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Short filmTranscript
00:00You
00:02You
00:27Slow down, please. No, I told you we should have left sooner man. We're gonna miss it
00:31Who cares that we missed the stupid magic hour one or I do the shot is gonna be epic
00:35It's gonna be like a famous shot in a movie. I want to be there when they film it
00:38The Dresden is right down there. We can go and get drunk. It'd be fucking fun. Not missing this shot
00:43Why do you care so much?
00:44We don't do shit when we visit these sets and they are
00:47Counting the minutes until we leave that is not true
00:49I bet there's a lot of execs who suck on set but not me literally my favorite part of the job
00:54Seeing the DP the director bring the script to life. Why we do this shit, man
00:59I do it for the money sex drugs, but I'm built different. I guess you know, you love it
01:04Hey, there it is. There it is. Yeah. Okay. Well, where do you think I park? Definitely not this driveway?
01:10This is not crew parking. All right, we should go back to base camp like a memo said no, there's no time
01:15I'm gonna park on set. I'm the head of the studio. They can move my car if they have to
01:29Oh
01:38Yeah, yeah, yeah
01:41You're not wearing the suit you were to work you changed your clothes
01:43Yes, I did address casual when I go to a set. Have you seen how these slobs dress?
01:47I'm wearing cargo shorts with calf tattoos. You're wearing a suit. You look like a narc fuck. Why don't you say something?
01:53I would have done that too. Now. You're gonna look like the cool. He's like, I'm gonna look like a nerd
01:59You mr. Remick the studio head. Yeah, sure. I am. Hey, how's it go? Hey, great to meet you. I'm Doug. Hey Doug
02:05What's up? Hey, man, everyone's super thrilled you're here. Oh, look at that
02:08If you weren't wearing this suit, I might not have spotted you. Follow me
02:13Stupid fucking suit just hold up a giant Simon says I sign your paychecks you hogs
02:18As if the president of the studio visiting wasn't distracting enough. I'm not gonna distract anybody man. I've done a thousand set visits
02:24I know how to play it cool. All right, look they're crunched for time. So please don't pitch too many ideas
02:28Yeah, obviously they asked me for feedback. I'll give it
02:32Make way people studio president come to remove move move
02:35Maddie and Sal making a grand entrance. Hey, what your tuxedos at the cleaners fuck too fancy, right?
02:43Shit, it's not that bad. Is it you're fine, but um, but you gotta lay low. Okay. Okay, there's zero margin for error on this shot
02:49Yeah, exactly
02:51Sorry, but you being here. It's just as distracting as when Bob Evans would show up with a magnum of Dom and an eight-ball
02:57Wiggles, hey kid, how soon till we roll? Uh, maybe a few minutes Sarah's on the patio making adjustments with Jonas
03:03Hey, do you have a wardrobe department or something somewhere? I can maybe get a sweater or something more casual
03:08Yeah, of course right over here. Okay, you know I started as a PA
03:11Sal you are as useless as a single sock. Your one job was to keep him from visiting set today. I tried
03:17Okay, I even hidden his bathroom for 20 minutes
03:19So we would be too late to come but he found me and started yelling at me. It was embarrassing. Oh, really?
03:23All right, everyone. Thank you so much for your patience. We're gonna take a run at this now. Hey Patty. Hey, Sal
03:28I just saw Matt walking through the house. I thought the set visit was off today
03:32Yeah, we tried we tried but his film boner is at full mast
03:36That said if he hears that you don't want him around you'll never see him again. Should I go tell him? No, no
03:41It's okay. It's okay. It's yeah
03:42I'm about to ask him for an extra 800 grantees Rolling Stones all over the scene if he thinks I don't want him on set
03:47He's not gonna do it. That's true. He's a very fragile and vindictive man, and I say that as his best friend
03:52I'm sure it's fine. Pretend I didn't say anything. He's a good guy. He might even be helpful. Definitely won't be helpful
03:56Yeah, we could set him up in this very own video village quarantine him like a chimp with a virus
04:02It's okay. Great. Whatever works. Um, I would love to check the opening frame again
04:06Okay, now we have to keep baby Healy in his playpen. We lose Greta tonight. You know that yeah, she's flying to London
04:12Tomorrow for some top-secret Nolan film. I read the script. It's a Jack the Ripper say, huh? Spoiler alert. He's a she
04:20Sal if this one it doesn't go on perfectly in the next half hour
04:23This film has no closing shot. Hattie. You are a vanity producer on this at best
04:28I have been developing this for four years only here so you could suck up to Sarah and make her next movie
04:36You're not as dumb as you look. Yeah, which is not saying much considering how dumb you look, you know, Patty
04:41We're a lot nicer when you were an alcoholic. Well, it's a good thing. I'm sober now. Wait, wait, wait
04:46We're on the same team here. Okay? Yeah
04:47I'm gonna stop Maddie from kneecapping the shot by keeping him away from Sarah keeping him away from the actors, especially Greta
04:54Why oh, she's angling to get the jet for the press tour
04:57And if she sees him, we're gonna lose our light while she kisses his ass to avoid flying commercial. Got it
05:02Oh
05:07Much better. I look like a stupid background actor. Oh stupid background actors better than pompous studio suit. Let's move
05:17Okay, okay slow down these pants are too big I can't walk it on proper
05:23Wonders are so stupid. It's just the director jacking off while making everyone else's lives miserable audiences do not care about this shit
05:29Are you kidding me? The water is the ultimate cinematic achievement, you know, it's like the perfect marriage of artistry and technicality
05:37Yeah, got Birdman children of men goodfellas, you know, you know
05:41You know, I was getting really older when they shot that man had a package like a caramel leather sofa rest in peace
05:46It's also like a great storytelling tool
05:49You know, you see Greta Lee's character go from being confident to broken all in one take with no cuts. That's perfect
05:56I think Maya's gonna want to market. This is a lesbian love story. I'm not a super depressing Warner
06:07Should I go say hi before they were
06:09Stay okay. No shit. We got a cloud. Give me one minute
06:13Okay, then let's watch. Let's watch playback of rehearsal one more time before we go for it. Alfie playback, please
06:18I
06:23Just the standards may be a little fast we should just make sure Greta takes her time
06:30Just after you have worked all day
06:36And then you turn extras can't be back here. Oh my god, you know, I am so sorry
06:44It's okay, I thought you were an extra I know I get it you can call me that it's all good
06:49Don't worry about it. Okay, Matt. Can I get you a coffee or anything?
06:54Yeah, if you're going on a run, I'll take a cold brew with some milk and just a little bit of a coffee
07:06Okay, let's stop there so that felt a tad slow by the front door we still need a few more crosses in the living room
07:12How's the light looking almost perfect? We roll in a minute. We should be able to get two good takes. Okay, everybody
07:17Let's go back to one
07:22Just barely we got here though
07:24You mean wardrobe?
07:27It's a long story. Yeah, I'll tell you later you're busy, you know, yeah, thanks for coming in
07:32Yeah, so if you can just make a note that she stays more camera left at the very the dailies have been looking amazing
07:37We're so thrilled. Awesome. I'm so glad you're happy. Yeah, that's great
07:41Then they're just if it's less stacked up by the time they get also then supporting female filmmakers is a huge priority for us at
07:47Continental well, let's get this shot. Make sure you're not making a mistake
07:56Yeah, so if you can just make that another be great and then I've just been looking forward to seeing you bring this scene
08:00The life since I read it in your script that it was it was it was poetic, you know
08:05Sophia drives away
08:07Her whole life changed forever
08:10Everything she loves behind her now
08:14You wrote that I did. Yeah, I mean I wouldn't miss it for the world
08:19We've rehearsed it all afternoon and we've shot it three times with standards and I'm almost sick of it already
08:29It's just a treat really, you know
08:31it's kind of like being you know with PT Anderson on the set of boogie nights when they shot that opening water or
08:36Being on the set of touch of evil with Orson Welles, you know as he shot the car bomb scene or you know
08:43Being on the streets of Cuba as they shot the funeral sequence and soy Cuba
08:49I'm gonna I gotta go check on yeah, don't let me get in the way
08:58You're not in the way at all
09:00Really? No, of course not. And in fact, if you have any feedback as we go, feel free to let me know
09:05I want to keep the big dog happy
09:09Why don't we grab
09:18Notice
09:19Gretel ease stand-in wasn't smoking a joint in the beginning of the scene like she is in the script
09:24Yeah, we got rid of it. It seems really unnecessary
09:26Actually, I always just love that so much cuz you know
09:29It ties back into the beginning of the film when they're driving into LA and she promises Petunia
09:33Smoking, you know, it bookends the movie. I love a book
09:38There's no time. Oh, I know one second, you know, it's a book
09:42You know what? It's um
09:46It's a really good idea
09:48Bobby, can we go back to Greta smoking the joint please? You're sure gonna take props a moment to get it
09:54Just take a minute. Come on. Look how much Sarah likes the idea. She's thrilled about it. We're in sync here, right?
10:02Smart pitch you would have thought it, right?
10:05Let me get you over here
10:09Yeah, she's still a great actress come on she thinks it's good no, it's a good book and you don't mention that
10:14Yeah, every time you watch this movie for the rest of our lives and she likes that joint
10:18Oh, well, no, it's because we came to set time. Let's get out of here. Let's go to the dress
10:21Dude, no, we gotta watch them do it. This is the best part, you know
10:27Right this way
10:29Where are we going? Oh, what's this up your own video village right here my own video village. Yeah
10:35Yeah, we rolled out the red carpet VIP village. You got your own share and you got your own raisins
10:40I don't I don't need any I was I was totally happy over there. This is unnecessary. Let me go get you some comtex
10:45Thank you
10:46We need a pair of comtex for the studio head now
10:51Why would you encourage him it just seemed to mean so much Tim
10:55Do you see how happy you got when I took his no? Oh, I've seen that face. It's pathetic
10:59It's a small price to pay if it gets me that song first
11:01You'll ensure it you would have the whole album price be damned Bobby. Can we roll please?
11:05Just waiting on props with the joint any second now. Oh, Jesus Christ
11:09We're gonna get like one take at this point. We have to roll. Let's not fly that joint in ASAP. Thank you
11:14We're gonna join now
11:19Thank yeah, I don't want to fucking be here right now man, I'm lost your VIP they exiled me from their village
11:26Okay, I'm not stupid. I see what's happening. I gave Sarah one idea and she liked it. Okay good
11:30But click flex idea. I'm gonna have a studio. I can go back. I'm going back
11:36Hey, is there a problem with the monitor no, I just thought I'd be closer to the action
11:40You know, how can we miss you if you won't go away? I just pretend I'm not even here
11:46Got the joint we are set. Okay rolling
11:51All right, this is it action, please
12:10You guys it's out. I'm sorry roll son of a fucking bitch only 30 seconds where we said
12:17It looked super cool until it went out. Hey, are you a Rolling Stones fan? Oh, yeah
12:21I met a Mick Jagger once actually at the band
12:24Yes, I was I was just thinking that you can't always get what you want would be so perfect over this closing shot
12:29I'm assuming we can get it. Oh
12:31Yeah, I mean if we could afford it, it would be perfect. Yeah
12:34Well, I mean if you if you really like it you can afford anything, right? Oh, it doesn't exactly work like that
12:40All right. Let's go right now rolling
12:44Action, please
13:06Your
13:10No
13:20Just happen again, it's normal. It's not a problem. It's fine. Hey, Randall. Thanks for the invite
13:29Are you guys getting audio?
13:31Yes, please shut up
13:33Dropping out and now the audience
13:35We saw yeah, no, it's a good day. We can hear it fine. Stop. Stop. Stop it Doug
13:40Yes, mr. Rick, I was getting a bit of static and now I got nothing let me take a look
13:48Just make sure the headphone jack is always it's all the way in. Yeah, I think it's an all the way
13:52I'm just not the volume up the volume. Oh, yeah
13:56Okay, I'm sorry, you know, it's I don't need I'll just watch the water I'm
14:00Wait, wait, wait. Why why cut that that tick was perfect? What happened?
14:03We're gonna say she's hearing people whispering and it threw her off. Oh, come on
14:07I bet if you just picked it up from exactly where you cut you could stitch it together. We're not doing stitches
14:12I mean even like 1917 would use whip pans to connect. We're not doing whip pans is a true wonder. There's no tricks
14:17We're just gonna do it. Okay, great. Let's go again. I will have a working set for you
14:21I don't even need it. No, no pretend. I'm not here
14:24Bobby can we gather in the living room away from fucking Matt?
14:29What's it's gonna take a few minutes to get party guide number to reset dried up new clothes
14:35Five minutes
14:37If we can roll in five, yes, but just one take with no resets everyone back to one now
14:44Okay, just so you know, it was the PA Doug you wouldn't stop talking, you know
14:48Oh, don't even worry about it cuz he's fired tonight. You can't fire Doug. No, no, no, no, don't do that
14:52Okay, but he won't even know I came from you. I promise that's not the problem. I was a PA when I started
14:56Hi Doug. Oh Doug. Hi. What's up? Mr. Remick? You're wearing party guy number twos wardrobe change
15:01No, but we do not take clothes off our studio president we got multiples in the back with the wardrobe go Doug go get him
15:08now
15:11My god, oh I want mr. Magoo gone. I've been trying you won't listen to me
15:16Okay, he's my boss unless you want to give me millions of dollars to shoot the scene on that weird volume stage
15:22They shoot the Mandalorian on you're gonna need to get rid of him so I can finish this film. No, no
15:27I am handling this my queen. You just do your art. I'm trying to know now you will get Maddie and make him leave
15:33Daddy, it's not gonna happen or I will send TMZ the video of you freestyle rapping on my birthday the one with the n-word
15:43Matt we're leaving right now. Holy fucking shit. There's a guy dressed just like you. Where is he?
15:50Oh, he went that way
15:54Matt we gotta go
15:56Yo, hey, are they looking for me? Fuck are you doing? That's a piece since we got here
16:00There's someone in the bathroom will be 30 seconds. Okay, how do you want me to find you?
16:02She wants you to leave right now. Yeah, I know Patty wants me in here
16:05I can tell it because she wants to have the special relationship with Sarah Sarah wants you to leave too
16:11She said that
16:12Yeah, Matt, she did. I'm sorry, man
16:15Because I think it's just it's it's a very complicated shot and they're losing light and then you being here is very stressful
16:23She doesn't want me to be here. I don't want to be here. It's just my favorite part of the job. I know
16:37It's a long story, don't worry about it. Yeah, you know, you really are like a different kind of studio head
16:43It's so amazing
16:46Like you're here in the trenches with us and it just always makes such a big difference
16:51Thank you so much. You're doing such beautiful work in the film, by the way. Yeah, but we were actually
16:57What are you thinking so far I'm so glad that Sarah put the joint back in oh my god
17:03That was that was my idea. What? Yeah, that was my idea. No way. Yes. Yeah flick it into the pool
17:10Yeah, it's a call back to the opening
17:13I love a book. Everyone loves a book
17:20Well, thank you and again great to see you we were just thank you so good so
17:25Frustrating is we would have gotten that shot
17:27But background was whispering and it just totally threw me off and it's just so frustrating when that happens. It's so disrespectful
17:34It's the worst fucking extras
17:37Oh
17:39Okay, I'll be right there, um
17:41If you want to find me at rap because I also wanted to talk to you about the press tour
17:46Oh, yeah, maybe we could take a jet like that could be fun
17:50Oh, yeah, like it's really for past lives like no money like $2
17:55I really basically had to carve my own boat together. Oh, no done with that. Never again hard to get. Yeah. No you deserve
18:01Your best yeah, no, no, no, no, but you have a bathroom at home
18:31I
18:35Finished
18:41Fucking fly me fucking old
18:55Greta yo, I actually want to talk to you about award season. Just make sure you keep your winter clear. Okay, Matt
19:02Oh
19:06Shit I'm so sorry. I'm sorry Greta. I'm so sorry. I'm sorry
19:32Oh
19:34You're bleeding
19:42You you
19:45Know what you're doing
20:02I'm gonna ask me to stay that she was talking about promoting the movie already. She's excited. So she could use the jet
20:07That's the only reason she's kissing your ass
20:09Literally, the only reason anyone on this set is talking to you is to get something from you camera is set action, please
20:24Hi, mr. Rimmick, I'm a little more systematic
20:32I don't need any help. Good news. It doesn't seem like anything's broken
20:41The fuck away from me now
20:54See his face
20:56Around the wall
21:26Oh
21:36No way
21:38Cut no
21:40Stop that was perfect car blocking the driveway. What what the fuck's car is ruining the shot Oh convertible
21:47Custom-plate STD head. It's studio head not STD. Oh
21:52Fuck it's mine. Why are you even still here?
21:58Okay, I'm trying to support women
22:02Are you fighting supporting women to me I died no, I know I'd heart me from anywhere on earth other than here
22:13What is fuck I need my suit
22:21I'm paying for that rolling stone. It's yours. Yes. It's yours, right? She's fucking. Yeah, she's really really angry for man
22:30What is it
22:33So many fucking
22:35Coochie Nellie, what's the double-breasted super functional buttonholes? I got it. I got it. Oh fucking go go go go go
22:42Oh
22:49You're leaving we didn't get a chance to finish it. Yeah. Yeah. Thank you
22:53Feel better
23:09No, oh my god, they're all still right there they're right behind us
23:17That was bad
23:23You're gonna get the shot. Yeah, definitely. Yeah. Oh, I know right totally
23:32Tell you right now the joint look cool. Thanks, man. Yeah, I think so too. Yeah, it's a bucket
23:53You
24:02They didn't get it fuck
24:10You can't always get what you want
24:23I
24:54You
25:04You