フィルメンタリー 2025年3月27日 髙石あかり初単独主演！映画「ゴーストキラー」特集
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00:00Teleto
00:03March 2025
00:06A movie made in cooperation with the US
00:09has come to its publication
00:11I tried a lot of things
00:13I'm a little nervous
00:15but I hope you enjoy it
00:17Thank you
00:19One, two
00:21The masterpiece is born!
00:24Yay!
00:30Spain and Portugal
00:32have received high acclaim for their action comedy
00:35Ghost Killer
00:39A world-renowned action movie
00:42and a unique comedy
00:44Bug, bug!
00:45Yes, I'm bugging you
00:47It's a movie with a lot of attention this spring
00:51Takaishi Akari
00:53is the first solo lead
00:56She is a young actor
00:58with a certain acting ability and presence
01:01One, two
01:06It was an unknown play
01:08that I had never done before
01:11It was very difficult
01:14but it was worth doing
01:20In the popular series, Baby Valkyrie
01:23Takaishi got a lot of attention
01:25It's good
01:27She was a cute killer
01:29and she was a big hit
01:31Throughout the series
01:33she showed a hot action
01:35and a comical acting
01:39Takaishi has appeared
01:41in a lot of movies
01:43but in this movie
01:45the action is more serious
01:50One, two
01:53It's always difficult
01:55What's difficult is
01:57the connection between the head and the body
02:00Even if the head is like this
02:02the body can't move
02:04I think that's difficult
02:07In this movie
02:08Takaishi's action scenes
02:10are packed with powerful action
02:15The audience can't tell
02:18whether or not Takaishi's action scenes
02:21are emotional
02:24What is the action that fascinates the audience?
02:28Like this
02:29I grab her like this
02:31Then you can see how she feels
02:35She's calm
02:37but she's always on fire
02:41What is the actor's soul
02:43in the lead role, Takaishi Akari?
02:49When I try to move forward
02:51I have no memory
02:55Filmentary, a human documentary
02:57that explores the evil love and passion
02:59that moviegoers have for their work
03:04This time
03:05it's an action comedy
03:07released on April 11th
03:09It's about the charm of the movie
03:11Ghost Killer
03:14The limit is
03:16to be able to face it
03:18with a smile
03:39A normal college student
03:41Fumikawa Matsuoka
03:44Suddenly
03:45she meets the ghost of the killer
03:47Kudo
03:48Ghost!
03:49Ghost!
03:50Ghost!
03:54This ghost
03:56can possess people
04:03One body
04:04Two personalities
04:06And
04:07it moves on its own
04:08and starts talking
04:09so it's in a bad mood
04:11What?
04:12Gross!
04:13Get out!
04:14My body won't move
04:16Why can only my mouth move?
04:19No
04:20It's my first time being a ghost
04:22so I don't know the system
04:26A normal college student
04:28and a ghost of the killer
04:30who hasn't been born yet
04:31The two
04:32get together
04:33because of Fumikawa's best friend
04:35Maho
04:41Maho
04:43I told you to stop
04:44dressing up like this
04:50What?
04:52Maho's clothes
04:53look really good on you
04:54You idiot!
04:58After reading the script
05:00I was excited
05:02I wanted to challenge myself
05:04as an actress
05:06It hasn't changed
05:09But when I tried
05:11I realized how difficult it is
05:16The two have become
05:17the strangest buddies in the world
05:19In order for Kudo to survive
05:21they need to get rid of the grudge
05:25The enemy
05:26is Kudo's killer organization
05:28Kudo's junior
05:30Kagehara appears
05:33Hm?
05:35Um...
05:37Are you alone?
05:39Where's Kudo?
05:45Kudo...
05:46Um...
05:49What was it?
05:50You're being careless
05:52I'm being careless
05:54You're the one who lost
05:55You're the one who lost
05:56Don't you know
05:57how to say
05:58how to say
05:59how to say
06:00I know how to say
06:01I know how to say
06:02Who was the one
06:03who forgot to say that
06:04and got killed?
06:05Kudo?
06:06Ah, I remember
06:07You're such a
06:08talkative and cheeky junior
06:10Kagehara
06:11has a complicated
06:12attitude towards Kudo
06:14With the appearance of this man
06:16the situation
06:17is changing drastically
06:19Oh
06:23Exciting action
06:25A hybrid movie
06:27Ghost Killer
06:30The director is
06:31Kensuke Sonomura
06:32who worked as an action director
06:33in Baby Valkyrie
06:35The screenplay is
06:36Yugo Sakamoto
06:37who also shot
06:38Megaphone in Baby Valkyrie
06:40I didn't get attached
06:41to you with my own blood
06:46Even so,
06:47this movie
06:48is full of passion
06:50for action
07:01Kensuke Sonomura
07:02is a specialist
07:03in the field of action
07:04as an action director
07:06In 2017,
07:07he directed
07:08John Woo,
07:09a world-renowned
07:10actor
07:11in Baby Valkyrie
07:15Can I do it again?
07:16Sure
07:18In his debut film
07:19Hidora,
07:20the director
07:21directed
07:22ultra-fast
07:23and realistic action
07:24and received
07:25worldwide acclaim
07:31In his second film
07:32Bad City,
07:33he worked with
07:34the actor
07:35Hitoshi Ozawa
07:36and shot
07:37soul-stirring action
07:38in six films
07:45Director
07:46Kensuke Sonomura
07:47is passionate
07:48about action
07:49I asked him
07:50about his
07:51passion
07:52for making
07:53action scenes
07:56To put it bluntly,
07:57I'm afraid
07:58I might look
07:59like I'm lying
08:00when I'm acting
08:01so I try to
08:02make sure
08:03that I don't
08:04sound like
08:05I'm lying
08:06in my lines
08:07I think
08:08that's
08:09what I'm most
08:10particular about
08:11Whether or not
08:12I look like
08:13I'm reacting
08:14is a matter
08:15of whether
08:16or not
08:17the audience
08:18can empathize
08:19with me
08:20I think
08:21it's a matter
08:22of whether
08:23or not
08:24the audience
08:25can empathize
08:26with me
08:27I think
08:28it's a matter
08:29of whether
08:30or not
08:31the audience
08:32can empathize
08:33with me
08:34I think
08:35it's a matter
08:36of whether
08:37or not
08:38the audience
08:39can empathize
08:40with me
08:42There are
08:43roles
08:44that are
08:45about
08:46thinking
08:47and emotion
08:48in there
08:49There are
08:50roles
08:51that are
08:52about
08:53thinking
08:54and emotion
08:55What does it mean? We asked two people who are good at action to tell us about it.
08:59I think it's the most common situation where both hands reach each other in this range.
09:07If you don't move at all here, you can't tell what you're fighting in what sense.
09:15I think you can only see that you're doing the choreography beautifully.
09:18If you're far away, you can see what the other person is trying to do.
09:28For example, if your legs are open, you can see what the other person is thinking.
09:45Also, if you're really close, you'll feel like you're going ahead of each other.
09:52You can see each other's feelings.
09:58If you don't want to lose to each other, you can get really close.
10:05Let's take a look at the fight scene of Hidora while paying attention to the distance between the two people fighting.
10:13When they're apart, they're both looking for the next move.
10:17I can feel the tension.
10:25On the other hand, as they get closer, their emotions are directly transmitted to what they see.
10:32It's a fight scene where they hold each other's hands and sweat.
10:40There's a little bit of a conversation to show how they're living.
10:45That's what I often say about directing to create realistic emotions.
10:51The moment they try to do this, their punches are open.
10:55So when they're in the middle of something, they move realistically.
11:00They need that in order to show it.
11:03These two are perfect for each other.
11:06In fact, they've been dating for 20 years.
11:11They met in their 20s as staff members of the Action Club.
11:15They held down the shooting mats together.
11:19And they worked together on many films, both directing and acting.
11:27Masanori Mimoto, who has been working with Sonomura for more than 20 years.
11:32He continues to pursue action in the world of fiction and reality.
11:43Well, I don't think it's more than that.
11:48I mean, there are lines in the film,
11:51but when I throw them away,
11:54it's like...
11:57I feel like I'm listening to them.
12:00But I feel like I'm burning here all the time.
12:03I'm calm, but I'm burning all the time.
12:06But when I'm able to coexist,
12:09that's when I'm high.
12:13A world of hot action that the two express.
12:16One of them is impressed by the world.
12:19What should I hide?
12:21It's the leading actor, Akari Takahashi.
12:24As an actress, she had the opportunity to be strongly aware of the action scene.
12:31It's the first film of Baby Valkyrie.
12:34The fight scene between Mimoto and Saori Izawa,
12:37which marked the end of the film.
12:44I haven't been focused on action so far.
12:50But the more I cry, the more my emotions clash.
12:55Of course, it's possible to clash emotions in a play,
12:59but I don't say a word.
13:02It's just a clash of skin.
13:07It's the first time I've ever felt
13:12the emotions that come from that.
13:15It's beautiful.
13:19When I'm in action,
13:22my emotions come out of nowhere.
13:25The way I cry,
13:28the way I express adrenaline,
13:31those feelings are important in other plays, too.
13:37In the end, it's all about emotions.
13:40Emotions in action, too.
13:48After the commercial,
13:50the main character, Takahashi Akari,
13:53is confronted with a struggle.
13:56I couldn't stop crying.
14:0280 years ago.
14:04I came from the future.
14:06Please live.
14:07This is the battlefield.
14:09Will Japan lose?
14:11I will definitely protect you.
14:13I hope it clears up.
14:16When he picked up a bullet,
14:18the killer's spirit took over.
14:20Don't say it!
14:38GHOST KILLER
14:40It's all crap.
14:45GHOST KILLER
14:51In the movie, GHOST KILLER,
14:53Takahashi Akari is the first actress to star alone.
15:00Her passionate acting is one of the great charms of the film.
15:08It's so fucking dark.
15:10No, no, no! I'll do it!
15:15You're not funny!
15:23Takahashi Akari decided to take on more serious action.
15:27Before the shoot,
15:29he received a video from Director Sonomura.
15:34Video content, also known as V-Con,
15:37is a way to share the content of the action with the actor in advance.
15:42Even the position of the camera and the angle are carefully designed.
15:47V-Con makes me excited and disappointed.
15:51The V-Con was so cool that I could release it as it is.
15:57I thought that if I did it, the quality would definitely drop.
16:02I felt very frustrated.
16:05But if I could do this,
16:07it would be a really cool scene.
16:11I felt that when I watched the V-Con.
16:14It's a video that makes me feel good.
16:20If you compare the V-Con with the finished film,
16:23you can clearly see that the V-Con is the important base of the film.
16:29TAKAHASHI AKARI
16:35Takahashi carefully checks the movement of the scene.
16:40He seems to be struggling with the steps when he kicks.
16:45Do I have to step up from here?
16:48Yes, that's right.
16:51Do I have to move differently from here?
16:54Do I have to step up from here?
16:56Yes, that's right.
16:58Thank you very much.
17:01She repeats it over and over again to make her body remember it.
17:07I was motivated and wanted to do it.
17:10But I couldn't catch up.
17:12Even in the action,
17:14I was conscious of my hands, legs, neck, and face.
17:20In addition, Fumika's emotions and Kudo's emotions came to me.
17:29I don't want to think about it now.
17:37In the movie Ghost Killer,
17:39Takahashi plays two characters.
17:42It seems that the scene of this bar was actually quite a mountain.
17:47It's a comical one-man play between a college student and a killer.
17:51Wait, wait, wait, wait, wait.
17:53If you use that, you'll die.
17:55Huh?
17:56Do it if you want to kill me.
17:57No, you can't kill me.
17:59And the action of tens of thousands of gold leaf cans.
18:02In the play of the unknown territory,
18:04I'm going to punk in my head.
18:06I can't hear you at all.
18:08So shut up.
18:11Takahashi is struggling with a difficult role.
18:14These two watched him closely.
18:18You're doing a lot of detailed action, aren't you?
18:23And you're talking while you're doing the action.
18:26You use your head a lot.
18:29You move while you're talking.
18:32And you switch characters.
18:34That's right.
18:37I thought you were going to make me do something terrible.
18:44I feel like I'm still sticking to the scene.
18:48I wonder if I can still do something.
18:50I wonder if I can still add something.
18:52There were a lot of ad-libs, weren't there?
18:54That's right.
18:55I thought, oh, that's what it's all about.
18:57That's right.
18:59You're choosing what's going to be interesting and what's going to be a plus.
19:05That's right.
19:07But it was terrible.
19:09I thought I was doing it because it was so much fun.
19:13I took a break after the action.
19:17When I went outside, I looked up at the sky.
19:21There are times like that.
19:26It's rare.
19:30Oh, you were watching.
19:32It was amazing that day.
19:37It was a great experience.
19:44I'm going to punk and move my body.
19:48But my body didn't move.
19:50I was breathing in the air and looking at the sun.
19:54I'm glad the director didn't notice.
19:59I was crying all the time.
20:02I couldn't stop.
20:04It wasn't because I was upset or couldn't do it.
20:08I was like, this is what happens when people punk.
20:12I need a little more.
20:14I understand.
20:20It's the first time in her life to push herself to the limit.
20:37It's a valuable experience as an actor.
20:41Yes, okay.
20:44That experience was a treasure for me.
20:49It was a valuable experience.
20:52There's no harm in meeting the limit.
20:59But what you're doing is...
21:01You're fighting every day in a place where you can't say you're together.
21:11It's cool. It's amazing.
21:14I respect you.
21:16I had a lot of feelings.
21:23It's been about a month since the release of the stage greeting.
21:28Takahashi's cheeks are relaxed at the reunion with his comrades.
21:34It smells like a bad guy.
21:37It was always a soft atmosphere.
21:44Are you nervous?
21:46Maybe not.
21:48But I'm looking forward to it.
21:57Are you nervous?
21:58I don't know.
22:00You're not nervous.
22:02I'm nervous.
22:05It was Takahashi's first solo performance.
22:10It was a special work for Takahashi.
22:17To be honest, before I saw the premiere,
22:23I was very scared as a lead actor.
22:29Three days ago.
22:31I think it's the first time I've ever felt this pressure.
22:36I was scared.
22:38But when I saw the finished work for the first time,
22:43I thought,
22:45What is this movie?
22:49It was very interesting.
22:52It was fun.
23:01Mr. Akari Takahashi.
23:06It's a very challenging work for me.
23:10It's a very memorable work.
23:13I want many people to see it.
23:17I think I was able to present everything I have now to Ghost Killer.
23:24I think it's a very interesting work.
23:31I hope everyone will enjoy it.
23:40On April 11, the exciting action comedy Ghost Killer will be released.
23:55Please enjoy the passion of the actors and staff at the theater.
24:04Is this okay?
24:06That's okay.
24:10Everyone watching the film, please watch the movie Ghost Killer at the theater.
24:1980 years ago.
24:20I came from the future.
24:22Please live.
24:23This is the battlefield.
24:25Will Japan lose?
24:27I will definitely protect you.
24:29I hope it's sunny.