Film Gorillas
  • 4 years ago

Category

😹
Fun
Transcript
00:00:00Let me tell you a tale of the old Spanish trail.
00:00:23He and I used to ride side by side down the old Spanish trail.
00:00:33As the stars by our paths seemed to stray far enough,
00:00:42so we thought of a June honeymoon on the old Spanish trail.
00:00:51One night I was passing the cantina.
00:01:01That night she was in somebody else's arms.
00:01:10Have I seen her since then? Only now and again.
00:01:18When together they ride side by side down the old Spanish trail.
00:01:49Down the old Spanish trail.
00:01:59Hi, Sheriff.
00:02:02Hello, Roy.
00:02:05Hey, that's a swell-looking coat you've got there.
00:02:08Thanks.
00:02:10Oh, this is Mr. Burnett, Roy Rogers.
00:02:12How do you do, Mr. Rogers?
00:02:13How do you do?
00:02:14Mr. Burnett has an I.O.U. from the Sons of the Pioneers for $10,000.
00:02:19It's got your signature on it.
00:02:20That's right. I did want a note for them.
00:02:24Why, didn't they pay up?
00:02:25No, they haven't. I've extended it twice already.
00:02:28I really need the money, and unless you can pay it, I'll be forced to take back their tent and show equipment.
00:02:33That'd close them up.
00:02:34That's right. But I've got to have the cash.
00:02:37Under the circumstances, there's nothing I can do about it.
00:02:40$10,000.
00:02:42I doubt if I could raise that much if I sold the whole ranch.
00:02:45Do you suppose you could give me a couple of weeks on it?
00:02:47Well, I...
00:02:48The boys worked pretty hard to get this little spread.
00:02:51Well, I...
00:02:53Sure.
00:02:54Well, thanks. I'll get in touch with the boys right away and see if we can't straighten this thing out.
00:02:57That'll be fine. Good luck, Rogers.
00:02:59Thanks.
00:03:00I'll be seeing you.
00:03:02Thank you, Sheriff.
00:03:10Don't look very good, old girl.
00:03:13I sure hope I don't have to find you a new home.
00:03:24Hey.
00:03:27What's the matter, Candy?
00:03:28Oh, one of my suitcases is missing.
00:03:30It must have fallen out of the car. That's the only thing that could have happened to it.
00:03:33Marcus, why don't you go back and have a look?
00:03:35No, that's all right, Harry. I'll go.
00:03:37Everybody's pretty busy.
00:04:01Well, Trigger, looks like somebody's lost something.
00:04:08Looks like that somebody was a girl.
00:04:24Hmm. Not bad.
00:04:31Hmm.
00:04:42Your eyes are like deep desert wells with sparks from silver stars above.
00:04:47Your voice as sweet as mission bells.
00:04:49Your skin is like a marble dust.
00:04:52Don't ever fall in love, Trigger. That's what it does to you.
00:04:55Always your devoted slave, Rico.
00:05:01Oh, no. No.
00:05:06Oh.
00:05:10Doesn't personal property mean anything to you?
00:05:13All I was doing was trying to find out...
00:05:15So, you've been snooping through my private papers, too.
00:05:18People shouldn't leave their stuff scarabble.
00:05:20Oh, there ought to be a law against people like you.
00:05:23You not-head, you!
00:05:25I'm not a snitch.
00:05:27People like you.
00:05:29You not-head, you!
00:05:31All I was doing was trying to...
00:05:32It's a little late now to apologize.
00:05:35Look at this stuff!
00:05:51Oh, now I can't get it closed.
00:05:57Oh.
00:06:11Here, let me help you.
00:06:12No, thanks. You've helped me enough already.
00:06:24Now look what you've done!
00:06:26Maybe I can fix it!
00:06:28You've fixed it up already!
00:06:39Your voice is sweet as machine bells.
00:06:41Your skin is like the marbled earth.
00:06:44Hey!
00:06:45That's a very beautiful silver saddle.
00:06:49With one hand on buckle, you're gone.
00:06:56Now, please, amigo.
00:06:58Lend the guns to me for a moment.
00:07:49Seems to me like I've met you before.
00:07:51Your face looks familiar, too.
00:07:53Now, if you'll pardon me.
00:07:56This is what I'm after.
00:07:58You've gone to a lot of trouble just for a picture.
00:08:00Maybe to you, but it is worth it.
00:08:19Hasta la vista!
00:08:21Yeah, I think so, too.
00:08:48Guadalajara, Guadalajara
00:09:04Guadalajara, Guadalajara
00:09:11Guadalajara, Guadalajara
00:09:16You have the soul of a provincial woman
00:09:18You smell of clean, rosy temprana
00:09:24Having left the river nearby
00:09:26With my pigeons, your hunting
00:09:28Guadalajara, Guadalajara
00:09:30La tierra mojada
00:09:33Guadalajara, Guadalajara
00:09:52Guadalajara, Guadalajara
00:10:03Guadalajara, Guadalajara
00:10:14You have the soul of a provincial woman
00:10:16You smell of clean, rosy temprana
00:10:22Having left the river nearby
00:10:24With my pigeons, your hunting
00:10:26Guadalajara, Guadalajara
00:10:28La tierra mojada
00:10:33Ay, laguna de Chapala
00:10:39Tienes de un cuento la magia
00:10:45Cuento de ocasos y de alboradas
00:10:47De enamoradas, noches lunadas
00:10:49Quieta, Chapala, es tu laguna
00:10:51Novia romántica como ninguna
00:10:55Ay, ay, ay
00:10:59Ay, ay, ay
00:11:03Ay, colomitos lejanos
00:11:10Ay, ay, ay
00:11:21Pocitos llagos hermanos
00:11:23Ay, colomitos inolvidables, inolvidables
00:11:26Como las tardes entre la lluvia
00:11:28Desde la loma irnos así hasta Chapala
00:11:34Ay, ay, ay
00:11:38Ay, ay, ay
00:11:43Guadalajara, Guadalajara
00:11:57Guadalajara
00:12:06Oh, another picture of that, that woman
00:12:10Si, Lolita, you are more beautiful than...
00:12:18I flew to your side
00:12:20Save your words for someone who will believe them
00:12:23But you must believe them
00:12:25You are my angel
00:12:27You are my little white dove
00:12:30Your voice is sweet like...
00:12:32Your voice is sweet like...
00:12:55Trico, you're crazy
00:12:57Why must you follow that girl everywhere?
00:12:59They'll catch him, they say you did many bad things
00:13:02They will never catch Trico
00:13:04He's too smart for them
00:13:07But maybe Trico will catch the real bandits
00:13:10And then they will believe me innocent
00:13:12You know they will never believe you
00:13:14Let us leave now
00:13:16No, my angel
00:13:18We are staying
00:13:19If that girl you will not leave
00:13:29Poor Lolita, she's such a child
00:13:59What can I do for you? How about a room?
00:14:01Sorry, we're all filled up
00:14:03Could you suggest another place?
00:14:05Sure I could, but they'd be full too
00:14:07All the hotels are crowded like a free lunch counter at high noon
00:14:10I can't even get you in tomorrow
00:14:12Those people with the tent show had reservations for two months
00:14:15You don't happen to have a good park around here, do you?
00:14:18No, but you could try the cemetery
00:14:20I don't think so
00:14:21I don't think so
00:14:22I don't think so
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00:15:25Hey, I gotta place upstairs with an extra bunk
00:15:27Why don't you stay with me?
00:15:28I can't very well refuse you, can I?
00:15:33Here you are constable
00:15:37We haven't seen each other for a long time
00:15:42I'm might lucky to have this room
00:15:45Been living here twenty years
00:15:48This was the bridal suite when I moved in
00:15:51Here you are, Roy. This one never did fit me. You bunk here.
00:15:55Unpack your bags and hang your clothes in the closet.
00:15:58All right.
00:15:59I'm going to turn in. Got a busy day tomorrow.
00:16:03Still a bachelor, I see.
00:16:06If you think I'd marry a woman, you're daffy.
00:16:09I rented this room nearly 20 years ago for my wedding,
00:16:12and two hours before the ceremony,
00:16:14Magnolia Bell ran off with a guy from the carnival.
00:16:18And I can't understand why.
00:16:21And I don't trust women or show people anymore.
00:16:25What you doing around here?
00:16:27Going to see some friends of mine.
00:16:29Say, Cookie, tell me more about this gypsy.
00:16:32Gypsy?
00:16:40Here's about all I know.
00:16:42Wanted.
00:16:43Boy, would I like to put a face in there.
00:16:46Wanted for questioning.
00:16:48Yeah, he sure is.
00:16:49There's been a lot of oil company stick-ups around here,
00:16:52and they think he's got something to do with it.
00:16:55What do you think?
00:16:57I don't know.
00:16:58There's a $10,000 reward for whoever did it.
00:17:02$10,000?
00:17:04Hey, tell me more.
00:17:07Just what do you know about these robberies, Cookie?
00:17:10All the stuff's on the desk.
00:17:12There's a newspaper clipping from every city
00:17:14where an oil company was robbed.
00:17:16For $10,000?
00:17:18This might be worth looking into.
00:17:20What's the hobble for?
00:17:22Keeps me from walking in my sleep.
00:17:26Turn out the light, will you?
00:17:45Looks like most of the robberies follow a pattern.
00:17:49The oil office of Milo City was held up at noon.
00:17:53Noon, that's a pretty busy time to pull a job like that.
00:17:57Listen to this.
00:17:59Sheriff Flint in Dutchess County says that in each case of robbery,
00:18:02the Great Southwestern Tent Show was planned in the vicinity.
00:18:06One of the boys are having trouble.
00:18:10Did the show get in town today?
00:18:13I don't know.
00:18:43♪♪♪
00:19:03♪♪♪
00:19:21♪♪♪
00:19:41♪♪♪
00:20:01♪♪♪
00:20:24Hey, Bob, how about giving me a hand, will ya?
00:20:27♪♪♪
00:20:37♪♪♪
00:20:57♪♪♪
00:21:26♪♪♪
00:21:36♪♪♪
00:21:56♪♪♪
00:22:16Hey, that sounded swell.
00:22:19Yes, you could almost count it every...
00:22:22Pat! Oh, Pat, are you all right?
00:22:25Huh?
00:22:27Oh, why don't you stop clowning?
00:22:30Yeah, clowning.
00:22:34Say, Harry, did you get the license all right?
00:22:37Well, I passed out a lot of cigars,
00:22:39and I bought refreshments for the right people,
00:22:41but there's a hitch.
00:22:43What's wrong?
00:22:44The constable's holding us up.
00:22:46Oh, do you think I should talk to him?
00:22:47No, no, no, I wouldn't do that, Candy.
00:22:49You see, if there's anything that the constable hates worse than show people,
00:22:52it's women.
00:22:54He's a good man.
00:22:55Yeah, he is, and a lot of him.
00:22:57Well, that's just something else for us to worry about.
00:23:00Yeah.
00:23:03Hey, Bob?
00:23:04Yeah?
00:23:05Will you come here a minute?
00:23:07Hey, am I seeing a ghost?
00:23:10Hey, fellas.
00:23:12Hiya, Bob.
00:23:13How are you?
00:23:16Come on, Harry.
00:23:18Sure good seeing you fellas again,
00:23:20but I guess you know the main reason I'm here
00:23:22is a little matter of about 10,000 bucks.
00:23:25Well, we've been sort of expecting to hear from you.
00:23:27We got off to a good start with the show,
00:23:29but, oh, it's been awful rough, right?
00:23:32We're a little busy in here to talk business.
00:23:33Do you suppose we could find a quieter place?
00:23:35I think so.
00:23:37I want you to meet somebody.
00:23:39Candy Martin, the star of our show.
00:23:40Roy Rogers.
00:23:41Hello there.
00:23:42Say, did you ever get that horn stopped?
00:23:44Yes, it stopped blowing after the battery ran down.
00:23:46I'm sorry if I seemed a little upset,
00:23:48but I had no way of knowing.
00:23:49That's all right.
00:23:50Tell me what's going on here.
00:23:51You two know each other?
00:23:52Slightly.
00:23:53We have a mutual friend.
00:23:55Oh, this is Harry Blaisdell, Mr. Rogers.
00:23:57Hi.
00:23:58How are you?
00:23:59Harry's the manager of the show, Roy,
00:24:00so anything you have to say in front of the boys and myself,
00:24:02you can say in front of Harry and Candy.
00:24:04We know about that note you signed,
00:24:05and we hoped to have it paid off long ago,
00:24:07but bad luck seems to follow us everywhere
00:24:09through no fault of our own.
00:24:11They're even canceling our bookings.
00:24:13Yeah, I know.
00:24:14My friend Constable Bullfincher told me all about the robberies.
00:24:17Your friend Constable Bullfincher is holding up our license, too,
00:24:20and that's not helping us any.
00:24:21Well, don't worry.
00:24:22I'll take care of Cookie.
00:24:23The main thing right now is the $10,000.
00:24:27But we just haven't got it yet, Roy.
00:24:30I guess the only thing we can do is close up the show
00:24:33and let them come and take the equipment back.
00:24:37Cheer up, boys.
00:24:38We've still got a couple of weeks.
00:24:39If we're lucky, we might be able to figure out something.
00:24:42Say, I thought of something last night.
00:24:45Somebody's been making things look pretty bad for you.
00:24:48Might be the gypsy.
00:24:49We know that.
00:24:50Well, if we can capture that somebody,
00:24:52we collect the reward, pay off the loan, and everybody's happy.
00:24:55Except the gypsy.
00:24:56Or somebody.
00:24:57You make it sound awfully easy.
00:24:59Yeah, we'd like that.
00:25:00Well, anyway, it's an idea.
00:25:02I'll run over and see Cookie about your license right now.
00:25:04Don't worry about that.
00:25:05Thanks.
00:25:06See you later.
00:25:09I got an idea, too.
00:25:10You better keep it.
00:25:11We're in enough trouble already.
00:25:12No, honest, this is a good one.
00:25:13Roy, how about joining up with the act again and singing with us?
00:25:19Well, at a time like this, it might not be as bad an idea as that.
00:25:22Oh, well.
00:25:23Let's talk about it, huh?
00:25:24Yeah.
00:25:25Let's go.
00:25:35Someday you're going to hurt somebody kidding around like that, Marcus.
00:25:40What's new?
00:25:41Got another act for the show, a guy named Rogers.
00:25:44What does he do?
00:25:45Among other things, he sings.
00:25:48What about other things?
00:25:49He's after the reward for the payroll bandits.
00:25:52He thinks the gypsy's guilty.
00:25:54If he ever gets wise, we're in trouble.
00:25:56Eh, we'll let him hang around for a while.
00:25:58But if he gets too close to the gypsy, you know what to do.
00:26:00Sure.
00:26:02What about the pay off his job?
00:26:04Everything set?
00:26:06All we have to do is help ourselves.
00:26:11Ha, ha, ha, ha, ha, ha.
00:26:15Check the mechanism, fellas.
00:26:17We won't use it again till we do a show.
00:26:19And keep your mouth shut.
00:26:21Well, that's just another proof that there's one born every minute.
00:26:24Ha, ha, ha, ha, ha.
00:26:34Well, hello.
00:26:37Oh.
00:26:39And just what can I do for you?
00:26:41You can leave my Rico alone.
00:26:43Rico?
00:26:45Oh, I don't even know him.
00:26:47How can you say that?
00:26:49He has your pictures.
00:26:51He writes your love poems.
00:26:52He follows you everywhere.
00:26:54Look, I don't see how I can stop you or Rico or anybody else
00:26:57from going where he wants to go and writing what he wants to write.
00:27:00You better make him stop or it might be dangerous for both of you.
00:27:03Something terrible will happen to him.
00:27:06And maybe to you, too.
00:27:08What's the matter, Miss Martin?
00:27:09Oh, this young lady seems to think I'm chasing a friend of hers.
00:27:12And I don't even know him.
00:27:14You lie.
00:27:15You don't know the gypsy.
00:27:17The gypsy?
00:27:18Yes, Rico the gypsy.
00:27:20You better make him stop or I'll...
00:27:24Take it easy.
00:27:26That's all right, Miss Martin. I'll take care of her.
00:27:30Leave me alone.
00:27:33Leave me alone.
00:27:35Hey, what's going on here?
00:27:37Mind your own business.
00:27:39When I tell Rico, he'll kill you for this.
00:27:42Just a minute. What's that about Rico?
00:27:47Hey.
00:27:52What's the matter with you?
00:27:53He didn't hurt anybody.
00:28:00Bring it up there. Bring it up. Bring it up.
00:28:07What's the idea, Marcus?
00:28:08You had no right to hit Rogers. He's with the show now.
00:28:13Well, she's gone.
00:28:17Now let's finish this deal.
00:28:19Let it go. Let it go, Roy. He didn't mean anything.
00:28:22Somebody must have rung a bell on him, huh?
00:28:25Well...
00:28:26I don't know, boss. I guess I made a mistake.
00:28:29I thought he was gonna...
00:28:33I guess I lost my head.
00:28:35Yeah, it's like you said.
00:28:38Somebody must have rung the bell.
00:28:40I'm sorry, Rogers.
00:28:42She wasn't doing anything wrong.
00:28:44She just seemed a little excited, that's all.
00:28:46Did she say anything about the gypsy?
00:28:48She said he was in love with me.
00:28:50Looks like that 10,000's getting a little closer.
00:28:52Let's see if we can pick her up.
00:28:54Quick thinking.
00:28:56I'm gonna raise your cut in all those jobs we pulled.
00:28:58Gee, thanks. Too bad they stopped the fight.
00:29:01I was just ready to tear that Rogers apart.
00:29:03Forget it. Forget it right now. We got more important things to do.
00:29:06Hey, that crack about the bell...
00:29:09You don't think I'm punch drunk, do you?
00:29:25No silver spurs
00:29:30Tinkled like hers and mine
00:29:35It was music divine
00:29:39But now it's gone
00:29:43Pardon me if I sigh
00:29:48Aye, aye, aye, aye, aye, aye
00:29:56Let me tell you a tale
00:30:01Of the old Spanish trail
00:30:05She and I used to ride side by side
00:30:09Down the old Spanish trail
00:30:15Did you pay for two seats, senor?
00:30:17Pass.
00:30:18Oh, then move over.
00:30:24So we talked of a June honeymoon
00:30:27On the old Spanish trail
00:30:33One night
00:30:36I was passing the cantina
00:30:41That night
00:30:45She was in somebody else's arms
00:30:52Have I seen her since then?
00:30:57Only now and again
00:31:00Miss Martin, isn't she wonderful?
00:31:03Quiet. I want to listen to Rogers.
00:31:06Down the old Spanish trail
00:31:10Pardon me if I sigh
00:31:15Aye, aye, aye, aye, aye, aye
00:31:26So, I found you again chasing that woman.
00:31:30I told you before what I was going to do the next time I caught you.
00:31:33You're mine, Rico, you hear me?
00:31:35No other girl's going to get you.
00:31:37No!
00:31:39No!
00:31:41Lemon, little dove.
00:31:44You're mine, Rico, you hear me?
00:31:46No other girl's going to get you.
00:31:48You're mine, Rico, you hear me?
00:31:50No other girl's going to get you.
00:31:52Lemon, little dove.
00:31:55You're mine, Rico.
00:31:57Rico?
00:31:59The gypsy.
00:32:01Roy!
00:32:03Roy!
00:32:06Roy!
00:32:09Roy!
00:32:13Roy!
00:32:16You want him to hang?
00:32:18You go back to the camp.
00:32:20I need him to wait.
00:32:22He's a gypsy. I seen him with my own eyes.
00:32:35Ten thousand in the bag.
00:32:40Let him go, let him go. He's got a good head start. They'll never catch him.
00:32:46All right, folks, the excitement's over.
00:32:48Marcus, you're on.
00:32:49Hey, boss, look.
00:32:53Listen, if they should happen to catch up with that gypsy and he talks, we're cooked.
00:32:57We gotta get him first.
00:32:59He's bound to show up at their camp sooner or later.
00:33:01Follow that gal.
00:33:19Follow that gal.
00:33:49Follow that gal.
00:33:52Follow that gal.
00:33:55Follow that gal.
00:33:58Follow that gal.
00:34:01Follow that gal.
00:34:04Follow that gal.
00:34:07Follow that gal.
00:34:10Follow that gal.
00:34:13Follow that gal.
00:34:16Follow that gal.
00:34:19Follow that gal.
00:34:22Follow that gal.
00:34:25Follow that gal.
00:34:28Follow that gal.
00:34:31Follow that gal.
00:34:34Follow that gal.
00:34:37Follow that gal.
00:34:40Follow that gal.
00:34:43Follow that gal.
00:34:46Follow that gal.
00:34:49Follow that gal.
00:34:52Follow that gal.
00:34:55Follow that gal.
00:34:58Follow that gal.
00:35:01Follow that gal.
00:35:04Follow that gal.
00:35:07Follow that gal.
00:35:10Follow that gal.
00:35:13Follow that gal.
00:35:38Lawyers! Get me my hat!
00:35:43Thank you, Royers. I cannot swim.
00:35:49Mojadito, eh?
00:35:52I know you're after me because I am the gypsy.
00:35:55You're right. You've been wanted for a long time.
00:35:58I know what you're thinking, but you are wrong.
00:36:01I, too, am looking for the real bandits.
00:36:04That sounds like an alibi for always being near the hold-ups.
00:36:07I'm near them because I must be near the woman I love.
00:36:10These robberies are bringing misfortune to her,
00:36:13so I must solve them for her sake.
00:36:15You expect me to believe that?
00:36:17If I was a real bandit, I would not talk like this.
00:36:20I will kill you and save my breath.
00:36:23Do not follow me, please.
00:36:40They are on the run
00:36:44There they will come, pretty ones
00:36:49To kill or to live
00:36:54When the bell
00:36:59Will ring in the city
00:37:05There they will come, pretty ones
00:37:10To kill or to live
00:37:19Rico!
00:37:35Lolita, what are you doing here?
00:37:38Where have you been?
00:37:40What do you care where I've been?
00:37:42Well, I do care.
00:37:44Oh, Rico, you are a fool to risk your life just to see that woman.
00:37:48Lolita, I'm afraid you are jealous.
00:37:50I hate her.
00:37:52Oh, you tore them.
00:37:54And I shall tear them all.
00:37:56I will tear them all.
00:37:58I will tear them all.
00:38:00I will tear them all.
00:38:02I will tear them all.
00:38:04I will tear them all.
00:38:10That woman is making you mad.
00:38:13Lolita, you should try to understand.
00:38:16She is wonderful.
00:38:18If I could only meet her, I will die happy.
00:38:23If you keep on, you may die before you meet her.
00:38:35Hey, I think she really got mad at me this time.
00:38:39Lola, Lolita, you must not say that.
00:38:41You know you are the only one.
00:38:43The others don't count.
00:38:48Let's get out of here.
00:38:50Oh, Rico.
00:38:52The shot came from the hill.
00:38:53Are you all right, Rico?
00:38:54Yes, but I want them to believe I'm dead.
00:38:56Follow them.
00:38:57Let's go.
00:38:58Let's go.
00:38:59Pick up the train.
00:39:00Bring me a little water, please.
00:39:01Right away.
00:39:02So, you liar.
00:39:04You are all right now.
00:39:06But what I told you in the wagon about that woman can still come true.
00:39:10Fool.
00:39:11I only say I wasn't hurt because I don't want the rest to worry.
00:39:19Blood.
00:39:27My poor Rico.
00:39:28I'm so sorry for the terrible things I did.
00:39:31Let me die in peace.
00:39:34Like this, I will die happy.
00:39:38Die happy.
00:39:47Take care of him, please.
00:39:53Now, let's see how bad it is.
00:39:57Oh, it's only scratch.
00:39:59Oh, it's only scratch.
00:40:01Ah, just like Lola say, you're a faker.
00:40:15Oh, it's you.
00:40:17Well, what do you want now?
00:40:19I want to reach your fortune.
00:40:20Well, that's very nice of you, but let's do it some other time.
00:40:23I'm pretty busy right now.
00:40:26Please.
00:40:28There's a man in love with you.
00:40:31The man I was going to marry.
00:40:33But I told you before, I can't help that.
00:40:35He's been shot and he wants to see you.
00:40:38He doesn't even know I'm here.
00:40:41But he told me that if he only could see you, he will die happy.
00:40:44Listen, I don't know what your game is, but you can't expect me to believe that.
00:40:48Now, just go away and leave me alone.
00:40:50You don't think my Rico asking for another girl is making me happy.
00:40:53She's mine.
00:40:54And you can have him.
00:40:56Now, I've got a show to do, so will you please just go and...
00:40:58You will come with me, now.
00:41:03Yes.
00:41:04Yes, I guess I will.
00:41:19Mandy?
00:41:27Shall we drive? My car is right over here.
00:41:29No.
00:41:30Where we're going, only horses can take us.
00:41:33Oh.
00:41:36Oh, well, I'll take this one. I'm sure the owner won't mind.
00:41:40Remember, no monkey business.
00:41:43No monkey business.
00:41:45No monkey business.
00:41:55Hey!
00:42:15Hi, fellas.
00:42:16Hi, boss.
00:42:17Hello, boss.
00:42:18Say, how'd you boys like to go to jail?
00:42:19Oh, not me.
00:42:20Are you kidding?
00:42:22Hey!
00:42:23I thought you said you got the gypsy.
00:42:24That's what they were just telling me.
00:42:26We're dead. Got him with one shot.
00:42:27That's what you think.
00:42:28He's not dead.
00:42:29He's not dead.
00:42:30We saw him fall.
00:42:31He tricked you, you stupid fool.
00:42:32Come on.
00:42:35How about I chew?
00:42:36If there's any bungling to be done, I'll do it myself.
00:42:38Right.
00:42:46And you say the trail led into town?
00:42:48Si.
00:42:49But I don't know anybody there.
00:42:50Ah, the sheriff.
00:42:51Oh, he will not run from here.
00:42:53He can't run.
00:42:54He's too fat.
00:42:55Gordito.
00:42:59Come on, quick.
00:43:00Move out of sight.
00:43:01I call you if I need you.
00:43:02Mamacita, prisa, prisa.
00:43:04Si, si, hijo mio.
00:43:05Tapame.
00:43:06Andale.
00:43:07Cuidate.
00:43:15Oh, frico.
00:43:16Oh, thanks goodness you're still alive.
00:43:18Miss Martin, why did you bring it here?
00:43:20Don't you know it's dangerous for anybody to know where we are?
00:43:23You should have not come.
00:43:25Well, it wasn't exactly my idea.
00:43:27Your girlfriend said you were dying.
00:43:29I'm not dying.
00:43:30I'm dying.
00:43:31I'm dying.
00:43:32I'm dying.
00:43:33I'm dying.
00:43:34I'm dying.
00:43:35I'm dying.
00:43:36I'm dying.
00:43:37I'm dying.
00:43:38I'm dying.
00:43:39I'm dying.
00:43:40I'm dying.
00:43:41I'm dying.
00:43:42I'm dying.
00:43:43I'm dying.
00:43:44I'm dying.
00:43:45Oh.
00:43:46Si.
00:43:47Don't you remember?
00:43:48You told me that if you only could see her, you would die happy.
00:43:51Oh.
00:43:53Yes, thank you, my pet.
00:43:55She is so thoughtful.
00:43:57Can't I get you a doctor?
00:43:59No, no.
00:44:00It's too late now.
00:44:02I'm a dead pigeon.
00:44:06Well, I guess there's nothing more I can do.
00:44:08I'd better be going.
00:44:10Miss Martin?
00:44:11Yes?
00:44:12There is one thing that you can do.
00:44:14Just a little kiss.
00:44:16Will I...
00:44:22Sure.
00:44:24It'd be a pleasure.
00:44:36Please, Rico.
00:44:37Things like that will make you die quicker.
00:44:42I guess I can't help you any.
00:44:45I'll be running along.
00:44:46Oh, no.
00:44:47First you have to hold my hand and sing me a song.
00:44:49Uh-uh.
00:44:50Not until we have a little talk first.
00:44:52Roy.
00:44:56Oh, am I glad to see you.
00:44:58I knew you'd follow Trigger.
00:45:00There's our $10,000.
00:45:03Looks like you have a little explaining to do.
00:45:06I'm not too sure about the $10,000.
00:45:08Well, this girl forced me to come here.
00:45:10That is right.
00:45:11He lost her.
00:45:12But she has never seen him before.
00:45:14I know.
00:45:15What she says is true.
00:45:17Hello, Royers.
00:45:19I'm looking down the other end of the pistola this time.
00:45:22But it won't do you any good.
00:45:24What's the matter with you?
00:45:25Well, I...
00:45:26He's been shot.
00:45:28Who did it?
00:45:29I don't know.
00:45:30Their camp is well hidden.
00:45:32But the shot came from the hill.
00:45:34Better get Cookie and have him bring a doctor and a wagon.
00:45:36Oh, no.
00:45:37You can do your explaining in a nice, cool hospital bed.
00:45:40In jail.
00:45:41Now, senorita.
00:45:42Will you sing a song for me?
00:45:44Then you can take me.
00:45:47Sure, Rico.
00:45:48I'll sing for you.
00:45:49The one about the hacienda?
00:45:50Mm-hmm.
00:45:51Por favor, traele una guitarra.
00:45:53Will you help me to stand?
00:46:08Where is a home to compare with mine
00:46:18When the evening shadows fall?
00:46:26Where does the moon never fail to shine
00:46:35On the garden wall
00:46:42In my adobe hacienda
00:46:49There's a touch of Mexico
00:46:56Cactus lovelier than orchids
00:47:03Blooming in the patio
00:47:10Soft desert stars and the strums of guitars
00:47:17Make every evening seem so sweet
00:47:24In my adobe hacienda
00:47:31Life and love are more complete
00:47:37Here in a special foreign land of their song
00:47:45Vida que nunca olvidará
00:47:51En esta casita adobe
00:47:58Oh, morena vivirá
00:48:05Life and love are more complete
00:48:18Ataboy, Rogers!
00:48:21Well, now we can pay off that mortgage
00:48:23and roll into the next town with our honor bright and clean.
00:48:26All right, tie him up.
00:48:27Wait! What are you going to do?
00:48:29Oh, don't worry.
00:48:30That's right. We're not going to hang him yet.
00:48:31We're just going to tie him up
00:48:32and take him into town where somebody else can do it.
00:48:34He's money in the bank.
00:48:35Oh, no, he isn't.
00:48:36You wouldn't do that to him.
00:48:38Here, here.
00:48:39Hold this little pepper plant.
00:48:41It isn't necessary to tie him up.
00:48:43No, Rico said he'd go with us after we sang a song.
00:48:46That is true.
00:48:47We have to get a wagon before we can move him.
00:48:49He's hurt bad.
00:48:50Don't worry.
00:48:51All we have to do is deliver the body, leave him to us.
00:48:54I said keep your hands off of him.
00:48:56I suppose you want to sing him another song.
00:48:59Marcus!
00:49:00Harry, can't you stop this?
00:49:03We'll see who's going to take him back to town.
00:49:06Go get him.
00:49:07I'll help you, kid.
00:49:26That a boy, Roy.
00:49:38Give it to him.
00:49:39Give it to him once for me with the right.
00:49:42No, no, no.
00:49:55No, no, not two against one.
00:50:12Rico, be careful.
00:50:13Careful, you'll hurt.
00:50:42Come on, come on, come on.
00:51:11Come on, Roy.
00:51:12Come on.
00:51:38Oh, Rico.
00:51:45Well, Blaise Dell, is there any doubt in your mind now who's going to take Rico in?
00:51:49No, he's all yours.
00:51:51You won't need a wagon to get him there either.
00:51:57For a dying man just a few minutes ago, you did all right.
00:52:00I feel much better now.
00:52:02Say, what are you trying to pull?
00:52:04Look at that.
00:52:05He's only scratched.
00:52:06Oh, Rico, you better.
00:52:07I'm so glad.
00:52:08He isn't hurt.
00:52:09He was lying.
00:52:12So, you take me again.
00:52:14He's no good.
00:52:15You can have him.
00:52:20Oh, fool.
00:52:31You won't get lost in there.
00:52:33You're so right.
00:52:35A lot of people want to talk to you, but that'll wait till morning.
00:52:38Well, we can put a face with this now.
00:52:42Come on, I'm going to hit the hay.
00:52:44You go on ahead.
00:52:45I want to have a talk with Rico.
00:52:46All right.
00:52:47Turn the lights off, will you, pity?
00:52:48Okay.
00:52:56Say, Rico, why did you pull that phony dying act out there?
00:53:00I only wanted to make my Lola sorry for me.
00:53:03How could I know she was going to bring Miss Martin,
00:53:05and then you and all the others would come?
00:53:07Al fin mujer.
00:53:08And you said the shot was fired at you.
00:53:11That is true.
00:53:12Lola and the rest of the gypsies will tell you.
00:53:14Well, can you think of any reason why anyone would want you dead?
00:53:18No.
00:53:20Some people will do things like that for money.
00:53:22Yes, I know.
00:53:24But if they were after the reward, they wouldn't try to kill you.
00:53:28Si.
00:53:29Then I could not talk.
00:53:31Maybe that's it.
00:53:32Maybe someone doesn't want you to talk.
00:53:38Royers.
00:53:45I don't think the sheriff will mind.
00:53:49Gracias, amigo.
00:53:50Good night.
00:54:01Oh, hello, Mr. Rogers.
00:54:02Hiya, Red.
00:54:03Say, how about seeing if I got any mail?
00:54:05Wait, I'll see.
00:54:07Oh, oh.
00:54:34All right, you got such a good hand.
00:54:36I'll call you and raise you five.
00:54:39Hey, let's see what you got.
00:54:42Not good enough.
00:54:44My unlucky day.
00:54:46Just think, we'd have had that gypsy easy if Rogers hadn't messed things up.
00:54:50Yeah.
00:54:51The boss feels pretty bad about it.
00:54:53And he ruined one of my best shirts.
00:54:56But I'll be able to handle him next time.
00:54:58I'll stay away from that right hand.
00:54:59Come on, come on, come on.
00:55:00There's no use wailing about it now.
00:55:02Just make sure that everything runs smooth tomorrow.
00:55:05Now that Rogers has got Rico just where we don't want him.
00:55:09In jail.
00:55:11Hey.
00:55:12Hey, maybe that's the break for us.
00:55:14Yeah, I'll bet.
00:55:16Where are you going?
00:55:17Nowhere.
00:55:19If that gypsy escapes from jail tomorrow, they'll be sure he's the man they're after.
00:55:23Especially if there's a robbery the same day.
00:55:25Yeah.
00:55:27And then we won't have to clear out of town so fast.
00:55:29Of course.
00:55:30Maybe we'll have time to pull another job.
00:55:31Or maybe two.
00:55:33Tomorrow morning you boys are going to make a social call on that fat constable.
00:55:37Let me go alone.
00:55:38I'll hit him so hard he'll be acting like I am.
00:55:42Hey, will you stop that?
00:55:48Yeah, sure, boss.
00:56:02Morning, Rand.
00:56:03Morning, constable.
00:56:04Well, I've got to get over to jail and get that prisoner some breakfast.
00:56:07We haven't had anybody in there in so long.
00:56:09I had to let the cook go.
00:56:12Hey, I had the funniest dream last night.
00:56:15I dreamt that Blaisdell sent two of his men over to break into jail and let the gypsy escape.
00:56:21I had a dream.
00:56:22I had a dream.
00:56:23I had a dream.
00:56:24I had a dream.
00:56:25I had a dream.
00:56:26I had a dream.
00:56:27I had a dream.
00:56:28Blaisdell sent two of his men
00:56:29over to break into jail and let the gypsy escape.
00:56:32Probably something he ate, because they seemed awfully anxious to put him in jail last night.
00:56:41I know that, and they sure did seem anxious to get him out of jail, too.
00:56:44I couldn't mistake Blaisdell's voice.
00:56:46Any place.
00:56:48I could hear it just as close ... just like I was standing there.
00:56:51Couldn't have been much of a dream.
00:56:53He's still in there.
00:56:56I've got something to be happy about.
00:56:58I'm going to run over and see the Pioneers.
00:57:00I'll drop by and have a talk with Rico after you've fed him.
00:57:02See you later.
00:57:06Dreams.
00:57:26La da da dee da da dee
00:57:33La da da dee ha ha
00:57:42La da da dee ha ha
00:57:50La da da dee ha ha
00:57:59Good morning!
00:58:01Como cantante gordito, no soplas.
00:58:04Oh, thank you. I always sing when I'm happy.
00:58:07I'm happy. My Lolita loves me.
00:58:11Oh, love.
00:58:14I'll never love again
00:58:22If you forget me
00:58:28My heart won't let me
00:58:34Love someone new
00:58:39I'll never dream again
00:58:44How could I go on dreaming
00:58:49If each dream that we make
00:58:52Were to suddenly fade in the blue
00:58:59I'll never thrill again
00:59:04To someone's kiss
00:59:08Oh, what good would it do
00:59:13It's you I'll miss
00:59:18My heart is yours alone
00:59:23So be careful, don't break it
00:59:28But if you ever should
00:59:31Darling, I never could
00:59:34Love again
00:59:37Yo le quise traer
00:59:43Dijo que no
00:59:47Que si había de llorar
00:59:52Pa' que volver
00:59:57Borrachita me voy
01:00:03Hasta la capital
01:00:10Y a servirle al patrón
01:00:15Que me mando llamar ante ayer
01:00:23No, no, no, no
01:00:29I'll never love again
01:00:41How does love affect your appetite?
01:00:44It doesn't. I'm hungry.
01:00:53Dig in, boys.
01:00:54Good morning.
01:00:55Hi, Roy.
01:00:56What's going on here?
01:00:57What are these things, blanks?
01:00:58Yeah, we're getting ready
01:00:59for the big stagecoach robbery.
01:01:00Stagecoach robbery?
01:01:01Uh-huh.
01:01:02Yeah, it's Blaisdell's idea
01:01:03of publicity,
01:01:04a big fake holdup for the folks.
01:01:05Good ballyhoo for the show.
01:01:06You can play the sheriff today.
01:01:07Here's your ammunition.
01:01:08And believe me,
01:01:09they're plenty loud, too, Roy.
01:01:10You know, the way the show's going now,
01:01:12we'll have that 10,000 in no time.
01:01:14Oh, we don't need to worry
01:01:15about the money.
01:01:16We've got the gypsy.
01:01:17I don't think we'll have much trouble
01:01:18proving that he's our man.
01:01:21Well, I'd better run along.
01:01:22I want to have a talk with him
01:01:23before the oil investigators get here.
01:01:25Be seeing you.
01:01:26Okay, Roy.
01:01:34How'd it go?
01:01:35Nothing to it.
01:01:36So easy it wasn't even fun.
01:01:38Come on.
01:01:49Cookie.
01:01:51How'd you get yourself
01:01:52in a mess like this?
01:02:03What happened, Cookie?
01:02:04Roy, don't do it.
01:02:06I was standing there washing the dishes, and somebody clung me from behind.
01:02:12Boy, what a goose ache.
01:02:14The next thing I knew, I was hanging up there.
01:02:17Well, don't feel too badly about it. It can happen to anyone.
01:02:19Well, I told you you couldn't trust a gypsy.
01:02:22He's about the smartest operator I ever saw.
01:02:25Sure made a fool out of me.
01:02:26Well, a knot he put on my head ain't going to make me any smarter either.
01:02:29I'm going to get on the phone and spread the news about it.
01:02:33Put your hands up, please.
01:02:35I just heard your conversation, and I don't want to be shot before I can explain.
01:02:41This is the first time I broke into a jail.
01:02:44Oh, boy, Rico, are you in for it now?
01:02:47Assaulting Barry with a deadly weapon on an officer in the law, and I can prove it.
01:02:51Look right there. Look.
01:02:52Oh, that is a beauty.
01:02:54But I couldn't do that. I did not even touch you.
01:02:57And what did happen?
01:02:58He was washing dishes. I was playing music.
01:03:01The first thing I knew, a couple of men walked in, and he came from behind.
01:03:04You see? What did I tell you?
01:03:06Who were they?
01:03:07I couldn't tell. They had masks on.
01:03:09Then I suppose they let you out of jail.
01:03:11That's exactly what they did.
01:03:13They had a horse waiting for me, and they told me to escape over the border.
01:03:16Well, why didn't you do that?
01:03:18Because.
01:03:19Lawyers.
01:03:20I gave you my word, and you trusted me.
01:03:26Now I would not leave here until you say so.
01:03:29Okay, Rico, come on out.
01:03:31Oh, no, you don't.
01:03:32Oh, wait a minute, Cookie.
01:03:33Now, Roy, don't experience teach you anything.
01:03:37You're going to put Rico in my custody.
01:03:40Remember that dream you had last night?
01:03:43Yeah, I remember.
01:03:45Gee, that's funny.
01:03:47I could hear him talking just as plain about turning Rico loose and...
01:03:51Hey, maybe I'm psychic.
01:03:54Maybe you're not.
01:03:55Maybe you didn't dream it.
01:03:57Maybe you heard it when you were outside of Blaisdell's room with the water cooler.
01:04:02Blaisdell's room?
01:04:03Water cooler?
01:04:05Where did that happen?
01:04:07In dreamland.
01:04:14I still think a gypsy in jail is worth two in the butchers.
01:04:24Ladies and gentlemen, our new star, Roy Rogers,
01:04:27will be playing the sheriff in your own Constable Bullfincher,
01:04:30whom you all know is considered to be the stagecoach driver.
01:04:34Candy Martin will be the charming young lady rescued by the brave sheriff.
01:04:38The sons of the pioneers will be the villainous outlaws.
01:04:41Now, this event will take place promptly at 12 o'clock at the corner of Main and Second Streets.
01:04:45Please stay on the sidewalk and avoid the danger of being hurt during this exciting event.
01:04:49Remember now, at 2 o'clock this afternoon, there will be a big matinee in the tent.
01:04:53You're all invited.
01:04:54The price is only 75 cents.
01:05:00Constable, I want to thank you for helping us out today.
01:05:03All right.
01:05:04Well, in a few minutes, boys, we'll be off.
01:05:06Remember, make lots of noise and give them a good show like we always do.
01:05:09All right, put on your masks.
01:05:12I'll say, Rogers, you're a little new to this, so give us a good head start before you come after us.
01:05:17Right.
01:05:20We're ready.
01:05:24Keep an eye open for anything that isn't in the act.
01:05:26That's what I'm here for.
01:05:31It's about 12, ain't it?
01:05:32Should be along in a minute now.
01:05:55What do you want?
01:05:56The payroll, I'm quitting.
01:05:58The gypsy.
01:05:59You are correct, my friend.
01:06:00I'm very nervous today.
01:06:02Hurry, hurry.
01:06:04The gypsy.
01:06:08It's 12 straight up already, Constable?
01:06:10Just take a deep seat and you'll get the thrill of a lifetime.
01:06:13Maybe we all will.
01:06:17Okay, Cookie, let's go.
01:06:25Look out!
01:06:36Where's McIntyre?
01:06:37He's probably outside watching the show.
01:06:39Get with it, Gus.
01:06:47Hey.
01:06:49What a break.
01:06:50The old goof must have forgot the lock.
01:06:51In the tin boxes, I watched him bring it in.
01:06:54Best job we ever pulled.
01:07:05Just a minute.
01:07:15Here comes the sheriff, folks.
01:07:16That'll put them on the run.
01:07:25Oh, no.
01:07:32Julia's realistic acting, ain't it?
01:07:34Hey, Constable, the show's getting better all the time.
01:07:38Yeah.
01:07:39Things are not going so good, boss.
01:07:41What shall we do?
01:07:42Is this a part of the show?
01:07:43Yeah, yeah, part of the act.
01:07:45Get those things in here.
01:07:50Okay, take it away.
01:07:55Get out of the way!
01:08:15Hey, the new part of the act is pretty good, but why didn't you tell us about it?
01:08:19Oh, no.
01:08:20That's one of the things.
01:08:21Yeah, that's what you think.
01:08:23Uh-oh.
01:08:24If you want to stay alive, keep driving it faster.
01:08:27Yes, sir.
01:08:32Harry, those aren't blanks.
01:08:33Those are real bullets.
01:08:35You're telling me.
01:08:36This is the last part of the act.
01:08:41I told you to leave those things alone.
01:08:43So it wasn't an act.
01:08:44You stole this money.
01:08:45It was you and Marcus all the time.
01:08:48So what?
01:08:50For the last time, sit back there and be quiet.
01:08:52Maybe you won't get hurt.
01:08:59Keep going!
01:09:00We'll be over the border in a few minutes.
01:09:14Help, Chuckie!
01:09:15Help!
01:09:16Help, Chuckie!
01:09:18Chuckie, wait!
01:09:19Help!
01:09:20Help!
01:09:48Help!
01:09:58Help, Chuckie!
01:09:59Help!
01:10:04Help, Chuckie!
01:10:17Help!
01:10:44Help!
01:10:47Help!
01:11:11Give him up to me, Roy!
01:11:14Thanks a lot, Constable.
01:11:17You're welcome.
01:11:44Help!
01:12:05Hurry up, Roy.
01:12:06I can't hold him much longer.
01:12:08Okay, Cookie, hand him down.
01:12:09I'll take him.
01:12:11Boy, that act ought to get the show plenty of publicity.
01:12:13For a while there, it was certainly realistic.
01:12:17We've got a great finish for the act,
01:12:19and you and your friend are going to play the leading roles.
01:12:22If you're worried about me, boss, I'm all right.
01:12:27Gee, I'm sorry I had to do that, Rogers,
01:12:29but that guy makes me so nervous.
01:12:30Roy, the gypsy held up the oil company
01:12:32and got away with all the money.
01:12:33The gypsy?
01:12:34Mm-hmm.
01:12:35But he couldn't have.
01:12:36The cash boxes are in here.
01:12:37Here.
01:12:39Here.
01:12:42Roy!
01:12:44Roy, they're all empty.
01:12:47Looks like you made a mistake, Rogers.
01:12:49Gypsy was your man after all.
01:12:51I'm not sore.
01:12:52Good luck in catching him.
01:12:53Just a minute.
01:12:55I know we should have kept that Rico in jail when we had him.
01:13:03What's this I hear about you holding up the oil company's office?
01:13:06That is true, Roy.
01:13:07I just wanted to make sure that the money got into the right hands.
01:13:11Here's more.
01:13:12Take him.
01:13:15Okay, boys, take him away.
01:13:19Looks like part of the reward money is yours.
01:13:21There is more important things in life than money.
01:13:26A la vista, Roy.
01:13:27Yeah, be seeing ya.
01:13:31Hey, somebody help me out of here.
01:13:33I'm stuck by my...
01:13:36by my gun belt.
01:14:07This way
01:14:12Y al pasar una taberna
01:14:17La gui
01:14:21En los brazos de otro amor
01:14:28I've my seniors and friends
01:14:33Only now and again
01:14:38When together they ride side by side
01:14:42Down the old steady trail