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00:00The Lone Ranger
00:30Oh, my God.
02:00Did you see it?
02:05She just jumped.
02:09Now, the boat's going after her.
02:18She must have gone under.
02:19I can't see her.
02:20You come with me, son.
02:22Cooling lambrows.
02:22Let's go.
02:23Let's go.
02:24Let's go.
02:25Let's go.
02:26Let's go.
02:27Let's go.
02:28Let's go.
02:29Let's go.
02:30Let's go.
02:31Let's go.
02:32Let's go.
02:33Let's go.
02:34Let's go.
02:35Let's go.
02:36Let's go.
02:37Let's go.
02:38Let's go.
02:39Let's go.
02:40Let's go.
02:41Let's go.
02:42Let's go.
02:43Let's go.
02:44Let's go.
02:45Let's go.
02:46Let's go.
02:47Let's go.
02:48Let's go.
02:49Let's go.
02:50Let's go.
03:05I think they've got her.
03:20Let's go.
03:48We'd better be careful with her.
03:49I've called for an ambulance.
03:50I'm sorry.
03:51We were too late.
03:52She's dead.
04:19I'm sorry.
04:21Let's go.
04:22Let's go.
04:23Oh!
04:24Very good.
04:25Yeah.
04:26¶¶
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05:43Thank you, miss.
05:47¶¶
05:49¶¶
05:50¶¶
05:52Yeah.
05:53John, I'm sorry I'm late.
05:54Yeah, I know. You had a million problems.
05:56Yeah.
05:57Let's go.
06:06Can I help you?
06:07I want the police.
06:08You mean to say that after my rush to the airport to collect those, we haven't even got an appointment?
06:12Oh, she's probably home by now.
06:15Well, Listan has been waiting for these for a long, long time.
06:19Let's hope she hasn't got tired of waiting.
06:21Well, not chance. You see, he's belonged to a set of four 17th century miniatures, and Phyllis already has the other one.
06:27I see.
06:29They'll cost a fortune, but Phyllis Thornton can afford it.
06:32Plus 10% for my trouble.
06:34Your trouble?
06:44Must be something wrong with that bell.
06:51No.
06:56Phyllis.
06:57You're right.
07:12Now, what?
07:14The hallway seems okay.
07:27She's interested in spiritualism, witchcraft, that sort of thing.
07:35I believe you.
07:54Phyllis!
07:57There he is!
08:13Look, he's got the wrong man.
08:15He's got a girl with him.
08:17Listen to me, there was a guy in the apartment and he's getting away.
08:20You'll get your chance to explain.
08:21Inside.
08:22I think you'd better take a look at the fuse box.
08:32Surely you don't think we broke into the flat, do you?
08:51You were here.
08:51And we were downstairs when you went past.
08:53And if we were downstairs, then we couldn't have been upstairs where you must have been when you saw the marks on the door.
08:57And decided to call the police and we went...
08:59Celia, take it easy. You'll get us ten years.
09:02Yes. Yes. The young lady's right, officer.
09:05I remember now. They were downstairs.
09:09Then it looks like we made a mistake. I'm very sorry, sir.
09:12Forget it.
09:13Excuse me. I seem to recognize you from somewhere.
09:16I'm John Mannering. I'm in the antique business.
09:18We'd come to see Mrs. Thornton on business and we found the door open.
09:21There was a man inside.
09:22Would you recognize him again, sir?
09:23Well, it was dark and he ran for it. And I was chasing him when you stopped me.
09:29Oh, I nearly forgot.
09:31He dropped this just behind the screen.
09:33My face is familiar.
09:35Caroline Spencer.
09:36She committed suicide about two months ago.
09:39Jumped into the Thames.
09:40The press made quite a fuss about it.
09:43Very rich family.
09:45Oh.
09:46It's suicide, huh?
09:47Oh, yes. No doubt about it. There were several witnesses.
09:50She jumped, believe me.
09:53Well, if you don't need us anymore...
09:55No, no. That's quite all right.
09:57If there is anything else, we know where to contact you.
10:02Reporter, are you expecting Mrs. Thornton back anytime soon?
10:05No, I'm not, sir.
10:06Did she leave a forwarding address?
10:08No.
10:09She makes a few trips each year.
10:10Never leaves one.
10:12Let's not forget the merchandise.
10:17Good night.
10:21We didn't get very far, did we?
10:24I mean, Phyllis Thornton could be taking a vacation in the Brazilian jungle for a week.
10:28All right. That's one up to you.
10:31Where to now?
10:32There's somebody I've got to see.
10:38How should I know where Phyllis is?
10:40She's your wife.
10:42Yeah.
10:42That's what's written on a scrap of paper I've got.
10:45It's the only way I can tell.
10:46She'd divorce me if she could, but I've been too clever for her.
10:50I've been a good boy.
10:51And it'll pay off.
10:52I'll tell you, it'll pay off.
10:54I'm not interested in that, Thornton.
10:55Just tell me where she is.
10:57I thought you were friends.
10:58We lost touch.
11:00Thanks to all us.
11:03Look.
11:05This is important.
11:06You want to sell her something?
11:07Is that it?
11:08You'll take what you like.
11:09I don't blame you.
11:16I don't blame you at all.
11:17I don't like passing up a buck either.
11:19You know where she is?
11:20Yes or no.
11:22You know, the trouble with Phyllis is she was always easily led.
11:25She let people influence her too much.
11:27You think that money of hers would be some sort of defense?
11:30Oh, if she's got money.
11:31Yeah.
11:32I imagine you know, down to the last penny.
11:35Oh, I know.
11:36Sure I do.
11:36That's why I married her.
11:37I wanted her money.
11:39You see, unlike some people, I come right out and say it.
11:41Now, look, Manorin, I don't know where she is, but I'll tell you what I'll do.
11:49I'll arrange for you to see one of her old cronies.
11:52If anyone knows where she is, she does.
11:55Personally, I don't stand a chance, but maybe she'll talk to you.
12:08Yeah, that's it.
12:10John Manorin.
12:11I'm trying to pin something on me, Manorin.
12:22Here's the address.
12:24Madame Bagonz expects you at eight.
12:26She's having a little affair.
12:29I'll try to make that.
12:31She'd like you to take a friend.
12:32Oh.
12:33You have got a friend, Manorin, I suppose.
12:35That's it.
12:36I'll try to make it.
12:54I'll try to make it.
12:55Is Phyllis Thornton supposed to be here?
13:19I don't know, but if she isn't, we might get a lead.
13:22You really are taking this thing seriously, aren't you, John?
13:25Just how much did you pay for those miniatures?
13:28Much more than they're worth, without the fourth one.
13:32You're right, I could lose a lot of money if we don't find Phyllis.
13:35But that isn't really the reason I'm looking.
13:37You think she's in trouble?
13:38I keep remembering Carol and Spencer.
13:41Oh, the girl who jumped from the bridge?
13:43Yeah.
13:44Think they're connected?
13:46Well, they have a lot in common.
13:49They're both missing, both very rich.
13:52True.
13:55I have an appointment with Madame Bregonti.
13:58I have an appointment with Madame Bregonti.
14:01I have an appointment with Madame Bregonti.
14:08I have an appointment with Madame Bregonti.
14:22I have an appointment with Madame Bregonti.
14:24You must be Mr. Manoring and your friend.
14:39Yes.
14:40We've been waiting for you.
14:41You're Madame Bregonti?
14:42My professional name.
14:44I see.
14:45Well, there are one or two questions I'd like to ask you.
14:47Yes, of course.
14:48If you'd like to go through, we're just about to start.
14:51I'm sure you'll learn whatever it is you wish to know.
15:04This is Mr. Manoring.
15:05I'll introduce you all before we begin.
15:07Mr. Manoring.
15:37Mr. Manoring.
15:38Mr. Manoring.
15:39Mr. Manoring.
15:40Mr. Manoring.
15:41Mr. Manoring.
15:42Mr. Manoring.
15:43Mr. Manoring.
15:44Mr. Manoring.
15:45Mr. Manoring.
15:46Mr. Manoring.
15:47Mr. Manoring.
15:48Mr. Manoring.
15:49Mr. Manoring.
15:50Mr. Manoring.
15:51Mr. Manoring.
15:52Mr. Manoring.
15:53Mr. Manoring.
15:54Mr. Manoring.
15:55Mr. Manoring.
15:56Mr. Manoring.
15:57Mr. Manoring.
15:58Mr. Manoring.
15:59Mr. Manoring.
16:00Mr. Manoring.
16:01Mr. Manoring.
16:02Mr. Manoring.
16:03Mr. Manoring.
16:04Mr. Manoring.
16:05Mr. Manoring.
16:06¶¶
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17:06¶¶
17:16¶¶
17:19Is there a spirit present with us?
17:22¶¶
17:27Is there a spirit present with us?
17:31¶¶
17:35¶¶
17:40Is there anyone here you would like to speak to?
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17:53Which of us is chosen?
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19:25Dr. Manor, I bring you a warning, a warning of danger.
19:32Manor! Manor!
19:52His name was Reynolds, a fairly unsuccessful private eye.
19:57He was working on the Caroline Spencer case.
20:00Somebody didn't think it was suicide, eh?
20:02Oh, the parents. A natural reaction, of course.
20:05I wonder if he'd found out anything about Phyllis Thornton.
20:08What makes you say that?
20:09He was in her apartment.
20:11When he came through that window at the seance, he wanted to tell me something.
20:16Well, we've not been able to find any connection.
20:20Incidentally, how did you get onto this begonzie woman?
20:22Well, the husband. A weirdo. A complete opportunist.
20:26Right. I'll put a tail on him.
20:28Oh, I checked the begonzie circle. They're cranks, nothing more.
20:31Cranks need money like anyone else?
20:33You know, I had the feeling that someone there was keeping an eye on us.
20:37Someone we couldn't see.
20:39Maybe Reynolds did.
20:43Inspector, I'd like to have another look at Phyllis Thornton's apartment.
20:47Yes, I had the lock change yesterday.
20:49Oh.
20:53We'll all be locked.
20:54Well, thank you, sir.
21:07John, is this Mrs. Thornton?
21:10Yes.
21:16Well, what do I do?
21:17Take a look around.
21:18Wouldn't the police have done that?
21:20Yeah, but they probably didn't know what they were looking for, either.
21:23The Order of the Seven Stars.
21:25Yes.
21:27One of those spiritualist things, a religious cult.
21:30Like I told you before, Phyllis Thornton had an obsession about that sort of thing.
21:33I don't care about that sort of thing.
22:03The Battle of the Week
22:04Is the Deliver!
22:05Yes, sir.
22:22Machile, wake!
22:25Wake!
22:26mates, wake!
22:28I'm still here, in this room, in this terrible room.
22:57Help me.
22:59Is it no better?
23:01Do you still imagine you're in that nightmare room?
23:05Still see bars on the window?
23:08Blank white walls?
23:10I can see them.
23:12Yes, I can see them.
23:18Look. Look.
23:21Look at the windows.
23:23There are iron bars across them.
23:26Look.
23:32There are no bars, my child.
23:35There are. There are.
23:38I can't be dreaming or imagining.
23:41No. No, you are not.
23:44What you see is the symbol of your sins.
23:47The retribution you must bear until you are cleansed.
23:50Until I, the chosen one, lead you to the peace you must attain.
23:57Tell me what I must do.
24:00Please tell me what I must do.
24:03Look.
24:04Look.
24:05Look around you.
24:06A photograph of your parents.
24:10Paintings you made as a child.
24:12Look.
24:13I can't see them.
24:14I can't see them.
24:15I can't see them.
24:16Please.
24:17Let me sit up.
24:18Please.
24:19Let me sit up.
24:20Please.
24:21Unfasten the straps.
24:24Help me.
24:25My child, you can sit up if you want to.
24:26There are no straps holding you.
24:28I can't move.
24:30I can't move.
24:31I can't.
24:34Why?
24:35Why?
24:36Help me.
24:37Help me.
24:39My child, you can sit up if you want to.
24:42There are no straps holding you.
24:45I can't move.
24:47I can't.
24:49Why?
24:51Why?
24:53Help me.
24:55Help me.
24:57Of course, if it will do any good, I will give my own life rest.
25:04Rest, my child.
25:06Perhaps you will come to see things.
25:09As they really are.
25:23No, no, no, no.
25:26Please, please.
25:28Please.
25:39When she wakes, let her stay conscious for an hour, then give her another shot.
25:49Physically, she's cracking up with all these drugs.
25:51I don't like it.
25:53You don't have to like it, Sarah, my dear. Just do as you're told.
25:56You're not in the room with her all the time. You don't see her face.
26:00Is there no other way?
26:01I'm afraid there isn't.
26:03After our failure with Caroline Spencer,
26:05Mrs. Thornton's considerable fortune is all we've got to fall back on.
26:09I'm sure that even your conscience wouldn't allow you to lose that.
26:14Well, I thought not.
26:16But if there's any consolation, it'll soon be over.
26:19All right.
26:21But if we go on pumping these drugs in, too, huh?
26:24It'll kill her.
26:26All in good time, Sarah, my dear.
26:29All in good time.
26:31You want me, Johnny?
26:44It's Manoring.
26:45He's downstairs.
26:47Manoring?
27:01Manoring?
27:02Manoring?
27:03Manoring?
27:04Manoring?
27:05Manoring?
27:06Manoring?
27:07Manoring?
27:08Manoring?
27:09Manoring?
27:10Manoring?
27:11Manoring?
27:12Manoring?
27:13Manoring?
27:14Manoring?
27:15Manoring?
27:16Manoring?
27:17Manoring?
27:18Manoring?
27:19Manoring?
27:20Manoring?
27:21Manoring?
27:22Manoring?
27:23Manoring?
27:24Manoring?
27:25Manoring?
27:26Manoring?
27:27Manoring?
27:28Manoring?
27:29Manoring?
27:30Well, what can I do for you, Mr. Mannerling?
27:38Are you in charge here?
27:40In charge?
27:42Well, I suppose you could say that I am in charge.
27:45I prefer to think of myself as the representative of the powers that control us all, Mr. Mannerling.
27:51My followers call me the chosen one.
27:54Oh, I see.
27:56Well, I'm interested in one of your followers, Phyllis Thornton.
27:58Oh, yes, a charming woman.
28:01Her dedication is very touching.
28:03I'd like to see her.
28:05Well, Mr. Mannerling, I'm sure you have her address.
28:09Yes, I tried there.
28:11And?
28:12Well, nobody had seen her for at least a month.
28:14And what makes you think I will be able to help?
28:17She's one of your followers.
28:19Oh, Mr. Mannerling, people come to me of their own free will.
28:23I try to guide them to a better, freer life,
28:27but I exercise no hold of them.
28:30Mrs. Thornton chooses to disappear, as you say,
28:33then that is a decision of her own.
28:36Then you have no idea where she is?
28:40No, none.
28:41If she had wanted me to know, she would have told me.
28:45As I'm sure she would have told you.
28:48Well, thank you for your help.
28:50How much do you think he knows?
29:13I have no idea, Johnny, but I intend to find out.
29:17It might save us all a lot of inconvenience
29:19if Mr. Mannerling were to have an accident.
29:22THE END
29:41Oh, my God.
30:11Johnny Haswell here.
30:23Listen, we're in trouble.
30:25All right, all right.
30:27You better tell me exactly what happened.
30:29It went more or less as we planned.
30:31The trouble was another car turned up.
30:32We had to make a run for it.
30:33And Mannering wasn't dead?
30:35No, but they took him away in an ambulance.
30:37I suppose it would be too much to hope
30:39that you know where he is now.
30:40Yeah, we checked that out.
30:42It's why we're so late phoning in.
30:43We can't afford to take any chances.
30:45He's got far too close as it is.
30:47You'll have to finish him off.
30:50Did you hear what I said?
30:52Yeah, I heard.
30:55We'll take care of it.
30:56We investigated as soon as we heard.
31:04Everything points to it being an accident.
31:06Then why did the truck driver disappear?
31:08What else do you expect?
31:09It was a stolen vehicle.
31:11It's quite a coincidence.
31:12All right.
31:13A coincidence.
31:15But I won't buy it as a deliberate attempt on your life.
31:17All right, Inspector.
31:18Have it your way.
31:19What do you hear about Reynolds?
31:21Nothing.
31:22Well, just as a matter of interest,
31:23why don't you take a look at this list of addresses
31:25and see if Caroline Spencer's been at any one of them.
31:27If you think it'll do any good.
31:38Pretty good.
31:39Are these in order of appearance?
31:41I've already visited the Temple of the Seven Stars,
31:44but I don't want to influence you.
31:45Just check them out.
31:46I'll get back to the office.
31:50Don't say it, nurse.
31:52We're just leaving.
31:53Be in touch, Manly.
31:55Any orders?
31:56Yeah, it's going to take about a week to get my car fixed.
32:00You better pick me up tomorrow about, uh...
32:02Three o'clock should be fine.
32:03Three o'clock.
32:04Okay.
32:05Good night, John.
32:06Good night.
32:07What's that?
32:08Something to give you a good night's rest.
32:23Good night, Mr. Manly.
32:25Good night, nurse.
32:39It's okay.
32:46He's got a room on the ground floor.
32:48Come on.
32:49Let's get it over with.
35:30Good night, sister.
35:31Good night, doctor.
36:37Good afternoon, nurse. I've come to collect Mr. Mannerly.
36:57Oh! Feeling better after your rest?
37:02Oh, I feel fine.
37:04Did I say something?
37:05Your boss had a couple of visitors last night.
37:07Tried to make sure he left to your feet first.
37:10Then this isn't a coincidence.
37:12It was delivered this morning at the shop.
37:13Oh, it's an invitation to meet Phyllis Thornton this afternoon at the Temple of the Seven Stars.
37:22Hmm?
37:23I wonder if they are connected.
37:25I mean, it's hardly the move of a would-be assassin, is it?
37:28Could be that's what they want us to think.
37:30Inspector, I'd like to keep that date.
37:32All right.
37:35But look after yourself.
37:36That place gets a bit kinky.
37:38Why promise not to join the order?
37:39I think it might be better if you stayed here.
37:51Don't you believe it.
37:52I'm coming in with you.
37:53I advise her most strongly to see you, Mr. Mannerly.
37:59At first she refused.
38:00She was most insistent that I should keep her whereabouts secret.
38:02That's why I said what I did on your previous visit.
38:05I understand.
38:06But she's still very sick.
38:07She suffered almost a complete nervous breakdown.
38:10Then shouldn't she be in hospital?
38:11She's receiving the most up-to-date treatment, Miss Winfield.
38:14I can only ask you not to trouble her with too many questions.
38:23Mrs. Thornton, Mrs. Thornton, wake up.
38:43There's somebody to see you.
38:53Hello, John.
39:01Hello, Phyllis.
39:03We had a hard time finding you.
39:04I'm sorry.
39:05I wanted it this way.
39:09Everyone here is being very kind.
39:13They're trying to help me so much.
39:17You might think it was a selfish thing to do,
39:20but I've got nobody.
39:23Nobody.
39:26All I want is a little happiness.
39:29And I believe that here I have a chance of finding it.
39:36I'm afraid I must ask you to leave now, Mr. Mannerly.
39:39Mrs. Thornton tires very easily.
39:42What did you want to see me about, John?
39:44It's a small business matter.
39:46We'll talk about it later.
39:49Thank you for coming, John.
39:50I do appreciate it.
39:54And believe me,
39:56I'm in good hands.
40:00Try to get a little rest now, Mrs. Thornton.
40:09Goodbye, Phyllis.
40:10Why didn't you let me tell her about the miniatures?
40:34Did you see her eyes?
40:35Everything looked all right to me.
40:36She's full of drugs.
40:38I've got to get her out of there.
40:40Then if you think that, why not contact the police?
40:43Because that'll take time.
40:44And that's the one thing that Phyllis hasn't got.
40:46Yes, she signed it.
41:12Complete authorization to administer her estate.
41:16I can write her checks, buy and sell property.
41:19Everything we've worked for is in this document.
41:22Is she all right?
41:22I sit with her.
41:24We don't want anything to happen to Mrs. Thornton
41:26till we decide that it should.
41:29This is what we planned,
41:31Sarah, my dear,
41:32ever since we opened our little haven.
41:34Now that we've succeeded,
41:36I'll keep my promise,
41:38we shall live as you want,
41:39as we've always intended.
41:43After tonight's meeting,
41:47our flock will lose a leader.
41:48That's what we've arrived at.
42:16The Chosen One, The Chosen One, The Chosen One, The Chosen One.
42:24Tell us, Chosen One.
42:26Tell us the word of the Great Master.
42:29I am your Chosen One,
42:31representative on Earth of the Great Master.
42:40Representative on Earth of the Great Master of our galaxy.
42:45I have brought you his word.
42:48And now it is his wish that I leave this place.
42:55I have brought you his word.
43:00And now there is other work for me to do.
43:04I...
43:06The Chosen One, The Chosen One, The Chosen One, The Chosen One.
43:15The Chosen One, The Chosen One.
43:19I know you can speak a lot and tell me.
43:22But I have a word.
43:24The Chosen One, the Chosen One.
43:26I know you can speak a lot, but I know you can speak a lot.
43:28I know you can speak a lot.
43:30I know you can speak a lot.
43:33Félix?
43:38Félix?
43:43Félix?
43:48Félix?
43:53Félix?
43:57Félix, do you hear me?
44:04John?
44:05Is it John?
44:06Yes.
44:07I'm taking you away from here.
44:08Oh, no, you can't.
44:09I want to stay here, John.
44:10They're helping me so much.
44:12We'll talk about that later.
44:14No, I want to talk about it now.
44:16I'm ill.
44:17I'm sick.
44:19Do you know what I see in this room?
44:21I see papas at the windows and straps on my bed.
44:26Félix, they're here.
44:29Touch them.
44:30They're real.
44:33Come on.
44:34Because my children, though I leave you, I promise...
44:47I can't.
44:48I can't.
44:49I'll help you.
44:52All right.
44:53Battering.
44:54That's all.
45:00What are you gonna do?
45:01Shoot us?
45:03If I have to.
45:04You can't afford to pull that trigger.
45:06People downstairs will hear you.
45:09You can't kill me.
45:11Think of the questioning, explaining.
45:13It was Reynolds, wasn't it?
45:15They might even get around to Carol and Spencer.
45:21If you're gonna do something, do it now.
45:23Or get out of my way.
45:24Wait.
45:25Listen.
45:26There's money in it.
45:27Lots of it.
45:28I've got control of her estate.
45:30You can ask any price you like.
45:31Anything.
45:32Anything.
45:33Anything.
45:34Anything.
45:35You lied.
45:36I'll kill you.
46:03war miles,
46:17movie games.
46:20– For that's it. –
46:23Phyllis!
46:24Stop him my children, stop him!
46:25Stop him!
46:26Do you hear?
46:27You can stop me if you want to.
46:28I'm not running away.
46:30I believe in my children. He's got a gun!
46:35Yes, I've got a gun.
46:39That shouldn't bother you. You're immortal.
46:50That's what he's offering you, isn't it? Immortality?
46:56That's what he offered Mrs. Thornton.
47:01Here.
47:10This is yours.
47:30Here.
47:31Here.
47:32Here.
47:33Here.
47:34Here.
47:35Here.
47:36What do you do?
47:38Here.
47:39Here.
47:40Here.
47:44Here.
47:45Oh, my God.
48:15Oh, my God.
48:45Oh, my God.