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00:00:00I would say each of them had their own motives for doing it.
00:00:04I didn't put them under a spell or slip GHB into their Red Bull.
00:00:09I'll put your shoulders back.
00:00:11In fact, a lot of them came to me after they saw the shots I did.
00:00:16That's great right there.
00:00:19So they were so blown away by your photography that they came to you
00:00:23and they begged you to photograph them in the buff and then post their pictures on the net.
00:00:29It's not a porn thing like you're making it out to be.
00:00:36Did you have sex with these girls?
00:00:38There were rules.
00:00:41Rules? Really?
00:00:45I would never shoot the same girl twice.
00:00:47I would never post anything that would reveal their faces.
00:00:50These are simple rules that I came up with so I wouldn't end up in a situation like this.
00:00:59The most important rule was no sex, just pictures.
00:01:03We found ten girls on the site. Does that sound about right?
00:01:09Honey Delight, Ruby Satin, Sherry Licious.
00:01:15Where'd you get these names?
00:01:17Lipsticks.
00:01:20Their favorite shade?
00:01:23So, since we can't see their faces, why don't you just tell us who they really are?
00:01:27It was agreed that their names weren't going to remain out of this.
00:01:30How many of them were underage again?
00:01:32None of them are underage. I've said that a number of times. They're all my year.
00:01:35Can you prove that?
00:01:37Stop, stop, stop.
00:01:39Now, are you going to charge them with a crime or not?
00:01:41I'm still trying to work that out.
00:01:43What is there to work out? No one has leveled a charge against Jordan.
00:01:46And no one's even come forward to admit that they're on the site.
00:01:48So the only thing that you're going to accomplish by letting this out of closed doors
00:01:52is to tarnish Xavier's reputation.
00:01:54And not to mention your family's good name.
00:01:57Well, I'm sure the press will love it, but it's not in the best interest of Xavier.
00:02:01Dean Mullen, it's your call. If you want me to pursue this, I will.
00:02:05I don't think that'll be necessary, Detective.
00:02:10Jordan, I think I speak for both your parents and myself
00:02:14when I say that you have placed us in an extremely precarious position.
00:02:20Your father has rendered invaluable counsel service to this school over the years,
00:02:24not to mention our personal friendship.
00:02:27And even so, after speaking to the headmaster and the trustees,
00:02:32the only solution we can come up with is expulsion.
00:02:36Deep down, I didn't care that the pictures got me kicked out.
00:02:42Or that they landed me here, Edgerton High.
00:02:46Three miles from Xavier, but it felt more like a million.
00:02:51My name is Jordan Wells.
00:02:53A marketer's report on me has been published in the New York Times.
00:02:57And I'm not the only one.
00:02:59I'm the only one who's ever been in a situation like this.
00:03:02I'm Jordan Wells.
00:03:04A marketer's report on me would read something like this.
00:03:07Rich, privileged, future doctor, future lawyer, future somebody.
00:03:14It would be accurate, but incomplete.
00:03:18It probably wouldn't include confused, indecisive, lax confidence.
00:03:26Kids like me, our lives don't happen by accident.
00:03:30They're scripted very tightly.
00:03:33At Edgerton, I thought I could loosen things up a bit.
00:03:42The record will show that I started my new school on September 23rd.
00:03:47I enrolled in some AP classes.
00:03:51Joined the photo club.
00:03:55Figured I'd just fly under the radar for a while.
00:03:59Write my own story.
00:04:02Jordan, Jordan.
00:04:04Of course, my dad had a few ideas of his own.
00:04:07Mm-hmm.
00:04:09Look at this.
00:04:11Yeah, all right, well, keep me posted because I want to close by next week.
00:04:15All right, bye-bye.
00:04:19What do you think?
00:04:21It's an art school for troubled kids.
00:04:23Mm-hmm. Whose funding is on the chopping block.
00:04:26I'm considering chairing their foundation.
00:04:29I was thinking you and I could co-chair.
00:04:32I don't really know anything about chairing a foundation, Dad.
00:04:35Well, so what?
00:04:37Jordan, getting decent grades in chem lab and world studies
00:04:42might move your resume to the top of the stack
00:04:44if you're looking to make a career steaming milk at some coffee bar.
00:04:47But if you aspire to greater heights, Jordan,
00:04:50then you've got to distinguish yourself from the pack.
00:04:53Fine.
00:04:55Fine.
00:04:57Your friend Desiree chaired the chocolate ball at the club last winter.
00:05:00Why don't you give her a call?
00:05:02Maybe she could help us.
00:05:09I'll think about it.
00:05:11I want to make sure it's worth my time.
00:05:14How could it not be?
00:05:16We're talking about saving an art school for city kids.
00:05:18I mean, come on.
00:05:20It's not the kids.
00:05:22If I'm going to be putting in the hours,
00:05:24I want to make sure you're really in with this.
00:05:26I'm a busy girl.
00:05:28Are you still at your dad's office?
00:05:30Yeah, a new visions justice professional.
00:05:33Which is what?
00:05:35A glorified name for someone who delivers coffee to the assistant DAs?
00:05:38Lunches too.
00:05:40Yeah, and I pick up their laundry.
00:05:42You know, there's a lot of aspects to fighting crime.
00:05:45Which brings us back to you.
00:05:48How did Ben talk you into this?
00:05:50This?
00:05:52Yeah, this. Art project, museum kids.
00:05:54I mean, I bet your little sabotage effort really knocked him on his ass.
00:05:58And don't bother telling me that's not what it was.
00:06:00I know you sometimes even better than you know yourself.
00:06:03Then I bet you know the answer, Des.
00:06:06Jordan, they just want what's best for you.
00:06:08Is that so bad?
00:06:11I guess not.
00:06:30Get that shot, bitch.
00:07:00If you were at the game that night, you would have noticed her too.
00:07:03We all have ways of showing our defiance.
00:07:06But you're not.
00:07:08You're not.
00:07:10You're not.
00:07:12You're not.
00:07:14You're not.
00:07:16You're not.
00:07:18You're not.
00:07:20You're not.
00:07:22You're not.
00:07:24You're not.
00:07:26You're not.
00:07:28You're not.
00:07:30She flashed hers like a roadside attraction.
00:07:34Daring you to drive by without taking a look.
00:07:44Of course I wanted to shoot her the moment I saw her.
00:07:54She had everything I look for in a subject.
00:07:57Loneliness.
00:08:02Mystery.
00:08:13You guys look miserable.
00:08:15Okay? Yearbooks for a lifetime with smile.
00:08:19A lot of kids hide who they really are.
00:08:23They become a part of the story.
00:08:25They become masters at doing it.
00:08:29Behind perfect GPAs.
00:08:34Behind fixed smiles.
00:08:37Designer clothes.
00:08:40The kids they hang out with.
00:08:46Some have been hiding so long they don't know who they are anymore.
00:08:55That's what I've tried to find with my camera.
00:09:00Who they really are.
00:09:19Any recommendation on a good read?
00:09:25By a woman. About a woman.
00:09:28But required reading for men.
00:09:30The Awakening.
00:09:32Doesn't this end with a suicidal drowning?
00:09:36It's like the ultimate form of sleeping.
00:09:38It's kind of a contrast.
00:09:40Wouldn't you say?
00:09:42Edna awakened to the fact that in her society she was nothing more than chattel.
00:09:46And her mentor, Mademoiselle Rice,
00:09:48taught her that the artist must possess a courageous soul which dares and defies.
00:09:51She felt like the only way she could courageously act in such a society
00:09:55was to refuse to live in it.
00:09:57To defy it by death.
00:09:59That's a very fair assessment.
00:10:01But wouldn't you say the ending's kind of weird?
00:10:03You'd do it differently?
00:10:05Sure. I'd fake my own death.
00:10:07Set up shop on some tropical island.
00:10:09You'd run away.
00:10:11I would live to fight another day.
00:10:13And paint many, many more.
00:10:15We're out. Shea, you coming?
00:10:17No, I think I'm going to stay and finish this.
00:10:19Whatever.
00:10:22What's your name?
00:10:24Jordan Wells.
00:10:29Shea Betancourt.
00:10:31What are you doing after school today?
00:10:33Do you have a car?
00:10:34It's right here.
00:10:36Thanks.
00:10:38Thanks?
00:10:40That's all I get?
00:10:42I thought we were going to get the hell out of here.
00:10:44I'm sorry.
00:10:46I'm sorry.
00:10:48I'm sorry.
00:10:50I'm sorry.
00:10:52I'm sorry.
00:10:54I'm sorry.
00:10:56I'm sorry.
00:10:58I'm sorry.
00:11:00I'm sorry.
00:11:02I'm sorry.
00:11:04Guess I'll have to hang up.
00:11:06I'm sorry. I have work.
00:11:08Can't you get someone to cover your shift?
00:11:10My boss doesn't like it when we do that.
00:11:12And where is that?
00:11:14Oak Valley.
00:11:16The Country Club?
00:11:18My father is a member.
00:11:20I've done your brunches. It's not really my scene.
00:11:22Why? You don't like food?
00:11:24I don't like the cigar smoke.
00:11:26Guess you haven't been in a while.
00:11:28There's a new no-smoking policy in the main dining room.
00:11:31It's not the smoke that bothers me.
00:11:32Thanks for the ride.
00:11:36Good afternoon and welcome to MOCA.
00:11:39This is some useful information you guys are going to need tomorrow for the press release.
00:11:43Wonderful.
00:11:44So, you're welcome.
00:11:45Thanks.
00:11:46There you go.
00:11:47Thank you dear.
00:11:48There you go.
00:11:49Okay, well, let's begin.
00:12:03Desiree Thomas.
00:12:05She fit perfectly in the scripted world.
00:12:07Did everything with a natural grace.
00:12:10Comfortable wherever she was.
00:12:13Effortless.
00:12:17Seems everything I did was calculated to get me somewhere else.
00:12:22Took me twice as much energy for half the result.
00:12:26We dated a few times, but there was no mystery.
00:12:32A good relationship needs mystery.
00:12:45Yes?
00:12:46Hi, is Shay home?
00:12:47I'm sorry?
00:12:48Shay?
00:12:49We go to Edgerton together.
00:12:51I think you have the wrong house.
00:12:54Is this the bet in courts?
00:12:56No.
00:13:25Hi.
00:13:43I dropped my lipstick.
00:13:45I noticed.
00:13:49Aren't you going to ask?
00:13:51What, your real address?
00:13:54Nice fake.
00:13:55You trying to throw me off balance?
00:13:56No, not really.
00:13:57I just didn't want to tell you where I live.
00:13:59Why is that?
00:14:00Because it's not Ambassador Heights.
00:14:02Oh, I'm sorry.
00:14:03So, you think I'm so shallow that I would judge you by where you live?
00:14:07Look, we can talk about my class inferiority complex later.
00:14:13Wouldn't you prefer to discuss my favorite shade?
00:14:23Hi, Astro.
00:14:26I heard all about you and your little lipstick fetish.
00:14:29You want to add me to your collection?
00:14:31Oh, come on.
00:14:34Those other ones were like...
00:14:37homework assignments.
00:14:39And I'm like the final exam?
00:14:41Yeah, and that's a good thing, because I always ace my finals.
00:14:44So, what exactly do I get if you ace me?
00:14:48Some unbelievable pictures of yourself.
00:14:51But those are for you.
00:14:53I guess I'm just cashed out then, huh?
00:14:56Maybe not.
00:15:13She learned the cello taking night classes at Rutherford Music School.
00:15:18Her mom's idea.
00:15:21Thought it would add a little refinement to an otherwise shaky upbringing.
00:15:27She told me her mom died a few years back.
00:15:31Now she lived with her sister,
00:15:33who wasn't around very much.
00:15:37How's this?
00:15:39I'll let you shoot a roll of pictures of me,
00:15:42if you take some pictures for me first.
00:15:44I'm sorry.
00:15:46I'm kind of slow on the uptake here.
00:15:49Can you translate that for me?
00:15:51I'm in a bit of a situation.
00:15:53A situation?
00:15:54Relationship.
00:15:56Somebody at school?
00:15:58It's complicated.
00:15:59How so?
00:16:00He's older.
00:16:02Married?
00:16:03No, not married. Not anymore.
00:16:06But let's just say in his position, he definitely shouldn't be hooking up with me.
00:16:09And what position is that?
00:16:11That would be the fact that I'm still in high school.
00:16:13Okay. I'm listening.
00:16:17So I'm not exactly sure where things are going right now,
00:16:20but it seems to be getting out of control.
00:16:23So how does my camera fit in in all this?
00:16:25I'd like you to follow us.
00:16:27Capture a few moments, if you know what I mean.
00:16:29Just in case something happens.
00:16:31My advice is you should call a cop.
00:16:33Look, he made me a promise, and I just need to make sure that he keeps it.
00:16:36So I take pictures for you,
00:16:38and you let me take pictures of you.
00:16:40Exactly.
00:16:42I don't know if I'm the right person for this.
00:16:45I've got my own problems at the moment.
00:16:48Okay. There's the door.
00:17:00It seemed like a reasonable deal.
00:17:04Pictures for pictures.
00:17:12But the more I shot,
00:17:15the more intrigued I was by her.
00:17:21And it made me realize how bored I'd been.
00:17:34Every picture I took peeled away another layer.
00:17:38But every time I peeled one away,
00:17:42it seemed like I discovered two more.
00:17:48For the first time in a while,
00:17:50I felt excited by a challenge.
00:17:53His name's Wade Chamberlain.
00:17:55He's a member at Oak Valley
00:17:57and a partner in a law firm downtown.
00:18:02He's a lawyer.
00:18:04We had a recital last winter at Rutherford
00:18:07for supporting patrons, and he was there.
00:18:10And he came up to me and said he remembered me from the club,
00:18:14and he liked how I played,
00:18:17and he promised to help me get into this program at Hartley.
00:18:21A performance scholarship awarded to four students every year.
00:18:24Full ride, all expenses.
00:18:29Do you know what Hartley means to you?
00:18:33Do you know what Hartley means?
00:18:35That's one of the best music schools in the country.
00:18:38It means freedom, Jordan.
00:18:40Not being trapped, not having my options limited.
00:18:43The fast lane into any philharmonic in the world.
00:18:48And he's just gonna set you up?
00:18:52I have some friends on the advisory committee.
00:18:55Huh.
00:18:57So this beautiful young cellist
00:19:00who basically lives on her own
00:19:04takes this young artist under his wing.
00:19:07It wasn't like that.
00:19:09He just slowly developed into more.
00:19:11And how many other musicians is he helping?
00:19:14Any overweight tuba players
00:19:16with club feet and bad cases of acne?
00:19:19You don't do gel as well. Has anyone ever told you that?
00:19:22Really? It feels very natural.
00:19:24I'm glad you think you know everything.
00:19:26You have it all figured out.
00:19:28You're the one who's having me take the pictures.
00:19:30Clearly you're having doubts.
00:19:32Can I see the pictures?
00:19:39Thanks.
00:19:47Good.
00:19:49Okay. So your place after school?
00:19:51Better make it yours.
00:19:55It's been said
00:19:57that a good photographer captures the subject.
00:20:00But a good subject captures the photographer.
00:20:05She had me.
00:20:07There was no doubt about it.
00:20:10She wasn't like the Xavier girls.
00:20:14But that's what drew me to her.
00:20:17Sit down.
00:20:47Sit down.
00:21:07Play. Play Bach.
00:21:17Look at me.
00:21:29Look at me.
00:21:38Her face spoke volumes.
00:21:42I became addicted to it.
00:21:48Her haunted eyes challenged me.
00:21:59It's a strange thing that happens
00:22:01when an artist and a subject click.
00:22:06A synergy is created.
00:22:12Each senses that they're playing a role
00:22:14in something that's very powerful.
00:22:28But it's unspoken.
00:22:34Say that out loud and you might kill it.
00:22:45Hey.
00:22:47You want to shoot some more?
00:22:49Absolutely.
00:22:51Meet me at my place after school.
00:22:59Like this?
00:23:01Okay.
00:23:03I'm sorry.
00:23:05It's okay.
00:23:07It's okay.
00:23:09It's okay.
00:23:11It's okay.
00:23:13Like this?
00:23:35How about this right here?
00:23:39Yeah, that's it.
00:23:44You got to change roles?
00:23:46No, I've got one more shot.
00:23:48Cute.
00:23:50What's it going to be?
00:24:01You're on a phone.
00:24:03No.
00:24:06You're on a phone.
00:24:08No.
00:24:18What is this shit?
00:24:21T?
00:24:22Why aren't you answering yourself?
00:24:24T, this is Jordan from school.
00:24:26Jordan, this is my sister Tara.
00:24:28You should answer your goddamn cell.
00:24:29I've been calling you since yesterday.
00:24:31I haven't gotten any phone calls from you.
00:24:32Are you sure you're dialing the right number, honey?
00:24:34What the fuck are you trying to say?
00:24:37You should go now.
00:24:39Are you going to be okay?
00:24:41Shay, where the fuck is it?
00:24:43Where's what, Kara?
00:24:45You fucking know what.
00:24:48Tara, you have to be more specific.
00:24:50You wander off...
00:24:51Picasso once said that every child is an artist,
00:24:54but that the secret is to remain one once you grow up.
00:24:59The Museum of Kids Art, the reason why you're all here today,
00:25:02helps artistically inclined children do just that.
00:25:05But MOCA's good intentions...
00:25:09will remain intentions.
00:25:12Without commitment, without action,
00:25:14without a few checkbooks behind them.
00:25:19We started this foundation to let MOCA know
00:25:22that they do not stand alone in their efforts.
00:25:25That there are a number of other people that will support them.
00:25:33And he told me that if you get me $10 million, I can retire.
00:25:37And I never heard from him again.
00:25:40Jordan!
00:25:41Someone I want you to meet.
00:25:42Jordan, this is Wade Chandling.
00:25:44How are you?
00:25:45Mr. Chandling is a bankruptcy lawyer.
00:25:47He's got a firm downtown.
00:25:48Hopefully, you'll never need our services.
00:25:52You're cleaning up that High Falls mess.
00:25:54Yeah, if I can get the federal auditors off my ass.
00:25:56Yeah, well, after what happened in Alma,
00:25:58those guys are going to have to pay for it.
00:26:00Yeah, well, after what happened in Alma,
00:26:02those guys are going to have to peel back
00:26:03every state-funded urban renewal project.
00:26:05Yeah, it's a dead end.
00:26:06They're never going to find anything on my guy.
00:26:08I liked your speech.
00:26:12Listen, if you ever need anything for your foundation,
00:26:14just give me a call.
00:26:16I will.
00:26:21Jesus, Jordan, what are you doing?
00:26:23I'm abducting you.
00:26:24If you scream, I'll be forced to cover your mouth.
00:26:26No, Jordan, I didn't know he was going to be here.
00:26:28What if he catches us?
00:26:30Let him.
00:26:32What did you guys talk about?
00:26:34Some pictures that I was going to show him.
00:26:36Right, yeah, funny.
00:26:38I gotta go.
00:26:39Hey.
00:26:40I gotta go.
00:26:41Kiss me.
00:26:42I gotta go.
00:26:43Shay.
00:26:44Shay.
00:26:58I gotta go.
00:27:19All right, look right at me.
00:27:23Perfect.
00:27:24Perfect.
00:27:29Look right at me.
00:27:51Magenta Magnus.
00:27:52No.
00:27:55Cotton candy?
00:27:57What color do you want me to tell you now?
00:28:03Crimson red.
00:28:05No.
00:28:08You're not going to tell me?
00:28:11Not until you tell me something first.
00:28:14Okay. What?
00:28:16I don't know. Anything.
00:28:19Something no one else in the world knows except you.
00:28:23You scare me.
00:28:24I already knew that. I said tell me something that no one else knows.
00:28:27You scare me and I like it.
00:28:31You're such a charmer.
00:28:33Oh yeah?
00:28:54Yeah.
00:28:55Okay.
00:28:56Okay.
00:29:23Her favorite shade was cherry crush.
00:29:27It fit so perfectly that I didn't know whether to believe her or not.
00:29:35One thing I did know.
00:29:39There was something different about her.
00:29:46She felt like something I needed.
00:29:49More than I wanted.
00:29:57That maybe I was crossing some line without realizing it.
00:30:17You know that uniform would look great on the deck next to my hot tub.
00:30:22Jordan Wells.
00:30:24Jordan Wells.
00:30:27Mr. Shannon.
00:30:29Call me Wade.
00:30:30What are you drinking?
00:30:33Coke.
00:30:34Oh boy. Drinking this man a Coke, Gary.
00:30:41The speech you made really impressed me.
00:30:44Thanks.
00:30:47Thanks, Gary.
00:30:49Funny thing is,
00:30:51watching you that day
00:30:55really reminded me of myself at your age.
00:31:00How's that?
00:31:03High powered father?
00:31:06Gives you a lot but nothing without strings attached.
00:31:10Am I close?
00:31:13Yeah.
00:31:18Gotta give your father some credit though.
00:31:23He must have a lot of control.
00:31:28After that Xavier business.
00:31:35Can't keep a secret too long in the age of information, can you?
00:31:39Cheering the foundation.
00:31:42Your father's idea?
00:31:43Yeah.
00:31:44Got your eye on Cornell?
00:31:46It's the plan.
00:31:48Look.
00:31:50Very few kids grow up wanting to be lawyers.
00:31:55I mean,
00:31:57growing up you want to be a ball player.
00:32:00An astronaut.
00:32:01A rock star.
00:32:03Not a lawyer.
00:32:06Christ, you think I grew up wanting to be a bankruptcy attorney?
00:32:09Fuck no.
00:32:11You know what lawyers are, Jordan?
00:32:15Lawyers are translators.
00:32:17Translating the language of the land.
00:32:20What is the language of the land?
00:32:26Money.
00:32:27Money. Fuck yeah, you got that right.
00:32:30The question is,
00:32:33are you going to speak the language of the land
00:32:36or are you going to have it spoken to you?
00:32:39Freud had it right.
00:32:42Two most important things in this life,
00:32:44your work, your sex.
00:32:49Don't need to make it complicated, Jordan.
00:32:52Just don't let anyone fuck with your money
00:32:57or your pussy.
00:33:11Drink your Coke.
00:33:23God, I was so nervous watching you two.
00:33:26He's fearless.
00:33:28I mean, he's the kind of guy that just drives through red lights
00:33:30to let the world know they can't fuck with him.
00:33:35You know how they catch monkeys in Southeast Asia?
00:33:38No, I do not know how they catch monkeys in Southeast Asia.
00:33:42Would you like to know?
00:33:47With a basket.
00:33:50They cut a little hole in the basket
00:33:52that's just big enough for the monkey to put his hand into
00:33:55and they put fruit in it,
00:33:57so when the monkey puts his hand in and he grabs the fruit,
00:34:00his closed fist is too big to put back through the hole.
00:34:04So instead of just letting the fruit go and running free,
00:34:07he just waits there until the trappers come.
00:34:12Is that true?
00:34:14Sucks for the monkey.
00:34:19It's kind of like most guys I know.
00:34:22Once they get a taste of it, they just can't help themselves.
00:34:25Even though logic is telling them to just back off,
00:34:30they can't.
00:34:31They just keep coming back for more.
00:34:35Her life wasn't easy.
00:34:37That much I was certain.
00:34:40That much I was certain of.
00:34:44There was something tragic and sad just under her skin.
00:34:51A feeling that she had limited time.
00:34:56And at any moment her world might cave in.
00:35:04Hey.
00:35:05Jordan?
00:35:07What's wrong?
00:35:09I need to see you.
00:35:12I called Hartley.
00:35:14They said the letters went on two weeks ago.
00:35:18Did you call him?
00:35:20I'm going to show him the pictures, Jordan.
00:35:24What?
00:35:27Shay,
00:35:29you've got to think this through.
00:35:31No.
00:35:32Fuck him. He's not getting away with this shit.
00:35:34Fuck him.
00:35:35He's treating me like I'm some fucking Barbie doll
00:35:37like he can just play with me whenever he wants to.
00:35:41Fuck that.
00:35:42I'm going to take these to the cops.
00:35:44I'm going to show his friends.
00:35:45A lawyer. I don't know.
00:35:46But I'm going to show somebody
00:35:47because someone's going to fucking listen to me.
00:35:51Shay, I don't think that's such a good idea.
00:35:55It's too late.
00:35:57We're meeting by the club tonight.
00:36:01I can't let you do that.
00:36:02I can't let you do that.
00:36:05It's not up to you, Jordan.
00:36:07I'm involved in this.
00:36:09You made me a part of this, Shay.
00:36:11Oh, I did.
00:36:12I did. I'm sorry.
00:36:13Okay, then you're excused.
00:36:14How about that? Is that better for you?
00:36:19One way or another, he's going to help me get into this program.
00:36:22Without a scholarship?
00:36:25What, do you think he's just going to snap his fingers?
00:36:27Just wave a magic wand?
00:36:29No, they want me.
00:36:30I know that they want me.
00:36:31I just need the money.
00:36:32And he's got the money.
00:36:33Trust me, he's got the money.
00:36:37Did you know that he's been under investigation?
00:36:41Have you seen these?
00:36:45Yes.
00:36:47And they haven't found anything.
00:36:49There's a metal box bolted to the floor in his bedroom closet.
00:36:52It's not really a safe,
00:36:53but one of those fireproof things
00:36:54that you put really important documents in.
00:36:56You know what I mean?
00:36:57I was at his place once
00:36:58and I could have sworn I saw Wade put cash into it.
00:37:00A lot of cash.
00:37:04What?
00:37:06Say it.
00:37:08Tell me what you're thinking.
00:37:10Tell me how naive I am.
00:37:12Tell me I'm really fucking stupid
00:37:13for thinking that he might actually care about me.
00:37:16I think you should forget about him.
00:37:18And you should let it go.
00:37:19That's easy for you to say, right?
00:37:21Easy for you to say,
00:37:22because you could just hop back into your cozy silk covers
00:37:24whenever you need to.
00:37:26It doesn't work like that for me.
00:37:27The world doesn't work like that, okay?
00:37:30I needed this.
00:37:32I really needed it.
00:37:33I really needed it.
00:38:00Are you okay?
00:38:01I just wanted to hear you.
00:38:03We should come up with a signal or something.
00:38:06For?
00:38:07Well, in case you get the feeling
00:38:08that something bad is happening.
00:38:10I'll deal with it.
00:38:13Just open up the door and get out of the car.
00:38:16Okay, and then what?
00:38:18And then I'll come and save you.
00:38:25Jordan?
00:38:26Yeah?
00:38:27I'm glad you're here.
00:38:33I'm glad you're here.
00:39:03I'm glad you're here.
00:39:13Let go of my arm.
00:39:14Let go of my arm.
00:39:17Don't fuck around with me, okay?
00:39:19Don't fuck around with me.
00:39:20Right now.
00:39:21Get off me.
00:39:22Get off me.
00:39:29Get off me.
00:39:31Shit!
00:39:48What the hell happened?
00:39:49I've been waiting for an hour.
00:39:51We're supposed to meet about the charity auction.
00:39:53What, you totally blew me off.
00:40:01Jesus.
00:40:03What happened to you?
00:40:06I'm okay.
00:40:08Okay? No, you're not okay.
00:40:09I'm okay, please.
00:40:12Jordan, look at you.
00:40:13You're not okay.
00:40:14What happened?
00:40:21I've been waiting here an hour
00:40:22and you're not gonna give me the courtesy of an explanation?
00:40:27I'm sorry.
00:40:29I'm sorry.
00:40:34Whatever.
00:40:48Just take it easy.
00:40:49You're fucking in on this with her?
00:40:51What?
00:40:53You trying to take my fucking money?
00:40:55You wanna take my fucking money?
00:41:22I'm sorry.
00:41:52I'm sorry.
00:42:23Fuck.
00:42:25Fuck.
00:42:26Fuck.
00:42:51I don't think you and I should be seen together for a few days.
00:42:56Okay?
00:42:57Yeah.
00:43:04Where are Wade's keys?
00:43:06I've got them.
00:43:07Let me see.
00:43:19One of these keys unlocks that box.
00:43:22I know Wade's security code.
00:43:24He left me a key that time I was there.
00:43:27Look, I think the only thing you and I should be focused on right now
00:43:32is how to keep us breathing free air for the rest of our lives.
00:43:51Okay.
00:44:21Okay.
00:44:37I've replayed it a thousand times in my mind, frame by frame.
00:44:42And come up with a thousand things we should have done differently.
00:44:46But life doesn't give you the chance to go back and edit.
00:44:55Should we have come clean?
00:44:58Called the cops, called my dad, pleaded self-defense.
00:45:04Or should we have been more drastic?
00:45:07Driven his body hundreds of miles away.
00:45:09Dropped it into a river somewhere and hoped we weren't seen.
00:45:12A thousand things we should have done differently.
00:45:16But all we're left with is what we did.
00:45:20His assistant became concerned when no one heard from him Tuesday morning.
00:45:25Police searched for signs of Chandling in places he frequented,
00:45:29but found no traces of him.
00:45:32Early this morning, his body was discovered in the woods near Corbett's Glen.
00:45:36Sarah Cowan is at the scene.
00:45:38They found Wade Chandling's body in the park.
00:45:40Local attorney Wade Chandling was discovered early this morning by hikers.
00:45:44As you can see, police are still on the scene.
00:45:46He'd been missing for a couple of days.
00:45:48A hiker found him near the Glen, beaten to death.
00:45:50I'm Sarah Cowan, Channel 6 News.
00:45:57That's mezzo forte in the second measure, Elena.
00:46:09Help you?
00:46:14She's not here.
00:46:16She didn't show up for practice today.
00:46:21Elena, please listen!
00:46:23She's sick.
00:46:25The office said there was no call.
00:46:30Thanks.
00:46:39Is she home?
00:46:41No, she's not home.
00:46:43Do you know where she is?
00:46:45No, I thought you might know where she is.
00:46:49Gordy, right?
00:46:50What?
00:46:51Gordon.
00:46:52Jordan.
00:46:54What do you want with her, anyway?
00:46:57I don't know.
00:46:59I don't know.
00:47:01I don't know.
00:47:03I don't know.
00:47:05I don't know.
00:47:06What do you want with her, anyway?
00:47:08Nothing.
00:47:10We were just going to meet up later.
00:47:18Hey, this is Shea.
00:47:20Leave me a message after the beep and I'll call you back.
00:47:22Thanks.
00:47:24Shea, it's Jordan.
00:47:25I know I keep calling.
00:47:26I'm just trying to track you down.
00:47:27So, if I'm on my cell, if you could call me.
00:47:30Thanks.
00:47:37So, the donations that we got for the auction
00:47:40are several paintings and drawings from Elliot Damien,
00:47:43Gary Fine, and Robert Walker.
00:47:45And they're all estimated at over a quarter of a million dollars.
00:47:48So, we got very lucky.
00:47:55Mm-hmm.
00:47:57Really?
00:47:58Totally.
00:47:59Very interesting.
00:48:00Put the phone down.
00:48:04What's up?
00:48:06What do you mean?
00:48:07You didn't say two words in there.
00:48:09Well, there's not much to say.
00:48:10I mean, Desiree and I just got a handle on it.
00:48:12Well, who's co-chairing this with me, you or her?
00:48:15Besides, last I heard,
00:48:16Desiree's already been accepted to Yale for the fall.
00:48:19Ah, yeah.
00:48:21I swear, Jordan, sometimes I just want to shake you out of your complacency.
00:48:28You do your homework before the next meeting.
00:48:31If you sit there with your thumb up your ass again,
00:48:33I'm going to break it off and leave it there permanently.
00:48:37Put the phone away.
00:48:59Remember me?
00:49:01Detective Griffin?
00:49:02We met when you had that little problem at Xavier.
00:49:05Yeah.
00:49:07Did you take these?
00:49:09Yes.
00:49:10Not bad.
00:49:12You're a regular Andy Warhol, huh?
00:49:15No, not really.
00:49:17He was more of a painter.
00:49:20You know, you're just the guy I want to see.
00:49:23I'm thinking about getting a digital camera.
00:49:26Any suggestions?
00:49:27All that mega-pixel stuff.
00:49:30Makes my head spin.
00:49:35How much are you looking to spend?
00:49:37Not a lot.
00:49:41I'll give it some thought.
00:49:43I understand you're a friend of Shea Betancourt's.
00:49:47Yeah, that's right.
00:49:49Any idea where she is?
00:49:50She's been out the last few days.
00:49:52You know, I think she's sick.
00:49:54I don't think so.
00:49:55I checked her place. She's not there.
00:49:58You and Shea pretty tight?
00:50:01We hang out, man.
00:50:02She like having her picture taken?
00:50:08What's this about?
00:50:10How much do you really know about her?
00:50:13What do you mean?
00:50:15You know about her mom, right?
00:50:18Yeah, that she's dead.
00:50:21Who told you that?
00:50:23Shea mentioned it.
00:50:25Well, no.
00:50:27Her mom's alive and well.
00:50:28Her mom's alive and well.
00:50:30And living in the Attica State Correctional Facility for women.
00:50:36How's that?
00:50:39She carved up Shea's stepdad with a steak knife a couple years back.
00:50:47I think we're talking about two totally different people here.
00:50:49Don't think so.
00:50:50How long has she been seeing Wade Chandler?
00:50:53You know who he is, right?
00:50:56Never mentioned him.
00:50:58Yeah, I guess dating a guy that's old enough to be your dad,
00:51:00that's not something you want to advertise.
00:51:03How do you know this?
00:51:04Well, Wade Chandling is a...
00:51:07was a member of the Oak Valley Country Club.
00:51:09Same place Shea works.
00:51:11Some of the members had a problem with their cars being vandalized in the past few months,
00:51:15so they put a video camera in the parking lot to keep an eye on things.
00:51:20We got a look at the tapes.
00:51:22Lots of video of Shea climbing into Chandling's car after hours.
00:51:29Yeah.
00:51:30That's a real head-scratcher, isn't it?
00:51:34If you see Shea,
00:51:36it's important she contact me.
00:51:39Take care, Warhol.
00:51:44My office is really just getting up to speed on this case.
00:51:47Now, I've spoken to Chief Malley several times over the past few hours.
00:51:50I've made it very clear to him that he has our full support.
00:51:53You have to understand that an investigation of this type...
00:51:56Mrs. Desiree?
00:51:57Dee, it's me.
00:51:58What are you doing?
00:52:00Watching my dad feed the media a few sound bites.
00:52:02What's up?
00:52:04I need to see you.
00:52:06Jordan Wells asking me for a favor.
00:52:08What are the odds?
00:52:09Can you meet me in an hour?
00:52:10Are you going to stand me up again?
00:52:12Dee, come on.
00:52:15Yeah, okay. Where?
00:52:26I don't know.
00:52:40With soy milk?
00:52:42Yeah.
00:52:43Hmm. You must be desperate.
00:52:45Thanks.
00:52:50I wanted to talk to you about the other night.
00:52:53And you've just got to trust me when I tell you that it's okay.
00:52:57And that I'm sorry.
00:53:01Okay.
00:53:02I wanted to get together and thank you for everything you've been doing for the Foundation, Dee.
00:53:06I mean...
00:53:08You're saving my ass.
00:53:12Right.
00:53:13So, how's everything going with you?
00:53:15I mean, how's everything going in your dad's office?
00:53:17Everything's fine.
00:53:19You guys must be on this channeling thing.
00:53:21Hmm. Not officially.
00:53:23But, you know, they're moving kind of fast.
00:53:27Do you have any suspects?
00:53:30Well, I'm an intern, Jordan.
00:53:32They don't really tell me anything.
00:53:35That's never really stopped you before, though.
00:53:38True.
00:53:41Okay.
00:53:42So, off the record,
00:53:44it looks like they haven't been able to pull that much from the scene.
00:53:47What do you mean?
00:53:48Well, it means that whoever did it
00:53:50covered their tracks pretty well.
00:53:52They are hoping to catch a break when they find Chandler's car.
00:53:56And what about this whole audit thing that everybody's been talking about?
00:54:00What about it?
00:54:01Well, I mean, if he was shuffling around money for some of his clients,
00:54:03things could have gone bad, right?
00:54:05Yeah. Okay.
00:54:08Okay, what's the deal?
00:54:10You trade in your camera for a pen and paper?
00:54:13Or does the Edgerton Bugle have the whole staff working on the story?
00:54:16I'm just interested in what you do.
00:54:18I'm trying to keep up.
00:54:21Huh.
00:54:24Okay.
00:54:26You know, I'm gonna go.
00:54:28I don't really feel like hanging out with a stranger.
00:54:30Especially when it's a stranger I've known my whole life.
00:54:35Thanks for the chai.
00:54:51What are you doing here?
00:54:54I freaked out.
00:54:56We talked about not doing anything out of the ordinary.
00:54:59Do you remember that?
00:55:02I'm just really confused right now.
00:55:06Where have you been?
00:55:08I went to the abandoned house on the Bluffs.
00:55:11Huh.
00:55:12I just had to sort some things out in my head, you know?
00:55:16I got a visit from the police today.
00:55:19They know about waving me down there?
00:55:21Yeah, well, they have security cameras installed in the parking lot of the country club.
00:55:27So, yeah, they do.
00:55:33Why don't you tell me about your mother?
00:55:36My mother?
00:55:38You know what I mean.
00:55:40Because I was afraid, Jordan.
00:55:42Well, you made it out like she was dead.
00:55:45I was afraid.
00:55:46You made it out like she was dead.
00:55:48As far as I'm concerned, she is dead.
00:55:52Look, you didn't have to hide it from me.
00:55:55Not that.
00:56:00You have to go in there and you have to talk to them.
00:56:03What if they put everything together?
00:56:05I just talked to my friend who interns at D.A.'s office.
00:56:08They don't know where he's at.
00:56:10What if they find his car and then they find my fingerprints in it?
00:56:12No, they already know that you were in the car.
00:56:14No, they just don't know you were in the car that night.
00:56:19If you keep letting this hang out there, they're going to get really suspicious about you.
00:56:25And then they could become really suspicious about me.
00:56:34What do I tell them?
00:56:37This is amazing.
00:56:39Amazing.
00:56:40I mean, in my wildest dreams, when I first decided to enter into this with my father,
00:56:45I did not think that we'd get this much support.
00:56:48And so many of you tonight have been given so much.
00:56:51Not that I'm implying you haven't worked for what you have,
00:56:54but there's some money in here that is so old, I don't think there's a carbon dating test to trace its origins.
00:57:02What we've all been given, what is worth more than money, though,
00:57:07is the invaluable blessings of our supportive families.
00:57:10A respect for education and belief in our hopes and dreams.
00:57:21Shay walked into the Edgerton Police Department and lied her way out of it.
00:57:28Later that day, I put the finishing touches on my own story.
00:57:33I completed my image transformation from prep school bad boy to a shining crusader for children's art.
00:57:41Right back into the Ivy League and beyond.
00:57:46Sometimes it feels like a charmed life, doesn't it?
00:57:57Thanks.
00:58:11Hmm.
00:58:13You had a good night tonight.
00:58:15Probably made enough to keep Mocha running for years.
00:58:18I should definitely turn a few heads at Cornell.
00:58:21You sure know how to throw a great party, Dee.
00:58:24What do you want me to say?
00:58:26I do. It's in my blood.
00:58:30Yeah, the question is, though, is it in yours?
00:58:35What does that mean?
00:58:37They found Chandling's car today.
00:58:40It was parked on the roof of the city garage.
00:58:43They're pretty sure that he didn't leave it there because they found some muddy footprints in the size 10.
00:58:48He's a 12.
00:58:51The mud matches the samples that they took from the woods near the Glen.
00:58:56They also found a few partial latents that someone didn't do a very good job wiping off.
00:59:03Someone didn't do a very good job wiping off.
00:59:11The police got a tip today, Jordan, that a blue Audi was parked at the Glen for a few hours the night Chandling went missing.
00:59:20Right about the same time you and I were supposed to get together.
00:59:25You know the girl they interviewed today, right?
00:59:33Yeah.
00:59:37Jesus, Jordan.
00:59:39That's what the chai latte was all about yesterday, huh?
00:59:42Oh, come on, don't.
00:59:44Don't you dare.
00:59:46I saw you that night. I saw the mud all over you, and I hope to God I was the only one.
00:59:51Look, you know something. Let's go to my dad right now.
00:59:57I know that she was involved with Wade Chandling.
01:00:00But that's really just all I know, Dee.
01:00:20They cleared me. I'm free.
01:00:30I'm free.
01:01:00I'm free.
01:01:31Hello?
01:01:33Hey, Warhol.
01:01:35Griffin.
01:01:37We gotta talk, you and me.
01:01:40I'm kind of in the middle of something right now.
01:01:43I suggest you drop it and meet me at the ball field in 20 minutes.
01:02:01This was my school, too.
01:02:04You might not believe it, but I was kind of a nobody back then.
01:02:09During football games, I'd sit on that hill over there.
01:02:12By myself.
01:02:14Observing life like it was being lived without me.
01:02:19Football players on the field.
01:02:22Cheerleaders on the sideline.
01:02:24Guys like you.
01:02:26Wade Chandling in the stands.
01:02:29Smiles on their faces.
01:02:32Not a care in the world.
01:02:34I gotta get to class.
01:02:36Hey.
01:02:38I'll write you an excuse.
01:02:55Your girl's off the hook. Did she tell you?
01:02:58Yeah.
01:03:00And look what landed in my lap this morning.
01:03:07You already know what's in there.
01:03:10But open it anyway.
01:03:12I want to see your reaction.
01:03:25Now, there's two ways we can play this.
01:03:28One, I take those pictures to a judge and I get a subpoena
01:03:33to check your shoe size and fingerprints.
01:03:36Your previous history with photography should make that almost a lock.
01:03:41Or two, you help me conduct a little experiment
01:03:47that just might save your ass.
01:03:50I've never seen those pictures before in my life.
01:03:51Right. And your A4 wasn't at the Glen the other night.
01:03:56I gotcha, Warhol.
01:03:59And the thing is, I'm pretty sure it wasn't your idea.
01:04:03It was all hers.
01:04:12You know anything about metadata files?
01:04:21It's the most amazing concept in digital photography.
01:04:25You store a file with a photo on a disk.
01:04:30All sorts of juicy stuff gets encoded in there.
01:04:33Date, time, what kind of camera, serial number.
01:04:40It's like a digital fingerprint.
01:04:43It's the nail in your coffin if somebody decides to cross-check those files
01:04:48against the number on your camera.
01:04:52Yeah.
01:04:54A scholarship.
01:04:57He was going to help her get a scholarship.
01:05:00A scholarship?
01:05:02To Harley.
01:05:05Oh, man.
01:05:07That's beautiful.
01:05:09All for the advancement of art, eh?
01:05:12I don't think that was it, Warhol.
01:05:16It's just a theory I'm working on.
01:05:18It's just a theory I'm working on.
01:05:21I don't have it all put together yet, but it involves Chandling
01:05:25and a whole pile of money I think your girl was trying to get her hands on.
01:05:30And I am not talking tuition money.
01:05:35I'm talking about something in excess of one million bucks.
01:05:41Come on.
01:05:43See, I think Shea made you think that it was about the music.
01:05:49But really, Chandling was sitting on something big.
01:05:53And she knew it.
01:05:55So she tried to squeeze him.
01:05:57To get him to pay her, to keep her mouth shut.
01:06:00Things went bad.
01:06:02And then you came along to help clean up the mess.
01:06:05It's supposed to be about a scholarship.
01:06:07Like I said, it's only a theory.
01:06:11But we can test it.
01:06:13I'm thinking once I run your prints,
01:06:16they're going to do a whole lot of talking.
01:06:19Maybe not enough to put one of Ben Wells' kids in Attica for the rest of his days,
01:06:25but do you think for one second that your life's going to be the same?
01:06:29Which brings us back to our little experiment.
01:06:33I want one million dollars.
01:06:35What?
01:06:37One million.
01:06:40I don't have that.
01:06:42But she does.
01:06:45And maybe you already know that, Warhol.
01:06:55Here's my number.
01:06:57I want to hear from you by the end of the day.
01:07:03Now get the fuck out of here.
01:07:12Jordan?
01:07:33Jordan?
01:07:36What happened to my house?
01:07:38You went back for the keys, Shay.
01:07:43Why would you say that?
01:07:47I met with the cop Griffin earlier today.
01:07:50What did he tell you?
01:07:54That he found the box in Wade's bedroom.
01:07:57Empty.
01:08:04Was this ever about the music?
01:08:06Of course it was.
01:08:08He's trying to get us against each other. Can't you see that?
01:08:13I'm telling you the truth, Jordan.
01:08:15What do you want me to do to prove that to you?
01:08:21Where's the money, Shay?
01:08:23It's not here.
01:08:25I hid it someplace safe.
01:08:27In a few hours, Griffin is going to get a subpoena,
01:08:29so they can check my prints.
01:08:31If you want to prove it, I need that money.
01:08:33Okay, you pay him, and then what?
01:08:35He could arrest you. He could even kill you.
01:08:38We have two options right now.
01:08:39We can either get out of here as fast as we can,
01:08:42or we kill him, and we're not killers.
01:08:45We're not?
01:08:47No, we're not.
01:08:49I know a place where we could go where no one would ever find us,
01:08:51and the cops couldn't touch us.
01:08:57I can't live looking over my shoulder, Jordan.
01:09:10I told her I'd go with her.
01:09:12But it was a lie.
01:09:15The only place I wanted to go was back.
01:09:18Back to Simple.
01:09:21Back to Scripted.
01:09:26Shay could ad-lib.
01:09:28She could make it up as she went along.
01:09:30She'd been doing it her whole life.
01:09:31And my whole life had been mapped out for me.
01:09:37I wasn't going anywhere.
01:09:40PHONE RINGS
01:09:45Griffin.
01:09:47You'll have it in an hour.
01:09:50The life everyone lives in their minds is so much better
01:09:53than the life they live in reality.
01:09:55I don't know what to do.
01:09:57I don't know what to do.
01:09:59I don't know what to do.
01:10:02So much more appealing
01:10:05than the one they're actually living.
01:10:09But almost always,
01:10:11the moment they have to give up the real one for the imagined,
01:10:16the equation changes.
01:10:32PHONE RINGS
01:10:45How much is there?
01:10:47A little over a million.
01:10:56We're gonna be okay, Jordan.
01:10:57Shay, I can't.
01:11:02What do you mean?
01:11:04I'm sorry.
01:11:08No, but everything was all set.
01:11:12I have to take this to Griffin.
01:11:14Just wait, all right? Just think this through.
01:11:16I already have.
01:11:18GUNSHOT
01:11:20Where'd you get that?
01:11:23It was in the box with the money.
01:11:26What are you gonna do, shoot me?
01:11:28I'm sorry, but I can't let you go.
01:11:34Do whatever you gotta do.
01:11:42Jordan!
01:11:44Jordan!
01:11:46Jordan!
01:11:48Jordan!
01:11:51Jordan!
01:12:17PHONE BEEPS
01:12:47MUSIC PLAYS
01:13:17MUSIC CONTINUES
01:13:48MUSIC CONTINUES
01:13:55Got it.
01:13:57Got the pictures?
01:14:05We're done?
01:14:07Yeah.
01:14:09Well, maybe not quite.
01:14:13Get on your knees.
01:14:15What?
01:14:17I have taken you down, kid.
01:14:19And you can tell every cop in the station
01:14:22that I took this money from you
01:14:24because nobody's ever gonna believe you.
01:14:26I placed a call to Hartley.
01:14:28Check out your girlfriend's story.
01:14:30There was no scholarship, Warhol.
01:14:33She never auditioned.
01:14:35Hell, she never even filled out an application.
01:14:37Nobody there knew anything about a Shay Betancourt.
01:14:42Get away from him.
01:14:44I'll do it. Let him go.
01:14:45Shay, get out of here.
01:14:47Shut up, Jordan.
01:14:49Throw me your gun.
01:14:51It's not gonna happen.
01:14:53No! No, Shay!
01:15:15We gotta go.
01:15:17I'm not going with you.
01:15:19You don't have a choice, Jordan.
01:15:22Who are you?
01:15:24Me? Who am I?
01:15:28I guess I'm just a girl who saw an opportunity and took it.
01:15:32For money?
01:15:36I only have two real talents, Jordan.
01:15:39And the second one is that I know what the first one is.
01:15:42That's why you needed me.
01:15:43You knew just the right buttons to push,
01:15:45and Christ, you probably even had the fucking log picked out
01:15:48to crash his head anyway.
01:15:50I lied about Hartley.
01:15:52Okay? I did.
01:15:54And I'm sorry.
01:15:56Look at me.
01:15:58I'm here, right?
01:16:00I saved you, didn't I?
01:16:04You saved...
01:16:06You saved me or you saved the money?
01:16:08Believe whatever you want.
01:16:10But the reality is, if you stay here, they're gonna arrest you.
01:16:12Okay?
01:16:15Jordan?
01:16:20Come on.
01:16:28You do realize your life is over, don't you?
01:16:41I do.
01:17:06A good photographer captures the subject.
01:17:11But a good subject...
01:17:14captures the photographer.
01:17:18I had been captured all right.
01:17:42Tea?
01:17:46What the hell happened?
01:17:49How long have you been here?
01:17:52Not long.
01:17:55Just got off the phone with my dad.
01:17:58He's been out all night.
01:18:00And I don't know why.
01:18:02I don't know why.
01:18:04I don't know why.
01:18:06I don't know why.
01:18:08I don't know why.
01:18:09He's been out all night.
01:18:12They found another body at the Glen.
01:18:15Detective Griffin.
01:18:17From the channeling case.
01:18:20You know him?
01:18:23Yeah.
01:18:24Yeah, that's the right answer, Jordan.
01:18:26They took a look at Griffin's phone records.
01:18:28They saw that you called him an hour before this happened.
01:18:30Tell me.
01:18:33Were you there?
01:18:40Mm-hmm.
01:18:43And that's when I realized it.
01:18:47What Shay meant.
01:18:51My life as I knew it...
01:18:54was over.
01:19:03You gotta get out of those clothes.
01:19:06Jordan!
01:19:07Go!
01:19:10Go!
01:19:21Where were you last night?
01:19:23I was right here.
01:19:24Mr. Wells, we'll take it from here.
01:19:26Jordan, would you have a seat?
01:19:32You're not Detective Griffin, right?
01:19:34Yeah.
01:19:35I spoke to him last week.
01:19:37Spoke to him last week.
01:19:39Exactly.
01:19:40Why did he come and see you?
01:19:42Friends.
01:19:43We're friends with a girl.
01:19:44Who is this girl?
01:19:45Mr. Chandler.
01:19:46Who is this girl?
01:19:47She's just someone from some other school.
01:19:49We found these images on Detective Griffin's computer.
01:19:51She didn't mention anything about pictures like these
01:19:53since the last time you saw her.
01:19:55Yeah, that's true.
01:19:56All right.
01:19:57You know what she is.
01:19:59Were you at the Glen last night?
01:20:01No.
01:20:02No?
01:20:03No.
01:20:04Under the circumstances,
01:20:05give me one of the jurors who can grant me a subpoena
01:20:06to check against the person
01:20:07who got on the Chandler's car.
01:20:09So where were you last night, Jordan?
01:20:11I was here.
01:20:12Can you back that up?
01:20:13Okay.
01:20:14We'd like to help you,
01:20:15but you're crossing the line
01:20:16and I think you should leave.
01:20:18You know what, Mr. Wells?
01:20:19We will come back with that subpoena.
01:20:21You don't have to get a subpoena.
01:20:23Who's this?
01:20:25Desiree Thomas.
01:20:26D.A. Thomas' daughter.
01:20:28I was with Jordan last night.
01:20:30We were right here.
01:20:32Are there any other questions?
01:20:36Well, I guess that's it then.
01:20:38You know what, Mr. Wells?
01:20:39I think that's enough.
01:20:41Thanks for your time.
01:20:42I'll see you around.
01:20:44That won't be necessary.
01:20:51How well did you know this girl?
01:20:53We were just hung out today.
01:20:54Jesus Christ, Jordan.
01:20:55Tell me the truth.
01:20:56Now tell me.
01:20:57Do not let them blindside me with something else.
01:20:59There's nothing else.
01:21:00There better not be.
01:21:02There better not be.
01:21:26You got it, huh?
01:21:28I don't know what to say.
01:21:32You know what, Jordan?
01:21:35Neither do I.
01:21:45I just bought you two days.
01:21:47Maybe three.
01:21:49But this isn't over, Jordan.
01:21:58It was the final gift she would ever give me.
01:22:05Her last favor.
01:22:12It's strange to think of your future in terms of days.
01:22:28But it wasn't going to take those detectives any longer than that.
01:22:36Money was her only way out.
01:22:39And now it became mine.
01:22:43And that's why I transferred most of the money to another bag.
01:22:47Before meeting Griffin.
01:22:52The money was the only leverage I had left.
01:22:55There's always a moment.
01:22:58Sometimes more than one.
01:23:02When you can walk away.
01:23:08Choose not to play a role someone else may be writing for you.
01:23:16Reality finally kicked in.
01:23:17Reality finally kicked in.
01:23:22For my life.
01:23:28It was time I started writing my own script.
01:23:43My name's Jordan Wells.
01:23:47A marketer's report on me would read something like this.
01:23:52Rich.
01:23:54Privileged.
01:23:58Future doctor.
01:24:01Future lawyer.
01:24:03Future somebody.
01:24:05But you wouldn't expect an accessory to murder.
01:24:10Twice.
01:24:12With a million dollars to decide what to do next.