Horror, Drama, Sci-Fi (1936) 66 minutes ~ Black & White
Original Title: The Man Who Lived Again
Dr. Laurence, a once-respectable scientist, begins to research the origin of the mind and the soul. The science community rejects him, and he risks losing everything for which he has worked. He begins to use his discoveries to save his research and further his own causes, thereby becoming... a Mad Scientist, almost unstoppable.
Director: Robert Stevenson
Writers: L du Garde Peach (screenplay), Sidney Gilliat (screenplay) and John L. Balderston (screenplay)
Stars: Boris Karloff, Anna Lee and John Loder
We have over 15,000 titles available for licensing to VOD platforms. Contact: sales@echelonstudios.us
Original Title: The Man Who Lived Again
Dr. Laurence, a once-respectable scientist, begins to research the origin of the mind and the soul. The science community rejects him, and he risks losing everything for which he has worked. He begins to use his discoveries to save his research and further his own causes, thereby becoming... a Mad Scientist, almost unstoppable.
Director: Robert Stevenson
Writers: L du Garde Peach (screenplay), Sidney Gilliat (screenplay) and John L. Balderston (screenplay)
Stars: Boris Karloff, Anna Lee and John Loder
We have over 15,000 titles available for licensing to VOD platforms. Contact: sales@echelonstudios.us
Category
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Short filmTranscript
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00:01:59And where's Dr. Wyatt going?
00:02:01Into the wilds to work for a mad brain specialist.
00:02:04Eccentric.
00:02:05Dr. Lorenz of Genoa.
00:02:07Well, his record is a little unorthodox.
00:02:09It wasn't when I worked with him in Genoa.
00:02:10You'll find it very different now.
00:02:11Anyway, take care of yourself.
00:02:12I will.
00:02:13Goodbye.
00:02:14Goodbye.
00:02:15Goodbye, sister.
00:02:16Now, seriously, Claire, I should think twice before going.
00:02:18But why? Lorenz has done brilliant work.
00:02:20Not in the past three years.
00:02:21You know, they threw him out of Genoa.
00:02:22His ideas became impossible.
00:02:24There's something queer about him now.
00:02:25There's always something queer about a genius.
00:02:27You're set on going?
00:02:28Quite.
00:02:29I suppose in your language that means quite.
00:02:39Hello. Why aren't you in Fleet Street?
00:02:41I've been checking up on Lorenz.
00:02:43And he's not the kind of thing a young girl should know.
00:02:45Dick, we've been over that before.
00:02:46Oh, but you don't know the half of it.
00:02:47He's arrived in England with a couple of monkeys
00:02:49and claims he's discovering the human soul.
00:02:51He wrote and asked me to go and I'm going.
00:02:53I've got a far better plan.
00:02:54What?
00:02:55Stay here and marry me.
00:02:56Dick.
00:02:57Oh, I know I mentioned it before,
00:02:58but you always get the answer wrong.
00:03:00I must go, Dick. It's my job.
00:03:02Hmm, you're going to be awkward.
00:03:03Not awkward, dear, just firm.
00:03:05Well, in that case...
00:03:12What's that for?
00:03:13I'm coming with you.
00:03:14You're doing nothing of the sort.
00:03:15But you need someone to look after you.
00:03:17Sorry, Dick, but I specialize in looking after myself.
00:03:19Then I've packed my bag for nothing.
00:03:21I'm afraid so.
00:03:22How I hate strong-minded women.
00:03:50Are you for the manor?
00:03:51Yes.
00:03:52Dr. Wyatt, I presume.
00:03:55Didn't I tell you I could look after myself?
00:03:57You did?
00:03:58Well, then.
00:03:59I persuaded my editor that there was a story in Laurent
00:04:01and caught the train you missed.
00:04:03You're very sweet, darling.
00:04:04But when I say a thing...
00:04:06Go on, driver.
00:04:07Hey!
00:04:08What about my interview?
00:04:09There isn't going to be an interview.
00:04:11If the monkeys eat you, don't blame me.
00:04:14Half a crayon, miss.
00:04:20Can't you take me to the door?
00:04:22I don't go to that door.
00:04:26Get in.
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00:09:33A great scientist's assistant washing up a coffee pot.
00:09:38When did you wash it last?
00:09:41Never.
00:09:42I thought not.
00:09:43Well, why wash it when it's never used for anything else?
00:09:50You didn't like me coming here, did you?
00:09:55You don't like me?
00:09:57I'm sorry for you.
00:09:58I wonder which revolts you most.
00:10:00miserable body or my perverted mind. You think, why doesn't Lorenz let him die?
00:10:06Well, I'll tell you. Because I'm the only person who understands him.
00:10:10I understand him. You understand Lorenz? One day you'll realize how little you do.
00:10:24You didn't know you told me all that. I told you nothing. I heard you. Lucky
00:10:28Lorenz won't see it. Why not? They don't have no paper at the manor. If I don't
00:10:33come back, drag the lake. Where are you going? The manor to enroll another
00:10:38certified reader. Certified's right.
00:10:44Hello, I came to see if you were still all right. Well, am I? Apparently. Come for a
00:11:03walk on the estate. Listen darling, you don't seem to realize I'm here on a
00:11:06serious job. You're just trying to make it more difficult. I'm trying to make it
00:11:09impossible. Well, don't. I promise I'll come back as soon as I can. All right,
00:11:14goodbye. Goodbye. You don't like serious jobs. On the contrary, all my own work.
00:11:21Take a look. I will. Goodbye. It's the first time you've taken any interest in
00:11:26food since you've been here. The first time there's been any. Come, come, come
00:11:32now, let's get back to work. What's wrong? Nothing.
00:11:49This may amuse you.
00:11:56You told them all this? Me? Why me? How should I know? Your mind is as twisted as
00:12:00your body. Don't forget, if I leave out one injection... I don't mind dying, but to be
00:12:05accused of journalism... This is a very good story. Yes, Lord Hazelwood. I like it very
00:12:12much. Yes, Lord Hazelwood. You agree with me? Yes, Lord Hazelwood. Then why is it
00:12:17hidden away at the bottom of a column? Of course, I know it was your son's story.
00:12:21Nothing whatever to do with it. My son must be treated as if he were an
00:12:24ordinary person. In my opinion, these stories... Why have I spent a fortune on
00:12:27scientific research? Because in these days it's news. But this fellow Lorenz...
00:12:31News. Properly treated, front-page news. If you say so. I don't say so, it's a fact.
00:12:34But I have other views. There are no other views. Then what do you want us to do?
00:12:38Nothing. You know I never interfere in the conduct of my papers. Then we can
00:12:42forget Lorenz. Most certainly not. I'm going down to see him myself.
00:12:50A human brain. A brain like the one in here. The same color, appearance, everything. Only one
00:12:56difference. The thoughts in the brain, the personality, the mind are all missing.
00:13:01The brain is dead. That means only this. That what I call the thought content of
00:13:05the brain is gone forever. Until now, it has never been possible to, as it were,
00:13:10extract the thought content from a living brain and leave it alive but
00:13:14empty. I can do it. I can take the thought content from the mind of a living animal and store it as
00:13:20you would store electricity. Wait.
00:13:56See, he likes it. To him, it's just like going to sleep.
00:14:26He's alive and well.
00:14:56But his mind is in there. You say it is. But he looked just the same under an anesthetic.
00:15:01How can you prove it? Would it prove it if I could take this mind and put it in
00:15:07the body of another animal? Of course. But you can't. Tonight I'm going to try for
00:15:13the first time.
00:15:56Now, the mind of the one ape is there. The other is there. I reverse the connection.
00:16:26Now, the mind of the one ape is there. The other is there. I reverse the connection.
00:16:55The mind has been changed over. Does that prove it?
00:17:24Each has got the mind of the other, the personality, the likes, the dislikes, the things that if they were human beings we would call the soul.
00:17:31If they were human beings? Why not? You can't do that. No, I can't do that.
00:17:50Ah, Richard. I'm delighted to see you. And I'm delighted to see you. I came to congratulate you on your story.
00:17:55All this way for that? Precisely. It's good work, and I'm happy to acknowledge it as such.
00:18:00Thank you, Father. You seem on good terms with Lorenz. Oh, charming fellow. He welcomed me with open arms.
00:18:05Friendly, eh? Absolutely. I want you to introduce me. I'm afraid I couldn't do that. Why not?
00:18:11Well, I've got to get back to London. No, no, no, nonsense. You take me to see Lorenz.
00:18:15I'm looking forward to an interesting meeting. You'll get it. I'm sure I shall.
00:18:19But all you have to do is to introduce yourself. No, no, no. Now don't tell me he doesn't know who you are.
00:18:23The Hazelwood Institute. All you've done in the cause of science. He'll be delighted to see you.
00:18:28Yes, yes, perhaps you're right. Father, I hope I am.
00:18:33Hazelwood of the press. Dr. Lorenz, good morning. Forgive my coming here unheralded, if I may use the term, but I imagine my name is not unknown to you?
00:18:42I do not receive the press. If you are thinking of my newspapers, you're here to spy on me.
00:18:47On the contrary, my dear sir, I am here to make you an offer. I am not a journalist and I am not for sale.
00:18:52Were this a press visit, I should hardly have attended in person.
00:18:56Then why are you here? In the interests of science. You are a great scientist, one of the most distinguished.
00:19:02Well? In a small and humble way, I also worship at the shrine.
00:19:06Doubtless you've heard of the research institute which bears my name, the biggest thing of its kind in Europe.
00:19:12It is at your disposal. Any conditions?
00:19:15None at all, except that our results should be given to the world.
00:19:19Through the medium of the Hazelwood press?
00:19:21Natural air.
00:19:22My result will be revolutionary.
00:19:24All the better. May I take it, Dr. Lorenz, that you agree?
00:19:27You'll be sorry if you do.
00:19:28I must work in my own way.
00:19:30How can you work in this atmosphere?
00:19:32If you refer to the smith of bacon, it is no obstacle to scientific research.
00:19:36I must keep my freedom.
00:19:38What freedom have you here? How can you work like this?
00:19:42You need the finest laboratory you can get. You must accept.
00:19:51Very well. I accept.
00:20:08THE END
00:20:27Yes, very satisfactory, gentlemen. Very satisfactory.
00:20:30I venture to say that public interest has never run so high.
00:20:33I'm a bit worried about some of the contents, Bill.
00:20:35Why worried?
00:20:36Don't you think they're a trifle flamboyant?
00:20:38Nothing of the sort.
00:20:39By my express instructions, simplicity has always been our keynote.
00:20:43I think they're definitely cheap.
00:20:45Simplicity is never cheap.
00:20:47I look upon this as a mission of enlightenment,
00:20:49and we must ensure a proper impact upon the public.
00:20:52I shall wish you to write a special leader,
00:20:54something on science and the human mind,
00:20:56with perhaps a thoughtful mention of Freud,
00:20:58and a reference to the part my paper plays in furthering the process of evolution.
00:21:02Splashing Lorenz.
00:21:03Naturally, naturally.
00:21:04You might use a photograph.
00:21:05There's an excellent one of us taken together.
00:21:07We must never rest until we have made Lorenz a household word.
00:21:10But no one knows what he's done. No one knows if he's any good.
00:21:12I flatter myself that I know genius when I see it.
00:21:16In due course, I shall arrange for his results to be announced.
00:21:19The scientific world will be fully represented.
00:21:21Later, perhaps, you would like to consult with me
00:21:23as to the exact form the invitations will take.
00:21:34Oh, how do you do, Professor?
00:22:00What are you going to infuriate me with this time?
00:22:03Don't ask me, ask Lorenz.
00:22:05Your laboratory he's using, isn't it?
00:22:07Yes, specially equipped for him.
00:22:08And I think I can promise you a surprise.
00:22:10I'm not partial to surprises.
00:22:14You see? The flower of English science.
00:22:17They seem to have wilted a little.
00:22:18I take that as a personal insult.
00:22:20I'm a scientist myself.
00:22:21Really?
00:22:22All right.
00:22:23One of these days you'll be proud to know me.
00:22:26Wouldn't you rather marry me instead?
00:22:27Definitely not.
00:22:29Definitely not?
00:22:30Definitely not.
00:22:33Have you seen Lorenz?
00:22:34No, my lord.
00:22:36Where is Lorenz? We start in precisely three minutes.
00:22:38I'll go and find him.
00:22:40Pull yourself up, boy.
00:22:43The finest laboratory you can get.
00:22:46And you've sold yourself for it.
00:22:49They're waiting for you.
00:22:51Islewood's having a fit.
00:22:53I forgot, I was busy.
00:22:55Why do they have to have this meeting now?
00:22:57Where's your coat?
00:23:00There.
00:23:02I dislike having to publish before the work is ready.
00:23:05Now, don't you worry.
00:23:06Well, why can't they wait till I'm finished?
00:23:10Now, then, my notes. Where are they?
00:23:12Here they are.
00:23:13Oh, yes.
00:23:14Now, here.
00:23:18Nervous?
00:23:19Why should I be?
00:23:22Dr. Lorenz has been working for some weeks in the Hazelwood Laboratories.
00:23:25And tonight we are privileged to hear his first account of the results he has obtained.
00:23:30Tomorrow they will be published in every organ of the Hazelwood Press.
00:23:34Tonight it is for you to hear and to judge.
00:23:37I do not propose to stand any longer between you and Dr. Lorenz.
00:23:46Lord Hazelwood, ladies and gentlemen.
00:23:49I bring you a new knowledge of the human mind.
00:23:52A new conception of the relation of mind and body.
00:23:56A new power.
00:24:27The experiments that I have described show that the mind, the thought content, can be, can exist independently.
00:24:36The body is a mere receptacle, is in fact comparatively unimportant.
00:24:42They also show that I, that we now have the power to take the mind of one animal and transfer it into the body of another.
00:24:51After the change, the second animal will therefore assume the characteristics,
00:24:55the fears, the likes and dislikes of the first animal.
00:24:58This I have proved to be a fact.
00:25:00I have been able to take the mind of one chimpanzee and transfer it into the body of another.
00:25:07May I ask a question?
00:25:09If Professor Holloway wishes to ask questions, he really must wait until the lecture is over.
00:25:18Well, in that case...
00:25:23Are we to understand that you are serious in putting forward these views?
00:25:29Entirely.
00:25:30And you seriously maintain that the experiments you describe have actually taken place?
00:25:37I do.
00:25:41That's all I wanted to know.
00:25:43If I'm lucky enough to pick up a taxi, I can get to Olympia by ten o'clock.
00:25:48I understand the circus there is excellent.
00:25:58Now you see what you've done with your ridiculous claims.
00:26:05I will go on. You must listen.
00:26:08You fools. You heard what I can do today.
00:26:11Now you shall hear what I can do tomorrow.
00:26:13All that has been done with animals can be done with man, with you.
00:26:16There is one of you who can't use what I can give you.
00:26:19Take your minds from your miserable dead bodies and put them into bodies that are strong and young.
00:26:24All right.
00:26:25When you lie on your deathbed, I shall last to think of all that you've refused.
00:26:47You heard what I told them.
00:26:49I shall prove once and for all that I told the truth.
00:26:51I will make the final experiment, this time on myself.
00:26:54You can't do that.
00:26:55Don't forget your promise to follow me without fear.
00:26:58I know.
00:26:59But your own mind, it's sacred.
00:27:01Sacred? Ask them in there.
00:27:04Come on, please. Where's Clayton?
00:27:06I'm not going to help you.
00:27:09But you must. Without you, it's impossible.
00:27:11I know.
00:27:13Without you, it's impossible.
00:27:14I know.
00:27:16That's why I'm not going to help you.
00:27:19Oh, you two are against me.
00:27:20You know I'm not. You don't know what you're doing.
00:27:23Tomorrow, everything will be different.
00:27:24No, no, it won't be different.
00:27:26The only way to convince them is an experiment on man himself.
00:27:29Then you must work alone.
00:27:31I can't stay with you.
00:27:32You must.
00:27:33We work so well together. We understand each other.
00:27:35Don't you see?
00:27:37I can't work without you.
00:27:40What do you want?
00:27:41You must be perfectly aware of what I want.
00:27:43Lord Hazelwood.
00:27:44Please excuse me. I wish to speak to Dr. Lorenz.
00:27:46I wish to speak to him alone.
00:27:49Dr. Lorenz, I am grieved.
00:27:51Deeply grieved at what has occurred.
00:27:53This is a poor reward for the trust I placed in you.
00:27:55It is my painful duty to ask you to leave my institute.
00:28:02You want to turn me out.
00:28:04I have no choice.
00:28:06And this is what comes of having anything to do with your filthy newspapers.
00:28:10Please control yourself.
00:28:11Go on with my work. I shall publish my results in my own way.
00:28:14You do nothing of the sort.
00:28:15I hold the copyright and I shall take possession of your papers.
00:28:18I shall give them up.
00:28:19You won't be consulted.
00:28:20You signed an agreement. The law will enforce it.
00:28:23You dirty swindler.
00:28:24Violence won't help you.
00:28:25Don't think you've beaten me.
00:28:26You'll get money when you have it.
00:28:27You haven't.
00:28:28If I leave here, I'll take all this with me.
00:28:31On the contrary, it stays here.
00:28:32And tomorrow I shall have it destroyed.
00:28:34I designed it. I built it.
00:28:35With my money and my institute.
00:28:37You've used my name with a sort of quackery that wouldn't deceive a schoolboy.
00:28:40But now you're finished here.
00:28:42And your apparatus is trying to do exactly what I like with.
00:28:45You shan't touch it.
00:28:50I pay for everything.
00:28:51I pay for everything.
00:28:52I pay for everything.
00:28:53I pay for everything.
00:28:56The finest laboratory in the world and you sell yourself for it.
00:29:08I'll take possession of your papers.
00:29:09I pay for everything.
00:29:12Tomorrow it will be destroyed.
00:29:28He can't. He can't do this. He can't do this.
00:29:32You'll destroy the whole place.
00:29:34You can't, you can't do this, you can't do this, you can't do this!
00:29:46Dr. Lawrence, do you feel better?
00:29:48Please forgive me, I spoke hastily. I was not quite myself.
00:29:53Yes, yes.
00:29:54Perhaps I did claim to do too much.
00:29:57It was foolish of me to try to deceive you.
00:30:00Send me away if you like. Take back everything that you've given me.
00:30:04But first I want to show you something.
00:30:06I'm afraid it's quite...
00:30:07I only ask you to stay one moment.
00:30:09My time is valuable.
00:30:10I won't waste it. Please sit down.
00:30:12I'm afraid this is the only chair I have to offer you.
00:30:15You must understand that once my mind is made up...
00:30:18You will not change it. Perhaps I can do it for you.
00:30:21What's the meaning of this?
00:30:22A new experiment and you will be the subject of it.
00:30:25Let me go! You'll suffer for this.
00:30:28What are you afraid of?
00:30:30Quackery that wouldn't deceive a schoolboy?
00:30:32What? Dr. Lawrence!
00:30:33You said so yourself.
00:30:34Dr. Lawrence!
00:30:35You're fond of the sound of your own voice. Well, listen to it.
00:30:38This room that you so kindly built for me is entirely soundproof.
00:30:43What are you going to do?
00:30:46You called me a cheat and a charlatan.
00:30:50Now you're going to help in an experiment to prove that I am not.
00:30:59Let him change bodies with you, Drayton. It might be amusing.
00:31:03It might be dangerous.
00:31:05I've nothing to lose.
00:31:07And his lordship is bursting with enthusiasm.
00:31:12You can't do it! You can't do it!
00:31:15You can't do it! It's not right!
00:31:17Dr. Lawrence!
00:31:28Dr. Lawrence!
00:31:58Dr. Lawrence!
00:32:28Drayton! Drayton!
00:32:36Drayton! Drayton!
00:32:46Formerly the property of the first Baron Hazelwood.
00:32:49Not bad.
00:32:50Try for fat in usual places.
00:32:52Let's hope that mine will triumph over better.
00:32:55Walk.
00:32:56Walk.
00:32:57Walk.
00:32:58Don't rush me.
00:33:00I haven't done such a thing for 30 years.
00:33:17A much overrated occupation.
00:33:27A much overrated occupation.
00:33:45Hazelwood, I wish you'd treat my body with more consideration.
00:33:48After all, you're only the temporary tenant.
00:33:51Temporary? Why temporary?
00:33:53Hazelwood came here to throw me out to smash all this.
00:33:56But if you remain, Hazelwood...
00:33:59Why not?
00:34:00I don't grudge Hazelwood my body. He deserves it.
00:34:02He needn't have it long. I don't have to go on keeping him alive.
00:34:05No, no! It's murder!
00:34:07Exactly, my lord. The perfect murder.
00:34:09Death from natural causes.
00:34:11In the meantime, thanks for the sound body.
00:34:26Dead.
00:34:27That settles it.
00:34:31It settles more than you think.
00:34:34I make my work to be given to the world.
00:34:36To be used for the common good.
00:34:38But they wouldn't have it. They wouldn't believe me.
00:34:40They laughed at me.
00:34:42All right.
00:34:45I'll keep it to myself. I'll use it for myself.
00:34:49And I'll use it for my own ends.
00:34:57It's me, Hazelwood.
00:34:59Yes...
00:35:00Cashier...
00:35:01Good morning, Hazelwood.
00:35:03Good morning. I want some money.
00:35:05Certainly. The usual amount?
00:35:07Yes, I suppose so. Send it straight up.
00:35:11Better make it double.
00:35:12Very good, Hazelwood.
00:35:13I'll be back for sure.
00:35:15Go on.
00:35:16Good morning.
00:35:18Good morning.
00:35:20Go on.
00:35:21Yes, I suppose so. Send it straight up.
00:35:24Better make it double.
00:35:25Very good, Lord Hazelwood.
00:35:31And my devotion to this great organ is not merely a matter of pound shillings and pence.
00:35:38Semicolon. It is something deeper, which inspires me, as I know it inspires you,
00:35:44to dedicate my life capital to its service.
00:35:49From the cashier's office, my lord.
00:35:51Ah, thank you.
00:35:52I think you'll find it correct.
00:35:54I hope so. I hope so.
00:36:02Good morning.
00:36:04This is Thursday, Lord Hazelwood.
00:36:07Yes, of course. Thursday.
00:36:10I take it you were expecting us.
00:36:12Well, not exactly.
00:36:14I hope you're not thinking of discontinuing these meetings.
00:36:17Most certainly not.
00:36:20What business have we?
00:36:22First and foremost, the Lorenzo there.
00:36:24Now, in view of last night's unfortunate development, I've taken the liberty of toning down the story.
00:36:28Of course, we shall have to change the leader.
00:36:30Why?
00:36:31My leader, on the benefits of science, would seem a trifle out of place.
00:36:34I suggest we might get out of it gracefully if we gave Lorenzo nervous breakdown.
00:36:37Good idea.
00:36:38And get his doctor to order him away.
00:36:39Somewhere remote.
00:36:40I disagree. It is most important that he should continue his experiments.
00:36:44You're not going on with this man?
00:36:46Most certainly I am.
00:36:47The fellow's a charlatan.
00:36:48How do you know?
00:36:49You told me so last night.
00:36:50Did I? I judged hastily.
00:36:53Let this be a lesson to you. Never judge hastily.
00:36:57But we can't go on.
00:36:59I agree that at the moment, too much publicity would be embarrassing to us all, particularly myself.
00:37:03But Lorenzo will continue to work under my protection.
00:37:08By the way, you might arrange to let him have an extra couple of thousands for expenses?
00:37:12But Lord Hazelwood...
00:37:13The matter is closed.
00:37:14Nothing more?
00:37:15Yes, there is.
00:37:16You promised us at the last meeting a declaration of policy.
00:37:18Did I?
00:37:19Isn't that so, Miss Briggs?
00:37:20Why, yes, Mr Gray.
00:37:23If Miss Briggs says so.
00:37:26Are we to continue to press the Prime Minister?
00:37:28Always press the Prime Minister.
00:37:30And what about the point Mr Gray raised last time?
00:37:32Exactly.
00:37:35My view is unaltered?
00:37:36I don't remember you expressing any view.
00:37:39Mr Gray, if you cannot remember what I told you, you can hardly expect me to repeat it all now.
00:37:45What about page 7?
00:37:46Well, what about page 7?
00:37:48You promised me a decision today.
00:37:51I pay you to make decisions.
00:37:53You must make up your mind yourself.
00:37:54Well, if you're leaving it to me...
00:37:56Do you really intend, Mr Saunders, to control page 7?
00:37:58It's not in your province.
00:37:59That's the feature, Hayes.
00:38:00What am I going to do?
00:38:01It means an entirely new makeup.
00:38:02Gentlemen, gentlemen, please!
00:38:05I have never been spoken to like this in my life.
00:38:08What do our private feelings matter?
00:38:10I, too, have my objections.
00:38:12But my devotion to this great organ is something deeper,
00:38:15which inspires me, as I know it inspires you,
00:38:18to dedicate my life, with a capital L, to its service.
00:38:23Thank you, gentlemen.
00:38:50That will be all, Miss Briggs.
00:38:52Miss Briggs?
00:38:53Yes.
00:38:54What's the matter?
00:38:56Why, it's the first time you've called me Miss Briggs since Austin.
00:39:07Hazelwood.
00:39:09I'm afraid I shall have to find out a little more about you.
00:39:19Well, this is the last time I shall go in here.
00:39:21Now, don't get sentimental. Hurry up and get your things.
00:39:23All right.
00:39:39Oh!
00:39:41I didn't know you were still here.
00:39:45What happened last night?
00:39:46I contrived to convince Lord Hazelwood of the truth of my theories.
00:39:51You're going on with your work here?
00:39:54On human beings?
00:39:56Not even you can stop that.
00:40:00In that case...
00:40:01You're not going to leave me.
00:40:03This news will be the end of me.
00:40:05You're not going to leave me.
00:40:07This new power, I can share it only with you, for you alone are worthy to receive it.
00:40:13Today I see you clearly for the first time.
00:40:16Now I know why I wanted you to work with me, and you know why you have to stay.
00:40:20No.
00:40:23I understand I'm old, but don't you see with this new power I needn't remain old?
00:40:27I can take a new body, a young body, and keep my own brain.
00:40:30And you too.
00:40:31You won't always be young.
00:40:33When you grow old, I can give you a new body.
00:40:35Think of it.
00:40:36I offer you eternal youth, eternal loveliness.
00:41:33Poor Dick.
00:41:37Lorenz was there.
00:41:38You know, he's changed.
00:41:39Something's happened to him.
00:41:40Probably a touch of liver.
00:41:42I told him I was going to marry him.
00:41:44You are?
00:41:45Yes, I think I am now.
00:41:49Educated Eaton and Trinity Cambridge.
00:41:51Very gratifying.
00:41:52I'm learning a lot about myself.
00:41:54Please pay attention.
00:41:55If Hazelwood is to have a future, he must know what to do.
00:41:58I'm learning a lot about myself.
00:42:00Please pay attention.
00:42:01If Hazelwood is to have a future, he must know his past.
00:42:04Married Frances Amelia.
00:42:06Sounds interesting.
00:42:07No, sorry, she's dead.
00:42:09Clayton, will you listen to me?
00:42:10Do you realize you're addressing the man who made 60 against Oxford in 1900?
00:42:15I want your son to come here.
00:42:17Hobbies, hard work.
00:42:18What a pompous ass I am.
00:42:21I want your son to come here.
00:42:25Why?
00:42:26I think it's time I met him.
00:42:28I feel it's time I met him myself.
00:42:30We'll invite him.
00:42:32What's his first name?
00:42:34Good evening, sir.
00:42:35Good evening, Bates.
00:42:36Surprised to see me?
00:42:37Yes, sir.
00:42:38I'm going to get married.
00:42:39And I think my father ought to know.
00:42:40Congratulations, sir.
00:42:44Hello.
00:42:46Yes?
00:42:47Don't look at me like that.
00:42:48I've come for a father's blessing.
00:42:52Oh, come in, my boy.
00:42:54Delighted to see you.
00:42:55I was just phoning you.
00:42:56You're in good form tonight.
00:42:57Never felt better in my life.
00:42:59Have a cigar?
00:43:00Thanks, but I'm still a nonsmoker.
00:43:02Oh, yes, of course.
00:43:04I was thinking of someone else.
00:43:05Oh, this is Dr. Lawrence.
00:43:08Good evening, Doctor.
00:43:09I've heard all about you from my assistant.
00:43:11Oh, yes, that's why I'm here.
00:43:12I want to marry her.
00:43:13Oh, and what would you expect your father to say to that?
00:43:16I wish I knew.
00:43:17And what does the doctor say to it?
00:43:19I think you'd make a splendid couple.
00:43:21You don't look as though you'd had a day's illness in your life, have you?
00:43:24Not that I remember.
00:43:25Have I?
00:43:26Not that I remember.
00:43:27Ah, a sound mind and a sound body.
00:43:30I shouldn't be too sure about the mind.
00:43:32You play games?
00:43:33Yes, I played rugger at Cambridge.
00:43:35Any rowing?
00:43:36A little.
00:43:37Heart stand up to it all right?
00:43:38What is this, a medical examination?
00:43:40You must excuse me.
00:43:41I'm a doctor, you know.
00:43:42Well, I think I can safely leave you two to talk over family matters.
00:43:45I must get back.
00:43:46Thinking up some new gadget, I suppose?
00:43:48Exactly.
00:43:49I'll show it to you sometime.
00:43:51Good night.
00:43:52Good night.
00:43:53Good night.
00:44:02You and Loren seem pretty thick these days.
00:44:04He's a brilliant fellow.
00:44:05Have a drink?
00:44:06Thanks.
00:44:07I hope he's looking after you all right.
00:44:09Me? Why me?
00:44:10That's what he's here for, isn't it?
00:44:12Hmm.
00:44:13Remember what Dr Thornhill told you?
00:44:16Yes, of course.
00:44:17Is the heart still bumping?
00:44:20Yes, I suppose so.
00:44:22I hope you're taking that stuff he gave you.
00:44:24Yes, yes, yes.
00:44:25Well, take care of yourself.
00:44:27I'm in no hurry to inherit the title.
00:44:30I'm in no hurry to part with it.
00:44:34You don't think I'm looking any worse, do you?
00:44:37No.
00:44:39Perhaps I have been overdoing it a bit lately.
00:44:41Hey, what about that?
00:44:43I thought all alcohol was strictly forbidden.
00:44:47Yes.
00:44:48I thought the occasion called for a drink.
00:44:51That reminds me, I have a date with Claire.
00:44:52I mustn't keep her waiting.
00:44:53Good night, Father.
00:44:54Good night, my boy.
00:44:56I don't blame you for breaking out, but take it easy.
00:45:00THE FOURTH DAY
00:45:20Come in.
00:45:21Hello.
00:45:22Hello.
00:45:23I hope I'm not late.
00:45:24Exactly nine and a half minutes.
00:45:26I should be a quarter of an hour.
00:45:28Sit down, I'm busy.
00:45:29I dropped in on the way to break the news to my esteemed father.
00:45:32Did you leave peaceably or were you assisted?
00:45:34Oh, most peaceably.
00:45:35He was full of fun and practically gave us his blessings.
00:45:37That's a bit of a change, isn't it?
00:45:38For him, I mean.
00:45:39A change?
00:45:40Why, he was a different person.
00:45:42What do you mean?
00:45:43Well, he's never exactly fawned on me.
00:45:45We've lived mostly in splendid isolation.
00:45:48But tonight he was quite human.
00:45:50Was, was Lorenz there?
00:45:52Yes.
00:45:53He's a queer fellow.
00:45:54Father and he seem as thick as thieves.
00:45:57When I arrived, I thought I was for it.
00:45:59The old man looked at me as if he'd never seen me before.
00:46:01But he soon came round.
00:46:03Did you notice anything else, queer?
00:46:05Well, now you mention it, he did seem to be spreading himself a bit,
00:46:08doing all the things the doctor told him not to.
00:46:10He wasn't worrying about his heart at all until I reminded...
00:46:13What's the matter?
00:46:14Do you mind if we don't go out tonight?
00:46:16Why ever not?
00:46:17Please don't ask me now.
00:46:18I'll tell you later.
00:46:19What on earth's the matter?
00:46:20Listen, darling, I want you to go.
00:46:22There's something I must find out.
00:46:23It may be nothing.
00:46:24But, Claire...
00:46:25Please, Dick, you must trust me.
00:46:27Of course I trust you.
00:46:31I'm dreadfully sorry, darling.
00:46:32I'll explain everything later.
00:46:34You'll have to.
00:46:40Will you get me a taxi, please?
00:46:57I knew you'd come back.
00:46:59I want to ask you something.
00:47:00Anything wrong?
00:47:01What has happened to Lord Hazelwood?
00:47:03So far as I know, nothing.
00:47:05What have you done to him?
00:47:06I don't understand.
00:47:08He's your friend now.
00:47:09Why not?
00:47:10After Clayton died.
00:47:12Clayton?
00:47:13It was only a matter of time.
00:47:15So, Clayton died.
00:47:17I'm afraid so.
00:47:20And now Hazelwood's gone.
00:47:22I'm afraid so.
00:47:25And now Hazelwood's your friend.
00:47:27I don't see the point.
00:47:29Do you think I don't realize what you've done?
00:47:31Just what have I done?
00:47:32You always believed you could exchange human minds.
00:47:34I still do.
00:47:35Because you've done it with Clayton and Hazelwood.
00:47:38You can't be serious.
00:47:41Why did Clayton die?
00:47:42Well, his was a hopeless case.
00:47:43You know that as well as I do.
00:47:45You could have kept him alive.
00:47:47Well, yes.
00:47:50I'll tell you the truth.
00:47:51When you left me,
00:47:52you made it impossible for me to experiment upon myself.
00:47:55Clayton was an incurable invalid.
00:47:57Tired of life.
00:47:58You used him?
00:47:59Yes.
00:48:00Him alone?
00:48:02And he died.
00:48:04I'm afraid the shock was too great for him.
00:48:07Dick says his father's changed.
00:48:10A different man.
00:48:11I was there myself.
00:48:12I saw nothing unusual.
00:48:13I prefer to believe his own son.
00:48:15You're not easy to convince.
00:48:16No.
00:48:17How can anybody prove whether you're right or wrong?
00:48:19After all, Hazelwood is here.
00:48:21Physically and mentally.
00:48:22Mentally?
00:48:23Of course.
00:48:24Tomorrow I'm going to see Hazelwood
00:48:25and I'm taking Dick too.
00:48:27If he is Clayton...
00:48:28You still suspect me?
00:48:29Yes, I do.
00:48:30And this is to be a test?
00:48:31It is.
00:48:32Let me tell you.
00:48:33No need.
00:48:34Tomorrow I shall find out.
00:48:38Tomorrow.
00:48:49There you are, Clayton.
00:48:50I've been looking for you.
00:48:51Now, this is important.
00:48:52I want you to...
00:48:53What's the matter?
00:48:54You look as though you've seen a ghost.
00:48:55I have.
00:48:56My own.
00:48:57Do you mean?
00:48:58You remember how Hazelwood laughed in my body
00:49:00before he died?
00:49:01Well?
00:49:02I found out why.
00:49:04He was in my dressing room.
00:49:07Partly, sir.
00:49:08Yes.
00:49:09Hazelwood knew.
00:49:10That's why he laughed.
00:49:12Probably the only joke he ever saw in his life.
00:49:15From my crippled body
00:49:16to Hazelwood's diseased body.
00:49:17From the frying pan into the fire.
00:49:19You must do another experiment.
00:49:20Only this time, give me a sound body.
00:49:21Whose?
00:49:22His son.
00:49:23My son.
00:49:24Dick Hazelwood.
00:49:25What?
00:49:26I've got it all worked out.
00:49:27He has Hazelwood's will leaving everything to Dick.
00:49:29I shall inherit my own fortune.
00:49:31Rather pretty, eh?
00:49:33We've only to get him to the Institute
00:49:35and you can do the rest.
00:49:37Yes.
00:49:40I can do the rest.
00:49:44A big story.
00:49:45It'll have to be to get me out of this hour.
00:49:49All right.
00:49:50If it's as important as all that,
00:49:51I'll come down to the Institute right away.
00:49:54Coming.
00:49:55The true journalistic instinct gets it from me, you know.
00:49:57So come along.
00:49:58You'll need time.
00:50:00What are you waiting for?
00:50:01We are not going.
00:50:02Oh, why not?
00:50:03I shall not perform an experiment on you.
00:50:05Why not?
00:50:06It doesn't suit me.
00:50:07Don't be temperamental
00:50:08and don't think I'm threatening you.
00:50:10But I am in rather a strong position,
00:50:12thanks to you.
00:50:13As Hazelwood, I own the place you work in.
00:50:15I pay for your food, cigarettes, everything.
00:50:17You're absolutely dependent on me.
00:50:19And having been a cripple for 30 years,
00:50:21I've rather a nasty nature.
00:50:22A word from me and you'll be discredited.
00:50:25A charlatan.
00:50:26Oh, I know you don't like the word,
00:50:27but we wouldn't mince matters in the Hazelwood press.
00:50:30Where would you go then?
00:50:32Back to Genoa?
00:50:34So all things considered,
00:50:36I think we'll go to the laboratory.
00:50:40I shall go, but you will not.
00:50:42Oh, why not?
00:50:43Because you won't take part in this experiment.
00:50:46Because you'll be dead.
00:50:52No further need for you.
00:50:53Thanks to you, the boy's on his way to the Institute.
00:50:56But I'll take his body and he'll take mine.
00:50:58A body that'll be hanging for murder.
00:51:13You rang, sir?
00:51:14Yes.
00:51:15Please do not disturb Lord Hazelwood for the moment.
00:51:17Very good, sir.
00:51:18His hot milk at the usual time?
00:51:20At the usual time.
00:51:25Oh, excuse me, officer.
00:51:27Could you tell me the time?
00:51:29About ten before ten, sir.
00:51:31Hmm, thank you.
00:51:36It's a nice night, isn't it?
00:51:37Yes, sir.
00:51:38Good night.
00:51:39Good night, sir.
00:51:46Hello?
00:51:47Will you get me Wellbeck 3677?
00:51:51Hello?
00:51:52Will you get me Wellbeck 3677?
00:52:08Good night, Jimmy.
00:52:09Good night, sir.
00:52:10Hazelwood Institute.
00:52:21I'm sorry I'm a bit early, sir, but...
00:52:31Give me the police.
00:52:38Good night.
00:52:51Hello, is my father here yet?
00:52:53Come in. He'll be here directly.
00:52:55What's this new story he's after?
00:52:57He'll tell you that himself.
00:52:59Cigarette?
00:53:00No, thanks.
00:53:01Oh, I forgot.
00:53:02You don't smoke, do you?
00:53:04Is that the new gadget you were talking about?
00:53:06Yes.
00:53:07Let me show you.
00:53:09Now, suppose I'm experimenting on two animals.
00:53:12These show how the experiment is progressing.
00:53:14The mind of one slowly filtering into the mind of the other.
00:53:17It's all rather beyond me.
00:53:19Yes, I suppose it is.
00:53:20What are these for?
00:53:21They're used to measure the beat of the animal's heart.
00:53:24I have to watch that.
00:53:25I'm sorry for the animals.
00:53:26One's always sorry for the animals.
00:53:30So you see, when I want to work the controls automatically, I use this.
00:53:34And it works by itself.
00:53:36That's clever.
00:53:38I can't imagine how you people ever think of these things.
00:53:42When one has a purpose,
00:53:45it makes all the difference.
00:53:49Hello?
00:53:50Do you know where Mr. Hazelwood is?
00:53:52He's gone out. Hazelwood Institute.
00:54:06What are you doing? Let me out of this.
00:54:08Not yet.
00:54:09I've got to find Hazelwood.
00:54:11I've got to find Hazelwood.
00:54:13I've got to find Hazelwood.
00:54:15I've got to find Hazelwood.
00:54:17I've got to find Hazelwood.
00:54:18Not yet.
00:54:19I need something first.
00:54:20Don't you see?
00:54:21I take your body, your name, and your prayer.
00:54:24And you, you take mine.
00:54:25The body of the man the police were hanged for murder.
00:54:27The body of the man who killed Hazelwood.
00:54:29Killed?
00:54:30I killed him in his study an hour ago.
00:54:32And I left plenty of evidence to prove that Lorenz is the murderer.
00:54:36But by the time the police get here,
00:54:38you will be Lorenz.
00:54:41Let me out! Let me out of this!
00:54:43Let me out! Let me out!
00:54:48LORENZ
00:55:18LORENZ
00:55:49LORENZ
00:56:10Dick!
00:56:12Dick, thank God you're safe!
00:56:14I thought...
00:56:19You!
00:56:20Where's Dick?
00:56:21What have you done with him?
00:56:22Where is he?
00:56:48Dick!
00:56:51Dick!
00:56:57Dick!
00:57:15See what I did!
00:57:19Dick!
00:57:31There he is!
00:57:48I'll make way, please, make way.
00:57:56Dick!
00:57:57How is he?
00:57:58There's no hope.
00:58:03How long will it be?
00:58:04A matter of minutes.
00:58:06But it's not Lorenz.
00:58:07Lorenz is up there.
00:58:09Don't you see? He's done what he said he could.
00:58:11And this is...
00:58:13Dick Hazelwood.
00:58:15And he's dying.
00:58:17He's dying.
00:58:18Better get a statement, if we can.
00:58:20You go along with him to the hospital.
00:58:21Listen, I've watched Lorenz.
00:58:23I could do the experiment.
00:58:25Undo what he's done.
00:58:26There isn't time.
00:58:27There's a chance.
00:58:28There must be a chance.
00:58:30We've got to get him in there.
00:58:31Sorry, miss.
00:58:32We're taking him to hospital.
00:58:33He's under arrest.
00:58:34He killed Lord Hazelwood.
00:58:36He killed?
00:58:37Get him into the ambulance.
00:58:40You must help me.
00:58:41You must! You must!
00:58:45I'm from the hospital.
00:58:46I take full responsibility.
00:58:47I'm sorry, sir.
00:58:48But I'm a doctor.
00:58:49Immediate treatment here may save a man's life.
00:58:51Will you give me 20 minutes?
00:58:53All right.
00:58:5420 minutes.
00:58:56Come on.
00:59:16All right, turn on the oxygen.
00:59:46The heart's beating.
01:00:16Be quick.
01:00:17He's sinking.
01:00:47Claire.
01:00:54Claire.
01:00:59Please forgive me.
01:01:02You were right.
01:01:04The human mind is sacred.
01:01:08I'm sorry.
01:01:10I'm sorry.
01:01:12I'm sorry.
01:01:13I'm sorry.
01:01:14I'm sorry.
01:01:15The human mind is sacred.
01:01:17I want you to...
01:01:20to promise me something.
01:01:23Destroy all this.
01:01:26This power is...
01:01:29too dangerous.
01:01:32Promise me.
01:01:34I promise.
01:01:42Strange.
01:01:44Strange that only in death...
01:01:46I should be believed.