find Your Series here :
https://www.mytvchannel.org/archive.html
https://www.mytvchannel.org/archive.html
Category
📺
TVTranscript
00:00The Closed Captioning by MariaPierre
00:30Gianni, have a little luck with that one more brother?
00:47You know Giorgio, who I saw yesterday in Montemario?
00:56Maria, Bruno's going to show me the rest of the house.
01:22That's right, the full escorted tour, eh? We see everything, baby, eh? Everything. Nothing overlooked, eh?
01:30Hey, come on, what's wrong? The kid. I like her. She's good. That's what I told that brother of yours.
01:52Bruno. He's good, too. Pia, he's just a child. She hasn't been anywhere before.
02:00He hasn't been anywhere before.
02:04Bruno, please.
02:07Bruno, please.
02:09Shut up. Shut up. Don't say it.
02:10No.
02:11Shut up.
02:13You little wildcat, you...
02:17No! No!
02:20No!
02:21No!
02:22No!
02:23No!
02:24No!
02:25A-a-a-a!
02:26No!
02:27THE END
02:57THE END
03:27THE END
03:29THE END
03:33THE END
03:37THE END
03:39THE END
03:43THE END
03:45THE END
03:49THE END
03:51THE END
03:55THE END
03:57THE END
03:59THE END
04:01THE END
04:03THE END
04:05THE END
04:07THE END
04:09THE END
04:11THE END
04:13THE END
04:15THE END
04:17THE END
04:19THE END
04:21THE END
04:23THE END
04:25THE END
04:27THE END
04:29THE END
04:31THE END
04:33THE END
04:35THE END
04:37THE END
04:39THE END
04:41THE END
04:43THE END
04:45THE END
04:47THE END
04:49THE END
04:51THE END
04:53THE END
04:55THE END
04:57THE END
04:59THE END
05:01THE END
05:03THE END
05:05THE END
05:07THE END
05:09THE END
05:10THE END
05:11THE END
05:12THE END
05:13THE END
05:14THE END
05:15THE END
05:16THE END
05:17THE END
05:18THE END
05:19THE END
05:20THE END
05:21THE END
05:22THE END
05:23THE END
05:24THE END
05:25THE END
05:26THE END
05:27THE END
05:28THE END
05:29THE END
05:30THE END
05:31THE END
05:32THE END
05:33THE END
05:34THE END
05:35THE END
05:36Maria, get my car. Bring it round the back.
05:40Maria! My car! Bring it round the back, quickly!
06:00Take the legs.
06:06Take the legs.
06:32That's it, then, eh?
06:36Is it?
06:40We could never be sure.
06:42Could we?
06:44Never.
06:48There is room for two down there.
06:50If it's over there, or could we...
06:52Quiet!
06:56Okay.
06:58Come in.
07:00Come here.
07:02Come here, car.
07:03Come here, car.
07:04Come here.
07:05Come here.
07:06Come here.
07:08Come here, car.
07:10Come here.
07:12Come here, car.
07:13Oh, my God.
07:43I want her dead before nightfall.
08:03Senior Manoring Minister.
08:05Cordelia, how good to see you again.
08:08And you.
08:09Hello, John. Vittorio.
08:11You are welcome.
08:12Ah, now you are being kind.
08:14I am sick, weary and old, but mostly old, I think.
08:17Come, come. Please be seated.
08:23Breathe deep. Tell me what do you smell?
08:28Corruption.
08:29It hangs on the air like the scent of lilies around a coffin.
08:34It was good of you to come so quickly.
08:36Well, the Sistine manuscript was a very powerful lure.
08:39Yes, yes. The Sistine manuscript.
08:55There.
09:00Beautiful.
09:01And expensive.
09:04Before we start on negotiations, Vittorio, what finally made you decide to sell it?
09:10I am not selling it.
09:12I am giving it to you.
09:14In return for your services.
09:18Very.
09:19No doubt you have seen this.
09:25Oh, yes. I heard about this.
09:27Do sit down, John.
09:29This girl's death has unlocked it all for me.
09:34Organized vice, drugs, extortion, women.
09:38And when necessary, murder.
09:39All under the darkening cloak of the mafia.
09:43Yes.
09:45She has unlocked the door.
09:47But now it is for me to push it wider.
09:50Let the light fall on the dirt inside.
09:52I see where the grand jury's been convened.
09:55They begin their investigations tomorrow.
09:57Oh, heads will fall, but small heads.
10:01Unimportant ones.
10:03But if I could put a witness before that grand jury tomorrow.
10:07Someone to testify to dates, places, names.
10:10Then perhaps I could get some of the important people behind all this.
10:15There is such a witness.
10:17A woman.
10:19She is willing to testify.
10:20The woman is frightened.
10:23Hiding.
10:25But she will come back to give evidence.
10:27If I can guarantee her a safe conduct.
10:29Why don't you do it?
10:30This corruption I spoke of, it is all around us.
10:32Even here.
10:34I think at this moment,
10:36there is only one man I know I can surely trust.
10:39It is you.
10:41I want you to fetch her back for me.
10:44I see.
10:46In return, for the manuscript.
10:51I must warn you.
10:53There may be danger.
10:55I would go myself, but as I said before,
10:57I am an old man.
10:59Also, there is not much time.
11:01Where would I find her?
11:03The girl's name is Maria Pulerno.
11:06She is hiding here.
11:16Now, you and I are the only ones who know.
11:20I would like it to stay that way.
11:22Well, goodbye.
11:34Well, with luck, I will be back here tonight.
11:36Are we going now?
11:37I am going right away.
11:38You have a date with the Couturiers, as I remember.
11:40You never know, I am not here for help.
11:42No.
11:49You have a date with the Couturiers.
11:50Let me go.
11:51Let me go.
11:52Let me go.
11:53Let me go.
11:55I am going to go.
11:58You have a date with the Couturiers.
11:59Now, I am going to go.
12:00I am going to go.
12:01one moment what was that again when was this a few seconds ago he's left the
12:13building all right stay with him all right it's tough I don't care but stay
12:19with him and keep in touch Bruno quick get the car Bruno get the car quick I
12:30think we can find Maria
13:00operator please
13:07operator please
13:21pronto he's now heading south on the outer side of the zone
13:32night
13:39the
13:41the
13:44the
13:47the
13:54the
13:56the
13:57the
13:58the
13:59the
14:00the
14:05We've got him. Keep close.
14:35Now we stay here.
14:38Shouldn't we stay on his tail?
14:40There is no need.
14:42We have him and the girl.
14:45She will be hiding up there, Bruno, in Santa Montina.
14:51You see, this road leads nowhere.
14:55It ends up there in the village.
14:58There is only one way in, one way out.
15:01He has walked straight into a trap.
15:04And now we spring it.
15:26You don't like it, Signorina?
15:29No, no, it's lovely.
15:32I think I'll try the other one or not.
15:36You think I'll try the other one?
15:37I'll try the other one.
15:38I'll try the other ones when I'm ready.
15:39It's funny.
15:41How do they say?
15:42I ago do.
15:42All the way.
15:43Here we go.
15:44Ready to be gone?
15:45What?
15:46Are you welcome for business?
16:12Si, signore, anything you like.
16:16Vino?
16:20Yeah, Vino.
16:23This the main street?
16:25Yeah, this is the main street.
16:27You Americano?
16:28Yeah, Americano.
16:29You're a long way from home.
16:31Yes, indeed, a long way from home.
16:33I've got the many cousins in America.
16:35I've got the many cousins everywhere.
16:37You on vacation?
16:39Well, sort of. I'm looking for a friend of mine.
16:42The name of the house is the Casa Montini.
16:44You know where that is?
16:45Oh, so turning off the main street, very easy to find.
16:48Oh.
16:51Mind the traffic on your way.
16:58This is the busy time of the day.
17:00It's a nice day, eh?
17:01When we are finished, it will be even better.
17:05Man of the girl, you said?
17:06That's right.
17:07The girl, she's beautiful.
17:08Get in the car.
17:09Get in the car.
17:10Get in the car.
17:41Maria?
18:06Maria?
18:11Stop!
18:15Maria Polano?
18:18Get over to the wall.
18:21Look, I'm here to help you. You can put away that gun.
18:26I was sent here by Senor Vittorio Guardi.
18:31How do I know what you say is true?
18:34You don't.
18:38Read this.
18:41This proved nothing. It could be a forgery.
18:45You might have been sent here to kill me.
18:48I might have been.
18:51But I wasn't.
18:54Here.
18:56Go ahead, take it.
18:59I'm sorry.
19:01I'm sorry.
19:03I'm sorry.
19:05I'm sorry.
19:07I'm sorry.
19:09I'm sorry.
19:11I'm sorry.
19:13Go ahead, take it.
19:14I got a job.
19:18I got a job.
19:21I got a job.
19:24I got a job.
19:27I'll take that job.
19:30Where are you?
19:32No, I'll take that job.
19:35I got a job.
19:37I got a job.
19:40Bruno, you take that side.
19:45I will take this.
19:46Si.
20:04Ciao.
20:08I'm looking for an Americano, pap.
20:11You've seen him?
20:12Si, si, a few minutes ago.
20:14An Americano.
20:14He went across the street.
20:16Yeah?
20:17Across the street, eh?
20:21Good.
20:21You like a drink, vino?
20:24You can't sell me a drink, pap.
20:26The bar is closed.
20:28Closed?
20:28I'm not closed.
20:29You are closed, pap.
20:31You know why?
20:35You've got nothing to sell.
20:36You've got nothing to sell.
20:46Keep yourself busy.
20:48Clean up the mess.
20:50Stay off the street, unlock the door.
20:56Stay off the street.
20:58You understand?
20:58Si.
20:59Si.
21:00Si.
21:08Ciao.
21:13You must be tired of running.
21:15Look, Maria, I'm supposed to take you back.
21:18No.
21:19No, I'm not going.
21:20But you promised, Signor Guardi.
21:22He's counting on you.
21:23Well, what do I count on?
21:25You tell me that.
21:26So I go back to the city.
21:28What do you think will happen then?
21:30Well, you stand up in front of the grand jury and you tell them what you know.
21:33No.
21:34No, I'm staying here.
21:35I'm safe here.
21:36For how long?
21:38I found you, didn't I?
21:43Hey, Bruno!
21:44Over here!
21:50You no longer have a choice.
21:56Marco.
22:00Maria, you run right into them.
22:03Is there a back way out of here?
22:04No.
22:04No.
22:08Maria, jump!
22:26Break it down!
22:28Jump!
22:38Hugo, get to the car and stay there.
22:48They can't get away without a car.
23:01It's bad for me that you come here.
23:04What happened?
23:04I'm a fiosa, Signore.
23:07I'm sorry.
23:07I'm alive.
23:09That is enough.
23:10They do what they wish.
23:12You left them?
23:19We'll be walking.
23:20Then we are finished.
23:22We can't get out of here without a car.
23:24Go get one.
23:25Where?
23:27From the police.
23:29Unless they get there first.
23:30Come back to Aram,
23:36O'vonim, O'vonim.
23:40Come back, O'vonim.
23:43To the land of thy birth.
23:50Come with the shamrocks,
23:54The springtime of morning.
23:58And its Calarney will join in thy birth.
24:10Lieutenant, sir, could I have a little taste of that just to moist me lips?
24:13I could make it bad for you, you know.
24:17You promised the wife to give up that stuff.
24:19I promised my wife not another glass would touch my lips.
24:28Clever.
24:28Very clever.
24:29No, it's more than that.
24:30It's very cunning.
24:31But it's a fine point if I ever had to be argued in a court of law.
24:35I tell you what, Lieutenant.
24:37I'll play a little hand of poker for a pull at the bottle.
24:40No, Murphy.
24:41I played poker with you yesterday.
24:43Never again.
24:44Ah, but that was yesterday.
24:45When Lady Luck was shining on me every hand.
24:48No, your finger is a little too swift.
24:51Your palm, eh?
24:53Sticky.
24:55You'll do me a grave injustice.
24:58I'll go on.
24:59One little drink, eh?
25:00Are you in charge here?
25:08Si, signori.
25:09Signorina.
25:10Giuseppe Borzo, tenente de prima classe.
25:12Polizia di Santa Montina.
25:14Area 5.
25:15Santa Montina and surrounding districts.
25:17Yes, I'm in charge.
25:19Look, I need a car right away.
25:21Well, you do have a car, don't you?
25:23Oh, of course.
25:24We have a beautiful British-made car.
25:27It was built in 1954.
25:28Reconditioned, of course, many times.
25:32However, this car, this is the property of the Polizia and...
25:36I see.
25:37Well, take a look at this letter I have here from the Ministry of Justice.
25:40Eh, yes, I see.
25:41It's a very important letter, signori.
25:48Very good paper.
25:50Exquisitely printed.
25:51But he's making no mention of car.
25:54Yes, well, I...
25:56I have some other papers, too.
25:58Oh?
25:58Beautiful papers.
26:00Also exquisitely printed.
26:02I think you're beginning to get through to him, mister.
26:04Ah, quiet, you.
26:05His vagabond is nothing.
26:07It's not important.
26:08He does not understand the niceties of, uh, such a transaction.
26:13Do we get the car or don't we?
26:14Uh, the car, well, it's, at the moment, being repaired.
26:19Oh, I see.
26:20Oh, minor repairs, of course.
26:21I'm sure if I go to the garage now, I see it's already fixed.
26:25Oh, that's fine.
26:25You go there and get it and bring it to us, will you?
26:27You want...
26:28I should bring it to you.
26:29You got it in what?
26:32Very nice watch you're wearing, eh?
26:34Swiss-made, eh?
26:35Many jewels.
26:36Very, very nice.
26:38Look, I'm sure you won't be offended if I offer you this as a token of my appreciation.
26:43Well, I'm deeply touched and flattered.
26:45You are most gracious.
26:46Got a copy, right?
26:47Go subito, signor.
26:52Buongiorno, tenente.
26:55What do you think?
26:57I wouldn't choose him for a buddy, but we're in no position to pick or choose.
27:02What do we do now?
27:04We wait.
27:05Just wait.
27:08Luigi!
27:13Sluiti, vieni dentro.
27:43Anything?
27:46They are hiding somewhere, but we will find them.
27:50Where's Bruno, huh?
27:51He's checking the houses on the north side. Cigarette.
28:01Borzo.
28:03Ah, Signor Navini. I did not know you were in Santa Montana. It's a great pleasure.
28:08We are looking for a man.
28:10And a woman.
28:11He is a big man. American.
28:14Si, Signor Mannering. I am assisting him.
28:19Assisting him?
28:21Oh, yes. He is at the station now.
28:23And the woman?
28:24Well, she is with him.
28:26So, you are assisting him, huh?
28:31How?
28:32Well, he has a need of a car. I'm on my way to get it.
28:35This American is a friend of yours.
28:37Si, a very good friend.
28:39Well, he has a very important letter from the minister himself.
28:43Something is wrong.
28:45There's been an accident out on Highway 19. We heard it on the radio.
28:49Oh, no, you must be mistaken. Highway 19 is not finished yet. It's not open to traffic.
28:56Obviously, the report is false.
28:58Well, you must check it out, Lieutenant. It's your duty.
29:02You leave the American to us, huh?
29:07But I made a bargain with him. I took his money.
29:11Then you are very lucky. You will make a profit.
29:17You will make a bargain.
29:19We will keep the bargain.
29:20This American, he needs a car, hmm?
29:24We will see that he gets it.
29:26Now, you are a civilian like us.
29:32Understand?
29:34Don't worry.
29:35Don't worry.
29:36We will look after Senor Madari.
29:38You know, after due consideration, I'd say you two are running away from something.
29:55You're edgy. Herself is scared, very scared.
30:02I only shoot off my milk, Mr. When it's dry.
30:05There's a bottle there on the desk in the right-hand drawer.
30:08It'll be a merciful thing.
30:12I can see of all the inclinations of a gentleman.
30:18A true gentleman.
30:21What are you in for, Murphy?
30:23I threw a man's hat into the river.
30:27Unfortunately, the poor man was wearing that at the time.
30:33It was never a very good joke.
30:35And I suppose it's better than admitting I was roared and drunk and broke up the place.
30:39I wonder what happened to that guy.
30:42Oh, well, now, a new rear axle can take about a time, you know.
30:46A rear axle?
30:48You said it was a minor repair.
30:51Well, no, there's so many things wrong with that car.
30:53A rear axle is a minor repair.
30:59Why don't you sit down and take the weight off your new shoes?
31:03Well, that's right.
31:05You should print the
31:22Take on my uniform.
31:23It's not right.
31:24They shouldn't have done that.
31:25they shouldn't have done that impersonating an officer of the law law what about you you
31:34so brave you're doing anything different to me
31:36it's nothing to do with us a man and woman we don't even know
31:55the town usually gets noisy at this time but today it's quiet very quiet yeah like it was dead out
32:18there and fear had locked every door and portal you must be pretty important mister
32:24i deal in antiques oh then it's herself that's important and only you to help her
32:32how'd you get stranded so far away from home murphy oh i'm not stranded i like it here
32:39at least as well as i like any other place i came out here to build bridges i used to be good at it
32:45but that didn't work out so i just rub along mind my own business and try to stay out of trouble
32:52there is a car coming
32:56why doesn't he bring it any nearer i don't know maybe the car stole
33:17get back
33:30get the boys
33:47get back
33:53hey what are you mister fifth cavalry u.s marines all rolled into one
34:05that'll open one of these
34:16look why don't you try and get a nice easy job like land taming or walking on hot coals
34:31go into earth they can afford till it'll be dark soon that's when they'll come back
34:42come back in the dark
34:54once i did a brave act once
35:00hey you're not going to try anything not against them
35:20it's funny a little time ago when it looked like we could get away i didn't want to go
35:42i didn't care
35:57hey i've been thinking those boyos out there they must have come in by car
36:02in that case the car must be still around yeah it's around across the street around the corner
36:08just a short walk with luck and bad shooting on their part i'd get about halfway i wasn't thinking of
36:14you it's not me thereafter this isn't my fight
36:19the key is in the top left hand drawer like you said parvy it isn't your fight
36:23and well you should know it that's the great thing about the irish they're terrible for getting into
36:29other people's wars i suppose it saves them the expense of staging one of their own
36:34anyway i get claustrophobia been cooped up in here you know it's in the top left hand drawer
36:47uh-huh well that's better the air breathes fresher out here did you ever by any chance hear the
36:54ballad of reading jessel yeah oscar wilde oh pity i was going to quote it and claim it as my own
37:00never mind you'd better let me do the talking
37:09hey out there hello it's me murphy
37:13that is the man that borzo told us about this is not my fight it's nothing to do with me
37:23i'm a peace-loving man i want none of this what do you want
37:34i want to get out of here there's no trick the yank has agreed to let me go
37:40i come out with my hands held high
37:45i'll give you no trouble only don't start shitting what do you say what's it matter
37:52he can tell us what's happening in there huh all right you can come out slowly we won't shoot you
38:03careful he may kill you for the pleasure of it
38:11perfect you're taking quite a gamble gambling is a sin i've indulged in many times i don't know
38:19whether it's just brute courage or softness the whole mind anyway if things go well i'll be back with
38:25the car
38:34all right i'm coming out hold your fire
38:38you see i'm alone with me hands touching the sky okay over here
38:56uh there you are gentlemen what a pleasure it is to meet you but if he asking too much for me to
39:08lower me arms all right come on over i want to talk to you pleasure gentlemen pleasure
39:15look at him he's talking with them making friends he won't be back he might he took a chance
39:33stepping out that door we'll wait and see
39:36he's gone nearly 15 minutes he isn't coming back maybe the keys weren't there maybe he had to cross
40:06the ignition wires it all takes time
40:23it won't be long now
40:24this wire crossing how long will it take murphy it depends on how expert he is how long
40:42should be done by now
40:46in half an hour it will be dark
40:47and finish no it's not finished not yet it's good that you should feel that way
40:59but you don't convince me i expect us just to sit here
41:05well they can try anything they want but it'll cost them what are you going to do
41:12there's an old army expression when you can't retreat any further attack
41:18that's what i'm going to do and me you'll be running the minute i step outside that door
41:24you'll be running and you won't stop for anything nothing at all
41:31perhaps i've lived too long with the wrong sort of people
41:34why do you want to do it
41:40it's not easy for me to understand sometimes i don't understand it myself
41:49it's been a long time
41:52what are we both so old do we mean the children do we only pretend that we are men huh
41:58hey we could very easily be dead men maybe that would have been better
42:01i wish i knew what was happening out there perhaps i could go have a look huh
42:09they say we should stay off of the street we do no harm just to have a look
42:16you mean uh just uh just have a look yeah that's all
42:22well it can do no harm
42:24oh you're right now we just take a look well how do you want to do it stay tush no
42:43we pour everything we've got through that window make manoring keep his head down that way hugo can
42:50get close up to the door that shouldn't be too tough want me to spread the word
43:03hey
43:04ready to try it what have i got to lose
43:18they'll find me sooner or later they'll come
43:22i was dead when i saw bruno standing over pia's body that's when my luck ran out well from now on we
43:29make our own luck as soon as i start firing you move and move fast try to get behind the building
43:35and as soon as you get outside the village stay off the main roads i'll be right behind you
43:41but don't wait around one thing
43:45thank you
43:45thank you
43:54murphy
44:05yeah it's murphy
44:15uh
44:24uh
44:28uh
44:34uh
44:36uh
44:38uh
44:40uh
44:42Here. Reload this pistol.
44:56If only we could get to the cart.
44:58They'd cut us down before we went ten feet.
45:12Keep an eye on him.
45:37Here, hold this.
45:42Here, hold this.
45:52All right, Bruno. You know what to do.
45:57As soon as I give the word.
46:00Get over the door. Be ready to go.
46:12Head for the cart.
46:20Head for the cart.
46:21No, let's go.
46:24Now, let's go.
46:26Come on.
46:32We're going to go.
46:34We're going to go.
46:37We are going to go.
46:38Oh, my God.
47:08It's all right now. It's all over.
47:14I can't tell you what a terrible day I had, but the clothes were fabulous. Honestly, I didn't know which way to turn.
47:40Anyway, how was your day? Well, it wasn't how.
47:48I told you heads would roll. That was only the beginning.
47:53Maria told us everything we wanted to know.
47:56All part of John Manoring's service.
47:58Go ahead. You've wanted it for a long time. It's yours.
48:03I owe you a great deal. More than this.
48:08No, Vittorio. If you ever decide you want to sell it, let me know.
48:12Until then, you can look after it for me.
48:16Now, let's go pick up some of those dresses you didn't buy.
48:19No, Vittorio.
48:24No, no.
48:25No, no.
48:26No, no.
48:27No, no.
48:28¶¶
48:58¶¶