Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Category
🎥
Short filmTranscript
00:00This guy has Claudia Llanos' blood running through his veins.
00:04He's our enemy. Don't forget everything he's done to you.
00:08Claudia was the soul in pain who contacted me when she was in a trance
00:13and told me that Isabela was no longer in El Mazallón.
00:19I know you. You're Margarito's girlfriend.
00:21Yes, I saw you over there.
00:23Wait.
00:24Who?
00:31Thank you, Tito.
00:33Why are you thanking me?
00:36For what you've done for me.
00:38You convinced Teresa and the girls to move just to see me happy.
00:45Are you tired of losing, Miss Zapayal?
00:48I think you're the one who lost, Mr. De las Casas.
01:00I hope it works. Let's see.
01:11It works! It works!
01:13It works, it works, it works!
01:15Why does that machine still work?
01:17Because it's a machine of the devil!
01:20Fran, this is worrying me.
01:23Are you using shamans to find out about your daughter?
01:27Isabela is in the cemetery.
01:29Carmen ended her life with a gunshot. That's the reality.
01:34My mother's love tells me she's alive.
01:37It's weird, besides, that Leonardo appears like this after so long.
01:41He looks cooler than ever.
01:45With his hairstyle, with his look.
01:49He's all pulcro.
01:51With those beautiful and frizzy hair.
01:56I just want to see Alesia.
01:57Don't be so anxious.
01:58We just need to find a nice airport.
02:01Juanito, Juanito!
02:02There she is.
02:07Alesia.
02:08Juanito!
02:09Juanito!
02:10Juanito!
02:11Juanito!
02:12Juanito!
02:13Juanito!
02:14Juanito!
02:15Juanito!
02:16Juanito!
02:17Juanito!
02:26If I spread my sexiness, I'll do it.
02:28There are millions of Chinese.
02:29What was that?
02:30Come here.
02:31What was that?
02:32Calm down.
02:33What was that?
02:34Calm down.
02:35It can't be.
02:36Calm down.
02:37It can't be again.
02:38I'm sorry.
02:39I don't know what's going on.
02:40We're following you everywhere because we have no other choice.
02:42We thank you.
02:43We thank you.
02:44But you hit me in the face again.
02:46That wasn't Alesia.
02:47I'm going crazy.
02:48Calm down.
02:49I'm going crazy.
02:50Calm down.
02:51Calm down.
02:52Juanito.
02:53Juanito.
02:54Excuse him.
02:55He has m boils.
02:56What?
02:57What's wrong?
02:59Don't worry, I'm nervous.
03:00I don't want to make a mistake.
03:01Nobody can make a mistake.
03:02I never make a mistake.
03:03Okay.
03:04Maybe my cousin can help us.
03:11She works next door.
03:14Your cousin?
03:15Where?
03:16She works on telephones.
03:17She makes telephones?
03:18She has a workshop?
03:19Something bigger than a workshop.
03:22What did he say?
03:23Let's go. Come on, let's go.
03:25I know people who disarm them.
03:28But to disarm them?
03:40Welcome to the living city.
03:42This is bigger than Lima.
03:45I want to apologize for inviting you.
03:47I understand your apology.
03:50Let's go in there.
03:54What a thing.
03:56Wow.
03:58We couldn't have seen this without you.
04:01We would be in a park.
04:03I thank you for letting me help you, Jimmy González,
04:07and you, Joel González, the legend.
04:10Quack, quack, quack, quack.
04:20When the visit is over, we can talk to my cousin.
04:23She has many important friends.
04:26Of course, because a Peruvian chef in China
04:28shouldn't be very common, right?
04:35What are we doing here?
04:37We just found your cousin and she was a robot.
04:39Manito.
04:41Manito, Manito, please listen to me.
04:43Joel, I love you with all my heart.
04:45But sometimes you ask stupid questions.
04:47What's going on?
04:48Let's go here.
04:49Look.
04:51Wow, look at my pupil.
04:53This is fantastic.
04:58Follow me.
05:03Hey, what do you want?
05:05Another harvest.
05:07This is my cousin.
05:09Ni hao.
05:10Ni hao, ni hao.
05:11This is the legend, Quack, quack, quack.
05:12This is my brother.
05:13Yes, from Peru.
05:14I met them in Shanghai.
05:16They came to China to find a girlfriend.
05:18I don't know if you have anyone you can introduce.
05:21You can help them.
05:25Joel, do you think your cousin can give us the data?
05:28No, but first let her finish her work.
05:32She has to change.
05:35Can we see her cell phone?
05:38Ah, you understand.
05:40She understands.
05:41Oh, Manito.
05:48What are they doing?
05:50They are assembling accessories.
05:55Ah.
06:03And now what are they doing?
06:05Connecting the main board and the sub-board.
06:07They are connecting the main board and the sub-board.
06:20And now what are they doing?
06:23Assembling the middle structure.
06:37And now what are they doing?
06:39Checking the main board and the sub-board.
06:42The last check after assembling the back cover.
06:48Oh.
06:52And now what are you doing?
06:54Yes, yes, I'm doing the last check.
06:56Doing the last check.
06:59Oh.
07:07And now what are they doing?
07:09The whole process is over.
07:11The phone is ready.
07:13To take it, to take it.
07:14So your cousin can't help anymore?
07:16No, she can't.
07:19Oh, Manito.
07:21The factory is beautiful, isn't it?
07:22Yes, Mano, yes.
07:24Hey, do you think they can give us a phone?
07:27No, no, don't worry, don't worry.
07:28You can find this technology in Peru.
07:31Really?
07:32Of course.
07:33No, no.
07:34No, no.
07:35Oh, Manito, you.
07:36Oh, how nice.
07:38How nice.
07:39How nice.
07:40How nice.
07:41How nice.
07:42How nice.
07:43How nice.
07:44How nice.
07:45How nice.
07:46How nice.
07:48How nice.
07:49What did he say?
07:50What do you know about Beijing?
07:54You're making fun of me, Mano.
07:55I know I'm beautiful.
07:57Mano, Mano, Mano, Mano, Mano.
07:58Please, just a moment.
07:59What are you doing?
08:00Eat, eat.
08:01Shut up.
08:02What's wrong with Beijing?
08:17What a night we had, huh?
08:19What a good inauguration, huh?
08:21We already have a good memory of our first night in our little nest of love.
08:26I have slept much better in this room.
08:29You can't hear anything at all.
08:31Yes, right?
08:34Come in.
08:38Hi, Tere.
08:40We're moving.
08:41Yes, I heard you.
08:42Did you hear us?
08:43Loud and clear.
08:45We were just arranging the furniture.
08:48Which finger sucked me.
08:50Look, we're adults and we're not going to give explanations.
08:53You don't need to.
08:54The only thing I'm going to ask you is to be discreet when my son is at home, okay?
08:58It was the emotion.
09:00Thank you for letting us move to this room.
09:03Well, as long as Charo doesn't come to claim what's his, there's no problem.
09:07Excuse me, neighbors.
09:09Messura.
09:11Yes, it was the first night, you know.
09:15The emotion.
09:27What if Charo comes back?
09:29Honey, don't worry.
09:31When Charo comes back, we'll be living in our own apartment.
09:38I love hearing you say those things.
09:41Say it and say it so it's done.
09:44You have to declare it.
09:48When are you going to come?
09:50I need you to show me that new step.
09:52I need to learn a new step.
09:54Come back.
09:55I love it.
09:56Yes, please.
09:57Nothing new.
09:58Please help me.
09:59Please.
10:00They stole me.
10:01They stole me.
10:02Didn't they steal you yesterday?
10:03Yes.
10:04You're Chato's girlfriend, right?
10:05Yes.
10:06But Chato doesn't live here.
10:08I'm from Maripaz.
10:09My dad bought me your cell phone and they stole it again.
10:11Please help me.
10:12I'm in crisis.
10:13I don't know what to do.
10:14They stole you again?
10:15Yes.
10:16Please go over there.
10:17Over there?
10:18Yes, please.
10:19Come on, please.
10:22Now we're talking.
10:39Come on.
11:10Are those bullets?
11:12Were they bullets?
11:14Are you sure?
11:15These unconscious people.
11:16What if no one pinches the dogs?
11:18I haven't seen many dogs around here.
11:20Well, it's true.
11:22Eh...
11:23Ah...
11:24Ah...
11:25Ah...
11:26Ah...
11:27Ah...
11:28Ah...
11:29Ah...
11:30Ah...
11:31Ah...
11:32Ah...
11:33Ah...
11:34Ah...
11:35Ah...
11:36Ah...
11:37Ah...
11:38Ah...
11:39How comfortable I slept here.
11:42Are you sure you slept comfortably?
11:44Yes.
11:45I like to sleep on the hammock.
11:46Why?
11:47It's not the best for your spine.
11:49Why?
11:50My dad has slept here all his life and he has not had any problems.
11:57We did it!
11:59What are you talking about?
12:01No, nothing.
12:02Nothing, nothing.
12:05Ah...
12:06Hey, don't you smell burnt?
12:09What if they weren't bullets?
12:13No.
12:19Miss!
12:22The thief escaped again!
12:27He's not here again, he's not here.
12:29No!
12:30Neutranis!
12:32No!
12:33Now I'm screwed.
12:34I'm out of a job now.
12:36No.
12:37Oh, San Juan Blessed.
12:39It can't be.
12:40I'm gone.
12:41I'm gone.
12:42I'm gone.
12:45And now what am I going to do?
12:47What am I going to do?
12:52Here's the banana I asked for!
12:56I can't believe it!
12:58Neutranis, you are indestructible!
13:04Valentín, I received your message.
13:06You did it!
13:07You are the best!
13:08No, we didn't achieve anything.
13:10We achieved it long before.
13:12What, what, what happened to me?
13:13Feli just bought a banana.
13:15But how is this possible?
13:17Who is attempting against Mr. Miguel Ignacio's machine?
13:27Ah...
13:28These guys think I was born yesterday, right?
13:32I don't understand.
13:33I understand why they hate this machine.
13:36What are they going to do?
13:38The winery has its days cut short.
13:44Poor Mr. Gilberto.
13:46Now we are going to lose him.
13:51What are you doing?
13:57Ah!
14:18What are those explosions?
14:20They were blowing up fireworks, Mrs. Maldini.
14:22I thought the pyrotechnics was prohibited in this district.
14:25It is.
14:26But apparently these misfits don't care about anything.
14:29It must be the front row.
14:31Please don't open the door ever again.
14:34Never again.
14:35What a mess.
14:36I'm sorry to see all this mess, but...
14:39What is this?
14:41Let's see.
14:51Isabel.
14:54Oh no.
14:58Mrs. Maldini?
14:59Isabel.
15:00Are you okay?
15:01Mrs. Maldini?
15:02Mrs. Maldini?
15:04Are you okay?
15:05Are you okay?
15:06Breathe, please.
15:07Breathe, please.
15:09Breathe, breathe, breathe.
15:10Breathe, please.
15:11Breathe.
15:12Please react.
15:13Tell me something, please.
15:14Mr. Diego.
15:15Mr. Diego, please.
15:16Come quickly.
15:17Please.
15:18Come quickly.
15:19Breathe, please.
15:20Breathe.
15:21Are you okay?
15:22Call an ambulance.
15:23Yes, yes, yes.
15:24Frank.
15:28What happened?
15:29There's smoke coming out of the window.
15:34Hello?
15:37Help!
15:38Hello?
15:49What is that?
15:51It looks like a hand coming out of the ground.
15:54It looks like a hand, but...
15:57But it's not a hand.
15:58It can't be a hand.
15:59Hands don't grow in gardens.
16:01Well, very strange things happen in your garden, sir.
16:03Lucio, don't get carried away by the malicious news they're saying out there.
16:08Rather, why don't you come closer to verify that it's not a hand?
16:12Come closer?
16:13Yes, to make you cry.
16:15It must be a fungus or...
16:17a crot, a hand-shaped calendula.
16:21Mr. Diego, I appreciate the opportunity, but I'd better go.
16:24And don't worry about my compensation for working hours, okay?
16:29This is never going to end.
16:32Frank.
16:35Frank.
16:37The ambulance is coming.
17:16That's not a real hand.
17:29I hope it works.
17:30It will work.
17:31Valentino, if that machine doesn't disappear before Mr. Gilberto comes back...
17:34It will disappear.
17:37It could be an attack or something. Think about it.
17:39Princess.
17:41Can you trust me, please?
17:43Can you do it?
17:46I can.
17:49Hey, when is the venerable old man from the hippie-pipili coming back?
17:53I think in a few days.
18:03Family!
18:05Wait, little turtle.
18:09Let's go to the patio.
18:12And there we give them the surprise.
18:15Oh, what a good idea, Pigín.
18:19Let's go in quietly.
18:26Poor Mr. Gil.
18:28When he finds out that his boutique has failed him...
18:35At the voice of three, we surprise Julie in her room.
18:40On your count.
18:42One, two, three.
18:45Surprise!
18:52Oh, sorry.
18:53Sorry, excuse me.
18:55Excuse me.
18:56We didn't know you were here.
19:00Congratulations on the marriage.
19:04Yes, thank you.
19:07We would have invited you, but there was no time.
19:11Mr. Gil has changed his look, hasn't he?
19:14It's just that my little turtle told me to leave a little beard.
19:19Yes, he doesn't look so handsome.
19:25Well, you'll have to excuse us, but there's a draft coming in.
19:30Oh, it's called a draft, how nice.
19:32Keep going, keep going.
19:34They're at home.
19:36Yes, with all the comfort, quiet.
19:40Let's close.
19:41Yes, yes, yes.
19:42See you later.
19:45What are Tito and Lorena doing in Julie's room?
19:50It doesn't show, really.
19:52Oh no, my God.
19:54How horrible.
19:56Why don't we give the surprise to Teresita?
20:03Well, let's go.
20:07Surprise!
20:14We haven't seen each other in a long time.
20:17My mother, mother of God, forgive our sins.
20:22How much did you get to see?
20:23Enough, I say a little, a little, a little, a little.
20:27I think it was not a good idea to be so surprised.
20:31No, no, we already know for the next one that it is not a very good idea to be surprising people.
20:41But how nice it feels to return home, right?
20:44That yes.
20:51Oh, I'm going to cry.
20:54So that old man in the wheelchair was once your father-in-law.
20:58And now he's like a kind of dragged employee who only uses you to have fun.
21:05I loved it!
21:07Instant karma.
21:09The turns that life gives.
21:11Ah, but the girl who drives like a sedentary.
21:15What a woman's level, huh?
21:17It is not that it is noticeable that he has taken her out of a hole.
21:19But what hole would he have taken her out of?
21:21No, because the look of a climber is not taken away by anyone.
21:25Of course, now the girl thinks she found her sure daddy.
21:31But how long will grace last?
21:33Two, three months maximum, right?
21:35Oh, but you saw her well, right?
21:37You saw her well.
21:49Are you tired of losing, Miss Sapayan?
21:51I think the one who lost is you, Mr. De las Casas.
22:02But you saw her, right?
22:03Tell me you saw her.
22:07I saw her very well.
22:09Horrible!
22:14Don Diego, I just retired.
22:16I called an ambulance.
22:17Excuse me.
22:18I can't say it was a pleasure to work with you.
22:21Don't worry, Lucio.
22:24You don't have to go.
22:30Everything has an explanation.
22:49Don Diego!
22:55Here, here, on the right.
23:07Come here, come here.
23:19What happened back there?
23:22And I can't get away from Miguel Ignacio's machine for a minute.
23:26I'm going, little machine!
23:36How is my wife?
23:48I don't know.
24:05Juanix.
24:06Mr. Leonardo, what a surprise.
24:09He already liked to visit the house of his ex-political family.
24:13Hey, and that ambulance?
24:15Mrs. Francesca is sick.
24:18I haven't heard very well, but it seems that the thing is serious.
24:26What happened to Francesca?
24:28And you still ask, you bastard!
24:31You have no respect for the memory of your deceased wife!
24:35Diego, I can help you with something.
24:36You know how you help by disappearing.
24:38I don't want to see you anymore!
24:39But where are they taking her?
24:42To the New Lomas Clinic.
24:49Oh, I have a bad feeling.
24:51I hope Mrs. Francesca can tell her back there.
24:54Hey, Felix, do you know where this New Lomas Clinic is?
24:57Yes.
24:58Take a taxi.
24:59It will cost you ten soles maximum.
25:01Okay.
25:03Hey, Felix, I'm a little ashamed, but don't you have ten lucas that you can lend me?
25:07Mr. Leonardo, are you asking me for money?
25:09What's going on? Since the last time I've seen you, things haven't gone well.
25:12I don't know what's going on.
25:14Mr. Leonardo, are you asking me for money?
25:15What's going on? Since the last time I've seen you, things haven't gone well.
25:18You know, artists suffer.
25:20Calm down, calm down.
25:21I think I have it right here.
25:25Ten soles?
25:26Yes.
25:27Perfect.
25:28Okay, you passed.
25:29Hey, could you give me five lucas back?
25:32What?
25:33I'll see you there.
25:34And for you, I'm Leonardo Azecas.
25:37See you.
25:38Leonardo Azecas, don't worry.
25:39Here, I'm going to bet on you.
25:42Leonardo Azecas.
25:45Ten soles.
25:48Excuse us for opening the windows without warning,
25:53but we wanted to give you a surprise.
25:57In the end, we take the surprise.
26:00A big surprise.
26:03We didn't know you had changed rooms with a girl.
26:09Yes, we offered them to move to the upper room and they accepted happily.
26:14It's still temporary, until we can buy our apartment or our little house.
26:19Yes, that's our dream.
26:21Oh, married people want a house.
26:25And speaking of moving, my TV is still in my room.
26:29Oh, here you are.
26:32I missed you so much.
26:35We're going to watch all the episodes of La Rosa de Guadalupe Peru.
26:40Yes, it's fine.
26:42We are very happy that you are here with us again, Mr. Gil.
26:45Yes, have a good vacation.
26:49In Chalhuanca, we had a great time with my turtle.
26:53We had a great time and just in case we brought a memory for everyone.
26:57Hey!
27:01And what about the baby that doesn't go out to greet her father?
27:06It's in the bathroom, Mr. Gil, but it's not a baby anymore.
27:09Now it's Mrs. Tere.
27:13What do you mean by that, Lorenita?
27:15You'll see, Mr. Gil.
27:17Yes, some things have changed around here.
27:24What a surprise!
27:27Oh, pretty. Papa Gilberto.
27:30Teresita, with that hairstyle you look so much like your mother.
27:35Like two drops of vinegar.
27:38You are her living portrait.
27:40Camacho genes predominate.
27:43Accelerated her beauty.
27:46And the unbearable too.
27:47Shut up, eat moco!
27:49I'm going to take your room away.
27:50No, no, I didn't say anything. Sorry, Mrs. Tere.
27:52Teresita?
27:54Mrs. Tere.
27:55Sorry, Mrs. Tere.
27:58Why are you dressed like that?
28:01First of all, to pay tribute to the founder, the creator.
28:07To the matriarch, Nelly Camacho.
28:10And secondly, to follow the legacy of her great last name.
28:16What a beautiful tribute you are paying, Teresita.
28:21Teresita, no.
28:23Mrs. Tere, dad. Mrs. Tere.
28:27And this look is also to face the worst of enemies.
28:34Diego Montalban.
28:35One worse.
28:36Worse than him? I can't imagine.
28:40Miguel Ignacio de las Casas.
28:43Who is Miguel Ignacio de las Casas?
28:46But I already told you.
28:48When?
28:50La Vizca que es reina.
28:54And since you don't know, the last one who made us.
29:02Can't you go faster?
29:04Turn up the volume on the siren. Why do you have it?
29:06Calm down, please.
29:08Don't tell me to calm down.
29:09Inept.
29:10My wife can give you anything.
29:11And you are not serving her properly.
29:14I'm going to sue you for negligence.
29:16Hurry up, hurry up.
29:18Faster.
29:29How good that Greta stayed with her parents.
29:37Neutronics.
29:38All right?
29:39You don't have to answer me.
29:42Watchman.
29:44All right over here?
29:45Yes, everything is fine, everything is quiet, everything is soft.
29:49Any news?
29:51No, no news.
29:53It's just quiet because Mrs. Francesca had her ultimate attack.
30:10Trini.
30:12Put the fifth teletubbie.
30:15Putting the fifth teletubbie.
30:33Why are you so happy, Miguel Ignacio?
30:36Because life is good with me, Trini.
30:39I have health, money, love.
30:42And on top of that, my enemy is getting closer and closer to the grave.
30:53Hello?
30:54Mikey?
30:56We need to talk.
30:58And now what do you want to talk about, Gretita?
31:01When are you going to make me official?
31:03My love, don't you think we're too old for those things?
31:07But I need to know.
31:10Someday I'll do it, okay?
31:13When?
31:14Soon, soon, please.
31:16And now let me call my friend Diego because his wife is delicate.
31:21Your friend the chef?
31:23The one who married an old woman just for his money?
31:26That's right, the same one, exactly.
31:28Yes?
31:29See you later.
31:30Kisses.
31:31Muah!
31:34Ah!
31:37Ah!
31:42Ah!
31:47Ah!
32:02Hello, Miguel Ignacio.
32:04I'm in an emergency.
32:05Francesca got sick because of a bad taste joke.
32:08No, I don't know anything.
32:09I'm waiting for news from her.
32:14Family of Mrs. Francesca Maldini?
32:16Yes, I have to hang up.
32:17They're calling me.
32:18I'll call you later.
32:20I'm her husband.
32:21Tell me, how is she?
32:24Why does it take so long?
32:29Ready, my love.
32:30I'm ready for my great act of illusion.
32:35And why are you dressed like Emo?
32:37No.
32:38I'm not Emo.
32:40I am...
32:43Cricket.
32:44Cricket.
32:45Cricket.
32:46Cricket.
32:47Cricket.
32:48Cricket.
32:49Cricket.
32:50Cricket.
32:51Cricket.
32:53Criss Angel.
32:54Who is that?
32:55Criss Angel, my favorite illusionist,
32:57who inspired me to get rid of that devil machine.
33:01Mr. Cricket.
33:04Olinda!
33:05Mr. Gilberto!
33:06What are you doing here?
33:07We just got here and we found out
33:09that Mr. Cricket has put a machine
33:12that has taken away the clientele from the winery.
33:15Is that true, butterfly?
33:19Yes.
33:20No.
33:21More or less.
33:22But you know that the winery always has its loyal clients
33:24who don't leave it.
33:25Yes, but since sales have gone down, they have gone down.
33:27Valentino!
33:29I want to see her.
33:30She's outside, Mr. Gilberto.
33:37Mr. Gilberto, Olinda, you're back.
33:40Hi, Felix.
33:44So it's the machine that has been taking away my clients.
33:48What a weird thing. It looks like a fridge.
33:50It's much more than that, Olinda.
33:52This machine has everything.
33:55I want to talk to the caterer.
33:57I want to talk to him.
33:58No, no, no. It's an intelligent machine.
34:00You ask him for something and he gives it to you.
34:02Oh, how is it going to be?
34:04Let's see, I want a chicken sauce.
34:08First you have to pay for your order.
34:10But where do I put the coins?
34:12They don't even have a hole.
34:14Oh, what coins?
34:16This is a modern machine.
34:18It doesn't accept coins.
34:20You can pay with a card or with your QR code.
34:23Oh, really?
34:24Let's see if what you say is true.
34:29Let's see.
34:32Chicken sauce.
34:42It can't be.
34:46It can't be!
34:48Machine of the devil.
34:58This sauce is delicious.
35:02With this machine, my business can go bankrupt.
35:07No, no, no.
35:10Calm down, Gilguerito.
35:13Don't get a stroke or something worse.
35:15Calm down.
35:16I can lose my little winery.
35:18No, don't worry, Mr. Gilberto.
35:20That machine is not going to beat us.
35:22Yes, Mr. Gil, we have already planned to disappear it.
35:24Work hard to recover the customers.
35:27Yes.
35:28I want to take a break.
35:31This is causing me...
35:35No, Maria, calm down.
35:36Calm down, calm down.
35:38Let's go, let's go, let's go.
35:47Frank.
35:49Frank, Shakira is in the room next door.
35:53Yes, yes.
35:55How are you?
35:57You're going to be fine, don't worry.
35:59Don't worry.
36:00Isabela.
36:01No, no, don't think about that now.
36:03Isabela is alive.
36:07The doctors have asked me to give you a little more time
36:09to do some tests.
36:11Claudia's hand.
36:13It wasn't Claudia's hand.
36:15It was a mannequin that someone put there to bother you.
36:18A mannequin?
36:21But don't worry about that.
36:23I'm going to find the culprit.
36:30Gilberto, drink this little water from Azar.
36:32It will help you calm down.
36:35Julie is coming this way.
36:37You should have told her.
36:39Julie is coming this way.
36:40You should have told her to call the ambulance.
36:42Suddenly, Mr. Gil wants to go to the other neighborhood.
36:44Shut up, Fustan.
36:46Let your mouth crack.
36:48My daddy is strong like a oak.
36:50Yes, but years don't go by in vain, Teresa.
36:52Tito, shut up already.
36:54Maybe that's my destiny.
36:58Die at once.
37:00Shut up, Gilberto.
37:02You still have many years ahead of you.
37:04Exactly, daddy.
37:05You have a rope for a while.
37:08Not so much rope.
37:10If that machine of the devil continues to compete with me.
37:15Can't you do anything to get her out of here?
37:17Miguel Ignacio has all the permits of the municipality.
37:20Surely that guy is tied up with the mayor.
37:22Oh, my dear.
37:25I don't want him to disappear.
37:29Oh my God.
37:31What if we call a priest?
37:38Hey, what happened?
37:41Mr. Gilberto is back.
37:43No.
37:44Oh no.
37:45Is he dead?
37:46What?
37:47Then we are dressed as emos for the sake of it?
37:49We are not emos.
37:50We are Chris and Jenny.
37:52He didn't die.
37:53He just got sick.
37:54Because now the machine is taking away his entire warehouse.
37:57If that machine continues to operate.
37:59It could be the end of Mr. Gilberto's warehouse.
38:02We are nothing.
38:03We are nothing.
38:04We are nothing.
38:05My mom has asked me many questions since she saw me leave the house like this.
38:09I have to tell the psychologist that I am with Miquel.
38:11Well, I'm going to call my sister-in-law.
38:13But what?
38:14So the plan is no longer going or what?
38:16No.
38:20The plan is still going.
38:23That machine has to disappear.
38:25Yes or yes.
38:28We're just going to have to wait for the right time to do it.
38:34We're just going to have to wait for the right time to do it.
38:45Excuse me.
38:46Mrs. Francesca Maldini is hospitalized here?
38:48Yes sir.
38:49Are you familiar with Mrs. Maldini?
38:51No.
38:52I am a friend of the family.
38:53I would like to be able to see her.
38:55Your husband is with her right now.
38:57Look.
38:58He was just going to leave.
39:01Diego.
39:03How do you happen to bury that mannequin in our garden?
39:09I don't know what you're talking about.
39:11You want to drive my wife crazy.
39:13Francesca worries me.
39:15I want to see that she is fine.
39:17Don't play the good Samaritan.
39:19What you want is money.
39:21I know perfectly well what kind of person you are.
39:24Why do you distrust me so much if you've never done anything to you?
39:26Not to me.
39:27But you destroyed Francesca's life.
39:29Because of you, Isabella died.
39:31Hey.
39:32I was also a victim of my family.
39:34Oh, please.
39:35That role of victim doesn't suit you at all, saltimbanque.
39:38Hey.
39:39I loved Isabella more than my own life.
39:41And I have affection for Francesca.
39:43I want to know if she's okay.
39:44Excuse me.
39:45You are filling my patience.
39:46Get away from my wife.
39:47I'm not going to repeat it to you.
39:48Diego, let me go.
39:49Let me go.
39:50Listen to me.
39:51The monkey said his soul was not in the spiritual plane.
39:54Please stop putting those nonsense in Francesca's head.
39:58You and the other charlatan have made her get to this situation.
40:02Diego, the shaman is not a charlatan.
40:04I have nothing to do with him.
40:06This is real.
40:08And this too.
40:10Security.
40:11Security.
40:13Don't come near my wife again.
40:15What's going on here, gentlemen?
40:17Don't let him in.
40:18He just wants to hurt my wife.
40:21Sir, withdraw.
40:24Withdraw.
40:28Extend place.
40:30Wait.
40:37It will be okay.
40:38The pill will relax him.
40:39And that way he will be able to sleep a bit.
40:42Thank you, Yulisita.
40:43Because he did not sleep a bit on the way back to Lima.
40:46That if none, have to be very quiet.
40:50We agree?
40:51Don't worry.
40:52I will take care that he does not get up from bed until tomorrow.
40:55Himself.
40:56I'll never be able to rest in peace
40:59as long as that machine of the devil
41:02is still at the side of my cellar.
41:06Damned starfish!
41:09What a shame!
41:11Oh, Don Gil, please!
41:13Papito, you already heard Yuli.
41:15You have to keep calm,
41:17or you'll be in big trouble!
41:19Teresita,
41:21our house and the cellar are in danger
41:25as long as that guy is still living in Las Nuevas Lomas.
41:29No, Papito.
41:30No one is going to take our house away.
41:33And the cellar will keep working as usual.
41:37With you or without you.
41:38Tito!
41:39Don't listen to her, Don Gil.
41:41We won't let that guy do anything against us.
41:44Yes, we'll be a single fist.
41:46A single family.
41:47With many surnames.
41:48Exactly.
41:49Collazos.
41:50Flores.
41:51Sapañal.
41:52Lara.
41:53Contreras.
41:54A united family!
41:55Thank you for giving me that peace of mind.
42:02Well, family, I think it would be best
42:04if we go and let Don Gil rest.
42:07Did you hear the nurse?
42:08Everyone out.
42:09Yes.
42:10May he rest in peace.
42:11Tito!
42:12So there's no noise.
42:13I'll take it.
42:14Please.
42:15Rest, Don Gil.
42:16I love you, Papito.
42:22You know, Olindita,
42:23don't overdo it.
42:31Wednesday machine!
42:33Olins!
42:52Where have I seen this mannequin before?
42:59Who knocks on the door like that?
43:03Don't worry, I'll go.
43:06Caterpillar of soulless savages!
43:09Engenders of hell!
43:11Calm down, Ratatouille, ladies present.
43:14You are just one thing.
43:16Look, calm down or I'll slap you from head to toe.
43:18We'll slap you.
43:19Of course.
43:20Shield yourself in your gender to be offended.
43:23You may know what this,
43:26that mannequin of garbage did,
43:28buried in my garden.
43:30Ah, profaner of graves!
43:32Why did you bury Julissa and she has rested in peace?
43:35In peace in my garden?
43:37Why in my garden?
43:38Well, because the hole was already made
43:40and I was close to the house to visit her.
43:42Oh, well, for your great idea,
43:44now Francesca is debating between life and death.
43:47And do you need the hole to bury her?
43:50What?
43:51Tito, don't be stubborn.
43:53I just warn you,
43:54that if you get into my house again,
43:56I'm going to lock you up
43:58and there will be no power in the world
44:00to get you out of the dungeon.
44:06I'm not used to being treated that way.
44:09I'm sorry, this time it was my fault.
44:11Well, take care of your husband,
44:13otherwise you will have to face his stupidities.
44:17Tito, I told you to get rid of her.
44:20But I did that.
44:23Julissa, I have missed you so much.
44:26It's a pity that Lorena doesn't understand us.
44:30Goodbye.
44:56To be continued...
45:26To be continued...
45:57To be continued...
46:03We are in the lost city.
46:08I say forbidden.
46:13To be continued...
46:26To be continued...
46:57To be continued...
47:14I'm not going to give up
47:16without fighting that machine.
47:27What a nice nap I had.
47:32Now I'm going to do my morning round.
47:37Hey, what's that?
47:41Did Mr. Miguel Ignacio cover the machine
47:44to protect it at night?
47:47But I'm going to take this off.
47:48Don't think it's out of service.
47:57Oh!
47:58The holy water!
48:00It's not here.
48:11Who's knocking at the door at this hour?
48:14It's the busy watchman,
48:16Miguel Ignacio.
48:27What's up, Felix?
48:28Mr. Miguel Ignacio, how are you?
48:30Sorry to bother you.
48:32I would like to know if by any chance
48:35you have kept your machine.
48:37What machine?
48:38The Neumtronics.
48:39No.
48:40I haven't kept it anywhere. Why?
48:42Because it's not in its place.
48:48I thought you had covered it
48:50to protect it from the cold at night.
48:52But when I take the cloth off,
48:54I'm surprised that there's no machine.
48:56It disappeared like magic.
48:59The Neumtronics were stolen.
49:02Suddenly, as it's an intelligent machine,
49:04it went out for a walk at night.
49:07All this is your fault, watchman.
49:09No, Mr. Miguel Ignacio, don't say that.
49:11I swear I watched it all night.
49:13Then why isn't the machine there?
49:15I don't know why it's not there,
49:16but I'm going to investigate it today.
49:18You don't need to investigate.
49:20The machine has an incorporated GPS
49:22that will give us the exact location
49:24of where it is.
49:25Oh, that's great.
49:27But this mistake,
49:29this mistake is going to cost you dearly, watchman.
49:32Very dearly.
49:37God bless you.
49:38Hugs, guavillos.
49:44Do you know anything about Leonardo?
49:47Why do you ask me about him?
49:50Forget about that bastard.
49:51It's not about trusting.
49:52Forget about him and the charlatan
49:54who told you all those things
49:56in the spiritist session.
49:58It's not good for you to remember
50:00those sad moments of your life.
50:07What are you doing here?
50:08To the wall, to the wall.
50:09Hey, hey, hey, hey.
50:10What's going on, what's going on?
50:12To the wall, miss.
50:13Let's see, let's see, let's see.
50:14We are poor but honored, you know?
50:16You're confusing me.
50:17I don't have my car, I don't have my car.
50:19Hey, hey, hey, silence.
50:20Where is the machine?
50:21What machine?
50:34And I really don't lie
50:36when I say that I would give up everything I have
50:39to have Otito and Gladys by my side.
50:47Who is Gladys?