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00:00I can't bear the fact that I have to put down the sign of the Yakioka.
00:05Our family was like a symbol of the battlefield,
00:10and the world was agitated by its collapse.
00:14The proud Tsuruko-nee-san has repeatedly overturned Yukiko's marriage.
00:21Today is Yuko-chan's wedding, isn't it?
00:23If you put in a bonus, the annual income will be about 10 million yen.
00:26She's 39 years old, and she's already married.
00:28It's hard for her to live because of the delay in Yukiko's marriage.
00:32If you keep talking about such trivial things,
00:34you'll only make things worse.
00:36I can't accept her as my daughter-in-law.
00:39I feel sorry for Yukiko-chan.
00:41You just don't want us to get married, do you?
00:45Taeko, the fourth daughter, was an active and curious girl.
00:51Why do you have to take care of everything from the top?
00:54If you were the daughter of the Yakioka family, you'd know what to do.
00:58Taeko ran into her childhood friend, who was against her marriage.
01:04He's a useless idiot.
01:07What's that greeting?
01:09It's for the engagement.
01:10You're so...
01:14No way.
01:16Why? Why is it different from the formalities?
01:25I'm sorry.
01:45I can't wait.
01:47I haven't eaten the red snapper in a while.
01:51It's not as good as when I was in trouble.
01:54You like it, don't you?
01:56The red snapper.
01:58What are you talking about?
02:00When I asked you what you wanted to eat when you were a kid,
02:04you always said red snapper.
02:08You're so extravagant.
02:11The red snapper is the most Japanese fish.
02:16And Kansai, where the red snapper is delicious, is the most Japanese region.
02:22Yes, yes.
02:24Here you go.
02:28Yukiko, you're drinking again.
02:33It's a new health supplement.
02:35My dad told me that if I drink a lot, my body will get weak.
02:41Yukiko, is your body stiff?
02:43I haven't been able to cut my own nails since I was a kid.
02:47That's very inconvenient.
02:49Flexibility is also a part of the bride's training.
02:53Don't say that.
02:56Hey, what's wrong with the red snapper?
02:59I can't bring it home.
03:04That's right.
03:14What are you going to do if someone sees you?
03:18Not even if it's Keibon.
03:20Itakura used to be Keibon's driver.
03:24He bought a photo studio there and helped his mother.
03:28Itakura used to be his mother's warehouse.
03:30I know that.
03:32If the world finds out, why do I have to worry about other people?
03:38Besides, Itakura...
03:41Keibon, what are you going to do?
03:44Nothing.
03:45Itakura didn't do anything.
03:47He just took a picture of my clothes.
03:50You're right, Taiko.
03:52There's nothing.
03:54Let go of me!
03:57Isn't that what you do at home?
04:06I'm busy at work, so I can't come home.
04:12What is it?
04:14I'm nervous.
04:16There was a typhoon in the Philippines that was out of season.
04:20I heard on the news that it might come here.
04:25Itakura's house
04:51Shut up!
04:52Are you kidding me?
04:56Let's go to karaoke.
04:58Why?
05:02Taiko, open the door.
05:08Open it.
05:11What?
05:19What is this?
05:21I don't like this.
05:22Why?
05:23Are you going to give me a engagement ring?
05:26No, no.
05:27I'm going to buy a better one.
05:29I'm going to give you a better one.
05:32What is this?
05:34My friend at the jewelry store gave it to me for cheap.
05:37It's a stone.
06:07What is this?
06:32What is this?
06:37What is this?
07:07I'm sorry.
07:22Did you wait for me?
07:24Yes.
07:26Why are you looking at me like that?
07:28You look like a fool.
07:30I'm not a fool.
07:33Look at this camera.
07:35It looks like a box.
07:37It's a double-lens camera.
07:39It's a famous camera from the 1950s.
07:41It's a rare white object.
07:44I can't believe I'm meeting him here.
07:48What is this?
07:50It's Kota's painting.
07:53It's not that easy.
07:55It's 200,000 yen.
07:56It's not 200,000 yen.
07:57It's a very expensive painting.
08:02I don't think it's cheap.
08:04It's expensive.
08:06I understand.
08:08You're a good girl.
08:12Don't say that.
08:15Ouch!
08:17Everyone!
08:19He's a pervert!
08:21He's a pervert!
08:26I'm sorry to invite you here.
08:28No problem.
08:30I saw your studio.
08:34Let's go.
08:55Did you take this picture?
08:58Yes.
09:05I'm sorry.
09:13Did you study abroad in Paris?
09:16No, I didn't.
09:18I worked at a Japanese restaurant.
09:21I went to a photography school for two years.
09:25I came back to Japan.
09:28I became a driver.
09:30I saved money.
09:32I bought a lot of equipment.
09:52Did you take this picture, too?
09:54Yes.
09:58This is a famous painting by a photographer.
10:03I want to take a picture like this one day.
10:06It's a painting called Kiss.
10:11I want to go to Paris, too.
10:14Are you studying fashion?
10:17I want to see a lot of things.
10:25Keep it as it is.
10:33Have you ever thought about getting married?
10:36I'm not interested in it.
10:39Me, neither.
10:41What?
10:42You even broke the rules.
10:48I was angry at that time.
10:51At that time?
10:53I like your expression.
11:15You're 46 years old.
11:18My wife died of cancer 10 years ago.
11:24She is a female professor at the University of Osaka.
11:28It's strange to be a female professor at the age of 46.
11:32She is the cousin of the president of Kansai Train Company.
11:35The president of Kansai Train Company?
11:37Yes, President Hamada.
11:38That's amazing.
11:40Her husband worked at Kansai Train Company.
11:43The president of Kansai Train Company asked her if she had a boyfriend.
11:48That's why she is so popular.
11:53She is old, but she is the cousin of the president of Kansai Train Company.
11:59Look at this picture.
12:10This is amazing.
12:12You're surprised, aren't you?
12:14No, no, no.
12:16It's a little hard, isn't it?
12:23What are you going to do?
12:25Do you want to show it to your daughter?
12:38Yuko-chan, come in.
12:43What is it?
12:55Itani-san brought it again.
12:59It's a story about a matchmaking.
13:02Yes.
13:05It's about a 46-year-old man who broke up with his wife.
13:13Yes.
13:17Do you want to see the picture?
13:21Yes.
13:33It's a story about a matchmaking.
13:37It's about a man who broke up with his wife.
13:42It's about a man who broke up with his wife.
13:48No, no, no.
13:50I'm sorry.
13:52I didn't hear the story.
13:54Naka-chan.
13:56Yes.
13:57If it's a story about a matchmaking, I don't want you to worry about it.
14:04It's better than not having a story at all.
14:09Is that so?
14:11It's not that difficult.
14:16If you say so, we'll be happy, too.
14:21Yes.
14:27It's a story about a man who broke up with his wife.
14:32It's a story about a man who broke up with his wife.
14:37It's a story about a man who broke up with his wife.
14:43Yes.
14:45It's good.
14:47I think it's autumn when this season comes.
14:53It's going to be warm.
15:02It's the law of the Sakai.
15:05Yes.
15:06Hey, Tsuruko.
15:08This kakejiku...
15:09I don't sell it.
15:11This is like my mother's Katami.
15:15Yes.
15:17Let's get it approved.
15:20Emiya-chan.
15:22Yes.
15:23Let's go get some tea.
15:25Yes.
15:26Let's go once in a while.
15:29Yes.
15:40Just by changing the roof, there are hundreds of tiles.
15:45This is the weather forecast for the Kinki region.
15:48We'll start with the movement of Typhoon No. 15.
15:51Typhoon No. 15, which is a large and very strong typhoon,
15:55is moving north to the east of Okinawa while further strengthening its strength.
16:00Oh, no.
16:07Thank you for waiting.
16:09Hello.
16:10I'm Itani.
16:11My wife is always troublesome.
16:14Please take care of me today.
16:17Yes.
16:18I heard that you are loved as a tuna teacher at the university.
16:24Yes.
16:25I think it's a good story because you are my boss's favorite.
16:30I would be happy if that were the case.
16:33I think a calm person like you is suitable for Yukiko-san.
16:39Yes.
16:42Here you are.
16:54I'm going to get up.
16:56Yes.
16:57Mr. Nomura.
17:03I'm sorry.
17:11I'm sorry.
17:21No way.
17:25She looks even older.
17:29What?
17:30She's definitely not 46 years old.
17:33She's in her mid-fifties.
17:35She looks like a parent to Yukiko-chan.
17:41I'm sorry.
18:12Thank you very much.
18:18Koryon-san.
18:20Yes?
18:21Have you ever had a cup of tea with me?
18:30Kimie-chan, how many years has it been since you came to my house?
18:36I've been taking care of you since I was 18.
18:39This is my 28th year.
18:42That long?
18:44You've been with me for a long time.
18:51Do you remember coming here with me a long time ago?
18:57The two of us?
18:59It was when you were in college.
19:03You told me that you liked someone.
19:08And you asked me out.
19:11Who was it?
19:13A college student who worked at a takoyaki shop.
19:17I remember that.
19:21Yes.
19:23That was a long time ago.
19:26Recently, a lot of things have changed.
19:31Sometimes, I don't know why I'm in that house if I don't stop.
19:46Do you want to eat chestnut zenzai?
19:49Yes.
19:52Do you want to eat chestnut zenzai?
19:54Yes.
19:58I'm so happy.
20:01About what?
20:03It's been a long time since I called you Koryon-san or Itohan.
20:22Tuna is beautiful.
20:28Yes.
20:29Yukiko-san, do you like fish?
20:33Yes.
20:35What do you like?
20:37Tuna, right?
20:39Yes.
20:40Japanese people love tuna.
20:44Tuna is the most expensive fish in the world.
20:47Tuna is the most expensive fish in the world.
20:54Japanese people love tuna more than fish.
21:02He's so quiet.
21:08I'm studying how to grow tuna.
21:13That's great.
21:14The demand for tuna is increasing.
21:17In the near future, we will definitely run out of supplies.
21:22I want to deliver more delicious tuna to Japanese restaurants.
21:30Yes.
21:31That's great.
21:33Right, Yukiko-san?
21:36Yes.
21:38To be honest, we don't like tuna that much.
21:45It's time to eat.
21:49We prepared the best restaurant today.
21:53That couple is desperate to be liked by the president of the company.
22:02Yukiko-chan, don't be sad.
22:05Let's go home after dinner.
22:08I'm not tired of saying that.
22:12I'm not tired of saying that.
22:28Tuna can swim.
22:32Tuna can swim.
22:38Tuna can swim.
22:40Tuna can swim.
22:44It's dangerous to collide with tuna.
22:47If I try to die, I'll jump into the tuna's chest.
22:53No.
22:55To be honest, I've tried to jump into the tuna's chest several times.
23:08Here you are.
23:10Please eat the tuna.
23:13Namura-san, here you are.
23:16Ah...
23:18Akashi-no-tai.
23:32Huh?
23:33You only called one taxi?
23:36My husband and I will go home by train.
23:40Your house is in Suma.
23:42It's in the same direction as Mr. Makioka's house, right?
23:44It's a detour, but...
23:47Would you like me to take you there?
23:49Suma?
23:50Yes.
23:53It's in the same direction as Mr. Makioka's house, right?
23:58Suma
24:02Well...
24:04What do you think?
24:06I'd like to offer you a cup of coffee.
24:08Would you like to come with me?
24:11To Suma?
24:13I'm a man, but...
24:16The sea is right in front of me.
24:20No, no, no.
24:23The sea in Suma is the best.
24:27The sea is right in front of me.
24:29But...
24:30I don't want to come to your house all of a sudden.
24:34Right, Yuko-chan?
24:37I'd like you to see how I live.
24:41It's better to see everything than to hide it.
24:45That way, Yukiko-san will be able to make a decision.
24:52By all means.
24:55Would you like me to take you there?
25:00No way.
25:03What?
25:13It's right in front of me.
25:16This way, please.
25:25Come on in.
25:28I'll make you some coffee.
25:39This way, please.
25:56Suma
26:15It's getting dark.
26:18Yes.
26:20It's so dark that you can't see well.
26:23But you can see the sea.
26:26I guess so.
26:36You can hear the sound of the waves and the smell of the sea.
26:45The Atlantic Black Tuna.
26:47It's beautiful, isn't it?
26:50It has a beautiful face.
26:53I can't get enough of its streamlined body.
27:02It's smooth.
27:04It's 4.5 meters long and weighs 680 kilograms.
27:10It's the largest tuna in the world.
27:15It's big.
27:17Yes, it is.
27:19I don't know what they're talking about.
27:23I don't know either.
27:26I live in a place like this because I live alone.
27:32But I want to move to a house in the city when I get married.
27:38You like this house, don't you?
27:44It's a nice view.
27:49I mean it.
27:51Yes.
27:53I mean it.
28:01The president of the Kansai Train Company is my cousin.
28:05That's a big deal.
28:08But there's no problem with our investigation.
28:11His wife was diagnosed with cancer.
28:14So there's no problem with Mr. Nomura himself.
28:17Is that so?
28:20In other words, as long as Yuko is fine, this is over.
28:25That's right.
28:32She's really old.
28:34She's a real estate agent.
28:37Yuko, you know that, right?
28:40I asked her what she thought.
28:43If I marry him, he'll do whatever I tell him to do.
28:49I don't think I can live doing what I want to do.
28:54Besides, the face of the tuna was cute.
28:59What's that?
29:00It's scary, isn't it?
29:02Does that mean you're getting married?
29:05I'm not sure.
29:07If I get engaged, I won't say anything.
29:10I don't know.
29:17It's getting hot.
29:20Hurry home. The typhoon is about to hit.
29:29Yes?
29:33I can hear you.
29:36Who is it?
29:38Yes, yes, yes.
29:42It's me, Bonbon.
29:44Hurry up and open the door.
29:50Here you go.
29:53Am I interrupting?
29:56What brings you here?
29:59You're not home yet?
30:02You're dressed up for the occasion.
30:06Actually, I'm going to invite you to dinner tonight.
30:12Don't be so formal.
30:14You don't have to go out in the middle of the typhoon.
30:18I'll be waiting for you.
30:20Here?
30:21Yes, I'll be waiting for you here.
30:23I'm in trouble.
30:25Don't worry about it.
30:27By the way, are you wearing the ring I gave you?
30:31I don't know what you're talking about.
30:34Oh, I know.
30:36You're the popular...
30:39Tsukusu.
30:41No, I'm not.
30:43Mitsugu?
30:45No, I'm not.
30:47No, I'm not.
31:02The Earth's End
31:08This is the Shirasu-no-Monsaika.
31:12A refugee camp has been set up in the Shukugawa area.
31:20If you are in the Shukugawa area, please evacuate to the Yorinoshite Refugee Camp immediately.
31:30There is a risk that the Shukugawa refugee camp will become a dangerous refugee camp.
31:36Please call the person in charge as soon as possible and evacuate to the Shukugawa area immediately.
31:44The Shukugawa Refugee Camp
32:09He's not even at work.
32:12I wonder where he is.
32:15Let's take a look around there.
32:18It's better not to move at times like this.
32:21It's like a mummy.
32:24I'm going to take a look around.
32:27Are you going?
32:28Let's go.
32:29It's a big deal if you get hurt.
32:31I'm going, too.
32:32Yukko, don't.
32:33Shut up.
32:35I'm going, too.
32:37What?
32:38I'm going, too.
32:42Are you going to take off your clothes like that?
32:45What are you talking about?
32:48That's helpful.
32:50Let's split up and look for him.
32:52Yes.
32:53I'll be on my way to work.
32:56You go to the Shukugawa station.
32:58All right.
33:01Are you sure?
33:03Are you sure?
33:06I'll look for him in the car.
33:08What?
33:09I'll look for him in the car.
33:12All right.
33:20I can't find him.
33:27It won't open.
33:28Go back.
33:29It won't open.
33:30It's a river.
33:32You can't cross the bridge.
33:34You're not allowed to pass.
33:37If you're going to the station, cross the bridge.
33:42Hurry up.
33:43I'm sorry.
33:54I thought you weren't there.
33:58I'm not here.
34:01I see.
34:03I'm sorry for calling you.
34:05He may have gone to the atelier.
34:08He may have gone to the atelier.
34:10He said he went to the Shukugawa station.
34:14I'm going to look for him.
34:36I'm sorry.
34:53I can't cross the bridge.
35:05I can't cross the bridge.
35:35I can't cross the bridge.
36:05I'm sorry.
36:12I'm sorry.
36:13Koichi.
36:19Let's go.
36:21Yes.
36:28It hurts.
36:29What's wrong?
36:30Did you sprain your ankle?
36:33Are you okay?
36:43I'm fine.
36:45I'm fine.
36:59Yes.
37:01Yes.
37:03I see.
37:05That's good.
37:07Please tell him that Taeko is back safely.
37:12Yes.
37:13Excuse me.
37:24He went back to his apartment.
37:27What's that?
37:29He went to look for Koichi, didn't he?
37:32That's right.
37:34Why did he go back to his apartment?
37:37I don't know.
37:52Toshi.
37:54You have to go to the atelier tomorrow.
37:56I'm going to go to the atelier like a fool on a typhoon day.
38:05He's a man.
38:09I don't know why.
38:11I'm glad he's safe.
38:14Yuko.
38:16What are you doing at this time?
38:18What is Nobura doing?
38:27Yes.
38:29It's okay.
38:30Really?
38:34I'm going to go now.
38:37It's such a bad weather.
38:39Yes.
38:40Can I stay here?
38:41No.
38:42He left on the way to the atelier.
38:44But...
38:45It's okay.
38:54Thank you very much.
38:56No problem.
38:59Koichi.
39:01Take a good rest.
39:04Yes.
39:08Good night.
39:10Good night.
39:24I can't believe it.
39:28I can't believe it.
39:40So...
39:42Are you going to do it to Itakura?
39:45I don't know if I can do it.
39:49Do you want to do that?
39:54I don't know how Itakura feels.
39:57How does Koichi feel?
40:01Kian.
40:03Which do you choose, Keibon or Itakura?
40:07I don't know.
40:09Just answer me.
40:10I don't think about anything.
40:13I see.
40:19Excuse me.
40:25It's been a long time, Yukiko.
40:29How are you?
40:47You look so old.
40:54I'm sorry.
41:25I'm sorry for what I said the other day.
41:31It's okay.
41:35I was wondering why you didn't refuse me.
41:42I thought you would refuse me on that day.
41:54I...
42:00I thought you would refuse me on that day.
42:08That's...
42:10I thought you would refuse me on that day.
42:24Actually, I don't want to get remarried.
42:37This way, please.
42:55I'm sorry.
42:58You still have the altar on your desk.
43:04I didn't put it on purpose.
43:09I can't easily forget my dead wife.
43:16No matter how many years have passed, I've been lonely and sad.
43:26I can't get over it.
43:33My relatives were so upset when they saw me like that.
43:42So I decided to accept your proposal.
43:53I see.
43:57It's okay.
43:59I'm lonely and sad.
44:05If I get remarried with a young and beautiful woman like you,
44:11I don't know how I should feel about her.
44:21It's rude to you.
44:28Yes.
44:34It's okay.
44:37I'm just a tuna.
44:43I'm sorry.
44:46Please stop.
44:48Please raise your head.
44:54I think you can meet a good person.
45:00I'm sure you'll be happy to meet someone like Nomura.
45:08I'm just a tuna.
45:16Please take care of yourself.
45:22Yes.
45:59I'm sorry.
46:25It's okay.
46:29I'm sorry.
46:34I'm sorry.
46:38What?
46:47This camera...
46:59It's okay.
47:01It's okay.
47:28Mania?
47:30I want you to be a mania.
47:34Is that why you gave me this camera?
47:40Thank you for coming in the typhoon.
47:47I don't get this expensive thing for no reason.
47:52That's not all.
47:55What?
48:00I just hit a ring I don't like.
48:03I'm a nice girl, so it doesn't hurt or itch.
48:12Thank you, Koishi.
48:18Hey.
48:21Do you want to try this?
48:25Yes.
48:31Do you like it?
48:57I'm sorry.
48:59I'm sorry.
49:24What did you talk about with Nomura?
49:29What did you talk about with Nomura?
49:35Yes?
49:38I decided to turn him down.
49:49I see.
49:51I understand.
49:55He's old.
49:59It's hard for him to eat tuna every day.
50:04He prefers sea bream to tuna.
50:18I'll be here.
50:20See you.
50:30How much do you want?
50:33As much as you want.
50:45A script?
50:54Hello.
50:59I'm sorry.
51:04Hey!
51:07Hey!
51:29I'm sorry.
51:31I'm sorry.
51:33I'm sorry.
51:35I'm sorry.
51:37I'm sorry.
51:39I'm sorry.
51:41I'm sorry.
51:43I'm sorry.
51:45I'm sorry.
51:47I'm sorry.
51:49I'm sorry.
51:51I'm sorry.
51:53I'm sorry.
51:55I'm sorry.
51:57I'm sorry.
51:59I'm sorry.
52:01I'm sorry.
52:03I'm sorry.
52:05I'm sorry.
52:07I'm sorry.
52:09I'm sorry.
52:11I'm sorry.
52:13I'm sorry.
52:15I'm sorry.
52:17I'm sorry.
52:19I'm sorry.
52:21I'm sorry.
52:23I'm sorry.
52:25I'm sorry.
52:27I'm sorry.
52:29I'm sorry.
52:31I'm sorry.
52:33I'm sorry.
52:35I'm sorry.
52:37I'm sorry.
52:39I'm sorry.
52:41I'm sorry.
52:43I'm sorry.
52:45I'm sorry.
52:47I'm sorry.
52:49I'm sorry.
52:51I'm sorry.
52:53I'm sorry.
52:55I'm sorry.
52:57I'm sorry.
52:59I'm sorry.
53:01I'm sorry.
53:03I'm sorry.
53:05I'm sorry.
53:07I'm sorry.
53:09I'm sorry.
53:11I'm sorry.
53:13I'm sorry.
53:15I'm sorry.
53:17I'm sorry.
53:19I'm sorry.
53:21I'm sorry.
53:23I'm sorry.
53:25I'm sorry.
53:27I'm sorry.
53:29I'm sorry.
53:31I'm sorry.
53:33I'm sorry.
53:35I'm sorry.
53:37I'm sorry.
53:39I'm sorry.
53:41I'm sorry.
53:43I'm sorry.
53:45I'm sorry.
53:47I'm sorry.
53:49I'm sorry.
54:19Poseidon Adventure.
54:21NHK VS.
54:49NHK VS.
54:55NHK VS.
54:57NHK VS.
54:59NHK VS.
55:01NHK VS.
55:03NHK VS.
55:05NHK VS.
55:07NHK VS.
55:09NHK VS.
55:11NHK VS.
55:13NHK VS.