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Short filmTranscript
02:50Oh that's bug.
02:52It's a bad thing.
02:54I don't want to come back.
02:56And as I am,
02:58I decided to be a mufle.
03:00A mufle? For a few things?
03:02Yes, a mufle.
03:04At the time, it was very different.
03:06For example,
03:08when an actor was in a hurry
03:10for the presentation,
03:12he demanded that he excused
03:14with the spectators,
03:16and even that he presented his excuses
03:18at the genoux.
03:20At the genoux?
03:22In 8 months,
03:24she totaled 2177 minutes of the time,
03:26so 36 hours.
03:2836 hours of time lost.
03:30I don't count the 20 minutes
03:32of each of our meetings.
03:34Rosette has so many 36 hours of my life.
03:36And when we know that Hugo wrote
03:38that he wrote about 6 hours
03:40to compose Tristesse d'Olympio,
03:42imagine that in this time,
03:44I could compose 6 poems of the same gabarit.
03:46You said all that, Rosette?
03:48No, the last time I told him
03:50you'll be able to do it.
03:52The next time you have 3 quarters of the time,
03:53it's done.
03:54I'm saying it's very solemn.
03:56What did she say?
03:58She said it.
03:59She said it.
04:00She said it.
04:01She said it.
04:02You'll be able to support it
04:03for 8 months.
04:04Rosette won't be able to do it.
04:05If she doesn't know it,
04:06I'll never say it.
04:08It's a sad thing.
04:10I don't know.
04:11I'm saying it.
04:12I'm saying it.
04:13I'm saying it.
04:15I'm saying it.
04:19I'm saying it.
04:20I'm saying it.
04:21I'm saying it.
04:22Why should I not say it?
04:24Is it that love?
04:26Something where justice,
04:27wisdom,
04:28wisdom,
04:29wisdom can take place
04:30or be ridiculous?
04:31When love takes a face
04:32of justice, wisdom
04:33or wisdom,
04:34it takes a bad figure.
04:35It takes a mask
04:36of carnaval.
04:37It's not easy.
04:38It's not easy.
04:39Rosette,
04:40it's a little more
04:40than you think about it
04:42if you would have arrived at her.
04:43Yes,
04:43she's a good advance
04:44to think about it.
04:45Yes,
04:45if it's to think against her.
04:51I'm curiously when I'm expecting
04:53a boy to be happy
04:54that he's leaving.
04:55Because during the time
04:56of the attente,
04:57I thought it was lost for me.
04:59And you measured
05:00how much it was worth?
05:01No,
05:02I measured how much
05:03it was difficult
05:04to lose.
05:07I love Rosette.
05:10All my malheur is there.
05:12All my malheur is there.
05:21I love Léonard.
05:23What about Léonard ?
05:26I love Léonard.
05:28What about Léonard ?
05:32It's a lie.
05:34It's not a lie to her.
05:38How do I explain The Léonard ?
05:40who are the people who don't have that bad.
05:42And then there are details, you know,
05:44all these details that make the people who are lying.
05:46The last time,
05:48just at the moment of leaving,
05:50the rain of an orage
05:52breaks at the barriere of the library.
05:54And she has to help her to preserve
05:56the books of the flood.
05:58Do you believe, you?
06:00The barriere cassée, I find it weird.
06:02Well, it's because it's weird that I believe.
06:04Finally, the last argument,
06:06she pretends that everyone arrives in his family.
06:08If the family is playing,
06:10I don't say anything.
06:12It's crazy.
06:14More than five minutes.
06:16If she arrives in six minutes,
06:18it'll be done forever.
06:20Oh, hero of Plutarch,
06:22the debate that you will support
06:24will honor to the human race.
06:26Oh,
06:28this is a very good thing.
06:29Oh,
06:30I don't want to get into the audience.
06:31It's just a little bit of a blast.
06:32I don't want to get into it.
06:33Oh,
06:34oh,
06:35oh,
06:36I'm not going to get into it.
06:37Oh,
06:38I can't get into it.
06:39Oh,
06:41I can't get into it.
06:42Oh,
06:43it's not going.
06:44Oh,
06:45the world is running for me.
06:46Oh,
06:47it's going for the gas.
06:48Hello, it's for the gas.
06:50I don't have gas?
06:52I thought.
06:56Yeah, he had a good head to think.
07:12Two more minutes.
07:14I'm going to go back.
07:16Or rather, no.
07:18I'd like to wait her.
07:20Because if Rosette found her door, she wouldn't understand.
07:23She'd have completely forgotten her.
07:26I want her to take her.
07:28What's wrong with her?
07:30I think you're too serious.
07:33I'd like Rosette to explain her,
07:36but I'd like her to tell her.
07:38And you'd like me to tell me
07:40that day you'd like to meet you again.
07:43No, there's no meet-up.
07:46What's that?
07:47It's Lowe.
07:48Lowe?
07:49Yes, the cabin chase.
07:50Why?
07:51She's all alone?
07:52Yes, she's all alone.
07:53She's going to show up during this time.
07:54I'm going to open her door.
07:56And I'm going to open her door.
07:57And she's going to open her door.
07:58You're going to open her door.
07:59I'm going to open her door.
08:00You're going to open her door.
08:01And I'm going to open her door.
08:04I'm sorry to tell you, dear,
08:06but such an incident is a big deal of love.
08:10Well, what's the day you see?
08:11A drama or a vogue of viennes?
08:14Well, a long time.
08:16A little lever of a lever.
08:17A lever of a lever that concentrates the audience.
08:20The audience likes people.
08:21Oh, no.
08:22It's the critics who like people.
08:24It's the critics who write the author to hesitate
08:27between such people or such people.
08:28And it's life who hesitate to hesitate
08:31between such people or such people.
08:32Well, the car, it's done.
08:35I'm going to wake up.
08:37Sir Rosetson, you know what you've done.
08:39And it's the last one.
08:41Do you still doubt it?
08:43Well, a childlike.
08:45A man being so grateful to his neige.
08:47His neige.
08:48Yes.
08:49You've understood it.
08:50But I just want you to keep some measures
08:52in your great heart.
08:54Or one last time.
09:02When he started here.
09:04And when he started,
09:06he got the most essential things.
09:07He actually has to shoot me out.
09:08I won't believe he does.
09:09But he never Can't grant any other things.
09:10So he asked me to help me.
09:11He got to do my master,
09:12because he was a man to do my master.
09:13And he said to the nurse,
09:14I got to do the nurse.
09:15He called me to help me to help me.
09:16And I know he said to do my master.
09:17I can't do this.
09:18And I can do it now.
09:19He can't do it.
09:20I can't do this now.
09:21I will go.
09:22I can do it.
09:23There we go.
09:24I can't do it.
09:25I can't do it.
09:26I can do it.
09:27I can't do it.
09:28I can tell you.
09:29I'm going to go.
09:34I'm going to start by your heart.
09:37Hello.
09:38Hello.
09:41Yes, Bruno?
09:44I've kept his hand while he was waiting for you,
09:47but he must be in 10 recently.
09:49He left five minutes.
09:50He left?
09:51Has he not warned you
09:53that if you do anything to do it for three quarters,
09:55it'll be without mercy?
09:56I don't remember.
10:00Yes, yes, it's possible to me say that.
10:04You have no doubt about it.
10:07You don't know Bruno?
10:09You don't know that he's a principle,
10:11a young man of age?
10:13It's like that, without waiting.
10:16What a mufle!
10:17Oh, he's waiting for 3 quarts.
10:20He's impatient in your company.
10:22So mufle with you.
10:24It's true, I didn't think about it.
10:33It was the last time we were here in 3 months.
10:36My mother changed my mind.
10:38We should go on vacation in 15 days.
10:40No, we're leaving tomorrow.
10:42And Bruno and I will never see you before.
10:45But my dear,
10:47it's not a matter of seeing you at all.
10:50He told me to tell you
10:52if you were to leave your mother,
10:54exceded by your retard.
10:56And by giving you a reasonable warning.
10:59Because we have to make a galantum.
11:04A galantum?
11:05Yes.
11:06You're okay, you and he?
11:08I'm going to bring my prunes!
11:10These are these prunes that I'm retarding!
11:13Ah!
11:14And if he's changing the party
11:16and wants to see you again?
11:17Or can you wait for your departure?
11:21I'll tell you tomorrow,
11:22tomorrow morning,
11:23tomorrow morning,
11:24my mother will never leave.
11:25I don't know how she sees me.
11:26No, no, no,
11:27I'm not sure.
11:28I'm going to see you here.
11:32Listen,
11:33your departure changed everything.
11:34You hear?
11:35Rosette will go for three months.
11:36Come on, get out of here!
11:37How was he?
11:38He did it for three quarters of an hour
11:40a little girl of a sublime
11:41who was the most bad tone.
11:42After he was all dressed up.
11:43And now he's going to go out.
11:44Come on, get out of here!
11:45Come on, get out of here!
11:46No, get out of here!
11:47No, don't get out of here!
11:48No, don't get out of here!
11:49No, don't get out of here!
11:51Oh, he's going to make three quarters of an hour
11:53for three quarters of an absolute verbatim
11:54who gave me the most bad tone.
11:55After he's all dressed up,
11:56so he's going to go out.
11:58Hey Bruno,
11:59come on, get out of here!
12:00No, don't get out!
12:02He's a bear!
12:03He's a bear!
12:04Oh, you heard that?
12:05Rosette's treating him as bear.
12:07Bruno!
12:08You're going to put your love?
12:10You're going to kill him,
12:11you're going to kill him.
12:12You're going to kill him!
12:13You're going to get out of here!
12:14You're going to get out!
12:16That's it!
12:17Let me go.
12:18I'm going to go.
12:19I'm going to go.
12:20I'm going to go.
12:21I'm going to go.
12:22I'm going to go.
12:23I'm going to go.
12:24I'm going to go.
12:25I'm going to go.
12:26You would be able to make the bronze man
12:28to not be able to do it before me.
12:30And between you,
12:32we'll be fine.
12:41Au revoir, Rosette.
12:47What does this scene mean?
13:06The measure is closed and I'm going to go with you.
13:09Just that?
13:11Because I'm in a hurry?
13:13Because you're in a hurry.
13:15In a hurry, what love?
13:18I love you very much,
13:20and in this moment.
13:22But if love is to support what we all love,
13:25then love doesn't cost us much.
13:28I've always heard the opposite.
13:32And it's easy to support
13:34what we love.
13:36Oh, no.
13:37I wouldn't support a maid
13:38what I wouldn't support a maid
13:39or a wife.
13:41It's my way to respect love.
13:45You're talking about avani.
13:47I've done an avani.
13:53I know how you're sweet.
13:55You're a little baby.
13:57But maybe consciously,
14:00while you're in a hurry,
14:02you're trying to impose your life rhythm.
14:05You're trying to dominate me.
14:07And it's precisely that I refuse to forgive you.
14:10I'm looking for this.
14:12I'm looking for this.
14:13And you, what are you looking for?
14:17And what role do you take with a woman you love?
14:21What do you want to take with a woman you love and you love?
14:24Yes, it's because you know the power you have on me.
14:27That you should, if you were delicate, have to keep in mind.
14:37Tiens.
14:38Prends a prune and embrace me.
14:40I won't take a prune and I won't embrace you.
14:42We're drunk.
14:45We're drunk, but you can still take a prune.
14:48That's why I'm learning.
14:51It's enough to take a prune.
14:53Don't take a prune.
14:55Don't take a prune.
14:57Take a prune.
14:59I'm happy to see you aren't too stupid.
15:02I'm happy to see you lose your best friend because of your stupidity.
15:09I didn't know that we were three in this apartment.
15:12Ah!
15:14Let's go.
15:16I'm having a drink.
15:17I'm having a drink.
15:18I'm having a drink.
15:19I don't have to drink a prune.
15:21I'm happy with my drink.
15:23Come on, come on.
15:27Come on, I've asked you.
15:29I've already asked you.
15:46Hmm, I've reached out to you.
15:59Let's go.
16:01Oh, my God.
16:19It's good.
16:21Even dying doesn't matter.
16:24Let me breathe in your mouth, your hair,
16:29after all this time, I thought you were lost.
16:37Last night, I saw a long star.
16:40I'm so sad that during the time I saw her,
16:43I didn't find anything to do.
16:45So just before she knew her, I pronounced your name.
16:49Very quickly.
16:51Just your name.
16:53I was thinking that the good God would understand
16:56and complete for the best.
16:59Your hands were warm and warm.
17:02Your hands were warm and warm and warm.
17:05You were always what they were.
17:09You were a long conversation without fatigue.
17:13When our hearts were close and touched like your hands.
17:17You were a long voice.
17:20And you were my father's heart.
17:22You were your friend's heart.
17:23That's what I'm calling you.
17:26You were my wife.
17:28all the pleasantries, all the perfections.
17:33I thought that in 8 months,
17:35not only once you had to be married to your spouse.
17:45And now I see all this far,
17:48noyé,
17:50brouillé.
17:52It seems to me that I see each other reflecting
17:55that I see each other.
18:00Oh, Rosette.
18:03What a strange thing to do,
18:04to make it suffer,
18:07and to create pain in the only cause of me.
18:11After throwing the air in the other side,
18:13we want to know finally on the effect that it does.
18:20Is it because we also feel good,
18:22like when we push on some plays,
18:24we all feel good and bad.
18:29What bad? What good?
18:32You talk, you talk,
18:34you divaques.
18:36Maybe you pleasant.
18:39I think if I stopped talking for a moment,
18:42I would have no pain.
18:46Pain?
18:48And why?
18:50You talk in dreams.
18:53Oh, no, too,
18:55to be pronounced differently than dreams.
18:58What a name?
19:01What a name?
19:03Your name?
19:05Rosette.
19:09Rosette.
19:10Why do you not love me?
19:11You asked me that by coquetting.
19:23The moment I was telling you the most that I loved.
19:26Now, here you are asking me that.
19:28I think you're good for me.
19:29Oh, my goodness.
19:30Oh, my goodness.
19:32Oh, my goodness.
19:34Oh, my goodness.
19:36Oh, my goodness.
19:37I'm making a mistake today.
19:39Oh, my goodness.
19:41Oh, my goodness.
19:42Pauvre enfant.
19:44Chaque fois que mon regard rencontre le tien, tu souris.
19:47Chaque fois que je te baise, tu souris.
19:50Tes lèvres deviennent blanches,
19:53comme un olivier blanchi chaque fois que le vent le rebrousse.
19:57Jusqu'au bout, toi non plus, tu ne comprendras pas.
20:01Allez, va-t'en, Rosette.
20:04Pars.
20:06N'éternisons pas ce malentendu.
20:10Partir.
20:14Tu n'as donc aucun souvenir de ce que je t'ai dit quand tu es arrivé ?
20:18Tu repenses toujours.
20:21Je ne sais jamais si c'était pensé.
20:26Si depuis une heure, tu me joues la comédie de la tendresse,
20:29alors que tu décidais à me traiter comme une grue qui a fait son temps ?
20:32Pierre dit qu'on n'est pas cru quand on est sincère,
20:34et qu'on n'est cru quand on ne l'est pas, ce serait donc vrai.
20:36Rosette, pour la dernière fois, je te le répète, je t'aime.
20:39Enfin, peux-tu en douter ? Cela ne se voit pas sur mon visage.
20:43Je t'aime, mais il faut croire que je m'aime plus encore que je ne t'aime.
20:47Je perdrai le respect que je me porte si je continuerai de t'aimer,
20:50en acceptant que chaque semaine tu me désobliges.
20:52Alors oui, je te perds, mais je préfère mon malheur tête haute.
20:55Un bonheur toujours milliers.
20:57Ça suffisant. T'as assez de cette hypocrisie !
20:59Et moi, je te répète que pour la dernière fois, je ne crois pas un seul mot,
21:02une seule des raisons que tu me donnes.
21:04Tu es fatigué de moi.
21:05Tu veux te débarrasser de moi. C'est ton droit.
21:07Mais alors, pas d'explication.
21:09En effet, pas d'explication, elle s'en tient intime.
21:21Hélas, moi qui suis jeune encore, comment ferais-je pour vivre dans un monde
21:24où les motifs de mes actes sont aussi incompréhensibles à mes semblables
21:27qu'ils pourraient l'être à un bœuf ou à un cheval.
21:38Tu pleures ?
21:40Lâche-moi !
21:46Tiens complètement les rideaux. Je ne veux pas que tu me vois pleurer.
21:48Moi aussi, je pleurerai quand tu serais partie.
21:55Mais pars, Rosette.
21:58Je ne peux le soutenir plus longtemps.
22:01Oui, je pars.
22:03Mais tu fais bien grand bruit de ta fierté.
22:05Tu crois que j'ai pas la mienne ?
22:07Le jour où tu vas me rappeler, tu crois que je vais revenir ?
22:10On pars.
22:12T'as bien réfléchi ? Vraiment ?
22:15Je sais bien ce que tu perds.
22:18Ce que je perds avec toi est regagné ailleurs.
22:22Si tu savais, est-ce que tu me dégoûtes ?
22:25Je comprends cela.
22:27Je comprends cela quand je me place à ton point de vue
22:28puisque mes raisons t'échappent.
22:30Et moi qui suis sensible à ces raisons, je m'admire incroyablement.
22:34Tu t'admires incroyablement ?
22:37Personne n'a fait ce que je fais.
22:41Penser pour quelques petits retards.
22:45Et alors ?
22:47Adieu.
22:49J'en ai assez d'avoir fait un fou !
22:54J'en ai assez d'avoir fait un fou !
22:55J'en ai assez d'avoir fait un fou !
23:24J'enille
23:47...
23:49...
23:51...
23:53...
23:55...
23:57...
24:01...
24:07...
24:09Oh, Pierre.
24:11Oh.
24:13J'étais au café en France.
24:15Je pouvais détacher les yeux de ta porte.
24:17Je me disais maintenant, ils sont dans les bras l'un de l'autre.
24:19Et voilà que Rosette sort en pleurant.
24:23Toi-même, tout est mieux.
24:25Allô, il a encore temps. Dis un mot, je cours après celle, je l'emmène.
24:27Viens.
24:45Deux êtres s'accrochent, ils sont heureux.
24:49Ce miracle se fait et l'un des deux le détraque par absurdité et obstination.
24:55Nous savions déjà que les philosophes étaient des sots.
24:58Il me restait à apprendre sur le vif que les hommes de caractère en sont eux aussi.
25:03Car maintenant, tu es lié à elle par le mal que tu lui as fait.
25:07Éternellement, elle te travaillera.
25:09Éternellement, tu douteras si tu as eu raison ou tort.
25:13Éternellement, elle pleurera en toi.
25:15Et si tu lui reviens, ce sera avec honte.
25:19Si tu ne lui reviens pas, ce sera avec remords.
25:21Voilà le résultat de ton faux héroïsme.
25:29Qu'est-ce que je dis ?
25:31Est-il question que tu n'y reviennes pas ?
25:35Dans deux jours, en te réveillant le matin,
25:37l'explication qu'elle vient de te donner de sa conduite
25:39t'apparaîtra soudain si simple, si vraisemblable,
25:42que toute la baudruche que tu as gonflée à son propos sera crevée.
25:46En toi-même, tu ne trouveras plus rien à répondre.
25:49Tu ne te souviendras même plus des motifs de ta dureté,
25:52comme s'il faisait partie d'un rêve.
25:54Et quand elle reviendra, tu te jetteras à son cou.
25:59Tout cela finira en de grands baisers,
26:02en des pardons demandés et reçus.
26:05Le classique bruit amoureuse
26:08qui ne sert qu'à des réconciliations brûlantes,
26:11à la façon dont les objets perdus
26:13servent à notre joie de les retrouver.
26:15Commencer dans le sublime et finir dans la pire vulgarité.
26:24Tant de courage serait perdu.
26:27Le courage est toujours perdu.
26:30Le courage est toujours perdu.
26:40Nous verrons.
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