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00:00I'll see you next time
00:30Oye, fiddler! Come in off the roof!
00:55All right already.
01:00Oh, just the job.
01:08How's it going out there?
01:09Well, I've cemented the chimney pot back on.
01:11With the whole stack needs redoing, really.
01:12One puff of wind, the whole lot will be in the road.
01:14Some of the slates are a bit dodgy, too.
01:16Now, you be careful out there.
01:17Oh, I am being careful.
01:18I tie myself to the chimney stack with a bit of rope.
01:21What, the chimney stack that's about to fall into the rope?
01:25Oh, my.
01:26I never thought of that.
01:28My whole life flashed in front of me, then.
01:30What you really need are little suction caps all over you.
01:33Like that chap in your boy's annual who could walk up walls.
01:36Yes.
01:37Yes!
01:38Suction man.
01:40How many plungers have we got?
01:42One, and it doesn't suck.
01:44Oh.
01:45Oh, perhaps not.
01:46You know, I hate to admit that I can't do everything in the world,
01:48but this job is really too skilled for me.
01:50Shall I have a go?
01:51Certainly not.
01:52I'm not having every Tom, Dick and Harry looking up your skirt.
01:55I'm wearing trousers.
01:57Anyway, it's too dangerous.
01:58This kind of work, you've got to learn properly.
02:00Where can you get a crash course in roofmanship?
02:02Night school.
02:06Tick VG.
02:07Why didn't I think of that?
02:08Because I'm brilliant and you're stupid.
02:10Yeah, that must be it.
02:11Here's a good idea, though, you know, in a general sort of way.
02:13All sorts of things you can learn there.
02:15We've got the winter evenings and it's dead cheap.
02:17I'll get a syllabus from the library.
02:18Good.
02:19Hmm.
02:20I'll do a makeshift job in the meantime on the roof.
02:21Right, now, you be careful of that chimney stack.
02:24You're all right, Barbara, don't worry.
02:25You never know, one flash of genius,
02:26I might not even need evening classes.
02:28Oh, Tom, do be careful.
02:29Don't keep on nagging.
02:30I told you, one thing I have got is a perfect sense of balance.
02:34Ow!
02:39Tom!
02:40Are you all right?
02:47Oh.
02:47Oh.
02:49Oh, don't you stand there, woman.
02:56Go and get the syllabus.
03:02You can do an awful lot of subjects at evening classes, can't you?
03:06Yeah, I quite fancy the girls' keep fit class.
03:08Hmm, thought you might.
03:10Well, first-year Swahili, that sounds interesting.
03:12How many one-year-old Swahili's do you know?
03:15No, it's not terribly practical, is it?
03:16Well, we'll stick with what we've got.
03:17Well, we'll go to house maintenance classes on Tuesdays together,
03:20and Thursdays I'll go to weaving and you go to pottery.
03:23And I bet I learn to weave before you learn to pot.
03:24Yeah?
03:26Yeah.
03:27Yeah?
03:28Yeah, yeah.
03:30Come.
03:30For heaven's sake, get your coats on and come on down to the pub for a drink.
03:34What's the matter, Jerry?
03:35Thursday evenings, that's what's the matter.
03:37It's like being cooped up with a mad moth.
03:39Jerry!
03:39I am not mad and I am not an insect.
03:43Good evening, Tom and Barbara.
03:44Simply that Thursday night has always been my music society night.
03:48Oh, yes, of course.
03:48You got the boot, didn't you?
03:49I resigned, Tom.
03:51Please do not use that expression.
03:53I resigned.
03:54And naturally, now I'm at a loose end on Thursdays.
03:57And everybody has to know it.
03:58Jerry!
03:58Well, look, we're going to evening classes on Thursdays.
04:02Why not come with us?
04:03Oh, what sort of evening classes?
04:04Oh, all sorts.
04:06Bricklaying, kendo, weightlifting.
04:09I'll talk to Barbara.
04:11What sort of classes, Barbara?
04:12Well, I'm going to do, er, pottery.
04:15Oh, pottery.
04:17Join, join.
04:18Yeah, that does sound interesting.
04:20Join, join.
04:21Oh, do come, Margot.
04:22It'll be fun.
04:24Oh, I don't know.
04:25Oh, go on.
04:26It'll be an outlet for all those artistic talents.
04:30Yes.
04:31Do you know, I think I will.
04:32Good.
04:32We can use your car.
04:34Jerry, here's a thought.
04:36Why not make it a foursome?
04:37You can come to weaving classes with me.
04:38Weaving classes?
04:39What could I possibly want to weave?
04:41Oh, I don't know.
04:41A prayer mat to take into sir's office with you?
04:44Ha, ha, ha.
04:45Anyway, what's behind all this dabbling in rustic crafts?
04:48It's not dabbling, mate.
04:49These are skills which will serve us in the future.
04:51We will either maintain our own house,
04:52replace any crockery that might get broken,
04:54even make our own clothes.
04:55I can't wait to see that.
04:57Tom, I think you're going to have to weave alone.
05:00You're jolly right he will.
05:01I think your game's a very good idea, though, Margot.
05:03Why?
05:04I can have my Thursday evenings back.
05:06I can eat a curry, listen to my plebby records,
05:08and read a good dirty book.
05:10Do all the things I can't do when you're there.
05:12Well, come on, are we going to this pub or not?
05:14Providing you're paying?
05:15Yes.
05:15I'll get our coats.
05:17One thing, Barbara.
05:18Yes?
05:18You do realise that I shall be doing pottery only as a hobby?
05:23But, of course.
05:24I don't think anyone there would mistake you for a common old artisan.
05:28Good.
05:30Come on.
05:33Oh, my God, Tom.
05:34You're not going out in that.
05:36Well, I guess.
05:40Margot one does presume one is going in the saloon bar, doesn't one?
05:44Oh, Margot, what's the big surprise?
06:00Helps.
06:01Belps.
06:02That's incredible.
06:05I bet this set you back a few, Bob.
06:08Jerry, actually.
06:09It's my birthday present.
06:10But that's not for weeks.
06:12Oh, in advance, because I needed it straight away, you see.
06:15What are you talking about, Margot?
06:17We haven't even been to our first pottery class yet.
06:20I don't see that makes any difference.
06:22I suppose not.
06:23If you're going to put Josiah Wedgwood in his place,
06:24the sooner you get the gear, the better.
06:26You'll be excessive, Tom.
06:28No.
06:28It's just that I feel that pottery and I are going to be very good friends.
06:32At this price, you better be.
06:33Well, I'll say this.
06:34There can't be another shed like this in Surbiton.
06:37Not shed, Barbara, please.
06:39Studio.
06:39Sorry.
06:40Studio.
06:40You've got enough clay, Margot.
06:43What are you going to make, a 500-gallon vase?
06:44No.
06:45I thought once I'd mastered the rudiments,
06:47I'll specialise in objet.
06:50D'art.
06:52D'art, yes.
06:53Of course, it might put Mrs Weaver's nose
06:55just the tiniest bit out of joint.
06:57Oh, Margot, she's only been here a week.
06:59She's not on your blacklist already, is she?
07:01Oh, no.
07:01Mrs Weaver is charming.
07:03Charming.
07:04It's just that she's a painter
07:05and she will steer the conversation onto the subject of art
07:09and then play the Queen Bee.
07:10And you want to sting her back with your objects D-art?
07:14I wouldn't have put it as crudely as that, Tom.
07:16Would you?
07:17No.
07:17Oh, come on, Margot, give us a demo.
07:21Oh, no.
07:22Go on.
07:23Yes, go on.
07:25I mean, what's the point of having a new toy?
07:27I mean, all this equipment,
07:28if you're not going to play with it.
07:29I mean, use it.
07:31Very well.
07:32Oh, you must realise
07:33that I've only had one little experiment.
07:36I'm not as yet endowed with any sort of technique.
07:39Thank you, Tom.
07:40Right.
07:41You're going to scrub up first?
07:44Look, do you want me to show you or not?
07:47Sorry.
07:48Very well.
07:49First of all,
07:50one sits at one's wheel.
07:53Yes, with you so far.
07:57Then, one takes one's ball
07:59of not too soggy,
08:00but not too flabby clay.
08:02It sounds like a cookery lesson.
08:04Barbara.
08:05Barbara.
08:05Sorry.
08:06Now, if you look at my foot,
08:09you will see that it is placed on the treadle pedal.
08:12Yes.
08:13Yes!
08:16One begins to treadle.
08:19Or is it pedal?
08:20Anyway, one does it.
08:22See?
08:24And now for the moment of truth.
08:27One throws one's pot.
08:29Where?
08:30On to the very epicentre of one's wheel.
08:39Go on, then.
08:41You will forgive any little mistake one might make.
08:50Stop it!
08:51Stop it!
08:52Well, you're the one who's peddling.
08:53That's a rough idea, anyway.
09:01It couldn't get much rougher.
09:05You were willing me to fail, weren't you?
09:08Well, yes.
09:12Oh, never mind, Margot.
09:13He's just jealous.
09:15Only because he's doing rotten old weaving.
09:17Are you still going to give us a lift
09:18to the Evening Institute tonight, Margot?
09:20I'd certainly give Barbara a lift.
09:21Oh, you wouldn't make old Tom run behind the car, would you?
09:26Not old Tom.
09:27Don't be silly, don't.
09:31I'll pick you both up at seven.
09:33Margot, you are the Diltoness royal of the pottery world.
09:37See you later, then.
09:38Bye.
09:39See you at seven.
09:40See you then.
09:40Bye.
09:41Bye.
09:41Please release me, let me go.
10:07That's you, Margot.
10:14Yes, it's me.
10:15Bye-bye, Bert.
10:17Bye-bye, Bert.
10:17To waste our lives.
10:27Bye-bye, Bert.
10:35No.
10:55Bye-bye, Bert.
10:56haven't had a very good evening have you not very no well never mind darling is
11:04only your first lesson and my last i've left what yes i have left that so-called night school
11:11more precise term for it might be a breeding ground what are they breeding familiarity and
11:16bad manners our so-called art master was a bearded young lout young enough to be my
11:22a young bearded lout with filthy feet who would insist on calling me margie
11:29a lout exactly and that's why you left isn't that enough well not really no what's it like as a
11:34teacher a poser do you know he's paid by the council he strutted around that classroom with
11:41his beethoven t-shirt and open-toed sandals like some left-bank gigolo and when yeah
11:48i asked him very politely mr ives what size lump of clay do you think i should use
11:58do you know what he did jerry he stared quite unashamedly at my breasts
12:05and said in your case margie about a 36 b
12:12disgusting of course everyone found it in left
12:18i should have suspected what sort of people they'd have there if the council had the good
12:22sense to charge 50 guineas a term it would a keep the riffraff out and b pay for a proper teacher
12:27of course there was only one thing to do so i did it i told him he was a perverted degenerate and
12:42walked out so that's that yes and to think we pay for that hippie out of our rates well never mind
12:49darling cheer yourself up by writing a nice snotty letter to the council well that's very sweet of
12:54you jerry but i feel emotionally drained good night just a minute yes there's 200 pounds worth of
13:08electric kiln out in our shed so well what's it to become a monument to one of your tantrums you mercenary
13:15beast
13:28and you know i hate bing crosby
13:32good
13:45good
13:48what's the plan
13:50yes
13:51good
13:51good
13:53good
13:55good
13:57good
13:59good
14:01good
14:03good
14:09good
14:11good
14:13She's fine.
14:19Good.
14:23Coffee?
14:24Please.
14:35All right, then. Come on.
14:37Show me.
14:39Show you what?
14:43Whatever it is you brought back from pottery class in that bag.
14:48Oh, don't you see that?
14:50Where is it?
14:53Aha!
14:54Oh, no, no, no, no, no, no, no, no, no, no, no.
14:57No, it's not terribly good.
14:59I know we've been going for months, but it's not very good.
15:04Allow me to be the judge of that.
15:13LAUGHTER
15:14They're horrible.
15:36LAUGHTER
15:37Yes, well, I did tell you.
15:45I don't think Potter and I are really cut out for each other.
15:49Oh, I don't know. He's probably a teacher. What's he like?
15:51Oh, he's all right. He fancies himself a bit, but, er...
15:54No, it's me.
15:56I don't seem to be able to keep anything on my wheel long enough to make it.
16:04That cup looks like a gravy boat.
16:07Well, how are you getting on? What's your bloke like?
16:12Oh, he's a twit.
16:15Oh, you're not doing very well either?
16:18Well, no, perhaps twit's too strong a word.
16:20It's just that Mr Sidlowski is Polish and I can't understand a word he's saying.
16:23But you're no good at weaving, are you?
16:26The rest of the class seem to understand him all right.
16:29Well, perhaps I haven't got an ear for a Polish accent.
16:31You're a lousy weaver, aren't you?
16:34You see, he says things like...
16:36Keep your shuttle moving, Mr Goode.
16:42Oh, the time I've discovered what he's talking about, they're all into something else.
16:45You can't do it, can you?
16:49No.
16:49I caught my arm in the loom tonight.
16:55It was ever such a kerfuffle, they had to cut me free.
16:59Oh, dear, oh, dear.
17:00Did they almost make a carpet out of it then?
17:04You can't talk, can you?
17:05Ow!
17:06No, no.
17:07Oh, thank goodness we're doing all right in house maintenance classes.
17:09Yes, it's just that Mr Blundle is taking so long to get round to roofing.
17:14Yeah, I hope that polythene holds in the meantime.
17:21Jack Spratt could eat no fat.
17:24His wife could eat no lean.
17:25And so between them both, you see, they lick the planet clean.
17:29What are you talking about?
17:31Us.
17:32Us!
17:33If we swapped classes, we might click at each other's subjects.
17:37Well, I suppose it's worth a try.
17:38I mean, we can't do any worse than we are already.
17:40Exactly.
17:41My arm still hurts, you know.
17:43Well, that's what we'll do then.
17:44Right.
17:45Right.
17:46Coffee!
17:46Yeah.
17:47No, no, no, no, no, no.
17:48Let's christen these.
17:49Oh, you are a fool.
17:52Oh, no, no, honestly, no, no.
17:53I mean, as long as they're functional, it doesn't matter what they look like.
17:57There we are.
17:58There you are.
17:59Lovely.
17:59Look, lovely.
18:01I name these cups Diz and Aster.
18:07Cheers.
18:08Cheers.
18:20Oh, dear Sheila.
18:26Oh.
18:28Close your eyes.
18:43All right.
18:44But not for too long, because it makes me fall forwards.
18:48Happy birthday.
18:49Oh, Jerry.
18:50Oh, you sweet thing.
18:57You know, I really didn't expect anything else after you'd spent all that money on my studio.
19:02Didn't you, darling?
19:04Happy birthday to you.
19:05Happy birthday to you.
19:07Happy birthday to you.
19:07Happy birthday to you.
19:08Happy birthday to you.
19:12I forgive you for putting my age on my birthday card.
19:17Look what Jerry gave me.
19:19Oh, isn't that lovely?
19:21Blimey, I wish he was married to me.
19:22Well, Margo, a very happy birthday from us with our love.
19:26Oh, you shouldn't.
19:27You can't afford birthday presents.
19:30I know, we made it.
19:33Oh.
19:35Now, that really is...
19:38And so is this one.
19:41Who's a clever girl, then?
19:42He is.
19:43He made them.
19:44Oh, I thought you were the silkworm of the family.
19:46No, no, no.
19:46We swapped classes, didn't we, tell you?
19:47No.
19:48Well, presumably, Barbara, that Ives person became too much for you.
19:52No.
19:52I became too much for him.
19:54He had to stay behind every night to scrape my clay off the walls.
19:58But Tom's taken to it like a duck to water.
20:01Yeah, enough of getting old clever clogs there who'll naturally understand Mr Sidlowski.
20:04Oh, Margo, you should come to Weaving.
20:06You'd like Mr Sidlowski.
20:07He's got nice eyes and he calls all the women in the class my ladies.
20:11No, thank you, Barbara.
20:12I'm afraid that Ives person scarred me too deeply.
20:17Well, evening classes certainly seem to have worked out for you two.
20:19Oh, yes, you should see us at house maintenance.
20:21I learned to unblock a drain last week.
20:24Just an endless round of fun, isn't it?
20:27Don't mock Leadbetter.
20:28What would you do if your drain got blocked up?
20:30Pay a plumber to unblock it.
20:31There is that way of doing it, yes.
20:33No, seriously, I think those are very nice, aren't they, Margo?
20:36Oh, yes, yes.
20:38They're so...
20:39handmade.
20:40Oh, um, excuse me.
20:45I like these.
20:46I really do.
20:47Oh, it's all right, Jerry.
20:48You don't have to take them out of the attic every time we come round.
20:51No, I'm not offended.
20:52All great artists are rejected until they die.
20:54Look, everybody.
20:55The river at Thames Ditton.
20:57Mrs Weaver painted it for us.
20:59Oh, splendid.
21:00Oh, you've met Mrs Weaver, haven't you?
21:02Yes.
21:02Shall we go?
21:04Oh, it's all right.
21:05Perhaps we just got off to an unlucky start.
21:08Yeah, you know, I like that.
21:09That's very nice.
21:11Tom, one does not use the word nice to a professional painter.
21:15I mean, Mrs Weaver has been exhibited in Sloane Street.
21:21Has she?
21:23I wasn't streaking, you understand?
21:25What makes this with you?
21:27Well, shall we all sit down and look as though we're waiting for a train?
21:30Oh, where did you get these, Mrs Ledbetter?
21:37Oh, I didn't buy them.
21:38No, they were a present.
21:40A homemade present.
21:41Guilty?
21:42No, I think they're super.
21:44They're so unfussy.
21:46Are they?
21:47No, I'm serious.
21:48When one creates something, it's not what one puts in, is it?
21:50It's what one leaves out.
21:53Is it?
21:55Extraordinary.
21:56I was about to say the self-same thing just as you arrived, Mrs Weaver.
22:00Wasn't I, Jerry?
22:01I don't know.
22:02I've still got to tell.
22:04Like what?
22:05I like these enormously.
22:07Oh, so do I.
22:08Mr Good.
22:09Tom.
22:10Tom.
22:10I didn't suppose you'd make me half a dozen of these, would you?
22:14Are you taking the mickey?
22:15Only to the extent that I would commission you for them.
22:18What?
22:19With money.
22:20What do you think she meant?
22:21Bead necklaces?
22:23I don't really know.
22:24What do you think, love?
22:25Well, we do still have a hole in our roof.
22:27Yeah, we could buy the materials to patch it up.
22:29Yes, I mean, I am practically a qualified steeplejack now.
22:32All right, Mrs Weaver, you're on.
22:34Good.
22:34Ah, snag.
22:35I can't promise a very quick delivery.
22:37You see, Miss Purvis in my class at the Institute,
22:39was trying to make one of those giant, what do they call them,
22:4140 thieves pots, and she's tending to hog the kiln.
22:44Oh, no problem, Tom.
22:46You can use mine.
22:47Oh, of course, your shed studio, Barbara.
22:51That's perfect.
22:52Thanks, Margot.
22:53You'd have to sweep the cobwebs out first, of course.
22:58I didn't realise that you were a potter as well, Mrs Ledbetter.
23:03Oh, one dabbles, Mrs Weaver.
23:06One dabbles.
23:07It's like an oven in here.
23:27It is an oven in here.
23:28Hey, you get shot bringing her into Margot's garden?
23:31No, it's all right.
23:32She's out.
23:32I just wanted to show Geraldine her genius master at work.
23:36Geraldine, that is your genius master.
23:39You have been milked by those hands.
23:41Yeah, you play your cards right,
23:42I'll make a life mask of your udders.
23:45No, I was just on my way back from the common.
23:47I wondered if you wanted any help.
23:49Yeah, I do, actually.
23:50Tie Geraldine to one of Margot's concrete mushrooms for a minute.
23:52Right, right.
23:52Come on.
23:53Come on.
23:53I'm yours to command, master.
24:01Right, now, four more goblets for Margot,
24:03who wants six, the same as Mrs Weaver.
24:07Four snob goblets?
24:09Yeah, and two medium-sized salvers
24:11for Mrs Weaver's friend with a lisp.
24:15Two medium-sized salvers?
24:19It's funny this, you know, isn't it?
24:20What?
24:20The way it's spiraled, you know, A tells B, B tells C.
24:23He's got a friend.
24:23A lot of work for you, though, isn't it?
24:25Well, I know, but it's a much-needed boost to our sagging economy.
24:28Yes, besides, it shows off your sexy legs.
24:30Hey, Kate, don't do that.
24:30Don't, don't, don't do that.
24:32Hey, you know, we might even get a proper chicken house out of this.
24:35We've already bought the gear for the roof.
24:37Shall I make a start on it?
24:38I mean, after all, I did do roofing last week.
24:40No, no, no, no, no, no, no, no.
24:42You've got quite enough to do with me pottering nearly all day.
24:44Look, I tell you what,
24:45we'll get a bloke in to do it.
24:46We can afford it now.
24:48Yes, all right.
24:49Right, now, let's get on.
24:53And no questions asked.
24:54Get away, you filthy animal, get away!
24:57Margot's home.
24:59Oh, my God!
25:02Look what Geraldine's doing!
25:04Oh!
25:05Oh, now, Margot, do try and see the funny side of this.
25:17Tom?
25:18Yeah?
25:19What county's evening?
25:21It's not.
25:23Oh, don't be daft.
25:24It's got to be somewhere.
25:25No, no, it even is a county.
25:26It's one of those new lot.
25:28Oh.
25:30Well, where is it?
25:32Oh, Norway, Southeast Area, I don't know.
25:36Changed them all, anyway.
25:38Him!
25:39Who?
25:39Same bloke that's made us have decimal coinage.
25:44Right, that's the...
25:45Oi, oi, oi, you're slipping.
25:46Look, there's no label on this one.
25:49That's because it's an empty box.
25:51Oh, yes, there it is.
25:55Oh, well, send it somewhere, anyway.
25:58The way my luck's running, I'll probably get it checked by return.
26:01Dear sir, thank you so much for your splendid empty box.
26:03Please finally close ten pounds.
26:05It's not luck.
26:07You're becoming a cottage industry.
26:10Yeah, I am, yeah.
26:11What if I might get a government grant to get myself renovated?
26:15Well, as long as they don't nationalise you.
26:17Oh.
26:18Barbara, Tom, I've got the most wonderful news.
26:21What?
26:23Guess who we just had to dinner.
26:25Who?
26:26Celia Fishwick.
26:28That's fantastic.
26:29Yes, it is.
26:30Who the hell is Celia Fishwick?
26:33Darling, they haven't got extrasensory perceptions.
26:36Oh, I'm sorry.
26:37I forgot how out of touch with Chelsea you are.
26:39Now, Celia Fishwick owns Gallery Celia in Chelsea.
26:45Just round the corner from Rosetti's wall plug.
26:49Is that the wonderful news?
26:51The wonderful news, Tom, is that Celia wants to sell your pottery.
26:56Oh, does she really?
26:57Yeah, amazing.
26:58She saw those goblets you made for Margot and she's offering you a retail outlet.
27:01Obviously a very intelligent woman.
27:03No, don't you see what this could mean?
27:04You could sell your pottery at Chelsea prices.
27:06This could be big, Tom.
27:07Yeah, blimey.
27:08I'd have to work like Stink, wouldn't I?
27:09Well, obviously.
27:10And you couldn't go into a thing like this on an amateur basis.
27:13I mean, the whole cell would have to be properly streamlined.
27:15How do you mean?
27:16Proper presentation, but I mean, that's Celia's end.
27:17What you'd have to do at your end is run the business like a proper business
27:20and not like some sort of amateur thing.
27:22Proper invoicing, proper accounts.
27:24I can keep books.
27:25We'd have to have the phone book back on.
27:26No, but I think we'd need a van in time.
27:28Would it be better to do a formal limited company, do you think?
27:30But then we'd need an accountant to advise us.
27:31All right, so we get one.
27:32This is really something, this is.
27:34Well, you've come the long way round, but welcome back to the human race.
27:37I'm so pleased for both of you.
27:39At last, you'll be normal, sane people again.
27:44Yeah.
27:47What's the matter?
27:47What did I say?
27:48You said normal, sane people.
27:50We don't want to be normal, sane people.
27:51Oh, Lord.
27:52I said we should get a van.
27:53I'm sorry, Tom.
27:54I said we should get an accountant.
27:55I'm sorry, Barbara.
27:56Do you realise that we paid a bloke to do our roof?
27:59Yes.
28:00We might have ended up with an au pair girl and an ulcer.
28:02Jerry.
28:03Jerry, what are they talking about?
28:04Self-sufficiency, I'm afraid.
28:06We've lost them.
28:07Do you realise we almost got seduced into getting back into the rat race?
28:10Yeah, yeah.
28:11The only thing we want to be seduced by is each other.
28:13Jerry, they are becoming incoherent and vulgar.
28:16Do something.
28:17What's the point?
28:18They've got that fanatical, masochistic gleam in their eyes.
28:21Well, say something.
28:22Oh, very well.
28:24Good night, peasants.
28:26No, Jerry, what's that bit more than that?
28:28I can't say any more.
28:28Well, we've promised C.V.
28:29You were right, you know.
28:35It was a kind of madness.
28:38I know.
28:41Tom.
28:42Yes, love?
28:44Say something reassuring.
28:47All right.
28:47We haven't got enough fertiliser for the allotment.
28:51Three of the chickens are on the blink.
28:53We've run out of tea and I think the pig's got lice.
28:58That's wonderful.
28:59I'm sorry I let you down.
29:03You didn't let me down.
29:05I'm very proud of you.
29:07Huh.
29:09Children are going to be proud of you as well.
29:11Yeah.
29:13Children.
29:14You are not...
29:16No, no.
29:18The cat's going to have kittens.
29:20Oh!
29:22Oh.
29:24It can't.
29:25It's a tom.
29:25Well, you know, tom's tom.
29:30They can do anything.
29:31Oh!
29:32Oh!
29:34Oh!
29:34Oh.
29:35Oh!