Al Fondo Hay Sitio 12 Capitulo 21 Completo HD Al Fondo Hay Sitio 12 Capitulo 22 Completo HD Al Fondo Hay Sitio 12 Capitulo 23 Completo HD Al Fondo Hay Sitio 12 Capitulo 21 Completo HD Al Fondo Hay Sitio 12 Capitulo 21 Completo HD Al Fondo Hay Sitio 12 Capitulo 21 Completo HD
Category
🎥
Short filmTranscript
00:00Oh
00:23Look a charro como que se me hace conocido de donde
00:31Ah
00:33Pero como puedes preferir estar en esta casa infecta llena de ratas en vez de estar en tu casa linda con jardín con piscina con
00:39agua caliente las 24 horas
00:43Pollo trufado con salsa de champiñones no voy a la brasa con harta papa frita y todas sus cremas
00:52Y en tu casa casi todos tan emparejado
00:54Hmm
00:58Pero me gusta creo que podríamos aprender un montón de ellos
01:02esto es el colmo de reza
01:04Yo me vine volando porque me dijiste que jugar estaba libre porque te juega con algo tan delicado
01:08hay por dios una metidita
01:10Piadosa no es para tanto te advierto tito que yo no voy a dormir contigo si no te tomas su remedio
01:15bueno y yo te advierto que no voy a dormir contigo si no me deja comer lo que me da la gana ya
01:21A ti no te da vergüenza expelar eso que expeles
01:24Su presencia en esta habitación es insostenible
01:28Ay por favor no seas exagerado
01:30Me mueve las cosas
01:32Entras en tu casa
01:34¿Qué le está pasando a todos?
01:36Están así hace unos días
01:38Te bajaré a la luna si me lo pidieras
01:40Yo te daría todo, todo lo que quieras
01:42Haz que te alepe sus uñas
01:44Yo te daría todo, todo lo que quieras
01:48Haz que te alepe sus uñas
01:50Como se pudre este loco
02:14Ay mis aretes los perdimos
02:16Ay ¿Dónde están tus aretes?
02:18Seguramente están en su cuarto ¿No?
02:20¡A tu cuarto!
02:36Oh lindita sigue dormida
02:40Que raro
02:43Debe haber pasado una mala noche
02:47Aprovecharé para ir al bañito
02:49No hay nadie
02:53Ahí vamos
03:00Don Gilberto tenga más cuidado
03:02Perdón no me di cuenta
03:04¿Qué has hecho? ¡Me piso!
03:08Ahora resulta que la culpa es mía
03:10Lo veo y no lo creo
03:12¿Qué cosa es?
03:14¿Piensas que lo he hecho a propósito?
03:21¡No ha sido culpa mía!
03:23Justo ayer me amenazaste diciendo
03:25Que un día de estos la ibas a pisar
03:27Y justamente ¡Qué casualidad!
03:29¡Hoy pasó!
03:31¿Dudas de mí?
03:33¡Sí! ¡Dudo! ¡Dudo!
03:35Últimamente tu paciencia y comprensión
03:37Están dejando mucho que desear
03:40¡Qué más comprensivo quieres que sea!
03:43¡Ella duerme en nuestra habitación!
03:45¡Don Gil! ¡Don Gil! ¡Ni se esfuerce!
03:47¡Porque así son las mujeres!
03:49¡Uno le da la mano y se van hasta el codo!
03:51¿Estás hablando de mí?
03:53¡No me vengas con refrán! ¡Y dime en mi cara las cosas que quieres decir!
03:55¡Yo opino lo mismo que tú Teres!
03:57¡En tu cara! ¡Te lo voy a decir en tu cara delante de tu familia!
03:59Lo que pasa es que Teresita
04:01Quiere poner el retrato de su mamá
04:03Que es así sota el que está afuera en la sala
04:05Encima de nuestro anillo matrimonial
04:07¡No! ¡Pero es que es abusiva Teresa! ¡No te pases!
04:09¡Tú no digas nada mejor!
04:11¡Norena! ¿Sigues con eso?
04:13¿Pueden creer que me está haciendo problema
04:15Por mis inofensivos gases?
04:17¡Pero si es algo natural!
04:19¡Es un suspiro sublime del cuerpo!
04:21¡No tiene nada de malo!
04:23¡Mira! ¿Sabes qué?
04:25¡Ellas son así! ¡Ellas apañan entre ellas!
04:27Tienes razón Gaspar
04:29¡El diablo las crea y ellas se juntan!
04:31¡Miren! ¡Miren!
04:33Yo no sé si es la alienación de los planetas
04:35O que un meteorito va a caer pronto
04:37¡Ustedes están más chinchosas que nunca!
04:39¡Ustedes son las chinchosas!
04:41¡¿Quiénes son las chinchosas?!
04:43¡No me digas nada!
04:45¡No me digas nada!
04:47¡Vamos! ¡Vamos!
04:49¡No me digas nada!
04:51¡No me digas nada!
04:53¿Qué pasa?
04:55¡No puedo creerlo!
04:57¡Mírame!
04:59Es que yo estoy indignada
05:01¡No puede ser!
05:03¡Y eso que no te bombardean todos los días!
05:05Pero soy tuyo
05:07Y tú eres mía
05:23¡Señorita Zapallón!
05:25¡Ay señor de las casas!
05:27¡Qué sorpresa! ¡Buenos días!
05:29¡Buenos días!
05:31¿Va para la corporación?
05:33Sí, para allá voy
05:37Esta vez mi corporación ha sido
05:39uno de los mejores trabajos que he tenido
05:41en mi vida
05:43Lástima que tuvo que salir
05:45tan abruptamente
05:47Sí, pero las cosas no fueron como se las contaron
05:51Eso ya no importa
05:53Permiso
05:55Que tengan un excelente día
06:03¡Hola!
06:05¡Hola!
06:07¡No te preocupes! ¡Ese es mi roche!
06:31¡Hola!
06:33¡Oye! ¡Qué bonita sorpresa!
06:37Nos hemos visto hace 5 minutos
06:39Oye, déjame ser romántica
06:41con mi expresidiario, ¿sí?
06:43¿Qué quiere tu expresidiario?
06:45No sé
06:49No, no, no, no, no
06:51No quiero más problemas como lindo, ¿sí?
06:53Hay que respetar las reglas de la casa
06:55Ah, sí. Oye, estaba pensando
06:57Si alquilamos un departamento
06:59A lo chiquito, como la vez pasada
07:01Sí, eso sería lo máximo
07:03Pero primero tenemos que operar nuestro negocio
07:05Para que sea barato, si no tenemos ingresos
07:07La plata se nos va a ir como agua
07:09Yo sé que es incómodo
07:11dormir con la Juana H en el cuarto
07:13Pero uno no puede estar preguntando todos los días
07:15¡Ya se va! ¡Ya se va!
07:17¡Ya se va! ¡Ay! ¡Me tiene harta!
07:19La novela continuó
07:21¿Y qué me dicen de Tito?
07:23¿Yo estoy mal?
07:25No, hermana, no estás mal tú
07:27No, no, no
07:29Ese hombre con sus miasmas está intoxicando hasta el alma
07:31¿Sí o no?
07:33¿Qué son miasmas?
07:35Olores putrefacto
07:37Ay, mi amor
07:39Tengo miedo que si seguimos aquí
07:41Vamos a terminar como ellos
07:43Ay, que tu cormadera
07:45Ay, chicas
07:47Pero yo estoy bien molesta con el Gaspar
07:49Porque, mira, él me puede decir cualquier cosa
07:51Pero meterse con el hijo
07:53O con los padres, eso no
07:55Porque eso es sagrado
07:57No, no, no, pues eso no
07:59Con respecto a las bombas esas que se tira Tito
08:01Yo también me podría bombardear, ¿o no?
08:03¿Te imaginas? ¡Claro!
08:15¡Hermano!
08:17¡Hermanito!
08:21¡Pensaba que te saltaban más tarde!
08:23No, me caí bien y me saltaron un poquito más temprano
08:25¿Y por qué no me llamaste para recogerte?
08:27Ah, no, que quería darles la sorpresa
08:29¿Ustedes están en un amigo o qué?
08:31Eh...
08:33Eh, bueno, fuera, hermano, Linda parece sargento
08:35¿Ah, sí? ¿La abuelinda? ¡Familia!
08:37Por si acaso están todos peleados
08:39¿Ah, sí? ¿Asegúndate qué?
08:41Eh, crisis de pareja, hermano
08:43¿Habla bien?
08:45Sí, hermanito
08:49¿Volviste?
08:53¡Joder, amor! ¡Joder!
08:55¡Volviste!
08:59¡Ay, Dami! ¡Como te he soñado!
09:01¡Joder!
09:05¿Estás acá? ¿Ya estás acá?
09:07Ya, ya, ya, ya
09:09¿Estás acá?
09:29¿Estás acá?
09:31¿Estás acá?
09:33¿Estás acá?
09:35¿Estás acá?
09:37¿Estás acá?
09:39¿Estás acá?
09:41¿Estás acá?
09:43¿Estás acá?
09:45¿Estás acá?
09:47¿Estás acá?
09:49¿Estás acá?
09:51¿Estás acá?
09:53¿Estás acá?
09:55¿Estás acá?
09:57¿Estás acá?
10:07¡Asu! ¡Cuánta polvo hay acá!
10:17¡Esos vestidos de la Tere!
10:19¡Son bien graciosos!
10:23¿Qué tal si me pruebo uno?
10:25¿Qué me queda?
10:27A ver, ¿cómo es esto?
10:31Acá.
10:41¡A ver! ¡Me quedó!
10:47¡Y!
10:49¡Soy Teresa Covillazos!
10:51¡Ni medidas!
10:53¡Ni medidas! ¡Noventa!
10:55¡Sesenta! ¡Averígualo!
10:59¡Y! ¡Y! ¡Dame tu chocolatito!
11:01¡Y! ¡Y! ¡Dame tu chocolatito!
11:03¡Ñam! ¡Ñam! ¡Ñam! ¡Ñam!
11:05¡Dame tu chocolatito!
11:07¡No te lo voy a dar!
11:09¡Y! ¡Y! ¡Chú! ¡Chú! ¡Chú!
11:11¡Chú! ¡Chú! ¡Chú! ¡Chú! ¡Chú!
11:13¡Chica! ¡Otro perro con ese hueso!
11:15¡Porque aquí ¡Facilito!
11:17¡No te lo vas a llevar!
11:19¡Dame tu chocolate!
11:21Chocolatito.
11:23Frank, I have to go to the restaurant,
11:25but talk to Alessia. She's getting involved.
11:28Why are you exaggerating?
11:35Now you believe me?
11:37Chocolatito.
11:39Frank, chocolate.
11:41Frank, chocolate.
11:43Frank, chocolate.
11:49It's coming.
11:51It's coming.
11:53I need to talk to Alessia.
11:55Can I come in?
11:56Ms. Francesca, up right.
12:03The dressing is going to burn, darling.
12:05It's going to burn, darling.
12:07It's going to burn.
12:11That's how you get the chicken.
12:13I didn't forget that.
12:14Alessia.
12:16I come in peace.
12:21What are you doing living here?
12:23In peace, you said.
12:25Don't tell me you're comfortable in this place.
12:30Francesca, I'll put it this way.
12:33Would you live with a person who is capable of anything
12:36just to destroy the person you love?
12:38I understand your point and I share it.
12:41But your dad already understood that.
12:44He did everything necessary to make up for his mistake.
12:47He would have gotten Jimmy out of jail, but he hates him.
12:49And I can't live with a person who disrespects my partner
12:52and who doesn't accept my decisions.
12:54And if I told you that wouldn't happen again,
12:57would you consider going back home?
12:59No.
13:00Alessia, you're making me uncomfortable.
13:02I don't think so.
13:04Twelve people under the same roof sharing a single bathroom.
13:07No, no, no. One bathroom and one silo.
13:10That, sooner or later, brings complications.
13:14Not even the most beautiful love survives
13:16such a stubborn coexistence.
13:19Maybe what your father needs is to see them together,
13:21see how they love each other.
13:23And he will understand that whatever he does,
13:25he will not be able to do against his love.
13:28Uh...
13:30I don't understand.
13:32Are you offering me to move to the mansion with Jimmy?
13:42I don't know why I smell like taita today.
13:51It's hot.
13:53The important thing is that the skinny dog
13:56is with Alessia.
13:58There he is.
14:00He played with her, bet on her, and won.
14:04We went to look for her in China.
14:07Who does that?
14:09Who goes to China?
14:11Huh?
14:12Nobody.
14:14Good story with a happy ending.
14:23Why don't I do that crazy thing?
14:30That's what I have to do.
14:33I've arrived to China.
14:35I'm not going to get to Tabaco and Chanel.
14:39Are you crazy?
14:41How are we going to live in your house?
14:43Look, I was also crazy at first.
14:45I didn't know what to do.
14:47I didn't know what to do.
14:49Look, I was also crazy at first, yes.
14:52But it's true that my dad has taken an important step.
14:56No, how can you say that?
14:58You've seen how he's treated me all my life.
15:00For him, I'm trash.
15:01And I'm not asking you to put up with more humiliations.
15:04Look, I swear I wouldn't be considering it
15:07if it weren't for Francesca giving me her word.
15:09Do you believe her?
15:11Let's try, okay?
15:13And if we don't feel comfortable, we won't go.
15:16No.
15:18Well, we are in a position to put our conditions.
15:24Well, I could sleep in your room.
15:27And have breakfast in bed.
15:29Use the pool.
15:31Invite Julie and Salvador.
15:34Well, not them, for my brother.
15:37Do you know what scares me?
15:39Your dad.
15:40Whenever we go to work with him,
15:42I don't know how he does it, but he ends up hurting us.
15:44This time he won't be able to, yes.
15:47Besides, it will only be for a few months
15:49until we move to our apartment.
15:52Let's try a few days.
15:53And if we don't feel comfortable,
15:55I'll be the first to tell you that we're going back.
15:57I don't know.
15:59Listen to me, Gaspar.
16:01If you continue with that,
16:02I swear you're going to see me turned into Godzilla.
16:05Yes, of course.
16:06You are Lorena Contreras.
16:08Lady Perfect.
16:09The one who doesn't mess around.
16:11Gilberto.
16:12If my cousin leaves the room,
16:14I'm leaving with her.
16:17Besides, I'm afraid that whatever is happening in this house
16:20will be contagious.
16:21Yes, yes.
16:22You're right, my love.
16:24Well, let's go.
16:26Let's move.
16:27But the first stupid thing your dad did,
16:29let's not go to that house.
16:30Yes, yes, yes.
16:31I promise.
16:33Or maybe like this.
16:36What?
17:00I listen to you.
17:04Why?
17:05My intuition tells me that you had to do with Jimmy's release.
17:10I didn't think it was fair for the boy to spend five years behind bars
17:15for an unfortunate reaction at a time of emotional weakness.
17:21Was that it?
17:22Or were you afraid that the police would go and tell Claudia?
17:30You don't need to buy my silence, Mrs. Francesca.
17:35Like I told you that day,
17:36I'm as confused as you are.
17:39What happened today was a desperate measure.
17:42I wasn't going to betray you.
17:44I know, Coqui.
17:47Why don't you come back home?
17:51Your house?
17:53I'm in a time of change.
17:57You gave us your hand in a horrible moment.
18:00You protected us.
18:02And I want to make up for it.
18:04Or do you want to keep me close so I don't open my mouth?
18:10Both you and Diego and I are in danger.
18:18The loose end of the person who took Claudia's body from the farmhouse
18:26and buried it in my garden is still there.
18:29I don't need to go back to your house to continue investigating and protecting them.
18:34It's true.
18:35I just thought that since Jimmy is moving to my house,
18:39I would like to keep him close.
19:06Did you talk to Alesia?
19:08We had a conversation.
19:10And? What did she say?
19:12She agreed to go back home.
19:14Yes! Yes!
19:16But with Jimmy.
19:19No.
19:22No.
19:25No!
19:27Did you end up with the circus?
19:30No.
19:32No.
19:33Did you end up with the circus?
19:35Because you need to know something else.
19:43Your former butler is back.
19:46Your cognac, Mrs. Francesca.
19:50I don't know what you did to convince her.
19:53But what you did to me was a low.
19:56You blackmailed me.
19:58These are things that one says in a discussion.
20:00It's not for you to take it so literally.
20:03Francesca, you should have consulted it with me.
20:12You'll get used to it.
20:14I hope so.
20:33What's going on?
21:03What's going on?
21:33I don't want to live if it's not with you.
21:36My mouth just wants to kiss you.
21:39My arms just want to hug you.
21:42My life doesn't make sense.
21:45I don't want to live if it's not with you.
21:48My mouth just wants to kiss you.
21:51My arms just want to hug you.
21:59Better like this.
22:00Here I explain everything about my madness of love.
22:04And treasure?
22:06I'll find out later.
22:08There's no time to lose.
22:10Maca, I'm coming for you.
22:30She is an angel who lives on earth.
22:34I don't know.
22:35Hello.
22:36And leaves a mark.
22:38It flies very high like comets.
22:42It lights the fire when it passes.
22:45What can I do to catch her?
22:48I'm not the only one who wants to conquer her.
22:57But you got me a boat to China.
22:59How else are you going to get me a tobacco Chanel?
23:02That does exist, stupid.
23:04Of course it exists.
23:06My best friend is there.
23:08Sign.
23:10Hello Joel.
23:12At least tell me which port I have to leave from.
23:14And don't be too expensive, please.
23:26Maca.
23:30Yes, I'm Maca.
23:35I just got back from Trinidad and Tobago.
23:59Tito, Lorena.
24:01By chance, have you picked up merchandise from the store?
24:04Why do you ask?
24:06We know perfectly well who did it.
24:09Gilberto Collazos, withdraw what you said.
24:12I'm not withdrawing anything.
24:14And just in case, I'm not going to eat salad today.
24:17And just in case, you'll sleep on the couch then.
24:20Can you tell me what this is doing here?
24:23Look, I adore your mom, but she can't be in our room.
24:27Because you do and I don't.
24:29If what I do bothers you so much, why don't you leave my side?
24:33I'm leaving then!
24:35Leave then!
24:59The latest in fashion, first on Falavela.
25:02When I free myself from strong pains, my life flows.
25:06With Apronax, all day, without interruptions.
25:30You can do it too.
25:32Log in to the BSP app and start saving.
25:34Talk, little hand.
25:48It's not just a fragrance.
25:50It's the new collection of Anse's fine fragrances.
25:52They smell luxurious, like a perfume.
25:53Like a perfume.
25:58Welcome, Alicia.
26:00I'm glad you're back home.
26:03Thank you for welcoming me, Francesca.
26:05Better said, for welcoming us.
26:10I also want to thank you both.
26:15But first, I want to share something that I can't get out of my head.
26:20What is it?
26:22Is this a trap?
26:24But this boy is brilliant!
26:26Of course it's a trap!
26:28But don't you realize that he's already found out?
26:35We're both happy to welcome you.
26:38I've known Jimmy since he was a child.
26:41And all the time we lived together, I took great care of him.
26:45Yes, it's true.
26:47He stole a Porsche from me when Kimberly cut me off.
26:50Yes, but why remember that girl, my love?
26:53Yes, no.
26:56I also have a lot of affection for her.
26:59And despite the differences between our families,
27:04I promise you that she won't even feel my presence.
27:08I doubt that, but I think we can have a happy coexistence.
27:13Thank you very much.
27:14Thank you very much, Nonny.
27:17Can I call you Nonny?
27:20When the occasion allows it.
27:25You don't say anything, Dad?
27:27I don't know. Can I talk?
27:34Well, Jimmy.
27:38I know we've had some differences.
27:42Some differences?
27:45Well, several. Several differences.
27:48He put me in jail.
27:50That's a good example.
27:52If it weren't for Koki, I don't know what would have happened to me.
27:56Yes, yes. I imagine you must have had a very bad time in that place.
28:04And believe me, I am very sorry that I was the one responsible for you ending up there.
28:10But I hope that by withdrawing my complaint,
28:14I have been able to amend that mistake
28:17and that all this remains somehow in the past
28:21and we can build a new friendship from here.
28:29You are the man that my daughter has chosen
28:32and I want her to be happy, even if it's with you.
28:40I'm going to make her very happy.
28:44Well, I appreciate everything you've done for my daughter and I believe you.
28:52So, let's start over.
28:59This deserves a toast.
29:01A glass of champagne.
29:03Right away, Mrs. Francesca.
29:04This deserves a toast.
29:06A glass of champagne.
29:08Right away, Mrs. Francesca.
29:10Let's go to the living room.
29:22Maca, what are you doing here?
29:25I had to come back.
29:29But you can't kill my dream like that, Macarena.
29:31What dream?
29:33My dream.
29:35To go and look for you in a boat to Tabaco and Chanel.
29:41To get to the country.
29:43To look for you in all the cities.
29:47And when I can't find you,
29:50I'm about to go back to Peru.
29:54But I find you
29:57on the shore of a beach
29:59on the shore of a beach
30:03of turquoise sea,
30:05white sand
30:07and with my heart in my hand I shout,
30:10Macarena.
30:12And you turn around, very excited,
30:15and you run towards me
30:18and I receive you with open arms
30:23and we hug each other
30:26like best friends, right?
30:30Yes, like friends.
30:33That's it.
30:35Was that your dream?
30:37Yes. Yes, yes. I swear.
30:40Look, in fact,
30:45here I have my compass,
30:47here are my things,
30:49my compass,
30:51my saturns too
30:52and all the experience I have on my trip to China.
30:55Yes, I was going to go there.
31:00Oh, I...
31:02I'm very sorry
31:04to have broken your dream,
31:07but I had to go back to...
31:12to fulfill mine.
31:15Your dream?
31:18What is your dream?
31:23Go back to Las Lomas,
31:27meet you
31:31and tell you, Joel,
31:33that there hasn't been a single day since you went to China,
31:37that I haven't thought about you,
31:41love you from my hand,
31:46look you in the eyes
31:47and tell you that I love you
31:52and that I don't want to miss the opportunity to be happy with you.
32:02Yes, but
32:05there is still the part
32:08where you tell me that
32:11that you love me
32:13and you kiss me
32:14passionately.
32:16Never.
32:45Are you going to leave?
32:47I'm leaving.
32:48Are you going to leave?
32:49I'm leaving.
32:50Are you going to leave?
32:58I'm leaving.
32:59Let's see!
33:00Dare!
33:01We are going to teach you
33:03how we men do things in this house.
33:06And what exactly do we do?
33:08We are going to leave, Don Gil.
33:10Where are we going to leave?
33:11That doesn't matter now.
33:12The important thing is to clean our honor.
33:14Oh, is it about cleaning our honor?
33:17Then let's go!
33:19Right now we are going to make our suitcases.
33:21Yes or no, boys?
33:22Yes!
33:23Thanks for the boys.
33:25But why are you going to do it?
33:26Leave us alone.
33:27Give us that taste.
33:28Don't bother.
33:29Yes, of course.
33:30You stay here quiet,
33:32reflecting on what you are doing with your lives.
33:34There is chicken tamale in case you want to chop something
33:37or rather have the last bite of something delicious prepared with love.
33:41No!
33:42This tamale stays here because it belongs to this house.
33:45Right?
33:49Did you see?
33:50Did you see her arms twist?
33:52Rather, she wants to twist your arm.
33:54No!
33:55She's scared to death.
33:56Why do you think she came to make our suitcases?
33:59Because Olindita knows where my pills are
34:03and also knows how to keep my shirts without getting wrinkled.
34:08None of that, Don Gil.
34:10They want to make the suitcases to keep us by their side.
34:15And they can't imagine a life without us.
34:18That's true.
34:19That's true.
34:21Well, I understand.
34:24Of course not.
34:25And I'm not going to come with your things.
34:26Let them go!
34:27Let them go!
34:28Let them all go!
34:29Because if they go, I'm going to come back.
34:31So...
34:32Enough!
34:34It's over.
34:35She's sick of me.
34:36She's tired of me because of her dance.
34:38There it is.
34:39That's it!
34:40I can't believe this.
34:42He's going to treat me like this.
34:44He's a pig.
34:46He never taught me to respect.
34:48What's wrong with him?
34:50With his Pepe.
34:51With his Pepe.
34:52Let him dance with his Pepe.
35:10I don't know why my girlfriend left me.
35:14But tonight I'm going to ask for forgiveness.
35:20What an incredible love story.
35:22They had to go to the other side of the world to realize that they are one for the other.
35:28Yes.
35:30And I would travel to all the continents for her.
35:33What a beautiful love story.
35:34I congratulate you.
35:36Congratulations!
35:37Congratulations!
35:38Thank you, Francesca.
35:44I would travel to the moon for you.
35:46Well.
35:48Now begins a new stage in their lives.
35:51The coexistence.
35:54Well.
35:55Coexistence for us is easy.
35:57We complement each other very well.
35:58Yes?
35:59Right, honey?
36:00Yes, we are a good couple.
36:01Coexistence!
36:04You told me that Jimmy was going to live here.
36:06Not that they were going to have a marital life.
36:08Diego, you were over-understanding.
36:10Not for me.
36:11I wanted to put an extra mattress in Coqui's room so that Jimmy could sleep there.
36:14Alessia and Jimmy will stay in Alessia's room.
36:17And don't say anything else.
36:19Thank you for your support, Francesca.
36:21For us, coexistence is very important because we have plans.
36:27Plans?
36:28What plans?
36:30Of a business that ...
36:31That I prefer not to comment until it is a reality.
36:34Of course, so that it doesn't come out.
36:37Well.
36:39Francesca and I can advise you.
36:42Thank you very much, dad.
36:43But I prefer to pass the experience and learn from life.
36:47You are very right.
36:49That's right.
36:50You have to make a mistake to learn.
36:53In any case, if you need help, you can count on me.
36:57With me too.
36:5824-7.
37:02Thank you very much.
37:04Both of you.
37:07The couple's room is ready.
37:11You can go to make yourself comfortable, to settle in.
37:14Yes, it's a good idea. Let's go.
37:15Yes, I'm going to the moon with you.
37:18Why don't you take a bottle of champagne to your room?
37:21Seriously? Can I?
37:22No!
37:23Yes!
37:24Of course.
37:26Thank you, Francesca.
37:27Let's go.
37:28I'll take the bucket.
37:36Let's go.
37:42Francesca, what's wrong with you?
37:44You've gone over me olympically.
37:47If I let you do things, you'll lose your daughter forever.
37:50Getting them here in the house,
37:52flirting with that relationship,
37:54is more than I can stand.
37:56You can stand that and more.
37:57Let them be happy.
37:59And I even went to China to look for your daughter.
38:01What more proof of love do you want?
38:03I don't want any proof.
38:05I don't want that love.
38:06I hope my daughter gets better someday.
38:09And that of whining in front of everyone.
38:13Did you whine?
38:14Yes.
38:15Did you whine?
38:16That's insulting.
38:18If I don't do it, you'll get in trouble.
38:19You're worried about me getting in trouble?
38:21And giving wings to that relationship is not a...
38:23It's the right thing.
38:24We must support them.
38:28I don't think we should fire Lucio.
38:30I don't know if Koki will give up
38:32with what to do in the house.
38:36Us, he says.
38:40It's been a while since there's been an us.
38:55I've wanted to do that for a long time.
38:58Oh yeah?
38:59Do it well.
39:01Since when did you have water in your mouth to suck me?
39:04Tell me.
39:05You know how I am.
39:07Since New Year's Eve.
39:08Did you want to kiss me on New Year's Eve?
39:11Why didn't you do it?
39:14Why didn't you do it first?
39:16What's the matter with you?
39:18What's the matter with you?
39:19That you weren't able to take the first step?
39:20I would have done it, but...
39:22I didn't want to waste the night.
39:24Besides, we were having a good time, right?
39:26It was very nice, right?
39:29I loved how you were with me on that trip.
39:32Imagine how it would have been in Tabaco y Chanel.
39:35Another little thing too.
39:37Oh no.
39:38No.
39:39I meant Tito Vago.
39:40What's that?
39:42Where was I?
39:43I meant Tito Vago.
39:44It wasn't Tabaco y Chanel.
39:46I was going to be wrong about the country?
39:48Damn.
39:51Your dream came true.
39:53No, no, no.
39:55Believe me, it's better that way.
40:03How would Pimpinela say?
40:05Forget my face, my name, and turn around!
40:09Is this how we're going to be, Teresa?
40:10Everyone on their side?
40:11Oh, please, don't be a victim.
40:12Don't you want to turn me upside down?
40:14No.
40:15Women always think they're right.
40:18But soon they will realize that it is not so.
40:21You are the ones who tend to realize, ex-Gilguerito.
40:25Ex-Gilguerito?
40:27That's what they told me to tell you.
40:30Does that hurt?
40:32Tell him to get up.
40:33What?
40:34Get up!
40:35Well, this is getting a little extreme.
40:37But it's your fault.
40:38Because you make the worst of us.
40:41If you don't care that we leave the house,
40:43it's okay.
40:44It's okay, we're going to leave.
40:46But let me tell you one thing.
40:48This is what the whole body looks like.
40:50And it will remain in your consciousness
40:52that you did nothing to retain your husbands
40:55and save your marriage.
40:57Oh!
40:58And the Oscar for the best role of victim and manipulator is ...
41:04Tito Lara!
41:06Applause, please.
41:10And apart,
41:11Don Gil, I don't plan to stay one more minute in this house.
41:14This has been an offense to me.
41:16If you offend one, you offend everyone.
41:19I'm leaving with you.
41:22But I will return to tend my little cellar.
41:25Because that little cellar is mine!
41:34My love.
41:38There's something inside of me that tells me
41:41that all this is a trap.
41:45I think everything your dad said
41:47came out of his mouth.
41:50No.
41:51I think he realized his mistakes.
41:54Yes.
41:55And what he's doing,
41:57well, he's scratching his teeth,
41:59is extending a bridge between him and us.
42:04We're not going to fool ourselves.
42:06He hates me.
42:08He always hates me.
42:10But...
42:13I'm going to prove to him that I'm much more than what he says.
42:17My love.
42:19You don't have to prove anything to him, okay?
42:22Just keep being you.
42:24And keep looking at me with that sparkle in your eyes,
42:27like you always do.
42:30I love you.
42:32I love you.
42:35From here...
42:36to China.
42:38And back.
42:39I love you.
42:47Well...
42:49To our reunion in China.
42:52And our new love nest.
42:59Love nest.
43:01In Maldini's house, it's a little hard to believe, right?
43:07That's crazy, right?
43:09Who would have thought we'd be better off here than at my house?
43:13Well, right now you must be making friends with all the couples.
43:18Don't you think?
43:19Yes.
43:20Let's go.
43:25I hope so.
43:27Aren't you going to let us go?
43:29Look, Gaspar.
43:30When they feel our absence,
43:32they're going to beg us to come back,
43:34and then we'll have the last word.
43:37Now that we're homeless,
43:40and I don't have my own winery,
43:43where are we going to sleep?
43:45Look.
43:48How are you, people?
43:49How are you doing?
43:50I see you've been kicked out of the house.
43:53It's a shame, really.
43:54It's a great shame.
43:55Yes, yes, yes.
43:56But it's not a bad thing if you don't come back.
43:58Yes.
43:59Look, I'm going to give you a card.
44:02If you want to ask your spouse for a divorce,
44:05let me know with confidence.
44:07With your permission.
44:16Now you're going to know what's good.
44:18I feel sorry for my dad.
44:20Well, but it was all or nothing.
44:22They thought living with us was a martyrdom.
44:24Now you'll see.
44:25I'm worried about my Gilgueritos.
44:27I hope he doesn't forget to take his pills.
44:29Oh, but look.
44:31They left some letters here.
44:33And it says,
44:34family.
44:36And I, as the matriarch of this house,
44:39I'm going to proceed to read them.
44:41Yes.
44:43I'm going to proceed to read them.
44:45If you want, I'll help you.
44:46No, no, no, no, no, no, no.
44:48Let's see, what does it say here?
44:50I went to Tabaco and Chanela to look for Macarena.
44:53Tell her, ah, par,
44:54that she already knows what she has to do in the workshop.
44:56We'll talk soon.
44:57I love you, Juan.
44:58Juan went on a trip again.
45:00I hope he brings Macarena.
45:02What is Tabaco and Chanela?
45:03How does Tati travel without money?
45:05Let's see.
45:06Let's read the next letter,
45:07which also says family.
45:08And I'm going to read it.
45:10Fine, fine.
45:11Because, as you know,
45:12I am the matriarch of the house.
45:16Tu, bi, du, bi, du, pa, pa.
45:18Ay, tu, bi, du.
45:20Tu, bi, du, bi, pa, pa.
45:21The experience of the house.
45:23Family, I went to live with Alessia
45:26at the house of the Maldini.
45:27What?
45:28Don't worry, I'll be fine.
45:31See you neighbors, I love you, Jimmy.
45:34He went to live with the Maldini.
45:36But they haven't even gotten married.
45:38But my God, now what am I going to tell
45:40what am I going to tell Charo?
45:42Oh my God.
45:43Family.
45:45What?
45:46How?
45:48Macarena.
45:49You went to Tabaco and Chanela.
45:50Where is it?
45:51Yes, where is it?
45:52In the corner?
45:53No, no, no, no, no.
45:54I was just leaving
45:55and we met in the corner, yes.
45:57We met.
45:59But why did you come back, Macarena?
46:01There is the detail and I want to ...
46:03Well, we wanted to tell you, but ...
46:05But first call the family.
46:07Oh, family is a term
46:09that we can no longer use in this house.
46:11What was it, why?
46:12What happened to you?
46:13Love runs out soon.
46:14I thought I had arrived so late.
46:17What was it, sister?
46:18Why so little faith in love?
46:20And your husbands?
46:21My sponge?
46:22No, no, don't talk to me about him, I don't care.
46:24They must be regretting
46:26having left the house.
46:27They left the house?
46:28Yes, never to return.
46:30Yes.
46:31The truth of the matter is that
46:32those people have to reflect
46:34about everything they have done,
46:36about all their actions,
46:37their bad actions.
46:38And surely they will return
46:39asking for forgiveness on their knees.
46:41But my Gilberto is on his knees.
46:43Oh, I hope his pills reach him.
46:51Here we can think where we are going to live.
46:53Think, you said?
46:54Why?
46:55If I thought we could stay here.
46:56No, you can't stay here.
46:57Why not?
46:58It's too much space.
46:59It's a workshop, it doesn't have a room or any of that.
47:01Although.
47:02Although what?
47:03We have an office.
47:05An office that can serve us for that.
47:08Perfect, Gaspar.
47:09We settle down anywhere.
47:11Well, there's no turning back.
47:12It will be our new temporary home.
47:14But first I have to talk to Joel.
47:16But why?
47:17Aren't they partners?
47:18That's why I have to talk to him.
47:20I am Joel's patron.
47:23So I can authorize the use.
47:26There's something else, Mr. Gil.
47:28Gil says it.
47:29There's no turning back.
47:30Let's see.
47:31Also, according to my calculations,
47:33we're only going to spend a night here.
47:35You'll see how tomorrow the girl calls us
47:37asking for forgiveness on her knees.
47:41Let's see.
47:42Sure, right?
47:43Yes.
47:53Are we nervous?
47:55And on top of that you play.
47:56You almost don't bring them champagne.
47:58Why don't you start realizing
48:00that there is nothing you can do
48:02against the love those guys have for each other?
48:04Of course, it's easy for you to say it.
48:05Because for you,
48:06it's as if you had won the lottery.
48:08Do you want to fight?
48:09Do you want to fight?
48:10Let's fight.
48:11Look, I don't care about anything,
48:12not the millions,
48:13not the inheritance,
48:14nothing.
48:15Oh, please.
48:16You don't even believe yourself
48:17what you just said.
48:18Why don't you let us be happy
48:19and try to be happy too?
48:21I am happy.
48:23And I'm going to be happier
48:24when Alexia gives up this madness.
48:33I'm very excited about our business.
48:36But maybe it would be good
48:38to regularize my administration title, right?
48:40To be able to undertake something.
48:42My love, for me,
48:43you have graduated with honors, yes?
48:45You have the necessary knowledge
48:46to run a business.
48:48But now you don't need that card.
48:50Later you will see if you take it out
48:52or maybe if you want to study something else.
48:55I do want to take it out, yes.
48:57At some point I'm going to take that card out
48:59because, I don't know,
49:00I want to give that joy to my mom,
49:02to my family, and to me.
49:05But you are right.
49:07At this moment we have to put all our energies
49:09in making our dream come true.
49:11That's right.
49:12Our idea of the thematic restaurant.
49:14Only the thematic is missing.
49:16That's where your ingenuity and creativity
49:18as an administrator comes in.
49:21I don't think it's a good idea for me to stay here.
49:24Why?
49:28Because your family is divided
49:31and they won't care much about our love story.
49:34No, no, that's not it.
49:36Well, I mean,
49:38It's not a good idea for me to stay here.
49:40Why?
49:43Because...
49:45Because your family is divided and they won't care about our love story.
49:50They won't stop us, you say?
49:52No, it's better that our love flows in the air, in silence.
49:59Without telling the other one yet.
50:02Without telling anything?
50:03Well, step by step.
50:06Step by step.
50:08Give her a kiss.
50:15The important thing is that now you're officially my girlfriend.
50:24Say it out loud so everyone knows I'm with you.
50:26I know, but we haven't been together for a long time.
50:30Now I'm leaving.
50:33Thank you for supporting me and helping me in everything.
50:39Good luck, my love.
50:44Don't you want me to go with you?
50:46I don't know, I'll go with you.
50:48No, no, I think this is something I have to do alone.
50:59I'm tired of living bitterly, of being the bad guy in the movie.
51:03Of carrying hatred and resentment on my shoulders.
51:06I want to live in peace.
51:08You just have to decide to forgive.
51:11If it were up to you, they wouldn't have suspended Julia out of negligence.
51:15Julia?
51:17I forgot about her.
51:20Hello!
51:22Can you help me with my things?
51:25And those suitcases?
51:27I'm moving in with you, Cuchi.
51:31What?
51:32Yes, we've been dating for a long time.
51:35And it's time to live together.
51:38Maybe this way you're going to make me official, right?
51:54Do what you do, don't get married.
51:56Live what we can't.
51:59You're the last of the single Gonzales.