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Short filmTranscript
00:00Oh
00:23Look a charro como que se me hace conocido de donde
00:31Ah
00:33Pero como puedes preferir estar en esta casa infecta llena de ratas en vez de estar en tu casa linda con jardín con piscina
00:39Con agua caliente las 24 horas
00:43Pollo trufado con salsa de champiñones no voy a la brasa con harta papa frita y todas sus cremas
00:52En tu casa casi todos tan emparejado
00:54Hmm
00:58Pero me gusta creo que podríamos aprender un montón de ellos
01:02Esto es el colmo Teresa
01:04Yo me vine volando porque me dijiste que jugar estaba libre porque te juega con algo tan delicado
01:08Ay por dios una metidita
01:10Piadosa no es para tanto te advierto tito que yo no voy a dormir contigo si no te tomas su remedio
01:15Bueno y yo te advierto que no voy a dormir contigo si no me deja comer lo que me da la gana ya
01:20A ti no te da vergüenza expeler eso que expeles
01:24Su presencia en esta habitación es insostenible
01:28Ay por favor no seas exagerado
01:31Me mueve las cosas
01:35¿Qué le está pasando a todos?
01:37Están así hace unos días
01:41Te bajaré a la luna si me lo pidieras
01:44Te daría todo todo lo que quieras
01:48Que tal la especie de uñas
01:50Como se muere este loco
01:54No
02:19Seguramente están en su cuarto no
02:24Oh
02:37Lindita sigue dormida
02:40Que raro
02:43Debe haber pasado una mala noche
02:47Aprovecharé para ir al bañito
02:50No hay nadie
02:51Ahí vamos
02:59Don Gilberto tenga mas cuidado
03:02Perdon, no me di cuenta
03:04¿Qué has hecho?
03:05¡Me piso!
03:08Ahora resulta que la culpa es mía
03:11Lo veo y no lo creo
03:15¿Piensas que lo he hecho a propósito?
03:22It's not my fault!
03:24You just threatened me yesterday saying that one of these days you were going to step on her.
03:28And just what a coincidence! Today it happened!
03:31Do you doubt me?
03:32Yes! I doubt! I doubt!
03:35Lately, your patience and understanding are leaving a lot to be desired.
03:39What more understanding do you want it to be?
03:43She sleeps in our house!
03:45Don Gil, don Gil, don't even try.
03:47Because that's how women are.
03:48One gives her the hand and they go to the elbow.
03:50Are you talking about me?
03:51Good understander, few words, right?
03:52No, don't come to me with a reference and tell me in my face the things you want to say.
03:55I think the same as you, Teres.
03:57Oh, in your face.
03:58I'm going to say it in your face in front of your family.
03:59What happens is that Teresita wants to put the portrait of her mother, who is like that,
04:03who is outside the room, on top of our wedding ring.
04:06No, well, how abusive, Teresa, don't go too far.
04:09Hey, you don't say anything better.
04:11Lorena, is that so?
04:12Can you believe that you are making me a problem for my harmless gases?
04:16It's hard!
04:18But if it's something natural.
04:20It's a sublime sigh from the body, it has nothing wrong.
04:23Look, you know what?
04:25They are like that, they get along with each other.
04:27You're right, Gaspar.
04:28The devil creates them and they get together.
04:30What?
04:31Look, look, look, I don't know if it's the alienation of the planets
04:35or that a meteorite is going to fall soon, but you are more chinchosas than ever.
04:39You are the chinchosas, Diablo.
04:41What?
04:42I'm going to die!
04:44I'm going to die!
04:46I'm going to die!
04:48I'm going to die!
04:50I'm going to die!
04:52What's going on?
04:54Who can see it?
04:56Look at me.
04:58I'm outraged.
05:00It can't be true.
05:02That's why they don't bomb you every day.
05:04Oh no!
05:12Good morning.
05:24Mrs. Zapagal!
05:26Mr. De Las Casas.
05:28What a surprise. Hello.
05:30Good morning.
05:32Are you going to the corporation?
05:34Yes, I'm going there.
05:36Being in the corporation has been one of the best jobs I've had in my life.
05:44It's a shame that it had to come out so abruptly.
05:47Yes, but things didn't go as they were told.
05:52That doesn't matter anymore.
05:54Excuse me.
05:56Have an excellent day.
06:06Dance all night, don't worry, it's my night.
06:12Dance all night, you have to forget the dinner, damn it, and make the hearts happy.
06:20Dance all night, you have to forget the dinner, damn it, and make the hearts happy.
06:31Hi.
06:33Hey, what a nice surprise.
06:37We haven't seen each other in 5 minutes.
06:39Hey, don't be so romantic with my ex-convict.
06:43Who does your ex-convict love?
06:45I don't know.
06:49No, no, no, no, no. I don't want any more problems with Bolinda, ok?
06:52We have to respect the rules of the house.
06:54Oh, yes.
06:55I was thinking, if we rent an apartment, a small one like last time.
07:00Yes, that would be the best, but first we have to pay for our business.
07:04Because even if it's cheap, if we don't have income, the money is going to go like water.
07:08I know it's uncomfortable to sleep with Juana H in the room,
07:12but you can't be asking every day.
07:15She's leaving, she's leaving, she's leaving.
07:18I'm fed up.
07:19The soap opera continues.
07:21And what do they tell me about Tito?
07:23Am I wrong?
07:24No, sister, you are not wrong.
07:27No, no, no.
07:28That man with his myasmas is poisoning his soul.
07:30Yes.
07:31Yes or no?
07:32His myasmas.
07:33What are myasmas?
07:34Rotting smells.
07:36Oh, my love.
07:38I'm afraid that if we continue here, we're going to end up like them.
07:41Oh, that your sister was.
07:45Oh, girls.
07:46But I'm very upset with Gaspar.
07:48Because, look, he can tell me anything.
07:51But messing with the son or with the parents, that's not.
07:54Because that's sacred.
07:55No, no, no, no, no.
07:56Well, that's not.
07:57And with respect to those bombs that Tito throws,
08:01I could also bomb myself or not?
08:03Imagine.
08:04Of course.
08:15Brother!
08:18Good little brother.
08:21I thought they dropped you later.
08:23No, I fell well and they let me go a little earlier.
08:25And why didn't you call me to pick you up?
08:27Oh, no, I just wanted to surprise you.
08:29And are you in a honeymoon or what?
08:32Well, it was the hand.
08:33Linda looks like a sergeant.
08:34Oh yeah?
08:35Grandma Linda?
08:36Family!
08:37Just in case they're all fighting.
08:39Oh yeah?
08:40They are from what?
08:41Couple crisis, brother.
08:42Do I speak well?
08:43Yes, little brother.
08:49You came back.
08:50Of course.
08:54You came back.
08:59Oh, friend.
09:00How I missed you.
09:05What are you doing here?
09:06What are you doing here?
09:07What are you doing here?
09:08What are you doing here?
09:09Are you stupid?
09:23Are you stupid?
09:24Are you stupid?
09:25Are you stupid?
09:26Are you stupid?
09:27Are you stupid?
09:28Are you stupid?
09:29Are you stupid?
09:30Are you stupid?
09:31Are you stupid?
09:32Are you stupid?
09:33Are you stupid?
09:34Are you stupid?
09:35Are you stupid?
09:36Are you stupid?
09:37Are you stupid?
09:38Are you stupid?
09:39Are you stupid?
09:40Are you stupid?
09:41Are you stupid?
09:42Are you stupid?
09:43Are you stupid?
09:44Are you stupid?
09:45Are you stupid?
09:46Are you stupid?
09:47Are you stupid?
09:48Are you stupid?
09:49Are you stupid?
09:50Are you stupid?
09:51Are you stupid?
09:52Are you stupid?
09:53Are you stupid?
09:54Are you stupid?
09:55Are you stupid?
09:56Are you stupid?
09:57Are you stupid?
09:58Are you stupid?
09:59Are you stupid?
10:00Are you stupid?
10:01Are you stupid?
10:02Are you stupid?
10:03Are you stupid?
10:04Are you stupid?
10:05Are you stupid?
10:06Are you stupid?
10:07Are you stupid?
10:08Are you stupid?
10:09Are you stupid?
10:10Are you stupid?
10:11Are you stupid?
10:12Are you stupid?
10:13Are you stupid?
10:14Are you stupid?
10:15Are you stupid?
10:16Are you stupid?
10:17Are you stupid?
10:18Are you stupid?
10:19Are you stupid?
10:20Are you stupid?
10:22What if I try one?
10:24Let's see how it fits me.
10:27Let's see, how is this?
10:31Here.
10:32Here it is.
10:34Here.
10:40Let's see.
10:42It fits me.
10:47And...
10:49I'm Teresa Covillazos.
10:52Tell me.
10:5390, 60?
10:56Find out.
11:00Give me your chocolate.
11:05Give me your chocolate.
11:07No, I'm not going to give it to you.
11:13Another dog with that bone.
11:18You're not going to take it.
11:20Give me your chocolate.
11:23Frank, I have to go to the restaurant, but talk to Alessia.
11:26She's getting involved.
11:28Why do you exaggerate?
11:36Now you believe me.
11:39Give me your chocolate.
11:42I'm going to the restaurant.
11:49It's going.
11:51It's going.
11:53I need to talk to Alessia.
11:55Can I come in?
11:56Mrs. Francesca.
11:58Up right.
12:03The adhesive is going to burn, beautiful.
12:05The adhesive is going to burn.
12:06But what are you going to say?
12:11That's how you get the chicken.
12:13This is not clean.
12:14Hello, Alessia.
12:16I come in peace.
12:19What are you doing living here?
12:21In peace, you said.
12:24Don't tell me you're comfortable in this place.
12:28Francesca, I'll put it to you like this.
12:31You would live with a person who is capable of everything
12:34in order to destroy the person you love.
12:37I understand your point and I share it.
12:40But your dad already understood that.
12:42He did everything necessary to amend his mistake.
12:45He would have gotten Jimmy out of jail, but he hates him.
12:47And I can't live with a person who lacks respect for my partner
12:50and who doesn't accept my decisions.
12:52And if I told you that that wouldn't happen again,
12:54would you consider going back home?
12:56No.
12:58Alessia, you're bothering me.
13:00I don't think so.
13:01Twelve people under the same roof sharing a single bathroom.
13:04No, no, no.
13:05A bathroom and a silo.
13:07That sooner or later brings complications.
13:11Sooner or later brings complications.
13:14Not even the most beautiful love survives such a stubborn coexistence.
13:19Maybe what your father needs is to see them together,
13:21see how they love each other.
13:23And he will understand that whatever he does,
13:25he will not be able to do it against his love.
13:30I don't understand.
13:32Are you offering me to move to the mansion with Jimmy?
13:42I don't know why I smell like Taita, man.
13:51It's hot.
13:55The important thing is that the skinny dog is with Alicia.
14:00There's Tato.
14:01He played with her, bet on her, and won.
14:05We went looking for her to China.
14:07China?
14:09Who does that?
14:10Who goes to China?
14:14Nobody.
14:16A good story with a happy ending.
14:29Why don't I do that madness?
14:37That's what I have to do.
14:40I've arrived to China.
14:42I'm not going to get to Tabaco and Chanel.
14:46Are you crazy?
14:48How are we going to live in your house?
14:50Look, I was also racist at the beginning, okay?
14:53But it's true that my dad has taken an important step.
14:57How can you say that?
14:58You've seen how he's treated me all my life.
15:00For him, I'm garbage.
15:01And I'm not asking you to put up with more humiliations.
15:04Look, I swear I wouldn't be considering it
15:07if it weren't for Francesca giving me her word.
15:09Do you believe her?
15:11Let's try, okay?
15:13And if we don't feel comfortable, we'll leave.
15:16No.
15:18Well, we're in a position to put our conditions.
15:24Well, I could sleep in your room.
15:27And have breakfast in bed, use the pool,
15:31invite Julie and Salvador.
15:34Well, not them, for my brother.
15:37Do you know what scares me?
15:39Your dad.
15:40Whenever we go to work with him, I don't know how he does it,
15:43but he ends up hurting us.
15:44This time he won't be able to, yes.
15:47Besides, it will only be for a few months
15:49until we move to our apartment.
15:52But at least a few days.
15:53And if we don't feel comfortable,
15:55I'll be the first to tell you that we're coming back.
15:57I don't know.
15:59Listen to me, Gaspar.
16:00If you continue with that,
16:01I swear you're going to turn me into a Godzilla.
16:04Yes, of course.
16:06You are Lorena Contreras, the perfect lady,
16:09the one who doesn't mess around.
16:11Gilberto, if my cousin leaves the room,
16:14I'm going with her.
16:17Besides, I'm afraid that whatever's going on in this house
16:20is contagious.
16:21Yes, yes.
16:22You're right, my love.
16:24Well, let's go here, let's move.
16:27The first stupid thing your dad did.
16:29Let's move to that house.
16:30Yes, yes, yes, yes.
16:31Permitted.
16:33Or maybe like this.
16:58I hear you.
17:03Why?
17:04My intuition tells me that you had to do with Jimmy's release.
17:10It didn't seem fair to me that the boy
17:12spent five years behind bars
17:15for an unfortunate reaction at a time of emotional weakness.
17:21Was that it?
17:22Or were you afraid that the police would go and tell them about Claudia?
17:25I'm not afraid of Claudia.
17:32You don't need to buy my silence, Mrs. Francesca.
17:36As I told you that day, I'm as confused as you are.
17:40What happened today was a desperate measure.
17:42I wasn't going to betray you.
17:44I know, Coqui.
17:48Why don't you come back home?
17:52Your house?
17:53I'm in a time of change.
17:57You gave us your hand in a horrible moment.
18:00You protected us.
18:02And I want to make up for it.
18:04Or do you want to keep me close so I don't open my mouth?
18:10Both you and Diego and I are in danger.
18:14There is still the loose end of the person
18:18who took Claudia's body out of the country house
18:21and buried it in my garden.
18:24I don't need to go back to your house
18:26to continue investigating and protecting you.
18:29It's true.
18:31I just thought that since Jimmy is moving to my house,
18:36I would like to have him close.
18:38I just thought that since Jimmy is moving to my house,
18:42I would like to have him close.
19:09Did you talk to Alesia?
19:11We had a conversation.
19:13And? What did she say?
19:15Did she agree to go back home?
19:17Yes! Yes!
19:20But with Jimmy?
19:22No.
19:25No.
19:28No!
19:30Did you end up with the circus?
19:33Because you need to know something else.
19:35Because you need to know something else.
19:43Your ex-mayor is back.
19:46Your cognac, Mrs. Francesca.
19:51I don't know what you did to convince her,
19:54but what you did to me was a low.
19:56You blackmailed me.
19:58These are things that one says in a discussion.
20:01It's not for you to take it so literally, right?
20:04Francesca, you should have consulted him with me.
20:12He'll get used to it.
20:14I hope so.
20:33He's passing through here.
20:36He arrives and the rumba is going to start.
20:39Everything is going to shake.
20:58In a silly way
21:00You have corresponded to me
21:04My whole body trembles and I feel very cold
21:10If you leave me, I don't want anything anymore
21:16I want the light of your gaze
21:20To feel you every dawn
21:23To be able to tell you everything I feel
21:27To be able to tell you everything I feel
21:31My life has no meaning
21:33I don't want to live if it's not with you
21:36My mouth just wants to kiss you
21:38My arms just want to hug you
21:41My life has no meaning
21:44I don't want to live if it's not with you
21:48My mouth just wants to kiss you
21:50My arms just want to hug you
21:57Better this way. Here I explain everything about my love madness.
22:03And the treasure?
22:06I'll find out later. There's no time to lose.
22:10Maca, I'm coming for you.
22:28The most beautiful. She is an angel who lives on earth.
22:34I do not know.
22:36And leaves a mark.
22:38It smells very high like the comets.
22:42It lights the fire when it passes.
22:45What can I do to catch her?
22:48I'm not the only one who wants to conquer her.
22:52The most beautiful.
22:55But you got me a boat to China.
22:58How are you not going to get me one to Tabaco Chanel?
23:01That does exist, stupid. Of course it exists.
23:04Let's see, let's see, let's see.
23:06My best friend is there.
23:08Sign.
23:10Hi Joel.
23:12At least tell me which port I have to leave from.
23:14And don't be too expensive, please.
23:16I can get confused and lose my mind.
23:19Dream that I'm happy but when I wake up I remember again.
23:26Maca.
23:30Yes, I'm Maca.
23:35I just got back from Trinidad and Tobago.
23:39You are different. I love you as you are.
23:43But I know that once again.
23:46It's not enough.
23:51You have to give time to time.
23:54You don't understand.
23:59Tito, Lorena.
24:01By chance, have you picked up merchandise from the store?
24:04Why do you ask them?
24:06We know perfectly well who did it.
24:09Gilberto Collazos, withdraw what you said.
24:12I'm not withdrawing anything.
24:13And just in case, I'm not going to eat salad today.
24:16And just in case, you will sleep on the sofa then.
24:19Can you know what this is doing here?
24:23Look, I adore your mom, but she can't be in our room.
24:26Because you do and I don't.
24:28I'm fed up.
24:30If what I do bothers you so much, why don't you leave my side?
24:33I'm leaving.
24:35Go away.
24:44One, two, three.
24:57One, two, three.
25:14My life flows.
25:16With Apronax all day.
25:18No interruptions.
25:22Good with the business, Jimmy.
25:24How did you do it?
25:26Easy, bro.
25:28With Guardaditos.
25:30The virtual VSP wallet.
25:32Automatic savings for my motorcycle.
25:34You can do it too.
25:36Enter the VSP app and start saving.
25:38Talk, bro.
25:40VSP
25:48It's not just a fragrance.
25:50It's the new collection of Ancestral Fragrances.
25:53They smell luxurious like a perfume.
25:58Welcome, Alicia.
26:00I'm glad you're back home.
26:03Thank you for welcoming me, Francesca.
26:05Better said, for welcoming us.
26:08I also want to thank you both.
26:14But first I want to share something that I can't get out of my head.
26:21Is this a trap?
26:23But this boy is brilliant.
26:25Of course it's a trap.
26:27But don't you realize that he has already discovered this?
26:29Don't you realize that he has already discovered this?
26:35We are both happy to welcome you.
26:38I've known Jimmy since he was a child.
26:41And all the time we lived together, I took great care of him.
26:45Yes, it's true.
26:47He gave me a Porsche when Kimberly cut me off.
26:50Yes, but why remember that girl, my love?
26:53Yes, no.
26:55I also have a lot of affection for her.
27:00And despite the differences between our families,
27:04I promise you that you won't even feel my presence.
27:08I doubt that, but I think we can get to have a happy coexistence.
27:13Thank you very much, Nonny.
27:17Can I call you Nonny?
27:19When the occasion allows it.
27:25You don't say anything, Dad?
27:27I don't know. Can I talk?
27:34Well, Jimmy.
27:38I know we've had some differences.
27:42Some differences?
27:45Well, several. Several differences.
27:48He put me in jail.
27:50That's a good example.
27:51If it weren't for Koki, I don't know what would have happened to me.
27:55Yes, yes.
27:57I imagine you must have had a very bad time in that place.
28:03And believe me, I am very sorry that I was responsible for you ending up there.
28:09But I hope that by withdrawing my complaint,
28:13I was able to amend that mistake.
28:16And that all this
28:18remains somehow in the past and we can build a new friendship from here.
28:28You are the man that my daughter has chosen.
28:32And I want her to be happy.
28:35Even if it's with you.
28:44I'm going to make her very happy.
28:46Very happy.
28:49Well.
28:51I appreciate everything you've done for my daughter and I believe you.
28:56So, let's start over.
29:04This deserves a toast.
29:06A glass of champagne.
29:08Right away, Mrs. French.
29:10Let's go to the living room.
29:16To the living room.
29:22Maca, what are you doing here?
29:25I had to come back.
29:29But you can't kill my dream like that, Macarena.
29:33What dream?
29:35My dream.
29:37To go looking for you in a boat to Tabaco and Chanel.
29:42To get to the country.
29:45To look for you in all the cities.
29:48And when they don't give me a reason for you,
29:52I'm about to go back to Peru.
29:55But I find you
29:59on the shores of a beach
30:02of turquoise sea,
30:05white sand
30:07and with my heart in my hand I shout,
30:09Macarena.
30:12And you turn around, very excited,
30:16and you run towards me
30:19and I receive you with open arms
30:23and we give each other a big hug
30:26like...
30:28like best friends, right?
30:31Yes, like friends.
30:33That's it.
30:36Was that your dream?
30:37Yes, yes.
30:39I swear.
30:45Here I have my compass,
30:48my things,
30:50my compass,
30:52my satchels too
30:54and all the experience I have in China.
30:57Yes, I was going to go there.
31:01Oh, I'm...
31:03I'm very sorry
31:04for breaking your dream.
31:07But I had to go back to...
31:12to fulfill mine.
31:15Your dream?
31:18What is your dream?
31:23Go back to the hills,
31:27meet you
31:28talk to you
31:32tell you, Joel, that there hasn't been a single day since you left to China
31:38that I haven't thought of you
31:42take you by the hand
31:47look you in the eyes
31:51tell you that I love you
31:53and that I don't want to miss the opportunity to be happy with you.
32:03Yes, but...
32:06there's still the part
32:09where you tell me that...
32:12that you love me
32:14and you kiss me
32:16passionately.
32:18Never.
32:22Never.
32:45Are you leaving?
32:47I'm leaving.
32:48Are you leaving?
32:49I'm leaving.
32:50Are you leaving?
32:52I'm leaving.
32:58I'm leaving.
32:59Let's see!
33:00Dare!
33:01We're going to teach you
33:03how we men do things in this house.
33:06And what exactly do we do?
33:08We're going to leave, Don Gil.
33:10Where are we going to go?
33:11That doesn't matter now!
33:12What matters is to clean our honor!
33:15Oh, so it's about cleaning our honor?
33:17Then let's go!
33:19Right now, we're going to pack our bags.
33:21Right, guys?
33:22Yes!
33:23Thank you, guys.
33:24That's right.
33:25But why are you going to do it?
33:26Leave us alone.
33:27Give us that pleasure.
33:28Don't bother.
33:29Yes, of course!
33:30You guys stay here, calm,
33:31reflecting on what you're doing with your lives.
33:34There's chicken tamale in case you want to bite something.
33:37Or rather, have the last bite of something delicious prepared with love!
33:42No, this tamale stays here because it belongs to this house!
33:46Right?
33:47Ha, ha, ha.
33:50Did you see that?
33:51They already twisted their arms.
33:53They want to twist your arm.
33:55No, they're scared to death.
33:57Why do you think they came to pack our bags?
34:00Because Olindita knows where my pills are.
34:03And she also knows how to keep my shirts without them getting ruined.
34:08None of that, Don Gil.
34:10They want to pack our bags to keep us by their side.
34:14Don Gil, can't you imagine a life without us?
34:19That's true.
34:20That's true.
34:22Well, I understand.
34:25What's wrong with you?
34:26You're not going to sell me your stuff.
34:27Get out!
34:28Get out!
34:29Get out all of you!
34:30Because if you leave, I'm going to throw you back.
34:31So, get out!
34:35It's over!
34:36I'm sick of you!
34:37I'm tired of your dancing!
34:38There it is!
34:39Done!
34:40I can't believe this guy.
34:42He's going to treat me like this.
34:44He's a pig.
34:46He never taught me to respect.
34:48What's wrong with him?
34:50With his Pepe, then.
34:51With his Pepe.
34:52Let him dance with his Pepe.
35:10I don't know why my girlfriend left me.
35:14But tonight I'm going to ask for your hand.
35:20What an incredible love story.
35:22They had to go to the other side of the world
35:24to realize that they are meant for each other.
35:29Yes.
35:30I would travel to all the continents for her.
35:34What a beautiful love story.
35:35I congratulate you.
35:36Congratulations!
35:37Congratulations!
35:38Thank you, Francesca.
35:44I would travel to the moon for you.
35:46Well, now begins a new stage in their lives.
35:50The coexistence.
35:54Well, coexistence for us is easy.
35:57We complement each other very well.
35:58Yes?
35:59Right, honey?
36:00Yes, we are a good couple.
36:01Coexistence!
36:04You told me that Jimmy was going to live here.
36:06Not that they were going to have a marital life.
36:08Dios, I was over-understanding.
36:10Not for me.
36:11I wanted to put an extra mattress in Coqui's room
36:13so that Jimmy could sleep there.
36:14Alessia and Jimmy will stay in Alessia's room
36:17and no more is said.
36:20Thank you for your support, Francesca.
36:22For us, coexistence is very important
36:24because we have plans.
36:27Plans?
36:28What plans?
36:30Of a business that...
36:31That I prefer not to comment until it is a reality.
36:34Of course, so that it doesn't come out.
36:36Uh-huh.
36:38Well, Francesca and I can advise you.
36:43Thank you very much, Dad,
36:44but I prefer to pass the experience and learn from life.
36:47That's right.
36:48You are very right.
36:50That's right.
36:51You have to make a mistake to learn.
36:54In any case, if you need help, you can count on me.
36:57With me too.
36:5924-7.
37:02Thank you very much.
37:05Both of you.
37:07The couple's room is ready.
37:11You can go to get comfortable, settle in.
37:14Yes, it's a good idea. Let's go.
37:16Yes, I'm going to the moon with you.
37:18Why don't you take a bottle of champagne to your room?
37:21Seriously? Can I?
37:23No!
37:24Yes, of course.
37:26Thank you, Francesca.
37:28Let's go.
37:29I'll take the bucket.
37:34Let's go.
37:42Francesca, what's wrong with you?
37:44You've gone over me olympically.
37:47If I let you do things, you'll lose your daughter forever.
37:50Getting them here in the house,
37:52screwing up that relationship,
37:54is more than I can stand.
37:56You can stand that and more.
37:57Let them be happy.
37:59Even China started looking for your daughter.
38:01What more proof of love do you want?
38:03I don't want any proof.
38:05I don't want that love.
38:07I hope my daughter gets better someday.
38:10And that of whining in front of everyone.
38:13Did you whine?
38:14Yes.
38:16You did.
38:17That's insulting.
38:18If I don't do it, you'll get in trouble.
38:20You're worried about me getting in trouble?
38:22And giving wings to that relationship is not a...
38:24It's the right thing.
38:25We must support them.
38:28I don't think we should fire Lucio.
38:31I think he'll give up on doing things in the house.
38:37Us, he says.
38:40It's been a while since there was an us.
38:56It's been a while since I wanted to do that.
38:59Really?
39:00That's good.
39:01Since when did you want to do that?
39:04Tell me.
39:05You know how we are.
39:07Since New Year's.
39:08You wanted to kiss me since New Year's?
39:11Why didn't you do it?
39:14Why didn't I do it first?
39:16You should've done it.
39:18No, you should've done it.
39:19You weren't able to do it first.
39:20I would've done it, but...
39:22I didn't want to do it at night.
39:24Besides, we were having a good time.
39:26It was nice, wasn't it?
39:29I loved how you were with me on that trip.
39:33Can you imagine how it would've been in Tabaco y Chanel?
39:36It would've been something else.
39:38No, no.
39:39I meant Tito Vago.
39:40What's that?
39:42Where was I?
39:43I meant Tito Vago.
39:45It wasn't Tabaco y Chanel.
39:46I was going to be wrong about the country?
39:48Wow.
39:51I made your dream come true.
39:53No, no, no.
39:55Believe me, it's better this way.
40:04What would Pimpinela say?
40:06Forget my face, my name,
40:08and turn around!
40:10Is this how we're going to be, Teresa?
40:11Everyone on their side?
40:12Please, don't play the victim.
40:13Don't make me flip the omelette.
40:15It's nothing.
40:16Women always think they're right.
40:19But soon they'll realize it's not like that.
40:22The ones who have to realize it are you, ex-Gilguerito.
40:26Ex-Gilguerito?
40:28That's what they told me to tell you.
40:30That hurts!
40:32Tell him to get out.
40:33What?
40:34Get out!
40:35This is getting a little extreme,
40:36but it's your fault.
40:38You make the worst of us.
40:41If you don't care that we leave the house,
40:43fine.
40:44Fine, we'll leave.
40:46But let me tell you something.
40:48This is what the whole body looks like.
40:50And it will remain in your consciousness
40:52that you did nothing to retain your husbands
40:55and save your marriage.
40:58And the Oscar for the best role of victim and manipulator is...
41:04Tito Lara!
41:06Applause, please.
41:10Gaspar, Don Gil,
41:12I'm not going to stay one more minute in this house.
41:14This has been an offense to me.
41:16If you offend one, you offend everyone.
41:19I'm leaving with you.
41:22But I'll come back to tend my little cell.
41:25Because that little cell is mine!
41:34Honey.
41:38There's something inside of me that tells me
41:41that all this is a trap.
41:45I think everything your dad said
41:47might be true.
41:50No.
41:51I think he has realized his mistakes.
41:54Yes.
41:55And what he's doing,
41:57well, he's scratching his teeth,
41:59is extending a bridge between him and us.
42:04We're not going to be fooled.
42:07He hates me.
42:08He always hates me.
42:11But...
42:13I'm going to prove to him that I'm much more than what he says.
42:17Honey.
42:19You don't have to prove anything to him, okay?
42:22Just keep being yourself.
42:24And keep looking at me with that sparkle in your eyes,
42:27like you always do.
42:30I love you.
42:32I love you.
42:35From here...
42:36to China.
42:38And back.
42:39Literally.
42:47Well.
42:49To our reunion in China.
42:52And our new love nest.
42:59Love nest.
43:01In the Maldives, it's a little hard to believe, right?
43:07That's crazy, right?
43:09Who would have thought that we would be better off here than in my house?
43:13Well, right now all the couples must be making friends.
43:19You think?
43:20Yes.
43:21Let's go.
43:26I hope.
43:28Aren't you going to let us go?
43:30Look, Gaspar, when they feel our absence,
43:32they're going to beg us to come back,
43:34and then we'll have the last word.
43:37Now that we've been left without a home,
43:41and I without my warehouse,
43:44where are we going to sleep?
43:48Those people, how are they? How are they doing?
43:50I see that they have been thrown out of the house.
43:53It's a shame, really. It's a great shame.
43:56But it's not a bad thing that they don't come back for good.
43:58Yes.
43:59Look, I'm going to give you a card.
44:03If you want to propose the divorce to your wife,
44:06let me know with confidence.
44:08With your permission.
44:11Yes.
44:20Now you will know what is good.
44:22I feel sorry for my daddy.
44:24Well, but it was all or none.
44:26They thought that living with us was a martyrdom.
44:28Now you will see.
44:29I'm worried about my Gilgueritos.
44:31I hope he doesn't forget to take his pills.
44:33Oh, but look.
44:35They left some letters here.
44:37And it says family.
44:40And I, as the matriarch of this house,
44:43I'm going to proceed to read it.
44:45If you want, I'll help you.
44:46No, no, no, no, no, no.
44:48Let's see, what does it say here?
44:50I went to Tabaco and Chanel to look for Macarena.
44:53Tell her, Jepar, that she already knows what she has to do in the workshop.
44:56We'll talk soon. I love you, Juan.
44:58Juan went on a trip again.
45:00I hope he brings Macarena.
45:02What is Tabaco and Chanel?
45:03How does he travel so much and without money?
45:05Let's see, let's read the next letter,
45:07which also says family.
45:09And I'm going to read it.
45:11Because, as you know, I am the matriarch of the house.
45:24Family, I went to live with Alessia at the Maldini house.
45:28What?
45:29Don't worry, I'll be fine.
45:31See you neighbors, I love you, Jimmy.
45:34He went to live with the Maldini?
45:36But they haven't even gotten married.
45:38But my God, now what am I going to tell Charo?
45:42Oh my God.
45:44Family!
45:45What?
45:46How?
45:48Macarena!
45:49You went to Tabaco and Chanel, where is it?
45:51Yes, where is it?
45:52In the corner?
45:53No, no, no, no, no.
45:54I was just leaving and we met in the corner.
45:57We met.
45:59But why did you come back, Macarena?
46:02There is the detail.
46:03We wanted to tell you, but first call the family.
46:07Oh, family is a term that we can no longer use in this house.
46:11What was it? Why? What happened to you?
46:12Love ends soon.
46:14And I thought I had arrived so late.
46:17What was it, sisters?
46:18Why so little faith in love?
46:20And your husbands?
46:21My sponge?
46:22No, no, don't talk to me about him, I don't care.
46:24They must be regretting leaving the house.
46:27They left the house?
46:28Yes, never to return.
46:30Yes, the truth of the matter is that those people have to reflect
46:34on everything they have done, on all their actions, their bad actions.
46:38And surely they will return asking for forgiveness on their knees.
46:41But my Gilberto is on his knees.
46:43Oh, I hope his pills reach him.
46:51Here we can think where we are going to live.
46:53Think, you said?
46:54Why? If I thought we could stay here.
46:56No, you can't stay here.
46:57Why not? It's a waste of time.
46:59It's a workshop, it doesn't have a room or anything like that.
47:01Although...
47:02Although what?
47:03We have an office.
47:05An office that can serve us for that.
47:08Perfect, Gaspar. We settle down anywhere.
47:11Well, there's no turning back.
47:13It will be our new professional home.
47:15But first I have to talk to Joel.
47:16But why?
47:17Because they are partners.
47:18That's why I have to talk to him.
47:21I am Joel's patron.
47:24So I can authorize the use.
47:26There is something else, Mr. Gil.
47:28Mr. Gil says it.
47:29There is no turning back.
47:30Let's see.
47:31Also, according to my calculations, we are only going to spend a night here.
47:35You will see how tomorrow the girl calls us asking for forgiveness on her knees.
47:41Let's see.
47:43Sure, right?
47:44Yes.
47:45Let's see.
47:54We are nervous.
47:56And on top of that, you play.
47:57That's why you don't bring them champagne.
47:58Why don't you start realizing that there is nothing you can do against the love that those guys have?
48:04Of course, it's easy for you to say.
48:06Because for you it's like you've won the lottery.
48:08Do you want to fight?
48:09Do you want to fight?
48:10Let's see, let's fight.
48:11Look, I don't care about anything.
48:12Not the millions, not the inheritance, not anything.
48:14And please, you don't even believe what you just said.
48:17Why don't you let yourself be happy and try to be happy too?
48:21I am happy.
48:22And I'm going to be happier when Alicia gives up this madness.
48:35I am very excited about our business.
48:39But suddenly it would be good to regularize my administration title, right?
48:43To be able to undertake something.
48:44My love, for me you have graduated with honors, okay?
48:47You have the necessary knowledge to run a business.
48:50But now you don't need that card.
48:52Then you'll see if you get it out.
48:54Or maybe you want to study something else.
48:58I do want to get it out.
48:59Yes.
49:00At some point I'm going to get that card out because ...
49:02I don't know, I want to give that joy to my mom.
49:04To my family.
49:06To me.
49:08But you're right.
49:09At this moment we have to put all our energies into making our dream come true.
49:13That's right.
49:14Our idea of the thematic restaurant.
49:16Only the thematic is missing.
49:19That's where your ingenuity and creativity as an administrator come in.
49:22She is an angel who lives on earth.
49:26I don't know.
49:28And she leaves a mark.
49:30She flies very high like the comets.
49:37I don't think it's a good idea for me to stay here.
49:40Why?
49:43Because ...
49:45Your family is divided and they don't care much about our love story.
49:50They're not going to stop us, you say?
49:52No, it's better that our love flows in the air.
49:56In silence.
49:59Without counting the other one yet.
50:02Without counting anything?
50:03No.
50:04Step by step.
50:06Step by step.
50:08Come on, softly.
50:10No, no, no, no, no.
50:15The important thing is that now you are officially my lady in love.
50:24Give it to me because everyone knows I'm with you.
50:26Really?
50:27We've been together for a long time.
50:30Now I'm leaving.
50:33Thank you for supporting me and for helping me in everything.
50:38Good luck, my love.
50:44And don't you want me to go with you?
50:46I don't know, I'll go with you.
50:48No, no, I think this is something I have to do alone.
50:59I'm tired of living bitterly, of being the bad guy in the movie.
51:03Of carrying hatred and resentment on my shoulders.
51:06I want to live in peace.
51:08You just have to decide to forgive.
51:11If it were up to you, they wouldn't have suspended Julia for negligence either.
51:15Julia?
51:16Julie?
51:17I forgot about her.
51:20Hello.
51:23Will you help me with my things?
51:25And those suitcases?
51:27I'm moving in with you, Cuchi.
51:31What?
51:33Yes, we've been dating for a long time.
51:36And it's time to live together.
51:38Maybe this way you will official me, right?
51:54Do what you do, don't get married.
51:56Live what we can't.
52:02And he's the last of the single Gonzales.