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00:00:30It is above the vanilla groves of Papantla, of El Tahin.
00:00:59The temple was built by the Toltecs, who subjugated the Mayas, in turn to be conquered by the
00:01:05Aztecs.
00:01:07The civilization which flourished here was a magnificent one, but we can judge the ruins
00:01:12that its magnificence was overshadowed by the terror of strange gods, one of whom gazed
00:01:17down from each of the 360 windows in this temple, a different god for each day in the
00:01:23calendar of this ancient people.
00:01:26Even for unknown reasons, this temple and those around it were deserted hundreds of
00:01:30years before Cortes invaded Mexico.
00:01:33In fact, so thoroughly were they forgotten, that until a few years ago, their existence
00:01:38was known only to those people who lived in their shadows.
00:01:43Use that stuff for picture captions.
00:02:13Wow.
00:02:14Magnifico, eh?
00:02:15Where is he?
00:02:16Ah, you see.
00:02:17It is the man who interests you, not the ruins.
00:02:18Ah.
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00:02:42Yes.
00:02:43You'll find him somewhere.
00:03:01Hello!
00:03:02Hello.
00:03:03Oh, just a minute.
00:03:04Aren't you Robert Burton?
00:03:05Yes.
00:03:06Well, I'm Catherine Williams.
00:03:08Glad to know you, Catherine.
00:03:09I'm glad to know you, Captain.
00:03:12Excuse me.
00:03:17Hey, Arturo, what's wrong?
00:03:18Didn't you meet the bus?
00:03:19Positivamente, si.
00:03:20I meet the bus.
00:03:21Only two hours late.
00:03:22Well, where is he?
00:03:23Didn't he come?
00:03:24Si, si.
00:03:26No, she comes.
00:03:27Don't you meet her.
00:03:29I tried to tell you, but you seemed in such a hurry.
00:03:32You mean Hackett sent you?
00:03:34There's something wrong with me?
00:03:36Oh, a woman.
00:03:38I usually pass for one.
00:03:40Well, I thought you were a tourist.
00:03:42Look, Mr. Burton, you wired Steve Hackett for a photographer.
00:03:46Maybe you never heard of me, but Steve rates me pretty high.
00:03:49That's why he sent me.
00:03:50All right, get in.
00:03:51Let's get back to the village.
00:03:53Send Hackett a wire.
00:03:55Tell him what I think of him.
00:04:08It's a warm day, isn't it?
00:04:25Yeah.
00:04:26The breeze feels good, doesn't it?
00:04:28Uh-huh.
00:04:33The road's bumpy, though, isn't it?
00:04:35Um...
00:04:36Arturo.
00:04:37Si, si, mucho.
00:04:55Arturo, get, uh...
00:04:57Catherine Williams.
00:04:59Get Miss Williams a room.
00:05:00I'm going to telegraph office.
00:05:06Is he always like that?
00:05:07He's merely surprised that you're a woman.
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00:14:17Oh, no, I want this in motion.
00:14:30You'll get it in a minute.
00:14:43Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:15:10no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:15:40no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:16:10What's he doing?
00:16:23He's bending to the four sides of the geography.
00:16:26Geography?
00:16:27Yes.
00:16:28North, south, east, west.
00:16:31They're not going to jump off, are they?
00:16:40No, they fly off.
00:16:41Watch.
00:17:09He isn't avoiding women now.
00:17:36That's all that's going.
00:18:00It's not all for me.
00:18:09How strange women are.
00:18:11Yesterday she talked of nothing but truth.
00:18:13Today she thinks of nothing but pictures.
00:18:16She talked about me?
00:18:17See how she used to hear your lectures, read your books.
00:18:22You know, like a woman.
00:18:45Just a minute, Robert.
00:18:54Senorita Williams?
00:19:05Forgive me.
00:19:06I came only to apologize for the behavior of my man last night.
00:19:10You speak very good English.
00:19:12I studied in the University of Mexico City.
00:19:14That's very nice, but still, this is not the customary way to be forgiven.
00:19:19But it's a good way to be rewarded.
00:19:23Well, then I'm going to reward you.
00:19:26That's your photograph.
00:19:29I saw you taking many pictures today.
00:19:31Those were for my magazine.
00:19:34This one's for you.
00:19:36Gracias.
00:19:38It's pretty good.
00:19:39It could be better.
00:19:40I didn't have my flash equipment.
00:19:41Is there anything I can do for you in return?
00:19:46No.
00:19:47No, just go out as calmly as you came in.
00:19:58Wait a minute.
00:19:59Yes?
00:20:00There is something you could do for me.
00:20:06I've heard stories that somewhere in the jungle south of here,
00:20:10there are people who still live according to tradition.
00:20:13I want very much to go there.
00:20:15Did Senor Burton put you up to this?
00:20:17He doesn't even know you're here.
00:20:19Then why do you want to go?
00:20:21If the story is true, and I could photograph it...
00:20:24You would be paid more money.
00:20:26Partly that, but even more.
00:20:28Fame?
00:20:29That too.
00:20:30And what else?
00:20:33Does there have to be more?
00:20:34Yes.
00:20:35It isn't enough that woman simply wants to compete with man, she...
00:20:38I'm not competing with anyone.
00:20:40I'm a professional photographer.
00:20:41This is a big chance for me.
00:20:47You do good work.
00:20:51Would Senor Burton come too?
00:20:54Yes, he's more or less my boss.
00:20:58These people of whom you speak resent strangers.
00:21:02I myself have been only to the borders of the little jungle kingdom.
00:21:05I trade with them for wild vanilla and kapok,
00:21:08but I don't interfere in their lives.
00:21:10We won't interfere either.
00:21:12The journey is difficult, even dangerous.
00:21:15Mr. Burton caught a glimpse of their temple from the air.
00:21:19He'll go anyway, even without a guide.
00:21:21And you'll go with him?
00:21:24Yes.
00:21:26Certainly, I'd go with him.
00:21:28You make me feel responsible.
00:21:31Then you'll take us.
00:21:32I... I haven't said so.
00:21:34If you wish to accompany me as far as my plantation, you may.
00:21:37Oh, that's wonderful.
00:21:38And don't worry about money or automobiles.
00:21:41Magazine pays for everything.
00:21:42Don't you worry about automobiles.
00:21:44We go by horse.
00:21:45You better let me make the arrangements.
00:21:47Oh, thank you.
00:21:52I'll leave everything up to you.
00:21:56All right.
00:22:14Catherine, I've been hunting all over for you.
00:22:16I thought you were out taking pictures and got lost.
00:22:18You mean you were worried about me?
00:22:20Of course, you're my responsibility until you leave here.
00:22:22Well, then I'm going to be your responsibility for quite a while.
00:22:25What do you mean?
00:22:26You remember that unexplored region you mentioned?
00:22:28Yes.
00:22:29Well, Juan Cervantes is going to guide us there.
00:22:31And I'm going.
00:22:32That's the condition.
00:22:33Cervantes?
00:22:34You talked to him?
00:22:35Certainly.
00:22:36He agreed to guide us all the way?
00:22:39Sure.
00:22:40All the way.
00:22:43Okay.
00:22:44You win.
00:22:47You know, Catherine, I'm sorry.
00:22:49I haven't been treating you very nicely.
00:22:52Look, I'm your photographer, remember?
00:22:54The one you were so disappointed to see.
00:23:13You see?
00:23:14What do I see?
00:23:16How simple it is.
00:23:17You talked about danger.
00:23:18This is a cinch.
00:23:19Because we've got a good guy that'd hate to cross this wasteland alone.
00:23:24Strange, isn't it?
00:23:25Why would a man who owns a plantation travel all this way to take part in a fiesta?
00:23:30Why do we come all this way to find a lost tribe?
00:23:32Men are restless creatures.
00:23:34So are some women.
00:23:37All women are until they find it.
00:23:40Find what?
00:23:44Look, a ruin.
00:23:45It's a pyramid.
00:23:48Just like the one at Tahin.
00:23:49I think it is.
00:23:51Oh, we couldn't see Tahin from here.
00:23:54Oh, it's a mirage.
00:23:56Look, it's getting dimmer.
00:23:59Gives you the creeps, doesn't it?
00:24:01It is a ghost.
00:24:02A ghost from the past of my country that came out here on the desert to rest.
00:24:06It's just an optical illusion caused by the variations in the refractive index of the atmosphere and the sunlight.
00:24:12I've seen it by moonlight.
00:24:17Maybe we don't have a guide.
00:24:19Maybe we have a poet.
00:24:34Sorry about my appetite.
00:24:36Shall we start?
00:24:57I like that.
00:25:22Is it a love song?
00:25:23Of a sort.
00:25:25It is a legend from the jungles near my home where the white orchid grows.
00:25:29The story of a woman with golden hair who tempts a man to follow her.
00:25:35Deeper and deeper she leads him into the jungle, always just beyond his grasp.
00:25:40Until finally he is lost and she destroys him.
00:25:45Her name is Ashtabai.
00:26:14Ashtabai.
00:26:45Those two are pretty good, aren't they?
00:27:02I didn't ask you the wrong question, did I?
00:27:04No, no.
00:27:05I wanted to look at the sky and see how the day would be tomorrow.
00:27:11From the way you spoke, I thought maybe there was a girl.
00:27:17It's none of my business anyway.
00:27:19A girl with golden hair?
00:27:21Only a legend.
00:27:32Are you sure you don't want to share my tent?
00:27:34No, thanks.
00:27:35I like to sleep under the stars.
00:27:37My pillow.
00:27:38Good night.
00:27:39Good night.
00:27:40Buenas noches.
00:28:07This is the only little bit of shade for the next ten kilometers.
00:28:34I'll sleep here.
00:28:44Catherine, I think it might be a good idea if you took a few pictures.
00:28:47I'd like to get the whole story.
00:28:48Sure, Bob.
00:28:49Glad to.
00:29:15What is it?
00:29:16Oh, that thing.
00:29:17Don't shoot.
00:29:18It's an iguana.
00:29:19It's harmless.
00:29:20It's good to eat.
00:29:21Oh, I lost my appetite.
00:29:22Señor, mire al cielo.
00:29:23Levanten las cosas.
00:29:24Hay que irnos de aquÃ.
00:29:25Está bien, señor.
00:29:26Anything wrong?
00:29:27Yes.
00:29:28Temporales.
00:29:29Sandstorm.
00:29:30About two kilometers from here is a point of rocks where we can escape the wind.
00:29:31Take the señorita and go on.
00:29:32Well, that'll be better.
00:29:33Stick together?
00:29:34Waste no time, señor.
00:29:35All right.
00:29:37Apúrense, muchachos.
00:29:38Parece que se está despejando.
00:29:39No, señor.
00:29:40No, señor.
00:29:41No, señor.
00:29:42No, señor.
00:29:43No, señor.
00:29:44No, señor.
00:29:45No, señor.
00:29:46No, señor.
00:29:47No, señor.
00:29:48No, señor.
00:29:49No, señor.
00:29:50No, señor.
00:29:51No, señor.
00:29:52No, señor.
00:29:53No, señor.
00:29:54No, señor.
00:29:55No, señor.
00:29:56No, señor.
00:29:57No, señor.
00:29:58No, señor.
00:29:59No, señor.
00:30:00No, señor.
00:30:01No, señor.
00:30:02No, señor.
00:30:03No, señor.
00:30:04No, señor.
00:30:05Parece que viene muy fuerte.
00:30:20He said two kilometers.
00:30:22We must have come two miles.
00:30:24Over there, Robert.
00:30:25Don't I see rocks?
00:30:27I think you do.
00:30:28Come on.
00:30:35Come on.
00:30:56Well, we made it.
00:30:58I wonder where Juan is.
00:31:00He knows his way.
00:31:02You know, Captain, you're a game gal.
00:31:04I like you.
00:31:05Thanks, Bob.
00:31:06But right now, let's keep it.
00:31:07Right now, I'd like to tell you how much I appreciate.
00:31:12Right now, I'm worried about the others.
00:31:16Don't I see them?
00:31:19Your eyes are exceptional.
00:31:21I'll go give them a hand.
00:31:25Here we are.
00:31:26Over here.
00:31:28Good.
00:31:30All the bootles while I tie the horse.
00:31:50The phone!
00:31:54The phone!
00:31:59The water!
00:32:00Why didn't you hold that bootle?
00:32:02What?
00:32:03This you could have found.
00:32:05But you've lost our water.
00:32:06Why are you?
00:32:07No, no, no.
00:32:08It's my bill, Bob.
00:32:09I'm sorry.
00:32:10I'm sorry, too.
00:32:11What about the water?
00:32:12I've got a canteen on the saddle.
00:32:14I only hope the storm doesn't last too long.
00:32:16Oh!
00:32:17You're ready to move on?
00:32:18No.
00:32:19Yes.
00:32:21Mama told me you'd be fine.
00:32:24Yes.
00:32:30One day you'll find something for all you'd discovered.
00:32:38That day will be the last day I ever tub!!!!
00:32:43Feel ready to move on?
00:32:51Leave the tent. From now on, we travel light.
00:32:54All right, let's go.
00:33:13We're being slowed down by the burro. How much of that equipment is necessary?
00:33:28I've got to have the recorder and photographic supplies.
00:33:30Well, we either leave something here or lose everything.
00:33:33Throw away my clothes. After this, they aren't going to fit anyway.
00:33:43My plantation.
00:34:08Looks awfully good.
00:34:38Well, I guess we can all use a good night's rest.
00:35:05Juan!
00:35:09It's me, Lupita.
00:35:10Why are you speaking to me in English?
00:35:12The habit. The gringos.
00:35:16Greet me like this.
00:35:23Are you upset?
00:35:26Yes. Miss Williams doesn't have any clothes.
00:35:30She doesn't have any clothes?
00:35:32She doesn't have any clothes?
00:35:34That's not true.
00:35:36How curious.
00:35:38No, you don't understand. They were too heavy.
00:35:41Can you lend her something nice?
00:35:43Yes.
00:35:45It's not right for her to be naked.
00:35:56Do you feel better now, Sr. Burton?
00:35:58Much.
00:35:59There's nothing like a bath and a little rest will do for you.
00:36:03Juan, I'm afraid I've been a little off the last few hours.
00:36:05Please don't apologize.
00:36:07Well, I'm just trying to tell you that things will be different when we do go on.
00:36:10I do not think we go on.
00:36:12Well, of course we do, which you promised Miss Williams.
00:36:14There's some misunderstanding.
00:36:16I promised to bring you this far because I was coming here anyway.
00:36:20Well, if it had something to do with me, it has nothing to do with you.
00:36:23Oh?
00:36:25I've been away and my plantation needs attention.
00:36:37More like a woman.
00:36:38Yes, it's about 60 degrees warmer in here right now.
00:36:41When we met, you thought I looked too much like a woman.
00:36:43Too much for a jungle expedition, but I'm beginning to change my mind about that.
00:36:47Oh, well, I'm glad to hear it.
00:36:49In fact, I'm starting to change my mind about a lot of things.
00:36:52Juan isn't going to guide us, you know.
00:36:54No, I didn't know.
00:36:56Why won't he?
00:36:57Catherine, you lied to me.
00:36:59When did I lie to you?
00:37:00In Papantla.
00:37:01You said Juan was going to guide us all the way, providing you came along.
00:37:05Well, I...
00:37:06He made no such promise.
00:37:08I told him.
00:37:09I know what you told him, that I wanted you along on this expedition.
00:37:13That means you lied to him, too.
00:37:15Did he tell you that?
00:37:16No.
00:37:18Maybe I do want you now.
00:37:21You better say what you're thinking.
00:37:23You've read my books?
00:37:25I've read a lot of books.
00:37:26You've heard my lectures?
00:37:28So?
00:37:29You found out I needed a photographer, so you asked Hackett to send you special requests.
00:37:33Of all the conceits!
00:37:34Conceit nothing, otherwise you'd have sent a man.
00:37:36Oh, let me out of here.
00:37:37Wait a minute.
00:37:38It's too late for me to back out now.
00:37:40I do need a photographer, and you talked yourself into this.
00:37:43Would you go through with it?
00:37:44With you?
00:37:45Sure.
00:37:46I've decided you've got the guts.
00:37:48Guts and a camera.
00:37:49That's all you want, isn't it?
00:37:54Is that what you want?
00:38:11Well, had I known you were interested in vanilla culture, I'd have brought you here myself.
00:38:17Vanilla?
00:38:18Yes.
00:38:19The orchids are lovely.
00:38:22A moment ago you were angry.
00:38:24Angry?
00:38:25Oh, no.
00:38:26No, just frowning from the sun.
00:38:29How I pity the sun to receive your frowns.
00:38:34You say such beautiful things.
00:38:36Only because the inspiration is beautiful.
00:38:41Oh, yes.
00:38:42It's a very pretty dress the girl gave me.
00:38:46I'm talking about...
00:38:52What's in the dress?
00:38:57What does he do?
00:39:00Pollinating.
00:39:01Here, I'll show you.
00:39:03Ben.
00:39:08Dameso.
00:39:10You see...
00:39:13To reproduce itself, cultivated vanilla must be fertilized by hand, like this.
00:39:20How unromantic.
00:39:26And the result is this vanilla bean.
00:39:32Evidently it works, Ben.
00:39:35Keep working.
00:39:36Obviously, you're not greatly interested in the vanilla.
00:39:39Oh, yes, I am.
00:39:40Only...
00:39:41Only what?
00:39:42This morning Robert told me that you weren't going to take us on into the jungle.
00:39:46That's right.
00:39:47Why not?
00:39:48If it's too dangerous.
00:39:51You mean you're afraid.
00:39:54Yes, I'm afraid.
00:39:55Of you.
00:39:59Why would I frighten you?
00:40:02See these?
00:40:04You think there is nothing to fear there either.
00:40:06But they grew from blood.
00:40:08Blood?
00:40:10The blood of a Toltec prince and a Maya princess, who fell in love when their people were at war.
00:40:15They were killed.
00:40:17And from their mingling blood sprang the first vanilla plant.
00:40:21That's another one of your legends.
00:40:23We're not at war.
00:40:25There's war in your heart.
00:40:26You love Robert Burton.
00:40:29No, not anymore.
00:40:31Oh, maybe I liked him once.
00:40:34Before I knew him.
00:40:36When he was just a name.
00:40:37And now?
00:40:41What makes you so interested in knowing my mind?
00:40:44Because it might help me to know my own.
00:40:48Yes.
00:41:00Well.
00:41:08Let's get an early start tomorrow.
00:41:18THE ORCHARD
00:41:26Have a nice walk?
00:41:28Very nice, thank you.
00:41:30The orchards are lovely.
00:41:32You have such a pretty one in your hair.
00:41:36Catherine, I'm getting a little tired of apologizing for myself.
00:41:39Maybe I deserve that slap, but I...
00:41:41I meant the kiss sincerely.
00:41:43I promise you, you'll be safe from me on the trip.
00:41:46Of course I'll be safe.
00:41:48Juan is going to guide us.
00:41:50He is?
00:41:51What made him change his mind?
00:41:53I did.
00:41:55THE ORCHARD
00:42:13I hope your boots don't get dirty.
00:42:15It's going to be a long walk from now on.
00:42:19I wonder what's keeping Juan.
00:42:24THE ORCHARD
00:42:34Juan, don't go.
00:42:36I promised to take you.
00:42:40Please, don't.
00:42:42Why?
00:42:45Maybe you understand good when I speak English.
00:42:49Why would I?
00:42:51Because she speaks English.
00:42:55She takes you to the jungle.
00:42:58You don't take her.
00:43:01Juan, please don't go.
00:43:05I'm very afraid.
00:43:07See you later.
00:43:10No.
00:43:13Once she takes you, it's goodbye.
00:43:16Juan, she's a nurse to me.
00:43:47THE ORCHARD
00:43:53They're singing that song again.
00:43:55Miguel! Pedro! Stop it!
00:44:17How about a five-minute break?
00:44:19All right.
00:44:26Juan, have you been to this temple in the jungle?
00:44:29I've been close to it.
00:44:31How do we go from here?
00:44:33We go along this valley.
00:44:35Then we cross a slope of mountains.
00:44:37Half a day's journey, then we enter into the jungle forest.
00:44:40What do you know about the people?
00:44:41Of their history, very little.
00:44:43Some say they came from an island in the Gulf.
00:44:45Others say they came from the South.
00:44:47What does it matter?
00:44:49A great deal.
00:44:50Why?
00:44:51Even if you learn the truth, who gains?
00:44:53Knowledge itself is enough reward.
00:44:55Reward?
00:44:56Is the world happier because of the knowledge men like you have gained?
00:44:59It will be.
00:45:00Once we understand the past, we may be able to control the future.
00:45:02I intend to learn what I can from these people.
00:45:04Then why ask me?
00:45:07You're the archaeologist. I only trade with them.
00:45:15Let's go.
00:45:45We have to cross this brook. It's not very deep.
00:46:16What's that?
00:46:18Some Apache. It's harmless.
00:46:22See?
00:46:24He's cute.
00:47:45Let's go.
00:47:50This is as far as we go without permission.
00:47:52Permission from whom?
00:47:53People you want to see.
00:47:55It can't be too soon for me.
00:47:57The heat getting you?
00:48:02Yes.
00:48:15Let's go.
00:48:29Can't they be more careful?
00:48:31Excuse me, sir.
00:48:35It's broken.
00:48:37They're a little tired. You can't blame them too much.
00:48:39What did you need it for anyway?
00:48:41I wanted to bring back a recording of the music and language.
00:48:44We still have our photographic equipment.
00:49:07It's a beautiful place, isn't it?
00:49:08I didn't come here for the scenery.
00:49:11Aren't you being a little hard to get along with?
00:49:13No.
00:49:15It's just that you...
00:49:18Oh, forget it.
00:49:20Catherine.
00:49:22Come here.
00:49:24You'd better run along.
00:49:25Nature boy is calling you.
00:49:35This fruit is cool after a day's marching.
00:49:41Try it.
00:49:51What is that stuff?
00:49:52Copa.
00:49:53To signal our presence.
00:49:57Let's see if we have enough copa.
00:50:03Yes.
00:50:05Come, I'll show you.
00:50:10Let's go.
00:50:21By morning, our movements will be under constant observation.
00:50:26This is our last night alone.
00:50:41It's just a vampire bat.
00:50:43Just?
00:50:51A few lamps will keep the bats away.
00:50:54Do you have something to keep the eagles away?
00:50:59I'm turning in.
00:51:01Good night.
00:51:03Good night.
00:51:07And you, miss?
00:51:09Pretty soon.
00:51:11Too beautiful a night to sleep.
00:52:09You're quite right.
00:52:11It is too beautiful a night for sleep.
00:52:16I was feeling restless.
00:52:23I too.
00:52:25Juan.
00:52:27Back at the plantation.
00:52:29When I asked you to bring it.
00:52:31Yes.
00:52:33I'll be right back.
00:52:35Back at the plantation.
00:52:37When I asked you to bring it.
00:52:39Yes.
00:52:41I didn't want you to think that...
00:52:43Just what did you want me to think?
00:52:47Only that Robert and I needed a guide.
00:52:51You cared nothing for him.
00:52:53You told me.
00:52:55I know.
00:52:57And I came only because you asked me.
00:52:59Please let me explain.
00:53:01Why explain what the night has already told us?
00:53:03Then we hope for many of them.
00:53:09Juan.
00:53:11She's a child.
00:53:13Besides, we're not at the plantation.
00:53:23There's a delay. Let's get started.
00:53:25When we get permission.
00:53:33Good morning.
00:53:37Good morning.
00:53:39Did you sleep well?
00:53:41Well, as could be expected.
00:53:45Anything wrong?
00:53:47No.
00:53:49Well, if there is, remember what I said.
00:53:51The plantation still goes.
00:53:53Thanks, Bob.
00:53:59What's that?
00:54:01What I've been waiting for.
00:54:03Our signal.
00:54:05I thought drums were used for a signal only in Africa.
00:54:07When Hernan Cortes sneaked out of Tenochtitlan at night.
00:54:09Drums sounded the warning to the tribes.
00:54:11An archaeologist should know that.
00:54:15Thanks for the dissertation.
00:54:17What are they saying?
00:54:19They tell us to come on.
00:54:21The Baitap, the chief, has accepted you as my friends.
00:54:23Get your camera, Captain.
00:54:25We shall leave our gear here.
00:54:27No guns.
00:54:29One of their conditions.
00:54:31One of whose conditions?
00:54:33Theirs. They don't like guns.
00:54:35They've seen me shoot.
00:54:37Well, in that case, my shooting shouldn't bother them at all.
00:54:39I said no guns.
00:54:41You know, when we started out on this trip,
00:54:43I was perfectly willing to dispense with your services.
00:54:45It seems like a better idea all the time.
00:54:47As you Americans say, I have my own hide at stake.
00:54:49So we'll do it my way.
00:54:51What about Catherine's hide?
00:54:53I'll take care of her too.
00:54:55Please, don't argue now.
00:54:57Please.
00:55:05You'll be all right.
00:55:07Please, Lon.
00:55:27Are we taking any food?
00:55:29We'll be fed.
00:55:31My men will stay here and watch the camp.
00:55:33I'll carry your camera, Captain.
00:55:45See you later, guys.
00:55:47We'll be back in two or three days.
00:55:49Take care of the camp.
00:55:51All right, boss. Good luck.
00:55:57Good luck.
00:56:27Trouble?
00:56:29White kapok is good.
00:56:31We can go on.
00:56:33Suppose they didn't like our look.
00:56:35Then the kapok would be red.
00:56:37Let's go.
00:56:39Let's go.
00:56:41Let's go.
00:56:43Let's go.
00:56:45Let's go.
00:56:47Let's go.
00:56:49Let's go.
00:56:51Let's go.
00:56:53Let's go.
00:56:55Suppose they didn't like our look.
00:56:57Then the kapok would be red.
00:56:59Let's go.
00:57:25Let's go.
00:57:37Welcome back.
00:57:51You finally found something.
00:57:53Harmless.
00:57:55Why did you bring that gun?
00:57:57To protect this and I intend to keep it.
00:57:59Fool.
00:58:11Stop it.
00:58:19Stop it. Stop it.
00:58:23Stop it.
00:58:39Stop it.
00:58:41No, please, Bob.
00:58:45They accepted my presence as proof that we respect the laws.
00:58:47So I shot a taper.
00:58:49Is that a crime?
00:58:53No.
00:58:59We're in trouble thanks to him.
00:59:01He only brought that gun along because of me.
00:59:03You don't need him. You have my protection.
00:59:05Your protection? Is that what you call it?
00:59:07For my woman, yes.
00:59:09You think a couple of kisses make me your woman?
00:59:15But last night, didn't you mean...
00:59:17I only meant to come on this trip.
00:59:19If you can't understand that, I'm sorry.
00:59:23And forget about last night.
00:59:53I guess you were right.
00:59:55I didn't like my gun.
00:59:57It's too late to worry.
00:59:59What do we do now?
01:00:01We wait here until they're convinced we come in peace.
01:00:03It's too bad we didn't bring along
01:00:05some of that tapir to eat.
01:00:07I'll see if I can trap a deer for you
01:00:09so you won't starve.
01:00:13Sorry things are turning out this way, Canton.
01:00:15It's all right.
01:00:17It's all right.
01:00:21Sorry things are turning out this way, Canton.
01:00:47Bob.
01:00:49Yeah?
01:00:51You were right about something.
01:00:53I read your books.
01:00:55I heard all your lectures.
01:00:57And I did ask Hackett to send me.
01:00:59I wanted to know you.
01:01:01I wanted to know you for years.
01:01:03Quite a letdown, huh?
01:01:05No. Not at all.
01:01:07But when I got here,
01:01:09you acted like I was the last person on Earth
01:01:11you wanted to see.
01:01:13I was hurt.
01:01:15I made an awful mess of things.
01:01:18One?
01:01:22No, it's not his fault either.
01:01:24It's all my fault.
01:01:26Don't be so selfish, kid.
01:01:28I ought to take a little credit for messing things up
01:01:30by being so plain...
01:01:32jealous.
01:01:34Jealous?
01:01:36Jealous.
01:01:38Now you know.
01:01:40Do you want to turn back now?
01:01:42No.
01:01:44Do you want to turn back now?
01:01:46Do you?
01:01:48Neither do I.
01:01:51Things will work out all right.
01:02:14I've set a trap over there.
01:02:16With luck, we may have a deer soon.
01:02:18Maybe I can get a picture of it.
01:02:26I called you a fool, Robert.
01:02:28I think it is I who am a fool.
01:02:30Sit down, Mom, would you please?
01:02:34I'm not a fool.
01:02:36I'm not a fool.
01:02:38I'm not a fool.
01:02:40I'm not a fool.
01:02:42Sit down, please.
01:03:12Ah!
01:03:30The son of a chief.
01:03:32Dead.
01:03:36What does he mean?
01:03:38He says she did it.
01:03:42She did what?
01:04:12Ignore resistance.
01:04:42She did it.
01:05:12She did it.
01:05:42Amen.
01:05:54Amen.
01:06:08Amen.
01:06:12Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:06:42oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:07:12oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:07:27Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
01:07:57I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
01:08:12What's this commotion all about?
01:08:13The dance is a symbol of life and death.
01:08:23This is what I came to see, all the barbaric splendor of an ancient culture.
01:08:53This is what I came to see, all the barbaric splendor of an ancient culture.
01:09:23This is what I came to see, all the barbaric splendor of an ancient culture.
01:09:53This is what I came to see, all the barbaric splendor of an ancient culture.
01:10:23This is what I came to see, all the barbaric splendor of an ancient culture.
01:10:54I'm bringing here a ceremonial gown.
01:10:57Ceremonial gowns?
01:10:58Yes, sir.
01:10:59It ends with a sacrifice.
01:11:17Come on.
01:11:18See if you can untie me.
01:11:23Yes, sir.
01:11:34In my pocket.
01:11:35Fill.
01:11:36Fill?
01:11:37Yeah.
01:11:38Give it up.
01:11:44Good matches.
01:11:45Same place.
01:11:53Fill.
01:12:03Give me your foot.
01:12:23Fill.
01:12:54Fill.
01:13:13Follow.
01:13:14Follow.
01:13:23Follow.
01:13:24Follow.
01:13:25Follow.
01:13:26Follow.
01:13:27Follow.
01:13:28Follow.
01:13:29Follow.
01:13:30Follow.
01:13:31Follow.
01:13:32Follow.
01:13:33Follow.
01:13:34Follow.
01:13:35Follow.
01:13:36Follow.
01:13:37Follow.
01:13:38Follow.
01:13:39Follow.
01:13:40Follow.
01:13:41Follow.
01:13:42Follow.
01:13:43Follow.
01:13:44Follow.
01:13:45Follow.
01:13:46Follow.
01:13:47Follow.
01:13:48Follow.
01:13:49Follow.
01:13:50Follow.
01:13:51Follow.
01:13:52Follow.
01:13:53Follow.
01:13:54Follow.
01:13:55Follow.
01:13:56Follow.
01:13:57Follow.
01:13:58Follow.
01:14:04Come on, Bob.
01:14:05You idiots.
01:14:22I don't know.
01:14:29I don't know.
01:14:36I don't know.
01:14:43I don't know.
01:14:51Get Catherine out of here.
01:14:53You take her. You know the trail.
01:15:06Robert!
01:15:08Keep going.
01:15:09What about you?
01:15:10For some, the love of a woman is the end.
01:15:13For others, the beginning.
01:15:15Go after her.
01:15:18They were my friends, and I betrayed them.
01:16:18You think?
01:16:36I'm afraid.
01:16:40Opal!
01:16:48Like the orchid blooming now
01:16:54White of skin, aloof somehow
01:17:00Slender form and fragrance sweet
01:17:05Are you my dearest one?
01:17:11I know it must be
01:17:15If I gain your love
01:17:20I'm doomed, then lie
01:17:26Yet I don't ask why
01:17:33Dearest one