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00:00I'm gonna kick your ass before I start talking. Let me go, you son of a bitch.
00:05If you have a problem with me, let's solve it right now.
00:10Here, man to man.
00:12Or do you need to send people to do what you don't dare to do?
00:15Why would I send someone to kick your ass, you idiot?
00:18I don't know. You tell me.
00:20I have no idea.
00:22Tell me, you piece of shit.
00:24Why would I be worried about a piece of shit like you?
00:26I'm not one of those idiots you sent to kick my ass.
00:31What the fuck is going on here?
00:56Hello, Roberto.
00:58I'm sorry to bother you on a Saturday, but you told me that if it was urgent I could do it.
01:03And I think I'm in a very complicated moment, so I'm taking that right.
01:10I need to resume therapy.
01:13Please, schedule an hour for me as soon as possible.
01:19I'm sorry.
01:20Please, schedule an hour for me as soon as possible.
01:26Bye.
01:36No, yes, I remember her.
01:39I saw her when you had the panic attack at the clinic.
01:42Nice.
01:44Nice.
01:46Much more than nice.
01:48She's fantastic.
01:50I won the lottery with her.
01:52I don't know why I don't trust everyone.
01:55My children, it's not easy.
01:57Really?
01:59Martina, in particular.
02:01She has a lot of affection for Martina.
02:03She's extraordinary.
02:05She's intelligent, kind.
02:08I love it.
02:10I love being with her.
02:12I've never heard you talk like that about one of your assistants.
02:15Have you?
02:17Are things happening to you?
02:19No, Angel, don't be ridiculous.
02:21They're ridiculous from any point of view.
02:24Look, ridiculous or not, I've known you for many years.
02:28And I've never heard you talk like that about a woman since Carla.
02:32Tell me the truth.
02:34Are things happening to you with her, yes or no?
02:42Hi.
02:43I've missed you.
02:45Yes, I've missed you.
02:47But you've been very good to me today.
02:49I studied your brother's companies all morning.
02:51So I'm ready for the interview, whenever it is.
02:55Hey, look.
02:58I'm making lunch.
03:01So I'm waiting for you.
03:03Did I tell you today that I love you?
03:06It seems not.
03:08I love you.
03:13I love you.
03:20Mr. Ivan, excuse me.
03:22There's a lady who wants to talk to you and it's urgent.
03:25No, no, Isabela, I'm not for anyone.
03:27Tell her to leave.
03:29She's just going to have to be there, Mr. Ivan.
03:33Genoveva, dear, what a surprise.
03:35Thank you, Isabela.
03:37Don't worry.
03:39If anything, I'll let you know.
03:41Oh, old lady.
03:43You don't know how much I've missed you.
03:45I imagine you missed me too.
03:47Give me a hug.
03:49No, no, no, don't be nice to me.
03:51Look, I just didn't come to socialize with you.
03:55I want to ask you why you keep hurting your brother.
04:01No, no, Genoveva, dear.
04:03Did you come to talk about Raimundo?
04:05No, please, why don't we talk about us?
04:07About our story.
04:09Tell me, who made you laugh the most?
04:11Me, right?
04:13Me, right?
04:15No, no, I didn't come to have a drink here.
04:17No.
04:19I came to tell you that if you still have some heart left,
04:23you have to convince Juanacito to come back home.
04:27But I'm the only one who's been able to contain that bastard.
04:31Why am I going to keep him away from me, Genoveva?
04:33Why?
04:35Because I'm asking you.
04:37I know you.
04:39I know the damage you can do.
04:41I saw it in Mrs. Carla.
04:43Juanacito went through the same thing.
04:45That boy is fragile like his mother.
04:49He doesn't have to be with you.
04:53But what is that nonsense that he doesn't have to be with me?
04:57We are family.
04:59He feels that I am the only one who understands him.
05:01He feels good with me and I feel very good with him.
05:03Oh yeah? Don't tell me.
05:05Yes, I feel that I have a kind of special connection with Juanaz.
05:10What connection?
05:11Connection.
05:13It is not necessary for him to tell me a lot for me to understand what he is thinking,
05:16what is happening to him.
05:18I don't know, sometimes I feel that I feel reflected in him when he was his age.
05:22What are you saying?
05:24That I look a lot like him when I was younger.
05:27I look like him.
05:29But Juanacito has nothing to do with you.
05:31Absolutely nothing.
05:33Look, it is better that he retire, that he move away, please.
05:36Because if it doesn't work out, nothing good will continue to live with you.
05:41Do you understand me? Nothing.
05:48No, no, no, Angel, no.
05:51You are seeing things that don't exist.
05:53Miranda is an excellent assistant and that's it.
05:55Ah, well, Raymundo.
05:57I don't know, I listen to you talk and butterflies come out of your mouth when you talk about her.
06:02Hey, did you see how they looked at her at lunch?
06:05Hey, I think, forgive me to meddle, but they would make a very nice couple.
06:11Well, I'm not asking for your opinion.
06:14Well, but I'm going to give it to you anyway, man.
06:16Look, hey, give yourself a chance, why not?
06:19You're crazy, man, at this point.
06:21Why not? What's the problem?
06:23Well, because it doesn't correspond.
06:25What doesn't correspond? Why?
06:27Well, because it doesn't correspond.
06:29Because she is your employee, that's why.
06:31Among other things.
06:32How do you think I'm going to fire Miranda if you need this job?
06:36Ah, Raymundo, really.
06:38Let's not see each other at the party among gypsies.
06:40You know that this is solved like this.
06:42Hey, you have the right to be happy, to rebuild your life.
06:47Go for it.
06:49Give yourself a chance.
06:51Go for it.
06:56You're very good.
06:58Cheers.
07:03But old lady, why do you get like this?
07:06Because you make me nervous.
07:08Well, calm down.
07:10Sorry, I haven't said anything bad.
07:12Oh, no, Raymundo got ideas in your head about me.
07:16That's true.
07:18No, no, really, Mr. Raymundo, in this dance.
07:21I know you.
07:23You are capable of hurting all the people around you.
07:26And if you have a little decency left,
07:29please, please tell Juanacito to come back with his father.
07:34But woman, you're shaking, my love.
07:36What's wrong with you?
07:38I have a very high temperature.
07:40I don't know, I can't go through bad things.
07:42Calm down.
07:44Look, let's have a drink.
07:46No, no, no, thank you.
07:48No, no, no.
07:50I have to go back home because they don't know I'm here.
07:53But please convince Juanacito to come back with his father.
07:57Because if not, what?
07:59Because if not, what?
08:01Something bad is going to happen to him if he's still here.
08:04Why do you say that? I don't understand.
08:06No, I already told him everything I had to say.
08:08No, no, no, wait a minute.
08:10Let's see.
08:12You're hiding something from me.
08:14Hiding what?
08:16I don't know.
08:18I don't know, some secret from the past.
08:20You were very close to Carla.
08:22She told you everything, didn't she?
08:24Yes, that's true.
08:25Yes, that's true.
08:27Yes, may God have her, her holy queen, Carla.
08:31But...
08:33But you know she trusted me.
08:36Ah.
08:38But I always go with the clear things.
08:42You're not hiding anything from me, are you?
08:45No, no.
08:47Well, I'm not so sure.
08:49I don't think your son thinks the same.
08:51Are you friends with him?
08:53I don't think so, right?
08:55No.
08:58You were right, Don Raymundo.
09:01You are a snake.
09:03That's it.
09:16We have to kick that asshole out immediately.
09:18Did you see how he treated me?
09:20Who does he think he is, the very spicy asshole?
09:22He called me with the horse's whip
09:23and he grabbed me and attacked me.
09:25And why did he do that?
09:27What do you think?
09:29Because he's a fucking scumbag, the dead man.
09:31Let's see, when I passed by, he said it was you
09:33who told them to hit him.
09:35Can you believe it?
09:37Tomás, I need you to be honest with me.
09:39Was it you?
09:41What?
09:43If it was you who told them to hit him,
09:45this was going to happen here.
09:47But how can you think, please, that he has given everything
09:49now for blaming me for that bestiality?
09:51How am I going to be able to do something like this?
09:53Well, you had something against the wall, didn't you?
09:55Well, if you want to know why,
09:57ask for the explanation of that spicy shit, but not me.
09:59Well, I know what I'm going to do,
10:01but first I want to hear your version.
10:03My version?
10:05Yes.
10:07My version is that a broken piece of shit,
10:09starving to death, that went up the chornoma.
10:11He was drunk.
10:13And since I'm tough with him, I'm demanding with him,
10:15there's nothing better than getting rid of me
10:17and being very machito, the asshole.
10:19I tell you one thing.
10:21Either that broken piece of shit apologizes me
10:23for such anvoltage and puts me back to that
10:38when I'm way too high from him.
10:39I think I feel watchful of him when he was his age.
10:41What are you saying?
10:43That.
10:45That I look a lot like him when I was,
10:47when I was younger I look alike him.
10:49But Jonasito has nothing to do with you.
10:51Absolutely nothing.
10:53It's better if you leave, please.
10:55Because if it doesn't work out, nothing good will happen to you.
11:00Do you understand me? Nothing!
12:23Don't worry about it.
12:25Don't worry about it.
12:35Doctor!
12:37Yes, Mrs. Deni.
12:39Come in, here with Elenita.
12:41Thank you, Juan.
12:43I'll do the treatment the next time you come.
12:45Take it.
12:49Hi, nephew. How are you?
12:54Let's just say I've had better days.
13:02Shit! Why?
13:07The lunch was terrible and the bet here worse.
13:14Uff, that's bad.
13:16I'll be here at the hotel in case you want us to have a drink when I finish the bet.
13:23Okay.
13:35Bye.
13:53Bye.
14:19Is Tomas with you?
14:21He told me you wrote to him.
14:31Who are you talking to, sister-in-law?
14:34With a bad snack you have there?
14:36Excuse me?
14:38Oh, Alexandra, please, it's a joke.
14:41The bad joke, Juan Pablo.
14:43Where do you get that I could be with someone?
14:47Alexandra, it's a joke how I caught you there, hiding, talking like a teenager.
14:52How do you think I'm going to think I had a lover, please?
14:55Obviously not.
14:57Obviously not, because you and Tomas are such a beautiful couple.
15:00Besides, when could you have a lover with everything you work?
15:03Exactly.
15:05Hey, about work.
15:08Samuel told me that your dad in the next few days is going to decide who is going to take over the vineyard branch in California.
15:14Yes.
15:16He's going to choose you, of course.
15:18You're older, you have more experience, he's going to go with you for sure.
15:21And it's the most logical thing, right?
15:23I opened the branch in Argentina, in Brazil.
15:26Although the gringos are more formal, I have a lot of contacts there that can facilitate the whole issue of bureaucracy.
15:32Well, but you, Juan Pablo, advanced a lot when you went there for your honeymoon.
15:35Are you going to take care of the Linares project?
15:37Oh, of course, of course, I'm happy with that.
15:40Although opening a branch abroad, big words, right?
15:44Of course.
15:45California, Linares.
15:47There is no comparison, yes.
15:49Oh, you're here.
15:51Can we go?
15:53Of course.
15:54All right?
15:55Let's go back to the house.
16:10Who is it?
16:21It's me, Samuel.
16:28What do you want?
16:31Give me one reason not to kick you out of here.
16:35His brother-in-law was the one who told them to hit me.
16:37Where did you get that?
16:38The police station recognized one of those who hit me.
16:40And he himself told me that it was Mr. Tomás who sent him.
16:45When was that?
16:47Today.
16:48But don't worry, I withdrew the complaint as you asked me.
16:52I myself interrogated the Chinese at the police station.
16:55The Chinese?
16:56Sorry, who is the Chinese?
16:57No.
16:58You know what?
16:59I don't want any explanations or entanglements.
17:01You are going to apologize to my brother-in-law for attacking him now if you don't want this to happen again, did you hear me?
17:07And if I don't do it, what happens?
17:10The door is wide open.
17:12Excuse me.
17:27Can you imagine?
17:29If the imbecile grabs me and throws me against a piece of wood.
17:31He grabs an orchestra to threaten me.
17:33Can you imagine how dangerous something like this can be?
17:36What?
17:37And he's alone, even though he did it where the cameras couldn't record him, the very coward.
17:41No, it's hard for me to believe that Tormento could do something like that to you, Tomás.
17:44There you have it, there you have it.
17:45The petitioner who defends so much, accusing me, the imbecile, of having been the one who ordered him to be hit.
17:49Please.
17:51Oh, I can't believe it.
17:52And Samuel also asked me if it had been me.
17:54Can you explain that to me?
17:56Why the imbecile of Tormento, your brother and you, believe that I can be a thug?
18:01Did you tell them that I was jealous of Tormento that day we argued in Santiago's office?
18:05Me?
18:06But why would I do something like that, Tomás?
18:08I don't know, but the funny thing is that you and your brother question me because of that imbecile.
18:12And that fucking thug has the luxury of coming to attack me in my own absence, for fuck's sake.
18:20I'm not going to let this pass.
18:21I already talked to Samuel.
18:22If that fucking thug doesn't apologize to me, I already told Samuel that he has to kick him out of Laras.
18:28What are you going to do? Where are you going?
18:30Tomás!
18:31I'm going to get some air. Can I or can't I?
18:34For fuck's sake!
18:49One after another.
18:50How dare you say that you married me for money?
18:53I mean, you have a tremendous ordinariness, really.
18:55Martina, I agree with you, but your sister wants you to step on the stick.
18:58So don't step on the stick.
19:00I don't care. I find her unbearable. I really hate her.
19:03And she's always been like that. A sack of lead.
19:05If they told you...
19:06Well, I think your sister was nervous.
19:08She's so nervous, Alexander. She doesn't have feelings. She's like dead inside.
19:12I think she was nervous.
19:14Why?
19:15Because maybe your dad is going to choose me to open the vineyard branch in California, and not her.
19:19Fuck, I didn't know that was so advanced.
19:22Yeah, and would you like that?
19:25I mean, it would be a half-baked goal for me.
19:28Do you want me to talk to my dad?
19:29About what?
19:31I don't know, because maybe I can help him lean on you.
19:33No, Martina, no. No, for no reason.
19:36If I'm in the place where I am in this company, it's because of my talent.
19:38Yeah, I know.
19:39If your dad is considering me, it's because of my work, not because I'm your husband.
19:42Yeah, my love. Okay, don't get mad.
19:44No, I'm not mad, but I want you to be clear.
19:47I'm clear.
19:48Yeah.
19:49You know what? Let's stop talking about California and stuff.
19:53You know what I was thinking?
19:54What?
19:55That maybe I could help your brother get married.
19:57Why?
19:59Because I think that woman...
20:02Luciana, she doesn't have many fingers for this.
20:04Can you imagine her choosing her dress?
20:06No.
20:07Can you imagine her choosing the decoration?
20:09No. If the only thing she does is think about her job, my love.
20:12I got it. Samuel told you to tell me, didn't he?
20:15I swear to God, no.
20:17But how does our marriage come out?
20:19Beautiful, I hate it.
20:20Yeah, wouldn't it be nice if your brother's marriage came out just as beautiful?
20:29Yes.
20:36Oh, look at you. I thought I was going to reintegrate you tomorrow.
20:40Me too, but a couple of days was more than enough.
20:44And besides, you know what I'm like.
20:46I'm a work animal, so I'm super good here.
20:49That's good.
20:51I saw Jonathan here.
20:52I didn't know you had reintegrated the post.
20:55Yes, yes.
20:56The truth is that he asked me to reintegrate.
20:58I didn't find any good reason to say no.
21:00Do you think it's bad?
21:02No, not at all. On the contrary.
21:04He's super good at what he does.
21:06Besides, well, I already talked to him.
21:08And I told him that if we're going to work together, there can't be anything between us.
21:13What I need the least right now are complications.
21:16Well, I'm glad to hear that. Super good.
21:18Oh yeah? Why?
21:20Yeah, because...
21:22No, for you it's been difficult.
21:24It's been a little complicated.
21:26And that's going to make you much better.
21:29Yes, I think it's best for everyone.
21:31Yes, yes.
21:33Well, it's probably going to be difficult for him.
21:35But with time, a couple of weeks will pass.
21:37We'll see.
21:40Thanks.
21:51It's late. Where are you?
22:00Brother, another one, please.
22:02One.
22:05That's it.
22:09And you, what's up? You left me stranded.
22:12I've been in this bar for a long time and I can't find you anywhere.
22:21Good.
22:22How are you?
22:23How are you? Good, and you?
22:24Very good too.
22:25I'm glad you came. I thought you weren't coming anymore.
22:28Why?
22:29I don't know.
22:31Tomas, please, I want to know if you're okay.
22:35What, I'm not going to answer?
22:36No, no, it's not important.
22:39Hey, what do you want to drink?
22:46Let's see, what would you choose for me to drink?
22:51A London Mule?
22:53No?
22:54Cool, a Ramazotti.
22:57Do you know what a Negroni would be good for you?
22:58Negroni?
22:59Yes.
23:00No?
23:01Let's see, brother.
23:02Hello, how are you?
23:03For me, the same thing you're drinking in the bar, please.
23:06And for her, a Negroni, a London Mule and a Ramazotti.
23:09You?
23:10Okay, yes.
23:12No?
23:22Who is it?
23:23It's me.
23:30What are you doing here? Come in.
23:31How could you, Tormento?
23:33Why did you do it?
23:35Why don't you ask yourself? Why did your husband send me to hit him?
23:38You're wrong, I already told you, it wasn't him.
23:40He would be unable to do something like that.
23:42We both talked about it and you believed me.
23:44Well, yes, because at that moment I had no proof.
23:46And now you have proof?
23:47Yes.
23:48Which ones?
23:49Yes, one of the same ones that...
23:51Someone, someone told me.
23:53Someone?
23:54Who?
23:56Well, that someone is lying to you.
23:59How are you so sure?
24:01Because I know my husband.
24:03And he could do many things, have many defects, but he's not a killer.
24:08Besides, he doesn't know about us, so...
24:10Well, but maybe he does know.
24:12Or at least he suspects, and the one who hasn't realized it is you.
24:15No.
24:17It's not like that.
24:18He would have told me, he would have confronted me.
24:21This was a robbery, Tormento.
24:22People are killing each other for stealing a phone.
24:26Let it be investigated.
24:27Don't make ridiculous conclusions.
24:28In the end, the only one who is here with murderous attitudes is you.
24:33And you believe that about me?
24:36And what do you want me to believe?
24:39Are you going to deny that you sent me to call Tomás to the hairdressers to get his head?
24:43Look, you know what?
24:44If you have nothing else to tell me, please.
24:49Tormento, we are...
24:50Alexandra, you know I've had enough for today.
25:11I don't understand.
25:12I just don't understand why the doctor doesn't want to be with you.
25:15I don't understand.
25:16The truth is that I don't understand it either.
25:17Supposedly, she wanted the same thing as me.
25:20What we felt was reciprocal.
25:21And for a while, this part just doesn't want the same thing.
25:25Anyway.
25:27I don't understand it.
25:28Who understands women?
25:30In any case, I'm not like that just because the baby doesn't want anything to do with me.
25:34But also because of the lunch we had with my brother.
25:37It was terrible, really.
25:38Today has been a day to forget.
25:40The generation of who?
25:42Samuel with Luciana.
25:43Yes, Samuel with Luciana.
25:45Do you know what the real problem is?
25:47That in my family, I am the only one who says things as they really think.
25:50Because everyone else stays quiet.
25:52And that's my big problem.
25:53That I say things and I fall like a kick in the face.
25:55That's how the story tells me.
25:56How so?
25:57Because yes, because my brothers are all well-behaved.
26:00And everyone treats my dad well.
26:02On the other hand, I don't.
26:04I mean, I've never cared what my dad thinks.
26:06Imagine, he just wanted engineers, lawyers,
26:09that they could work with him there, in the company.
26:12Or in some of his companies.
26:14Or in the vineyard.
26:15Or with the horses.
26:16Anyway.
26:17And I, on the other hand, came out tense.
26:19Imagine, from the health area.
26:21I mean, health official.
26:23That word, my dad carries it.
26:26Well, anyway, cheers.
26:27Cheers.
26:28Well, I was the same.
26:29I imagine you never liked school.
26:31I carried it.
26:32And the school, on top of that, had to go with my brother.
26:34That each one was more of an ass with my dad.
26:36So everyone wanted to behave well.
26:38And get nominated in some of the awards.
26:40So that my dad would have spoken to him.
26:42And I, on the other hand, shot in the air.
26:44That the only thing I like was the cart.
26:48Maybe that's why he loves me less.
26:52Ah, you think your dad loves you less than your brother.
26:58I mean, he's never going to say it.
27:02But yes, I think he loves me less.
27:05Well, I don't know if it's useful.
27:07But it's good to know that among all my nephews.
27:10You are the one I love more.
27:14Well, thank you.
27:17I don't know if it's useful to you.
27:18But maybe it's good to know that of all my uncles.
27:22You are the one I love more.
27:25How good.
27:26And you are the one I like best.
27:27Although you are the only uncle I have.
27:29So I don't see much competition either.
27:35How do I do it to get this shitty feeling I have?
27:41Do this.
27:42This, talk.
27:44And be drinking here with your favorite uncle.
27:46That's what you have to do.
27:51Cheers.
27:52Cheers.
28:05Very good.
28:08I'm going to the bathroom.
28:11Don't move.
28:12There are still many things I want to talk to you about.
28:14I'm here.
28:15Don't move, love.
28:34I'm going to the bathroom.
28:41Gabriel.
28:42Yes, tell me.
28:43Bring another bottle.
28:44Right away.