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Short filmTranscript
00:00It's in the address that Jovenna sent me.
00:21Diego, I'm not your baby.
00:23I know, Fran.
00:25And I'm not supporting Alicia to harass you
00:28because I hate your friendship with Miguel Ignacio.
00:31I know you, Fran.
00:33You wouldn't be capable of such lowliness.
00:36Of course not.
00:38I wouldn't do something like that to you.
00:40Seriously, you don't know what's wrong with me?
00:44No, everything's fine, right?
00:46I thought you knew me.
00:48What else?
00:49But, but, but, Maca, we're celebrating, right?
00:51Maca, but don't...
00:55Have you thought about the name?
00:58Yes, I think I have it.
01:00Yes? Let's see.
01:01It's going to be called...
01:03Restaurant...
01:05La Carcel del Sabor.
01:08La Carcel del Sabor.
01:10What do you think?
01:11I like it.
01:12Hey, why are you like that? What happened?
01:16What happened to Miss Macarena?
01:20Let's go to my room.
01:21No one's going to bother us there, okay?
01:23Let's go.
01:29I want you to answer me with your common sense,
01:31with your intuition.
01:33I don't think it's profitable.
01:35The location of the building is not very good.
01:38I don't think it's profitable.
01:40I don't think it's profitable.
01:42I don't think it's profitable.
01:44I don't think it's profitable.
01:45And the modality of use that is intended to be given to the building
01:48is already bringing problems in Europe and the United States.
01:53Damn!
01:55I see that you have done your homework.
01:57I congratulate you, nephew.
01:59I think exactly the same as you.
02:04Because she imagined that it was going to be beautiful.
02:09That they were going to say how much they loved each other.
02:12That they were going to hug each other.
02:14And in their arms.
02:17With the moonlight.
02:20Wrapped in beautiful music.
02:23Because the sky is soft.
02:32I love you, blonde.
02:37I love you, Joel GonzƔlez.
02:42I love you.
02:51Then they look each other in the eye.
02:54And without saying a word, they swear eternal love.
02:59Having as the only witness a starry night.
03:05Beautiful.
03:06Very beautiful.
03:07Very beautiful.
03:08But that only happens in her head.
03:11Because you know what he does to her?
03:12What does he do?
03:13You don't know what he does.
03:15What does he do?
03:17You're not going to believe me.
03:19But tell me, what happened?
03:20No, because it's ...
03:21It's very outrageous.
03:22But he talks.
03:23He took her a cloth.
03:24What?
03:25What?
03:28Oh, no.
03:32Oh, excuse me, excuse me.
03:34We were just passing by and I went down the hall
03:38and we heard the story of the movie
03:40that made her cry so much, La Macarena.
03:44Oh.
03:45Poor thing.
03:46How horrible.
03:47Tell me.
03:49He was going to a hostel.
03:51But not just any hostel.
03:53A horrendous one.
03:55A horrible one.
03:56With a plastic pool.
03:58A plastic jar to fill the jacuzzi.
04:01With flowers.
04:03And a dance.
04:04A striptease.
04:05With costumes.
04:06Horrible.
04:07And, of course, this girl gets up and wants to leave.
04:11And he doesn't understand.
04:12He doesn't understand why.
04:13But what a terrible thing.
04:15What movie is that not to see it ever?
04:17Is it on streaming?
04:20No.
04:21No, no, no.
04:22It won't go well because it's a horrible scare.
04:24Oh, my God.
04:25Men are basic.
04:26They only think about that.
04:30Girls.
04:32What happened?
04:33The girl passed me.
04:38Oh, my God.
04:41Poor thing.
04:42Oh, my God.
04:43But who is the defection?
04:45That bad man who did something so horrible to you?
04:50Oh.
04:51What?
04:52What?
04:53Oh.
04:54What?
04:55Oh, my God.
04:56Oh.
04:57Oh, my God.
04:58Oh, my God.
04:59Oh, my God.
05:00Oh, my God.
05:01Oh, my God.
05:02Oh, my God.
05:03Oh, my God.
05:04Oh, my God.
05:05Oh, my God.
05:06Oh, my God.
05:07Oh, my God.
05:08Oh, my God.
05:09Oh, my God.
05:15I don't hear a lot, but There's so much smoke, for a movie.
05:22Lowlife ridiculous He loves to attract
05:29What are you doing there?
05:32Don't go, Joana.
05:33Before he left, he told me to always keep an eye on you.
05:39Ridiculous!
05:41Who doesn't owe anything, doesn't fear anything.
05:43I don't owe anything, I don't fear anything, so go gossip somewhere else, okay?
05:47Oh no, that comment does make me dizzy.
05:50Oh, you're going to tell me that you don't know the lives of all the neighbors.
05:53Yes, but not because I'm gossipy, but because I'm the watchman, which is different.
05:57Who is right now in the Maldini house?
05:59Mrs. Francesca, Mr. Diego and the coquis.
06:01And who is in the next door house?
06:03Nobody, because Mr. Miguel Ignacio went to the corporation and Greta went to the gym.
06:09They look in love, don't they?
06:13Do you think they got married?
06:17How does it look like you don't know Mr. Miguel Ignacio, huh?
06:22You do?
06:25Tell me more.
06:26Tell me more.
06:29No, my lips are sealed.
06:34Then I'm not going to tell you why Macarena was crying.
06:46There you go, Antonia.
06:48Let's see, let's see.
06:50How are we going to put that in?
06:52That's why, that's why.
06:54Juan, are you joining us?
06:56We just need one more to form a couple.
07:01No, no, no. I prefer to play alone.
07:03And why?
07:05Well, because here Gaspar is Montse, Joel is piƱata and you are butter.
07:11Butter? Are you calling me butter?
07:15Don't be stingy, don't be stingy.
07:17I'm already butter.
07:19But you are a candelejon.
07:24Talk.
07:26Just as we had agreed to inform you that the Susodicha is already in the new hills
07:32and right now she is in the house with Sally around.
07:35How long ago did she arrive?
07:37About 20 minutes ago.
07:40Why didn't you tell me?
07:42Oh, I just wanted to give you a complete report.
07:44I don't want the Susodicha to go to the other side and then, how is it?
07:48Well thought out.
07:50Thanks for the information.
07:51Thanks for the information.
07:56What?
07:58Don't pretend. What was that mysterious call?
08:01Oh, no, no, no, no.
08:03They are some replacements that are confirming me, yes, yes.
08:06A turbine for the turbo, yes, yes.
08:08What replacements?
08:10What I'm saying is what I'm saying.
08:12You are very cunning to lie, Joelito.
08:15Me? I'm not lying, I'm not lying.
08:18Daddy, come here.
08:21Here is the sponge, come here, come here.
08:24I understand why Teres gets jealous of Joel.
08:27Just the sponge.
08:29Wait, wait, wait, I didn't lie, but I did omit.
08:34I'm with Macarena.
08:36What?
08:38I mean, I'm and I'm not, I don't know, something happened and I don't know if they are.
08:41Joel, Joel, Joel, listen to me.
08:43I think you have to start from the beginning.
08:44That's fine, that's fine.
08:46It all started one afternoon.
08:48I was going in the motorcycle taxi.
08:50And I heard that a girl was pooping, peeing, and garbage was falling, right?
08:55She was embarrassed, so I didn't know who she was, how she was, or anything.
08:59Because she was very embarrassed.
09:01You told me at the beginning, right?
09:03So I took her to her house.
09:05Hotel Cielo.
09:07Well, I went once, and the truth is nothing to do with it.
09:10I mean, I wouldn't go back, never in the life.
09:11Well, I also went with Tito, and it is as you describe it, and it even caught fire.
09:16I spent my honeymoon.
09:18But in his course in Loxapampa, it's something else.
09:23And his course in Lima, well, I went to set up a trap for my cousin Juana.
09:28Yes, then you brought her to the house.
09:30Ay, Ter, she lives with a condition.
09:32Condition, girl, not even eight quarters.
09:34We no longer owe each other the subject.
09:36Ay, girl, so you went back to the Caribbean to meet Joel again.
09:39Condition.
09:41Since he was born, we had ...
09:43Nothing, nature did not bless him.
09:45And the truth, he has followed that path.
09:47Because the girls have gone wrong.
09:49And girl who messes with him, girl who ends up hurting.
09:52That's the truth.
09:54Oh well.
09:56And we, envious of the loneliness of the maca.
09:59Ay, I don't.
10:01No, me neither, really.
10:03I mean, at first we all agreed to give our men a lesson,
10:07but I already miss Tito.
10:09And I miss my Gilguerito.
10:11I don't miss Gaspar.
10:13I think it was enough punishment.
10:16No, we can't leave the maca alone in this.
10:20Ay, girls, thank you very much,
10:22but my problems with Joel should not affect his relationship.
10:25But of course, because they are going to support Joel.
10:29I better go.
10:31No, you stay here with us.
10:32No, you don't go.
10:34No, no, no, no, no, no.
10:36You stay here with us.
10:38Feminine circle.
10:43So when I was going to Tabaco and Chanel,
10:46I find her in the corner.
10:48And it was magical, it was like being in a movie.
10:51So we hugged, we told each other everything we thought,
10:55what we felt, we kissed.
10:57And when we wanted to scream the four winds,
10:59we went to tell the house,
11:01and it turns out that you were fighting with your orange socks.
11:04So we decided not to say anything.
11:08But I don't understand how everything went to hell.
11:11I don't know, I don't understand either.
11:13Something had to have been done.
11:15Margarida is not that crazy.
11:17I swear I don't know what I did, I didn't do anything.
11:19The only thing I did was to celebrate our love,
11:21quote it in the Hotel Cielo 3.
11:23You took her to the Hotel Cielo?
11:25Joel, Joel, that hotel is not the culmination
11:27for the story you just told us.
11:29That hotel is not for whores.
11:31God, can that be?
11:34Of course.
11:36Look, Joelita,
11:38will you allow me to give you some advice?
11:41Be careful, Mr. Gil, be careful.
11:43That's why I'm here.
11:45I think Macarena had another idea
11:49for the celebration of his love.
11:52Sorry to contradict you, Mr. Gil,
11:55but what better way to celebrate love
11:57than going to the Cielo?
12:00Of course.
12:02No, no, no.
12:04I agree with Mr. Gil.
12:06Hey, don't be a snob anymore.
12:08I'm a snob.
12:10What happens is that Teresa taught me
12:12how to know a woman's heart.
12:14Look, today you declare,
12:16today you kiss,
12:18and today you think
12:20to take her to a hostel like that
12:23just for an occasional love encounter?
12:28What?
12:30Did I screw up?
12:58Chesca.
13:02Look at that.
13:04I thought you had taken care of this stain.
13:07Why do I have to take care of that?
13:09Because you take care of everything.
13:11If you have left me without any authority in this house.
13:13Nice time to resent.
13:15But look how this is.
13:17It looks like it's going to end
13:19in the size of the wall.
13:21Look at it.
13:23Look at it well.
13:25What's going on?
13:27What's going on?
13:31The only thing missing now
13:33is the light in the whole house.
13:34Let's go.
13:55Did you think that this stain of moisture and salt
13:58was harmless?
14:00While no one noticed,
14:02this stain affected the wiring,
14:04which you asked for.
14:06Master, to take care of your reputation,
14:08build with Andino Ultra cement,
14:10anti-salitre and anti-moisture.
14:34Talk, little hand.
14:35A little kiss.
14:42How good my job has recovered.
14:45I'm going to work a lot
14:47and take care of my position
14:49so that no one has complaints about me.
14:52Salvador is so cute with his details.
15:00Flowers for Yoli Flores.
15:02Have a wonderful day.
15:05Thank you, Alba.
15:07I also have a very beautiful day.
15:17At this moment,
15:19Macarena should already be at home.
15:21Although she shouldn't want to know anything about me.
15:30What happened?
15:32Macarena, are you here?
15:34Welcome to this house.
15:36I want to talk to Macarena, not with you.
15:38Leave her alone.
15:40Go to your house, I better go.
15:42No, you stay here with us.
15:44Joel, Joel.
15:46Joel, please.
15:48Get out of the door.
15:50Please, Joel.
15:52No, no, no.
16:00With her, with your uncle,
16:02you caught me.
16:05No!
16:15What was it?
16:18It was already.
16:27Better.
16:29This way there is more space in the house.
16:31I can even stay in Joel's room.
16:35Oh.
16:37What is Mr. Miguel Ignacio doing in the houses?
16:40All on wheels, Antonia.
16:42I have neutralized your worst enemy.
16:45Yes, nothing to worry about.
16:48I would have seen the face he put when he found me here.
16:51Too bad I didn't record it.
16:54Yes, of course I kept you up to date.
16:57Yes.
16:59A kiss for you too, dear.
17:05Coffee, Reinao.
17:09Come in.
17:12Mr. Miguel Ignacio, I bring you your coffee.
17:15And who are you?
17:17Hernan, Hernancito de CariƱo.
17:19You know me, I work here.
17:21Oh yeah?
17:22Yes.
17:24Get out of here, get out of here.
17:25There I leave the coffee.
17:26Get out.
17:32Hernancito.
17:35What?
17:37It doesn't even look like what Miss Zapayal was preparing.
17:42What?
17:44I don't really like ham, but the lunch.
17:47The lunch is good.
17:48Yes, rich.
17:49The lunch is good.
17:52What happened?
17:56They kicked me out of the house.
17:58How so?
18:00I was with Aunt Tere and Lorena.
18:03They were with Maca and ...
18:05Macarena kicked you out of the house?
18:06With what right?
18:07No, no, no, it was Aunt Tere, but everyone supported her.
18:10Oh, the women and their support network.
18:14Support network?
18:16Things that one learns when he is married and has a 17-year-old daughter.
18:21Things are getting worse.
18:23I think I already made it worse.
18:25Don't blame yourself, Joelito.
18:27Yes, it was a pile of things.
18:31I miss my little turtle.
18:34And I miss Tere.
18:36The truth is, I also miss Lorena, but ...
18:40What can we do?
18:41We are not going to steal from them.
18:44We should start by putting pride aside.
18:48It's true.
18:49Pride is not a good advisor when it comes to love.
18:53Hey, Gaspar, get tired, don't be a snob.
18:55What snob?
18:57You've been snobbing Gil all this time.
18:59I'm talking about love.
19:10Don Diego, don't tell me that you too, Mrs. Francesca, have been kicked out of the house.
19:16Also?
19:17How also?
19:18Because in the house, GonzƔlez, all married women have kicked their men out on the street.
19:23And why is that?
19:24I don't know.
19:25But even Joel, who had not been kicked out, has also just been kicked out.
19:29But does that snob have a wife?
19:32No, but for me, they have kicked him out for sorority.
19:36Speak well, hey.
19:37Sorority.
19:38That's why.
19:39It's just that La Graviada seems to have seen a romantic movie
19:43where the girl falls in love with a prince.
19:46But there was no prince, so he has fallen in love with a toad.
19:49And where has the toad taken him to celebrate his love?
19:52To a hotel.
19:54And what's wrong with that?
19:55I don't know, there's the thing.
19:57There it is.
19:58But it is that the girl seems to want her celebration with violins, with flowers,
20:02while the toad was only thinking about, as Joel says, chiquitingo.
20:14How funny are the couple of poor people.
20:18They fight for nimiedades.
20:21Ah, that their lives are so dirty.
20:24Men against women, what little imagination.
20:31Nonsense.
20:33Hello, Gucci.
20:35Hello, Diaguirre.
20:36Hello, my love.
20:37Even outside you can hear their laughter.
20:39To the nonsense of La Diega.
20:42Tell me, tell me.
20:44No, that some girls in the neighborhood have agreed to claim for some nonsense.
20:51What nonsense.
20:57Oh, it's done.
20:59It's done.
21:01Well, then my mom told me that Macarena was expecting a beautiful celebration,
21:06with candles, in the moonlight, but Joel screwed it all up.
21:10What? Why?
21:12What do you mean why?
21:15Hello.
21:19Everything okay? Are you fighting?
21:21Almost.
21:22Almost? But no, what? What did I do?
21:24Oh, I was telling you what happened to Macarena, but I don't know.
21:27What happened to Macarena?
21:28A nonsense, don't be scared.
21:30A nonsense?
21:31But tell me, judge, to know.
21:33Nothing, that Macarena and Joel finally decided to declare their love.
21:37Oh, how cute, how happy.
21:39Weren't they best friends?
21:41Oh, that's what they said, but a while ago we all knew that they love each other.
21:44Yes, but Joel screwed it all up.
21:47Why?
21:48That's what I don't understand.
21:54And go train, insensitive.
21:56But why do you get like that? I understood a little.
21:59You laughed.
22:00What? I just smiled.
22:04It's the same, I was making fun of Macarena's nonsense.
22:06At what time?
22:07I didn't think you'd act like Valentino.
22:09What?
22:11That hurt me.
22:12Now laugh.
22:14I just smiled.
22:15Mati, let's take a second chance, love.
22:17I don't believe it.
22:18You know I'm Yolery, I'm going to put Yolery on and then ...
22:20I don't care.
22:23We are happier than ever.
22:24You don't know what happened to us.
22:27I told you I'm Yolery, mom.
22:29I was kidding.
22:31I was kidding.
22:34I was kidding.
22:35I was kidding.
22:36I was kidding.
22:37I was kidding.
22:39I was kidding.
22:40I was kidding.
22:41I was kidding.
22:42I was kidding.
22:45Can I say something?
22:46Are you going to say something to solve the problem without fighting?
22:49Yes.
22:50Then don't say anything.
22:51Because now we are actions and not words.
22:53And I know what we are going to do.
22:55This fear makes me wonder.
22:57I know what we are going to do.
22:58It's obvious.
22:59But the obvious thing for you is not the obvious thing for everyone, Tere.
23:02Look at her.
23:03She is very interesting.
23:04Very cool.
23:05She is very intelligent.
23:06I have her comment.
23:07It is forbidden to think in this house, right?
23:08Ah!
23:09The one who married Tito spoke.
23:10Do you want to fight?
23:11Well, let's fight.
23:12Well, but we are not going to fight among ourselves.
23:15Come on, Tere.
23:16What do you want us to do?
23:18That we manifest ourselves publicly.
23:20Ah, through the networks?
23:21No.
23:22A public act.
23:24Oh, Valentino is an insensitive.
23:26I fought with Salvador.
23:27Miquel didn't understand.
23:28Miquel?
23:29What did I tell this girl?
23:30The elf?
23:31Yes.
23:32The dwarf.
23:33That girl wants a little more.
23:34I miss him.
23:35But please.
23:36This girl needs guidance.
23:39We are giving him the wrong example.
23:42Couples' relationships are not solved by separating.
23:46Oh, so how do they solve it?
23:48In chapter 553 of La Rosa de Guadalupe.
23:51Oh!
23:52All the problems with Tito started with his little teeth.
23:55Little teeth call him.
23:57Can I say something?
23:58Are you going to say something about Juan and me that makes us give up?
24:01Well, I'm not saying anything.
24:02Ah, very good.
24:03So let's take our protest to the next level.
24:06Oh, oh, oh.
24:08Women united.
24:09Never defeated.
24:11All for one.
24:12And one for all.
24:14Woo!
24:19Oh, how long are we going to wait like this?
24:24I miss Tere a lot.
24:26More pineapple.
24:27Just when I fulfilled my dream of being with Maca,
24:30all the tacho is gone.
24:33If you consider yourself a pineapple,
24:35it is that you have not assumed your responsibility.
24:39What did you screw up, asshole?
24:40Accept it.
24:41You screwed up.
24:42And what was it supposed to be?
24:44What?
24:45A serenade, maybe?
24:47That would have been nice.
24:49But you left the skinny cold, putting her in that cloth.
24:52No, no, no, no, no.
24:53Nothing about putting her in the cloth.
24:55I mean, that was fine.
24:56There was just a preamble missing.
24:58Oh yeah?
25:01What are you doing here?
25:02Did something happen to my Mapi?
25:03What?
25:04No, sir.
25:05So the blonde girl was too extreme and gave him a kick?
25:07No, no, no, uncle.
25:08Your wife is fine.
25:09But Yuli and Mapi got upset with us.
25:11Yes, and we don't know why.
25:13Although we have an idea of where things are going.
25:16Explain it to them.
25:18And I'm leaving.
25:20Where are you going, grandfather?
25:21To make friends with my Tortolic.
25:25TORTOLIC
25:32Miguel Ignacio de las Casas.
25:36Coqui Reyes.
25:39The Mucamo A1 with criminal warrant.
25:46Shall we play a game of poker?
25:48Whenever you want.
25:50They better cut it for the exit.
25:52They see each other in the park.
25:55Cuchi.
25:57I'm leaving.
25:58But you just moved.
26:01Don't get me involved.
26:15But how sensitive are women with this sorority?
26:19You were the wife of the Charo, weren't you?
26:22I was an expert in that kind of talk.
26:24I sympathize with you.
26:26Did they vote for you too?
26:27No way.
26:29You'll see that when I tell Francesca,
26:31we're going to kick ass together.
26:36The war of the sexes, they say.
26:39Women united against their cavemen husbands.
26:45Can you think of something more stupid?
26:49What's wrong? Don't you laugh?
26:59Sensitive men.
27:01Filthy and disrespectful.
27:03Don't make them toxic.
27:05Sensitive men.
27:07Filthy and disrespectful.
27:09Don't make them toxic.
27:11That's it.
27:12Don't make them toxic.
27:14That's it.
27:17That's it.
27:18We've shown our worth.
27:21Equality.
27:22Equality.
27:23Hello, Francesca.
27:26Cuchi.
27:27Get that parasite out of my property.
27:29I'll get it out.
27:30That's not how you talk to an uncle.
27:32The lady doesn't want me to be at her house.
27:34Put a finger in my mouth and you'll see what I do to you.
27:36Sensitive men.
27:38Filthy and disrespectful.
27:40I subscribe to every word.
27:42Let me join you.
27:44I'm sorry, Mrs. Francesca, but you can't.
27:46Why can't I?
27:47Because you forgave the unfaithful.
27:50The bad man.
27:51The animal tracker.
27:53The little thing.
27:54Enough, Teresa. I understand.
27:56It's true that I forgave him, but it took me a long time.
27:59You still disappointed us, Mrs. Francesca.
28:02You are an influential person. You have to set an example.
28:06You're right.
28:08Sensitive men.
28:10Filthy and disrespectful.
28:13Why is this animal still here?
28:16Frank, what did those people tell you?
28:18Only the truth.
28:21Frank didn't laugh.
28:23Empathy! Empathy!
28:25Empathy! Empathy!
28:27Empathy!
28:28Silence!
28:31Now all of you go home to cook.
28:37Attack!
28:42Attack!
28:48Reds!
28:50Reds!
29:11Who has everything under control?
29:13Your aunt Mac.
29:15Who trusts Huggies the Macker.
29:17The softest handkerchief to protect your skin.
29:19The only one with vitamin E.
29:21Ultra soft and thin.
29:23With protection up to 12 hours.
29:25Baby, meet the softest handkerchief for your skin.
29:39It's not just a fragrance.
29:40It's the new collection of fragrances from ANSI.
29:43They smell luxurious like a perfume.
29:48Sensitive men!
29:50Filthy and disrespectful!
29:52No to toxic gases!
29:54Sensitive men!
29:56Filthy and disrespectful!
29:58No to toxic gases!
30:00No, no, no!
30:01We demand respect!
30:03We are a lady!
30:04Equality!
30:05Equality!
30:06We are a princess!
30:08Equality!
30:09We won't deny it!
30:11Inspector!
30:17Tanlay
30:18Every gift has the right to a difference.
30:20Every woman is a cook.
30:21And every cook is a true woman.
30:23Trust inå¾ęfferensible experiences.
30:29č¦ŗå¾čÆć
30:32Throw a bribe and come here!
30:34What is my place?
30:37Palomita and Papa will take you out,
30:43You know that nothing is forever,
31:16That your soul tells me, with love, that you love me
31:21That by your side, life is perfect, don't deny me
31:25I left your mom's picture on the bed, my love.
31:29I don't care about anything.
31:32All I want is to be by your side.
31:36I accept that I went too far with that.
31:41I don't want us to be separated anymore, my love. I love you.
31:44Me neither, because I know that as long as there is love, everything can be solved.
31:49I have put myself in your place and I understand that Juan Nacha
31:54may be causing a lot of discomfort in the room.
31:58And that's why I thought I could set up a separation in the living room
32:04or set up a small room in the patio.
32:08We will talk about that in the family.
32:12For now, let's leave it like this.
32:16Don't worry.
32:19Let's see, move the bear.
32:24Kiss.
32:25Again.
32:27Kiss.
32:43Frank?
32:44Look.
32:47Lorena, I want to apologize for being so unpleasant.
32:51I shouldn't have forced you to bear my emanations.
32:55Your emanations are a total lack of respect for me.
32:59I know, I should have been more considerate.
33:02What you do is not a joke, Tito.
33:04You have to please control yourself, you no longer live with your friend who can stand everything.
33:09Yes, I know.
33:12I apologize.
33:17I missed you.
33:25Forgive me if my smile seemed insensitive to you.
33:29And you forgive me for being so tremendous.
33:34I love you.
33:37I love you too.
33:42Mapi, forgive me.
33:45I love you and I respect you a lot, but you have to guide me like the Lord of Mulvaney,
33:50so as not to screw it up, please.
33:53I will do it.
33:56How cute.
34:02So cute.
34:05Barbie.
34:06What?
34:08Now.
34:10Well.
34:25In the end, love always wins.
34:28Yes, Frank.
34:29It's a shame I found out too late.
34:34What an embarrassing moment.
34:40Rubia, I ...
34:43Don't say anything.
34:46But what ignominy is this?
34:49Go home, take him with you.
34:50No, no, I'm staying with you.
34:51Go home.
34:52No, no, no.
34:53Go, Juan.
34:54Maca, Maca, Macarena.
35:06Juan GonzƔlez.
35:09Juan GonzƔlez.
35:13Juan GonzƔlez.
35:16You don't learn in the lessons that life gives you, do you?
35:19First my daughter opened her eyes and shot you.
35:22The same thing will happen with Macarena.
35:24You will see, piece of beast.
35:26Oh, step by step.
35:28Step by step.
35:29More good.
35:32Where is Gladys?
35:34Because I don't see her with you.
35:38Don't worry, poor thing.
35:45Yes, Joel and I are in love.
35:47They have made you voodoo on those islands of hell.
35:50No, they haven't done anything to me.
35:52I love him.
35:53By my own will.
35:54Then you are leaving the house.
35:56You just throw the button at his arms.
35:59Don't worry, Francesca.
36:02I have never been happier than between Joel's arms.
36:06And now how do we get my mother to disinherit you for the second time?
36:09You know you're going to kill her when she finds out you're dating this ...
36:12With your son-in-law's brother.
36:16Do you see what you achieve by taking away my authority in this house?
36:19And now what's next?
36:21That you are going to bring Joel GonzƔlez to live here in the house too?
36:24Because if so, if so, I have nothing to do here.
36:28Diego, Diego, Diego, please.
36:32Francesca, I don't want to cause problems.
36:36And that's why you're with Joel GonzƔlez?
36:40You can't control your heart.
36:42That phrase is the cause of so many mistakes.
36:47But I love him.
36:51So if you love him, improve it, cultivate it.
36:57And that man cannot continue to live only of his sympathy and charisma.
37:02If you are going to be with him, help him grow.
37:09Thank you, Francesca.
37:27And?
37:29My head is boiling.
37:32What kind of social claim nightmare am I living?
37:36Diego, Diego.
37:37Diego, you have to control yourself. Macarena is an adult.
37:40Please. If my mother heard you, she would kill herself with laughter.
37:44It looks like Mrs. Antonia has never respected her, right?
37:48Mrs. Antonia, my mother, is going to die.
37:51And she is going to resurrect only to come and make life impossible for that swine.
37:57But all this is happening because of the airs of benevolence that blow
38:02since Francesca Maldini decided to become a better person.
38:08And that's driving you crazy?
38:15You already made it clear that this is not my house.
38:19And that you can do and undo things as you please.
38:24Right now you are in your benevolent stage.
38:28But tomorrow, later, what's next? Your vengeful stage? What?
38:36I don't think it was a good idea for you to forgive me.
38:54I don't think it was a good idea for you to forgive me.
38:59I don't think it was a good idea for you to forgive me.
39:23Hey!
39:53And I want you to always be mine.
39:58There is love, love.
40:01My life has arrived, now everything has changed.
40:07There is love, love.
40:10You have touched my strength and my heart.
40:18What? And just like that the ratatouille was so calm?
40:21No, he wasn't so calm, but he had to accept it because of Francesca's pressure.
40:27What are you saying, Loni?
40:29No, Loni is wise.
40:31We have our connection, we have our camotes, but other little things.
40:35We want our style.
40:45What was it? Did you fall asleep?
40:48No, no, Joel.
40:51Well, rest now.
40:56See you tomorrow.
40:59I love you.
41:01I love you too.
41:03I love you too.
41:16I always accepted Joel as he was.
41:22Without thinking for a moment about wanting to change him.
41:30Wanting to change him, right?
41:34Helping him flourish.
41:56Hello.
41:58Miss Zapayal, what are you doing here so early?
42:02I'm sorry to bother you, but I was hanging my clothes in the curtain
42:07and the wind blew one of my handkerchiefs.
42:10Oh yeah?
42:11Yes.
42:12What a naughty wind, isn't it?
42:15Oh yes, the fact is that it flew to your second floor window.
42:24The handkerchief went through my window?
42:26Yes.
42:28How silly.
42:31Yes, could you go and see it?
42:38Of course, of course.
42:51One moment.
43:00One moment.
43:30One moment.
43:40Today is my lucky day.
43:49Cuchi!
43:56What are you doing here?
44:00What are you doing here?
44:30What are you doing here?
44:45Handkerchiefs, there they are.
44:48Blankets too.
44:51Glasses, there they are.
44:54Flowers.
44:57Flowers?
44:59Jimmy!
45:01Jimmy!
45:02We forgot the flowers.
45:04I took care of them, but I forgot to pick them up.
45:06I'm going to the car.
45:07Grandma, please.
45:09Come.
45:10Good.
45:11Let's see.
45:13What else?
45:14Pots.
45:16Toilets.
45:27Maca.
45:29Hi, Joel.
45:38Joel, I...
45:40Maca, I'm sorry.
45:43Please, I'm sorry.
45:45I know it wasn't the right place for a princess.
45:50Please, I'm sorry.
45:52I know it wasn't the right place for a princess.
45:59Don't get me wrong.
46:04It's not that I don't want to.
46:07It's quite the opposite, but...
46:12But I want everything to turn out well.
46:16Me too.
46:44Did you have breakfast?
46:48No.
46:50Do you have anything in mind?
46:54Salsas and potatoes.
46:56Salsas and potatoes?
46:58You the salsas and I the potatoes.
47:02Oh, well.
47:06No?
47:15I'll say it again.
47:16What are you doing here?
47:18Don't you remember me?
47:20I'm Juana Zapallaga.
47:22What are you doing here so early in my boyfriend's house?
47:26So early?
47:28It's already dawn.
47:30I'm so embarrassed.
47:32Time just flew by.
47:34What?
47:36Yes.
47:38Miss Zapallaga!
47:40I'm sorry.
47:42I can't find your handkerchief anywhere.
47:44Don't worry.
47:47I'm so embarrassed.
47:51I'd better go.
47:53I'm sorry.
47:56Goodbye.
48:01What?
48:03I don't know.
48:05You tell me.
48:14Let's see.
48:16Now what explanation can you give to your girlfriend,
48:19Mr. Housekeeper?
48:23Can you explain to me what that girl was doing so early in the house?
48:27I don't know.
48:28It's the neighbor.
48:29She's kind of crazy.
48:30She came saying that a handkerchief had flown out of her house.
48:34Do you realize?
48:35It must have been a hurricane.
48:39I thought the same thing.
48:42Of course.
48:43Did you have breakfast?
48:44I see you brought your things.
48:46Just a moment.
48:50Just a moment.
48:52Not so fast.
48:56What's wrong?
48:59That's what I want to see.
49:14What's wrong?
49:15What are you looking for?
49:16Cheap perfume.
49:20Very cheap.
49:23Please, Gertita.
49:25Don't think that girl and I...
49:28Don't distract me.
49:32But you won't find anything.
49:33I already told you it was just a few seconds.
49:39It's true.
49:40It doesn't smell like anything.
49:43If that girl had rubbed herself on this couch,
49:45she would have left everything impregnated with her horrible perfume.
49:51I'm sorry, Cuchi.
49:53Okay, I forgive you.
49:55Only if you promise that you will never distrust your Cuchi again.
50:02I promise, promise, promise.
50:14What is this?
50:27Is all this really necessary?
50:30Yes, you'll see.
50:31Besides, it fits perfectly with the theme of the restaurant.
50:34I don't know, it seems very exaggerated.
50:36No, no, everything is going to be perfect.
50:38We have to do it right.
50:40Let's see.
50:43I think it's something we have to talk about.
50:49But if there's something you don't like about me,
50:51please, tell me.
50:54I'm hungry.
50:55I want to play.
50:57I'm so excited.
50:58I'm hungry.
51:00What are you going to do?
51:01Where are you going?
51:02You're all going to go.
51:03You're all going to go.
51:04You're all going to go.
51:05You're all going to go.
51:06You're all going to go.
51:07What are you going to do?
51:08Where are you going?
51:09You're all going to go.
51:10We're going to the inauguration of Jimmy Laleza's restaurant.
51:14That's great.
51:15There's a clause that says
51:18that if the rates have dropped more than 30%,
51:22the manager in question will have to resign.
51:25I'm crossing my fingers.
51:27Nothing would make you happier, right?
51:30It's divine justice.
51:32I want to see his face when they vote for him.
51:35I'm just going to say...
51:37Ha!