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00:00♪♪
00:29♪♪
00:47♪♪
00:57Young man! Young man!
01:05You ever know anything about these contraptions?
01:07I'm afraid not very much. What seems to be the trouble?
01:10Well, if I knew, it just won't go.
01:12Oh, well, I suppose it serves me right for going out without my chauffeur.
01:17Is there a garage in this neighborhood?
01:19The nearest one's about three blocks.
01:20Oh! Oh!
01:23Here you are. Have this in the mechanic.
01:26Well, that's all right. I'll have them send one over.
01:29My, what a nice young man you are!
01:34And do hurry. My son will be so worried.
01:37Yes, ma'am.
01:46Okay, Charlie. Hop to it.
01:57♪♪
02:13♪♪
02:37Jim Lacey, here's a flash.
02:39Some smart guy cuts a main burglar alarm cable in a hole at 3rd and Leicester
02:42and pops off every bell in the district.
02:44Then when the cops are running around in circles,
02:46he blows the felt jewelry safe and grabs a famous diamond necklace
02:48called the Czarina's Tear.
02:50♪♪
03:02We've got to recover that necklace, Ridgway.
03:05I want you to put your best men on this case.
03:07Well, it's hardly my case.
03:09Of course, if I can do anything.
03:11It's your company's case to the extent of $100,000.
03:14That's the amount you'll have to pay us if we don't recover.
03:17Mr. Phelps, you were notified a month ago
03:20that your policy would not be renewed.
03:23Why, there must be some misunderstanding.
03:25My check for this year's premium was accepted, endorsed by your firm, and paid.
03:31When was this policy renewed?
03:34I think it was about a month ago when you were in Boston.
03:37Yes, I'm sure it was. I took the liberty of...
03:39You took the liberty?
03:41Why, yes. The policy had been in force a number of years,
03:43and I received a renewal check, so automatically I...
03:45That will be all, Miss Harrison.
03:49Very well, Mr. Phelps.
03:51In the event recovery of this necklace is not affected,
03:53your claims will be promptly paid.
03:55Well, of course.
04:03Mr. Ridgway, may I suggest that you leave this case
04:06entirely in the hands of the police?
04:08Well, Lieutenant Eckert, I'm glad to see that you're cooperating with us
04:11in your usual efficient manner.
04:13However, I'm reserving the right to engage my own investigator.
04:17Listen, Ridgway, you've paid Barry Drake thousands of dollars
04:20for the return of stolen property
04:22that the department could have recovered at no cost to you.
04:25Well, I admit he's been very successful.
04:27But he's just as much a crook as the crook she does business with.
04:30And one of these days we'll prove it.
04:36Boss, I've been trying to find you all day.
04:38I wanted to tell you...
04:39I know, I know. The Czarina's tears have been stolen.
04:42How did you know?
04:43Maybe I was around when it happened.
04:45Was you?
04:46Oh, maybe I read it in the morning paper.
04:48You know who done it?
04:50I'm not quite sure, but I have a pretty good idea.
04:53Well, you're sure tough to find,
04:55as a girl's been trying to get you on the phone all day.
04:57A girl?
04:58Yeah, a Miss, uh, Harrison, Dale Harrison.
05:02Harrison.
05:03Harrison.
05:04I don't know any Dale Harrison.
05:06Was she, uh, good looking?
05:08Well, uh, how do I know? I only talked to her on the phone.
05:11But she had a good looking voice.
05:13Yeah?
05:18All right, get her on the phone for me.
05:32Boss, could you let me have another nickel?
05:49Apparently I can't trust you with money, White House.
05:52I'm afraid I'll have to make that call myself.
05:55Yes, sir.
06:03I'll take it, I'll take it.
06:18Hello.
06:19Hello, Barry, hello.
06:20I've been trying to locate you.
06:22Yes, did you read the papers about the robbery?
06:24Yeah, well, I'm in a spot.
06:27Somebody pulled a boner.
06:30Mr. Ridgway, I never talk business when I...
06:32Now, we want that necklace back and no questions asked.
06:35There's $5,000 in it for you.
06:38Did you say $10,000?
06:40What?
06:41Just a minute while I entertain your proposition.
06:44Well, $10,000 is all right, but get it back.
06:48I accept.
06:50As a matter of fact, I am already working on the case.
06:53You have nothing to worry about, Mr. Ridgway.
06:55This arena's tears will be on your hands before you know it.
06:59Okay.
07:12Hey, fella, you're supposed to be looking at me, not that singer out there.
07:17Why all the interest?
07:19Strictly professional, darling.
07:21Oh, she's old enough to be your mother.
07:28Together
07:32One dream for two
07:40Are you a dreamer the same as I?
07:45Would you excuse me for a minute?
07:47What, again?
07:48Are you a dreamer the same as I?
07:53Is there a moment...
07:55Hello, Charlie.
07:57A drink? How are you?
07:58Do you mind?
07:59No, not at all.
08:02A drink?
08:03Thanks.
08:04Gosh.
08:06Are you a dreamer in love with love?
08:13Have you the idea you're dreaming of?
08:20Then there's but one thing we both should do
08:27Let's dream together
08:34One dream for two
08:42Lily, how are you?
08:49Why, hello, Mr. Drake.
08:52Do you know Mr. Cooper?
08:54No, I don't believe I've had the pleasure.
08:58How do you do, Miss...
08:59Lamont, Lily Lamont.
09:01Sit down, Lily, sit down.
09:03I enjoyed your number very much, Miss Lamont.
09:06Oh, that's very sweet of you.
09:08Oh, Lily's a great girl.
09:10Oh, by the way, I saw you flirting with that bald-headed chap out there.
09:16Remember what you promised me last time?
09:18No more two-timing.
09:23Well, I think I'll leave you two to get acquainted.
09:26Now remember, Lily, no more trifling.
09:35Hey, what is this?
09:37Why, I don't even know what he was talking about.
09:39Oh, you don't even know what he was talking about, huh?
09:41Listen, if you're running around with that Drake guy...
09:43Charlie, please.
09:44I've never been out with Drake in my life.
09:47The last time I saw him was two years ago.
09:49He was on a case I was mixed up in.
09:52Yeah?
10:01Listen, you take care of the check, and I'll see you later.
10:31I'll see you later.
11:01I'll see you later.
11:31Have you looked under the wallpaper yet?
11:45I was coming to that.
11:48Come on, Charlie, I give up.
11:49Where is it?
11:50You're hardly in a position to be asking questions, are you?
11:53Technically, no.
11:55But you can't use that thing.
11:57It makes too much noise.
11:59Besides, murder is a much tougher rap than safe blowing.
12:02Safe blowing?
12:03Come on, now, I know you've got the necklace,
12:05and you know that you can't get more than four or five grand for it.
12:07I'm getting ten for returning it.
12:09I'll split with you, and no questions asked.
12:11Very interesting.
12:13But even if I knew what you were talking about,
12:15I'm not doing business with coppers.
12:17Now listen, Charlie.
12:23Keep that up, and Lily's going to collect your insurance.
12:26Come on, now.
12:27Where is it?
12:29Well, you seem to be running the show now.
12:33Supposing you tell me.
12:36Well, let's review the case.
12:39Famous necklace stolen.
12:41Chief suspects Lily Lamont and Charlie Cooper.
12:43Railroad tickets found on premises indicate plans for sudden flight.
12:48Train leaves Union Station at 10.40 p.m.
12:51Was somebody planning a little trip?
12:54Sherlock, you amaze me.
12:56The case is practically solved.
12:58Except for the recovery of the necklace.
13:02I wonder where it could be.
13:18Well, your sense of the artistic surprises me, Charlie.
13:23Or was that Lily's idea?
13:33Buried treasure, eh?
13:36The case is solved.
13:38Someday you're not going to be so lucky.
13:40You shouldn't go around frightening people like that, Charlie.
13:43I'm afraid I'll have to put you where you can't do any harm.
13:47Will you step into my office, Mr. Cooper?
13:52Good luck.
13:54And don't miss the 10.40 train.
14:11What are you doing here?
14:12I thought I fired you.
14:14Yes, sir.
14:17I'll go.
14:21Well, Ridgeway, you won't need Drake on the Phelps case.
14:24We got a lead and expect...
14:26Make an arrest within the next 24 hours, but you're a little late.
14:29Barry Drake has recovered the necklace and is on his way here with it.
14:32No.
14:33Yes.
14:35How are you, Mr. Ridgeway?
14:37Hello, Barry. Have you got it?
14:39Did I ever let you down?
14:40Where did you find the necklace?
14:42Salvaged it.
14:43It was raised from a sunken chest.
14:45Guarded by a beautiful mermaid.
14:48Pretty smart, aren't you?
14:50Maybe you can tell us how you always manage to find stolen property so quickly.
14:54Sure.
14:55I just stop and figure, now where would Lieutenant Eckert look for it?
15:00Then I look somewhere else.
15:03Okay, funny man.
15:04But one of these days you'll forget to cover up and we're going to hang it on you.
15:07Now, if you don't mind, I've got to catch a train.
15:10And now, may I have the necklace?
15:12May I have my fee?
15:14Oh, the fee. Oh, yes, yes, to be sure.
15:18Pretty little thing, isn't it?
15:20I'll take charge of it.
15:28That's right.
15:29And now, if you'll excuse me, I have guests waiting and all that sort of thing.
15:33You understand?
15:34Thank you and good night.
15:37Good night.
15:39Well, that's that.
15:41Ten grand.
15:42For what?
15:43I tell you, Ridgeway, someday I'm going to hang...
15:45David, Lieutenant, if you don't mind, I've got to catch a train.
15:51What's this?
15:52It's my resignation.
15:53Resignation, indeed.
15:55Well, you know I'm leaving for New York.
15:57Who do you expect is going to look after things?
15:59You stay right here and see that nothing happens.
16:01And don't sign any more policies.
16:08I'll get that great guy if it's the last thing I do.
16:11He's an out-and-out crook.
16:12I agree with you, Lieutenant.
16:15Ten thousand dollars.
16:17Oh, Mr. Phelps.
16:19So you recovered the necklace.
16:21Of course we recovered it.
16:24That is, it was recovered.
16:27What is this, a joke?
16:31Why, it's the Czarina's tears, ain't it?
16:33It's a lot of paste, a rank imitation.
16:36What?
16:37Where did you get that thing?
16:39Why, Barry Drake brought it. He...
16:40Yeah, Barry Drake.
16:42I told you he'd pull something like this.
16:45He keeps the real thing and brings in a phony.
16:48Ten thousand dollars.
16:51I've been waiting for this.
16:53Where's Ridgway?
16:54He just left for New York.
16:55He's on his way to the station.
16:56I've got to catch him.
16:58He's...
16:59Wait.
17:02Evening, lady.
17:04Remember me?
17:05I can't place your face,
17:07but your manner is very tremendous.
17:09Well, I'm the fellow who brought you here for a good time.
17:11And now I've got the rest of the evening to prove it.
17:14Telephone call for you, Mr. Drake.
17:16Oh, thank you.
17:17Just a moment.
17:22You see, I think of everything.
17:26Hello.
17:27That copper, Eckhart, he just left, boss.
17:30He's looking to pick you up.
17:31That necklace you were towing to Spurious.
17:33What are you talking about?
17:35It's a phony, and they think you've done it.
17:37What'll I do, boss? The heat's on.
17:39Wait a second, buddy.
17:43Meet me at the Union Station as soon as you can.
17:45Step on it.
17:46What now, little man?
17:47A sleeper jump this time?
17:49I'll be right back.
17:50Wait for me, will you?
17:51Oh, sure.
17:52I won't budge from the spot,
17:53except to eat and sleep.
17:55Sorry.
18:07Pardon me.
18:08Pardon me.
18:09May I have this dance?
18:17Here I am, boss.
18:18Where are we lambing?
18:19We're not lambing.
18:20We're looking for someone.
18:22You love the Overnight Limited, madam.
18:24Air-conditioned throughout.
18:25No dirt, no noise.
18:26It's like being wafted on a zephyr.
18:28Never mind the sales talk.
18:29I don't want to buy the train.
18:32Very well.
18:34There she is.
18:35At the last window.
18:39Excuse me.
18:41That lady who just left here,
18:43we're going to the same place.
18:44Does she know it?
18:45Not yet, but she will.
18:48Two tickets to...
18:49Cincinnati?
18:50That's right.
18:54Upper or lower?
18:55Two lowers.
18:56My keeper can't stand the altitude.
19:01Just a minute, lady.
19:02I've got to catch the New Yorker.
19:04I'm sorry.
19:05Just a minute, lady.
19:06I've got to catch the New Yorker.
19:07I'm sorry.
19:08She just left.
19:09Three minutes ago.
19:17Treat yourself to another murder.
19:19Hey, want to know who hid the body in the trunk?
19:21The phony French detective.
19:23I'll make you all mean.
19:31Back forward.
19:32Back forward.
19:35Oh, I...
19:36Oh, I beg your pardon.
19:38What do you want, lady?
19:39I've got to stop that man.
19:40What man?
19:41Barry Drake.
19:42Who's Barry Drake?
19:43He's a crook.
19:44He's wanted by the police.
19:45I don't know anything about that lady.
19:46Oh, I've got to stop him.
19:47Well, you can't go in there without a ticket.
19:54Those two men,
19:55the one with the tuxedo,
19:56I want a ticket to the same place.
19:57Where are they going?
19:58What do you think I am, a tattletale?
20:00Oh, please, please.
20:01It's very important.
20:02He's my husband.
20:03He's running away from me.
20:04Oh, your husband?
20:05Oh, dear.
20:06Well, that's different, dear husband.
20:07Oh, the brute.
20:09He's going to Cincinnati, huh?
20:11I'll put you in the same berth.
20:13Oh, no, no.
20:14Just the same car.
20:21Get me out another suit, Wiley.
20:23Oh, another suit?
20:24I'm sorry, sir.
20:25I haven't another suit.
20:27I just packed some shirts and some ties and...
20:32You're a great help.
20:33We're liable to end up in Florida or even Alaska.
20:36What color would you like, boss?
20:38Oh, a blue or a gray or...
20:43I'll put these things in your boy.
20:46One melted cheese sandwich on toast.
20:49One double, old-fashioned.
20:52I think you got that right, is that?
20:54You is, and don't fall down while you're running.
20:56Yes, if...
20:57I mean, no, ma'am.
21:02Is she alone?
21:03Yes, sir.
21:04Fine.
21:05Here's the other half of that bill I gave you.
21:07There's more where that came from.
21:08Keep me posted.
21:09Yes, sir.
21:10I'm the postman.
21:32Well?
21:33He's in the smoking room now.
21:34His breath is low as six.
21:36Thanks.
21:37I haven't any change, but wait a minute.
21:47Take this.
22:01Take this.
22:03Hey, Yahoos, take one out.
22:33Where did you get those?
22:36I just borrowed them. The train is full of them.
22:40Put them back, Whitehouse.
22:45This is pretty, ain't it?
22:47Put them back!
23:02Hello! What's this? A special feature of the Overnight Limited?
23:26I beg your pardon?
23:28Oh, that's quite all right.
23:30Do you want me to ring for the porter?
23:32No, it's company.
23:34Will you please get out of my berth?
23:36Your berth?
23:38This is lower nine, isn't it?
23:40It is, if you stand on your head.
23:45Oh, I'm sorry. I don't know how it could have happened.
23:50I understand. It's the nesting urge. The old homesteading instinct.
23:54I come from pioneer stock myself.
23:56But it's so stupid of me, Mr...
23:58Er, Dalton.
23:59Mr. Dalton, I... Now, if you'll go and I'll get myself together.
24:05Oh, no, not at all. I'll take berth number nine.
24:08After all, anything to please the lady. You are a lady.
24:12Hey, mister, will you and your wife please bite down? We want to go to sleep!
24:18The neighbors are complaining.
24:21Good night, Mrs. Dalton, and pleasant dreams.
24:25Good night.
24:30I'm sorry.
24:32Oh, that's perfectly all right. Don't apologize.
24:35I represent the Fletcher Form-Fit Hosiery Corporation.
24:39Could I interest you in our latest creation?
24:42Miss America, snag-proof, run-proof, absolutely impervious to the dangers of modern age.
24:50No, thanks. I'm knitting a pair.
24:52Ah, competition, huh?
24:54Good night.
24:56Good night. I'll wear them myself.
24:57Good night. I'll wear them myself.
25:13Oh, Mrs. Dalton, may I come in?
25:15No, no, not now.
25:17I understand.
25:19Here's something you overlooked.
25:27Yes, ma'am.
25:48Porter.
25:50Yes, ma'am.
25:52Will we be here long enough for me to send a telegram?
25:54Yes, ma'am. We start here in five minutes.
25:56I'm going into her compartment.
25:58You follow her and find out who she's sending that telegram to.
25:59Did you find it, boss?
26:01No.
26:03How'd you make out?
26:05Well, by looking at her face.
26:07Oh, I see.
26:09I see.
26:11I see.
26:13I see.
26:15I see.
26:17I see.
26:19I see.
26:21I see.
26:23I see.
26:25I see.
26:27I see.
26:29I didn't get what was in the telegram,
26:31but it was addressed to a Charles Cooper at the Windsor Hotel, Cincinnati.
26:34Good work, Whitey.
26:36Porter!
26:38Porter!
27:00Windsor Hotel, please.
27:06I'm so glad you got here.
27:08Where are they?
27:10Here they come.
27:12But don't arrest them now.
27:14They've got to lead us to that necklace.
27:19White House, I see a friend of yours.
27:21Here?
27:23Over there.
27:25That man again.
27:30Let's go.
27:42Windsor Hotel.
27:44I'll stick with him somehow, and you follow.
27:46Right.
27:48Yoo-hoo, here I am.
27:50Yoo-hoo, here it is.
27:56Driver, take us to the Baltimore Hotel.
27:59Right.
28:05I don't blame you for not waiting for me.
28:07After this, I'll stay right close to you.
28:09Please, Miss Houston, I don't feel that way.
28:11Oh, well, if I'm annoying you, I'll follow her myself.
28:15It's the young lady whose compartment you searched last night, isn't it?
28:19Now, wait a minute.
28:21How are you at stopping bullets?
28:23Boss, how about it?
28:25They say it's just like going into a deep sleep.
28:27No, not now, Whitey.
28:29Wait till bedtime.
28:33Hmm, too bad, too.
28:35She's rather pretty.
28:37Eyes gray, lovely eyes.
28:45Well, here we are.
28:48Keep the change.
28:51Windsor Hotel.
28:57Hey, hey, wait a minute.
29:00Taxi!
29:05Windsor Hotel, step on it.
29:10Never mind, never mind.
29:17Get a cigar.
29:30Charlie, what happened?
29:32You weren't on the train.
29:34Didn't you get my wire?
29:36I was delayed, I flew in this morning.
29:39You got it?
29:41Yeah.
29:51Don't, darling.
29:53That thing's a jinx.
29:55What's the matter, kid, something wrong?
29:57Plenty.
29:59What?
30:01I finally slipped him at the station, rode around in a taxi.
30:03I think I've lost him.
30:11May I change your linen?
30:13Oh, all right.
30:22You know, Charlie, I think...
30:29I think I've lost him.
31:00308, here we are, sir.
31:10Just a moment, sir, I have a little gadget.
31:30Well, if it isn't little Miss Operator number 13.
31:33Why, isn't that a pretty sight?
31:35Looks like the hot seat.
31:39Well, come on, honey, tell Papa what happened.
31:45That dialect is terrible.
31:47Oh, that's the trouble with them foreigners.
31:53I'm sorry, we can't understand a word you're saying.
31:55I'm sorry.
31:56I'm sorry, we can't understand a word you're saying.
31:59Oh, pardon me, I'm sorry.
32:06If you think this is funny...
32:08Oh, Heidi, it looks like we missed connections.
32:10Come on, let's go.
32:12No, you're not going to leave me here like this.
32:14Why not? That's the way we found you.
32:16If you don't untie me, I'll scream.
32:18I'll take care of that.
32:20No, wait, wait, I have valuable information.
32:22If you untie me, I'll let you in on it.
32:24Now, please, Miss, Miss, whatever your name is,
32:26honestly, I have.
32:28Cut me loose and I'll tell you.
32:30White House? Shall we take a chance?
32:32You always have.
32:36All right, let's have it.
32:39Well, after they tied me up, the man made a phone call.
32:42Did you get the number?
32:44Main 8451.
32:46Or was it 8514?
32:49Higher up again, Whitey.
32:51No, wait, I remember, it was 8541.
32:53You're sure of that?
32:54And he said he'd be right over.
32:56Get that address.
33:02Information.
33:04This is official 23.
33:06I'd like the street address at Main 8541.
33:11201 West 3rd Street? Thanks.
33:14201 West 3rd Street.
33:16Why, that's Montoon's place.
33:18Come on.
33:25White House, draw a bath.
33:28What?
33:30For the lady.
33:49Where are we going?
33:51You're not going anywhere.
33:53You're a cute kid, but you're a very phony reporter
33:56and frankly, I don't want you around.
33:59Mr. Drake, the bath is drawn, sir.
34:03Barry!
34:05Barry, what are you doing?
34:07Saying goodbye.
34:09I'd rather have it end like this
34:11and treasure you as a beautiful memory.
34:13You big brute, let me down!
34:15It's a pleasure!
34:19Just a moment, sir.
34:23I'll get even with you
34:25if it's the last thing I do!
34:36Cooper, that necklace is too hot for me.
34:38I can't handle it. I won't handle it.
34:40Listen, you...
34:42Charlie, don't. You'll only get yourself in a jam.
34:44And what do you think we're in now?
34:46Well, can't we send the necklace back
34:48or lose it or...
34:50Oh, don't you know any place
34:52where we can get rid of it?
34:54Not in this town.
34:56About your only chance
34:58is Louis Andre in New Orleans.
35:00If I were you, I wouldn't lose any time getting there.
35:02Louis Andre, what?
35:04He doesn't know me. I've never done business with him.
35:06I'll give you a card of introduction to him.
35:09You'll get your passports
35:11and you can land to Havana.
35:22Uh-oh!
35:24Speak of the devil!
35:26What's in there?
35:28The storeroom.
35:30Slip in there, both of you, and leave.
35:34Here, you better take this.
35:36Hide it on you somewhere.
35:41Good day, sir.
35:43Mr. Mondoon, isn't it?
35:45Yes, what can I do for you?
35:47You can tell me where Charlie Cooper is.
35:49Charlie Cooper?
35:50I think I know the gentleman.
35:52He's the fellow who telephoned you a little while ago.
35:54Remember?
35:56I think you've made a mistake, Mr...
35:58You've made the mistake?
36:00Drake's the name, Barry Drake.
36:02Now listen, I'm getting just a little...
36:04I tell you, Drake, I haven't got that necklace.
36:06I wouldn't touch it with asbestos gloves, that's the truth.
36:08Now look, Mondoon, I've got enough on you to hang you,
36:10but I'm only interested in what directly concerns me.
36:12I'm giving you a chance to cooperate.
36:15Louis Andre, New Orleans.
36:16This will introduce two friends of mine...
36:19Two friends, eh?
36:21That wouldn't be Charlie and Lily
36:23heading south for their health, would it?
36:25Let's get out of here.
36:28Are they, or do I have to look for them?
36:30I've been telling you, I...
36:32Quit stalling, Mondoon.
36:34I don't know.
36:37I tell you, I haven't seen Charlie.
36:43Just a minute, Drake.
36:45Just a minute, Drake.
36:52Remember me?
37:01Hold on, kiddies!
37:03And this ain't no pop gun.
37:05Come on, get out.
37:07Come on now, Drake, I want that necklace.
37:09It so happens the man who has it
37:11just went through the alley door.
37:12You don't mean to tell me.
37:14I believe you, Barry.
37:16Of course you do, Miss Houston.
37:21Barry, what are you trying to do?
37:23You always wanted to be close to me.
37:25Now's your chance.
37:30You'll get life for this.
37:45Boss, they went that way.
37:47But this is their car.
37:49Let's go.
38:07Phew, that was a close one.
38:09Yeah.
38:10Yeah, but let me take charge of that necklace now.
38:12I haven't got it.
38:14What?
38:16It's in the suitcase.
38:18The suitcase?
38:20In the car.
38:22Now we gotta chase them.
38:41Come on, let's go.
38:43Ha ha, dinner is served.
38:45I thought you failed.
38:47I'm sorry.
38:49I didn't mean to.
38:51I'm sorry.
38:53I'm sorry.
38:55I'm sorry.
38:57I'm sorry.
38:59I'm sorry.
39:01I'm sorry.
39:03I'm sorry.
39:05I'm sorry.
39:07I'm sorry.
39:09I'm sorry.
39:10Dinner is served.
39:12I thought you filled a tank.
39:14So busy, trying to get rid of me at a gas station that you forgot to get gas.
39:18Ha ha ha, serves you right.
39:20Mr. Drake, if there ever was the time, this is the place and the girl!
39:25Shut up before I say yes.
39:27At this rate, we'll get to New Orleans in about 2 years, maybe!
39:31Ah, New Orleans.
39:35Before you develop into a soapbox orator,
39:36into a soapbox orator suppose you get on your horse and see if you can find us some gas and a hamburger
39:50look there must be a house over there where that smoke is maybe they got gas
39:54let's go and see and leave me alone here in this jungle oh no
39:58hello
40:12hello
40:16hello
40:16oh white house did you ever see anything like that yeah an esquire
40:33uh is there anyone here who can talk
40:47oh we uh we saw your house from across the stream and thought you might be able to help us
40:52lucy go tell your pap we got burners onto the property
41:06hey papi we got burners
41:16uh who are you stranger uh why uh my name is dalton we ain't trapping no dolls get
41:25he means we belong to the wrong mob no you see that's the first name the name's really dean
41:30dalton dean yes kind of wet ain't you yes a little suppose i could come in and dry off
41:39oh i reckon you might as well ma'll take care of you oh thank you
41:44oh dear what's the matter it's my purse i've lost it well never mind you've just carried it for an
41:48ornament anyway
41:53what's your trouble stranger well um you see we ran out of gas do you know where we can get some
41:58the natural way under how far is it about two hoops and a holler
42:02how far is it about two hoops and a holler white house start whooping
42:11get may i intrude apparently it's inevitable well i never realized that lily had such good taste
42:23thank you think we'll be here long oh about as long as whitey can take
42:28me why don't tell me you're anxious to get back to work no you like the glamorous life of a reporter
42:39oh it's the usual run-of-the-mill stuff fires murders riots airplane accidents day after day
42:46week after week sounds horribly dull oh it is sometimes you're lucky enough to run into a tall
42:55dog and uh
42:59then oh then it's very exciting and dangerous drake i got the gas
43:07would you come here a minute excuse me
43:14well boss i've been against it all along mr drake i've stated repeatedly that a man has
43:21certain instincts i've tried to imply that whitey what in blazes are you talking about
43:25mr drake boss get a load of that
43:41where'd you get this in a place when i found it and i don't like it either what's it mean
43:46what's it sound like boss i begged you to let me push her off the train
43:51what for now we know who she is and what she's doing mr drake i hope you're finally convinced
43:58i hope you realize how far you've been sticking your neck out why the dirty
44:03double crossing two-faced baby face don't put that gas in the car yes
44:07what is it barry anything wrong no nothing's wrong
44:14whitey just found your purse and also this telegram from headquarters
44:21barry i can explain save it now we understand each other barry
45:07so
45:24barry
45:37barry barry
45:43mr drake mr drake mr drake
45:50mr drake it's that man again stand where you are
45:58i said step sorry i got we can't hear you
46:07so
46:17hey not us
46:24hey
46:37so
46:55wait a minute wait a minute come back
46:59come back i've got it
47:09gee ain't it nice to be alone yeah
47:15whitey she's liable to get hurt back there we ought to go back oh i say you're crazy you've
47:20been trying to shake her we're going back please for my sake don't go back to that shooting gallery
47:29so
47:38get out both of you well charlie how lucky i've been looking for you yes i know i was
47:46afraid you wouldn't find me charlie it's gone what'd you do with that suitcase
47:52suitcase i haven't got any time to waste barry you know the necklace was in that suitcase
47:59what
48:07so
48:22now now men gentlemen i've been trying to explain that i am an officer of the law
48:29you're traipsing on private property i know but i was only after them city folks
48:35you know that man in the tuxedo tuxedo you know them fellows in the circus clothes yeah yeah that's
49:05me
49:21hey you where's that jar of face cream you know that the jar the thing that
49:29you can't have it the lady gave it to me what
49:32now may i look at that for just a minute i'll give it right back to you
49:46they're gone if you're looking for them glass beads the lady took them
49:52so
49:57you're all under arrest and i want those jewels so do we
50:22so
50:32good morning miss harrison good morning lieutenant well i got him back and that was
50:36a great job you did yes mr ridgeway is going to be very proud of you when he i'll do the
50:41talking here my apologies now if i may have the necklace mr yes yes the necklace that was nice
50:49work and you thought you could get away with returning this phony i repeat miss harrison that
50:55was nice work nice and as for you drake what have you to say for yourself nice work he just said that
51:03wise guys huh when you're up there doing a stretch with lily lamont and cooper you'll have time to
51:07think up a lot of wisecracks ah mr phelps well lieutenant i received your message have you got
51:13the necklace have i got it have i got it what do you call this
51:22i call that a beautiful collection of glass what do you mean but that's an imitation where's the
51:28genuine necklace what do you mean an imitation why why now wait look ecker you sent for me to
51:34deliver the necklace now where is it now look at here phelps i've gone to a lot of trouble to
51:40recover this necklace gentlemen gentlemen i think you're making a great deal of fuss over nothing
51:45that necklace is an imitation how do you know because i returned the genuine necklace originally
51:51you returned the genuine necklace
51:55here's what you returned a phony what why this is it this is the genuine necklace
52:03what why are you dumb flatfoot who's a flatfoot you i chase people gentlemen please i work here
52:12i get these people together run all over the country lieutenant place this amongst your
52:16souvenirs you're okay sister i'll be at the apartment master
52:23and now mr dalton i have work to do i get it
52:33oh by the way mrs dalton what time do you go to lunch
52:37one o'clock then we have an appointment at the city hall at 1 15.
52:47good morning miss harrison good morning mr ridgeway anything happened while i was away
52:53not a thing mr ridgeway not a thing