Category
😹
FunTranscript
00:00This is a production of the U.S. Department of State.
00:30This is a production of the U.S. Department of State.
01:00The A-Team
01:04The A-Team
01:06The A-Team
01:10The A-Team
01:15Ah! You look lovely!
01:18Lovely? Lovely for what?
01:20All dressed up, and no place to go.
01:23Left waiting at the altar. No bridal.
01:25Oh, he'll be here!
01:27I told that irresponsible man that if he ever kept me waiting again, he'd be sorry for it.
01:31Sheila, please!
01:33Doesn't that man think there's anything important about getting married?
01:36About getting married to me?
01:37Control yourself. Our guests.
01:39Our guests?
01:40They're probably whistling through their fingers and stamping their feet.
01:43If they're still here...
01:44Sheila, you mustn't. You mustn't, dear.
01:47Oh, a bridal bouquet.
01:49Pretty thing, isn't it?
01:52Hello.
01:53Where's the bridegroom?
01:55Well, that's what I'd like to know.
01:57Well...
01:58No, no, no, no, dear. Calm yourself. Calm yourself.
02:01You'll spoil everything. Think of those people downstairs.
02:05That's what I am thinking about.
02:07They came here to see a wedding, didn't they?
02:09Well, they're going to see one.
02:10But you can't have a wedding without a bridegroom.
02:12There'll be a bridegroom. Who's downstairs?
02:15Fred, George... Get Henry for me.
02:17Henry? Henry who?
02:18Henry Tuttle, my lawyer.
02:20Oh, but you don't need a lawyer.
02:21Oh, yes, I do. And now you're going or am I?
02:24Oh, I'm going.
02:40No bridegroom, eh?
02:47Well, we'll see.
02:54There you are.
02:56Henry, something has happened to Sheila.
02:58Come at once.
03:00What's wrong?
03:01You've always gotten me out of jams before, haven't you, Henry?
03:03Yeah, plenty of them.
03:04Well, this is the biggest one I was ever in and you've got to get me out of it.
03:07How?
03:07Marry me.
03:08Oh, you can't do this. It's crazy.
03:10Oh, you stay out of it. This is my wedding, not yours.
03:12It's all very simple and you're an attorney.
03:14All you have to do is change the license.
03:16No, you can't, dear. It isn't done.
03:17This is horrible. Horrible.
03:20What about Eric?
03:21Are you going to argue or marry me?
03:24Are you serious?
03:25Do I look playful?
03:28Give me that license.
03:44Leave me waiting at the church, will you?
03:54Come in.
03:59How are you doing?
04:00Oh, all right.
04:02Oh, no, isn't that silly?
04:04Well, it's not so silly.
04:05That's an old custom that has a great deal of significance.
04:08Well, it's silly to me.
04:09Anyway, it's all over, thank goodness.
04:11Right.
04:12You know, I never thought I'd be lucky enough to manage this.
04:15Oh, you were wonderful, really.
04:16Except for a little nervousness.
04:18And I'm very grateful, Henry.
04:19Oh, I'm very grateful.
04:21I'm very grateful.
04:22Except for a little nervousness.
04:23And I'm very grateful, Henry.
04:25Eric would have shown up eventually,
04:26but this will teach him a lesson.
04:28Next time, he'll be more punctual.
04:30Next time?
04:31Yes.
04:32Oh, would you put this over here?
04:33No.
04:38I won't be so lenient with him.
04:42I may be a little bit stupid, but...
04:44just where does our marriage fit into this picture?
04:47Oh, our marriage is a purely social gesture
04:49to save a purely social situation.
04:52I see.
04:54Bridegroom fails to show, I double for bridegroom,
04:57save your face and help teach bridegroom
04:59to be a better boy hereafter.
05:00Exactly.
05:02I wouldn't be surprised if Eric took a plane
05:03and came right down after us.
05:08Just how long do you calculate
05:09you'll need my services as a standard?
05:11Oh, not long.
05:12As soon as the publicity dies down,
05:14I'll go to Reno and...
05:16do it all very quietly and...
05:18everything will be straightened out for everybody.
05:20You could use a vacation, Henry.
05:23Oh, here it is.
05:25What?
05:26A wedding present from Aunt Letitia.
05:28A picture of Eric as a baby.
05:35Pardon me, please.
05:36Where are you going?
05:37I'm going out to the club car
05:38and get quietly but effectively plastered.
05:51Well, I think this will do very nicely, don't you, Henry?
05:54Yeah, it's comfortable, home-like.
05:57Oh, it's charming.
06:00Too bad there's only one bedroom.
06:04But...
06:06I'll take it.
06:07I'll take it.
06:08I'll take it.
06:09I'll take it.
06:10I'll take it.
06:11I'll take it.
06:12I'll take it.
06:13I'll take it.
06:14I'll take it.
06:15I'll take it.
06:16I'll take it.
06:17I'll take it.
06:18I'll take it.
06:20Yes, I think you'll manage quite nicely on the couch.
06:36Is there anything else, sir?
06:37No.
06:39That's all.
06:40Thank you, sir.
06:41It's unusually hot for this time of year, isn't it, Alex?
06:43Yes, it is, sir.
07:08Henry, have you got...
07:10Oh, yes.
07:15Well, the trunks are here.
07:16Now we can start getting into something cool.
07:18Good.
07:49What is it, Henry?
07:50Do you mind if I come in and get a few things out of my trunk?
07:56Oh, wait just a minute.
07:57You may come in now, Henry.
07:58Little snookums.
07:59Henry, be careful.
08:00Sorry.
08:02I hope my trunk being in your room won't embarrass you.
08:13Not at all.
08:19Why should it?
08:27Henry, would you move those over onto that bed?
08:33Because I've decided to sleep here.
08:34I like the light on my right.
08:36Right.
08:37Yes, right.
08:41I hope you won't be too uncomfortable on the dive van.
08:44Oh, not at all, not at all.
08:46I'll be as comfortable there as anywhere.
08:49Practically.
08:51Well, it's too bad we had dinner on the train.
08:53Otherwise, we might have killed some time.
08:56Oh, we can play cards.
08:58Honeymoon bridge.
08:59Perfect.
09:00Ducky.
09:11Oh, what a marvelous orchestra.
09:13Should be.
09:14It's Georgie Stoll's.
09:15Well, Henry, I didn't know you knew orchestra leaders' names.
09:18Well, I guess I must have read it on one of the cards they leave around the rooms.
09:22Would you like to dress and go down?
09:24Oh, no.
09:25People might look at us archly, and I can't endure being looked archly at.
09:28Can you?
09:29What?
09:30Archly.
09:32Never archly.
09:35Excuse me.
09:45There you are.
09:54Oh, how sweet.
09:56Oh, there's thunder.
10:00Open.
10:03Oh, isn't that lovely?
10:07Oh.
10:08Oh, they're from you.
10:09Well, that's very thoughtful of you, Henry.
10:10Here, put them in water.
10:16Hello?
10:17Who?
10:20Henry, it's for you.
10:25Thanks, Sheila.
10:26Hello.
10:28Oh, hello there.
10:29How are you?
10:33Why, yes.
10:34Yeah, well, thanks a lot.
10:36Are there newspapers?
10:38No, no, I haven't.
10:40A what?
10:42A caveman?
10:45Oh, yes, that's me all over.
10:47A fast worker.
10:48Oh, I don't dare give him a chance to think.
10:50Oh, yes, we're very, very happy.
10:52Yes, indeed.
10:54Well, I want you to meet my wife.
10:55She's an awfully nice little person.
10:57Yeah, very much of a homebody and all that sort of thing.
11:02What?
11:03No.
11:04No, no, I'm glad you called.
11:07Tomorrow?
11:08Oh, fine, fine.
11:09I know.
11:12Goodbye.
11:16Sorry.
11:17Well?
11:18My plate?
11:19No, I mean, who was it?
11:20Who?
11:21On the phone.
11:22Oh, a fellow.
11:23After all, I have a right to know with whom you talk.
11:26I'm your wife.
11:27Huh?
11:29Oh, well, he was a chap I used to know in law school.
11:31He has a cottage around here somewhere.
11:32You'll meet him.
11:33I don't want to meet him.
11:34I want to know what he said.
11:35Oh, he said he wanted to meet you.
11:38Henry Tuttle.
11:39He said something about the newspapers.
11:41Now, what was it?
11:42Oh, the newspapers.
11:43I...
11:44Excuse me.
11:45The traffic seems to be getting terrific.
12:05Calligraph?
12:06Mm.
12:07For you?
12:08Mm.
12:09Nothing serious, I hope.
12:11Oh, no.
12:12Oh, no.
12:13It's all in fun.
12:14It's all in fun.
12:18Congratulations, son.
12:20Just saw your ad in the headlines.
12:23Headlines.
12:24Newspapers.
12:26Here we are.
12:27Free, self-respecting, upstanding, independent American citizens.
12:31Pursued and persecuted by the press.
12:33Well, my dear young lady, you've been in the headlines before.
12:35Oh, I wouldn't expect you to appreciate it.
12:37But this is different.
12:38How a girl can get married without it being smitted all over the country
12:41in every sensational publication.
12:43Was that kind of a marriage?
12:44A what?
12:46A natural for the reporters.
12:48Oh, a natural.
12:49Well, I call it unnatural.
12:51Inhuman and disgusting.
12:53Well, is nothing sacred?
12:55Have they no respect for the bonds of matrimony?
12:57Stay where you are.
12:58I'll answer that.
13:04Well, Eric.
13:06How nice to see you.
13:08Where is he?
13:14Well?
13:16Well?
13:17Well, don't you think you owe me an explanation?
13:20Oh, Eric, don't say that.
13:21Now, Sheila, please.
13:22This is between Tuttle and myself.
13:23You stole my fiancé.
13:24That's between Sheila and me.
13:26You didn't show up.
13:27That's between me and Sheila.
13:28Telephone.
13:29Excuse me.
13:32Hello.
13:33Reporters?
13:34No reporters.
13:35No reporters.
13:40Have you seen this?
13:51You ought to take that attitude.
13:52Oh, Eric, wait a minute.
13:53Wait a minute.
13:54Henry's really been very kind and considerate.
13:56And he sent me those lovely flowers.
13:59Oh, he did, did he?
14:00No, the roses.
14:07Thanks.
14:08Thanks for the flowers.
14:09But would you mind holding them like that?
14:10A little higher.
14:11There you are.
14:12Watch the birdie.
14:13Snap it, boys.
14:14Grab it.
14:15Was there a fight?
14:16No.
14:17Your mother objected to the match?
14:18No.
14:19Another woman?
14:20Of course not.
14:21Broken engagement several times?
14:22Well, yes.
14:23Reynolds kidnapped?
14:24No, sir.
14:25Are you both happy?
14:26Oh, yes, indeed.
14:27We're very, very happy.
14:28Aren't we, darling?
14:29Well, aren't they both my closest friends?
14:31Their happiness is mine.
14:32Oh, thanks.
14:33That's all we wanted to know.
14:34Come on, boys, and let's go home.
14:36And your happiness is ours.
14:38Well, we'll be seeing you.
14:42Now, look here, Tuttle.
14:43I'm warning you as man to man.
14:46Hold it.
14:47I'll be right back.
14:49Ah, another surprise, Sheila.
14:51Ah, champagne.
14:53And from Uncle Fred.
14:55I'll get another glass.
14:58Well, this is something.
15:03Paul Roget, 27.
15:06Here it is.
15:08You know, this was a very happy thought on Uncle Fred's part.
15:11He's a very good man.
15:13He's a very good man.
15:15You know, this was a very happy thought on Uncle Fred's part, darling.
15:19Darling, Tuttle, I resent that.
15:22In fact, I resent everything.
15:24Sheila, what have you got to say for yourself?
15:26What have I?
15:27What have you got to say for yourself?
15:29Where were you?
15:30Did you forget there was a wedding?
15:33I went to a movie.
15:34A movie?
15:35Henry, did you hear that?
15:37He went to a movie.
15:38How was the show, Eric?
15:39I don't know.
15:40I went to sleep.
15:41Asleep?
15:42Now, listen, Sheila.
15:43You know I wouldn't deliberately go.
15:44I went to a bachelor party last night.
15:46And, well, when I woke up this morning, I was at a movie.
15:50You know, I've always wondered what sort of people go to movies early in the morning.
15:54Well, now you know.
15:57Oh, I think that's sweet.
15:59For you, Eric.
16:02To the bride.
16:04To Sheila.
16:09To Uncle Fred.
16:10Heaven bless him.
16:11Uncle Fred.
16:13To three on a honeymoon.
16:15Oh, I think that's sweet.
16:16And to those who go to movies early in the morning.
16:19Now, look here, Tuttle.
16:20I resent that.
16:21That's the third time today you've resented something.
16:24What are you going to do about it?
16:25Don't you hit him, Eric.
16:27Very well, dear, if it makes you feel any happier.
16:29Yes, and we'll talk the whole thing over in the morning at breakfast.
16:32Yes.
16:33Alone.
16:35You shouldn't have stopped me.
16:36I ought to thrash him.
16:37Oh, don't, Eric.
16:38No.
16:39Well, perhaps another time.
16:41Good night, my sweet.
16:42Good night.
16:53I resent that.
16:54That's the third time today you've resented something.
16:56What are you going to do about it?
16:58I resent that.
16:59That's the third time today you've resented something.
17:01What are you going to do about it?
17:03I resent your attitude toward Eric.
17:06Now, don't you start resenting things.
17:09Too much, eh?
17:10Well, I hope you'll be able to sleep it off.
17:12What, on that thing?
17:15Do you mind if I go in and get some more things out of my trunk?
17:18Oh, no, no.
17:19It's all right.
17:26This must be very unsatisfactory for you, Henry.
17:29That's putting it mildly.
17:31I meant about your trunk.
17:33Well, of course.
17:34What do you think I meant?
17:35Well, one hardly knows.
17:37Frankly, you amaze me.
17:39I'm just an average, normal individual.
17:41The fact that you seem to have completely overlooked.
17:43Oh, now we're going to have to try to get along.
17:46I don't want people to think you're only my lawyer.
17:48With Eric hanging around on this honeymoon,
17:50who are they going to think I am?
17:53Oh, now, wait a minute.
17:54Just because we're in a situation that's a little awkward
17:56is no reason for you to lose your temper.
17:59My temper?
18:00I'm losing my identity.
18:01That's right.
18:02Shout at me.
18:03Shout at me.
18:07I'll tell you one thing.
18:08Reynolds has got to clear out of here.
18:12Is that so?
18:13I suppose you think you can tell me
18:15who will and who will not stay in this hotel.
18:17Look, that's the point for him to be here.
18:19You understand?
18:20It isn't about at all.
18:21That's right.
18:22Keep it up.
18:23Keep it up.
18:24Well, whether you like it or not, he's going to stay here.
18:27He's going to stay because I want him here.
18:29We've planned and planned this honeymoon
18:31and the places we'd go and the things we'd do
18:34and we're going to do them.
18:38All right.
18:39Go ahead and do them.
18:40Do whatever you please.
18:41But I'm putting an end to this business of being pushed around.
18:44First I get pushed into marrying you
18:45and then you start pushing me out.
18:47Now, Henry, please.
18:48Now, listen to me.
18:49I've been in love with you for years.
18:50You knew that.
18:51That's why you asked me to marry you
18:52and that's why I marry you.
18:54At the same time, I don't think you're perfect.
18:56I do think you have possibilities.
18:58Now, see here, Henry Tuttle.
18:59The point is this.
19:00You're a spoiled, willful, headstrong brat.
19:03Now, take this business of you marrying me offhand.
19:05It was quite in keeping with your general arrogance.
19:08Well, Henry, I can't understand you.
19:09You've always been so kind and patient.
19:11Hilbert, from now on, things are going to be different.
19:13You just bear that in mind, Mrs. Tuttle,
19:15and everything will be fine and dandy.
19:17I'm sorry I ever married you, Henry Tuttle.
19:28Give me a pillow and some covers.
19:47I resent it.
19:58I resent it.
20:29I resent it.
20:31I resent it.
20:57Henry?
21:00Henry?
21:02Now, you mustn't feel bad about last night.
21:04We're all a little on edge from the champagne.
21:08Henry?
21:11Henry?
21:30Henry?
21:54Oh!
22:00Hmm.
22:30Good morning.
22:31Good morning.
22:33You look very domestic.
22:37I'd rather you didn't sleep on the balcony.
22:39The windows and the people.
22:41Oh, I didn't sleep on the balcony.
22:43Oh, you didn't?
22:44No.
22:45Where were you?
22:46Out.
22:47All night?
22:48Mm-hmm.
22:49That's a habit of mine.
22:50Sometimes I come in late.
22:51Sometimes I never come in at all.
22:54Oh.
22:55Oh, would you like some breakfast?
22:57Could I send some up for you?
22:58I'm having breakfast with Eric.
22:59Oh.
23:00I forgot.
23:01Will you give my apologies to the dear boy for my attitude last night?
23:04He's an awfully nice chap.
23:06See you later.
23:07Are you going someplace?
23:09No.
23:10Well, what might that be?
23:13It might be laundry.
23:15Well, why don't you call the boy and have him come for it?
23:18Flannels.
23:19I wash them myself.
23:20Oh.
23:29Hello there.
23:51You go ahead and order.
23:52I haven't made a promotion.
23:53No, thank you.
23:56A large tomato juice.
23:57Porridge.
23:59Kibbutt herring, bacon, two eggs, white toast, and a pot of tea.
24:06Grapefruit, toast, and coffee.
24:10Doris, is that the lucky bridegroom?
24:13Lucky? Not the bridegroom.
24:16Oh, I don't know. The gal has her points.
24:19Have you forgiven me?
24:20Yes.
24:21Did you sleep well, my sweet?
24:22Yes, and you?
24:24Never close my eyes, dear girl. I just kept thinking and thinking.
24:27Well, you haven't lost your appetite.
24:30Oh, no, but I couldn't help worrying.
24:32You know, we Reynolds always do.
24:37You look so beautiful.
24:43Henry! Henry!
24:45Come on, Henry!
24:46What's the matter?
24:47Come on, give us a sign.
24:49Come on, give us a sign.
24:50Give us a sign.
24:51Come on.
25:10Why, it's Henry.
25:13Well, of course it is. I'd know him anywhere.
25:24Did you see that?
25:26No.
25:27Well, he just did a whole good part of another one.
25:29You mean one and a quarter?
25:31Very easy.
25:43Well, show's over.
25:47Where are you going now?
25:48What are you going to do tonight?
25:50I have a date with a couple of Reynolds.
25:55Bye, girls.
25:56Bye.
26:00Oh, hello, Peter.
26:01Hi, Eric.
26:02Hi.
26:03Well, what do you make of that?
26:06I wonder if I can file my application.
26:08Well, I didn't know you could swim, Henry.
26:10I thought if you fell in the water, you'd drown.
26:12Well, you see, I...
26:13You see, it was like this.
26:14When he was six feet old, his father took him on a boat
26:16and threw him into 11 years of water.
26:18And it's been sink or swim ever since.
26:20Thanks, old boy. I've had breakfast.
26:21I'll see you later.
26:35You know, Henry rather amazes me.
26:37Well, the whole thing's rather amazing.
26:39Point is, what are we going to do about it?
26:42Now, don't you worry.
26:43I can handle Henry all right.
26:51Is this toast brown enough for you, dear?
26:53Yes, I think so.
26:59Two lobsters?
27:00That's right, Angel.
27:04Cream, huh?
27:05Just a spot, baby.
27:10I suppose it's modern and all that,
27:12but I think it's outrageous.
27:17What?
27:19Look at that.
27:21What?
27:22They've no right to print that.
27:23I'll sue them.
27:24Well, it doesn't do you justice, Eric.
27:25It really doesn't.
27:26Justice?
27:27Justice, is that all you can say?
27:29It's allowed.
27:30Oh, look, there they are again.
27:35Come on, Sheila.
27:39Whoa!
28:10Honey, you hurt yourself?
28:12Oh, no.
28:13No.
28:17Beastly things, these bicycles, aren't they?
28:19Well, don't abuse them.
28:20They got us away from those awful reporters.
28:22Yeah, and probably into jail for larceny, too.
28:29Sheila, we can't go on with this impossible situation.
28:32I'm going to have a word with Tuttle tonight
28:34and put an end to this whole fantastic episode.
28:36How do you think I feel hearing people call you Mrs. Tuttle?
28:39Tuttle?
28:40Such a silly name.
28:41Oh, I know, darling.
28:42It's too dreadful.
28:43I must have been out of my mind.
28:45Yes, you must.
28:46Well, now, wait a minute.
28:47What do you think about the time that you were...
28:50Oh, there's Henry.
28:55Can we never get rid of that fellow?
28:57And with a blonde.
28:59And with a blonde.
29:06Hello.
29:07Hello.
29:10A little morning constitutional.
29:13Very stimulating.
29:14Well, Henry, I didn't know you could ride.
29:16Oh, yes, but not a bicycle.
29:18Oh, Sheila, I want you to meet Miss Van Orden.
29:20Helen, this is my wife.
29:21How do you do, Miss Van Orden?
29:24I'm sorry.
29:25This is Mr. Eric Reynolds,
29:26my best friend who came along to help out on the honeymoon.
29:28Well, how cozy.
29:30How do you do, Miss Van Orden?
29:32Come, Sheila.
29:37There you are.
29:42Give him his head, Eric.
29:45See you later.
29:48Goodbye.
29:50A show later?
29:51Yes, yes, let's do.
29:52Let's do our best.
30:08Oh, Eric!
30:09Papa!
30:17Darling, you're not accomplishing a thing.
30:19But you look so uncomfortable today.
30:21Well, look, could you shove it sort of to me from you?
30:24That's right.
30:26Darling, don't press quite so hard.
30:33Oh, I wonder where he picked her up.
30:36Darling, how can you possibly expect me to be interested in where he picked her up?
30:39With this thing draped all over me, I mean...
30:42Well, one thing's certain.
30:43I'm not traveling any further on this instrument.
30:46No, I don't think you are.
30:48No, I don't think you are.
30:50Do you know those bicycles belong to my children?
30:53What?
30:54Oh, Sheila.
30:56Is it possible that you made a mistake?
30:59Well, of course not.
31:00I mean, you know very well that our bicycles have those...
31:02Those...
31:03What do you call them?
31:04Radios.
31:05Yes, that's right, radios.
31:06Yeah, radios.
31:08Take the machine, Johnny.
31:10Take the machine, Johnny.
31:12Nice little boy.
31:14Nice little girl.
31:15No, no, no.
31:18Well, I'm glad to have seen you.
31:20Yes, it was nice to have met with you too.
31:22Goodbye.
31:23Come, children.
31:30Charming children.
31:31So, we walk back.
31:34You know, I don't see the point of ducking those reporters anyway.
31:36They're quite nice fellows, really.
31:57Back at seven, James.
32:06Here they come.
32:10Hi, Sheila.
32:11Eric.
32:13Well, how was your ride back? Pleasant?
32:15Oh, it didn't...
32:16Oh, delightful, thank you.
32:17What'll you have?
32:18Oh, we just ordered, thank you.
32:20Sheila and I are going over to the Gables tonight to the dinner dance.
32:23That's if you've no objections, Henry.
32:25Not at all.
32:26Sheila speaks very highly of your dancing.
32:27I'm sure she'll enjoy it.
32:29Well, that'll leave you free to be with me.
32:31That is, if you don't mind, Mrs. Tuttle.
32:33Oh, not at all, Miss Van Orden.
32:34I think it's awfully nice of you because I wouldn't want Henry to be alone.
32:38We'll dine aboard the yacht and it'll be like old times.
32:41You know, I never lie on a moonlit deck or listen to that lovely Hawaiian thing,
32:44Paradise Isle, without thinking of you, Henry.
32:47Oh, you've known Henry quite some time then?
32:49Oh, yes, indeed.
32:51Why, we met on a cruise of the island two or three years ago.
32:54You know, Henry really made that trip for me.
32:57Oh.
32:58That must have been while I was still in school.
33:01Oh, you'll forgive me, darling, but...
33:03But you've a smudge of dust on that sweet little nose of yours.
33:33Lovely.
33:34Isn't it?
33:37Eric selected it.
33:38It's his favorite of my entire trousseau.
33:41Eric has excellent taste.
33:43Hasn't he?
33:45Cigarette?
33:46Yes.
33:57My, if it is pleasant out here tonight.
34:00Music, moonlight.
34:03Oh, there's a falling star.
34:05Make a wish.
34:11Oh, that must be Eric.
34:13Funny, but I'd almost forgotten about him.
34:15Funny.
34:16So would I.
34:21Come in.
34:28Darling.
34:29Oh, darling.
34:30How beautiful you look.
34:33Oh, hello, Henry.
34:34You don't mind, of course, old ma'am.
34:36Why should I object?
34:37I'm only the man she married.
34:39Yeah, that's right, yes.
34:40There you are, my sweet.
34:41I'll put them on and be right back.
34:45Ah, cigarette.
34:48Have one?
34:49Thanks, no.
34:50No.
34:52Oh, thank you.
34:56Oh, look here, Tunnel.
34:58I want to get out of here.
34:59Oh, no, really?
35:00When are you leaving?
35:01I mean, you must understand, this is hardly the sort of honeymoon that I'd planned.
35:05Nor I, but...
35:06Here we are.
35:07Yes, here we are.
35:08Yes, here we are.
35:09And we can't get out of here until something's done about it.
35:11We?
35:12Yes.
35:13Sheila and me.
35:14Oh, well, how are you going to handle it?
35:17I...
35:19Well, you're the lawyer.
35:20Aye, it isn't up to me.
35:22It's up to talking of the first part.
35:24So far, she's handled everything delightfully.
35:26Personally, I'm very happy.
35:28You are?
35:29Good heavens.
35:30Well, I'm all ready.
35:32Okay, sweetie.
35:34Eric and I are going on a picnic tomorrow, Henry.
35:36Would you like to join us?
35:37Well, thanks, no, I have other plans.
35:39Oh, well, good night.
35:40Good night.
35:41Good night.
35:43Oh, uh, did we, uh, come to any conclusion?
35:46Uh, not that I know of.
35:48I thought we did.
36:08Oh, hello, folks.
36:09Why, Henry, I didn't know you played tennis.
36:11No, you didn't know I played tennis, did you?
36:13Tennis, I should say he does.
36:14He taught me two years ago at Palm Beach,
36:16and I've won three cups already.
36:18Proud of me?
36:19What do you think?
36:20Uh, Sheila, I want you to meet Miss Evans,
36:22Claire, my wife.
36:23How do you do, Mrs. Tuttle?
36:24How do you do?
36:25This is Mr. Eric Reynolds, who just came along to...
36:27Isn't it a lovely morning, Miss Evans?
36:29Oh, perfectly gorgeous, Mr. Reynolds.
36:31We're going to meet Helen.
36:32Have a nice day.
36:33All right.
36:34Don't look for us until this evening.
36:35Nice to have met you both.
36:37See you later.
36:39Henry!
36:40Henry!
36:41Aren't you going swimming with us today?
36:42Come on, just a little.
36:43Sorry, sorry, girls.
36:44Well, he certainly seems to be having a good time.
36:46Sorry, sorry, girls.
36:47I can't think what a wait that takes off my mind.
37:01Oh, this is a nice place.
37:04Oh, this is wonderful.
37:06Alone together, away from all that nonsense.
37:08I think it's all too silly.
37:10I can't understand all those girls simply throwing
37:12themselves at Henry's head.
37:14Oh, it's the publicity.
37:15Oh, publicity alone wouldn't have been enough.
37:17There must have been something in Henry all along
37:19that none of us ever suspected.
37:21Oh, mosquitoes.
37:23Now, now, don't antagonize it, dear.
37:25You'll merely make it mad.
37:26Well, I'm certainly not going to stay here and get stung
37:28just to keep a mosquito in a good humor.
37:30Oh, the place is alive with them.
37:32Yeah, it's the water.
37:33Well, let's get out of here.
37:35Come on.
37:36You bring the things, dear.
37:38Yes, sweet.
38:01Eric!
38:02Yes, my sweet.
38:09Oh, this is lovely.
38:10It's a meadow, isn't it?
38:11Oh, it's beautiful.
38:22On my shoulder, honey.
38:23Oh.
38:26That's right.
38:30You know, Eric, it just dawned on me
38:32that it's probably the glamour of that Van Orden
38:34girl that appeals to Henry.
38:36All those ostentatious yachts and country houses and things.
38:39Now, darling, that's none of our business.
38:44Oh.
38:48Oh, Eric.
38:49Eric, bulls.
38:50Oh.
38:51Don't be silly.
38:52They're cows.
38:53Cows are all right.
38:54Well, not by me, they're not.
38:55Oh, get him out of here.
38:56Trespassing, huh?
38:57Can't you folks read?
38:58Well, of course we can read.
38:59Where did that come from?
39:01Now, don't tell me you didn't see it.
39:03That sign says no trespassing, and that's what it means.
39:06Now, get.
39:07We were just leaving, but don't let a little authority
39:10go to your head, officer.
39:11Oh, pretty fresh, ain't you?
39:13Let me help you, darling.
39:14Ow!
39:15Ah, striking an officer, huh?
39:16Resisting arrest.
39:17You'll go to jail for this.
39:19Come on, get.
39:20Come on.
39:22Oh, this is a fine mess.
39:25Could I have some more coffee, darling?
39:28Here, pour it yourself.
39:30Thank you, sweet.
39:31Don't sweet me.
39:32If it wasn't for you, we wouldn't be in here.
39:34Why me?
39:35I didn't pick the spot to picnic.
39:37No, but you poked the policeman.
39:38I didn't poke him on purpose.
39:40If I had, he'd still be out, and we wouldn't be in.
39:42Well, I can see nothing's going to be done
39:44until they find Henry.
39:46Henry is killed.
39:48Nothing's going to be done until they find Henry.
39:50Henry is probably out with that Van Orden girl.
39:53Oh, here's Izzy, that Van Orden girl.
39:56She's the type who merely says, I'm going to do this,
39:59old dear, so you're going to do that.
40:02What are you mumbling about?
40:03Nothing.
40:04I'm talking to myself.
40:05Nobody better to talk to.
40:07She's in the habit of taking what she wants.
40:09And if she wants Henry, well, she'll probably take him.
40:12As far as I'm concerned, she can have him.
40:14Anybody can have him.
40:15Don't you talk about Henry when he's not here.
40:17I'll talk about Henry any way I please.
40:19As a matter of fact, if Henry were here,
40:21I'd tell him a few things.
40:22That's the last egg.
40:23I'm sorry.
40:25Maybe you two could fight better outside.
40:28Come on.
40:31Well, I'm very glad to see that you've come to your senses
40:33at last, officer.
40:34Yeah.
40:35It's a good thing for you two that you know Miss Van Orden.
40:39Oh, she got herself.
40:40Well, give her my compliments and say no thank you.
40:43A fellow by the name of Tuttle put up the money.
40:45Oh, he's my husband.
40:46Oh, he did, did he?
40:47Well, I stay here.
40:48No, you don't.
40:49I'm not going back there alone.
40:51What I can't understand, young woman,
40:52is how you can go around with a sap like this
40:55when you've got a nice fellow like Tuttle for a husband.
40:58Now, look here, officer.
40:59The first sock that I gave you was a mistake.
41:01This one.
41:02Yeah?
41:03Well, go ahead and do it.
41:04Do it.
41:05Skip it.
41:17Of course, you can ignore me if I'm too personal,
41:20but what's it all about, Henry?
41:23Huh?
41:24Oh, forgive me, Helen.
41:25I'm afraid I'm not even being decently polite.
41:27What's what all about?
41:28Oh, this little three-cornered honeymoon and you and.
41:31Helen, will you please understand if I
41:33don't want to talk about it?
41:35You don't have to, Henry Tuttle.
41:37I'm way ahead of you.
41:39You're in love.
41:41I have been for a long time.
41:43You seem to be the first one to have suspected it.
41:45Well, some girls do get all the breaks.
41:49But you're sweet, Henry.
41:50And if I can help you, just give me a cue
41:53and I'll play my part and try to like you.
41:56Helen, you're a brick.
41:58Well, I suppose your little bride will be coming
42:00home from jail any minute now.
42:02So I'll be running along.
42:04But you're coming tonight, Henry.
42:06I most certainly am.
42:09But you're coming tonight, Henry.
42:10I most certainly am.
42:40It was lucky for us that Henry got us here.
42:42Oh, nothing of the sort.
42:43I have influential friends myself.
42:45You'll notice he didn't wait.
42:47Probably too occupied with Helen Van Orden.
42:49I was wondering.
42:52Wondering what?
42:53Well, whether he'd really be happy with her or not.
42:56I think I should stay married to him long enough
42:58to give him a chance to get over it.
43:00Oh, you do, do you?
43:01Well, I'm going to have something to say about that.
43:03Well, Eric, I feel very responsible for Henry.
43:06Oh!
43:07Drat, Henry!
43:08Haven't you put me through enough today
43:10without cursing at me?
43:12You may consider our engagement broken.
43:15Oh, Sheila.
43:21You'll love my dreams, I love you.
43:25I'll start you.
43:29La-da-dee-dee-dee-dee-da-da-da.
43:34If I could just hope.
43:37Hello.
43:38Hello.
43:39La-da-dee-dee-dee-dee-dee.
43:41You sing, eh?
43:42Oh, yes, I do a lot of things.
43:44La-da-dee-dee-dee-dee-dee.
43:46Doesn't it matter to you that I spent the afternoon in jail?
43:49Well, I did all I could.
43:51I bailed you out, didn't I?
43:52Yes, thank you.
43:54Eric and I thank you very much.
43:56Don't mention it.
43:57You didn't come by yourself, did you?
44:00No, I was busy.
44:01I sent the money down by special messenger.
44:04Da-da-da-da-da-da-da.
44:07There's only one girl of my dreams.
44:11You can't get her out of your mind, can you?
44:13Who?
44:14The girl of your dreams, Van Orden.
44:16Oh, don't be silly.
44:19Well, I'm off.
44:21Thanks for the use of the room.
44:22Where are you going?
44:24A garden party.
44:26Whose?
44:27Miss Van Orden's.
44:29Da-da-da-da-dee-da-da.
44:31Da-da-dee-dee.
44:34Da-da-da-dee-da-da.
44:38Eric Reynolds' room, please.
44:41He's not in.
44:50Oh, hard-boiled eggs.
44:55Picnic.
45:03Da-da-da-da-da-da-da.
45:06Da-da-da-da-da-da.
45:08Da-da-da-da-da-da-da.
45:26Beautiful, Helen.
45:27Well, I'm glad you like it.
45:29That's it.
45:39Henry, you're not fooling me for one moment.
45:41Helen, that's very unkind.
45:43Well, you know you're not having a good time.
45:45But I am.
45:53I certainly must be an awful failure if I can't make you take your mind off your troubles.
45:57Oh, you're doing a very good thing.
46:00Sheila.
46:12All right.
46:13Run along.
46:15Now trail.
46:21Sheila, this isn't surprising.
46:24I can't see why it's surprising for a man to find his own wife at a party where he is himself.
46:28If you want to put it that way.
46:32Well, Mrs. Tuttle, how very charming.
46:36I didn't think you'd mind, Miss Van Orden, since my husband is such a welcome guest.
46:40Mind?
46:42Why, Henry and I are terribly pleased, aren't we, Henry?
46:45Yes, yes, certainly we are.
46:48This is a lovely party.
46:50In fact, it's quite the loveliest I've ever had the pleasure of crashing.
46:53Where's Eric?
46:55He went into town.
46:56On his bicycle?
46:57Sorry.
46:58Yes, he does seem to be a rather unique person, doesn't he?
47:02That's exactly what I like about him.
47:04Oh, yes.
47:05I suppose you understand him.
47:07Of course, I imagine he grows on one.
47:10Not at all.
47:11You see, you either like Eric or you don't like him.
47:13Right on.
47:14Oh, really?
47:15How interesting.
47:16Well, well, do I intrude?
47:17Oh, no, Clifford.
47:18Mrs. Tuttle, this is Mr. Van Fleet.
47:20This is a great pleasure, Mrs. Tuttle.
47:22Mr. Van Fleet?
47:23Well, aren't you dancing?
47:25Oh, may I?
47:26With me.
47:27Why not?
47:30You will excuse us.
47:53You do everything well.
47:55You even dance better than anybody else.
47:57That's my inspiration.
47:59Henry, you never used to say things like that.
48:02You never gave me half a chance.
48:16Will you play Paradise Isle, please?
48:19Will you play Paradise Isle, please?
48:33Henry, you remember?
48:37You don't mind, do you, dear, for old times' sake?
48:40Not at all.
48:41Not at all.
48:44Paradise Isle's near
48:52The tropical sky
48:59Palm trees sway
49:05While treadwinds sigh
49:12Soft guitars
49:17Of lullabies
49:24In my paradise
49:35Paradise Isle
49:39I won't keep him long, dear, and it's quite all right.
50:01Well, it's a marvelous night.
50:03For what?
50:05Well, for a party like this.
50:08Music, moonlight, romance.
50:12Sorry, but I'm sick and tired of the word.
50:14Oh, no.
50:16Not you.
50:17You were made for it.
50:20Do you know, it seems difficult to think of you as a married woman, Mrs. Tupper.
50:25You seem such a child.
50:28That's right.
50:29I am only a child.
50:31And it's long past my bedtime.
50:33Good night.
50:52Well, that was very cute.
50:56How charming of you, Mrs. Tuttle.
50:59Henry and I delighted, aren't we, Henry?
51:03Paradise Isle, remember, Henry?
51:07You don't mind, do you?
51:09I won't keep him long.
51:12Oh, that woman like the choker.
51:25Oh, stop.
51:56Oh, so it's you.
51:58Yes.
51:59Well, you can't come in.
52:00Why not?
52:01Well, you forget that I broke our engagement.
52:04Oh, that.
52:06Don't be silly.
52:11Eric, I don't want you here.
52:13Henry isn't home.
52:15Well, that seems difficult to believe.
52:17Oh, can't you understand?
52:18I don't want to see you anymore.
52:20I'm sorry, Mrs. Tupper.
52:22Oh, can't you understand?
52:23I don't want to see you anymore.
52:26Oh, now, honey, honey, you're all upset.
52:29Now, I know I've been a fathead over this business,
52:31but we'll pack up and get out of here,
52:33and we'll see your lawyer in the morning.
52:35Naturally.
52:36Henry's my lawyer.
52:37Well, you can't expect him to get us a divorce.
52:39All right, we'll see my lawyer.
52:41Oh, that one.
52:42What's the matter with him?
52:43Well, what's he ever done compared to Henry?
52:45Henry?
52:46What is this Henry business?
52:48Is it possible that you're taking this marriage seriously?
52:50Have I ever done anything to make you think I don't take marriage seriously?
52:54You got into this business through a madcap idea of your own,
52:57which has made monkeys of us all.
52:59Well, maybe you feel like a monkey, but I don't.
53:01And certainly Henry doesn't.
53:03Well, if he doesn't, he's certainly behaving like one.
53:05I never saw a man go so completely playboy in my life.
53:07That's only a pose, Eric.
53:09Actually, I think the poor boy is very unhappy.
53:11Yes, you think so because it flatters your vanity to think so.
53:13I suppose it flattered my vanity for you to go to a movie
53:16when you should have been at our wedding.
53:18Well, I showed up eventually, didn't I?
53:19Yes, an hour late.
53:20Fifteen minutes.
53:21And what is more, if you hadn't gone off half-cocked,
53:22we'd have been spared all this nonsense.
53:24Are you blaming me?
53:25Well, you impossible, egotistical idiot.
53:28If you don't get out, I'll lock myself in my room.
53:31Oh, no, you don't.
53:32You're not going to let me down like this.
53:34I've got my prestige to consider.
53:36Prestige?
53:37Well, why didn't you consider that before?
53:38You know, what you need is a jolly good spanking.
53:40Oh, you wouldn't dare.
53:41Oh, wouldn't I?
53:43Oh!
53:44I am buying intruding.
53:45Yes, as a matter of fact, you are.
53:47This is between Sheila and me.
53:49Now, look here, Tuttle, I resent this interference.
53:51That's the word.
53:52It reminds me of something I've wanted to do for a long time.
53:55And what may that be?
53:56Knock your block off.
53:58It's perfectly all right with me.
54:03Oh!
54:06Oh, Henry!
54:07I didn't know you could fight.
54:10Get up and I'll do it again.
54:12Quite unnecessary.
54:14You've made me see the daylight.
54:16Obviously, Sheila and I are temperamentally unsuited.
54:19I, uh, wish you both the best of happiness.
54:24If by any chance there are any, uh...
54:29I'll send them a pair of bicycles.
54:34That was most cowardly.
54:37Well, uh, I mean, you must realize I've had the most hectic honeymoon.
54:41Oh, yes, I understand that thoroughly.
54:43So nice to have had you with us.
54:44Oh, thanks.
54:45Delighted.
54:47Look, there's one thing I do resent.
54:59Oh, Henry, I think you're wonderful.
55:02Get in there and pack.
55:03Pack?
55:04Yes, we're leaving.
55:05Leaving? I'm just beginning to enjoy myself.
55:07Well, you'll enjoy yourself in Reno, too.
55:09Reno? Oh, Henry!
55:11I won't go to Reno!
55:13Do you hear me? I won't go!
55:22Why are you ordering me to Reno?
55:24Ordering you? It was your plan.
55:26Well, that was a long time ago.
55:29I've changed my mind.
55:32I've made up mine.
55:33I've made up mine.
55:37I won't divorce you.
55:39Then I'll divorce you.
55:43Well, you can't. You haven't any grounds.
55:45You forget that I'm a lawyer.
55:49Well, uh, what grounds have you?
55:51You'll read them in my complaint.
55:53Oh, that's not fair. I haven't any lawyer.
55:56You'll find plenty of them in Reno.
55:59You married me, Henry Tuttle, and I'm your wife.
56:03I'm beginning to like married life.
56:05And I won't go to Reno.
56:07All right, stay here. I'm off to New York.
56:12Hello? Henry Tuttle speaking.
56:15Yes, I want to get a reservation on the 110.
56:17To New York. Thank you.
56:20You can't go to New York. That's desertion.
56:23All right, sue me.
56:24Oh, Henry! Henry, I think I'm going to faint!
56:29You missed.
56:31You can't leave me alone!
56:34You won't be alone. Here's Snookums.
56:39Henry Tuttle! If you do this to me, you'll be sorry!
56:44You're horrible!
56:46I'll do something desperate!
57:00Sheila!
57:04Come back here, you little fool!
57:06I won't!
57:09Don't you come near me!
57:10You'll fall!
57:11I don't care. I don't care what happens if you're going to divorce me.
57:15I'm not going to divorce you.
57:17Then say you love me.
57:18I love you.
57:19Say it as if you mean it.
57:21All right, I love you.
57:24Say you'll never leave me.
57:26I'll never leave you.
57:28Say you'll never leave me.
57:29I'll never leave you.
57:30As long as you live.
57:31As long as I live.
57:33Now will you come back?
57:35Yes.
57:39Oh, Henry!
57:40Henry, I'm frightened!
57:41Don't look down. Don't look down.
57:42Mama, look at me.
57:46That's a girl. That's a girl.
57:48Easy does it. Steady.
57:50Give me your hand.
57:54I've got you.
57:59You sap.
58:01You wonderful little sap.
58:21Oh, Henry.
58:23I love you.
58:28© BF-WATCH TV 2021