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Short filmTranscript
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00:07:56God bless you.
00:08:27Drink me.
00:08:29Your wine mouth over my austere mouth.
00:08:33Drink me now.
00:08:35Before...
00:08:36Before the flesh disfigures itself into blood.
00:08:39Before death, love.
00:08:41Before my death.
00:08:43Drink me.
00:08:44Hold your hand.
00:08:46Breathe my breath.
00:08:48My gluteus.
00:08:49Time of the body.
00:08:51This time of hunger.
00:08:53Of the inside.
00:08:55Body getting to know itself.
00:08:57Slow.
00:08:58Sun of diamond feeding the belly.
00:09:01The milk of your flesh.
00:09:04Mine fleeting.
00:09:06And over us this future time.
00:09:09Wrapping the great idea.
00:09:11Over us.
00:09:13Life.
00:09:15Life spilling.
00:09:17Cyclic.
00:09:19Drowning.
00:09:23Out! Out!
00:09:25This is pure shamelessness.
00:09:27Well, well, well, pure shamelessness.
00:09:31Is there a scandal around here?
00:09:34Is there a disagreeing voice in the audience?
00:09:37Is there a gentleman?
00:09:39Ah, there he is.
00:09:41Who disagrees with the mafioso text
00:09:43given by these two ladies here present.
00:09:46For me, this is shit.
00:09:49This is theater, gentlemen.
00:09:52The imminent conflict.
00:09:54Not always.
00:09:56Let's come to an agreement.
00:09:58This is good for the theater.
00:10:01Say shit to the people and be always new.
00:10:07Ah, our mouth of wind.
00:10:09Blah, blah, blah.
00:10:12Mouth of wind.
00:10:14Mouth of wind, let me see.
00:10:17Our mouth of wind, which is apparently empty,
00:10:22would be the first moment of a scatology.
00:10:27Compare.
00:10:28Our mouth of wind, in fact, are two mouths of wind.
00:10:35Mouth of nothing.
00:10:38Starting from nothing, we will come to infinite conclusions.
00:10:45Dear sir, after nothing,
00:10:48everything comes with a kiss.
00:10:54Out! Out! Out!
00:11:00They are crazy.
00:11:02We drive the population mad.
00:11:04Crazy, yes.
00:11:06My madness, others who make fun of me,
00:11:09if it is madness that is man,
00:11:11but what a foolishness.
00:11:13The corpse was water that procreated.
00:11:16Theater is the art of the house.
00:11:18The unpredictable is already in the script.
00:11:26But what is happening?
00:11:29It seems that we have reached the exposed nerve
00:11:33of this nice society.
00:11:37We kicked their ass.
00:11:39Everyone liked it.
00:11:42A catharsis.
00:11:44We provoked a catharsis in these people.
00:11:49Isn't that our function?
00:11:53We free the ghosts, the supernatural forces,
00:11:56the repressed hatreds, the repressed desires.
00:12:00We divide the audience.
00:12:03We drive the audience mad.
00:12:08How wonderful!
00:12:11What a beautiful example you give.
00:12:14A bunch of vagabonds,
00:12:16trying to convince me that they do theater.
00:12:19What a shitty theater you do.
00:12:21Mr. Delegate,
00:12:23can't we postpone the aesthetic discussion for later?
00:12:28What are we accused of?
00:12:31Attack on Pudua.
00:12:35Are we going to stay here for long?
00:12:38Enough time.
00:12:41Do you have food and clothes to wash?
00:12:48Have you forgotten your child?
00:13:05THE CATHARSIS
00:13:19Ladies and gentlemen,
00:13:22we decided to bring joy to this distinguished audience
00:13:27and tell a little of the history of our lives.
00:13:32We do theater.
00:13:34Do you know what theater is?
00:13:41Theater is like a mirror.
00:13:45We look at ourselves and see ourselves reflected
00:13:49with a beautiful scenery behind us,
00:13:51lights, colorful clothes, music.
00:13:54Everything.
00:13:56As if it were life.
00:13:58It's life reflected in the mirror.
00:14:01That's our scenery.
00:14:04It's life disarranged,
00:14:06and made into pieces.
00:14:09Respected audience,
00:14:12the company of artists from Bambam
00:14:14presents the show entitled
00:14:16The History of the Pieces of Our Lives
00:14:19and How We Were Forbidden to Exercise Our Profession
00:14:23with Amanda,
00:14:26Sônia,
00:14:28Santiago,
00:14:30the one who speaks to you,
00:14:33and Little Cris, of course.
00:14:44You can already hear the sound of the drum.
00:14:47It's time to laugh.
00:14:49It's time to cry,
00:14:51because the show is about to begin.
00:14:54While they arrange the back stage,
00:14:57let me introduce myself.
00:15:00I'm a poet.
00:15:03I'm the one who creates the characters.
00:15:06I create the dialogues.
00:15:09If you want to shut up,
00:15:11you have to say,
00:15:13the show is about to begin.
00:15:15Yes, sir.
00:15:17And you have no right
00:15:19to reveal our secrets.
00:15:21Yes, sir.
00:15:23Don't I pay you well?
00:15:25As for that, I have my doubts, sir.
00:15:27Shut up, or I'll break your face.
00:15:30Calm down, sir.
00:15:32My lord,
00:15:34say what has to be said
00:15:36for the audience to know the truth.
00:15:39Distinguished audience,
00:15:41theater is a very well paid activity
00:15:45and the most honorable of professions.
00:15:48And it can't be a bad example for anyone.
00:15:51And it can't be a bad example for anyone.
00:15:54And it can't be shit, as our delegate said.
00:15:57And it's not shit, as our delegate said.
00:16:00Very well, how much do I owe you?
00:16:03Five coins, sir.
00:16:05I'll give you one.
00:16:08And now, let's begin!
00:16:17Open the window, my dear comedian.
00:16:20Let's get to work.
00:16:22I'm still putting on my make-up.
00:16:25Dear tragedy, are we waiting?
00:16:28I always come in last.
00:16:30Who's going to give me the cue?
00:16:32This time, let's improvise.
00:16:34What role am I going to play, my love?
00:16:36Your own.
00:16:37Are you going to tell my story?
00:16:39More or less.
00:16:40No, I don't want to know about drama.
00:16:42I don't want to see anyone crying in front of me.
00:16:44There's no danger.
00:16:46We'll never be together on stage.
00:16:48Calm down, people, let's not fight.
00:16:50The audience is waiting.
00:16:52The show can't stop.
00:16:59Come here.
00:17:03What are we going to do?
00:17:06With my Juliet?
00:17:10Stop it.
00:17:12Come here.
00:17:14I need affection.
00:17:20Always running away.
00:17:22That's not it.
00:17:24I'm always on the move.
00:17:26On the move?
00:17:28Where to?
00:17:30I don't know, here and there.
00:17:32We never know.
00:17:34You left me there.
00:17:36No goodbyes.
00:17:38No goodbyes.
00:17:40No goodbyes.
00:17:42No goodbyes.
00:17:44No goodbyes.
00:17:46No goodbyes.
00:17:49No goodbyes.
00:17:51Why say goodbye?
00:17:53What difference does it make?
00:17:55In your shitty world, what difference does it make?
00:17:59It's not a perfumed world,
00:18:01but it's the world we live in.
00:18:04I'm fed up with this life.
00:18:07But what we do,
00:18:09a lot of people call it art.
00:18:14We have a virtue.
00:18:17Redemption.
00:18:19What a bitch.
00:18:23It can be a tragedy.
00:18:26If it's a great tragedy, it's better.
00:18:30It can also be...
00:18:33the laughingstock of a strong man.
00:18:37Where did you get that?
00:18:39Someone wrote it.
00:18:42He walks the streets, armed and unarmed,
00:18:46a man who is not lucky.
00:18:50Who is this man?
00:18:52He is young,
00:18:54and he is poor.
00:18:57Is he a common man,
00:18:59or couldn't he walk with ordinary people?
00:19:05He doesn't accept dishonest money from anyone.
00:19:10And he doesn't accept insolence from anyone.
00:19:14He speaks like a person of his age.
00:19:20He is rough.
00:19:22He has a sense of grotesque.
00:19:25But he is spiritual.
00:19:28And he speaks...
00:19:31with total contempt for other people's poverty.
00:19:36What a beautiful profile.
00:19:39What is your story?
00:19:43My story...
00:19:46is the adventure of seeking a hidden truth.
00:19:53It wouldn't be an adventure...
00:19:55if it didn't happen with a man cut for adventure.
00:20:00If everyone were like him,
00:20:04this world would be more beautiful.
00:20:08But not interesting enough not to want to live in it.
00:20:13I would like to love this man.
00:20:16I would like to meet him.
00:20:35I would like to love this man.
00:20:38I would like to meet him.
00:20:41I would like to meet him.
00:21:04I would like to meet him.
00:21:07I would like to meet him.
00:21:10I would like to meet him.
00:21:13I would like to meet him.
00:21:16I would like to meet him.
00:21:19I would like to meet him.
00:21:22I would like to meet him.
00:21:25I would like to meet him.
00:21:28I would like to meet him.
00:21:31I would like to meet him.
00:22:01What is this?
00:22:03It's the soup of the poor.
00:22:05Of the poor?
00:22:06Of the poor.
00:22:07It's the soup of the poor.
00:22:08Of the poor?
00:22:09Of the poor.
00:22:10It's the soup of the poor.
00:22:12I'm not sure I'm that hungry.
00:22:31I'm not sure I'm that hungry.
00:23:01I'm not sure I'm that hungry.
00:23:31I'm not sure I'm that hungry.
00:23:34I'm not sure I'm that hungry.
00:23:37I'm not sure I'm that hungry.
00:23:40I'm not sure I'm that hungry.
00:23:43I'm not sure I'm that hungry.
00:23:46I'm not sure I'm that hungry.
00:23:49I'm not sure I'm that hungry.
00:23:52I'm not sure I'm that hungry.
00:23:55I'm not sure I'm that hungry.
00:23:58I'm not sure I'm that hungry.
00:24:04I'm not sure I'm that hungry.
00:24:10Hit the machine?
00:24:12What else can I do but hit the machine?
00:24:18I was a champion of dactylography in Hamburg.
00:24:24You hit very fast.
00:24:25Want to see?
00:24:27No, it's not necessary.
00:24:29I believe.
00:24:31What else do you have to do?
00:24:35The work is easy.
00:24:37Don't worry.
00:24:39You'll learn soon.
00:24:45That's our job.
00:24:47Sell these cans.
00:24:50Take it.
00:24:52Take it.
00:24:55Thanks.
00:24:56You're not well.
00:24:59You need to treat yourself.
00:25:02Go get a little house to live in.
00:26:09Excuse me.
00:26:14Come in.
00:26:19Do you know this address?
00:26:24It's right here.
00:26:27Who do you want to talk to?
00:26:29My uncle, Alexandre.
00:26:31Work for him, boss.
00:26:34Sit and wait.
00:26:37It won't take long.
00:27:07I receive you as my legitimate wife and I promise to be faithful to you, in joy and
00:27:26pain, in misery and wealth, in sickness and health, loving you and respecting you.
00:27:37I receive you as my legitimate wife and I promise to be faithful to you, in joy and pain,
00:27:47in misery and wealth, in sickness and health, loving you and respecting you.
00:27:59May God bless your love.
00:28:03For this sacrament, which God united, may man not separate.
00:28:10Amen.
00:28:14Receive these alliances as proof of my love and fidelity.
00:28:25In the name of the Holy Mother Church, I declare you husband and wife.
00:28:32You may kiss the bride.
00:28:54I don't understand.
00:29:05And you?
00:29:07What are you doing here?
00:29:10I came to collect a debt from my uncle.
00:29:15I promised my mother when she died.
00:29:18She told me, daughter, don't ask for anything.
00:29:22Demand that he pay you everything he stole from your father.
00:29:26I can see it.
00:29:29You see it in the smallest gestures.
00:29:32You are very tense, like a snake waiting for the moment to strike.
00:29:40Relax.
00:29:42Thank God.
00:30:13Say something.
00:30:16Tell me, what happened to the doctor?
00:30:24Don't pretend to be dead. Say something.
00:30:29Speak, for God's sake.
00:30:31What's going on?
00:30:33I can't take it anymore.
00:30:35What did you say?
00:30:37God exists.
00:30:40I'm so sad.
00:30:50What's wrong?
00:30:52Empty.
00:30:55I feel like an empty bag.
00:30:59Nothing inside, not even the guts.
00:31:04You don't cling to anything.
00:31:08I don't know why.
00:31:12Marriage is an inertia.
00:31:17But it's good to get married.
00:31:21It's good.
00:31:23Don't you think?
00:31:29I like your uncle.
00:31:32He's a good guy.
00:31:36Hello.
00:31:38What's the result?
00:31:40There's not enough sperm to fertilize your sperm.
00:31:44Doctor, leave that rhetoric.
00:31:47You can't procreate.
00:31:50Good.
00:32:05Good.
00:32:35We are gathered here...
00:32:37to order the body of Alexandre da Silva Marques.
00:32:42May he rest in peace.
00:32:45In the name of the Father, the Son and the Holy Spirit.
00:32:50Amen.
00:32:52You can't have it all.
00:32:55I'm sorry.
00:32:57Don't regret it.
00:32:59I'm sad.
00:33:01But relieved.
00:33:03I got rid of that promise.
00:33:07I'm sorry.
00:33:09I'm relieved.
00:33:11I got rid of that promise.
00:33:14I'm sorry.
00:33:16I got rid of that promise.
00:33:19I got rid of that promise.
00:33:50Why?
00:33:53I felt sorry.
00:33:56So there's no long history of misery in the family?
00:34:01No.
00:34:03I'm the only one responsible.
00:34:06And the family?
00:34:08Please.
00:34:10Just today.
00:34:12I need a rest just for today.
00:34:17All right.
00:34:19The bedroom is over there.
00:34:21Bed 17.
00:34:46Bed 17.
00:35:16What's going on?
00:35:26What's going on?
00:35:38What's going on?
00:35:46What's going on?
00:35:50Sit down.
00:36:06I heard drums last night.
00:36:08A clarinet.
00:36:10Voices.
00:36:12But I couldn't see anything.
00:36:15You're a novice.
00:36:18You're a novice.
00:36:20What's your name?
00:36:22Lucas.
00:36:24Lucas.
00:36:29Do you want to know my story?
00:36:32Tell me.
00:36:34I wasn't born poor.
00:36:37I had a family, a house, employees.
00:36:42One day I was going to town...
00:36:45and I stopped my car at a red light.
00:36:50A boy appeared...
00:36:52and started rubbing the car's window.
00:36:56The boy spat and rubbed a felt cloth on the car's window.
00:37:01He spat, rubbed, spat, rubbed.
00:37:06The light turned green.
00:37:08The boy didn't leave.
00:37:12I took some coins and showed the boy.
00:37:15But the boy didn't see anything.
00:37:18He wanted to rub the felt cloth on the car's window.
00:37:23Then...
00:37:25they started honking separately.
00:37:28The boy in front of me...
00:37:30spat and rubbed.
00:37:34I started to sweat.
00:37:36I took off my tie...
00:37:38and shouted to the boy...
00:37:40Get out of the way!
00:37:42And the boy...
00:37:44didn't do anything.
00:37:46So...
00:37:48I don't know what happened to me.
00:37:51I started the car...
00:37:54and passed over the boy...
00:37:57who died at the same time...
00:37:59crushed by the rear tires.
00:38:07My son!
00:38:10I crushed the boy!
00:38:15After that...
00:38:18I didn't understand anything.
00:38:21I was arrested.
00:38:24I was admitted to a judicial asylum.
00:38:29I...
00:38:30who had run half the world...
00:38:33running orchestras...
00:38:36I abandoned everything.
00:38:39Everyone abandoned me.
00:38:43And at the end of my life...
00:38:46I ended up here.
00:38:49Do you understand?
00:39:06JOURNALIST
00:39:16Mr. Carlos, this is the newbie.
00:39:19What's your name?
00:39:21I'm John Ninguém.
00:39:24What does he do?
00:39:26I don't know. Ask him.
00:39:28What do you do?
00:39:30I'm the mayor.
00:39:32She wants to know what you can do.
00:39:35I can tell stories.
00:39:37Then tell us.
00:39:39What?
00:39:40Tell us.
00:39:41Do you want me to tell a story?
00:39:45Silence!
00:39:47Because I'm going to tell...
00:39:49the story...
00:39:51of how I was conceived.
00:39:56I remember.
00:39:58Between me and my conception...
00:40:00there's a barrier.
00:40:02A kind of opaque glass.
00:40:06So that you can't tell...
00:40:08the outline of things.
00:40:13Suddenly...
00:40:15a convulsion explodes.
00:40:17And I see around me...
00:40:20particles, unresolved...
00:40:23clear, very clear...
00:40:25in the middle of total darkness.
00:40:27So...
00:40:30look, gentlemen.
00:40:32Suddenly...
00:40:34a terrible incarnation...
00:40:41It's terrible, gentlemen...
00:40:43to see matter...
00:40:45after all...
00:40:47settling down...
00:40:49in a state of apparent rest.
00:40:51It had no reason to come...
00:40:55but it's there now...
00:40:58trapped in a form.
00:41:02Look at me, gentlemen.
00:41:04And see...
00:41:06the result of all this.
00:41:09I...
00:41:11in a body of flesh and bone.
00:41:14Where did you come from?
00:41:16From a man?
00:41:17What the hell are you?
00:41:19Nothing. He's not from this world.
00:41:22Don't be afraid, sister.
00:41:24I'm from this world.
00:41:27What's your name?
00:41:28Vicente.
00:41:29What do you do?
00:41:30Ice cream man.
00:41:31Ice cream man.
00:41:32And you?
00:41:33Jesus.
00:41:34Jesus? What else?
00:41:35Carpenter.
00:41:36Carpenter. And you?
00:41:37John, electrician.
00:41:39John, electrician.
00:41:40And you?
00:41:41John, wall painter.
00:41:43John, wall painter.
00:41:44Sebastião, musician.
00:41:46Sebastião?
00:41:47Musician.
00:41:48Musician.
00:41:49And you?
00:41:50José, carver.
00:41:51José, carver.
00:41:52Ari, sander.
00:41:53I need a seamstress and a hairdresser.
00:41:56We're here.
00:41:58The seamstress, what's her name?
00:42:00Helena.
00:42:01Helena. And the hairdresser?
00:42:02Luma.
00:42:03Luma.
00:42:04Lucas, what's that over there?
00:42:06It's our band.
00:42:09What happened to it?
00:42:10It's stopped.
00:42:11We're going to resurrect the band.
00:42:13You take care of that.
00:42:15And what are we going to do?
00:42:16We're going to do theater.
00:42:19Take a doll.
00:42:26Admire a C with me.
00:42:30That's it, thank you.
00:42:31Sebastião?
00:42:36That's it. Now we're going to play this C major scale.
00:42:38You follow us, John.
00:42:40Okay?
00:42:41C, D, E, F, G, A, B, C.
00:42:51Once upon a time there was a bloody battle
00:42:54that left cities and villages in rubble.
00:43:01The woman lost her husband,
00:43:03the sister lost her brother,
00:43:05and the son searches among the ashes
00:43:08for his father and his mother.
00:43:12There are no letters, no news,
00:43:17but the news comes from mouth to mouth.
00:43:22Some boys organized themselves in a crusade.
00:43:27Hungry and cold,
00:43:32they walk and join other boys
00:43:37in the villages where they pass.
00:43:40In front of them goes the boy,
00:43:43the leader who organized the crusade.
00:43:48And behind him, a 11-year-old girl
00:43:55who takes care of her brother, who can't walk.
00:44:01A sad and weak boy
00:44:04also traveled with them,
00:44:07who always stayed behind.
00:44:09And also a musician who found a drum,
00:44:12but without prestige,
00:44:14because he couldn't play it so as not to be denounced.
00:44:17And also a dog,
00:44:19at first to be eaten,
00:44:23but there was still no courage to kill it.
00:44:27One fine day they found another group of boys
00:44:31and a war almost broke out.
00:44:34But seeing how absurd it was,
00:44:36they made a truce.
00:44:38There was still a small battle around a hut,
00:44:41but one of the sides ran out of food,
00:44:44and the enemy, knowing this,
00:44:46sent a bag of potatoes,
00:44:49because you can't fight if you don't eat anything.
00:44:55After that, they continued to walk together,
00:45:02because it's better to walk together than apart.
00:45:06There was also a trial one day in the light of the candles,
00:45:12and the judge was sentenced after a difficult hearing.
00:45:20There was also the funeral of the weak boy
00:45:27who was carried on the shoulders of his strongest companions.
00:45:35Hold on to the hand of God, my father
00:45:44Hold on to the hand of God
00:45:50Hold on to the hand of God
00:45:56Hold on to the hand of God
00:46:01There was still faith and hope.
00:46:05Although there was a lack of meat, bread,
00:46:09and any sense of direction,
00:46:12of course there were posters hanging in the stands,
00:46:16but you shouldn't read them,
00:46:18because who would trust them?
00:46:21They could be inverted.
00:46:26Around the leader they grouped, because they trusted him,
00:46:30and pointed to the white horizon
00:46:33in any direction.
00:46:35Over there!
00:46:36It must be over there!
00:46:42Over there!
00:46:44A fire!
00:46:45A fire!
00:46:47They saw it,
00:46:48but they didn't approach it with fear.
00:46:51A battalion of soldiers also came to cross.
00:46:58I close my eyes
00:47:00and see that they move.
00:47:03From a destroyed village
00:47:06to a village in ruins.
00:47:10Under a cold wind.
00:47:13Frozen.
00:47:15Hungry.
00:47:18They walk.
00:47:22They walk.
00:47:23They only desire a land to live on.
00:47:27Far from the thunder of the cannons
00:47:31and the fires.
00:47:38This morning,
00:47:40the soldiers killed a dog
00:47:42with a poster on its neck.
00:47:46The peasants found it.
00:47:49Help!
00:47:51We are lost.
00:47:53There are 50 of us.
00:47:56Don't kill this dog.
00:47:57Only he knows where we are.
00:48:01If they kill him,
00:48:03our hope will die with him.
00:48:27Help!
00:48:30Help!
00:48:36Dividete!
00:48:40If it's pain...
00:48:48I need to talk to you in the ambulance.
00:48:52If it's pain...
00:48:57I need to talk to you in the ambulance.
00:49:07She cries and screams all the time.
00:49:11Can you help us?
00:49:14Try to talk to her.
00:49:17How did she end up here?
00:49:19Social assistance.
00:49:27How did she end up here?
00:49:49That's it.
00:49:51She's gone.
00:49:52She's gone.
00:49:55They say she might have died
00:49:57in the northern gangs.
00:49:59In the last earthquake.
00:50:02I don't know.
00:50:06All I know is that everything was going well
00:50:08and suddenly she disappeared.
00:50:12I came back from school and she was gone.
00:50:15What was she like?
00:50:18Pretty.
00:50:20Very crazy.
00:50:21I can't describe her.
00:50:23What did she do?
00:50:25Theater.
00:50:26She was an actress.
00:50:28A very good actress.
00:50:30She lived wandering around.
00:50:33And her name?
00:50:35Amanda.
00:50:36Amanda?
00:50:38You said Amanda.
00:50:41You heard me.
00:50:43You're pale.
00:50:45You've lost weight.
00:50:46You're pale.
00:50:48You too. You look transparent.
00:50:51So you're Cris.
00:50:53I didn't know.
00:50:55You're the Cris I held in my lap
00:50:57four or five months ago.
00:51:00I can't believe it.
00:51:03It can't be.
00:51:06How did it happen?
00:51:08The gang came by.
00:51:10I met you.
00:51:12We were together for two weeks.
00:51:14Me and Amanda.
00:51:17She left without saying goodbye.
00:51:20She never came back.
00:51:22She was always like that.
00:51:23My mother.
00:51:27I never met my father.
00:51:30When I was born,
00:51:31they said he had won a scholarship
00:51:34to Belgium.
00:51:38We never heard from him again.
00:51:41My mother said I looked like him.
00:51:45Will you do me a favor?
00:51:50Get me a lipstick.
00:51:52We'll play at the city party.
00:51:55Very well.
00:51:57We'll leave early tomorrow.
00:51:58Seven o'clock.
00:52:00What time will we be back?
00:52:01Midday.
00:52:03The sun is too hot.
00:52:04Can't we go down earlier?
00:52:06No, we can't.
00:52:08Why not?
00:52:09Why not?
00:52:11Then I won't go.
00:52:12Then don't go.
00:52:14Then I won't go.
00:52:16And you?
00:52:17How are you?
00:52:21I woke up in the morning.
00:52:23I got lazy.
00:52:25I asked myself,
00:52:26why do you do this?
00:52:28It's good.
00:52:29They told me to get lazy.
00:52:31It's good for the muscles.
00:52:33It stretches.
00:52:36It's good for gymnastics.
00:52:40But why do gymnastics?
00:52:43To strengthen my muscles.
00:52:47I thought,
00:52:50why strengthen my muscles?
00:52:55To defeat my enemies.
00:52:59Then I said to myself,
00:53:02why defeat my enemies?
00:53:06Because they told me they could leave me without food.
00:53:10So...
00:53:12I woke up in the morning.
00:53:15I got lazy.
00:53:17To do gymnastics.
00:53:19To do gymnastics.
00:53:22To strengthen my muscles.
00:53:25To strengthen my muscles.
00:53:27To defeat my enemies.
00:53:30To defeat my enemies,
00:53:31so I don't have to eat.
00:53:34Then I asked myself,
00:53:37why eat?
00:53:39Why eat?
00:53:44It is.
00:54:10Cris.
00:54:13Do you want to continue Amanda's career?
00:54:18When I walked the streets,
00:54:21after my mother's death,
00:54:25when I walked around,
00:54:27without end,
00:54:29sometimes I did what I was representing.
00:54:33Do you understand?
00:54:36Look.
00:54:40I looked for a higher place.
00:54:43An empty box left by the fair.
00:54:47A bench in the square.
00:54:50Anything.
00:54:53So,
00:54:55I made many disguised gestures.
00:54:58Eyes.
00:55:00Mouth.
00:55:03An expression for the face.
00:55:06I invented speeches.
00:55:09They didn't come out of the lips.
00:55:14Because I didn't want them to notice I was representing.
00:55:21Because if they did,
00:55:26my God,
00:55:27they would put me in a hospice.
00:55:29And I didn't want that.
00:55:31I even thought that if I went to an asylum like this one,
00:55:34where you just eat and sleep,
00:55:36without a shirt,
00:55:37without a power bank,
00:55:39without electricity,
00:55:41things like that,
00:55:42it would work.
00:55:45But I didn't want an asylum either.
00:55:48I preferred to walk the streets.
00:55:51Making fire with the remains of the trash I found.
00:55:55Just to look.
00:55:58Like once.
00:56:05I don't want to say anything anymore.
00:56:08You know everything, don't you?
00:56:11Do you know why I came here?
00:56:17Because I picked up a trash bag
00:56:19and put it in my mouth to see if it would stop talking.
00:56:23And I didn't talk to anyone.
00:56:26But I talked inside.
00:56:29I talked inside.
00:56:32And it was all the time.
00:56:35I couldn't take it anymore.
00:56:38So I took the trash bag
00:56:45and put it in my mouth.
00:56:51And I put it in my mouth.
00:56:55Because since my mother disappeared,
00:56:59since then,
00:57:00since then,
00:57:03I can't stop listening to my voice.
00:57:09So I took the trash bag,
00:57:13but an old woman saw me putting the trash bag in my mouth.
00:57:17She called a guard.
00:57:19Other guards came.
00:57:21A lot of people around.
00:57:23And I refused to talk.
00:57:28In my mouth.
00:57:31There was only a little pain,
00:57:34a little blood thing
00:57:36that ran down the corner of my mouth.
00:57:42Then the black bus came.
00:57:46And suddenly I was here,
00:57:49inside this house.
00:57:52Let's get out of here.
00:57:53Let's get out of here.
00:58:00A mother like that,
00:58:02very close,
00:58:04will be with me in paradise.
00:58:53© BF-WATCH TV 2021
00:59:24CINEMATOGRAPHER
00:59:43You know, Kenny,
00:59:45we're coming from a smaller theater,
00:59:47and this is a big one,
00:59:49but I'd really like to try to keep that more intimate tone.
00:59:51Come on, guys.
00:59:53This is my friend,
00:59:56Bruce.
00:59:58I met her at a congress about young literature.
01:00:02She was sitting in the third row,
01:00:05with her legs showing in the hallway.
01:00:08I'd rather be more intimate.
01:00:11Can I go like this?
01:00:13The box is a little...
01:00:15Big Bruce is here.
01:00:17It's not possible.
01:00:19How old are you?
01:00:22Where have you been?
01:00:24Out and about.
01:00:27This is Chris.
01:00:29A beautiful promise.
01:00:34Do you have a place to stay?
01:00:36No, we just got here.
01:00:39Stay at my house.
01:00:41No luggage.
01:00:43No luggage.
01:00:46No past.
01:00:49Remember that night in New York?
01:00:53What an ugly fight, my brother.
01:00:55We had some Bloody Marys.
01:00:58Remember when we went up to the bedroom?
01:01:02There was a piece of wood in the air.
01:01:05Hatred trapped that ended up bursting in the bedroom.
01:01:08Then we detonated the most terrible insults.
01:01:10We broke each other's walls.
01:01:13I remember.
01:01:16I remember.
01:01:18I also remember that cheap hotel in Washington.
01:01:21You called your agonizing mother in Dallas.
01:01:25I remember.
01:01:27I got on the plane,
01:01:29two days later she died.
01:01:31I stayed at the hotel,
01:01:33waiting to go on a trip.
01:01:35I took the little box with the ashes
01:01:37and sent it to the Navy.
01:01:39We didn't continue the trip.
01:01:41When we got back,
01:01:43we buried the ashes.
01:01:47I remember.
01:01:51Remember that day I followed you?
01:01:54You followed me?
01:01:56I followed you for hours and hours.
01:01:59You were walking, panting.
01:02:02And I called you.
01:02:04You turned around and said,
01:02:05No, I don't remember.
01:02:07That night you said,
01:02:09No.
01:02:11I'm not staying.
01:02:13I'm going away from the theater.
01:02:16Since then,
01:02:18I haven't seen you for 20 years.
01:02:20It was better that way.
01:02:23Now you know we're ready.
01:02:26We don't need
01:02:29any more
01:02:31insults.
01:02:32We don't need
01:02:35to evaluate,
01:02:37suspend,
01:02:39premeditate.
01:02:41The clouds are gone.
01:02:43The sun is shining again.
01:02:45The light.
01:02:47Why the light?
01:02:49Don't we live from the light?
01:02:51The real actors
01:02:53are those
01:02:55clean figures.
01:02:57Those
01:02:59who take refuge
01:03:00far from the lines,
01:03:02the volumes,
01:03:04the colors.
01:03:06The real actors
01:03:08bear fruit in the absence.
01:03:11And so they become
01:03:13more sumerian,
01:03:15appetizing,
01:03:17nutritious,
01:03:19because they are away
01:03:21from the jungle
01:03:24of the visual universe.
01:03:27Far from the audience,
01:03:28then.
01:03:35No.
01:03:37Far from
01:03:39the ready-made
01:03:41and finished forms
01:03:43of this exhibition
01:03:45which is
01:03:47the excrescence
01:03:49of things.
01:03:51Comrade,
01:03:53nothing has changed.
01:03:55Do you like it?
01:03:58This is your home.
01:04:03This theater is falling apart.
01:04:08This is just a shell.
01:04:10The real theater
01:04:13is what happens here,
01:04:15is what happens
01:04:17on these boards.
01:04:29Take off your shoes.
01:04:33Let's go.
01:04:36Take care of your space.
01:04:38Take possession of this stage.
01:04:41Go!
01:04:44Run!
01:04:48Run!
01:04:52It's yours!
01:04:56I...
01:04:59I feel strange in it.
01:05:03Soon you'll get used to it.
01:05:06Cris, pay attention.
01:05:10You're creating a character.
01:05:13You're mourning.
01:05:17But you don't cover yourself
01:05:20in mourning,
01:05:22in your face, in your body,
01:05:24for the death
01:05:26of your lover or husband.
01:05:29No.
01:05:31You're mourning
01:05:33for the misery of all humanity.
01:05:35You hate and despair
01:05:37the possibility of being heard.
01:05:41You cover your face
01:05:43with this veil of mourning
01:05:45as if you were covering your whole body.
01:05:49You cover yourself in mourning
01:05:51to express your indignation.
01:05:53That's it.
01:05:55That's how it is.
01:05:57Incorporate the character.
01:06:00I don't want a metamorphosis.
01:06:03The actor never metamorphoses
01:06:05entirely in the character.
01:06:08Try to represent
01:06:10the behavior of this imaginary woman,
01:06:12but don't get confused with her.
01:06:14You're an actress.
01:06:17See if you can discover
01:06:19an expression
01:06:20external to the emotions
01:06:22of the character.
01:06:24An action that reveals
01:06:26your intimacy.
01:06:29The emotion must be expressed
01:06:31externally.
01:06:33It must emancipate itself
01:06:35so that it can be treated
01:06:37with grandeur.
01:06:39Have you ever directed before?
01:06:41No.
01:06:43But I've worked a lot.
01:06:45I've met a lot of directors.
01:06:46Masters.
01:06:49Your audience will be there.
01:06:53There was a time
01:06:55when a kind of imaginary line
01:06:57was created.
01:06:59A fourth wall
01:07:01separating the stage
01:07:03from the audience.
01:07:05As if we could exist
01:07:07without our audience.
01:07:09Our dramas
01:07:11took place
01:07:13in a roundabout.
01:07:14They created
01:07:16a psychological,
01:07:18intimate theater
01:07:20seen through the hole
01:07:22in the closing.
01:07:24That doesn't exist anymore.
01:07:26We'll always be in front
01:07:28of our audience.
01:07:31I see theater
01:07:33as a square full of people.
01:07:35Men, women, children.
01:07:37The only thing we have to do
01:07:39is use
01:07:41the gesture
01:07:42and the verb
01:07:44to present it
01:07:46rehearsed, ready and finished.
01:07:48I like it.
01:07:50What else?
01:07:52You have to create on stage
01:07:54people of flesh and blood.
01:07:56You have to make the character
01:07:58so evident,
01:08:00so difficult to imagine
01:08:02that the audience
01:08:04will have to accept
01:08:06that you are presenting it.
01:08:08That's your obligation.
01:08:10Cris, let's go.
01:08:13Give us your text.
01:08:16You'll see it's pure foolishness.
01:08:19It's a disappointment
01:08:21to grieve for luck
01:08:23and other things
01:08:25in this peaceful land
01:08:27where fate has forgotten us.
01:08:29Wait.
01:08:31You talk to the audience
01:08:33but you shouldn't look at them.
01:08:35Look a little above
01:08:37as if you were looking
01:08:39at the sky, the sea
01:08:40or the sidereal space.
01:08:42Try it.
01:08:48You'll see it's pure foolishness.
01:08:51It's a disappointment
01:08:53to grieve for luck
01:08:55and other things
01:08:57in this peaceful land
01:08:59where fate has forgotten us.
01:09:02The truth is that it's hard
01:09:04to get used to hunger.
01:09:06And even if they say
01:09:08that hunger is shared
01:09:10with a few people,
01:09:12you are dying.
01:09:14And we don't even have
01:09:16where to die.
01:09:18And it seems that things
01:09:20are getting worse.
01:09:22And there's no point
01:09:24in closing the subject
01:09:26with a blind knot.
01:09:28Since the world is a world
01:09:30we walk with our beaks
01:09:32on our backs
01:09:34trying to catch the wind
01:09:36with our own nails.
01:09:38The world is flooded
01:09:40and someone has to listen to us.
01:09:44Someone
01:09:46and others.
01:09:48Even if our screams
01:09:50break your bells.
01:09:52No.
01:09:54We're not rebelling
01:09:56or begging for the moon.
01:09:59No.
01:10:01We're not in a hurry
01:10:03to find our way.
01:10:05Nor are we going to run
01:10:07to the mountains
01:10:09Someone has to listen to us.
01:10:13When we stop groaning
01:10:15like a swarm of wasps
01:10:18or we become
01:10:20a hurricane's tail
01:10:22or we scatter over the earth
01:10:24as if we were
01:10:26a flash of dead.
01:10:28Then maybe
01:10:30the medicine
01:10:32will reach us all.
01:10:38Maybe.
01:11:02I like this apartment here.
01:11:05Cris.
01:11:09My father.
01:11:11How are you?
01:11:13I'm fine, sir.
01:11:15I'm going.
01:11:17Has Cris always been this beautiful girl?
01:11:20Always.
01:11:28Are you pale?
01:11:31My father.
01:11:33My father.
01:11:35You and your care.
01:11:36You and your care.
01:11:42It's a good kitchen.
01:11:48I feel as if I already knew you.
01:11:52Maybe.
01:11:55It's good
01:11:57to see you together.
01:11:59Whenever you touch each other
01:12:02I feel an undisguised current
01:12:04of tremor.
01:12:06Pure emotion.
01:12:09I feel
01:12:11that it will work.
01:12:17You were an actor until about 20 years ago, right?
01:12:21Yes.
01:12:23And why did you leave your career during that time?
01:12:27I kept raising chickens.
01:12:30Chickens?
01:12:32Yes, chickens. For those who like chickens.
01:12:34Do you like chickens?
01:12:36Yes, I do.
01:12:38And you killed the chickens?
01:12:40Yes.
01:12:42To sell or to eat?
01:12:45To eat.
01:12:47I took their necks.
01:12:49I took them.
01:12:51I moved them.
01:12:53In my best performance.
01:12:56And what is your usual leisure today?
01:13:01Cinema, the beach.
01:13:04Very good.
01:13:14How are you?
01:13:16Fine.
01:13:18Tell me a little about your story.
01:13:25My mother died months after I was born
01:13:28and my father raised me alone.
01:13:31He took me to the theater
01:13:32and left me sleeping in the dressing room.
01:13:35We traveled a lot together.
01:13:38I was always with him.
01:13:40Through coherent cities.
01:13:42He used to say that he would go on stage
01:13:44afraid of hearing my cry.
01:13:46I remember once I was on stage
01:13:49playing the role of Barba Roiva
01:13:51when I heard the cry in the dressing room.
01:13:55Then I started to sweat, I didn't know what to do.
01:13:58When I left the scene for a few seconds
01:13:59I got to the dressing room and she was already sleeping.
01:14:02I remember once
01:14:04I was...
01:14:07I was seven years old
01:14:10and we arrived in an Indian village.
01:14:13My father was going to perform the Christmas carol.
01:14:16It was very funny
01:14:18because the boy Jesus,
01:14:20Mary and Joseph,
01:14:22all these people
01:14:24in the play were animals.
01:14:26It was...
01:14:27It was...
01:14:30The boy Jesus was a calf,
01:14:32Mary was a cow
01:14:34and Joseph, my father, was a ox.
01:14:37It was all the opposite.
01:14:39The animals were people
01:14:41and the humans were figures.
01:14:48The Indians understood everything.
01:14:51I remember that on one of these trips to the countryside
01:14:54she took advantage of me.
01:14:57It wasn't always that she led the show.
01:15:00When I got to the hotel, she was gone.
01:15:04I called the police,
01:15:07the hospitals,
01:15:09nothing.
01:15:11I spent a hellish night.
01:15:13There was a time when I almost hit my head on the wall.
01:15:16Then at 5 or 6 in the morning she appears to me
01:15:19with a look from her head to her feet.
01:15:21I had fallen in the river near the main street.
01:15:25I was soaked with the water of the river and that humiliated me.
01:15:29I didn't want to go back to the hotel before the clothes dried up.
01:15:33But the clothes were stuck to my body and didn't dry.
01:15:37So,
01:15:39I decided to go back to the hotel on my own.
01:15:43Because that was the only way I found to go back.
01:15:47I started making an effort
01:15:48to get out of myself
01:15:51and see from the outside another girl that wasn't me.
01:15:55That diminished my shame.
01:15:58It was another girl who had fallen in the river, not me.
01:16:03And when I went back to the hotel and my father kissed me,
01:16:09I swear to you,
01:16:12I was so far away from myself,
01:16:15looking at myself from so far away,
01:16:19that I didn't feel my father's arm.
01:16:22I saw that he kissed me,
01:16:24but no one's warmth came to my face.
01:16:28And this is so true that I still remember it.
01:16:32That the moment my father kissed me,
01:16:35I saw myself erasing my own face.
01:16:39As if I hadn't felt affection, affection and kisses for a long time.
01:16:44So, I was in doubt
01:16:47if the moisture on my face
01:16:50was the water from the river
01:16:53or if it was me who was sweating.
01:16:56Cris.
01:16:58Yes?
01:17:00Did you like yesterday's show?
01:17:07Tell me, Cris.
01:17:09Did you like yesterday's show?
01:17:11Did you like yesterday's show?
01:17:15Yesterday was a good show.
01:17:24You know,
01:17:26starting tomorrow, I'm moving in with him.
01:17:30Who?
01:17:33A guy you met yesterday.
01:17:36He's already moving in.
01:17:39Don't be sad.
01:17:42No, I'm not sad.
01:17:48Are you going?
01:17:50I am.
01:17:52Where to?
01:17:54I don't know yet.
01:17:57And Cris?
01:17:59She doesn't need me anymore.
01:18:02She'll walk alone.
01:18:04She's an actress.
01:18:08She's an actress.
01:18:27Hey.
01:18:33Who are you?
01:18:38Are you going to tell me?
01:18:44Your name?
01:18:47Aren't you going to say anything?
01:18:53Look over there.
01:18:55Close your eyes. It's your aunt.
01:19:01Hey, kid.
01:19:03Are you going to tell me?
01:19:05I know.
01:19:06I know.
01:19:08You came from one of these slums.
01:19:12And now you don't know how to live, do you?
01:19:15Do you?
01:19:20Aren't you going to tell me?
01:19:22Aren't you going to tell me who your father is?
01:19:24Aren't you going to tell me who your mother is?
01:19:26Aren't you going to tell me who I am?
01:19:28What if I'm a bad man?
01:19:32Huh?
01:19:36Tell me.
01:19:44Tell me.
01:19:46Tell me.
01:20:06Tell me.
01:20:37Welcome.
01:20:39I'm Pedro Armada.
01:21:00Friends, friends.
01:21:02The time has come.
01:21:03The time has come.
01:21:05We are here to celebrate the theater.
01:21:07With us again is our main actor.
01:21:10Long live the theater!
01:21:12Long live the art of storytellers!
01:21:15Long live freedom!
01:21:17Long live the theater!
01:21:33Long live the theater!
01:21:35Long live freedom!
01:21:37Long live the theater!
01:21:39Long live the theater!
01:21:41Long live the theater!
01:21:43Long live the theater!
01:21:45Long live the theater!
01:21:47Long live the theater!
01:21:49Long live the theater!
01:21:51Long live the theater!
01:21:53Long live the theater!
01:21:55Long live the theater!
01:21:57Long live the theater!
01:21:59Long live the theater!
01:22:01Long live the theater!
01:22:04Long live the theater!
01:22:06Long live the theater!
01:22:08Long live the theater!
01:22:10Long live the theater!
01:22:12Long live the theater!
01:22:14Long live the theater!
01:22:16Long live the theater!
01:22:18Long live the theater!
01:22:20Long live the theater!
01:22:22Long live the theater!
01:22:24Long live the theater!
01:22:26Long live the theater!
01:22:28Long live the theater!
01:22:30Long live the theater!
01:22:31Long live the theater!
01:22:33Long live the theater!
01:22:35Long live the theater!
01:22:37Long live the theater!