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Short filmTranscript
00:00I'm worried about her.
00:02I'm going to write to my uncle. He probably knows where she is.
00:05I just hope he doesn't come up with a scandal.
00:08She's here! She's here! Who were you crying for?
00:14Good morning, family!
00:16Hey, we should make a collection so you can tie her up.
00:19Oh, yeah. What do we do? A pull-up?
00:21Oh!
00:22A pull-up!
00:25Coqui, you'd better come with me because I'm running out of wheat.
00:43At least have some coffee. It'll help you.
00:48Thank you, thank you, thank you.
00:54Ah!
01:25Coqui, my head hurts. I'm not in the mood for sermons.
01:43There's the neighbor from the Lomas.
01:46Lomas from Escorvina.
01:49How nice!
01:51Who do you think you are to make fun of my house?
01:54What right do you have?
01:55Oh, Lorena, please. It's a little joke.
01:57No, it's not a little joke. It's a low.
01:59Oh, and look at your words, okay?
02:01You look at your words. You're hypocrites.
02:03Hey, hey, hey. You're lowering your tone.
02:05Okay.
02:06What's going on here?
02:08We're missing respect.
02:09No, no, no. Lie. They've started.
02:11No, no, no, no.
02:12Lorena, don't be a liar.
02:14What? What's up with you? You've been making fun of me for a long time.
02:18No, it's not true.
02:29Good morning, sir.
02:41Juana, why aren't you in the office?
02:43Oh, I thought you needed me here to attend to you.
02:46I brought you a breakfast.
02:48It will help you with the hangover.
02:51And why do you think I have a hangover?
02:55Felix told me that he saw you arrive a little drunk.
03:00That intrusive watchman.
03:03Drink everything I brought you. It will do you very well.
03:07No, I can't. I have to go to the corporation.
03:09I have a meeting with...
03:11With Mr. Giraldez from the Wings company.
03:13Yes, I already rescheduled it for tomorrow at the same time.
03:17But I can't, because at that time I have...
03:19At that time he has a meeting with Human Resources. I also rescheduled it.
03:24Well thought out.
03:27I'm his personal assistant.
03:31I'm here to attend to him.
03:47Join us.
03:51Trini, no.
03:53She started it.
03:55Trini, don't be jealous.
04:10You're welcome.
04:11Excuse me.
04:13You ordered a lot, honey.
04:15Yes.
04:16I told you I was going to change.
04:19Hey, woman.
04:20My order is perfect.
04:22Sorry, sorry.
04:23Take it, take it.
04:33I'm going faster, huh?
04:34Yes, go ahead.
04:38No, that's it.
04:39That's it.
04:41That's it.
04:42That's it.
04:43That's it.
04:44That's it.
04:45That's it.
04:46That's it.
04:47That's it.
04:48That's it.
04:49That's it.
04:50That's it.
04:51That's it.
04:52That's it.
04:53That's it.
04:54That's it.
04:55That's it.
04:56That's it.
04:57That's it.
04:58That's it.
04:59That's it.
05:00That's it.
05:01That's it.
05:02That's it.
05:03That's it.
05:04That's it.
05:05That's it.
05:06That's it.
05:07That's it.
05:08That's it.
05:09That's it.
05:10That's it.
05:11That's it.
05:12That's it.
05:13That's it.
05:14That's it.
05:15That's it.
05:16That's it.
05:17That's it.
05:18That's it.
05:19That's it.
05:20That's it.
05:21That's it.
05:22That's it.
05:23That's it.
05:24That's it.
05:25That's it.
05:26That's it.
05:27That's it.
05:28That's it.
05:29That's it.
05:30That's it.
05:31That's it.
05:32That's it.
05:33That's it.
05:34That's it.
05:35That's it.
05:36That's it.
05:37That's it.
05:38That's it.
05:39That's it.
05:40That's it.
05:41That's it.
05:42That's it.
05:43That's it.
05:44That's it.
05:45That's it.
05:46That's it.
05:47That's it.
05:48That's it.
05:49That's it.
05:50That's it.
05:51That's it.
05:52That's it.
05:53That's it.
05:54That's it.
05:55That's it.
05:56That's it.
05:57That's it.
05:58That's it.
05:59That's it.
06:00That's it.
06:01That's it.
06:02That's it.
06:03That's it.
06:04That's it.
06:05That's it.
06:06That's it.
06:07That's it.
06:08That's it.
06:09That's it.
06:10That's it.
06:11That's it.
06:12That's it.
06:13That's it.
06:14That's it.
06:15That's it.
06:16That's it.
06:17That's it.
06:18That's it.
06:19That's it.
06:20That's it.
06:21That's it.
06:22That's it.
06:23That's it.
06:24That's it.
06:25That's it.
06:26That's it.
06:27That's it.
06:28That's it.
06:29That's it.
06:30That's it.
06:31That's it.
06:32That's it.
06:33That's it.
06:34That's it.
06:35That's it.
06:36That's it.
06:37That's it.
06:38That's it.
06:39That's it.
06:40That's it.
06:41That's it.
06:42That's it.
06:43That's it.
06:44That's it.
06:45That's it.
06:46That's it.
06:47That's it.
06:48That's it.
06:49That's it.
06:50That's it.
06:51That's it.
06:52That's it.
06:53That's it.
06:54That's it.
06:55That's it.
06:56That's it.
06:57That's it.
06:58That's it.
06:59That's it.
07:00That's it.
07:01That's it.
07:02That's it.
07:03That's it.
07:04That's it.
07:05That's it.
07:06That's it.
07:07That's it.
07:08That's it.
07:09That's it.
07:10That's it.
07:11That's it.
07:12That's it.
07:13That's it.
07:14That's it.
07:15That's it.
07:16That's it.
07:17That's it.
07:18That's it.
07:19That's it.
07:20That's it.
07:21That's it.
07:22That's it.
07:23That's it.
07:24That's it.
07:25That's it.
07:26That's it.
07:27That's it.
07:28That's it.
07:29That's it.
07:30That's it.
07:31That's it.
07:32That's it.
07:33That's it.
07:34That's it.
07:35That's it.
07:36That's it.
07:37It's coming to an end.
07:38And you still don't know who you are?
07:39Is your mind losing you?
07:40That's it.
07:41Now tell me why did Juana get you pregnant?
07:42Juana gets pregnant because she loves me.
07:43Well, what if she loves me?
07:44Why don't you want to be with her forever?
07:45What if she loves you to the death?
07:46Juana loves you to the death.
07:47It's obvious what you're doing is messing with me.
07:48Look, Juana's at home.
07:49Why don't you pick her up and that you have an appointment, okay?
07:50I warn you.
07:51You are not going out with the one you love.
07:52I have been patient, but now I'm tired.
07:53Finished?
07:54I've only come to refloat the corporation.
07:57Look at everything I've achieved in a month.
07:59Please, I improve everything I touch.
08:02By the way, I invited you to my party.
08:04Why didn't you go?
08:05It's very easy to improve numbers by voting people.
08:09If it's so easy, why didn't you do it before?
08:11Because I have more decency than you.
08:14Oh, Francesca.
08:16The years not only give you a temperamental turn,
08:19but they've also made you very funny.
08:22Enjoy your brief stay in my corporation,
08:25because you're not going to beat me.
08:27I crushed you before, and I'll do it again.
08:41Oh, Francesca.
08:46When will you realize that your time is over?
08:52Ah!
08:55What are you doing here?
08:56González.
08:58I didn't know you worked here.
09:00I don't work here, this is my business.
09:02Ah, look at you.
09:03Are you going to tell me you didn't know?
09:05Ah, no.
09:06Now you've gone too far.
09:08Do you know how to treat a client?
09:10Because of you, Jimmy didn't graduate.
09:12You know perfectly well all the effort he put in
09:14for you to ruin him with one of your tricks.
09:17Look, I've come to eat in peace.
09:20Some friends recommended me a new business,
09:22food on the way, and I said,
09:23okay, I want to try, see how it is.
09:25I don't believe a single word you say.
09:28Let's see.
09:29What happened to you is gone, okay?
09:31I already turned the page.
09:33I mean, get over me, right?
09:36What do you think, idiot?
09:38Let's see, I'm not going to stand that anymore.
09:39No insults.
09:40You know what? Bring me your book of complaints.
09:42No, no, no, it's not necessary to do that.
09:43Please, you're right.
09:44You have to turn the page.
09:45What?
09:47I'll bring it to you.
09:49Well, if that's the case, then I want a...
09:52Reincidentes con full papa bastante
09:55and to have a malandro bajo en dulce, please.
09:59Don't even think I'm going to cook you.
10:02Can you give us a minute?
10:04What are you doing?
10:06Saving our business.
10:08Well, then I'm going to prepare something delicious for you.
10:11No, no, no, don't push her.
10:13Do you want her to go with yours?
10:15Now that we are on the rise,
10:17this is the last thing we need in bad publicity.
10:26Sit down, please.
10:35What happened?
10:37He saw us in full bazooka,
10:38and the maca told him the good news,
10:40and he exploded.
10:42Sorry, sorry, sorry.
10:44Are you coming with me?
10:45Don't worry, Macarena.
10:46It's going to be fine.
10:47I'll let you know.
10:48Keep me informed.
10:51This way, this way.
11:09What?
11:10How is she going to laugh like that?
11:11It's her mother-in-law.
11:13Sorry, sorry, sorry.
11:44Key?
11:45Hey!
11:46A piston for you, Pecausa.
11:51Hey, he had a piston.
11:53Come here, Pecausa.
11:56And you,
11:57did you put a piston in your engine?
12:07The bill.
12:09It's really delicious, González.
12:11Besides, Liza González is hot.
12:14Did you really like it?
12:16A lot.
12:17And the place is really nice.
12:20I wish you the best.
12:23I'm going to recommend it.
12:25And,
12:26keep the change.
12:29Thank you, again.
12:35I hope he gets a bomb.
12:37What did you put in it?
12:39Nothing, just a few drops of a laxative I had in my wallet.
12:42Honey!
12:43I didn't put anything in it,
12:44but you don't know how much I wanted it.
12:47The good thing is that it's gone and it's not coming back.
12:49Oh, honey,
12:51why are you so naive?
12:53It's going to come back a lot of times.
12:55I'd rather believe it doesn't.
12:58Sorry.
13:03Hello, Cris?
13:06My grandmother?
13:07What happened?
13:09Come back.
13:11I think your daughter didn't fall.
13:14She collapsed because of the emotion before the news.
13:17Joel, she would like me to be with a handsome businessman.
13:20Are you describing me or not?
13:22With money.
13:23Well, I don't have that, I'm missing a little bit, right?
13:28Mom, Mom, here I am.
13:31Hi, Mom.
13:32Hi, hi.
13:33Where am I?
13:35In a clinic.
13:36Don't worry.
13:37Yes, yes.
13:38Yes, but they are so perfect.
13:40Everything is fine.
13:41He fell.
13:42He fell to the floor.
13:43Oh, get me that bug.
13:46Get me that bug out of here.
13:49Oh, the bug is not you.
13:52Oh, get me out of here.
13:53Oh, my queen.
13:55Oh, yes.
13:56As soon as you can.
13:57How do you feel?
13:58She got sick.
13:59She's talking a little bit about incoherence.
14:01What are you doing here?
14:02Diego, please.
14:03Don't worry, don't worry, don't worry.
14:04I'm leaving now.
14:05Rather, Miss, believe it or not,
14:07I wish you a quick recovery.
14:19Girl, what happened?
14:20Why so early?
14:22Problems at work.
14:23Oh, what happened?
14:24Did they fire you?
14:25No, no, no.
14:26Just a complicated day.
14:27The truth is that I don't want to talk, Tere.
14:29Sorry.
14:30Well, keep going.
14:32I think the healthiest thing is always to talk
14:34and say what happens to you.
14:36If you shut up about your emotions, you get sick.
14:38Look, if you don't want to talk to me,
14:40that's your problem.
14:41I was giving him this little man to lean on,
14:43but of course, she thinks I'm not at her level.
14:51Oh, oh, oh, oh, oh.
14:53He's having a heart attack.
14:54Call the doctor.
14:55Oh, oh, oh, oh.
14:57It's not that bad, either.
15:00Mom, you scared me.
15:02And the scare you've given me?
15:05You see how you put it?
15:06Do you want to kill her?
15:08I'm very sorry that the news put you like this,
15:11but I'm not going to hide my love for Joel
15:13just because of your prejudices.
15:15Oh, no, no, no, no, no, no.
15:16This is a nightmare.
15:17Oh, my God.
15:19With so many fine and handsome men,
15:22you just have to look at the most
15:25of all.
15:27I've told you a thousand times, Mom,
15:28but you don't understand.
15:30You leave that building right now.
15:33What if I don't?
15:34You already disinherited me.
15:35What else are you going to do to me?
15:36I'll disinherit you again.
15:38Mom, you can't do that.
15:40Then I'll disinherit you again
15:42and I'll disinherit you again.
15:44Don't worry, Mom.
15:45Maybe she doesn't last long
15:46the lovers.
15:49Oh.
15:50Shh.
15:51Oh.
16:21Mm, y yo a ti, ratoncita.
16:26Al menos hay alguien
16:27que deja en alto
16:29el apellido de la familia.
16:33Si supiera.
16:36Shh.
16:39Gilguerito,
16:40qué cosita quieres que te prepare
16:42por el día de tu cumpleaños.
16:46What do you want?
16:49Oh, but who didn't chew it?
16:54For me, everything is fine.
17:01I know, you want me to prepare your favorite food, right? Is it okay?
17:09As long as everyone likes it.
17:15Of course they will like it. Who will come?
17:19Let's make a list, what do you think?
17:21Can you give me this sheet?
17:23Let's see...
17:24Teresita...
17:28Gaspar...
17:31Junior...
17:44Junior...
18:00Macarena, did you bring my wallet?
18:04Yes.
18:10Here it is.
18:11Come out, come out, I need to make a call.
18:14To whom?
18:16Don't you care?
18:19Well...
18:42Hello?
18:44Joel González disappears.
18:50Hello, Mrs. Antonia.
18:53You owe me.
18:55You told me you were going to take care of Macarena and you failed me.
19:00This is your chance to turn around.
19:03Let's see, let's see, let's see, I can't do that.
19:06Oh, well, if you don't want to get your beautiful hands dirty,
19:11let your low-income friends do it.
19:15But, Mrs. Antonia, why don't you leave the clinic, recover,
19:20and then we'll talk to you more calmly.
19:23Because I don't want to talk!
19:26I want you to disappear, you understand?
19:28Disappear, that ugly bug, that insect,
19:33I don't want to see it anymore, I want it to disappear.
19:36To disappear, I don't want to see it anymore,
19:40I don't want to see it anymore.
19:42I want it to disappear, to disappear.
19:45I'm going to call your daughter and ask her to pay you.
19:47Please.
19:48I don't want to see it.
19:49That's enough, just disappear.
19:52Get that bug out of here.
19:55That bug.
20:03You're playing bingo. Focus on the job.
20:06Great!
20:07Coki!
20:10Coki, I have a gift for you in case you want to remember old times.
20:13No, no, no, very tempting, but no, just a little past.
20:17Did you crash into the car?
20:18No, no, no, I never crashed.
20:20Hey Joel, your mother-in-law called me to convince you to leave Macarena.
20:27No, that aunt is without a daughter.
20:29Well, you have to talk to her.
20:30Convince her that with you her daughter is very happy, that they are one for the other.
20:35Well, if she doesn't like it, don't give her the photo, right?
20:38Well, but it's not that simple.
20:39And why?
20:40Because she is the mother of your flaca.
20:42Mother-in-law, you say?
20:44Mother-in-law.
20:45No, that's what you want, to have her worried all the time.
20:48Look, if you allow me, according to my experience,
20:50I do not recommend you to be bad with your mother-in-law at all, daddy.
20:53For nothing.
20:54I mean, I have to grab Grandma the Titanic by the ass.
20:57So much so.
20:58That seems to me the most sensible thing.
20:59Hey, and since I'm here, how about a hug, just like the kids have?
21:04Hey, hey, hey.
21:05Good, good.
21:06Good, good.
21:07Good, good.
21:08Good, good.
21:09Good, good.
21:10Good, good, good.
21:11Good, good.
21:12Good, good.
21:13Let's go.
21:15I don't know.
21:41Oh, Maximiliano.
21:45I'm sorry.
21:59I know you're upset.
22:01That what I did to you is unforgivable.
22:03But I really didn't mean to hurt you.
22:05I'm really sorry.
22:07I can't change the past.
22:09What I can tell you is that
22:11I love Tito.
22:13He's the man of my life.
22:25Maximiliano, if you want to talk
22:27we can meet.
22:29But please
22:31don't text me.
22:33I don't want any problems with Tito.
22:43Hey, hey, hey.
22:45A hug, just like I remembered.
22:47Sit, sit, sit.
22:49Sir.
22:51Sir, is your car ready?
22:53Yes, yes.
22:55Leave it here.
22:57Joel, don't forget
22:59what we talked about.
23:01Yes, yes, don't worry.
23:03I'll think about how to win
23:05the grandma of the titan.
23:07I already know how to do it.
23:09Although I just need
23:11to get the costume.
23:15I already know who's going to help me.
23:17My cause is Jerry and Marcelo.
23:21Capar!
23:23You're in charge of the ship.
23:25As always.
23:45I thought a double coffee
23:47could help.
23:51How are you?
23:55Here, feeling like a 50-year-old.
23:57How exaggerated.
23:59To have hung out until 6 in the morning
24:01is whole.
24:03Some friends don't last until 2.
24:07It's just that
24:09I've always had
24:11good patience.
24:15I can tell.
24:21I hope you like it
24:23strong.
24:29Miss Zapaial,
24:31what do you think if...
24:33Tell me, Mr. De La Casa.
24:35Miguel Ignacio.
24:37Are you going to have lunch?
24:39No, I was going to go home.
24:41Why don't we support my sister?
24:43She says there aren't many people.
24:45Well,
24:47everything for the niece.
24:53Let's go.
25:03Vampirinma did it.
25:11Are you going out?
25:13Teresa, you scared me.
25:15Yes, I have some things to do.
25:17I'll go with you.
25:18No, no, don't worry. It's not necessary.
25:20I'll go with you.
25:21No, I'm going alone, but I won't be long. I'll be right back.
25:24Bye.
25:33VAMPIRINMA
25:42And where did you get this lame concept?
25:49Don't tell me anything.
25:55How can it be?
25:58That girl is the neighbor, right? Your ex?
26:00Yes.
26:01And that boy?
26:04Is he in love?
26:06What's his name?
26:07Salvador Ocampo.
26:10He's a jerk who, before being with Yuli, was trying to go out with my sister.
26:16Did you want to come here to see your ex?
26:19No, Miguel Ignacio. I had no idea they were here.
26:22Better go.
26:23What? No.
26:24And meet some losers? Never.
26:27I don't want to eat while I see their faces.
26:29What are you laughing at?
26:32As if they told you a joke.
26:34What?
26:35Laugh.
26:37Laugh.
26:40That's good!
27:00Ha!
27:01Ha!
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29:08We are proud of all our customs.
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30:13Barbon.
30:14Barbon.
30:15Barbon.
30:16Barbon.
30:17Barbon.
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33:00Barbon.
33:01Barbon.
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33:03Barbon.
33:04Barbon.
33:05Barbon.
33:06Barbon.
33:07I'm going to take you for a ride, okay?
33:14I'm sorry, I don't understand him.
33:17He doesn't speak clearly.
33:27I'm going to take you for a ride, okay?
33:30I'm going to take you for a ride, okay?
33:37I'm going to take you for a ride, okay?
33:40I'm going to take you for a ride, okay?
33:49I'm going to take you for a ride, okay?
33:52Don't make me a dead weight.
33:55Today you are going to know the life and work of your son-in-law.
34:01Juan González, the legend.
34:05And for the CIA.
34:14So, how was it? Did you like it?
34:16Spectacular, niece. I liked it so much that I'm going to buy you ten presitos to take.
34:20Oh, thank you, uncle. The truth is that lately not many people came, but today we have been full.
34:25So we are super happy. Little by little.
34:27No, little by little. You always have to think big.
34:30The small steps are important, but never forget your final vision.
34:34Congratulations, brother.
34:40Bye, uncle.
34:42Bye. Thanks for coming.
34:44Everything was very good.
34:45Oh, I'm glad.
34:47Bye.
34:49Enjoy.
34:50See you later.
34:53Aha!
34:58I'll leave it like this.
35:10I'm going to show you that the maca has won the lottery with me.
35:17I'm a hardworking boy.
35:19I'm an entrepreneur.
35:20I'm funny.
35:21I'm a family man. Do you understand?
35:23Of course, you don't know me.
35:26And in fact, you would say that they are not.
35:28You would say that they are not.
35:29Because I'm like an old lady like you, right?
35:32Well, I'm going to show you. You will realize.
35:45And my mom?
35:48Nurse!
35:51Is something wrong?
35:52My mom is not here.
35:53That's weird. She didn't have any image test scheduled.
35:56It must have been a miscalculation.
35:58Something worse.
35:59No, miss. I left her with a doctor.
36:01Ah, Dr. Elias.
36:03No, Dr. Pipilitonga.
36:06I don't know him.
36:07I think it's new. I hadn't seen him before either.
36:10I'm going to ask.
36:11Wait, wait, wait.
36:13Wait, wait.
36:14Don't you know his name?
36:16Pipilitonga.
36:19Oh no.
36:21Oh no. I have a terrible feeling.
36:26They stole my mom!
36:35How has your mom been?
36:37She had a nervous breakdown.
36:39They had to sedate her.
36:42But it's nothing serious.
36:45It's vibrating.
36:50Macarena?
36:52Hello?
36:56What do you mean Dr. Pipilitonga is my mom?
37:02That's terrible, isn't it?
37:05Ay, ay, ay.
37:07As you can see.
37:08What you see here is my mechanical workshop.
37:12The legend.
37:14The best mechanical workshop in Peru.
37:16And in all of Latin America.
37:18You don't believe me?
37:19You'll see.
37:20With everything I've learned.
37:21With everything I've seen in China.
37:22With all the robotics.
37:23The artificial intelligence.
37:24All that stuff.
37:25We're going up.
37:26We're going up.
37:27The satellite.
37:28Up.
37:29We're going up.
37:30As you can see.
37:31All this has been created with my dedication.
37:34With my own effort.
37:36My cat.
37:37How are you?
37:39He's my partner.
37:40My partner.
37:41How are you?
37:42Yes, Gaspar Goyoneche.
37:43Gaspar Goyoneche?
37:44There, there.
37:46Gaspar?
37:47He's Gaspar, yes.
37:49What's wrong with your mother-in-law?
37:50No, no, no.
37:51I'm showing her what my life is like.
37:53To get her in my pocket.
37:54No, it's fine.
37:55But right now, right now.
37:56What's wrong with her?
37:57What's wrong with her?
37:58No, she's fine.
37:59She's fine.
38:00Besides, she's very peppy.
38:01More peppy than her ears.
38:04I think she's lacking energy.
38:06She's lacking energy.
38:07That's it.
38:12I think it's working.
38:13Give her a little more.
38:14Give her a little more.
38:15Yes, yes, yes.
38:16So she can feel energy.
38:17Feel, feel, feel.
38:2217 people.
38:23It's good, right?
38:24We're the best team.
38:28Look, more customers are coming.
38:41They're not customers.
38:42That's how I want to find you, González.
38:44No!
38:45No!
38:46No!
38:47No!
38:48No!
38:49No!
38:50No!
38:51No!
38:52No!
38:53No!
38:54No!
38:55No!
38:56No!
38:57No!
38:58No!
38:59No!
39:00No!
39:01No!
39:02No!
39:03No!
39:04No!
39:05No!
39:06No!
39:07No!
39:08No!
39:09No!
39:11This is so you don't mess with my princess again.
39:16Now we're even.
39:19We weren't even?
39:21Don't make me forget what your family did to us.
39:24What are you talking about?
39:26Look, look, don't pretend you don't know.
39:28Please, Escuálida.
39:31Our attack was a success, daddy.
39:33Now let's go.
39:34Yes, let's go.
39:35This is not going to end like this!
39:40My beautiful princess!
39:48This is horrible!
39:50This is horrible!
39:54What are you doing?
40:06Nothing, she's not reacting.
40:08She's definitely drunk.
40:10Look at her mouth.
40:12She's thirsty.
40:13She's thirsty, right?
40:14Play with your soda.
40:17Calm down.
40:19Everything's fine.
40:21Water, water.
40:22A little bit, a little bit.
40:24A little bit, a little bit.
40:26A little bit.
40:27A little bit.
40:28A little bit.
40:29Nothing, nothing.
40:30Nothing.
40:33What if we do a show to cheer her up?
40:37That's it.
40:41Here we go!
40:46Once upon a time there was a man,
40:48a real man,
40:50who with his kindness and affection
40:53managed to win over a queen.
40:56The maca.
40:57That's right.
40:58The maca.
40:59It's your daughter.
41:00I'm beautiful, I have sparkles.
41:02Yes.
41:03I'm a businessman and a singer.
41:05I make your daughter happy.
41:07While I show you the twist.
41:09The twist, twist, twist, twist, twist, twist, twist.
41:12The twist, twist, twist, twist, twist, twist, twist.
41:16Listen to me, please.
41:18Listen, listen.
41:19I tell you from the bottom of my heart.
41:21You don't know this soul
41:23that you're going to live for eternity.
41:26Ma'am, I'm also going to tell you
41:28with a lot of heart.
41:30Accept what you have.
41:32There's nothing else.
41:33Please.
41:35Tell me.
41:36Accept it, ma'am.
41:37Accept it now.
41:38Accept it, ma'am.
41:39That's what you'll do.
41:40Accept it, ma'am.
41:41Accept it, ma'am.
41:42It's going to be incredible.
41:44Accept it, accept it, accept it, accept it.
41:46Accept it, accept it, accept it, accept it.
41:48Accept it, accept it, accept it.
41:49Enough!
41:51Did it accept you?
41:52No!
41:53Change of strategy.
41:54Chica, chica, chica!
41:56Chica, chica, chica!
41:58Chica, chica, chica!
42:00Chica, chica, chica!
42:03Chica, chica, chica!
42:14But she took so long!
42:16I don't wanna think about Lorena.
42:19I'd hate if she ruined the moment!
42:21She took too long to think about Tito!
42:24But for the love of God, what happened to you?
42:28Your ex, who else?
42:30I don't know why, in his twisted mind, he thought we should be broken.
42:36Exactly, why would he have to take revenge twice?
42:39Maybe because of the bucket that Maripaz and I threw at him.
42:45When you were traveling, I took revenge.
42:49Oh no, Teres!
42:50But girl, what were you going to do? That skinny girl was making fun of my nephew.
42:54No, aunt, violence is not answered with more violence.
42:57Who says?
42:59So what do we do? Let's go and paint his house's facade.
43:02Let's go right now.
43:03I'll help you.
43:04No, no, no, no, no.
43:06We have to stop this here, because if not, it will continue forever.
43:11I hate to say it, but my little lady in love is right.
43:14If she's not crazy, she could go back to the restaurant and fill all the customers with paint.
43:18Well.
43:21Sorry, I'm calling.
43:22Let me help you.
43:23Oh, my cell phone.
43:27Hello, Maca, I can't talk right now.
43:30What?
43:31No, I'm coming right now.
43:33What happened?
43:34I don't know, a Dr. Pipilitonga kidnapped my grandmother from the clinic.
43:39What?
43:40Oh my God, insecurity is getting worse and worse.
43:45Come on, come on.
43:48Where are we going to stop?
43:54Wait for me.
43:55I'm coming too.
43:59Wait for me.
44:00Wait for me.
44:02Wait for me.
44:04Don't leave me.
44:06The important thing to close this deal is to see the weaknesses of your competitor and use them in your favor.
44:13Are you listening to me?
44:15Yes, Miguel Ignacio, sorry.
44:18Sorry for your ex, right?
44:20I can't get her out of my head.
44:23Winners don't waste time crying for a woman.
44:27They use that anger as fuel to move forward.
44:31Use that energy as your engine.
44:34I try, but it's difficult.
44:38Get to work hard, get your head up and prove to yourself what you're made of.
44:43Women come and go, but your success and legacy is what lasts.
44:49Now go do what you have to do.
44:52Come back when you're ready to work 100%.
44:56Thank you, Miguel Ignacio.
44:58Excuse me.
45:07Trini, investigate a little chef, Salvador Ocampo.
45:14Right now, Miguel Ignacio.
45:19Did they steal the grandmother?
45:22Dr. Pipelique?
45:37And now, welcome to my palace.
45:43This is my hut.
45:45As you can see, everything is very simple and humble.
45:49But the most important thing is the wealth of the family.
45:54This is where we put Jamaica, the dining room.
45:58This is where we put Richie Ray, the food.
46:01And over there, I'm telling you,
46:06what you see over there is the kitchen.
46:08That's where the rich people come out.
46:10It's a beautiful kitchen.
46:13My grandmother too, but she's not here.
46:16Now I'm going to make you the express one.
46:23Here is the living room.
46:26The honor room.
46:28Here we also share everything.
46:30We sit there to talk.
46:32And the paintings, which is important.
46:34I'm going to introduce you.
46:36Your promo, your promo.
46:38Here, here, daughter.
46:40My grandmother, my grandmother Nelly.
46:42There she is, my grandmother Nelly Camacho.
46:44There she is, there she is.
46:47This is my grandfather.
46:51His nose, very curious.
46:53And here is Aunt Teres.
46:55She also bathes, right?
46:57Once we also made a painting in La Macarena.
47:00What was it?
47:02Don't get sad.
47:04Ah, it's spicy.
47:06Ah, it's spicy.
47:08Don't worry.
47:10Don't worry.
47:12There it is.
47:14No, don't get mad.
47:16Don't get sentimental.
47:18That's it.
47:20Promo, your painting.
47:22Coming soon.
47:29Do you want anything else, Mr. De Las Casas?
47:33Actually, I want several things, Miss Zapayal.
47:37Oh yeah?
47:39Like what, for example?
47:44A candy?
47:46I've been reading that the candy helps alleviate the symptoms of hangover.
47:52It seems that sugar can level glucose in the blood.
47:57Then make an extra large portion of chocolate cake.
48:03Miss Zapayal.
48:06Do you like anything else?
48:09I wanted to thank you.
48:12For being aware of me, both at work and personally.
48:16You are doing a great job.
48:19I do it because I was born.
48:22I admire you very much, Mr. De Las Casas.
48:27I'm glad to know that I was not wrong to hire you.
48:33I'm going for your dessert.
48:35And if you bring two?
48:38Yes.
49:01And this is our vast and blessed distribution patio.
49:07Do we have our things?
49:09And with Linda.
49:11With the rooms.
49:13Here, Gaspar and Teri.
49:16There she sleeps.
49:18And other things.
49:20Here, Lorena and Tito.
49:23Yes, the bathroom.
49:27Here, the grandfather.
49:30And here, this is my room.
49:33This is my room.
49:35Yes, yes, there is a companion sometimes.
49:37Maca, maca.
49:39And our little things, right?
49:41It's nice, right?
49:43And when I have a ticket.
49:45I'm thinking here in the center.
49:48Put a pool.
49:50A pool with an angel like that.
49:52Or throwing water.
49:54How about?
49:56Elegance or not?
49:58Do we have ours or not?
49:59That yes.
50:01There are four rooms and there is only one bathroom.
50:03There we share.
50:05Do you want to know?
50:07I know you want to know the bathroom.
50:09Here we do our needs.
50:11Our needs.
50:14Let's see what happened.
50:16Touch before entering.
50:19Alone, alone, alone.
50:25Oh my heart.
50:27My heart.
50:29My heart.
50:31What's wrong?
50:33Yes, mom.
50:35Do you want to go or not?
50:38Alone, alone.
50:40Alone.
50:42No, no, no.
50:44Don't, don't, don't.
50:46Maria, what?
50:48Do you want me to kick you?
50:50Don't ask.
50:55Juanita, how beautiful you are.
50:57Hey, can you make me that coffee that I liked so much?
51:00I don't have time now.
51:02I'm sorry.
51:04Give me clothes in a moment.
51:06Don't be bad.
51:08It will only take you a few minutes.
51:10Nothing more.
51:12Don Bruno, with all due respect.
51:14If you want a coffee, ask your secretary.
51:16Yes.
51:18Let's see, a moment.
51:20So that's how things are.
51:23Before you made me those coffees that I liked so much.
51:25And now you don't even have time to greet me.
51:29Where is that special treatment you gave me?
51:33It seems that you only loved me when it was convenient for you.
51:37You got me in a big trouble.
51:41Don Bruno.
51:43I appreciate that you called me.
51:45But as you will understand,
51:47now I am understanding the most of the corporation.
51:50So I have more important things to do.
51:53And what are they?
51:55What are those things?
51:57Take tortillas?
52:00Don Bruno, don't be cool.
52:02I used to give you massages.
52:09Messages.
52:11You wrote me messages.
52:13Not massages.
52:15My God.
52:19How diverse things are.
52:22Miss.
52:23Wake up, miss.
52:26It's a pity that the lawyer is not here.
52:30Quick, move away.
52:33Tito, that's dangerous.
52:36You don't know how to do it.
52:38And you know how to do it?
52:40Well, that's it, leave the agony in front of the door of hell
52:42and ring the bell and run away.
52:44Get in, get in, get in.
52:46So, are you ready?
52:48Ready.
52:53Nothing.
53:02Nothing.
53:04I knew that your smell would kill someone one day.
53:08Hey, don Gil, don't tell me that.
53:10I have an idea.
53:14If with this it doesn't get up.
53:16Yes, but it doesn't get up with anything.
53:19Come on, come on.
53:24No.
53:26He's gone.
53:28I'm scared.
53:30I'm scared.
53:46My God, there's the mark.
53:48Oh no, what do we do?
53:50We have to act naturally.
53:51We have to act naturally.
53:54Hey, don't kill us.
53:56Don't kill us.
53:58I have to talk to Tito, okay?
54:04I had already forgotten that this is a libertine.
54:07Of course, she comes back early from work,
54:09she talks in secret with her boyfriend,
54:12she comes from shopping and doesn't want to show me
54:14and on top of that, she smells like a man's perfume.
54:19Thank you, Antonia.
54:21Thank you, Antonia.
54:26Thank you, Antonia.
54:31You look so calm there.
54:52You look so calm there.
54:54Thank you, Antonia.
54:56Thank you, Antonia.
54:58Thank you, Antonia.
55:00Thank you, Antonia.
55:02Thank you, Antonia.
55:04Thank you, Antonia.
55:06Thank you, Antonia.
55:08Thank you, Antonia.
55:10Thank you, Antonia.
55:12Thank you, Antonia.
55:14Thank you, Antonia.
55:16Thank you, Antonia.
55:18Thank you, Antonia.