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Short filmTranscript
00:00Oh
00:23Look a charro como que se me hace conocido de donde
00:31Ah
00:33Pero como puedes preferir estar en esta casa infecta llena de ratas en vez de estar en tu casa linda con jardín con piscina con
00:39agua caliente las 24 horas
00:43Pollo trufado con salsa de champiñones no voy a la brasa con harta papa frita y todas sus cremas
00:52Y en tu casa casi todos tan emparejado
00:54Hmm
00:58Pero me gusta creo que podríamos aprender un montón de ellos
01:02esto es el colmo de reza
01:04Yo me vine volando porque me dijiste que jugar estaba libre porque te juega con algo tan delicado
01:08hay por dios una metidita
01:10Piadosa no es para tanto te advierto tito que yo no voy a dormir contigo si no te tomas su remedio
01:15bueno y yo te advierto que no voy a dormir contigo si no me deja comer lo que me da la gana ya
01:21A ti no te da vergüenza expelar eso que expeles
01:24Su presencia en esta habitación es insostenible
01:28Ay por favor no seas exagerado
01:30Me mueve las cosas
01:32Entras en tu casa
01:34¿Qué le está pasando a todos?
01:36Están así hace unos días
01:38Te bajaré a la luna si me lo pidieras
01:40Yo te daría todo, todo lo que quieras
01:42Haz que te alepe sus uñas
01:44Yo te daría todo, todo lo que quieras
01:48Haz que te alepe sus uñas
01:50Como se pudre este loco
02:14Ay mis aretes los perdimos
02:16Ay ¿Dónde están tus aretes?
02:18Seguramente están en su cuarto ¿No?
02:20¡A tu cuarto!
02:36Oh lindita sigue dormida
02:40Que raro
02:43Debe haber pasado una mala noche
02:47Aprovecharé para ir al bañito
02:49No hay nadie
02:53Ahí vamos
03:00Don Gilberto tenga más cuidado
03:02Perdón no me di cuenta
03:04¿Qué has hecho? ¡Me piso!
03:08Ahora resulta que la culpa es mía
03:10Lo veo y no lo creo
03:12¿Qué cosa es?
03:14¿Piensas que lo he hecho a propósito?
03:21¡No ha sido culpa mía!
03:23Justo ayer me amenazaste diciendo
03:25Que un día de estos la ibas a pisar
03:27Y justamente ¡Qué casualidad!
03:29¡Hoy pasó!
03:31¿Dudas de mí?
03:33¡Sí! ¡Dudo! ¡Dudo!
03:35Últimamente tu paciencia y comprensión
03:37Están dejando mucho que desear
03:40¡Qué más comprensivo quieres que sea!
03:43¡Ella duerme en nuestra habitación!
03:45¡Don Gil! ¡Don Gil! ¡Ni se esfuerce!
03:47¡Porque así son las mujeres!
03:49¡Uno le da la mano y se van hasta el codo!
03:51¿Estás hablando de mí?
03:53¡No me vengas con refrán! ¡Y dime en mi cara las cosas que quieres decir!
03:55¡Yo opino lo mismo que tú Teres!
03:57¡En tu cara! ¡Te lo voy a decir en tu cara delante de tu familia!
03:59Lo que pasa es que Teresita
04:01Quiere poner el retrato de su mamá
04:03Que es así sota el que está afuera en la sala
04:05Encima de nuestro anillo matrimonial
04:07¡No! ¡Pero es que es abusiva Teresa! ¡No te pases!
04:09¡Tú no digas nada mejor!
04:11¡Norena! ¿Sigues con eso?
04:13¿Pueden creer que me está haciendo problema
04:15Por mis inofensivos gases?
04:17¡Pero si es algo natural!
04:19¡Es un suspiro sublime del cuerpo!
04:21¡No tiene nada de malo!
04:23¡Mira! ¿Sabes qué?
04:25¡Ellas son así! ¡Ellas apañan entre ellas!
04:27Tienes razón Gaspar
04:29¡El diablo las crea y ellas se juntan!
04:31¡Miren! ¡Miren!
04:33Yo no sé si es la alienación de los planetas
04:35O que un meteorito va a caer pronto
04:37¡Ustedes están más chinchosas que nunca!
04:39¡Ustedes son las chinchosas!
04:41¿Quiénes son las chinchosas?
04:43¡No! ¡No! ¡No!
04:45¡No! ¡No! ¡No!
04:47¡Vamos! ¡Vamos!
04:49¡Qué locos! ¡Qué locos!
04:51¡Cómo pasa!
04:53¡¿Quién fue? ¡Qué error!
04:55Ah! ¡Mira! ¡Ah!
04:57¡Ah! ¡Ah!
04:59¡Es que yo estoy indignada!
05:01¡No puede ser! ¡No! ¡Eso que no te bombardean todos los días!
05:03¡No! ¡Ah! ¡No!
05:05But I'm yours, and you're mine
05:23Mrs. Zapayal!
05:25Oh, Mr. de las Casas! What a surprise! Good morning.
05:30Good morning.
05:31Are you going to the corporation?
05:33Yes, I'm going there today.
05:37Being at the corporation has been one of the best jobs I've had in my life.
05:43It's a shame that it had to come out so abruptly.
05:47Yes, but things didn't go as they were told.
05:51That doesn't matter anymore. Excuse me.
05:56Have a great day.
06:03I like you, I give you a bite and I don't stop
06:06I'll dance with you all night, don't worry, it's my night
06:12Dancing all night, you have to forget the dinner, damn it, and cheer up the hearts
06:20Dancing all night, you have to forget the dinner, damn it, and cheer up the hearts
06:31Hi!
06:33What a nice surprise!
06:37We haven't seen each other for five minutes.
06:40Hey, let's be romantic with my ex-con.
06:44What does your ex-con want?
06:46I don't know.
06:49No, no, no, no, no, no, no, no. I don't want any more problems with Bolinda, okay?
06:53We have to respect the rules of the house.
06:55I was thinking, what if we rent an apartment? Something small, like last time.
07:00Yes, that would be the best, but first we have to pay for our business.
07:04Because even if it's cheap, if we don't have income, the money is going to go like water.
07:08I know it's uncomfortable to sleep with Juana H in the room,
07:12but you can't be asking every day.
07:15She's leaving, she's leaving, she's leaving.
07:18I'm fed up.
07:19The soap opera continues.
07:21And what do they tell me about Tito?
07:23Am I wrong?
07:24No, sister.
07:26No, no, no.
07:28That man with his myasmas is intoxicating even the soul.
07:31Yes or no?
07:32His myasmas.
07:33What are myasmas?
07:34Rotten smells.
07:38And my love, I'm afraid that if we continue here, we're going to end up like them.
07:42Oh, that your sister was.
07:45Oh, girls.
07:46But I'm very upset with Gaspar.
07:48Because, look, he can tell me anything.
07:51But messing with the son or with the parents, that's not.
07:54Because that's sacred.
07:55No, no, no, no, no.
07:56Well, that's not.
07:57Oh, and with respect to those bombs that Tito throws,
08:01I could also bomb myself or not?
08:03No, of course not.
08:15Brother!
08:18Good little brother.
08:21I thought you were going to jump later.
08:23I fell well and they let me go a little earlier.
08:25And why didn't you call me to pick you up?
08:27Oh, no. I wanted to give you the surprise.
08:29And are you in a honeymoon or what?
08:32Well, it was the hand.
08:33Linda looks like a sergeant.
08:34Oh yeah?
08:35Grandma Linda?
08:36Family!
08:37In case they are all fighting.
08:39Oh yeah?
08:40What do you mean?
08:41Couple crisis, brother.
08:42Speak well.
08:43Yes, little brother.
08:49You came back.
08:50Of course.
08:52Juan, Juan, Juan.
08:54You came back.
08:59Oh, friend.
09:00How I missed you, Juan.
09:05What are you doing here?
09:06Come here, come here.
09:07Already, already, already.
09:08Where are you?
09:09Here.
09:22You were the owner of my feelings.
09:26I want to be your perfume and your secret.
09:31Let me be your shadow, your silence.
09:35We are seeing.
09:36At the bottom there is temporary site.
09:41Charly?
09:42Hey.
09:43I'm Tony around here, what's up?
09:46Hey, he had a gun.
09:48Come here, little girl.
09:51And you?
09:52Did you already put a gun in your engine?
10:04Oh, how much dust there is here.
10:07Oh, how much dust there is here.
10:16Those Tere dresses.
10:18They are very funny.
10:22What if I try one?
10:24Let's see how it fits me.
10:27Let's see, how is this?
10:31Here.
10:32Here it is.
10:36Let's see.
10:37Oops, I stayed.
10:41And here I am.
10:43And?
10:45I'm Teresa Covillazos.
10:47Tell me.
10:49Ninety, sixty?
10:51Find out.
10:54And?
10:55And?
10:56Give me your chocolate.
10:58Yummy, yummy, yummy.
11:00Give me your chocolate.
11:02Yummy, yummy, yummy.
11:05Give me your chocolate.
11:07I'm not going to give it to you.
11:11Choo, choo, choo, girl.
11:13Another dog with that bone.
11:16You're not going to take it.
11:20Give me your chocolate.
11:23Frank, I have to go to the restaurant,
11:25but talk to Alessia, she's getting involved.
11:28But why do you exaggerate?
11:35Now you believe me.
11:48It's going.
11:50Oh, it's going.
11:53I need to talk to Alessia.
11:55Can I come in?
11:56Mrs. Francesca.
11:57Up right.
11:59Up right.
12:03You're going to burn the adhesive, baby.
12:05You're going to burn the adhesive.
12:07But what are you going to do?
12:11I took the chicken out.
12:13I didn't clean this.
12:14Alessia.
12:16I come in peace.
12:21What are you doing living here?
12:23In peace, you said.
12:25Don't tell me you're comfortable in this place.
12:30Francesca, I'll put it this way.
12:33You would live with a person who is capable of everything
12:36just to destroy the person you love.
12:38I understand your point and I share it.
12:41But your dad already understood that
12:44and did everything necessary to make up for his mistake.
12:47He would have gotten Jimmy out of jail, but he hates him.
12:49And I can't live with a person who lacks respect for my partner
12:52and who doesn't accept my decisions.
12:54And if I told you that that wouldn't happen again,
12:57would you consider going back home?
12:59No.
13:00Alessia, you're bothering me.
13:03I don't think so.
13:04Twelve people under the same roof sharing a single bathroom.
13:07No, no, no.
13:08A bathroom and a silo.
13:10That, sooner or later, brings complications.
13:14Not even the most beautiful love survives such an attested coexistence.
13:19Maybe what your father needs is to see them together,
13:22see how they love each other.
13:23And he will understand that no matter what he does, he can't go against his love.
13:30I don't understand.
13:32Are you offering me to move to the mansion with Jimmy?
13:42I don't know why I smell like Thai.
13:51It's hot.
13:54The important thing is that the skinny dog is with Alessia.
13:59There he is.
14:01He played with her, bet on her, and won.
14:05We went to look for her in China.
14:08Who does that?
14:09Who goes to China?
14:13Nobody.
14:15Good story with a happy ending.
14:24Why don't I do that madness?
14:32That's what I have to do.
14:35I've arrived to China.
14:37I'm not going to get to Tabaco and Chanel.
14:41Are you crazy?
14:42How are we going to live in your house?
14:44Look, I was also racist at the beginning, okay?
14:47But now I'm not racist anymore.
14:50I was also racist at the beginning, okay?
14:52But it's true that my dad has taken an important step.
14:57How can you say that?
14:58You've seen how he's treated me all my life.
15:00For him, I'm garbage.
15:01And I'm not asking you to put up with more humiliations.
15:04Look, I swear I wouldn't be considering it if it weren't for Francesca giving me her word.
15:09Do you believe her?
15:11Let's try, okay?
15:13And if we don't feel comfortable, we won't go.
15:16No.
15:18Well, we are in a position to put our conditions.
15:24Well, I could sleep in your room.
15:27And have breakfast in bed.
15:29Use the pool.
15:31Invite Julie and Salvador.
15:34Well, not them, for my brother.
15:37Do you know what scares me?
15:39Your dad.
15:40Whenever we go to work with him, I don't know how he does it, but he ends up hurting us.
15:44This time he won't be able to.
15:46Yes.
15:47Besides, it will only be for a few months until we move to our apartment.
15:52Let's try a few days.
15:53And if we don't feel comfortable, I'll be the first to tell you that we're going back.
15:57I don't know.
15:59Listen to me, Gaspar.
16:00If you continue with that, I swear you will have turned me into a Godzilla.
16:04Yes, of course.
16:05You are Lorena Contreras.
16:07Perfect Lady.
16:09The one who doesn't mess around.
16:11Gilberto.
16:12If my cousin leaves the room, I'm going with her.
16:16Besides, I'm afraid that whatever is happening in this house will be contagious.
16:21Yes, yes.
16:22You're right, my love.
16:24Well, let's go here.
16:26Let's move.
16:27The first nonsense that your dad had.
16:29Let's go to that house.
16:30Yes, yes, yes.
16:31I promise.
16:33Or better like this.
16:36What?
17:00I listen to you.
17:04Why?
17:06My intuition tells me that you had to do with Jimmy's release.
17:09I didn't think it was fair for the boy to spend five years behind bars
17:14for an unfortunate reaction at a time of emotional weakness.
17:20Was that it?
17:21Or were you afraid that the police would go and tell them about Claudia?
17:30You don't need to buy my silence, Mrs. Francesca.
17:34As I told you that day, I'm as confused as you are.
17:37What happened today was a desperate measure.
17:39I wasn't going to betray you.
17:41I know, Coqui.
17:45Why don't you come back home?
17:49Your house?
17:51I'm in a time of change.
17:55You gave us your hand in a horrible moment.
17:58You protected us.
18:00And I want to make up for it.
18:02Or do you want to keep me close so I don't open my mouth?
18:06Both you and Diego and I are in danger.
18:14The loose end of the person who took Claudia's body from the farmhouse
18:22and buried it in my garden is still there.
18:25I don't need to go back to your house to continue investigating and protecting you.
18:30It's true.
18:31I just thought that since Jimmy is moving to my house,
18:35I would like to have him close.
19:01Did you talk to Alesia?
19:14We had a conversation.
19:16And? What did he say to you?
19:18Did he agree to go back home?
19:20Yes. Yes!
19:22But with Jimmy?
19:25No.
19:28No.
19:31No!
19:33Did you finish with the circus?
19:35Because you need to know something else.
19:43Your former butler is back.
19:46Your cognac, Mrs. Francesca.
19:50I don't know what you did to convince her.
19:53But what you did to me was a low.
19:56You blackmailed me.
19:57These are things that one says in a discussion.
20:00It's not for you to take it so literally.
20:03Francesca, you should have consulted him with me.
20:12He will get used to it.
20:14I hope so.
20:27Look at him.
20:31Look at what's going on here.
20:35He comes and breaks it.
20:38He's going to fix it.
20:40Then he's going to throw it away.
20:58In a way, you have corresponded to me.
21:04My whole body trembles and I feel very cold.
21:10If you leave me, I don't want anything anymore.
21:16I want the light of your gaze.
21:20To feel you every dawn.
21:23To be able to tell you everything I feel.
21:29My life has no meaning.
21:32I don't want to live if it's not with you.
21:36My mouth just wants to kiss you.
21:39My arms just want to hug you.
21:42My life has no meaning.
21:45I don't want to live if it's not with you.
21:48My mouth just wants to kiss you.
21:51My arms just want to hug you.
21:58Better like this.
22:00Here I explain everything about my madness of love.
22:04And treasure?
22:06I'll find out later.
22:08There is no time to lose.
22:10Maca, I'm coming for you.
22:20I love you.
22:35Hello.
22:50She wants to conquer her.
22:54The most beautiful princess.
22:57But you got me a boat to China.
23:00How are you not going to get me a Chanel tobacco?
23:02That does exist, stupid.
23:04Of course it exists.
23:06My best friend is there.
23:08Sign.
23:10Hello Joel.
23:12At least tell me which port I have to leave from.
23:15And don't be too expensive, please.
23:17I can get confused and lose my mind.
23:19Dream that I'm happy.
23:21But when I wake up, I remember again.
23:26Maca.
23:30Yes, I'm Maca.
23:35I just got back from Trinidad and Tobago.
23:39You are different.
23:41I love you as you are.
23:43But I know that once again
23:45It's not enough.
23:50You have to give time to time.
23:54You don't understand.
23:59Tito, Lorena.
24:01By chance, have you picked up the merchandise from the winery?
24:04Why do you ask?
24:06We know perfectly well who did it.
24:09Gilberto Collazos, withdraw what you said.
24:12I'm not withdrawing anything.
24:13And just in case, I'm not going to eat salad today.
24:17And just in case, you will sleep on the sofa then.
24:20Can you know what this is doing here?
24:23Look, I adore your mom, but she can't be in our room.
24:27Because you do and I don't.
24:29I'm fed up.
24:31If what I do bothers you so much, why don't you leave my side?
24:34I'm leaving.
24:36Go away.
24:44One, two, three.
24:57One, two, three.
25:13With strong pains, my life flows.
25:16With Apronax, all day, without interruptions.
25:43With Apronax, all day, without interruptions.
25:48It's not just a fragrance.
25:50It's the new collection of fine Ancestral Fragrances.
25:52They smell luxurious, like a perfume.
25:58Welcome, Alicia.
26:00I'm glad you're back home.
26:03Thank you for welcoming me, Francesca.
26:05Better said, for welcoming us.
26:08I also want to thank you both.
26:15But first, I want to share something that I can't get out of my head.
26:22Is this a trap?
26:24But this boy is brilliant.
26:26Of course it's a trap.
26:28But don't you realize that he has already discovered...
26:29Shh!
26:35We are both happy to welcome you.
26:38I've known Jimmy since he was a child.
26:41And during all the time we lived together, I took great care of him.
26:45Yes, it's true.
26:47He gave me a Porsche when Kimberly cut me off.
26:50Yes, but why remember that girl, my love?
26:53Yes, no.
26:56I also have a lot of affection for her.
27:00And despite the differences between our families,
27:04I promise you that you won't even feel my presence.
27:08I doubt that, but I think we can have a happy cohabitation.
27:13Thank you very much, Nonny.
27:17Can I call you Nonny?
27:19When the occasion allows it.
27:25You don't say anything, Dad?
27:26I don't know, can I talk?
27:33Well, Jimmy.
27:37I know we've had some differences.
27:41Some differences?
27:44Well, several.
27:46Several differences.
27:48He put me in jail.
27:50That's a good example.
27:52If it weren't for Koki, I don't know what would have happened to me.
27:55Yes, yes.
27:57I imagine you must have had a very bad time in that place.
28:03And believe me, I am very sorry that I was the one responsible for you ending up there.
28:09But I hope that by withdrawing my complaint,
28:13I was able to amend that mistake.
28:16And that all this remains in the past and we can build from here.
28:24A new friendship.
28:28You are the man that my daughter has chosen.
28:32And I want her to be happy.
28:35Even if it's with you.
28:44I'm going to make her very happy.
28:48Well.
28:49Well.
28:51I appreciate everything you've done for my daughter and I believe you.
28:56So, let's start over.
29:03This deserves a toast.
29:06Koki Champagne!
29:07Right away, Mrs. French.
29:10Let's go to the living room.
29:20Maca, what are you doing here?
29:23I had to come back.
29:27But you can't kill my dream like that, Macarena.
29:31What dream?
29:33My dream.
29:35To go looking for you in a boat to Tabaco and Chanel.
29:40To get to the country.
29:43To look for you in all the cities.
29:45To look for you in all the cities.
29:48And when they don't give me reason for you,
29:52I'm about to return to Peru.
29:55But I find you.
29:59On the shores of a beach.
30:03Of turquoise sea.
30:05White sand.
30:07And with my heart in my hand I scream, Macarena.
30:12And you turn around, very excited.
30:15And you run towards me.
30:18And I receive you with open arms.
30:23And we give each other a big hug.
30:26Like...
30:28Like best friends, right?
30:30Yes, like friends.
30:33That...
30:35Was that your dream?
30:37Yes. Yes, yes.
30:39I swear.
30:41Here you see.
30:45Here I have my compass.
30:48Here are my things.
30:50My compass, my...
30:52My saturns, too.
30:54And all the experience I have in China.
30:57Yes, I was going to go there.
31:01Oh, I...
31:03I'm very sorry.
31:05I interrupted your dream.
31:08But I had to go back to...
31:12To fulfill mine.
31:15Your dream?
31:18What is your dream?
31:23Go back to the Lomas.
31:27Meet you.
31:31Tell you, Joel, that there hasn't been a single day since you left to China.
31:37That I haven't thought about you.
31:41Take you by the hand.
31:46Look you in the eyes.
31:50And tell you that I love you.
31:54And that I don't want to miss the opportunity to be happy with you.
32:04Yes, but...
32:07The part is still missing.
32:11Where you tell me that...
32:14That you love me.
32:16And you give me a passionate kiss.
32:41I dream every day.
32:45Are you going to leave?
32:47I'm leaving.
32:48Are you going to leave?
32:49I'm leaving.
32:50Are you going to leave?
32:58I'm leaving.
32:59Let's see.
33:00Dare.
33:01We are going to teach them how we men do things in this house.
33:06And what exactly do we do?
33:08We are going to leave, Mr. Gil.
33:10Where are we going?
33:11That matters to me now.
33:12The important thing is to clean our honor.
33:14Oh, is it about cleaning our honor?
33:17Then let's go.
33:19Right now we are going to make our suitcases.
33:21Yes or no, boys?
33:22Yes.
33:23Thank you for the boys.
33:25But why are you going to do it?
33:26Leave us to the others.
33:27Give us that taste.
33:28Don't bother.
33:29Yes, of course.
33:30You stay here quiet.
33:31Reflecting on what you are doing with your lives.
33:34There is chicken tamale in case you want to chop something.
33:37Or rather, have the last bite of something delicious prepared with love.
33:42No, this tamale stays here because it belongs to this house.
33:46Truth.
33:50Did you see?
33:51Did you see his arms twist?
33:53Rather, he wants to twist your arm.
33:55No, she's scared to death.
33:57Why do you think she came to make our suitcases?
34:00Because Olindita knows where my pills are.
34:03And she also knows how to keep my shirts without wrinkling them.
34:08None of that, Mujil.
34:10They want to make the suitcases to keep us by their side.
34:15And they can't imagine a life without us.
34:18That's true.
34:19That's true.
34:21Well, I understand.
34:24I think nothing more.
34:25And I'm not going to sell things.
34:26Let them go.
34:27Let them go.
34:28Let them all go.
34:29Because if you go, I'll come back.
34:31So, now.
34:34It's over.
34:35She has no art.
34:36She has no footwear for her dance.
34:38There it is.
34:39Ready.
34:40I don't know what this guy is.
34:42And he's going to treat me like this.
34:44He's a pig.
34:45He never taught me to respect.
34:48What's wrong with him?
34:50With his Pepe, then.
34:51With his Pepe.
34:52He dances with his Pepe.
34:59He dances with his Pepe.
35:20What an incredible love story.
35:22They had to go to the other side of the world
35:24to realize that they are one for the other.
35:27Yes.
35:28And I would travel to all the continents for her.
35:32What a beautiful love story.
35:34I congratulate you.
35:35Congratulations.
35:36Congratulations.
35:37Thank you, Francesca.
35:42I would travel to the moon for you.
35:44Well.
35:46Now begins a new stage in their lives.
35:49The coexistence.
35:52Well, coexistence for us is easy.
35:55We complement each other very well.
35:57Yes.
35:58Right, honey?
35:59Yes, we are a good couple.
36:01Coexistence.
36:03You told me that Jimmy was going to come and live here.
36:06Not that they were going to have a marital life.
36:08I was over-understanding.
36:10Not for me.
36:11I wanted to put an extra mattress in Coqui's room
36:13so that Jimmy would sleep there.
36:14Alessia and Jimmy will stay in Alessia's room
36:17and don't say anything else.
36:19Thank you for your support, Francesca.
36:21For us, coexistence is very important
36:23because we have plans.
36:27Plans?
36:28What plans?
36:29Of a business that...
36:31That I prefer not to comment until it becomes a reality.
36:34Of course, so that it doesn't come out.
36:35Uh-huh.
36:38Well.
36:39Francesca and I can advise you.
36:42Thank you very much, Dad.
36:44But I prefer to go through the experience
36:46and learn from life.
36:47You are very right.
36:49That's right.
36:50You have to make mistakes to learn.
36:53In any case, if you need help, you can count on me.
36:57With me too.
36:5824-7.
37:02Thank you very much.
37:04Both of you.
37:07The couple's room is ready.
37:10You can go to make yourself comfortable,
37:12to settle in.
37:14Yes, it's a good idea. Let's go.
37:15Yes, I'm going to the moon with you.
37:18Why don't you take a bottle of champagne to your room?
37:21Seriously? Can I?
37:23No!
37:24Yes, of course.
37:26Thank you, Francesca.
37:28Let's go.
37:29I'll take the bucket.
37:41Francesca, what's wrong with you?
37:43You have gone over me olympically.
37:46If I let you do things,
37:48you would lose your daughter forever.
37:50Getting them here in the house,
37:52screwing up that relationship,
37:54is more than I can stand.
37:56You can stand that and more.
37:57Let them be happy.
37:59And I even went to China to look for your daughter.
38:01What more proof of love do you want?
38:03I don't want any proof.
38:05I don't want that love.
38:07I hope my daughter reconsiders someday.
38:09And that of whining in front of everyone.
38:12Ah?
38:13You whined to me.
38:14Yes.
38:15You whined to me.
38:16That's insulting.
38:17If I don't do it, you'll get in trouble.
38:19You're worried about me getting in trouble?
38:21And giving wings to that relationship is not a...
38:23It's the right thing.
38:24We must support them.
38:28I don't think we should fire Lucio.
38:30I don't know if Koki will give up
38:32with what he does in the house.
38:37We, he says.
38:40It's been a long time since there was a we.
38:44It's been a long time since there was a we.
38:56I've wanted to do that for a long time.
38:59Oh yeah?
39:00Do it well.
39:01Since when did you have water in your mouth to suck me?
39:04Tell me.
39:05You know how we are.
39:07Since New Year's.
39:08Since New Year's you wanted to kiss me?
39:11And why didn't you do it?
39:14Why didn't I kiss you first?
39:16It's a serious matter.
39:17No, it's a matter of you.
39:18That you weren't able to take the first step.
39:20I would have done it, but...
39:22I didn't want to mess up the night.
39:24Besides, we were having a good time, right?
39:26It was a good feeling, right?
39:29I loved how you were with me on that trip.
39:33Imagine how it would have been in Tobacco Chanel.
39:35Another little thing too.
39:38Oh no, no.
39:39I meant Tobago.
39:40What's that?
39:42Where was I?
39:43Did I call you Tobago?
39:45It wasn't Tobacco Chanel?
39:46I was wrong about the country?
39:48Alba.
39:51I'm sorry about your dream.
39:53No, no, no.
39:55Believe me, it's better this way.
40:04As Pimpinela would say,
40:06forget my face, my name,
40:08and turn around.
40:10Is this how we're going to be, Teresa?
40:11Everyone on their side?
40:12Don't you see?
40:13Don't you want to turn me upside down?
40:15No.
40:16Women always think they're right.
40:19But soon they'll realize it's not like that.
40:22You're the ones who have to realize it,
40:25ex-Gilguerito.
40:27Ex-Gilguerito?
40:28That's what they told me to tell you.
40:30That hurt.
40:32Tell him to get out.
40:33What?
40:34Get out!
40:35Okay, this is getting a little extreme,
40:37but it's your fault.
40:38Because you make the worst of us.
40:41If you don't mind us leaving the house,
40:43it's fine.
40:44It's fine, we're leaving.
40:46But let me tell you something.
40:48This is what the whole body looks like.
40:50And it will remain in your consciousness
40:53that you did nothing to retain your husbands
40:56and save your marriage.
40:57Oh!
40:58And the Oscar for Best Victim and Manipulator is...
41:04Tito Lara!
41:06Applause, please.
41:08What's up?
41:11Gaspar, Don Gil,
41:12I'm not going to stay one more minute in this house.
41:15This has been an offense to me.
41:17If you offend one, you offend everyone.
41:20I'm leaving with you.
41:22But I'll come back to tend my little winery.
41:25Because that little winery is mine!
41:34My love.
41:38There's something inside of me that tells me
41:41that all of this is a trap.
41:45I think everything your dad said
41:47came out of his mouth.
41:50No.
41:51I think he has realized his mistakes.
41:54Yes, and what he's doing,
41:57well, he's scratching his teeth,
41:59is extending a bridge between him and us.
42:04We're not going to be fooled.
42:07He hates me.
42:08He always hates me.
42:11But...
42:13I'm going to prove to him that I'm much more than what he says.
42:17My love.
42:19You don't have to prove anything to him, okay?
42:22Just keep being yourself.
42:24And keep looking at me with that sparkle in your eyes,
42:27like you always do.
42:30I love you.
42:32I love you.
42:33Yes.
42:35From here...
42:36to China.
42:38And back.
42:39I love you.
42:47Well...
42:49To our reunion in China.
42:52And our new love nest.
42:59Love nest.
43:01In Maldini's house.
43:02It's a little hard to believe, right?
43:07That's crazy, right?
43:09Who would have thought
43:10that we would be better off here than in my house?
43:13Well, maybe right now
43:14all the couples must be making friends.
43:18You think?
43:19Yes.
43:20Let's go.
43:25I hope.
43:27Didn't you say you weren't going to let us go?
43:30Look, Gaspar.
43:31When they feel our absence,
43:32they're going to beg us to come back
43:34and that's when we'll have the last word.
43:37Now that we've run out of houses
43:41and I've run out of my warehouse,
43:44where are we going to sleep?
43:48Those people, how are they?
43:49How are they doing?
43:50I see they've been thrown out of the house.
43:53It's a shame, really.
43:54It's a great shame, yes, yes.
43:56But it's not a bad thing that they don't come back.
43:58Yes.
43:59Look, I'm going to give you a card.
44:02If you want to ask for a divorce or anything,
44:05let me know with confidence, with your promise.
44:20Now you're going to know what's good.
44:22I feel sorry for my dad.
44:24Well, but it was either all or none.
44:26They thought living with us was a martyrdom.
44:28Now you're going to see.
44:29I'm worried about my Gilguerito.
44:31I hope he doesn't forget to take his pills.
44:33Oh, but look.
44:35They left some letters here.
44:37And it says family.
44:40And I, as the matriarch of this house,
44:43I'm going to proceed to read it.
44:45If you want, I'll help you.
44:46No, no, no, no, no, no, no.
44:48Let's see, what does it say here?
44:50I went to Tabaco and Chanela to look for Macarena.
44:54He knows what he has to do in the workshop.
44:56We'll talk soon. I love you, Juan.
44:58Juan went on a trip again.
45:00I hope he brings Macarena.
45:02What is Tabaco and Chanela?
45:03How does he travel so much and without money?
45:05Let's see, let's read the next letter,
45:07which also says family.
45:08And I'm going to read it.
45:10Because, as you know,
45:12I am the matriarch of the house.
45:16Tu bi du bi du ba ba.
45:17Ay, tu bi du!
45:20Tu bi du bi ba ba.
45:21The experience of the house.
45:23Family, I went to live with Alessia at the house of the Maldini.
45:27What?
45:28Don't worry, I'll be fine.
45:31See you neighbors, I love you, Jimmy.
45:34He went to live with the Maldini?
45:36But they haven't even gotten married.
45:38But my God, now what am I going to tell Charo?
45:42Oh my God.
45:43Family!
45:45What?
45:46How?
45:48Macarena!
45:49You went to Tabaco and Chanela, where is it?
45:51Yes, where is it?
45:52In the corner?
45:53No, no, no, no, no.
45:54I was just leaving and we met in the corner, yes.
45:57We met.
45:58But why did you come back, Macarena?
46:01There is the detail and I want to ...
46:03Well, we wanted to tell you, but ...
46:05But first call the family.
46:07Oh, family is a term that we can no longer use in this house.
46:11What was it? Why? What happened?
46:12Love ends soon.
46:14I thought I had arrived so late.
46:17What was it, sisters?
46:18Why so little faith in love?
46:20And your husbands?
46:21My sponge?
46:22No, no, don't talk to me about him, I don't care.
46:24They must be regretting leaving the house.
46:27They left the house?
46:28Yes, never to return.
46:30Yes.
46:31The truth of the matter is that those people have to reflect
46:34on everything they have done, on all their actions,
46:37their bad actions.
46:38And surely they will return asking for forgiveness on their knees.
46:41Yes, but my Gilgarito is on his knees.
46:44I hope his pills reach him.
46:51Here we can think where we are going to live.
46:53Think, you said?
46:54Why? I thought we could stay here.
46:56No, you can't stay here.
46:57Why not? It's a waste of time.
46:59It's a workshop, it doesn't have a room or any of that.
47:01Although ...
47:02Although what?
47:03We have an office.
47:05An office that can serve us for that.
47:08Perfect, Gaspar.
47:09We settle down anywhere.
47:11Well, there is no turning back.
47:12It will be our new temporary home.
47:14But first I have to talk to Joel.
47:16But why?
47:17Aren't they partners?
47:18That's why I have to talk to him.
47:20I am Joel's patron.
47:23So I can authorize the use.
47:26There is something else, Mr. Gil.
47:28If Gil says so, there is no turning back.
47:30Let's see.
47:31Also, according to my calculations, we are only going to spend a night here.
47:35You will see how tomorrow the girl calls us asking for forgiveness on her knees.
47:41Let's see.
47:42Sure, right?
47:43Yes.
47:53We are nervous.
47:55And on top of that you play, you almost don't bring them champagne.
47:58Why don't you start realizing that there is nothing you can do against the love that those guys have?
48:04Of course, it's easy for you to say it.
48:05Because for you it's as if you had won the lottery.
48:08Do you want to fight?
48:09Do you want to fight?
48:10Let's fight.
48:11Look, I don't care about the millions or the inheritance or anything.
48:14Oh, please.
48:15You don't even believe what you just said.
48:18Why don't you let us be happy and try to be happy too?
48:21I am happy.
48:23And I'm going to be happier when Alesia gives up this madness.
48:35I am very excited about our business.
48:39But suddenly it would be good to regularize my administration title, right?
48:43To be able to undertake something.
48:44My love, for me you have graduated with honors, yes?
48:47You have the necessary knowledge to run a business.
48:50But now you don't need that card.
48:52Later you will see if you take it out or maybe if you want to study something else.
48:58I do want to take it out.
48:59Yes.
49:00At some point I'm going to take out that card because, I don't know, I want to give that joy to my mom.
49:04To my family.
49:06And to me.
49:08But you're right.
49:10At this moment we have to put all our energies in making our dream come true.
49:14That's right.
49:15Our idea of the thematic restaurant.
49:17Only the thematic is missing.
49:19That's where your ingenuity and creativity as an administrator come in.
49:31I think it's not a good idea for me to stay here.
49:34Why?
49:37Because your family is divided and they don't care much about our love story.
49:43They won't stop us, you say?
49:45No, it's better that our love flows in the air, in silence.
49:51Silence.
49:52Without telling the others.
49:54Step by step.
49:56Step by step.
49:58Go slowly.
50:05The important thing is that now you are officially my girlfriend.
50:14I love you.
50:15I love you too.
50:16I love you.
50:17I love you.
50:18I love you.
50:19I love you.
50:20I love you.
50:21I love you.
50:22I love you.
50:24Tell me you do because everyone knows I'm with you.
50:26Already serious.
50:27But why didn't you tell me earlier?
50:30I'm leaving now.
50:32Thank you for supporting me and helping me with everything.
50:39Good luck, my love.
50:44Don't you want me to go with you?
50:46I don't know.
50:47I'll go with you.
50:48No, I don't.
50:49I think this is something I have to do alone.
50:53I got tired of living bitterly, of being the bad one in the movie, of carrying hatred and resentment over my shoulders.
51:06I want to live in peace. You just have to decide to forgive.
51:10If it were up to you, they wouldn't have suspended Julia out of negligence either.
51:14Julia? Julie? I forgot about her.
51:19Hello! Can you help me with my things?
51:24And those suitcases?
51:26I'm moving in with you, Cuchi!
51:30What?
51:32Yes, we've been going out long enough and it's time to live together.
51:37Maybe this way you'll start noticing me, right?
51:48Do what you do, don't get married. Live what we can't.
51:59You're the last of the single Gonzales.