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00:00Hiromi-san, you have finally reached the age of retirement, but are there any celebrities who are retiring this year?
00:06There are quite a few.
00:08Do you know most of them?
00:11Yes, Kamikawa-kun and Hachioji-san.
00:16My wife is also retiring this year, but when I tell her that she is retiring, she gets very angry.
00:23Because I told her that I am 16 years old.
00:26But that's fine.
00:28This time...
00:30You're so cute!
00:32You have a lot of hair.
00:34There are a lot of people who stand out at the hair salon.
00:38There are more than 1.5 million followers on social media.
00:43The god of men's costumes, Will, has appeared.
00:49Will-san comes in here and adds a shadow.
00:55Wow!
00:57Hiromi Kotaro's Oh My God!
01:00The god of men's costumes, I'll teach you!
01:05Oh, Izumo.
01:08I'm from Tokyo.
01:10I'm doing an interview for a program.
01:13Mom, can I talk to you for a moment?
01:16Come in here.
01:18That's great.
01:20Have you lived in Izumo for a long time?
01:22I've lived here for more than 60 years.
01:24I'm asking people in Izumo
01:27about the god-like people and shops in Izumo.
01:33There's a soba shop next door.
01:35What's the name of the shop?
01:36It's called Araki Soba Shop.
01:38There are a lot of soba shops.
01:40There's a soba shop in Chikatani, too.
01:42It's close to where I came from.
01:44It's been around for a long time.
01:46People come here because they like soup stock.
01:49Soup stock?
01:50Yes.
01:52There's a soba shop in Izumo, too.
01:54Do people wait for you?
01:55Yes.
01:56When I eat their soba,
01:58I don't eat other people's soba.
02:00I like soup stock.
02:02Do you go to the soba shop, too?
02:05I hate soba.
02:11Soup stock is really good.
02:13Soup stock is the best.
02:15The smell.
02:17In the first place, Izumo soba is...
02:20It's a specialty of Shimane Prefecture.
02:22It's called the top three soba in Japan
02:24along with Wanko Soba in Iwate Prefecture
02:26and Togakushi Soba in Nagano Prefecture.
02:29Izumo is famous for having about 40 shops in Izumo.
02:34I asked other people in Izumo.
02:37There's Araki Soba Shop.
02:39It's been around for a long time.
02:45How long has it been?
02:47It's been about 70 years.
02:49There's a shop called Arakiya.
02:53You can line up there.
02:55You can line up?
02:56Customers wait for dozens of minutes.
03:00Arakiya is a place where people of Izumo worship God.
03:05Let's go to 10.30 before the opening.
03:13It's already lined up.
03:15It's so lined up.
03:18This is Arakiya, where 30 people wait for 30 minutes before the opening.
03:25Even when you look at the cars in the parking lot,
03:27customers are gathering from all over the country.
03:32Where did you come from today?
03:33I'm from Kyoto.
03:34From Kyoto?
03:35Yes.
03:36How long does it take?
03:37About five hours.
03:38It's about 2.30 in the middle of the night.
03:40That's amazing.
03:42Is it from Okayama?
03:43It's from Okayama.
03:44You can go anywhere.
03:46I came from Scotland.
03:48You came from Scotland to eat Japanese soba?
03:50Yes.
03:51Is Japanese soba good?
03:52It's good.
03:55Meanwhile...
03:57I came from Yamagata.
03:59You came from Yamagata?
04:00I came alone.
04:01A woman who has been traveling alone in Izumo for more than five hours from Yamagata.
04:07I admire people like that.
04:10Let me see you for a moment.
04:12She's amazing.
04:15What is Kamisoba of Izumo?
04:17I admire people like that.
04:21I'm sorry to bother you.
04:22This is a Japanese TV program called Oh My God.
04:24I'm sorry to bother you.
04:25No problem.
04:26I heard that Mr. Arakiya is also a god.
04:30So I came to ask.
04:31Is that so?
04:32Are you okay?
04:33This is Mr. Arakiya, the god of Izumo.
04:37He's 52 years old.
04:40How long have you been in business?
04:43I've been in business for 240 years.
04:46What era is it?
04:47It's the late Edo period.
04:50Are there many shops like that in Izumo?
04:52No.
04:53My shop is the oldest.
04:55How many generations have you been in business?
04:57I'm the eighth generation.
04:58The eighth generation.
04:59Many famous people have come to see the taste of Izumo.
05:04This is one of them.
05:06This is Shinjiro Koizumi's wife.
05:09She came here three times.
05:13She went up the historic stairs and sat on the second floor.
05:17Excuse me. May I take your order?
05:19I'd like three soba noodles, please.
05:22Three soba noodles?
05:23Yes.
05:24Thank you very much.
05:26Ms. Yanase is 25 years old and works at a financial company.
05:30Why did she come to Izumo alone in the first place?
05:33To put it simply, it's rude.
05:36I can't believe my eyes.
05:39I can't believe it's all piled up.
05:45I see.
05:46That's why you go on a trip alone.
05:48That's right.
05:49I'll go on a trip alone, too.
05:53Three soba noodles, please.
05:56Thank you for waiting.
05:58Thank you very much.
05:59This is the most popular three soba noodles in Arakiya.
06:05In Izumo, there are three layers of round and small bowls.
06:13The first layer is made of eggs.
06:15The second layer is made of tororo.
06:17The third layer is made of soba noodles only.
06:21The local soba soup has a sweet taste.
06:25Ms. Yanase's soba soup is made of dried sardines.
06:31She removes the head and organs of the dried sardines.
06:35Then she makes a soup stock out of it.
06:38It's a lot of work.
06:39In addition, she mixes several types of soup stock and soy sauce.
06:43She has been making a taste that has not changed since the beginning of the business.
06:47Please put the noodles on top of each other.
06:50Please put the soup stock on top of each other.
06:53Thank you for it.
06:56I'm glad I met this person.
07:10It's good.
07:11Is it good?
07:12It's good.
07:13It's thin, so it's smooth.
07:16It's refreshing.
07:17The noodles are different.
07:19Of course, she is particular about soba noodles.
07:22I put 200g of soba noodles for 1 kg of flour.
07:25It's 10 to 2.
07:26How many kinds of soba noodles are there?
07:28It's often said that there are 28 kinds of soba noodles.
07:30There are two kinds of soba noodles.
07:32It's said that there are 28 kinds of soba noodles, but the ratio is 2 to 8 and 2 to 10.
07:41How about arakiya soba?
07:42It's 2 to 10.
07:44When it comes to 28 kinds of soba noodles, 80% of them are made of soba noodles and 20% of them are made of flour.
07:51However, arakiya soba is made of 20% of flour and 10% of soba noodles.
07:58The flavor of the soba is different.
08:01It looks delicious.
08:02It looks delicious.
08:03How to eat Izumo soba made with such fresh soba noodles.
08:08If you don't like it, you can add more soup stock.
08:17The leftover soba soup is poured on the bottom of the bowl.
08:25The flavor of the soba changes, so I feel like I'm eating something else.
08:32It's thick.
08:33It's good.
08:34It's thick.
08:35And the last one is...
08:37Please add soup stock and drink it.
08:40Thank you very much.
08:43She breaks the noodles with soup stock.
08:45It looks delicious.
08:46The noodles are good.
08:51It's a gentle taste.
08:54It's good.
08:55It's sustainable.
08:57It's all clean.
08:59I'm glad I didn't have to eat it alone.
09:05She's a good girl.
09:07I think she's a good girl.
09:10I think she's a good girl.
09:12I'm glad I didn't have to eat it alone.
09:14I think she's a good girl.
09:16I think she's a good girl.
09:17Did you eat it with her?
09:19Yes, I did.
09:20I went on a trip alone.
09:22Is it possible?
09:25I don't want to be alone when I go on a trip alone.
09:28It's my dream to go on a trip alone.
09:31You don't have any purpose.
09:32You just go on a trip alone.
09:33I just go on a trip alone.
09:35Do you want to go with me?
09:38You don't look like a person.
09:41God of God.
09:43Please tell me.
09:46This time, the God we're going to ask is...
09:50Riru, the god of male cosplayers.
09:54He has more than 1.5 million followers on SNS.
09:58He has a history of cosplaying more than 300 male characters.
10:04He is the top of male cosplayers.
10:08The god of male cosplayers shows himself more manly.
10:15You should have more blood vessels.
10:17Can you get blood vessels?
10:18Yes.
10:19Can you get blood vessels that easily?
10:21If you pull it down, it'll come out.
10:28Wow.
10:29It's coming out.
10:31It's coming out.
10:32You can see his hands.
10:35If you don't drink water, it'll come out more.
10:38It's totally different.
10:40It's a little bit like a woman's hand.
10:43His hands are amazing.
10:45By using this technique,
10:49he can express his manly hands.
10:54It's like a hedgehog.
10:57Not only cosplaying,
10:59he also has a tie-up with jewelry and skin care brands.
11:03He is attracting attention from many industries.
11:06I heard that Will-san is participating in the Comiket, so I went there.
11:11It's really beautiful.
11:15I found a lot of people who stand out.
11:19The one in the center is...
11:22Will-san, the god of male cosplayers.
11:25Will-san.
11:27It's time to take a picture surrounded by close to 100 fans.
11:32It's amazing.
11:33It's very popular.
11:35It's really amazing.
11:38It's so cute.
11:40It's long and beautiful.
11:43It's cute.
11:44I think so, too.
11:46It has a lot of hair.
11:49What kind of cosplay do you like the most?
11:52It's so cute.
11:54Will-san is also surprised.
11:57You look great.
12:01It's a thank-you event.
12:03How was it?
12:05The fans were very happy.
12:09Hiromi-san, Kotaro-san.
12:11It's been a while.
12:13I'm hot and my face is red.
12:15What kind of costume is this?
12:17I'm a Showa Otaku.
12:19Showa Otaku?
12:21This is the question.
12:23Will-san, do you have a godly existence?
12:27Will-san is a cameraman.
12:32He's good at touching, shooting, and voice acting.
12:37He's perfect at making a cosplay.
12:45He always takes a picture at the angle where he looks good.
12:49He has a great limit.
12:51For example, there is a Gozo shuttle locked in Gokumon.
12:54Will-san took a picture of it and synthesized it.
13:00He took a pose in the studio and synthesized it.
13:07He said, if you really want to be in Gokumon, let's do it.
13:13I was very nervous.
13:16It's been a while.
13:18Thank you for your hard work.
13:20I'm in a cute style today.
13:23What kind of style is this?
13:25I feel like I'm a boy from another world.
13:28I have the image of a boy from another world.
13:31You were a Showa Otaku last time.
13:33That's right.
13:35Thank you very much.
13:38I've been putting out a calendar since last year.
13:42I took a picture of it today.
13:47Today is Will-san's 2025 calendar shooting day.
13:52Who is the god of cosplay?
13:58This is my god, Mr. Yori Inoue.
14:07This is Will-san's god, Mr. Yori Inoue.
14:11He used to like cameras.
14:13He graduated from the Department of Photography at the University of Japan.
14:17He jumped into this industry.
14:20Now, in addition to Will-san's calendar, he is in charge of the production of photo books.
14:25In addition, he is in charge of the visual shooting of the 2.5-dimensional stage.
14:29He is in charge of everything related to anime.
14:32Why is God overwhelmingly supported in the 2.5-dimensional and cosplay industry?
14:38I work as a photographer and a retoucher.
14:43I do both at the same time.
14:46I'm a photographer and a retoucher.
14:50I can do both at the same time.
14:54In the cosplay industry, there are many processes such as retouching and synthesis to create the worldview of the work.
15:02There aren't many people who are in charge of photography and retouching.
15:06However...
15:08I started because I didn't want to be manipulated by the images I took.
15:13I'm completely independent.
15:16I can do everything by myself.
15:19I'm a god.
15:21They met 8 years ago.
15:25I mainly work in the cosplay magazine called Cosplay Mode.
15:30In the first place, editors contact me about this kind of work.
15:34I'm not the only one who can take a picture of MIRU.
15:38MIRU can't choose a camera.
15:41That's how we met.
15:45MIRU was chosen as the only Japanese cosplayer in Cosplay Mode.
15:51She happened to be in charge as a photographer.
15:55MIRU can go to the world.
15:57Every time I take a picture, I feel like God is praising me.
16:02I feel like I have to do my best.
16:06I think I have to improve the quality of my cosplay.
16:11The composition is good.
16:13Inoue doesn't have an NG shot.
16:18I think it's a compatibility.
16:20I think it's a compatibility with the cameraman.
16:23If I have to take a picture with Inoue,
16:28I'll do my best to contact him.
16:32It takes about three hours to press the send button.
16:37It's hard.
16:39Now, let's take a look at God's editing techniques that changed MIRU into 2D.
16:45For example, the eyes.
16:51I have colored contact lenses,
16:55but sometimes I draw my own eyes.
17:00I draw my own eyes to make them look realistic.
17:08In some cases, I combine the eyes of the person with the eyes of the person.
17:14In addition,
17:16This is synthetic.
17:18What?
17:20What is this?
17:22It's synthetic.
17:24It's not supposed to be a set like that.
17:26It's not.
17:28When I combine it with a natural light background,
17:33I think it's like a backlight.
17:37That's why I take pictures of people.
17:40Do you dare to take pictures with a backlight?
17:42That's right.
17:44When I look at it from a distance,
17:46I don't think it's beautiful because it's dark.
17:49However, when I synthesize it, it doesn't look unnatural.
17:54A popular manga, The Beast of the King.
17:57She explains the god of lighting with a cosplay photo of a character called Sogetsu.
18:02The lighting that matches this background is taken by MIRU.
18:12The background is the background.
18:14I synthesize the image I took there.
18:18MIRU is in here.
18:22And I put a shadow on it.
18:24It's like this.
18:26I see.
18:28It's like, I'm there.
18:30The sun is one.
18:32At first, I did it with just one.
18:36But my feet were so dark.
18:39There aren't many suns that shine only on the face.
18:47That's why I have two.
18:50One for my feet.
18:52So you have a light just for your feet.
18:55That's right. I added one more.
18:59I don't know why I put it on my feet.
19:03It's so sunny, but it's dark here.
19:05I thought it was impossible.
19:07So I added it.
19:09It's like the sun.
19:11She's good at making poses.
19:14For example, this photo before synthesizing.
19:17Inoue-san made it like this.
19:21I was just sitting there.
19:24When I synthesize this,
19:26I look at Yuzu-san's height and leg length.
19:31When I put something this long,
19:35my waist comes to this position,
19:38so I can see the space.
19:40When people ask me how I do it,
19:42it's hard for me to answer.
19:44It's a sense, isn't it?
19:45I think so.
19:47I think of it as a synthesis.
19:50Cameramen are different.
19:55Artists are really...
19:57That's right.
19:58She always does this when she shoots anime cosplay.
20:03When I shoot, I watch all the works.
20:07I can't give instructions,
20:09and I don't know the atmosphere.
20:12For example, if Will-san wants to do Kochikame,
20:15there are so many Kochikame.
20:17That's right.
20:18I'll probably watch it.
20:20But I don't think there's anyone who comes to me
20:23and asks for Kochikame when they see my work.
20:26To be honest, I'm not worried about that.
20:31It's funny, so I want to do it.
20:35That's interesting.
20:38By the way, you're shooting a calendar today.
20:40That's right.
20:41You're shooting a calendar.
20:43What month is it?
20:44It's October.
20:46It's autumn.
20:47Autumn sunlight is strong,
20:49so I'm going to make it a little stronger.
20:52On the other hand, she is particular about the hair for male cosplay.
20:56It's taping.
20:58I put a face on it.
21:00A face?
21:01The shape of the line of the eyes changes.
21:04It doesn't matter if it's a girl or a boy.
21:07The outline of the face is the outline of the anime.
21:12This boy has good fishtail eyes.
21:15He has drooping eyes, so I put a face on his eyes.
21:19She uses a classic technique called taping.
21:23She changes the shape of the eyes and outline naturally
21:26and continues to create hair cosplay.
21:29Let's start the calendar shooting of God and God.
21:34Should I put more shadows on this side?
21:39I think it's better to have a lot of shadows.
21:41Then I'll do it without it.
21:43This is annoying.
21:45Oh, it's too big.
21:48It's too big.
21:50It would be great if I could just take off the light.
21:53Please.
22:03It's like a doll.
22:10I like this angle.
22:14Should I do this?
22:17This is amazing.
22:19This KAPPOKU is a genius.
22:22Does this change?
22:24A lot.
22:27This is white.
22:29This is black.
22:30KAPPOKU is completely different.
22:32That's right.
22:34It's this different.
22:36I thought it was a little too low, so I made it white.
22:41I think black is cooler.
22:45That's right.
22:46This is left and right.
22:48Please speak up.
22:55I think it's better to stretch my stomach.
22:58I see.
22:59I got a dorsal fin.
23:03Is this it?
23:04That's right.
23:05I think it's better not to look like an ordinary person.
23:10So, I stretched my stomach.
23:12This is a point of view that only the cameraman can see.
23:16So, there's no one who can tell me.
23:19Maybe I'm just noisy.
23:21I can see it well.
23:24And then.
23:29How is it?
23:30It's really beautiful.
23:32It's really beautiful.
23:35I thought it would be better to shoot from the lower position so that I wouldn't look like a girl.
23:40How long does it usually take?
23:42If you have a dorsal fin, you can do it in 30 minutes.
23:50If you don't have a dorsal fin, you can shoot what you want to shoot in about an hour and a half.
23:56How about you, INOUE?
23:57About five minutes.
24:00I look like a girl.
24:10It's beautiful.
24:11It's beautiful.
24:12All the fingers are beautiful.
24:15October.
24:16This is October.
24:17I see.
24:18INOUE paid attention to the depth of this part.
24:22This is July.
24:23July.
24:24Trunks.
24:25What does that mean?
24:27Mr. INOUE.
24:28This is his muscle.
24:30Is it not rigid?
24:31It's not rigid.
24:32It's not rigid.
24:33It's not rigid.
24:35Which one do you like?
24:37I like March.
24:40Which month?
24:41I like August when I'm in the office.
24:45I like it very much.
24:47This calendar will sell well.
24:50I'll take a picture of the calendar.
24:57This is it.
24:59This is NANGA.
25:00Let's go inside.
25:02Let's go inside.
25:03Mr. HIROMI comes here often.
25:05I come here every day.
25:08Actually, this is the store.
25:11This is my GERENDE.
25:14Look.
25:17I'm making a bonfire stand.
25:20NANGA is HIROMI's favorite store.
25:25This store is located in Shiga Prefecture.
25:27This is a popular outdoor brand with 11 stores in Japan.
25:32Why did the staff visit NANGA this time?
25:36Mr. HIROMI is going to retire on February 13th.
25:40Do you want to make a red chan-chan kofu-dan with NANGA?
25:45Yes.
25:46I don't usually do that.
25:49I don't usually do that.
25:51It may be difficult.
25:53I think you should do it more.
25:56The staff asked NANGA to make a red chan-chan kofu-dan.
26:01NANGA contacted the president of NANGA to negotiate directly.
26:08I asked NANGA to collaborate with me.
26:11I asked NANGA to make a red chan-chan kofu-dan for me.
26:14I'm really busy.
26:16It's already next winter.
26:19It's about a year away.
26:21I really want to make a red chan-chan kofu-dan.
26:24Will NANGA be able to make a red chan-chan kofu-dan?
26:32Nice to meet you.
26:33I'm OH MY GOD from NIHON TV.
26:35I'm YOKOTA, the president of NANGA.
26:37Nice to meet you.
26:39This is TOMOYUKI YOKOTA, the representative of NANGA.
26:46Is there a lot of futons here?
26:49This is a futon factory.
26:51You can see futons, sleeping bags, and down jackets.
26:55Is this a futon factory?
26:57My grandfather made a futon.
27:00My father made a sleeping bag.
27:02I made a down jacket.
27:04NANGA was a small futon maker that processed cotton futons in 1941.
27:12At that time, the production of cotton was the highest nationwide.
27:18The domestic share of futons was 30% to 40%.
27:24However, due to the flow of time, production spread overseas, such as Asia, and sales decreased.
27:32The second-generation president, who was his father, started the production of sleeping bags as a brand.
27:39At that time, the production in Asia was the mainstream.
27:42As expected, the sales of sleeping bags did not increase.
27:46The third-generation president, TOMOYUKI, who joined NANGA in 2001, started manufacturing and selling down jackets.
27:58When domestic down jackets are available at a low price, they become very popular.
28:05The sales of down jackets, which were originally 300 million yen, increased to 5.5 billion yen, which is more than 18 times in just 14 years.
28:15Will the down jacket god accept the red down jacket?
28:21Did I say I wanted to wear a red down jacket?
28:26I was wondering if I could make a red down jacket on the way.
28:30I wonder if there is a red fabric.
28:33If there is a fabric, it's okay at all.
28:36I will buy it immediately.
28:39So, I went to the factory in Shiga Prefecture the next day.
28:43There are more than 70 craftsmen, including engineers and art students, in the factory.
29:00They continue to make NANGA products every day.
29:04What is the secret of NANGA DOWN?
29:07I think the material used in the product from the time of the foundation is the strongest.
29:13It is a water-repellent material.
29:17Down is weak to water, so it is a fabric that can support it the most.
29:22NANGA's own waterproof and water-repellent material, AURORATEX, is also used for down jackets.
29:29The strength of water pressure is measured by water pressure.
29:34The thickness of the fabric is 250mm.
29:37This fabric is a different size of...
29:401mm.
29:45What is the secret of NANGA DOWN?
29:48I think the material used in the product from the time of the foundation is the strongest.
29:53It is a water-repellent material.
29:57Down is weak to water, so it is a fabric that can support it the most.
30:03NANGA's own waterproof and water-repellent material, AURORATEX, is also used for down jackets.
30:10The strength of water pressure is measured by water pressure.
30:14The thickness of the fabric is 250mm.
30:17This fabric is 80 times 20,000mm.
30:21No matter how much water you bathe in, it will burst.
30:25NANGA's own waterproof and water-repellent material, AURORATEX, is also used for down jackets.
30:35In addition...
30:36Would you like to try it on?
30:40Please.
30:42Is it so light?
30:45Yes.
30:47It's warm.
30:51It's hot.
30:53If you think it's hot, you have to take it off.
30:56Why is it so light and warm?
30:58Because umou is the most important.
31:01The quality of the umou used inside will greatly change the warmth.
31:06I use a Spanish duck.
31:08Spain has a long breeding period.
31:11The more breeders there are, the bigger the umou will be.
31:15As a result, good umou is easy to get.
31:17I think it's a good umou because I use umou that grew freely in the vast land.
31:24Umou is the key to down jackets.
31:26The president himself went to Spain and selected the highest quality umou.
31:32Generally, Chinese people use umou for down jackets.
31:38Spanish umou contains more air than Chinese umou.
31:45Since each umou is large, the amount used will be reduced and the down jacket will be lighter.
31:52In addition, the air contained in umou has the property of retaining heat.
31:58Therefore, Spanish umou, which contains a lot of air, is warmer to prevent body heat from escaping.
32:07In order to maximize the goodness of umou, the amount of umou for each part is determined by the unit of 1g.
32:15The key to down jackets is blowing.
32:20How long have you been doing this?
32:22I've been doing this for 13 years.
32:26Can you tell by the feeling?
32:28I can tell by the feeling of lifting the hose.
32:39What kind of technique is this?
32:41This is handmade by the current president's father.
32:48Is it handmade?
32:49That's right.
32:51Hold the hose with your left hand.
32:53Look at the measuring stick.
32:57Step on the pedal with your foot.
33:00Hold the pipe with your right hand.
33:03I'm really concentrating on my work.
33:06Can you show me how to blow?
33:09Currently, there are 496g of umou in the container.
33:14Then, she sucks 10g of umou out of the container.
33:27She sucked 10g of umou out of the container in two attempts.
33:30The difference in the product comes out even if it is 1g or 2g.
33:34So, I'm working hard on that.
33:37Does the umou stick to your body?
33:39Yes, it does.
33:40Sometimes, the umou sticks to my head.
33:43But, I don't care about that at all.
33:46The umou sticks to my ears and other parts of my body.
33:55Is it fun?
33:56Yes, it's fun.
33:57It's really fun.
34:00It's fun.
34:02Her specialty is blowing the umou on the stairs.
34:07And, she is in charge of finishing.
34:11Did you make this?
34:13Yes, I did.
34:15This is Ms. Han, the ace of the sewing department.
34:19Ms. Han.
34:20Have you ever made this color?
34:22This is my first time.
34:25Usually, the color is black.
34:27But, the front and back are red.
34:30So, I think the zipper should be red, too.
34:36Ms. Han's idea made the zipper red.
34:40And, the inside of the pocket is red, too.
34:44All the threads are red, too.
34:49She made everything red.
34:54And, she wrote a message from the program to Hiromi.
34:59No, I don't need it.
35:01I don't need it.
35:03It's the best, so it's not that difficult.
35:07I finished it in two days.
35:09I was told that I was the best.
35:12The best!
35:21Nice to meet you.
35:23I often see you in private.
35:28I usually come to see you.
35:30But, you are too good.
35:33Mr. Hiromi said that.
35:35This time, he brought a special red down jacket.
35:45It's cool.
35:47It's cool.
35:48It's the best.
35:49I think it's good.
35:53He brought a special red down jacket.
36:01It's cool.
36:03It's cool.
36:04It's good for a guest.
36:06It's good for a guest.
36:08It's really good.
36:13It looks good on you.
36:16Mr. Hiromi, you don't have an image of red.
36:18I don't usually wear red.
36:22I really don't.
36:24I don't ride a car or a motorcycle in red.
36:27I don't ride a car or a motorcycle in red.
36:29A long time ago, a fortune teller told me not to ride a car in red.
36:36But, I forgot to ride a car in red.
36:39Until now, cars in red have been crashed.
36:43Really.
36:45But, you look good in a down jacket.
36:47You look good in a down jacket.
36:49Ichigo-chan.
36:52He said, he wanted to wear a down jacket in red.
36:56He said, he wanted to wear a down jacket in red.
36:59He said, he wanted to wear a down jacket in red.
37:01I think it's good.
37:03It's good to wear a down jacket in red.
37:05I want to wear a down jacket in red.
37:07I hope we can hold a show next year.
37:11Mr. Hiromi, the staff has prepared a lot of things.
37:19Why do you begin at 60?
37:21It's a good question.
37:23What does it mean?
37:24Life starts at the age of 60.
37:28I had a life before 60.
37:32I had a life before 60.
37:35I had a life before 60.
37:37I had a life before 60.
37:39I hid everything.
37:44How much did it cost?
37:45It cost about 80,000 yen.
37:47It cost about 80,000 yen.
37:49The best price was 40,000 yen.
37:51But it cost 40,000 yen to make a down jacket.
37:56I don't need a down jacket.
38:00It's a down jacket shop.
38:02Does it mean that it was used?
38:05Yes.
38:06I made a down jacket and it became a down jacket.
38:10I made a down jacket and it became a down jacket.
38:14I made a down jacket and it became a down jacket.
38:16The timing of the effect depends on the product.
38:19After using it for 6 to 8 hours, the sleeping bag becomes the warmest.
38:25I didn't know that.
38:26I made a sleeping bag that can be used at 3 to 4 o'clock.
38:32The best thing about a down jacket is that it has a lot of ventilation.
38:36It's a structure that makes you feel warm as soon as you put it on.
38:40It's a structure that makes you feel warm as soon as you put it on.
38:45Even if it's made of the same material, I think it's interesting to make it.
38:50However, it's very hot in this studio.
38:56Excuse me.
38:57I'm a fan of Japanese TV program called Oh My God.
39:00I can't answer a simple interview.
39:02What do you do for a living?
39:04I draw a picture of architecture for free.
39:07Why do you draw a picture of architecture for free?
39:09Is there anyone who is godly?
39:12Is there anyone who is godly?
39:14My favorite artist is Yuka Ando.
39:19She is originally from Hyogo prefecture.
39:22I'm from Toyama prefecture.
39:24She moved to Toyama for a while and became an artist.
39:28Her color is a beautiful gradation.
39:32I was wondering where the inspiration for this gradation came from.
39:38When I saw Ando's Instagram, I saw the scenery of the sea in Toyama prefecture.
39:45It was the scenery of the sea in the evening.
39:48It was a beautiful gradation.
39:52I was impressed by the fact that she made such a gentle-colored vessel.
40:01I fell in love with her.
40:08Wow!
40:12This is the work of Yuka Ando, a pottery artist.
40:16It's a completely different gradation from what I expected.
40:24In 2023, Ando was selected as the next generation Japanese artist by 11 people in the Polish version of VOGUE LIVING.
40:32She is a notable pottery artist.
40:36I was impressed by the beautiful scenery of Toyama.
40:39I put the colors I saw there in my work.
40:43The biggest feature of the work is the use of colors that express the nature of Toyama.
40:50In general, porcelain is made of stone as the main ingredient,
40:54and it is made of glass, glass-soluble clay, and clay.
41:02Instead of clay, Ando uses clay extracted from rare stones called Hanasaka pottery.
41:12She makes the vessel before coloring with a whiter color than usual.
41:19By doing so, the color after that can be adjusted more delicately.
41:25Then, she adds the glaze mixed with food coloring.
41:29When it's too much, she adds it four times.
41:36But at this stage, we don't know what color it will be.
41:41Even when it's colored, when it's baked in an electric kiln,
41:46it becomes this color.
41:49It must be interesting.
41:53This is a secret song.
41:58Even if I calculate and make a reservation,
42:01I'm worried that I don't know what color it will be until it's baked.
42:05But when it comes out of the kiln and the color is more than I expected, I'm very happy.
42:10That's right. When it's done, I wonder what it will be like.
42:18Oh, that's nice.
42:23Wow, I want to meet this person.
42:26Oh, my God.
42:28Next week, the paper choreographer, Kaitani, will create a puzzle dance.
42:33Even if it's the same song, I want to see it in a completely different way.
42:36From our point of view, it's a piece of paper.
42:39You can raise the tension.
42:41The paper is noisy.
42:43The conversation with super popular artists such as King & Prince and B-1st continues.
42:49It's the brightest in our world.
42:53The next time we meet, I'll take a TikTok with him.