EIGHT-JAM 2025年4月6日 サザンオールスターズ特集 完結編
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:008jam
00:05What's 8jam tonight?
00:08I sing a song over and over again.
00:12I sing like this.
00:15I sing like this.
00:19So I don't get stupid when I sing a song over and over again.
00:23That's where it starts.
00:25The new technology and the way of recording
00:30has become very important in our current activities.
00:35I think that recording and band activities are slightly different.
00:45Last time, Keisuke Kuwata talked about the behind-the-scenes of making a song unknown to Southern All-Stars.
00:51What about tonight?
00:53The image that people give us is surprisingly important.
00:59I think that's the essence of it.
01:03The 10-year-old original album, Thank You So Much, which was released the other day, won first place.
01:10The SNS is full of praise.
01:14What is Keisuke Kuwata talking about?
01:20After all, we felt that we couldn't be the mainstream or the mainstream.
01:32I'm a little prepared when I'm trying to make an original album.
01:36I want to say thank you to the fans somewhere.
01:43Why does Keisuke Kuwata continue Southern All-Stars?
01:50Speaking of one of the great attractions of Southern All-Stars.
02:07This singing voice of Keisuke Kuwata.
02:13Do you take care of your training every day?
02:17I don't take care of it.
02:21I try not to use my strength as much as possible as I get older.
02:27In the past, I crushed my voice in the first song.
02:31At the MC of the first song.
02:33MC?
02:39I thought it would be better not to do anything in the first song.
02:43I relax my strength and open my throat.
02:47I think he just wanted to say this.
02:50And this is a question from Mr. Ieiri about his voice.
02:54Is it true that you were singing in a walk to make your singing voice go down?
02:59It's a complete nonsense.
03:04I didn't do that.
03:06Is it a urban legend?
03:08That's right.
03:10No matter how many times I say it, people keep saying it.
03:15By the way, what is often said about Kuwata's singing voice in the image of the world?
03:21I'm often told that I'm singing in a walk to make my singing voice go down.
03:24I'm not singing in a walk to make my singing voice go down.
03:27The Beatles' song.
03:31You know,
03:36When I did it, people said,
03:38He can be called an insane Wanderer.
03:44But I think singing in a walk to make my singing voice go down
03:48is smarter than singing in a walk to make my singing voice go down.
03:57What did Kuwata say about this in the last episode?
04:05I wanted to do something with the word TOA.
04:08Like SOA.
04:09I wanted to do something like Western music.
04:16I've always thought that it's impossible to put a musician on an English score in Japanese.
04:26I wanted to do something like TOA.
04:28That's how I came up with the groove.
04:31That's how I came up with Kuwata's songs.
04:36This time, we asked the artists who respect Southern All-Stars.
04:42Many of them chose Haba Hiro.
04:48There is also a famous ballad that represents J-pop.
04:56This song is reminiscent of Bob Dylan.
05:17This song is also reminiscent of Drum'n'Bass, which is characterized by fast tempo and irregular drums and bass.
05:27Who the hell are you?
05:29I'm always having a dark date.
05:32I'm going to break the law of the jungle.
05:34I'm going to break the law of the jungle.
05:37In addition, the latest album is...
05:40No, stop.
05:42I'm in trouble.
05:44After all, the secret has been revealed.
05:48I was born.
05:50The earth is a roller coaster.
05:53I'm in trouble.
06:01The sound is different from the image of Southern All-Stars so far.
06:06What's amazing about Southern All-Stars is...
06:10Crazy Cats, The Peanuts, Misora Hibari, Shigeo Nagashima.
06:15Just like those people,
06:17It's the only band that's worthy of the nickname of national enemy.
06:23Since their debut, they've been making recordings in a challenging position.
06:30There's always a surprise in the sound source.
06:36There's something that the listener can't understand.
06:40I think it's the strength of being a superstar to break that contradiction.
06:48So, I have a question for you.
06:51Are you aiming for the width of the song?
06:56People who love Southern All-Stars...
07:00I think everyone knows and understands.
07:04I think I'll get bored if I understand it completely.
07:08There are many moments when I wonder why Southern All-Stars is amazing.
07:13Even though it's such a national presence,
07:16I've always been nervous about this music.
07:21I've been listening to Southern All-Stars for a long time.
07:26I've been saying that Southern All-Stars is close to everyone.
07:29But there's a gap somewhere.
07:32I think that's the condition of being a star.
07:36It's not something you can do if you aim for it.
07:39I don't think I can do that.
07:45I want to do it.
07:48You'll find out right away.
07:51It's not like that.
07:54About the breadth of Southern All-Stars' music,
07:57There are many other professionals who say this.
08:01It's amazing that Southern All-Stars continues to have universal charm even though it changes with each era.
08:08Even now, more than 45 years after their debut,
08:11Southern All-Stars' music resonates in the hearts of listeners regardless of age.
08:17I think it's possible because of the perfect balance of musical experimental spirit and popularity.
08:24That's right.
08:26Furthermore, Indigora and Sato are...
08:30I have a lot of feelings for the so-called B-side songs.
08:36In the new song, Thank You So Much,
08:38There was a part that seemed scary to me.
08:43Minimal production and the lyrics of Sorry Mom are one of them.
09:02As a national band,
09:04While carrying the expectations of a huge fandom,
09:07Not only the best of the best,
09:09I can't forget the dedication to those who are standing in the corner of the venue.
09:15Despite the 47th anniversary of their debut,
09:19The fact that they are fulfilling their responsibilities as musicians in the form of works
09:25I can't help but respect them.
09:30Are you conscious of the breadth of the song?
09:35No, no.
09:36I've been doing this for many years.
09:38I think so.
09:40We don't have any weight, no matter how many years we've been doing it.
09:45I agree.
09:46It's not related to weight or charisma at all.
09:51After all, we felt that we couldn't be mainstream or mainstream.
10:01I see.
10:03In that sense, I don't think there's anything we can do.
10:09What we've come to is to increase the variation as much as possible.
10:15I think it's a new song.
10:21Speaking of the image of Sazan,
10:24Kata Yaburi
10:26We were really bad at instruments.
10:31In the first place, the agency and Victor said,
10:37Let's put them on TV.
10:40I think it would have been good if they were on TV.
10:44We were on TV, but we didn't know right or left.
10:49We were young, so we did whatever we wanted.
10:55And they made us do it again.
10:58We've been through a lot of things on the piano.
11:03Sazan All Stars, which debuted in 1978,
11:09About a month later, they appeared for the first time on the music program Yoru no Hito Studio.
11:15The members appeared in jogging pants and took off their doggie hats.
11:21I have an image of jogging pants.
11:24In addition, they appeared in The Best Ten next month.
11:29It became a hot topic.
11:32I think we came out in an era where TV was a new medium.
11:38Maybe that's why we were lucky.
11:42So we did something excessive.
11:46Even if you do the same thing as the mainstream,
11:51It may have become a habit to appear in the world in a different way.
12:00Looking back on it now,
12:03If we came out now,
12:06I don't think it would have been good if we were lined up with the travel agency.
12:12The image that people give us is surprisingly important.
12:18I think that's the essence.
12:21The image that people gave us.
12:25So I thought,
12:28Let's enjoy music in a different way.
12:34I think we were lucky.
12:39Atsuo Katayama, who has supported Sazan for a long time,
12:45Junichi Soga, who has been involved in many of Sazan's works,
12:49What are the two people who know Kuwata up close?
12:53I'm always involved in all genres.
12:57We're close, but we're having fun.
13:01Mr. Kuwata is an image of a fun person and a person who makes a lot of jokes.
13:10When we're together, we have a lot of knowledge.
13:13The Japanese language, the lyrics, the literary content, and the choice of words.
13:19He has a lot of input.
13:22When it comes to songs like this,
13:25He once told me that this chord progression is good.
13:30I see.
13:32There are a lot of technical parts.
13:36I think he has a lot of knowledge.
13:40That's why he's able to maintain this breadth.
13:45There are two singles that professionals say they can't miss.
13:50The first song is...
13:54Yes, Kuwata.
14:06There's a school that's more tearful than that.
14:15If there's a way to make a catchy chorus,
14:19I want to write it in the first verse.
14:22The melody of the chorus has already stepped into the theory of the theory.
14:27And yet it's the only song that exists.
14:32It's so original that no one else can do it.
14:37I don't know what's going on.
14:41That's true.
15:02I can't do it.
15:32This is a great hit song that everyone knows.
15:44The other song that the professionals paid attention to is...
15:47It's a single before the tsunami.
15:52It's no joke that these two songs are in a row.
15:55Both songs are amazing.
15:59The professionals praise the breadth of the song.
16:02That's...
16:05It's amazing.
16:24Is it a tsunami after this?
16:26It's completely different.
16:28It's amazing.
16:31Let's ask Kuwata about these two songs that the professionals praise.
16:38Speaking of the breadth of the song,
16:40what many people said was that it was amazing that Yellow Man came out before the tsunami.
16:47At that time, singles were very popular in the world.
16:52I remember complaining to the staff.
16:57The staff said,
16:59If it's only 80,000 copies, it's a cheeky song.
17:02At that time, there were millions of copies.
17:05But I love that song.
17:08The song called Yellow Man.
17:10So I didn't hate the fact that it didn't sell.
17:13Next, the tsunami came.
17:17But I think the result of Yellow Man was also very important.
17:23It's a song that calms down emotionally.
17:27It's a song that regains its calmness.
17:30It's a song that I've been doing for a long time.
17:33I made it after regaining my calmness.
17:37I'm grateful that it sold a lot.
17:40I don't know about life.
17:42It's called the breadth of the song.
17:46We simply make songs that are cool and interesting.
17:52That's what shocks us.
17:59The breadth of the song that professionals praise.
18:03Southern All-Stars has released 1 billion original albums so far.
18:08Here's a question from Mino.
18:12What is the point that has changed the style of the album?
18:18I don't think there's any discography or concentration in Southern All-Stars.
18:26I've been releasing high-quality works.
18:32I'm in the second zone of the Inamura series.
18:39There are a lot of home run baseball players in their 30s.
18:43Like Kanemoto, who used to be a half-hearted baseball player.
18:46He's back in his career.
18:50I feel like I'm in that zone.
18:55I wonder when it was in Mr. Kuwata's eyes.
19:04What was the point of this 16-album career?
19:10There may be some points.
19:13There are two albums called Kamakura.
19:18I think the first point is that I've reached.
19:23What was Southern All-Stars like at the time?
19:34Kamakura
19:40Hit songs in a row.
19:43In particular, the original album entered the 80s.
19:46He won first place in five consecutive works.
19:49He made it popular.
19:54Kamakura was released in 1985.
20:00In the first two-track album of Southern All-Stars,
20:03Kuwata said,
20:06Let's stop the music that we're good at.
20:12I want to make a work of sparks that the members attack and scatter.
20:18He said he had changed his approach to production.
20:30It's cool.
20:50With a wide range of musicality,
20:53A variety of works of 20 songs were created.
20:58I think he was motivated to create and spit out what he absorbed according to his age and time.
21:07He was placed in such an environment.
21:10There was also a historical background.
21:13One peak.
21:16I think Kamakura was an important album.
21:21I don't know if it was Kamakura.
21:26When Southern All-Stars made their debut,
21:30It was recorded on tape.
21:33Kamakura moved digitally.
21:37We recorded and used samplers.
21:41Even though it's a band,
21:45I think it's a lot of courage to put your weapons down and go there.
21:52What song did the pros choose from such a history?
21:57Mino chose the first song of the 2000 release in Latin.
22:03What?
22:21It's cool.
22:32It's cool.
22:46It's cool.
22:51In addition, Mino felt respect for the song from the latest album.
23:21It's cool.
23:39Katayama, who participates in Southern's live as a keyboardist, chose
23:43That famous song, which is very fun to play.
23:52This is also a good song.
23:53I like this part.
24:03The excitement when the intro starts is amazing no matter how many years you do it.
24:09I feel like I'm here.
24:14Of course, I love the melody, and it's a lot of fun to play.
24:22It's a song that is very easy to play.
24:27I feel like I'm here.
24:31I feel like I'm here.
24:34I feel like I'm here.
24:38I feel like I'm here.
24:41Love Psychedelic Naoki praises it as a work of art like Picasso.
24:48A song with a three-line rhythm that leaves an impression.
24:51Huh?
25:11Saito Makoto, a support guitarist for Sazan, chose this song.
25:40Saito chose this song because it releases adrenaline.
25:59Is there a song like this?
26:03The tension never goes down.
26:05I have no time to catch my breath.
26:09When the song is over, I don't remember what I did.
26:21Next, three professionals, A-Bitch, Ieiri, and Honma, released a famous ballad that represents the Japanese musicians who were born in the second year of their debut.
26:39When I first heard the lyrics, it was different from any love song I've ever heard.
26:48I remember being impressed by the fact that such a beautiful melody was still left in Japan.
26:55Tears overflow unconditionally at that time and now.
27:12If there were people who didn't know Sazan, they would have heard it now.
27:23When I heard the lyrics of this song, I thought it was scary.
27:34Next, two women, A-Bitch and Ieiri, released this song.
27:52Sazan was sensational to the kids at the time.
27:56I don't know why, but I thought he was singing something amazing.
28:02This famous song tends to be caught in the lyrics of the chorus, which is very impactful at first.
28:10Kuwata, who seemed to be dancing, was cool.
28:24Compliance is important, of course, but I think it was wonderful that it was lively and energetic at that time.
28:39The lyrics are bold and the rhythm of Japanese is perfect, and it also has a rap-like approach.
29:09It's a genius to mix sexy themes with eroticism and humor.
29:17Ieiri and A-Bitch were given the G-spot of Manpi.
29:23A-Bitch was also given the Erotica 7.
29:26They're both erotic.
29:28I'm glad.
29:32It's a song with erotic elements and a sense of playfulness.
29:37Is this song influenced by eroticism?
29:40It's not like that.
29:43I'm not doing it because I want to do eroticism.
29:47Our generation didn't have karaoke.
29:52Do you know Shunka?
29:56It's a song like that.
30:00When I was doing it with my only daughter, I was like that.
30:04The cute girl next door was like,
30:07I was doing everything erotically in response to the culture of that time.
30:12For example, when I was in a club,
30:15there were about 12 of us,
30:20and we were the most popular group.
30:26In our time, there was a song like that.
30:34It's not like that.
30:37But when the word Manpi came out,
30:43I said G-Spot.
30:46That's good.
30:49It's a story about music.
30:52Only Mr. Kumatsu can do it.
30:54When I talked to Sakurai,
30:57I asked him what his new song was.
31:00He said,
31:02G-Spot of Manpi.
31:04At that time, Sakurai's reaction was amazing.
31:08I couldn't stop laughing.
31:12I was doing something like that.
31:17It's a leisurely play.
31:21Mr. Kumatsu, in your generation,
31:23you didn't have karaoke, but you did Shunka.
31:26I was definitely singing a song like that.
31:29I've said it many times, but it's a song like that.
31:34In the world of entertainment,
31:36everyone loves vulgarity.
31:39But if you're really vulgar, it's boring.
31:42You can't laugh.
31:44I think it's a sense of how to keep the last minute.
31:47I think that's why you have it.
31:49Plus, I think the fact that you're making Kamakura
31:52is the reason you can fly anywhere.
31:55The people who are doing it are doing it,
31:58so everyone understands it.
32:00If it's just this, it's just vulgarity.
32:03It's cool.
32:05Even though you're saying vulgar things.
32:08By the way, when I asked Kuwata himself
32:11about his favorite Sazan song,
32:13this is what he said.
32:15My favorite Sazan song is
32:17a song called Joker for the Goddesses.
32:21JOKER FOR THE GODDESSES
32:31It's a bit blues-like.
32:33The chorus is a bit like the Beach Boys
32:36who were into it at the time.
32:38It's not a head sound,
32:40but I tried to go that way.
32:51JOKER FOR THE GODDESSES
32:58There's also a song called Ike Rikidozan.
33:01This is also a bit funk-like.
33:09It's cool.
33:11JOKER FOR THE GODDESSES
33:17Kuwata has been sending out
33:19various masterpieces to the world.
33:21Here's a question from Mizuno.
33:23What motivates you to continue
33:26making new works?
33:28As I've built my career,
33:30I've become a national figure.
33:33I don't think it's a waste of time
33:36to answer to expectations
33:38and betray them.
33:40Kuwata-san is the only person
33:42who makes songs while he's still alive.
33:45So how do you continue to make new works?
33:49Why don't you just say,
33:51I'm Keisuke Kuwata?
33:53You're right.
33:55We're getting older.
33:58The world is getting newer.
34:01There are more young people
34:03on TV.
34:04Things are being updated.
34:06Of course we're getting older.
34:10But I don't know.
34:12I'm at this age.
34:14I'm at this age.
34:16But if I ride this time machine
34:19of music,
34:21I think I'll be able to
34:23jump into my youth.
34:25I'm not sure.
34:27I feel like I'm going to die
34:29before I get there.
34:32Ten years ago,
34:34Kuwata-san released
34:37his first original album,
34:39Thank You So Much.
34:43What do you think about
34:45the type of album
34:47Thank You So Much?
34:50When we're trying to make
34:52an original album,
34:54we need to be prepared.
34:56It takes time and
34:58it might be the last one.
35:00I don't know.
35:02I wanted to say thank you
35:04to my fans.
35:06I wanted to say thank you
35:08to my fans.
35:10I had a narrow meaning
35:12to say thank you.
35:16When I was on tour
35:18after the rehearsal,
35:22the feeling of warmth
35:24of the title Thank You So Much
35:26changed.
35:28I'm still on the way.
35:30The staff is watching
35:32the audience.
35:34They make it
35:36in various ways.
35:38The support members
35:40do this much.
35:42I thought,
35:44this is Thank You So Much.
35:46The reaction of the audience
35:48changes your impression.
35:50Yes.
35:52On SNS,
35:54the fans are talking
35:56to each other.
35:58I heard that
36:00it was hard to go home
36:02and the plane didn't fly.
36:04It's not easy
36:06to do what we do.
36:10I'm glad
36:12the tour and album
36:14are called Thank You So Much.
36:18Southern All Stars
36:20have been making new works
36:22for a long time
36:24and have been respected
36:26by the fans.
36:28I have a question.
36:30What is the driving force
36:32of the band
36:34for a long time?
36:36In my case,
36:38I can say one thing.
36:40I like the existence
36:42of Harayuko.
36:44She is one of the factors.
36:46And I think
36:48there is a woman.
36:50The fact that a woman
36:52is in that position
36:54makes communication easier.
36:56As a man,
36:58I want to be soft
37:00and take care of the atmosphere.
37:02In my case,
37:04I think so.
37:06Of course,
37:08I've wanted to break up
37:10many times,
37:12but it's annoying.
37:14I want to change
37:16the way people feel.
37:20I do live shows regularly.
37:22Of course,
37:24I want to make new songs.
37:26I think it's good
37:28to renew the bond
37:30of Southern All Stars.
37:34And each member
37:36has his own personality
37:38and effort.
37:40Even if it looks like this,
37:42everyone has a hard time.
37:44Each of us.
37:48I don't think
37:50I'm the only one.
37:52I think
37:54Southern All Stars
37:56has a lot of humanity.
38:02I was shocked
38:04that I wanted to break up
38:06many times.
38:08We only saw
38:10the fun side of Southern All Stars.
38:12It's amazing
38:14that we can
38:16have fun together
38:18even when we're apart.
38:20Mr. KUWASU
38:22doesn't want to stop
38:24trying new things.
38:26He has a strong spirit
38:28to challenge anything.
38:30I'm looking forward
38:32to what will happen
38:34in the future.
38:38If I were Mr. KUWASU,
38:40I would have stopped
38:42trying 20 years ago.
38:44I'm not sure.
38:46It's a difficult question.
38:48Mr. KUWASU is glad
38:50that he's not me.
38:52Mr. KUWASU is glad
38:54that he's not me.
38:56Thank you for being
38:58Mr. Sakuyama.
39:02Next, a question from Mizuno.
39:04How do you define
39:06and evaluate
39:08Mr. KUWASU
39:10as a musician
39:12in the future?
39:14I'm still told
39:16that he's like a student band.
39:18If I were him,
39:20I would have been sad.
39:22He's a very serious person.
39:24I think that
39:26public music
39:28has to go through
39:30the most difficult battles.
39:34Coming soon!
39:38Pianist Hiromi Uehara
39:40on stage!
39:44And more!
39:48A question from Mizuno to Mr. KUWASU.
39:50How do you define
39:52and evaluate
39:54Mr. KUWASU
39:56as a musician
39:58in the future?
40:00It's a difficult question.
40:02In fact,
40:04he wrote a book
40:06about Southern All Stars
40:08and Southern music.
40:10In the title of the book,
40:12Mr. KUWASU said
40:14this.
40:16Once upon a time,
40:18there was a time
40:20when people were
40:22a little lenient
40:24to those who were
40:26a little lenient
40:28to those who were
40:30a little lenient
40:32to those who were
40:34a little lenient
40:36to those who were
40:38a little lenient.
40:40I wrote it in a little lenient way.
40:42I think it's also a difficult thing
40:44to maintain the weight
40:46and charisma.
40:48I think it would have been good
40:50if we didn't have
40:52such a hindrance.
40:54We are in the late stage.
40:56We are in the late stage.
40:58I'm still told that
41:00we are like a student band.
41:02I still have that
41:04in my mind.
41:06I'm grateful for that.
41:08When I was in my 40s or 50s
41:10and was told that
41:12we were like a student band,
41:14sometimes I didn't like it,
41:16but I overcame that.
41:18Now I'm old and I'm here.
41:20I'm glad
41:22I'm here now.
41:24I'm glad I was able
41:26to do a long time
41:28with Southern All Stars.
41:30I might have been really sad
41:32It may have been sad, but I think it was all in many ways that I was able to do so far.
41:41It's very heavy to say that everything you've done for a long time has been everything.
41:47You said that you weren't recognized as a musician.
41:54I think that the most vulgar or the most violent attitude of the general public is that we have to put out the most fun music.
42:08I think we have to fight hard all the time.
42:11I think that's the most musical part of what Sazan has been doing.
42:29I think it's boring to be evaluated as music.
42:33I think that's the most musical part of what Sazan has been doing.
42:46I think that's the most musical part of what Sazan has been doing.
42:55You've got a different way of stabbing.
42:58Hey, you've got too much information.
43:04I'm sure Mr. Kuwata is watching this.
43:09I'm sorry.
43:11What are you apologizing for?
43:15You've been doing a great show for a long time.
43:20Thank you so much for coming out today.
43:25One thing I'm curious about is that you didn't play before.
43:30Why did you quit recently?
43:34I was wondering if there was a session this time.
43:38It's hard.
43:40Please continue to do your best.
43:44Thank you for coming out today.
43:46Thank you so much.
43:48Thank you for your time.
43:50Are you okay?
43:52Of course.
43:54I'm sorry.
43:56Mr. Kuwata, thank you for coming out today.
44:01We're a group, so I learned a lot from you.
44:06It's really important to keep going.
44:09Of course, I feel the difficulty.
44:12We'll do our best from now on.
44:15That's what I thought.
44:17Can't you just be cute?
44:20This is cute.
44:22It's cute.
44:23It's cute.
44:24It's cute.
44:25It's cute.
44:26It's cute.
44:27It's cute.
44:28It's cute.
44:29It's cute.
44:30It's cute.
44:32The next episode is about the idol of the Reiwa era.
44:36The two people who set up Fruits Zipper and Cutie Street revealed the puzzle strategy for the first time.
44:42I put the lines in the first 1 or 2 seconds.
44:46From there?
44:47I think I was serious.
44:50I was really serious.
44:51It's cute.
44:52It's cute.
44:53It's cute.
44:54Is this cute?
44:55It's cute.
44:56Thanks to that, all the orders have lines in front of the chorus.
45:02It's cute.
45:03It's cute.
45:04It's cute.
45:05It's cute.
45:06It's cute.
45:07It's cute.
45:08It's cute.
45:09It's cute.
45:10It's cute.
45:11It's cute.
45:12It's cute.
45:13It's cute.
45:14It's cute.
45:15It's cute.
45:16It's cute.
45:17It's cute.
45:18It's cute.
45:19It's cute.
45:20It's cute.
45:21It's cute.
45:22It's cute.
45:23It's cute.
45:24It's cute.
45:25It's cute.
45:26It's cute.
45:27It's cute.
45:28It's cute.
45:29It's cute.
45:30It's cute.