is revealed.
07:42Sasano, do you want to be in the movie?
07:48Yes, I do.
07:49He will be co-starring with Kiyoshi Atsumi.
07:52There are many behind-the-scenes stories of the movie.
07:56Good, good.
07:57Wait a minute!
07:59Good, good, good.
08:00Good, good.
08:02It's really like this.
08:04Hello, everyone. I'm Shigeoka from U.S.T.
08:07He will also be co-starring with Shigeoka.
08:12I'm Shigeoka.
08:14I'm Shigeoka.
08:16I'm Shigeoka.
08:18I'm Shigeoka.
08:20I'm Shigeoka.
08:22I'm Shigeoka.
08:24According to the reports, Sasano has been with the royal guards at the retirement concert of the Candies.
08:32I have already been there.
08:34I work part-time as a guard.
08:38One day, I was invited to go to Korakuen, and I asked what it was.
08:44They said it was the disbanding of Candies.
08:47I didn't know much about Candies, but I thought,
08:51Oh, I've heard that song from time to time.
08:54Oh, you didn't know about Candies?
08:57At that time, I'd heard that it was playing in the city,
09:02but I didn't think it was Candies, so I didn't dance with them.
09:07The world of interest was different.
09:10So I thought, Oh, this is Candies.
09:13There's a stage in the back, and there's an intro.
09:17I went through it and peeped in.
09:21Then they said, We're going to be normal people.
09:25I thought, Oh, that's Candies.
09:29What did we say?
09:32I don't remember.
09:34We're going to be normal girls.
09:37Later on, I was there with Dan-chan and Su-chan.
09:44I guess so.
09:47I was surprised.
09:49It's amazing, isn't it?
09:51It's a place of history.
09:54It's a place where we connect with each other.
09:58Let's go back to the story.
10:01Shizuko Kasagi's Tokyo Bugi-Ugi was a hit,
10:05and the London Olympics were held in 1923.
10:13Mr. Sasano was born in Awajishima, Hyogo Prefecture.
10:21So you were born in Awajishima,
10:24and you're the youngest of four brothers.
10:28That's right.
10:30How old was your father?
10:32He was three years old.
10:34So you don't remember your father?
10:36No, I don't.
10:38I don't have a father.
10:40Did your mother raise you?
10:42My mother and my brothers,
10:44my father was a blood relative,
10:46but they all passed away.
10:48My mother passed away, too.
10:50Did she?
10:52Yes, she did.
10:53We still have a blood relative.
10:55Is that so?
10:57My mother passed away when I was 11 years old.
11:01I feel sorry for her.
11:03She passed away when I was 11 years old.
11:05I feel sorry for her.
11:07Give me something.
11:09I'll give you something.
11:11What are you giving me?
11:13I feel sorry for them.
11:15I feel sorry for them.
11:17But your oldest brother was one year older than you.
11:21Yes, he was the oldest.
11:23He was 20 years old.
11:25Your brother was raised by his father.
11:27He had three brothers.
11:29Yes, he did.
11:31What happened to your brother?
11:33He started a family business.
11:35What was his business?
11:37He was a carpenter.
11:39He was a famous carpenter.
11:41It must have been hard for him to make a living.
11:43He was a carpenter.
11:45He was a carpenter in Awaji Island.
11:47He had been doing this job for a long time.
11:49He had been doing this job since the Edo period.
11:51He was a relative of your brother.
11:53He's his brother.
11:55He's calling Sakaya-san now.
11:57Who's behind you?
11:59He's no longer in this business.
12:01What?
12:03He's gone.
12:05He was the founder of the Kobe-Awaji Daijinshai.
12:07He left behind many names.
12:09I see.
12:11Awaji Island is new to you.
12:13Yes.
12:15I see, it's been 30 years.
12:17Well, it's old.
12:19So I don't have any financial problems.
12:22I'm not financially troubled.
12:24I'm not.
12:25But you know,
12:27I'm not his father.
12:28I'm his older brother.
12:29Oh, I see.
12:31If I were his father,
12:33he'd be like,
12:34Mom, I broke my glove!
12:36I'd be like,
12:37I broke my glove!
12:38But since he's my brother,
12:39I didn't have to worry.
12:40You didn't have to worry about your brother.
12:42When I was in middle school,
12:43I was in the baseball team.
12:45I wanted a spike or a glove,
12:48but I only had my senior's off-wheel.
12:52I told him,
12:53I'm not financially troubled.
12:54I'm not.
12:55But he said,
12:56it's hard to say.
12:58So in that sense,
13:00I couldn't spoil him.
13:03Oh, I see.
13:05That was a bit tough for me.
13:08I always had my senior's off-wheel.
13:09It must have been tough for you,
13:11but as the youngest,
13:13it must have been tough for you
13:15not to be spoiled.
13:16You think so, right?
13:17Yeah.
13:18It was tough.
13:19It must have been tough for you.
13:22At the time,
13:23I thought it was normal.
13:25I didn't think it was a big deal.
13:27But later on,
13:28I realized that I didn't have to
13:30cry or be spoiled.
13:32You didn't have anyone like that?
13:33No, I didn't.
13:34No neighbors or relatives?
13:36No.
13:37You didn't?
13:38But I met him in Tokyo.
13:40My mother,
13:41who loves movies,
13:43took me to the cinema
13:44when I was little.
13:46What did you see when you were little?
13:48It was a movie called Diamond.
13:50Diamond?
13:51It was a melodrama.
13:53There was no TV.
13:55There were Kazuo Hasegawa,
13:57Fujiko Yamamoto,
13:58and Ayako Waka.
13:59Did you watch romantic movies
14:00when you were little?
14:02Yes.
14:03I cried when I saw my mother.
14:05When I was in middle school,
14:07I wondered what my mother
14:09was watching all the time.
14:11So I went to the cinema
14:13and watched it.
14:14It was interesting.
14:15Without your parents?
14:17Yes, without my parents.
14:18Did you ask for money?
14:20I didn't have money,
14:22so I asked for money
14:23from my grandmother's pocket.
14:24That's terrible.
14:26You have a lot of wisdom.
14:29In my drawer,
14:31there are bowls and chopsticks.
14:33I know that my grandmother
14:35has a pocket in there.
14:37So I asked for money.
14:39That's ridiculous.
14:41I'm sorry, grandmother.
14:43Thank you, grandmother.
14:45Thank you, Mr. Sasano.
14:47When I started going to the cinema,
14:49I thought it was interesting.
14:51I found out that
14:53the people in the movie
14:55were movie actors.
14:57I thought it was interesting
14:59and I wanted to be one.
15:01But I had that much wisdom.
15:03When I looked in the mirror,
15:05I didn't look like a movie actor.
15:08I looked like a potato.
15:10I had a lot of pimples.
15:12I was tall.
15:14The girls in the neighborhood
15:16didn't look like me.
15:18I thought I wasn't good enough
15:20to be a movie actor.
15:22At that time, movie actors
15:24were all sweet guys.
15:26They were all sweet guys.
15:28Behind the weekly magazine,
15:30there was a poster of New Face.
15:32What's that?
15:34He's over 180 centimeters tall.
15:36He's under 25 years old.
15:38He's an old man.
15:40He's not 180 centimeters tall.
15:42There's no one around him.
15:44But he's a good actor.
15:46Even now, he looks good.
15:48He's tall.
15:50I thought that was the condition
15:52for a star to be a movie actor.
15:54I was disappointed.
15:56That's the face, right?
15:58This is the face.
16:00I've had an old face for a long time.
16:02That's the face, right?
16:04Did you give up?
16:06I was going to give up,
16:08but I thought I could do something.
16:10So I took the poster.
16:12Then, behind the magazine,
16:14there was a poster of
16:16how to become a movie actor.
16:18It was on sale.
16:20Next to it,
16:22there was a poster of
16:24how to become a movie actor.
16:26There was a poster of
16:28how to become a movie actor.
16:30This is what I'm looking for.
16:32I took the poster.
16:34If other people see it,
16:36they'll definitely make fun of me.
16:38I don't know when I'll get the finger.
16:40I'll hide it.
16:42I opened it in my room.
16:44I read it.
16:46The cross section of the mouth
16:48and the position of the tongue
16:50are like this.
16:52It's red.
16:54It says to practice.
16:56It says to practice.
16:58It says to practice.
17:00It says to practice.
17:02It says to practice.
17:04It says to practice.
17:06I thought,
17:08if I did this,
17:10I would become a movie actor.
17:12I thought,
17:14I was deceived.
17:16I thought,
17:18I was deceived.
17:20I hid it so that it wouldn't be found.
17:22One day,
17:24I found it.
17:26Who?
17:28My third older brother.
17:30Takashi, come here.
17:32What's this?
17:34You hid it.
17:36Why are you looking for it?
17:38You hid it.
17:40It says to become a movie actor.
17:42It says to become a movie actor.
17:44Are you going to be a movie actor?
17:46You're so stupid.
17:48You can't become a movie actor
17:50with that face.
17:52What are you thinking?
17:54Think about a more decent face.
17:56What do you mean by decent?
17:58I'm Sakai.
18:00I'm Sakai.
18:02You can do all the things you can do in Osaka.
18:04You can start a new movie.
18:06If you start a new movie,
18:08what can you do in Tokyo?
18:10It's been a long time.
18:12It's been a long time.
18:14Your mouth is nice,
18:16but you're so stupid.
18:22You said you would never become a movie actor.
18:24I thought it would be a joke.
18:26I couldn't stop.
18:28But I decided to go to Tokyo.
18:30I couldn't help it.
18:31But you didn't give up, did you?
18:32You were told you were going to be an actor.
18:34At the Japanese Academy of Arts,
18:37there was a place called the Film Department.
18:39It was in Hiroshi Nihon, but it was the only one in the university.
18:43There was a theater department,
18:45but I thought this was the only place I could go,
18:48so I applied for the film department.
18:54Finally, Mr. Sasano.
18:56He's going to be a movie actor.
19:01Is Misako Sato there?
19:03Yes, she's there.
19:04Oh, Misako Sato.
19:06The ace of the film department?
19:07No, it's me.
19:09What?
19:15It's been a year since the sunset of The Spiders.
19:19It was the 41st year of the Showa era when The Beatles came to Japan.
19:25His goal is to become a movie actor.
19:29But his brother is against it.
19:35Does your brother know about this?
19:37Yes, he does.
19:38Does he know?
19:39Are you still sleeping?
19:40No, no, no.
19:41I lied to my brother that I was going to be a film director.
19:47You're really going to be a director?
19:49Yes, I am.
19:51Oh, you're going to be an actor?
19:54I see.
19:55That's a relief.
19:57Yes, I'm going to be an actor.
19:59I see.
20:00What about you?
20:01I'm going to be a director.
20:02Director, director, director.
20:04You're going to be a director from now on.
20:07Will it be decided by my face?
20:09I don't know.
20:10I think so.
20:11Movie actors are very manly.
20:15I've been wanting to be an actor,
20:18so I joined a theater club at the university.
20:22Then...
20:23You're a movie actor, aren't you?
20:25Do you play in movies?
20:26No, no, no.
20:27A movie director uses an actor,
20:30so you have to understand the feelings of the actor, right?
20:33What are you talking about?
20:35You're deceiving me.
20:36I joined the theater club,
20:38and I was lucky.
20:39That's where I joined the theater group called Jiyugekijo.
20:45That's where I met Hideko Yoshida.
20:47So you've been involved with Jiyugekijo since you were a student.
20:51Yes, I have.
20:52At Jiyugekijo,
20:53I worked as an assistant to Kodoogu and Odoogu.
20:57That's how I joined the theater group.
20:59After the show was over,
21:03I joined the theater group with Misako Sato.
21:05Oh, you were there.
21:07Yes, Misako Sato.
21:08I'm Sato.
21:09What's your name?
21:10What's your name?
21:12Ace club?
21:13No, I'm Yokusho.
21:15What?
21:17You shouldn't laugh.
21:19You're an actor?
21:22You're an actor?
21:23Don't blame people.
21:26I thought,
21:28Tokyo is a great place.
21:31Even if you say you're an actor,
21:34no one laughs at you.
21:36I see.
21:37Tokyo is a great place.
21:39I thought it was a welcoming place.
21:41But I couldn't say I was an actor.
21:44After a year,
21:46Emo and Akira joined Jiyugekijo.
21:49Emo said,
21:50I'm an actor.
21:51He said it with that face.
21:53With that face.
21:54I thought,
21:56it's time to say it.
21:59It's time.
22:00It's time.
22:01Actually,
22:02I want to be an actor, too.
22:04I said,
22:05you want to be an actor?
22:06I'll do it.
22:07No one laughed at me.
22:08It's easy.
22:09No one pointed at me.
22:10No one laughed at me.
22:11In a blink of an eye.
22:12I practiced what I could do.
22:14I practiced what I could do.
22:16I liked to make people laugh.
22:18Like a weird way to fall.
22:19Like a weird way to walk.
22:21I did that.
22:22You're stupid.
22:24You shouldn't have come.
22:25You should go to Asakusa.
22:27I didn't know much about acting.
22:29I didn't know much about acting.
22:30But Jiyugekijo was there.
22:32But Jiyugekijo was there.
22:34It's strange.
22:35It's strange.
22:36I've been there for 10 years.
22:3810 years?
22:3910 years.
22:40Where's the movie actor?
22:42I've been thinking about the movie actor.
22:44I've been thinking about the movie actor.
22:46If I started acting,
22:47If I started acting,
22:48I wanted to be a movie actor.
22:50I wanted to be a movie actor.
22:52What are you talking about?
22:53What are you talking about?
22:54What do you think acting is?
22:56P-saku and Emoto Akira
22:58stopped acting quickly.
22:59They made their own troupe.
23:01Kan Denchi and Tokyo Boy.
23:03They made their own troupe.
23:04They always invited me.
23:06They always invited me.
23:08They asked me to act in their film.
23:10They asked me to act in their film.
23:12I decided to stay there for 10 years.
23:14I decided to stay there for 10 years.
23:16Two, three years before I left,
23:18I acted in a play called Shanghai Bansuking.
23:20It was a big hit.
23:22It was a big hit.
23:24A lot of people came to see me.
23:26A lot of people came to see me.
23:28Morishi Hisae,
23:30Many people came to see me.
23:32Many people came to see me.
23:34Among them,
23:35Also, we have Mr. Shimada, the producer of Otoko wa Tsuraiyo.
23:39One day, he called me and said,
23:41I'm Shimada, the producer of Shochiku.
23:44I'm in charge of Otoko wa Tsuraiyo right now.
23:47What? You're in charge of Otoko wa Tsuraiyo?
23:49No, no, no.
23:52So, I'd like to ask you a question.
23:55Mr. Sasano, do you have any intention of appearing in Otoko wa Tsuraiyo?
24:01Yes, I do!
24:02That's quick!
24:03Of course, I do!
24:05I'm here!
24:06I'm here!
24:07I'm here!
24:08I'm here!
24:09I was waiting, but the script had not arrived.
24:13So, I called you.
24:15I've been waiting for a year or two.
24:17I'm sorry, but can I call you Mr. Shimada?
24:22My name is Sasano.
24:23Oh, Mr. Sasano!
24:25I've been talking to Mr. Yamada about you.
24:30Mr. Yamada is a shy director.
24:33He said, I don't want to use an actor I don't know.
24:37Oh, is that so?
24:39Thank you very much.
24:42I'll see you at home soon.
24:44I'm sorry.
24:46I'm lonely.
24:47That's right.
24:48It didn't come true.
24:50So, I quit the theater and started working on TV.
24:56The script I received was for a musical called Kiss Me Kate.
25:01I was told that I had a job offer.
25:03Yes, a musical.
25:05Mr. Akiko Kobayashi's love story was a hit.
25:10Hanshin Tigers became number one in Japan in 1960.
25:18Mr. Sasano appeared in the Broadway musical Kiss Me Kate.
25:26I thought it was a stage play again.
25:28I'm from the theater, so I've been doing a lot of stage work.
25:31I want to be in a movie.
25:33Yes, I'll show you.
25:35Kiss Me Kate.
25:36Who is the main character?
25:38It seems to be Chieko Baisho.
25:40What?
25:41Oh, it's here.
25:43Isn't it Sakura?
25:45It's Sakura.
25:47If I work with Chieko Baisho,
25:52I'm sure Mr. Yuyoshi Yamada will come to see the play.
25:58I see.
25:59If he sees me in the audience, he won't call me an actor he doesn't know anymore.
26:03His delusions will expand.
26:06And when the rehearsal started, I met Chieko Baisho for the first time.
26:11She's a great actress, so we started talking to each other.
26:15One day, she said,
26:17Mr. Baisho is Sakura.
26:20Mr. Baisho plays the violin on the roof.
26:23There are various musicals.
26:26I'm sure Mr. Yuyoshi Yamada will come to see the play.
26:29It's casual.
26:31No, he's never come to see the play.
26:34Are you kidding me?
26:36Because it's Sakura.
26:39Mr. Yamada has never come to see the play.
26:43He's never come to see the play.
26:46I'm sure he's busy with the next play.
26:49He's not coming to see the play.
26:52I was wondering where his delusions had gone.
26:57But it was a fun play, so I let him see the play.
27:01One day, Mr. Baisho said,
27:04Mr. Sasara, Mr. Sasara.
27:07What's up?
27:09I was so happy.
27:11Mr. Yuyoshi Yamada said,
27:13Mr. Sasara, you're going to see my play for the first time today.
27:16Mr. Yamada and the cameraman will bring some people.
27:20That's great. Congratulations.
27:23It's not a big deal.
27:25Chance, chance, chance.
27:27I feel good.
27:29I think he saw the play.
27:31But he never came to see the play.
27:34The play was successfully completed.
27:38The script for the next 36 plays,
27:43has arrived.
27:45Has it arrived?
27:47It's all thanks to Mr. Baisho.
27:50Mr. Baisho said,
27:52I can't see the play at home.
27:55I was able to see the play.
27:57Did Mr. Baisho say that?
27:59Yes, he did.
28:01I heard it.
28:03I'm glad it finally came true.
28:07I heard from someone,
28:09Mr. Sasara was introduced to Mr. Yamada by Mr. Atsumi.
28:13I heard that.
28:15Really?
28:17Mr. Atsumi is not that kind of person.
28:20Really?
28:22I've never thanked Mr. Atsumi.
28:24Did you know Mr. Atsumi before?
28:27Mr. Atsumi watched the play in Tokyo.
28:31He watched a small theater like us.
28:35He watched Mr. Sasara's play in Shiranuma.
28:40He thought Mr. Sasara was a good actor.
28:43Mr. Atsumi never told Mr. Yamada,
28:46that there was a good actor like Mr. Sasara.
28:49He's not that kind of person.
28:52He never said that.
28:54I didn't know that.
28:56The other day,
28:58I had a meal with Mr. Yamada and Mr. Baisho.
29:01I didn't know that.
29:03Mr. Yamada asked me,
29:05if I knew Mr. Atsumi before.
29:08What did he say?
29:10He said, he's not Mr. Atsumi.
29:12He's Mr. Sasara.
29:14Do you remember?
29:16Yes.
29:18He said,
29:20there's a good actor in the play.
29:23I heard that from Mr. Sasara.
29:26That's amazing.
29:28I didn't know that.
29:30It's been years.
29:32Mr. Baisho recommended Mr. Yamada.
29:35Mr. Baisho didn't say that.
29:38He said, I introduced him.
29:41He's a cool guy.
29:44I heard that he's Mr. Atsumi.
29:47But I don't think he's Mr. Baisho.
29:50Did you know him?
29:52He had a face like you.
29:55I didn't know that.
29:58He lived in Tokyo.
30:01He watched all my plays.
30:04From the first stage.
30:06He's my big brother.
30:08He's your big brother.
30:10He's my big brother.
30:12He watched all my plays.
30:15He watched all my movies.
30:17He watched all my dramas.
30:19He's a good brother.
30:21He was so angry.
30:23But he was so cute.
30:25He was watching all your plays.
30:28That's amazing.
30:30I'm grateful for that.
30:32And then Mr. Yamada appeared.
30:35He appeared in the play, BUSHI NO ICHIBUN.
30:38That was amazing.
30:41After that...
30:43Wait a minute.
30:45Wait a minute.
30:47Wait a minute.
30:49In front of Mr. Yamada,
30:51the studio was on fire.
30:54Wait a minute.
30:59Mr. Kiyoshi Hikawa won a gold medal.
31:04Mr. Shizuka Arakawa won a gold medal.
31:08It was in 2018.
31:12Mr. Sasano's performance was a hot topic
31:16in BUSHI NO ICHIBUN, directed by Mr. Yamada.
31:20Mr. Kimura and...
31:22Mr. Kimura and...
31:24Mr. Kimura and...
31:25Mr. Kimura and...
31:27Mr. Yamada's performance was a hot topic.
31:32Thankfully, BUSHI NO ICHIBUN became my masterpiece.
31:38He was so fast.
31:40He was so fast.
31:42He was so fast.
31:44He didn't even go to the camera.
31:47He didn't even go to the camera.
31:49He was so fast.
31:51He was so fast.
31:53He was so fast.
31:55His name is Mr. Yoi Yamada.
31:57Mr. Yoi Yamada.
31:59I was scolded every day for four months.
32:04How did you get scolded?
32:06No, no, no.
32:08Let's do it again.
32:10Mr. Sasano,
32:12I've been coming here every morning for 30 years.
32:17Please go in.
32:19Ready, ready.
32:21Wait a minute.
32:23Wait a minute.
32:25Ready, ready.
32:27Ready, ready.
32:29Really.
32:31Mr. Yoi Yamada.
32:33Mr. Yoi Yamada.
32:35Ready, ready.
32:37Wait a minute.
32:39Ready, ready.
32:41Really.
32:43Really.
32:45Mr. Sasano,
32:47I've been coming here every morning for 30 years.
32:51Please go in.
32:53Ready, ready.
32:55Wait a minute.
32:57Ready, ready.
32:59Really.
33:01I've been coming here every morning for 30 years.
33:05I'm sorry.
33:07Mr. Kimura and Mr. Danrei are over there.
33:09What do you do at that time?
33:11What do you do at that time?
33:13I'm sorry, Mr. Kimura.
33:15I'm sorry to keep you waiting.
33:17It's okay.
33:19You all don't know what is going on here.
33:23Director aren't telling you what's wrong here.
33:25He told me this the other day at the dinner.
33:29I don't know what is right.
33:33I don't think it's not true.
33:35You don't know what's wrong?
33:37In this scene, you can see the other actor.
33:41What the actor does.
33:43I understand what's wrong.
33:47I don't know if it's a bad thing or a bad thing, it's just a different way of saying it.
33:51The same goes for you, Mr. Kanzayama.
33:53You don't really say it in a formal way.
33:57And the way you say bad things,
33:59when the director is different,
34:01the vocabulary is different.
34:03So, if I were a theater director,
34:06I would ask what you want to say,
34:08and you would say it's a different way of saying it.
34:10When I hear it, I would say,
34:11I get it, this is what you want me to say.
34:13But Mr. Yamada,
34:14when I hear it, I would say,
34:16I get it, this is what you want me to say.
34:18But when I hear it, I would say,
34:20I get it, this is what you want me to say.
34:24It's like,
34:26it's like you're saying it in a very literary way.
34:29It's very difficult to interpret that.
34:31What should I do?
34:33I'm not sure,
34:35but I'm worried that I won't be able to say it.
34:37I won't be able to say it.
34:39When the director looks at the camera,
34:42it looks like he wants to look good around here.
34:48He wants to do it well.
34:50He wants to receive it.
34:52He seems to be able to see it from around here.
34:56It's an aura.
34:58Mr. Tsuruga is like that,
35:00so he stands in front of the camera as it is,
35:04so he doesn't have greed.
35:05I wonder if he's really saying the lines.
35:07He's not an actor,
35:09so there's no sense of responsibility.
35:11That's right.
35:13There's no sense of responsibility.
35:15He's just saying it because he wants to do it.
35:18He's just saying it.
35:20You can't be an actor like that.
35:22When you say, start,
35:24you put a lot of effort into it,
35:26and the angle is well reflected.
35:28When you can see that,
35:30the director says it's no good.
35:32I think this person is a rare person,
35:36and I think he's a genius.
35:38He's not a genius at all.
35:40I think we should be more grateful
35:42that we can be in the same age as him.
35:46He's about the same age as Mr. Otani.
35:48Oh, really?
35:50I think it's very fortunate
35:52to be able to see his acting.
35:55He doesn't have that much greed,
35:57so he usually doesn't stand in front of the camera.
35:59That's right.
36:00He's self-conscious somewhere.
36:02He's self-conscious,
36:03but he doesn't have self-consciousness.
36:05He doesn't?
36:08I don't see many people like that.
36:12Even Emoto Akira is a bit...
36:14Even Mr. Emoto is like that?
36:16He's not that kind of person.
36:18I don't know about myself,
36:21but the way he expresses himself,
36:24people can see that.
36:26That's right.
36:28I'm not trying to be like that,
36:30but it's not good to look like that.
36:34His brain is moving somewhere.
36:36That's right.
36:38It's actually the most difficult part
36:40of being an actor.
36:42Do you have any tips?
36:44No, I don't.
36:46He can do it strategically.
36:48He can do it strategically?
36:50I don't think so.
36:52Mr. Sasano,
36:54did you learn about acting
36:56from Mr. Kiyoshi Atsumi
36:58when you appeared in
37:00Tora-san 10 times?
37:02Let's see.
37:04I didn't learn from Mr. Atsumi.
37:07You didn't?
37:09I can't learn.
37:11You can't?
37:13He's too amazing.
37:16Interesting.
37:18When you practice,
37:20you can see that
37:22you're accumulating more and more.
37:24During rehearsals,
37:26I did this in the previous practice,
37:28but I thought it was boring,
37:30so I quit.
37:32I have to adapt to it
37:34with my quick reflexes.
37:36My eyes are changing
37:38and it's getting more and more
37:40interesting.
37:42I don't know.
37:44I don't know.
37:46I don't know.
37:48I don't know.
37:50I don't know.
37:52I don't know.
37:54I don't know.
37:56I don't know.
37:58I don't know.
38:00Mr. Atsumi
38:02is like,
38:04from here to there.
38:06He's like this.
38:08That's so cool.
38:10That's so cool.
38:12Mr. Yamada
38:14once said,
38:16Sasano-kun, come here.
38:18Look at Mr. Atsumi.
38:20He's not just standing there.
38:22He's a landscape.
38:24He's a landscape.
38:26He's a landscape.
38:28Mr. Atsumi
38:30is just standing there
38:32with his bag.
38:34He's standing at a bus stop.
38:36And he's talking
38:38to an old lady
38:40nearby.
38:42And the director
38:44says,
38:46you're a landscape.
38:48You're a landscape.
38:50You're a landscape.
38:52You're a landscape.
38:54You're a landscape.
38:56That's so funny.
38:58I'm getting greedy.
39:00I just feel like
39:02if I don't say this line
39:04well,
39:06I won't be able to
39:08get a role in the next movie.
39:10I'd like to be in the next movie.
39:12I'd like to be in the next movie.
39:14It's not about whether you're confident or not.
39:16You quit Shanghai Biosphere
39:18and quit the Free Theater
39:20and became independent.
39:22And then you did a lot of things.
39:24Did your dream come true?
39:26Did your dream come true?
39:28Yes, it did.
39:32Is your job as an actor
39:34interesting?
39:36Yes, it is.
39:38It's a lot of fun.
39:40However,
39:42I'm a one-scene actor.
39:44I'm a one-scene actor.
39:46I'm not an actor
39:48who can play a leading role
39:50like Tsurube or Eotsu.
39:52Have you ever played a leading role?
39:54Yes, I have.
39:56However,
39:58when I play a leading role,
40:00it doesn't come out well.
40:02It's not interesting.
40:04You can see it by yourself.
40:06The leading role is different.
40:08When I played a leading role,
40:10the world was different.
40:12The scene was different.
40:14The scenery was different.
40:16The sense of responsibility was different.
40:18The sense of responsibility was different.
40:20But I clearly understood
40:22the mood of the lead role
40:24and the picture.
40:26But I clearly understood
40:28the mood of the lead role
40:30and the picture.
40:32Yeah.
40:34In my opinion,
40:36it's a little more fun
40:38to be next to a leading character
40:40than to play a leading role.
40:42I think I like a leading role more.
40:46Hello, I'm Daiki Shigeyoka.
40:48After this, a message from Shigeoka, the idol, to the great senpai of the Showa era.
40:57You said you wanted to play the role of an old lady.
40:59Thank you very much for saying that.
41:01I look like this, and I've had an old face since I was young.
41:05I've wanted to play an old lady since I was in my 20s.
41:07That's nice, like Kiki Kirin-san.
41:10I wanted to play a proper old lady in a period drama.
41:15Itsuki Hiroshi-san asked me if I could play the role of an old lady.
41:19Itsuki Hiroshi-san?
41:22Is it a recital by Itsuki Hiroshi-san?
41:24Yes, it's my performance.
41:26I play the role of an old lady in a play, and I also do a singing show.
41:29He asked me if I could play the role of an old lady.
41:31I said, of course, I'd love to play the role of an old lady.
41:36When I played the role of an old lady, my grandmother was my role model.
41:43I played the role of an old lady in a play, and I was a role model for my grandmother.
41:52And now, a message from Shigeoka Uest, who plays Tsurube Sasano-san in the movie Love Letter.
42:09Hello everyone, I'm Daiki Shigeoka from Uest.
42:12I'd like to say hello to Tsurube-san and Sasano-san.
42:15Nice to meet you, Agawa-san.
42:16Nice to meet you, too.
42:19He's a good man.
42:20He's a good man, isn't he?
42:21He's got a good taste.
42:22I met Sasano-san for the first time on the day of the shoot for Clank In.
42:29He talked to me a lot.
42:32I was so surprised.
42:33I remember how relaxed I was and how much I wanted to be there.
42:39Sasano-san is from Awajishima.
42:43I'm from Hyogo prefecture, too.
42:46When I told him I was going to Awajishima, he always told me to come.
42:52I've been going to Awajishima since then.
42:58What do you do for a living?
43:02I've been in a TV show before.
43:05I've been in interviews and interviews.
43:10I always wear the T-shirt Tsurube-san gave me.
43:15How old are you?
43:19I don't know.
43:21You don't know?
43:22I don't know.
43:24He's like a book.
43:27He always says sharp things.
43:31But he also says things that are warm.
43:35He always gives me a heart attack.
43:40I feel sorry for him.
43:41What kind of question would you like to ask him?
43:46I've been thinking about it since yesterday.
43:49I haven't had a chance to ask him a question like this.
43:54And there were three people I wanted to ask.
43:57I've been thinking about it all night.
44:01I'm 32 years old now, and I'm turning 3 this year.
44:08I want to ask you one thing.
44:12What made you want to quit this job?
44:17It's important to do something positive.
44:23But it's also important to do something negative.
44:27I was wondering if there was a way to think and act.
44:33So I wanted to ask him.
44:36I thought it was important.
44:39But I didn't think I could do it without it.
44:43If I had a chance to meet him in real life,
44:48I would like to ask him.
44:52I want to ask him a lot.
44:55Mr. Sasano, what made you want to quit this job?
44:59I thought it would be better to have a driver's license.
45:05So I thought I'd get a motorboat license.
45:09If I had a driver's license, I'd be able to run away on a motorboat.
45:15So I got a driver's license when I was young.
45:20But I've never had a scene like that.
45:24I don't have to get a license for that.
45:28You might get one now.
45:31I don't have one.
45:33I'm not running away on a motorboat.
45:36If you're rich, you might be able to buy a boat and ride it in private.
45:44I think you should try to quit this job and fail.
45:54I think you should stop thinking about quitting.
45:58That's a good word.
46:00If you're thinking about quitting, try it.
46:03I recommend you to think about it.
46:06What do you think?
46:08That's right.
46:10I quit smoking at the age of 33.
46:15If I hadn't quit smoking, I would have had a better voice.
46:21No, no, I'm talking about smoking specifically.
46:25What do you think?
46:27I'm glad I quit the job of a reporter.
46:32My first TV job started as a reporter.
46:35But I didn't know anything about it.
46:39I think what I've done so far is very useful.
46:46But I thought I wasn't the type to be a reporter.
46:51That's why I quit the job.
46:54Did it make you feel better?
46:56Yes, it did.
46:58That's good.
47:01I don't think so.
47:03I don't think so, either.
47:05I've been doing it for a long time.
47:07Rei was 7 years old.
47:09Takashi Sasano's present and future.
47:14You're going to do it again, aren't you?
47:16Yes, I will.
47:18I want you to join us.
47:20Thank you very much.
47:22It's easy for you to say.
47:24I want you to join us.
47:26You look like a hero.
47:28He's a great member.
47:30He's a great member.
47:32I thought it would be fun to have three classmates.
47:35It's fun.
47:37People who have come a long way will gather here.
47:42Rei was 7 years old.
47:45What does today mean to you?
47:49It's the first time I've worked with Mr. Surube.
47:56It's a strange feeling.
47:58We've known each other for a long time.
48:01Did you find anything about Mr. Surube?
48:04Yes.
48:06He said,
48:07He said,
48:09He said,
48:11He said,
48:13He said,
48:15He said,
48:17He said,
48:19He said,
48:21He said,
48:23He said,
48:27He said,
48:29He said,
48:31He said,
48:33He said,
48:35He said,
48:41Next time on Osaka Shichon Tour,
48:45The voice actor, Jun Hamamura, is here!
48:48I'm very happy to be here.
48:50He's going to tell us all about the radio and movie stars.
48:55The singing voice, the flowing memories, the flowers, the blue mountains.
49:06Enjoy more freely on BS12 Duel-Bi.