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00:02:35Oh, wonderful! That was lovely!
00:02:38Fine! Well, the boys got to clear out because Mama's got to start dinner.
00:02:46Oh, honey child, those boys sure can play.
00:02:50Oh, I'm so glad you enjoyed it, Mama.
00:02:52Bless your heart. You've grown just the way your Mama and Papa wanted you to.
00:02:57Oh, pretty as a picture.
00:03:00They'd be so proud of you.
00:03:02The way you followed in their footsteps.
00:03:05It's in your blood, honey.
00:03:07Poor Daddy and Mama. If only they had lived.
00:03:12Oh, but Mama Keys, don't think I mean that for you.
00:03:15No one could have been a better mother than you have.
00:03:17And I feel like you're my very own.
00:03:20You've never given me one moment's trouble.
00:03:23Well, except...
00:03:25Except ever since that Bob Jordan moved in here.
00:03:28You've been making soulful eyes, honey.
00:03:31But he plays so beautifully.
00:03:33And his singing just does things to me.
00:03:36I know. I'm not saying anything against the boys.
00:03:39But it's like you say. It's in my blood.
00:03:42Daddy and Mama were troopers, and so is Bob Jordan.
00:03:45Maybe that's why I like him.
00:03:47You understand, don't you?
00:03:49Yes, I guess I do, honey.
00:03:51I declare that they're getting my work done.
00:03:53What with all these hungry actors.
00:03:56I'd better get dinner ready.
00:03:58Oh, I'll help you, Mama Keys.
00:04:00You know, the older the great Joseph gets, the more apple pie he wants.
00:04:04He always was the pie type.
00:04:06Yes, he was. He'll never change.
00:04:11Uh, look here, Joseph.
00:04:13Uh, let's don't get too mysterious.
00:04:15Because you're going to make somebody hurt themselves in here.
00:04:17I don't like to look for this place alone, huh?
00:04:19Look here, let's forget about that Alkalation stuff.
00:04:22Because I ain't on speaking terms with him.
00:04:25I don't see...
00:04:28I don't see...
00:04:30Nothing.
00:04:31I don't blame you.
00:04:33I've been looking at him all my life, and I ain't never seen nothing.
00:04:37First of all, the man is made wrong to start with.
00:04:40Look at him.
00:04:41Look at him.
00:04:42Look at his mouth.
00:04:43Just look at his mouth.
00:04:45Don't look at mine.
00:04:46I said look at his.
00:04:48Running around with his mouth way down there.
00:04:50Don't you know that's bad to start with?
00:04:52If I was left to me, I'd put his mouth on the top of his head.
00:04:55And if he should happen to sleep late while he's up front trying to get dressed,
00:04:58somebody can be out in the kitchen wrapping up him a sandwich.
00:05:01If he got dressed, all he'd have to do is to rush out to the kitchen,
00:05:04grab the sandwich, put it on top of his head, put his hat on,
00:05:07and let his mouth eat all the way down to the office.
00:05:10He's running around every day with both eyes in front.
00:05:13If you live in a dark neighborhood like you live right here,
00:05:16one day they're going to slip up behind him and bust his brains out,
00:05:18and he'd never know who did it.
00:05:20If it was left to me, I'd remedy it fast.
00:05:22I'd put one eye in the front and one in the back.
00:05:25Because it's just as important to see where you're coming from as it is to see where you're going.
00:05:29And another thing that was left to me, I'd equip him with three eyes.
00:05:32He'd really need them and can use them.
00:05:34I'd put one in the front, one in the back,
00:05:37and one on the end of that finger right there.
00:05:40And that eye could save him a whole lot of trouble, that eye right there.
00:05:43Now suppose he's walking down the street and somebody says,
00:05:45look out, don't turn that corner, they're beating up one another around that corner.
00:05:48Naturally, with both eyes in front, he's going to want to see the excitement,
00:05:51take a chance, stick his head around the corner,
00:05:54and he'll have nothing to snatch back, nothing but his body.
00:05:57If he had that eye on the end of that finger, he wouldn't have that to worry about.
00:06:00If he wanted to see the excitement, all he'd have to do is tip up to the corner,
00:06:03stick that one-eyed finger around the corner, investigate.
00:06:07If he sees where he's going to get hurt, detour.
00:06:09That's all he's got to do.
00:06:10Now, Joseph, what I want to know, can you look in that bowl and tell me,
00:06:14see, I had $3 when I went to sleep last night, and this man ruined me.
00:06:18When I woke up, my $3 wasn't there.
00:06:21Now, Joseph, can you tell me, who took my $3?
00:06:25If you ask that man that again, I'll knock your block off.
00:06:28Knock whose block off?
00:06:29Don't tell me if I knock nobody's block off, because if you hit me, brother, you ain't going to get it.
00:06:33Gentlemen, gentlemen.
00:06:39Look at this wonderful table.
00:06:40Good evening, everybody.
00:06:41Good evening.
00:06:42How do you do?
00:06:43How's everybody?
00:06:44How you doing?
00:06:46Hello.
00:06:47Hello.
00:06:48Hello.
00:06:49Hello.
00:06:54Hey, son, here's that $10 I owe you.
00:06:56It came in handy.
00:06:57Thanks, Bob.
00:06:58How'd you come along with the phone?
00:07:00Pretty good.
00:07:01Pretty good.
00:07:02Oh, that reminds me.
00:07:03Let's go over there to dinner.
00:07:04Good.
00:07:09Boys!
00:07:10Boys, please!
00:07:12Nothing, Betty.
00:07:13That boy's just illiterate there.
00:07:14That's all.
00:07:15I'm just getting me a bookchop, Mama, that's all.
00:07:29It's no use, Barbara.
00:07:31I just can't seem to get the punch I want into this song.
00:07:34But it's so pretty.
00:07:35I just know it'll be a hit.
00:07:37I think I'll stick to my band and forget about writing songs.
00:07:40Bob Jordan, I'm ashamed of you.
00:07:42You're acting like a schoolboy, and I don't like it a bit.
00:07:44Do you really like the melody?
00:07:46Why, it's beautiful.
00:07:47Now, if you'd just put some love into the words.
00:07:50Love.
00:07:51What do I know about love?
00:07:53I've never been in love.
00:07:55Play it again.
00:07:56I like it.
00:07:58OK.
00:08:05You know something, Bob?
00:08:07This is going to be a Cinderella song.
00:08:09Why don't you put something in it about a Prince Charming?
00:08:12Prince Charming?
00:08:13That's a great idea.
00:08:14You mean like this?
00:08:28Great.
00:08:29Fine.
00:08:30Oh, gee, we don't worry about it.
00:08:39Oh.
00:09:10Splendid, Robert.
00:09:12Splendid.
00:09:14It was nice of you to invite me here to meet all these fine people.
00:09:17Oh, nonsense.
00:09:18The pleasure's all ours.
00:09:20There's someone who wants especially to meet you.
00:09:23She came late while you were playing.
00:09:26Well, I'm afraid I'm not good company.
00:09:29I'm all right at the piano, but I'm a little overwhelmed tonight.
00:09:33Oh, silly boy.
00:09:35Don't you realize you're famous?
00:09:37Don't you realize you're famous?
00:09:39Miss Vivian Marston, allow me to introduce Robert Jones.
00:09:44I'm sorry I had to be late.
00:09:46Oh, it was nothing.
00:09:47Just a few popular tunes.
00:09:49Why, you should hear some of the other boys around town sing.
00:09:52And do some of these boys write songs like you do?
00:09:56Sure they do.
00:09:57One right after the other.
00:09:59Robert is very mighty.
00:10:01I'll leave you two alone to get better acquainted.
00:10:08Oh, my.
00:10:18Honey, child.
00:10:21What are you doing up so late and staring out that window?
00:10:25Just thinking.
00:10:26Oh, but you should be in bed after practicing all day long.
00:10:30Come, tell Mama Keith what are you thinking about?
00:10:33Well, I was just looking out at the lights of the big city.
00:10:36Wondering where Bob is.
00:10:38Oh, he's needy.
00:10:39Yes, we don't see much of him anymore.
00:10:42Oh, I hope success hasn't gone to his head.
00:10:45Oh, he's not that way.
00:10:47Besides, you can't blame him for staying out a lot.
00:10:50There isn't much excitement for him around here.
00:10:55Honey, child.
00:10:57You are crying.
00:11:00Tears of joy, I guess.
00:11:02I'm so happy.
00:11:04He got a break.
00:11:06Yes, and you were responsible for it.
00:11:08Oh, Mama Keith, it was nothing.
00:11:12I suppose I should go out and find a job.
00:11:15Now, dear, you have plenty of time for that.
00:11:18But I want to sing and dance and get to dance.
00:11:21Yes, yes, I know.
00:11:23The theater again.
00:11:25But off to bed you go, young lady.
00:11:28Well, if I go to bed, am I going to sleep in the house?
00:11:31Oh, you'll sleep.
00:11:33Yes, yes, and read a book.
00:11:35No, book reading, young lady.
00:11:37And don't forget, you're not too old to be frank.
00:11:41Besides, be clear, I had the worst trouble getting my house to bed.
00:11:45Even the great Joseph is up at this hour.
00:11:48Now, there, now.
00:11:50Good night, honey.
00:11:51Good night, Mama Keith.
00:11:54You are next.
00:11:57Your name, please.
00:11:59I don't want to examine your tonsils.
00:12:01What is your name?
00:12:02Oh, my name, uh, uh, Fu.
00:12:05Uh, Fu to you?
00:12:07That's it, that's my name, uh, Fu.
00:12:09Well, why didn't you say so in the first place?
00:12:11Are you kidding?
00:12:13I don't get any image.
00:12:15I need another crystal.
00:12:17Sure, that's no good.
00:12:19Four, five, six, no good.
00:12:22Even this one is no good.
00:12:27My friend, you must have a very big future.
00:12:31Sure, we have big food, too, every day.
00:12:34Big bone rice, very, very good.
00:12:37Mmm, yum, yum.
00:12:39Even this one only gives a partial and incomplete image.
00:12:47Four, five, six, no good.
00:12:50Even this one is no good.
00:12:53My friend, do you by any chance own a pawn shop?
00:12:58Sure, we got a big hawk shop in Chinatown.
00:13:01You know what the three ball he mean?
00:13:04Know what?
00:13:05What does he mean, the two, two, two, two, one?
00:13:09You know, come back.
00:13:10That's a joke.
00:13:14You are deliciously naive.
00:13:19Oh, it's so warm in here.
00:13:21Let's go in the chair.
00:13:23Yes, it is a little warm in here.
00:13:30Now, doesn't that feel better?
00:13:32Much better.
00:13:33It was too stuffy inside.
00:13:35Yes, it was.
00:13:36You know, Mr. MacMillan, the manager of the Swan Club,
00:13:39used to be a friend of mine.
00:13:41I think I could talk to him.
00:13:43But I wouldn't want to shove Barney Ray out.
00:13:46You should think of yourself.
00:13:48After all, I'm thinking of you too in this matter.
00:13:53But you hardly know me.
00:13:55And you haven't heard my band.
00:13:57I think I know you well enough.
00:14:00I'm not interested so much in the band.
00:14:03I'm interested in you.
00:14:06I'm certain the Swan Club is the place for you.
00:14:09And I think you can figure on playing there.
00:14:12I'm sure of it.
00:14:13Sure.
00:14:42Gee, Barbara, am I glad you're still awake.
00:14:56Have I got lots to tell you.
00:14:57What are you doing?
00:14:58Just looking at your song.
00:15:00I got a lot to tell you about that too.
00:15:02Gosh, I'm hungry.
00:15:03Is there any food left?
00:15:04I think so.
00:15:05Mama Keyes always leaves something.
00:15:08Gee, I'm so excited I can hardly wait.
00:15:10Have you got any milk there?
00:15:11Oh, sure, there's plenty.
00:15:12Well, come on, have a sandwich with me.
00:15:14You'll never guess what happened to me tonight.
00:15:16You see, because I must be good.
00:15:19It's just the way I've always dreamed.
00:15:22The top spot in town, the Swan Club.
00:15:25Oh, it's marvelous, it's all true.
00:15:27Tell me about it.
00:15:29I met a very influential woman tonight.
00:15:31She's going to arrange everything.
00:15:33But can you imagine a wealthy and beautiful woman falling for me?
00:15:37Why not?
00:15:38You have everything now.
00:15:40It's funny how time changes things.
00:15:42A short time ago I was desperate.
00:15:45And now the whole world's before me.
00:15:48You deserve a break too, Barbara.
00:15:50Oh, don't worry about me.
00:15:51But it's only because of the song.
00:15:53And wait till I get that royalty check.
00:15:54I'm going to see that you have your share.
00:15:56Oh, I don't expect anything.
00:15:59After all, it's your song.
00:16:00But I couldn't have finished it without you.
00:16:02It takes a woman for that hard interest stuff.
00:16:11That's the way it's going to be.
00:16:13But it's all out of reason, Vivian.
00:16:15Why should we get Barney Ray's orchestra out?
00:16:17It's a big draw.
00:16:18In my opinion, Bob Jordan will be bigger.
00:16:21In your opinion?
00:16:23That's the last.
00:16:24You probably have a yen for it.
00:16:26What if I have?
00:16:29Now listen, Vivian.
00:16:30I'm warning you.
00:16:31You're playing with fire.
00:16:32You're engaged to Ralph Williams.
00:16:34Why is it every new face comes along you've got to pull like a ton of bricks?
00:16:37Let's get this straight, Mr. McMillan.
00:16:40I'm the biggest stockholder in this club.
00:16:43And you know why.
00:16:44Because it's my playground.
00:16:46And leave Ralph Williams out of this.
00:16:48But you can't carry water on both shoulders.
00:16:50Now listen.
00:16:51Someday, Ralph is going to get wise that you're using him for your social ambition.
00:16:56I'll take my chances on that.
00:16:58Well, it's your money.
00:17:01And your funeral.
00:17:03Do as you please.
00:17:04That's what I intend to do.
00:17:06I'm putting Bob Jordan and his orchestra in here.
00:17:09Here we are, mate.
00:17:10Right on time.
00:17:11All ready to sign.
00:17:12Boy, will this be tremendous.
00:17:13A new star.
00:17:14Right up the season's biggest song hit.
00:17:16Am I a press agent?
00:17:17And how?
00:17:19You know, you're lucky to have a guy like me hanging around the Swan Club.
00:17:22It used to be the Swan Club.
00:17:24We're changing the name to the Cinderella Club.
00:17:27I get it.
00:17:29We feature Bob Jordan's new song hit, Cinderella.
00:17:32It's terrific, Miss Marston.
00:17:34A new star in the nightclub heaven.
00:17:36Gee, I only hope I'm all you're expecting of me.
00:17:40You will be.
00:17:41We'll see to that.
00:17:43Bob, come over here.
00:17:45Sit down with me.
00:17:46There's some things I want to discuss with you.
00:17:48Come on, Lester.
00:17:49We'll talk this matter over the bar.
00:17:51Yeah, I'll get cold, darling.
00:17:52Expect to give me a two-column spray.
00:17:54Yeah, I know.
00:17:55You're terrific.
00:18:05Yes, Bob Jordan and his Cinderella Orchestra.
00:18:09Some publicist agent I am.
00:18:11Sorry it isn't you, Barney.
00:18:13But I have a job to do, you know.
00:18:15I'm not interested in what a great press agent you are.
00:18:21Well, got to be going.
00:18:23Get down to Express.
00:18:24Combs is going to give me that two-column spray.
00:18:29Say, well, how are things?
00:18:30I had to let you go.
00:18:33My band was doing swell here.
00:18:34We were packing them in.
00:18:36She wants him, and what she wants, she gets.
00:18:39Well, she's welcome to him in his one song.
00:18:41That'll be all he'll ever write.
00:18:43When it all dies down, you'll be in here again.
00:18:47You'll get your cut every week, Mac.
00:18:49You know that.
00:18:52Well, I'm all ready now, Mama T.
00:18:54I declare, honey, you sure look lovely.
00:18:57Oh, you look nice, too, honey.
00:18:59All right, now.
00:19:01Pick up some men, and then we'll be off.
00:19:05Oh, you look lovely.
00:19:07I know they must be tired of waiting.
00:19:14History will someday prove that I am correct.
00:19:17And I'll bet $10 that history will prove that I'm correct.
00:19:21You both is wrong.
00:19:22I decided it was for the divine.
00:19:24Shame on you.
00:19:25Shame on you.
00:19:27Why, that's the bottle I keep for my misery.
00:19:29Now, get up.
00:19:30Get up and get along.
00:19:31All of you.
00:19:32Get along.
00:19:33But I'll have to be bringing out the men again.
00:19:55Are you well taken care of?
00:19:57Why, my good man.
00:19:59Pretty much of everything.
00:20:01What will you have?
00:20:02Pretty much of everything.
00:20:29Hey!
00:20:30Hey!
00:20:33Who's that?
00:20:34Go look at that old slut.
00:20:35newer shoes
00:20:39Do you have a cup, Miss?
00:20:41Of course.
00:20:44Get herself going!
00:20:47Hey!
00:20:48Hey!
00:20:54Ahhhhhhh!
00:20:55My, that thought is screw.
00:20:57He's there! He's here!
00:21:14Enter there! Enter there!
00:21:27Come on, let's go!
00:21:58Now, ladies and gentlemen, this is what you've been waiting to see and to hear.
00:22:04Bob Jordan and his Cinderella Orchestra.
00:22:17Cinderella, sitting in a corner
00:22:24Sitting in a corner
00:22:29Feeling blue and just a little sad
00:22:36Wishing for her dad, a gay Prince Charming
00:22:43And pining for a love she never had
00:22:49Cinderella, try to keep your chin up
00:22:58Things will have to come your way
00:23:05Cross your fingers when you start to wish him
00:23:12And he'll come back to you someday
00:23:20Why must you spoil your pretty eyes by crying?
00:23:28Nothing was ever gained through tears
00:23:35For you were made for love and not for sighing
00:23:43So dry your eyes and put away your fears
00:23:51Cinderella, look into your mirror
00:23:58Don't you see her lovely vision there?
00:24:05So try to smile and don't act wise
00:24:09Here comes your big surprise
00:24:15Oh, Cinderella
00:24:21Here's your fella now
00:24:44Oh, Mama Jean, do you know what that applause means?
00:24:46It means that Bob's a tremendous hit.
00:24:48Oh, he sure is, honey, and I'm so happy.
00:24:52A new star seems to have caught on.
00:24:54You ought to be congratulated in picking him.
00:24:56I usually know what I want.
00:24:59You're finding very little time to talk to me tonight.
00:25:02A businesswoman has very little time for idle conversation.
00:25:06I see. Does that go for your new protege also?
00:25:11Listen, Ralph, anything I would discuss with Bob Jordan would be strictly business.
00:25:18I'll put a ring around my Rosie
00:25:21And my heart will bust with pride
00:25:25On that day we sail away
00:25:29And I'll make that chick my bride
00:25:32I'll put a ring around my Rosie
00:25:35And you'll watch me jump with glee
00:25:39When I take that girl around the world
00:25:43All the folks to see
00:25:46She's got skin like a baby
00:25:49And she's got those eyes that shine
00:25:53Now, is she cute? I don't mean maybe
00:25:57But, baby, all that cute is mine
00:26:00I'll put a ring around my Rosie
00:26:03And you'd better not cross that line
00:26:07Just read the tag, it's in the bag
00:26:11Cause that doll, baby, is mine
00:26:27She's got skin like a baby
00:26:30And she's got those eyes that shine
00:26:34Now, is she cute? I don't mean maybe
00:26:38But, baby, all that cute is mine
00:26:42I'll put a ring around my Rosie
00:26:45And you'd better not cross that line
00:26:49Just read the tag, it's in the bag
00:26:53Cause that doll, baby, is mine
00:27:23Thank you. Oh, here you go. Thank you.
00:27:29She won't last long here with this band.
00:27:31Wait till she gets tired of it.
00:27:33Excuse me, folks. I'm Lester Green, the press agent here.
00:27:36Bob Jordan asked me to entertain you for a while.
00:27:38Oh, glad to know you.
00:27:40Now, this is Bob. How do you do?
00:27:42And here's the great Joseph.
00:27:44The great Joseph, eh? What makes him so great?
00:27:47Well, he's one of the greatest mind readers.
00:27:49I see a nimble brain that wakes fast.
00:27:53A brain that's bursting for more room.
00:27:56I see you in the background of all of this.
00:28:02Say, you're terrific.
00:28:04Would you like to make some money?
00:28:06I am not interested in money.
00:28:09How much?
00:28:11Now you're talking. Plenty.
00:28:13I've got a thousand names on my mailing list.
00:28:15They'll go for you like a horse goes for carrots.
00:28:18We're having a party here tonight.
00:28:19Come with me. I'd like to introduce you.
00:28:21Boy, am I a press agent.
00:28:23He's going to meet women?
00:28:24Well, what are we waiting for, man?
00:28:26Come on over here. What are we talking about?
00:28:28And you can put it down in your newspaper, McCoy.
00:28:30I got noticed because I wouldn't play up to Vivian Marston.
00:28:34That man speaks the truth.
00:28:39The boys are taking over for me for a while.
00:28:41I wanted to find out how you liked everything.
00:28:44Gee, you were swell.
00:28:45The crowd has certainly taken you to their hearts.
00:28:47They love you.
00:28:48I always get lost on that last line.
00:28:51I know. I was sort of singing with you.
00:28:53Sort of mental telepathy.
00:28:55You know, I don't know what it is.
00:28:57I can't seem to get that line.
00:28:59It keeps throwing me.
00:29:00Why don't you hold the slipper in your hand?
00:29:02You know, the Cinderella slipper.
00:29:05It would give you more showmanship.
00:29:07And inside of the slipper, you could have all the lyrics written out.
00:29:10Barbara, you're wonderful.
00:29:12I'm sorry I can't let you have one of mine.
00:29:14They all have dancing plates on them.
00:29:16And Cinderella wasn't a dancer.
00:29:18It's a swell idea.
00:29:20But I believe I'll get it after a while.
00:29:22Waiter.
00:29:24Tell Mr. Jordan I wish to see him.
00:29:28You know, people are beginning to wonder about us and our marriage.
00:29:32Let's we go through that again.
00:29:34We're engaged.
00:29:36Isn't that enough to satisfy them?
00:29:38The people in my set don't understand.
00:29:41They think we should be married after this long engagement.
00:29:45Come into the office.
00:29:47I want to talk to you.
00:30:06Well, Mr. Robert Jordan.
00:30:09What do you have to say to yourself?
00:30:12What do you have to say to yourself?
00:30:15I suppose I'd better let you do all the talking.
00:30:18After all, you are my boss.
00:30:21You can have just as much to say.
00:30:26If you care to.
00:30:30Do you want to?
00:30:32Sure.
00:30:40Sure.
00:30:42I can tell you more about Vivian Marsh.
00:30:44She's engaged to a regular guy.
00:30:46She's playing the field right before his eyes.
00:30:49Give me a double rye and water.
00:31:02Cut.
00:31:03Cut.
00:31:04He's been late every night since he was here.
00:31:06Where is he now for the rehearsal?
00:31:08Well, I don't know.
00:31:10You know that Jordan.
00:31:12But the boys now care on Mr. Macmillan.
00:31:17I suppose I'd better let you do all the talking.
00:31:20After all, you are my boss.
00:31:22You can have just as much to say to yourself.
00:31:25I suppose I'd better let you do all the talking.
00:31:28Give me a double rye and water.
00:31:31Look out. Here we go.
00:31:49No use hiding that paper, Mama Keyes.
00:31:52I know what you're reading.
00:31:53Well, I suppose it's just one of those things.
00:31:57Yes.
00:31:59Just one of those things that couldn't be helped, I suppose.
00:32:03Well, after all, she's beautiful and wealthy and Bob's handsome.
00:32:08It's glamour.
00:32:09Romance with all the trimmings.
00:32:11I don't know why he keeps his room here.
00:32:13He never comes home anymore.
00:32:16Afraid of offending you, maybe.
00:32:18It's not me he's offending, dear.
00:32:20It's you.
00:32:22Oh, I'm trying to make the best of it all.
00:32:25I realize I could have never been the one.
00:32:28You're not so affected as I thought you'd be.
00:32:32I have no other choice in the matter.
00:32:35Besides, I've landed myself a job.
00:32:37A job? Where?
00:32:39At the Hangout Club.
00:32:42It isn't much of a place, but it's respectable.
00:32:46Mostly musicians.
00:32:48Oh, Mama Keyes, I was born for show business.
00:32:52And that's where I'll finish, I guess.
00:32:59How do you suppose I feel about all this gossip?
00:33:02You can't stop wagging tongues.
00:33:04Ours is an innocent friendship.
00:33:06Innocent friendship, eh?
00:33:08When people at bars mention your name and point me out as the goat,
00:33:12people smiling and winking at each other when they see me.
00:33:15Do you think an innocent friendship stops all that?
00:33:17It's bad, Vivian.
00:33:19The patrons want to see Bob Jordan, and he's hardly ever around.
00:33:22Well, you're the manager.
00:33:24Why don't you do something about it?
00:33:26Because you wouldn't permit me.
00:33:28You stop me at every turn.
00:33:30Mr. MacMillan knows more about this than you do.
00:33:32Why don't you listen to him?
00:33:34Listen to him?
00:33:36Why, he'd have Barney Ray back in here, and I think I know why.
00:33:40At least Barney Ray showed up.
00:33:42That's more than your lover does.
00:33:44Do you realize what you've said?
00:33:47That ought to keep you quiet for a while.
00:33:50It certainly will,
00:33:52after I inform the newspapers that our engagement is off.
00:33:54You wouldn't dare.
00:33:56Wouldn't I? Well, we'll see.
00:33:59What are you going to do?
00:34:01Inform the world that Vivian Marston and I are finished.
00:34:04Ralph, you're losing your head.
00:34:06Perhaps I am.
00:34:08And a liability at the same time.
00:34:10Don't, Ralph. Please don't.
00:34:12I swear to you I'll stop it.
00:34:14MacMillan, you can discharge Bob Jordan if you like.
00:34:17Now you're being sensible.
00:34:20Well, here's your bandleader.
00:34:24He's no longer our bandleader.
00:34:26I don't get it. I do.
00:34:28Bob Jordan is through.
00:34:30Clause 10 in our contract regarding general behavior.
00:34:33I suppose that's because of that newspaper story.
00:34:36Miss Marston and I are engaged.
00:34:39Engaged?
00:34:41I never knew. Well, you know now.
00:34:44What about Vivian? Hasn't she anything to say about it?
00:34:48I'm afraid you misunderstood our friendship.
00:34:51Robert.
00:34:53I was trying to be nice to you.
00:34:55If you permit yourself to go too far.
00:34:58Of all the things that we...
00:35:04I understand.
00:35:06All right, Mac. Consider this my notice.
00:35:09I'll give you two weeks' salary and we'll drop the whole thing.
00:35:19Thanks for the buggy ride.
00:35:41Here's the story of a gal named Lizzie.
00:35:44Here's the story of a gal named Lizzie.
00:35:47She's all right but just a little dizzy.
00:35:50She clamped on top of a shed and fell down upon her head.
00:35:55She's a long-legged Lizzie.
00:35:57Long-legged Lizzie.
00:35:58Oh, she's a little dizzy.
00:36:00She's a little dizzy.
00:36:01Oh, long-legged Lizzie's the dizziest gal in town.
00:36:05In town.
00:36:06In town.
00:36:07In town.
00:36:08In town.
00:36:09In town.
00:36:10In town.
00:36:11Dizzy Lizzie likes to have a ball.
00:36:13Yeah.
00:36:14Dizzy Lizzie is no place at all.
00:36:16Sure is.
00:36:17That old gal is so darn tall.
00:36:19Yeah.
00:36:20She sleeps in the kitchen with her feet in the hall.
00:36:22Oh, long-legged Lizzie.
00:36:24Long-legged Lizzie.
00:36:25She's a little dizzy.
00:36:27She's a little dizzy.
00:36:28Oh, long-legged Lizzie's the dizziest gal in town.
00:36:31In town.
00:36:32In town.
00:36:33In town.
00:36:34In town.
00:36:35In town.
00:36:36In town.
00:36:37But Dizzy Lizzie had to cross the river.
00:36:40What she did was make a brave man shiver.
00:36:43Though the river was one mile wide, she stepped across in one big stride.
00:36:48She's long-legged Lizzie.
00:36:50Long-legged Lizzie.
00:36:51She's a little dizzy.
00:36:53She's a little dizzy.
00:36:54Oh, long-legged Lizzie's the dizziest gal in town.
00:36:57In town.
00:36:58In town.
00:36:59In town.
00:37:00In town.
00:37:01In town.
00:37:02In town.
00:37:03Old Lizzie sat one day upon the ground.
00:37:05Yeah.
00:37:06High in the sky, she heard an awful sound.
00:37:08Sad but true, when Lizzie rose.
00:37:11What happened?
00:37:12Something bumped her on her nose.
00:37:14Oh, long-legged Lizzie.
00:37:16Long-legged Lizzie.
00:37:17She's a little dizzy.
00:37:19She's a little dizzy.
00:37:20Long-legged Lizzie's the dizziest gal in town.
00:37:23In town.
00:37:24In town.
00:37:25In town.
00:37:26In town.
00:37:27In town.
00:37:28In town.
00:37:29Lizzie's mother had a strange premonition.
00:37:32That her child was in a terrible condition.
00:37:35She said, Lizzie, you are my faith.
00:37:37Baby, you're tall as the Empire State Bridge.
00:37:40You're long-legged Lizzie.
00:37:42Long-legged Lizzie.
00:37:43You're a little dizzy.
00:37:44You're a little dizzy.
00:37:45And long-legged Lizzie's the dizziest gal in town.
00:37:49In town.
00:37:50In town.
00:37:51In town.
00:37:52In town.
00:37:53In town.
00:37:54In town.
00:37:55La-de-do-da-do-da-da.
00:37:56Yeah.
00:37:57La-de-do-da-do-da-da.
00:37:59Yeah.
00:38:00Dizzy Lizzie is a clown.
00:38:03She's the dizziest gal in town.
00:38:07Yeah.
00:38:22See, this guy's really a character.
00:38:27Will I ever learn to keep my big mouth shut?
00:38:33And now, ladies and gentlemen, we have seated here at the bar,
00:38:37where he usually is,
00:38:41Barney Ray, a great singer of songs,
00:38:44and also, recently star of the Swan Club.
00:38:50I'm sure if you make him welcome,
00:38:52he'll give out with a number.
00:38:53What do you say if we give him a hand, huh?
00:38:55I mean, come on, let's give him a hand.
00:38:57Wow, wow, wow.
00:38:59Let's see it.
00:39:01Barney, do it like we rehearsed it, brother.
00:39:08If you'll be so kind.
00:39:11Oh-ho
00:39:16It's a lovely day
00:39:20Oh-ho
00:39:24We could sail away
00:39:28To an isle
00:39:33Where dreams were made for two
00:39:43I know
00:39:48Where silvery waters meet
00:39:55Where life can be complete
00:40:02If you'll only love me too
00:40:15I would count the pebbles in the sand
00:40:23Or even count the stars up in the blue
00:40:31But I'd love to hold you in my arms
00:40:39There's nothing else I'd rather do
00:40:45So if you can make this moment live
00:40:58My heart to you I'll give
00:41:05Then we can say
00:41:11It's such a lovely day
00:41:19A lovely day
00:41:23It's such a lovely day
00:41:36Gee, did you send for the girl like I asked you to?
00:41:39Man, that's in the bag.
00:41:40You sure now?
00:41:41Solid.
00:41:42Okay.
00:41:44Pete told me you asked to see me.
00:41:46Yes, miss. I'm Barney Ray.
00:41:47I'm opening a new spot.
00:41:49I'd like to have you work with the boys and me.
00:41:51Oh, thank you.
00:41:52But I've only been here a week.
00:41:54I don't think I ought to leave just yet.
00:41:56What can you get here?
00:41:57I know what this place pays.
00:41:58It's one of my hangouts.
00:41:59I'm the guy who abuses that sign.
00:42:04Now with me, you'll have a real job.
00:42:06What about letting me hear you sing a song?
00:42:07I've got a good ballad I'd like you to hear.
00:42:09Okay, let's hear it.
00:42:16Cinderella sitting in a corner
00:42:24Feeling blue and just a little sad
00:42:32Wishing for her guy, a gay prince charming
00:42:39I'm pining for a love she never had
00:42:48Cinderella, try to keep your chin up
00:42:55Things will have to come your way
00:43:03Cross your fingers when you start to wishing
00:43:10And he'll come back to you someday
00:43:17Why must you spoil your pretty eyes by crying?
00:43:26Nothing was ever gained through tears
00:43:33For you were made for love and not for sighing
00:43:41Cinderella, eh? Wait till she finishes.
00:43:43Watch me have some fun.
00:43:48Cinderella, look into your mirror
00:43:55Don't you see a lovely vision there?
00:44:02So try to smile, but don't act wise
00:44:06Here comes your big surprise
00:44:12For Cinderella is your fella now
00:44:34Did you like it?
00:44:35Do you mind if I give you my version of that song?
00:44:37Oh, no, not at all.
00:44:40Cinderella looking for Bob Jordan
00:44:44But she's not the girl that he adores
00:44:48He started running round with Vivian Marston
00:44:51Until her future husband, he got sore
00:44:54Stop it! Stop it!
00:44:55Say, fella, what's the matter?
00:44:57Can't you hold your liquor?
00:44:58What's the idea of upsetting a girl?
00:45:00Never mind, Dee.
00:45:01Why, you cheap chiseler!
00:45:02Bob Jordan's got more of a belt in his boot than you've got in your whole dirty make-up
00:45:06Just because he got himself in a jam you're gloating
00:45:08But you won't be gloating long
00:45:10He'll come back bigger and stronger than you'll ever be
00:45:14Boy, this sure is not a lucky night
00:45:16It sure ain't, man
00:45:18Give me a double
00:45:19Coming up
00:45:20Boy, I wish I had fans like that
00:45:26Take it easy, Mac. Keep cool
00:45:29But I sent Lester Green to find him
00:45:31And now it looks as though I've got to send somebody after Lester
00:45:35Business has fallen off. There's no doubt of it
00:45:37Lester left since yesterday
00:45:39And I haven't heard a word from him
00:45:41Don't worry. He'll show up on payday
00:45:44There won't be any payday if we don't do business
00:45:47If I could only lay my hands on that press agent
00:45:52Give me another drink
00:45:54I sure need it
00:45:55Man, after that balling out you had last night
00:45:57I didn't think you'd show up again tonight
00:45:59Skip it. This is one of my favorite hangouts
00:46:01Someday I'll own a joint
00:46:06Oh, big shot
00:46:07Hello, Barney. How are you?
00:46:09Have a drink
00:46:10I'll take ginger ale
00:46:12Ginger ale? Get him
00:46:14This is no soda fountain
00:46:15I'm on the wagon tonight
00:46:19Kind of upset your apple cart, didn't you?
00:46:21I guess it did
00:46:22I guess it did
00:46:23It was wrong of me to go in there in the first place
00:46:27It's really your spot
00:46:28Sure, it's my spot
00:46:29Vivian Marston gave you the work, see?
00:46:32Rise and a poser, write one song, then get the squelch delegate
00:46:36It wasn't Vivian's fault
00:46:38It was all mine
00:46:39I guess the job was just too big for me
00:46:41I figured that. You know, experience is the best teacher
00:46:43Maybe I won't be too cocky in the future
00:46:46Everybody knows it was a big mistake to take you out
00:46:49I heard Mac Miller's looking for me, but I don't know what I'm going to do yet
00:46:52Same with me
00:46:53I drew an advance on my song, but when that goes, I guess I'll have to go back to playing my piano
00:47:00You know you're not a bad guy at that
00:47:02When you came in, I figured on a first-class argument
00:47:04But there's nothing to argue about
00:47:06You have a reason for being sore
00:47:08But I didn't mean anything by it
00:47:10Honest, I didn't
00:47:12You know, Bob, you're not a bad guy at that
00:47:14I see you're pretty regular
00:47:16Will you shake?
00:47:17Good
00:47:18Now, that's what I like to see. Everybody's friendly
00:47:20Hey, Barney
00:47:21I expected to find you down here, but I didn't expect to find you two shaking hands
00:47:25I was busy laying off
00:47:27You won't be laying off long
00:47:28Mac Miller's looking for you, dead or alive
00:47:31Say, that's great, Barney
00:47:33That means you'll go back in
00:47:34I heard about it, but I'm not sure
00:47:36I'm dead sure. That's why I'm down here to get you
00:47:39Now, confidentially, Barney, they want you
00:47:42And they're still crying for Bob
00:47:44Now, if I could figure out some smooth angle
00:47:47Oh, don't worry about me
00:47:49Just straighten him out
00:47:50Wait a minute. I've got an angle
00:47:53Barney, you go back to your band
00:47:55Bob, you be the vocalist
00:47:57You'll feature his song
00:47:59Will that be a stunt?
00:48:00It'll be terrific
00:48:01Now, I'll tell you how we'll do it
00:48:03Dee, give us a little drink there
00:48:04We'll figure this out
00:48:05Now, the first thing for us to do is to get together
00:48:07Say, do you mind if I get in on this?
00:48:10I should say no
00:48:11Come on in
00:48:12I tell you, the idea will kill them
00:48:14They'll never get along together
00:48:16But the final decision is up to our largest stockholder
00:48:20What do you think, dear?
00:48:22Don't fear me
00:48:24Oh, listen, folks
00:48:25This is two-column stuff
00:48:26We advertise for all the women to bring a slipper
00:48:29Cinderella slippers, Cinderella club
00:48:31You get it?
00:48:32For me, slippers, Bob Jordan will pick one
00:48:35He invites the owner up to the bandstand
00:48:37She's to receive a money prize
00:48:39And if she can sing the Cinderella song
00:48:42She's given a week's engagement here in the club
00:48:44Will they go for it?
00:48:45A chance to sing beside Bob Jordan?
00:48:47With Barney Ray's band?
00:48:49We'll advertise on all the papers
00:48:51They'll all bring a slipper
00:48:52And besides, we'll pick 12 of the best-dressed couples in the club
00:48:56To act as men and ladies in waiting for Cinderella
00:48:59It'll be terrific
00:49:00Am I a press agent?
00:49:01I'm telling you, it's the greatest piece of work I've done since I met you
00:49:04You think it's a great idea, don't you?
00:49:06Well, it is
00:49:08Never been so excited
00:49:09I'm a press agent
00:49:10I know what I'm talking about
00:49:12What do you think of it, manager?
00:49:14Well, what can we lose?
00:51:45Cinderella
00:51:50Cinderella
00:51:57Cinderella
00:52:04Cinderella
00:52:11Cinderella
00:52:18Take this over to Junie, my trumpet player
00:52:20And ask her to put it in the next set, will you?
00:52:26I've been waiting all evening to talk to you
00:52:28What's the use in starting this all over again?
00:52:31I had to agree to let you go
00:52:34My reputation was at stake
00:52:36Okay, let's forget it
00:52:38Bob, I can't let you go
00:52:40I just can't
00:52:41Are you kidding?
00:52:45How many slippers have you got on the dance stand?
00:52:47Dance stand?
00:52:48They're all over the place
00:52:50But chicks are nutty about this, Bob George
00:52:53This better be good
00:52:54With all your raving
00:52:55We have the inimitable Deke Watson
00:52:58And his brown dot
00:52:59Take it away, Deke
00:53:02Is it right
00:53:08For me to love you
00:53:10After what you've done
00:53:15Even though I know
00:53:18You've never really loved anyone
00:53:24In all my dreams
00:53:30It's only you
00:53:32That taunts me every night
00:53:37You're my theme
00:53:40Darling, tell me
00:53:43Is it right
00:53:48Because of you
00:53:51I've cried
00:53:54Sometimes I've had to lie
00:53:59But little difference
00:54:02Did it make to you
00:54:08Please tell me, is it right
00:54:14For me to sit around and pine
00:54:21Hoping someday you'll be mine
00:54:25Tell me, is it right
00:54:31Please tell me, is it right
00:54:37For me to love you
00:54:40After all you've done
00:54:45Although I know
00:54:48You've never, never really loved anyone
00:54:54In all my dreams
00:55:00You seem to haunt me
00:55:02Every day and every night
00:55:07You're my sweetheart
00:55:09You're my darling
00:55:11Oh, tell me, is it right
00:55:15Baby, is it right
00:55:18Because of you
00:55:21I've cried
00:55:24Sometimes I've had to lie
00:55:29But little difference
00:55:32Did it make to you
00:55:38Please tell me, is it right
00:55:44For me to sit alone
00:55:47My darling and pine
00:55:51Because I love you
00:55:53No one above you
00:55:55Oh, tell me, is it right
00:56:00Darling, please
00:56:04Tell me, is it right
00:56:15Why, as I live and breathe, Fred, he must follow me!
00:56:20Bobby Jordan, how are you, kid?
00:56:22Fine, boy, how are you?
00:56:23Good to see you.
00:56:24I haven't seen you since Hollywood.
00:56:25Oh, pardon me, this is Miss Blazer, Mr. Jordan.
00:56:27How do you do?
00:56:28My, would you...
00:56:29Now, wait a minute.
00:56:30If I know just exactly what you're going to say, you're going to say,
00:56:32My, hasn't he grown?
00:56:35As a matter of fact, Fred, that's exactly what I was going to say.
00:56:37All right, Bob, I get that from everybody.
00:56:39They look at me and they say,
00:56:40Gee, I remember you when you were little David Copperfield
00:56:43And little Lord Fauntleroy with the collar and the long curl.
00:56:46Tell me, what brings you to these?
00:56:48Well, I just got out of the service, Bob.
00:56:50I'm keeping this thing shined up here.
00:56:52That's a good one.
00:56:53Yes, now I'm going to do some personal appearances.
00:56:55Where will you be?
00:56:56Well, I'm going to New York and then to Philadelphia, Pittsburgh, the whole circuit, you know.
00:57:01Of course, right now I'm having a little bit of trouble.
00:57:03I'm looking for some good material.
00:57:05Yes, well, that's understandable.
00:57:06What sort of a routine would you do?
00:57:08Well, I don't really know as yet, Bob.
00:57:09I've had a couple of writers on the job.
00:57:11As a matter of fact, I got a script back about two days ago from this first writer.
00:57:14And he wanted me to do nothing but gags.
00:57:16Gag, gag, gag.
00:57:17Story after story for about 10 or 15 minutes.
00:57:19None of that Joe Miller off the elbow.
00:57:21Oh, no, thank you.
00:57:23No, this thing was just a whole series of stories.
00:57:26For instance, he wanted me to do a couple of Scott stories.
00:57:29One about the Scotchman who was on the train.
00:57:31He was traveling from Edinburgh to Glasgow.
00:57:33The train had been out of the station for about an hour.
00:57:35And the conductor came around to collect the fares.
00:57:37Scott looked up at him and he said,
00:57:38Why don't you challenge me?
00:57:40The conductor said,
00:57:41That'll be five shillings.
00:57:42And the Scotch is five shillings.
00:57:43For a wee little ride from Edinburgh to Glasgow,
00:57:45you want to challenge me?
00:57:46Five shillings?
00:57:47It's an outrage.
00:57:48I'll pay you four and a half and not a penny more.
00:57:50The conductor said,
00:57:51I'm very, very sorry, sir,
00:57:52but the fixed fare is five shillings.
00:57:54And you'll either pay or you'll get off.
00:57:56The Scotch was all new pay and all new get off.
00:57:58Anyway, they argued backwards and forwards like that.
00:58:01The conductor got absolutely nowhere with this Scott.
00:58:04Finally, he got so mad at him that he picked up the Scotch suitcase
00:58:07and he threw it out of the window.
00:58:09But what happened at just that moment
00:58:10was the train was going over a bridge.
00:58:12The suitcase went out of the window, over the bridge,
00:58:14and down into the water.
00:58:16Scott looked out after his suitcase, horrified.
00:58:18He turned to the conductor and he said,
00:58:19There you go, there you go.
00:58:20You're not only overcharging me, you're drowning me full.
00:58:23Ha, ha, ha.
00:58:24Ha, ha.
00:58:25Well, you're killing me.
00:58:26That's another one of those two for one thing.
00:58:28Oh, absolutely.
00:58:29There's another Scotch story I was supposed to tell about the Scotch boy
00:58:32who was having a birthday.
00:58:33And his mother said to his father,
00:58:35Why don't we give little Angus for his birthday?
00:58:37Shall we give him a bicycle or shall we give him a tricycle?
00:58:40And the old man said,
00:58:41Let's wait until it's winter time and we'll give him an icicle.
00:58:43Ha, ha, ha.
00:58:45Am I glad you came in here tonight.
00:58:47That's the best laugh I've had in a long while.
00:58:49Tell me, you being English,
00:58:50it seems that you would naturally give an English gag.
00:58:53Well, as a matter of fact, he did include one English story.
00:58:55This one about the, uh,
00:58:56some of the came into the restaurant and he sat down.
00:58:58The waiter came over to him and he said,
00:59:00Yes, sir, what do you wish?
00:59:01The man looked up and he said,
00:59:02Uh, sir, I think I'd really rather have a sausage than a sausage.
00:59:06Wait a minute, sir, I beg your pardon, sir.
00:59:08Let's look here, fellows.
00:59:09I don't want to talk about anything.
00:59:12Wait a minute, sir, I'm awfully sorry, sir,
00:59:14but I'm afraid I just don't quite understand what you're saying.
00:59:17You're British, aren't you?
00:59:18The man looked up and he said,
00:59:19British?
00:59:20My dear fellow, if I were any more British,
00:59:22I wouldn't be able to talk at all.
00:59:24Ha, you're knocking me out.
00:59:25Tell me, Freddy, what did the other writer come up with?
00:59:27Oh, the second writer had a crazy idea.
00:59:29He thought I should come out on the stage and do Shakespeare.
00:59:32Shakespeare?
00:59:33Oh, my dear.
00:59:34You're so right.
00:59:35I was supposed to come out and do this,
00:59:36this balcony scene from Romeo and Juliet.
00:59:39A little vague to me.
00:59:40I haven't had Shakespeare since I was in school.
00:59:42Oh, me too.
00:59:43But, uh, I remember this, this balcony scene.
00:59:45It goes, um,
00:59:47But so,
00:59:49what light through yonder window breaks?
00:59:53It is the east, and Juliet is the sun.
00:59:57She is my lady, it is my love.
01:00:01Oh, that she knew she was.
01:00:04Freddy, you got me.
01:00:05I knew you had it in you.
01:00:07Oh, that's very nice of you to say that, Bob.
01:00:09But I don't think you can just come out on stage
01:00:11and start reciting Shakespeare like that.
01:00:13It just isn't dumb.
01:00:14But you know, frankly speaking,
01:00:15with a routine like that,
01:00:17all you really need is a musical number to round it out.
01:00:20I think it would be great.
01:00:22You know, Bob has given me a great idea.
01:00:25You know what I could do?
01:00:26I just was watching Big Sid Catlett here
01:00:28playing with John Kirby.
01:00:29Well, sure.
01:00:30Well, now look, he taught me to play the skin.
01:00:32Do you remember?
01:00:33One time.
01:00:34And he taught me to play a little mop-mop on the drums.
01:00:36I could bring the skins out, play a little thing,
01:00:38a big sock finish, and off.
01:00:39You had the best teacher in the world.
01:00:41He's great.
01:00:42Oh, he's my boy.
01:00:43Pardon me, Mr. Jordan,
01:00:44but you're wanted on the bandstand now.
01:00:46Good.
01:00:47Freddy, I've got to buzz off.
01:00:48Nice of you to come by,
01:00:49and tell me why and let me know where you'll be.
01:00:50I certainly will, Bob.
01:00:51It's great running into you again.
01:00:52Nice to have met you.
01:00:53So long.
01:00:55Oh, now, there is a wonderful guy.
01:00:59Well, now, we all know that Sidnerella
01:01:01won a Prince Charming through a slipper.
01:01:03We don't guarantee that she'll win a Prince Charming here tonight,
01:01:06but we do guarantee to win a fine prize of $100.
01:01:09Now, how many of you lovely ladies
01:01:11would rather have $100 than the Prince?
01:01:14Now, if the lucky lady can sing our theme song,
01:01:17she'll meet a Prince.
01:01:19In fact, she'll meet two of them.
01:01:21Now, Bonnie Rae takes over with the music,
01:01:23while Bob Jordan takes over the job
01:01:25of picking what I hope is the right slipper.
01:01:29Now, don't go away.
01:01:31I've been waiting days for this night.
01:01:33Did you bring your slipper along?
01:01:35Yes, and if he picks me,
01:01:37I'll pass right out of the picture.
01:01:41Oh, he is handsome.
01:01:43He sure is.
01:01:59♪
01:02:15I'm sorry I can't let you have one of mine.
01:02:17They all have dancing plates on them.
01:02:20♪
01:02:33Here's your winner.
01:02:35Who belongs to a slipper with a tap-dancing plate on it?
01:02:42And here's our winner.
01:02:44Pretty enough for any Prince Charming.
01:02:46♪
01:03:04I'm Cinderella sitting in a corner
01:03:11Feeling blue and just a little sad
01:03:18Wishing for my guy, a gay Prince Charming
01:03:24I'm pining for a love I never had
01:03:31Cinderella, try to keep your chin up
01:03:39Things will have to come your way
01:03:45Cross your fingers when you start your wishing
01:03:52And he'll come back to you someday
01:03:59Why must I spoil my tired eyes by crying?
01:04:07Nothing was ever gain to him
01:04:13For I was made for love and not for sighing
01:04:21I'll dry my eyes and put away my fears
01:04:28Cinderella, look into your mirror
01:04:35Won't you see the lovely vision there?
01:04:41So try to smile and don't act wise
01:04:45Here comes your big surprise
01:04:50Oh, Cinderella, here's your fair one now
01:05:07I'm not going to let you get away this time.
01:05:22Now, if you both feel that way about it, we'll do it for Keith.
01:05:27I'll arrange to have you married right here in this club.
01:05:30Am I a press agent or am I?
01:05:34As usual, there's something always different happening at the Cinderella Club.
01:05:38At this moment, performed before your very eyes
01:05:41will be the real marriage of Cinderella to her Prince Charming
01:05:45attended by their ladies and men in waiting, the contest winners.
01:05:49Is everybody happy?
01:05:52That was some cute trick you posed with that dancing slip.
01:05:56Only in the movies can you get away with that, my darling.
01:06:33Cinderella, look into your mirror
01:06:50Don't you see that lovely vision there?
01:06:57So try to smile and don't act wise
01:07:01Here comes your big surprise
01:07:06Oh, Cinderella, here's your fair one now