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00:00【Live】
00:06Tonight's 8jam is
00:10Artist, Hoshino Gen's special
00:14Gen-chan
00:18He released countless hit songs that everyone knows
00:21In his past programs
00:24He was shocked to hear songs full of his love for music
00:32In this day and age,
00:34There are many professionals who feel invincible,
00:38relaxed, and a kind of greatness
00:45So, tonight
00:47Thank you
00:49Hoshino Gen's precious interview
00:53I play it in slow motion
00:57I can tell what kind of sound it is
01:02When it goes like this,
01:04it sounds like an oscillator
01:06That's what I'm aiming for
01:08I see
01:10When it goes down,
01:12it's like music
01:14He talks about behind the scenes of music production
01:19And for this occasion,
01:22Yonezu Kenshi, Yoasobi Ayase, Boundy, Miura Daichi
01:26From all the members,
01:28Hoshino's passionate message
01:30How much loneliness and sorrow
01:33they've lived through
01:37I'm always thankful that
01:39people who make music like this
01:41are in the middle of Japan
01:44Hmm
01:47Hoshino Gen is loved by professionals
01:49He's going to reveal the secret of his music
01:54In the studio,
01:56there are three members who love Hoshino
01:59Mr. Sato,
02:00you play music,
02:02but you also sing live
02:04Yes, I've participated many times
02:06What's your impression of music?
02:08He's very stoic
02:10He's very detailed
02:13As a result,
02:15his music is popular
02:17among many people
02:19I think it's amazing
02:21How detailed is it?
02:23He adjusts
02:25the sound
02:27by 0.0 seconds
02:29He makes music
02:31like that
02:33I think that's the quality
02:35of his music
02:37Among many songs of Hoshino Gen,
02:40let's look at the songs
02:42that professionals love
02:44The first song is
02:46included in the album
02:48that was released the other day
02:50Super Mario Bros.
02:5235th Anniversary Theme Song
03:00It starts with A,
03:02the BPM is fast
03:04and there are many melodies
03:07Also,
03:08it's amazing that
03:10it's digested by HOX
03:12even though it contains
03:14a lot of jokes
03:16respecting Nintendo
03:36The second song is
03:38included in the album
03:40that was released the other day
03:42Super Mario Bros.
03:4435th Anniversary Theme Song
03:46The third song is
03:48included in the album
03:50that was released the other day
03:52Super Mario Bros.
03:5435th Anniversary Theme Song
03:56It's like a flower bouquet company
03:58The fourth song is
04:00included in the album
04:02that was released the other day
04:04Hoshino Gen-san,
04:06I feel like you're doing
04:08a lot of things
04:10that tie up
04:12the Otaku spirit
04:14Gen-chan himself
04:16is a guitarist
04:18and originally
04:20he was in Shogekijou
04:22After that,
04:24he became a solo artist
04:26His roots are Otaku
04:28I see
04:30That's why he can be trusted
04:32He has the power
04:34to make it pop
04:36It's like
04:38it's tied up
04:40and it's completed
04:42as a song
04:44It's a complicated song
04:46but it makes it pop
04:48I think it's hard
04:50to make everything
04:52balanced
04:54I think it's amazing
04:56that he does it perfectly
04:58I want to imitate him
05:00Now,
05:02we'll ask Imase
05:04about how the song
05:06was made
05:10Let's ask him
05:18How was Hoshino Gen's song
05:20made?
05:22Let's ask him
05:24Now,
05:26we'll ask Imase
05:28How did you
05:30come up with the song?
05:32Do you think
05:34about the melody
05:36from the beginning
05:38as well as the arrangement?
05:42There are many ways
05:44to make a song
05:46but the most common way
05:48is to start with the intro
05:50and then the A melody
05:52and then the B melody
05:54and so on
05:56That's the most common way
05:58The first chord
06:00or the first phrase
06:02of the intro
06:04or the beat
06:06and then
06:08gradually
06:10the overall picture
06:12of the song
06:14That's the most common way
06:16It's not from the chorus
06:22Now,
06:24let's ask Imase
06:26about how he made the song
06:28I really like
06:30both Nintendo games
06:32and Mario
06:34For example,
06:36Mario's sound effects
06:38and melody
06:40I've been told
06:42from the beginning
06:44that it's okay
06:46to use them
06:48There are many things
06:50I want to do
06:52For example,
06:54I want to incorporate
06:56the opening sound
06:58of GameCube
07:00into the song
07:02So, I started
07:04by adding chords
07:06like this
07:08Oh, I see
07:10I added chords
07:12little by little
07:14and then
07:16I started
07:18from the beginning
07:20I started from the beginning
07:22and made the whole thing
07:24There are many parts
07:26in that song
07:28It's not easy to understand
07:30like A, B, chorus
07:32Did you make it
07:34as a result
07:36or did you aim for it?
07:38As a result
07:40I see
07:42When I make a song,
07:44I make it by feeling
07:46I make a song
07:48using the DAW
07:50called Logic
07:52and I record
07:54what I'm playing
07:56and I record
07:58what I'm playing
08:00and I record
08:02what I'm playing
08:04for 8 hours
08:06and I record
08:08for 8 hours
08:10and I record
08:12for 8 hours
08:14I did it for a long time
08:16and I thought
08:18it would be interesting
08:20and I did it for a long time
08:22and I realized
08:24I could do it
08:26It's amazing
08:28It's a lot of work
08:30to make it
08:32When I was making it
08:34I wanted to add
08:36the sound of 1UP
08:38or the sound of coin
08:40or the sound of Super Mario Land
08:42But it wouldn't be interesting
08:44if I just added the sound
08:46so I made it
08:48from the beginning to the end
08:50It's my song
08:52but if you listen to it
08:54you'll find a lot of
08:56easter eggs
08:58I wanted to make it like that
09:00so I kept thinking about
09:02the balance
09:04If it was too much
09:06like Nintendo
09:08I played it
09:10and I thought
09:12I could add it here
09:14I can come up with
09:16a lot of ideas
09:18so I looked for a space
09:20where I could add it
09:22and if it was like this
09:24I could stop it
09:26and make it like a drop
09:28and take out the beat
09:30to make the flow
09:32It was an irregular way
09:34to make it
09:36but it was fun
09:38I made it with a smile
09:44Furthermore
09:48There was a secret
09:50to the sound of Mario
09:52He said I could use
09:54the sound of the game
09:56I used some of it
09:58like the sound of
10:00Bowser's fire
10:02or the sound of
10:04taking out the mushroom
10:06I wanted to play it live
10:10I recorded
10:12the sound of
10:14taking out the mushroom
10:16and played it
10:18in slow motion
10:20to analyze
10:22what kind of
10:24sound it was
10:26I analyzed it
10:28very hard
10:30It was impossible
10:32to play it live
10:34So I recorded it in slow motion
10:36and played it
10:38in fast motion
10:40to analyze
10:42what kind of sound it was
10:44I used an analog synthesizer
10:46to play
10:48the sound of
10:50the Famicom
10:52By the way
10:54the original game sound
10:56was made with
10:58a synthesizer
11:04One more time
11:08The resolution is too high
11:12It's a little different
11:14It's a little different
11:16Normally
11:18you can use it as it is
11:20but I think it's better to
11:22use it as it is
11:24You made the mushroom sound
11:26by yourself
11:28I don't think
11:30there are any materials
11:32that can analyze
11:34the sound of the mushroom
11:36in detail
11:40I don't think
11:42there are any musicians
11:44who analyze the sound
11:46of the mushroom
11:48This time
11:50Hoshino Gen
11:52released his album
11:54after six years
11:56The title is
11:58GEM
12:00but I realized that it was an album that expressed myself more than anything else I've done so far.
12:08I've never really tried to write my own music,
12:15but I've been trying to avoid it as much as possible,
12:22but now it's a little interesting, and I feel like I've been able to put a lot of my thoughts and experiences into the album.
12:38The title of the album, GEN, came to my mind,
12:43and I thought it would be interesting to use the word GEN to mean a lot of different things.
12:54Now, let's take a look at a part of the album.
13:08Let's go home. What should we eat today?
13:12Even if it's like this, I wanted to talk to you.
13:18Love, love is falling. It's so difficult that I can't stop it.
13:24If I could make my days as they are later, I'd feel better.
13:35Why are we attracted to each other? I just pulled your hand and said it was beautiful.
13:45Ah, ah, flowers blend with the wind and melt. Ah, ah, the boundary disappears.
13:55When the ghost comes out, the world behind you dances.
14:03The season that blurs through the window with the sun is dancing with the wind and singing a song.
14:16I've been waiting for you all the time. I've been waiting here all the time.
14:22What about the night game, Ayase?
14:26I felt it not only in this song, but also throughout the album.
14:31I felt it more like a song made to leave than to convey it directly to people.
14:39I like songs where the musician's screams are sung at the shortest distance, so I felt happy.
14:49These are the songs, but the time it takes to produce them varies depending on the song.
14:56Sometimes I can do it in a day, but sometimes it takes months.
15:05The song Glitch in this album was made around the same time as I imagined, so it took about five years.
15:19I thought about what I wanted to do, but my DAW skills improved little by little.
15:28I thought I could do this and that, but it took me about five years to complete it.
15:38I was able to make the song Yurika in one day.
15:44The lyrics are different, but from the intro to the second verse, I was able to make it in one day.
15:56When I was composing on the guitar, I kept recording my songs for hours and hours in my voice memo.
16:06Then I listened to it again, picked it up, and spread it out.
16:12Then I took it to the band arrangement, and I wrote the arrangement of each instrument.
16:22Then I repeated it over and over again.
16:26Now I'm not making a demo, but I'm starting to make the actual song.
16:31I feel like I'm starting to make the song itself.
16:36That's how I made it.
16:39There are songs that I like, and there are songs that I like,
16:49and I think it would be better to re-record them and have another musician play them live.
17:05This time, we're going to listen to a precious rough sound source that was almost completed in one day.
17:11Let's start with the completed version.
17:34Pay attention to the quality, which is almost the same as the completed version, of the rough sound source made in one day.
17:47It's been there since the beginning.
18:06It's almost the same as the completed version from the beginning.
18:12I heard in the interview that you changed the way you made it from a singer-songwriter to a track-maker-producer.
18:22I felt that when I listened to the new album.
18:28I felt like it was a track-maker-producer album.
18:33What's the difference between making it like a singer-songwriter and making it like a track-maker?
18:40I think the way to make it like a singer-songwriter is to have a basic chord and melody,
18:46and then arrange it with a band and make it together.
18:51I think that's the way to make it.
18:53The way to make it like a track-maker is to make the so-called accompaniment track first,
18:58and then put the voice on it and make it.
19:02That's the way to make it like a track-maker.
19:06So you were born because you had time in this.
19:09Yes, that's right.
19:11I'm aiming for it.
19:13In addition, the secret of the songwriting is also clear.
19:16There's nothing I want to tell you at all.
19:20I just want to make interesting music like messages.
19:27The next song is that Ayase, who plays at night in addition to the legend of the divorce, is happy, catchy, and very happy.
19:36It's just a feeling, but after this song, even if it's a falsetto in the chorus,
19:43I feel like it was accepted by modern Japan as one of the standards, or one of the main methods.
19:50There is pop music that Mr. Hoshino has spread out, and there are now themselves.
20:07Ayase, who plays at night in addition to the legend of the divorce, is happy, catchy, and very happy.
20:21I don't think there was a song in J-pop that became a falsetto in the chorus.
20:27Maybe I just don't know.
20:30I don't think there was a song in J-pop that became a falsetto in the chorus.
20:36I feel like Mr. Hoshino is doing music with that in mind.
20:43I'm happy when I see the intention of the creator.
20:49Next, a song called Kikkake that Matsuda, the legend of divorce, fell in love with Hoshino.
21:00This is a good song.
21:21What is the romantic lyrics that Matsuda likes even more?
21:30I feel like I was suddenly proposed when I was roaming around at home.
21:37I think it's a nice lyric.
21:42I think it's a nice lyric.
21:45I think it's a nice lyric.
21:50I think it's a nice lyric.
21:55I think it's a nice lyric.
22:00Here is a question from the staff.
22:03What kind of thinking do you think about lyrics?
22:06I think the lyrics are the most important thing.
22:12If I put lyrics in, I feel like the world view stops there.
22:18While I'm making music, I want to spread it as much as possible.
22:22I want to be in a variety of possibilities.
22:26It's a player's way of thinking, the instrument's way of thinking.
22:31I don't have anything I want to convey at all.
22:34I don't have a message.
22:37I don't have anything I want to say.
22:40I just want to make interesting music.
22:44While I'm making a song,
22:46or while I'm listening to music,
22:48I feel like I'm weaving words from the scenery.
22:54I think that's the biggest feeling.
22:58As for the lyrics,
23:00Mr. Yonezu commented on this.
23:03He's talking about the sense of freedom in the music.
23:07I don't know how much you mean to me,
23:10and it's more likely that I'm reading too much into it.
23:14In the first line of each chorus,
23:16I was struck by the sentence,
23:18火が射して滲む。
23:20開ける夜空ここで話そう。
23:30虹、無、花、草
23:32虹、無、花、草
23:34虹、無、花、草
23:36虹、無、花、草
23:38虹、無、花、草
23:40虹、無、花、草
23:42When he closed his eyes,
23:44his gaze returned to its original place,
23:46and for a moment,
23:48it was as if he had seen a swan.
23:50I was moved.
23:52I've been thinking about what the lyrics are all the time,
23:55but I think the lyrics of this song
23:57are essentially just lyrics.
24:00That's what he's saying.
24:03I'm glad.
24:05I think that's what's interesting about lyrics.
24:09There are so many restrictions.
24:12There's a restriction on the melody,
24:15and there's a restriction on the various sounds of the other tracks.
24:19I think that's what's interesting about the lyrics,
24:22that you have to put in words
24:25within various regulations.
24:28If you look at the lyrics at the bottom of the lyrica,
24:31there's a space between the right and the left.
24:35It's exactly the same scenery
24:37as when he closed his eyes.
24:40Wow.
24:42After 虹、無、花、草,
24:44there's an electric shock.
24:46At that moment,
24:48the lyrics are drawn
24:50while you're listening to the words.
24:53For example,
24:55when you take a copy,
24:57the picture comes out gradually.
25:00When you listen to the song
25:02and the lyrics pass by,
25:04the picture floats.
25:07When 虹、無、花、草,
25:09the picture comes out gradually.
25:11When you listen to the song
25:13and the lyrics pass by,
25:15the picture floats.
25:17When you listen to the song
25:19and the lyrics pass by,
25:21the picture comes out gradually.
25:23When you listen to the song
25:25and the lyrics pass by,
25:27the picture comes out gradually.
25:29The scenery changes,
25:31and it gets more colorful.
25:34火が射して滲む 季節が風と踊り纏い
25:39火が射して滲む 季節が風と踊り纏い
25:44The words and the sounds
25:46make the scenery
25:48much more rich,
25:50colorful,
25:52and monochrome.
25:57It's a kind of music.
25:59I really like making words.
26:02It's a lot of fun.
26:06Gen-chan is also an actor.
26:09He's not just an actor in a movie, he's also an actor in a play.
26:13So there may not be any words he wants to convey,
26:18but I'm sure there are some interesting words.
26:23Next up is a song that made the Rikon legend, Beppu, excited.
26:32I just pulled out my hand and said it was beautiful.
26:38At the beginning of the intro,
26:40if you think the world is open and the light is shining,
26:44people will eventually disappear.
26:49I still remember the excitement of what would happen to this song after this.
26:56Let's take a look at the intro and the beginning of the song.
27:01I'm going to make it from here.
27:24It's a nice song.
27:31I still remember the excitement of what would happen to this song after this.
27:40People will eventually disappear.
27:43Without leaving everything behind, they disappear beautifully.
27:50You made it from the intro.
27:52What do you mean by making it from there?
27:56I don't know what you're talking about.
27:58I really don't know what you're talking about.
28:00If it's an easy-to-understand intro,
28:02there's a story that starts from here.
28:12So, a question from Beppu about this intro.
28:16When did you decide to change the intro?
28:22That's a good question.
28:25That's a good question.
28:28I started making it from the intro.
28:31There's even a melody in the A melody.
28:34I thought the intro was too long.
28:38There are fewer and fewer intros now.
28:41Even though there were many short intros in the songs of various countries around the world.
28:46I made it longer.
28:49I thought it was interesting to make it longer, so I kept it.
28:55Even so, I thought it was too long.
29:00At some point, while I was playing around,
29:04I thought it would be good to do this.
29:07I think it's because I'm the manager.
29:09You don't want to get bored.
29:12I don't think there are many managers as soon as the song starts.
29:16I'm really excited about making it myself.
29:20I'm so excited in the studio.
29:24I'm like, it's good.
29:26It's really good.
29:28I'm like, what is this?
29:30Are you laughing at yourself?
29:32That kind of moment is really fun.
29:35I'm like, what is this?
29:37I think I'm going to get a headache.
29:41I don't usually do that.
29:44I'm probably going to be told it's weird.
29:48But I want to do this.
29:51It's not that the manager is important.
29:53It's just that it's not good.
29:57I got the answer I was hoping for.
29:59I thought it was because it was good.
30:02I was happy to be able to ask you a question.
30:05And it's a good question.
30:07I was praised.
30:11Next, these three will choose.
30:14Boundy is a song with two empaths and an escort.
30:27In the A part, everyone sympathizes with the fact that they are alone.
30:31In the B part, the melody and rhythm that were separated are fused.
30:35Before I knew it, I sympathized with Hoshino Gen, who thinks of you.
30:40If you listen to it with this escort, you'll miss him.
31:10I can only become two.
31:16I felt like I could know you a little longer than words.
31:35It's not an ordinary beat.
31:38When I first met him, I searched a lot.
31:41I didn't know what kind of beat it was.
31:43I looked it up and found a Latin rhythm.
31:48I think he's using it.
31:52But no one noticed it.
31:55I think it's amazing.
31:58Next, here's a question.
32:11The sound of the rose piano that plays the chords.
32:14Cool songs with all kinds of sounds, such as snare, kick, and analog synths.
32:22The chorus is a melancholy melody with falsetto and voice unison.
32:27It's a mysterious song that's established as J-pop.
32:50I tend to get drunk on R&B.
32:54It's strange that it's J-pop even if I sing in falsetto.
32:57I think it's J-pop because Hoshino Gen's way of putting words and Japanese is so good.
33:09Also, many professionals talked about the change in Hoshino Gen's musicality.
33:16Let's look at the changes of each era.
33:24I made this song with a guitar.
33:54I made this song with a guitar.
34:20I've been listening to it since the first album.
34:22At first, it was just a guitar playing.
34:26There were a lot of new music-like songs.
34:31From the middle of the song, it was like,
34:33Are you going to Seoul?
34:36It wasn't like that before.
34:39It's not a sudden change.
34:41I think it's a beautiful gradation.
34:47I think it's a beautiful gradation.
34:50Hoshino Gen, who has overcome hardships such as hematopoietic bleeding at the age of 31.
34:56How does it relate to the change in his musicality?
35:01When I released my first song, I couldn't help but sing dark songs.
35:09But I thought I'd give it my all.
35:15After I gave it my all, there were a lot of brighter songs and songs that I liked.
35:24Stranger was the one who tried to push it through.
35:31After that, I collapsed from hematopoietic bleeding.
35:37There was a time when I didn't know what to do with music.
35:44When I retired and listened to music for the first time in a long time,
35:47Prince's music came to me by chance.
35:53I've been listening to solos, R&B, and jazz since I was a kid.
36:02But I didn't do it because I thought it didn't suit me.
36:08I don't know when humans will die.
36:12So I started doing what I wanted to do.
36:17I released my third album, YELLOW DANCER, and POPWHEELS.
36:24In the midst of all that, the way I wrote songs changed.
36:30I got a different feeling, and now I've released a new album called GEN.
36:37Things are changing.
36:40I think it's rare, but I don't want to do this kind of genre.
36:49I just want to make interesting music.
36:54If I can do that, anything is fine.
37:01Every song is timeless.
37:04I think it's amazing that the sound of GEN continues to evolve.
37:13I think it will sound the same 10 or 20 years from now.
37:18Now, let's take a look at the messages from the members.
37:25First, from Boundy.
37:28Hoshino Gen is a minimalist in pop music.
37:34As one of the conditions of popular music in Japan,
37:38it is necessary to clearly drop the rhythm into the quarter note.
37:42However, he incorporates it into the melody,
37:45and incorporates the sound and passion of black music,
37:48which has the quality of the opposite rhythm.
37:51As a result, a masterpiece that is not just a singer's music is born.
37:57By the way, I asked him if he had any questions for Hoshino.
38:01He said, I don't have any questions.
38:03I can tell by listening to his music.
38:05He has such empathy.
38:09And he's like Boundy.
38:12He's like Boundy.
38:15There aren't many people who can tell just by listening to the sound.
38:21There aren't many people who can tell just by listening to the sound.
38:33They're having a good conversation.
38:37Next, from Yoasobi Ayase.
38:41I really like the catchy melody work, the challenging sound,
38:44and the sadness that comes out of the lyrics.
38:49I wonder how lonely and sad he must have been.
38:56Next, from Daichi Miura.
38:59He sings the song of the human Hoshino Gen,
39:02who continues to sing hope in the darkness,
39:05embracing everything,
39:08including stupidity and helplessness,
39:11very beautifully.
39:14Mr. Hoshino is a very gentle and gentle person,
39:17but I think he has a lot of magma in his heart.
39:22I love Mr. Hoshino, who is so sharp.
39:29Both of you are talking about loneliness and sorrow,
39:32hell and hope.
39:34You're talking about those two aspects.
39:37I used to think that loneliness would disappear someday,
39:42but it doesn't.
39:44When I was a kid, I was always surrounded by people.
39:49When I was in the first year of middle school,
39:52I used to make music and act.
39:55I had a lot of moments when I thought,
39:58maybe I'm not alone.
40:01But I feel like I'm surrounded by people all the time.
40:05I think everyone is like that.
40:08When I make music or write poetry,
40:15I just dive into my heart, senses, and senses,
40:25and when I go to the deepest part,
40:28there is a door.
40:30When I open it,
40:32I feel like I'm connected to the loneliness of many people.
40:38I feel like I'm just making music there.
40:44When I hear that,
40:46I feel like I'm connected to the door.
40:49I'm happy.
40:52Next, from Kenshi Yonezu.
40:55Mr. Gen's music changes its musicality from time to time,
40:59so I don't talk about it in detail,
41:02but I like it because it always feels like my eyes are bleeding somewhere.
41:07Whether it's a relaxing song with a soft accordion,
41:10or a fantastic song with a bouncing rhythm,
41:12or a beautiful song with a beautiful electric piano like the sun's light,
41:16my eyes are dry and bleeding.
41:18I think so on my own.
41:21There is a big hole that the people on the street don't care about,
41:24and as time goes by, it gets deeper and deeper.
41:29If you look inside, it's so dark that you can't even see the light,
41:33but for some reason, a strong light is emitted at the same time.
41:37When I listen to Mr. Gen's music, I get that kind of image.
41:42I'm happy.
41:44But you say your eyes are bleeding.
41:47How do you feel about that?
41:49That's right.
41:51It's dry eye.
41:53I think there are times like that.
41:55You're embarrassed.
41:57I'm happy.
42:01Living really makes you desperate.
42:09I'm just living,
42:11but from time to time,
42:13sad things,
42:15hard things,
42:17and things like,
42:19why?
42:21But there are good things once in a while.
42:24I feel like I'm living for the moment when I'm glad I'm alive.
42:33I think that kind of feeling may come out of the song.
42:39For example, I often say that I'm fighting.
42:44Rather than fighting and fighting,
42:49I want to be a listener.
42:52I want to make myself happy.
42:56I want to make myself happy
42:59who says,
43:01I really like music.
43:05Especially,
43:07I felt that the work was the most intense
43:11in this album.
43:17I understand. Thank you very much.
43:19Thank you for your precious time.
43:22Thank you very much.
43:26That's all for the interview.
43:28Like Mr. Gen,
43:30I felt again that the existence of an artist
43:32who surprises the listener
43:34and delivers a work
43:36that nourishes the listener
43:38is really great.
43:40It's fun when you're making it.
43:42As you said,
43:44it's hard to work.
43:46But when you open the door,
43:48you can connect with various musicians.
43:50For this moment of reward,
43:52I felt that he continues to make music.
43:58It's amazing to fight in solitude.
44:02Mr. Takahashi, you look like you're having fun.
44:07There are times when I'm lonely.
44:09Yes, there are times when you're lonely.
44:11I'm proud that my birthday is the same as Mr. Takahashi's.
44:16You're holding a small thing.
44:18It's okay.
44:20It's really hard when I have to do it at a live show.
44:27This week, we will broadcast on TVer.
44:32Next week is a special piano vocal.
44:35Next week is a special piano vocal.
44:39Next week is a special piano vocal.
44:43Ikuoku Kounen is the melody for the chorus.
44:48Explaining the back of the hit song, Ikuoku Kounen.
44:52What is the difficulty of playing both piano and singing at the same time?
44:56When I have to do it at a live show,
44:58it's really hard.