NR | 30min | Comedy, TV Series | Episode aired 16 June 1952
Worried that Roberta is comprising Vern's time and health, Margie furtively arranges a cocktail party with an actor Roberta admires and a producer hoping Roberta transfers her affections to the actor.
Director: Hal Yates
Writers: George Carleton Brown, Frank Fox
Stars: Gale Storm, Charles Farrell, Hillary Brooke
Worried that Roberta is comprising Vern's time and health, Margie furtively arranges a cocktail party with an actor Roberta admires and a producer hoping Roberta transfers her affections to the actor.
Director: Hal Yates
Writers: George Carleton Brown, Frank Fox
Stars: Gale Storm, Charles Farrell, Hillary Brooke
Category
🎥
Short filmTranscript
00:00♪
00:29Now that's my little Margie.
00:31I've been both mother and father to her since she was born.
00:34She's grown up now, and you think my job's all done, eh?
00:37Well, that's what you think.
00:39When she was little, I could spank her and make her mind me.
00:42I had control over her.
00:43I made her eat her spinach, no candy before meals.
00:47And when she disobeyed, I took her roller skates away for a week.
00:50But what can you do when a girl reaches this age?
00:53She's completely out of hand.
00:55I've got a problem, believe me.
00:57I've got a problem.
00:59♪
01:04That's my father.
01:06I've raised him from childhood.
01:08That is, my childhood.
01:10He's nearly 50 now,
01:12and you'd think he'd settle down, wouldn't you?
01:15Well, that's what you think.
01:16Today, he looks better in shorts on a tennis court
01:20than fellas 25.
01:22Girls wink at him,
01:23and what's worse, he winks back at them.
01:27I want a nice, old, comfortable father.
01:30I try to look after him, but he just won't settle down.
01:34I've got a problem, believe me.
01:36I've got a problem.
01:38♪
01:45Hold it a second, Charlie. I'll be right with you.
01:47Yes, sir.
01:48We may as well say goodnight here.
01:49There's no use asking for trouble.
01:51All right.
01:52♪
02:23You'll have to kiss me like that more often.
02:27Oh, excuse me.
02:28Hey, wait for me!
02:29Well, looks like you're stuck for another goodnight kiss.
02:32Come on, walk me to the door.
02:33What about your father?
02:34Oh, we'll be quiet.
02:35You know, every time your father approaches me,
02:37I automatically fondle my blue cross card.
02:39Oh, he's all talk. He wouldn't hurt you.
02:41All talk? You mean like last night when he talked a 3-inch rip
02:44down the back of my tweed jacket?
02:45Well, considering it was nearly 2 a.m.,
02:47a 3-inch rip isn't bad.
02:48No, it was a nice little rip for 2 a.m.
02:51Sometime I'll have to try one of his 5 a.m. specials.
02:53They go all the way down the jacket,
02:55one trouser leg, and in good weather,
02:57you can watch your argyle separate
02:58in a brilliant spectacle of color.
03:00Oh, Freddy, stop talking and kiss me goodnight again.
03:02There's nothing like a goodnight kiss.
03:05Come on in.
03:06Yeah, but your father...
03:07Oh, didn't I tell you? He's out for the evening.
03:09He's out? Well, why didn't you tell me?
03:11Well, it's like you said, Freddy.
03:13There's nothing like a goodnight kiss.
03:14When a fellow's sure it's his last kiss,
03:16he puts everything he's got into it.
03:18And the way I've worked it, we've already had 2 last kisses
03:20and we still have one to go.
03:21Come on, I'll whip us up a snack.
03:23Are you positive about your father?
03:24It's nearly midnight.
03:25Will you stop worrying?
03:27Dad won't be home before 3 or 4, maybe later.
03:29Where'd he go?
03:30He took Roberta to the opening of the new Angio Piazza show.
03:33Oh, but that's over by now.
03:35No show runs this late.
03:36Look, I'd better be going.
03:37Don't be silly. I said he took Roberta.
03:39You know what that means.
03:40They won't be in till all hours.
03:43I've got to do something about her.
03:44I thought you liked Roberta.
03:46Sure, I like her, for anybody but Dad.
03:48Every time he takes her out,
03:49he thinks he has to do the town like some college boy.
03:52He's too old to be out dancing half the night.
03:55He ought to be home in bed.
03:56He'd look kind of silly dancing in bed.
03:58Freddy, it isn't a joke to me.
04:00Dad's nearly 50,
04:01but reminding him of it only makes him more stubborn.
04:04I wish Roberta would fall for somebody else.
04:06You could always toss some handsome guy her way.
04:09Get her married off.
04:10You may think that's funny,
04:11but I've seriously considered it.
04:13Trouble is, Roberta's so darn picky.
04:16She wouldn't go for just anybody.
04:18It'd have to be somebody really special to beat Dad in time.
04:21I wonder how Piazza's new show is.
04:23Oh, he's always great.
04:25Yeah, terrific guy.
04:26You like him?
04:27I thought most men hated him
04:29because they're envious of his good looks.
04:31You want to know something?
04:32What?
04:33If Piazza ever saw you, he'd envy me.
04:36Just for that, I'll give you a choice.
04:38Cheese on rye or cheese on white?
04:39How about a slice of both, huh?
04:49What's that for?
04:50Just in case.
04:52Freddy, will you relax?
04:53I told you Dad won't be home for hours.
04:55I'm sorry, but I just don't agree with you.
04:58Just a second, and we'll let Charlie give us his opinion.
05:00But Vern, it's such a silly thing to argue about, darling.
05:02It's not that important.
05:04Of course it isn't, but it won't hurt to prove that I'm right.
05:06Now, Charlie, give me your honest opinion.
05:08What do you think of Angio Piazza?
05:09You've seen him, haven't you?
05:10Not on the stage,
05:11but I caught him in a couple television shows.
05:13Okay, now tell me what you think of him.
05:15Don't let me influence you, but just say what you think.
05:17I'll be very surprised if a man of your intelligence
05:20doesn't agree a thousand percent
05:21that Piazza's a stuffy, sticky ham
05:23and not too handsome either.
05:25Gee, Miss Talbright, I'd like to go along with you,
05:27but I think the guy's got something.
05:29Why, if I had a face like his
05:30and all the girls would be swooning over me...
05:32All right, Charles, all right.
05:34You're not mad at me, are you, sir?
05:36You're entitled to your own opinion.
05:38But you didn't say good night.
05:39Good night.
05:40Good night.
05:41You're coming in for nightcap, aren't you?
05:43Well, from your general attitude,
05:44I thought you'd cancel the invitation.
05:45Oh, Roberta, dear, let's not be childish.
05:47Let's forget about the whole thing, okay?
05:49Okay.
05:52I'll get some more milk.
05:58Guess who.
05:59Give me a hint.
06:02Sit down, dear. I'll get some ice.
06:07Still can't guess.
06:10Give me another clue. I think I'm getting one.
06:12I'll give you a real clue.
06:16Margie, where are your hands?
06:18I'm here. Why?
06:19I think we have company.
06:21Guess who.
06:22I was just about to leave, Mr. Albright.
06:24Now, Dad, take it easy. Think of your health.
06:26Think of my health.
06:27Leave me alone with Freddy just a minute, dear.
06:28But, Dad...
06:29Don't worry. There won't be any trouble.
06:31All right.
06:36Relax, Freddy.
06:37I just want to ask you a simple question.
06:39Sure, sure, Mr. Albright.
06:41Now, here's the deal.
06:44I know how Margie feels about a certain party,
06:46so I'm not going to bother asking her.
06:48But you see, Miss Townsend and I had a slight disagreement tonight,
06:51and although I don't mind losing an argument once in a while,
06:53I do like to feel that there's somebody on my side.
06:55Do you follow me?
06:56Not at all, but whatever it is, sir, I'm on your side.
06:59Good, good.
07:00You know, somehow I don't recall coming in here
07:02and seeing you kissing Margie.
07:03Swell!
07:04Now, what's the lie you want me to tell?
07:06Well, Roberta and I saw a play tonight.
07:09And then he became so infuriated,
07:10we left the Copa without even dancing once.
07:12Just because the waiter said he liked Angiopiasa?
07:15Oh, don't.
07:16That name is poison to your father, as of right now.
07:19But he'll get over it.
07:25Roberta, my dear.
07:26Yes, Vern.
07:27About Angiopiasa.
07:28Oh, Vern, no more tonight, please.
07:30But dear, I thought it'd be kind of nice to hear what Freddy has to say.
07:32No, Freddy, don't say anything.
07:34Why not? I'm entitled to an opinion.
07:36Go home, Freddy. Go now.
07:38Don't say a word.
07:39Don't say a word.
07:40Margie, please.
07:41What do you say, Freddy?
07:42What do you think of Angiopiasa?
07:44I think he's a bum.
07:45Strictly a no-talent bum.
07:47Kind of goony, too.
07:49Well, Roberta, dear.
07:50Vern Albright, I've had just about all of this
07:52that I can stand for one evening.
07:54I've seen you in childish moods before,
07:55but never quite so ridiculous.
07:57I like Angiopiasa,
07:59and I plan to keep right on liking him.
08:01I think he's perfectly charming and extremely handsome.
08:03We can't all have an Angiopiasa, but we can dream.
08:06Put that under your pillow and sleep on it.
08:08Good night.
08:10Wait, Roberta.
08:13You and your big mouth.
08:15But, Mr. Albright.
08:16Go home.
08:21And don't come back.
08:23Freddy.
08:24Margie, this place confuses me.
08:26It confuses me.
08:27Oh, I'm sorry.
08:28But listen, remember what we were talking about,
08:30about marrying Roberta off?
08:31Margie, you're getting that look in your eye.
08:33Good night.
08:34Oh, Freddy, wait.
08:35You heard it yourself.
08:36She's crazy about Angiopiasa.
08:38Margie, look, you've done some of the craziest things
08:41I've ever heard of,
08:42but if you think you can get to the biggest star of the season,
08:45honey, it's impossible.
08:46Well, there must be some way, Freddy.
08:48Think of something.
08:49Oh, stop dreaming, baby.
08:50There isn't a chance.
08:52Well, the guy doesn't even answer his telephone
08:54unless it's Morton Warnock
08:55or some big producer like that calling.
08:57Morton Warnock?
08:58You're getting that look again.
09:00It just might work.
09:01Margie, the elevator's coming.
09:03Kiss me good night.
09:04I'm sure it'll work.
09:05Good night, Margie.
09:13Yes, that's right.
09:14May I speak with him, please?
09:17Mr. Morton Warnock's secretary, Mr. Piazza.
09:20He's the producer, sir.
09:21Who cares about him?
09:22She's a lady young and beautiful.
09:24Oh, she sounds young.
09:27Then she must be beautiful.
09:28I shall insist upon it.
09:30Angiopiasa speaking.
09:33Mr. Piazza?
09:34Mr. Warnock is giving a little cocktail party
09:36today at five,
09:37and he'd like very much to have you come.
09:39I won't be able to stay very long,
09:41but I shall be delighted to drop in.
09:43She's a vision.
09:47Yes?
09:48Angiopiasa's secretary.
09:50Angiopiasa's secretary.
09:52Put her on.
09:55Hello?
09:56Mr. Warnock?
09:57Mr. Piazza's giving a little cocktail party
09:59today at five,
10:00and he'd like very much to have you come.
10:02Margie, are you serious?
10:04How did you ever manage to get him to...
10:06Oh, he's very charming.
10:07He accepted without question.
10:09Oh, well, naturally I'd like to meet him.
10:11That little disagreement we had last night
10:13wouldn't be anything compared to what your father would...
10:15Oh, don't worry about that.
10:16Dad won't be home until late tonight.
10:18Just come and enjoy yourself.
10:19Oh, and if you want to, bring some other girls along.
10:22All right, Margie, I will.
10:23Bye.
10:26Yeah?
10:27Oh, sure.
10:28You invited him just for Roberta.
10:30What?
10:31Well, I think you invited him for yourself.
10:33What's the matter with you?
10:34I thought you liked him.
10:36I like him fine up on the stage,
10:37but not around you.
10:39Who's a jealous stoop?
10:41Well, okay, goodbye.
10:48Now, Dad, what'll I do about him?
11:02Yes, my daughter.
11:04Oh, sure, put her on.
11:06Hi, dear, what's up?
11:07Mr. Horton?
11:09Why did he call there?
11:10He said he couldn't reach you at your office.
11:12You know how long-distance calls are sometimes.
11:14Anyway, he wants you to meet him at...
11:16Client or no client, this is ridiculous.
11:18What plane will he be on?
11:20You don't know?
11:21Well, there's the 610 plane, the 830 plane, the 1030 plane.
11:25All right, I'll meet all three of them.
11:27Thanks, honey.
11:32And she'll be yours.
11:35So if you'd let me borrow your maid for a couple of hours,
11:37I'd really appreciate it, Miss Odette.
11:39Do you think I could get a peek at him, Margie?
11:41Certainly, you can join the party.
11:43You've got yourself a maid.
11:45Aw, thanks a million, Miss Odette.
11:46Send her over right away.
11:50Well, I'll see you later.
11:51Bye-bye.
11:52Bye-bye.
11:53Bye-bye.
11:54Bye-bye.
11:55Bye-bye.
11:56Bye-bye.
11:57Bye-bye.
11:58Bye-bye.
11:59Bye-bye.
12:00Bye-bye.
12:13Excellent cocktail.
12:14Let me get you another.
12:16I can't understand why our host hasn't spoken to me yet.
12:19A bit unusual, don't you think?
12:21Host?
12:22Yes, Angelo Piazza.
12:23Who invited you, Miss Townsend?
12:25Oh, uh, Mr. Piazza, of course.
12:28Have you met the host yet?
12:30You mean hostess, don't you?
12:31Morton Warnock.
12:32Miss Townsend.
12:33At least, that's who invited me.
12:35Oh, excuse me.
12:37Of course.
12:38Shall we sit down?
12:40Mr. Warnock.
12:41Oh, Mr. Piazza.
12:42Delightful party.
12:44A charming friend of yours I was just chatting with.
12:46She's my friend?
12:47Well, of course, you have so many lady friends.
12:49I don't seem to recall the face, but the...
12:51ankle looks slightly familiar, however.
12:53Delightful party, and I want to thank you for the...
12:55Oh, Mr. Warnock, you should not thank me.
12:57I should thank you.
12:58After all, you're the one who...
12:59Oh, a drink, Mr. Warnock.
13:01Suppose we ask the young lady.
13:03Should the guest thank the host, or the host thank the guest?
13:05Well, I say I should thank you.
13:06Ridiculous, Warnock, I should thank you.
13:08Such charming, gracious gentlemen.
13:10Suppose we give you both your way.
13:11Together now, say thanks.
13:13Splendid.
13:14How ingenious.
13:15Together.
13:18I'm going to steal, Mr. Piazza.
13:19Mr. Warnock, do you mind?
13:20No, but I'd much rather if you'd steal, Mr. Warnock.
13:23But, uh, you go right ahead.
13:25Shall we go out on the balcony?
13:26I want to talk...
13:27I'll be right back.
13:28Excuse me.
13:30Who's the young lady?
13:32Why, don't you know her?
13:33No, who is she?
13:34I don't know.
13:38Excuse me, miss.
13:39I'm an old friend of Mr. Piazza's.
13:41He said it would be all right if I dropped by.
13:44That all right with you, miss?
13:45Jones is the name.
13:46Sam Jones, an old-timer in the theatrical business.
13:49Freddy Wilson, go home.
13:51Well, if you really invited that guy for Roberta,
13:53why should I go home?
13:54All right.
13:55But don't you dare mess things up for me.
13:57I've got to get him alone and sell him on Roberta.
14:01Go on in. I'll see who this is.
14:04Miss Odessa!
14:06Where is it?
14:07In the living room.
14:14Huh!
14:18I'll introduce you.
14:20Mr. Warnock, Mr. Piazza, may I present Miss Odessa?
14:23Charles.
14:24Angelo Piazza.
14:26Oh, madame.
14:27Oh!
14:28There we are.
14:30Now, maybe we can get that fresh air.
14:32Good.
14:41Oh, hi, Roberta.
14:45Freddy!
14:46Yeah.
14:49You say you want to talk to me about a woman.
14:51You have chosen my favorite subject.
14:53Well, this woman, she thinks you're wonderful.
14:56Thank you so much.
14:58Tell me more about this woman.
15:00Well, she's very mature, very warm,
15:03and just the right age.
15:05Mellow.
15:06Possessing an understanding one acquires only with experience.
15:10I think I understand what you mean.
15:11One that you know can't cook, but you don't care.
15:13Oh, but she can cook.
15:15Oh, please, Mr. Piazza, you've just got to...
15:17Please call me Angelo.
15:19All right.
15:20Angelo.
15:21What is your name?
15:22Margie.
15:23Margie Albright.
15:24Margie.
15:25To say that I'm intrigued is putting it mildly.
15:27Suppose you come to my apartment tomorrow night at 6 for dinner.
15:30We discuss the matter more thoroughly.
15:32You want me to come to your apartment?
15:34The Sky Tower Arms apartment, 1200.
15:36Well, all right.
15:38But I was hoping you'd want to do something about it right now.
15:43Tomorrow at 6.
15:44I promise I shan't disappoint you then.
15:52Mr. Horton.
16:02Dad?
16:03Yeah, it's me.
16:07Where have you been?
16:08What are you, a joker?
16:09I went down to that darn airport,
16:10and I met every flying contraption that's ever been built.
16:13Oh, yes, the airport.
16:15Mr. Horton never showed up, client or no client.
16:18I don't care how big a client he is.
16:19I'm going to call him right now and tell him off.
16:21It wasn't Mr. Horton's fault. It was my fault.
16:23Your fault?
16:24He called back right after I called you.
16:26He said to tell you he'd changed his plans.
16:28He wasn't going to come.
16:29He said to?
16:31And why didn't you call me?
16:33I forgot.
16:34You forgot.
16:35You forgot!
16:36And I've been waiting out there all this time,
16:38and you just forgot!
16:40I think I'll go to bed before you get angry.
16:42Get angry? What do you think I am now?
16:45Dad, there's something else I want you to know.
16:47Everything I do is for your own good.
16:49I'd do anything to see you happy.
16:51Like not calling and letting me go to the airport?
16:53Well, even that was a big favor,
16:55only you don't realize it at the moment.
16:57I'd even lie if I thought it was for your own good.
16:59Remember that, just in case you find out
17:01that I maybe told a little fib somewhere along the line.
17:04Oh, I get it.
17:05Your conscience is bothering you, eh?
17:07Margie, I demand to know what you're talking about.
17:09I've said all I'm going to say.
17:11Margie, come back here!
17:13Margie.
17:14I'm past 21, and you can't bop me around.
17:16As far as I'm concerned, you're still a child.
17:18I'm not a child.
17:19You're a child, you're going to do as I say.
17:20Now tell me what...
17:21I'm not a child!
17:22I know you're 21, but to me you're still a little girl.
17:24Little girl, huh?
17:26I suppose you think a little girl could have a date
17:28with a man like Angio Piazza.
17:30Stop being ridiculous.
17:31Ridiculous, huh?
17:32Well, guess this.
17:34This little immature girl,
17:35this little ungrown-up child
17:37is having dinner with Angio Piazza
17:39at his apartment tomorrow night.
17:47A date with Angio Piazza.
17:50Could it be possible?
18:02Oh, Mr. Albright.
18:03I was just bursting with pride.
18:05I'm looking for Margie.
18:06I just came home from the office and I can't...
18:07Oh, my dear little thing was probably so excited
18:09she forgot to tell you.
18:10She left just a few minutes ago.
18:11Left?
18:12For where?
18:13For Mr. Piazza's apartment.
18:15Angio Piazza?
18:16Yes.
18:17Goodness, you miss everything.
18:19He was in your apartment yesterday afternoon.
18:22What?
18:23Did she say where he lived?
18:24I believe Margie said the Sky Tower Arms.
18:30You should at least telephone.
18:32It's very annoying to have unexpected guests
18:34drop in on you for dinner.
18:37Oh, don't you know she has a date with Angio Piazza?
18:41Yeah, I knew about that date,
18:42but I didn't think Margie'd go through with it.
18:45Oh, I do hope Mr. Piazza has some extra canned goods on hand.
19:06The boy will be here with dinner in a moment.
19:08Oh, fine.
19:10White, soft and lovely as the pale winter moon,
19:13yet warm and fragrant as a tropical night.
19:15That's awful, Courtney, but it knocks me out.
19:19I'm a right-handed smoker. May I?
19:22Oh, yes, of course, my dear.
19:23You know, I've been thinking quite a bit
19:25about that lovely lady you spoke of last evening.
19:27Yes?
19:28I'm sure that she and I could get along together splendidly.
19:31Oh, but I've hardly told you anything about her.
19:33Are you like me, my way?
19:35Your way?
19:36I originated it. I will show you.
19:44Now, suppose we try without the cigarette?
19:47But how could we without cigarettes?
19:50Why do you push me away, Margie, dear?
19:52Why did you kiss me?
19:53Well, why not stop all this nonsense
19:55and admit with a kiss with your heart and soul
19:57that you are the woman?
19:58What woman?
19:59The woman who's crazy about me.
20:01Holy mackerel!
20:08Hey, fella, loan me your jacket and let me take that card in,
20:11and I'll give you ten bucks.
20:12I'm way ahead of you.
20:13Mr. Albright!
20:14Yes, and I don't need any help. I'll handle this.
20:17You've got to believe me, Mr. Piazza.
20:19Angio.
20:20I didn't mean me.
20:21Margie, I understand you are timid.
20:23That is why you did not come out and say it was you from the start.
20:27Now, dinner.
20:28A few glasses of champagne, some food.
20:30You will not be so shy.
20:31I know something else I won't be.
20:33I won't be here because I'm leaving.
20:34Well, you're acting like a little girl.
20:36Little girl?
20:37You ought to be ashamed of yourself, luring me up here.
20:40Goodbye.
20:41Margie!
20:42Margie, dear!
20:50Angio, darling!
20:52Unchangeable as a woman.
20:54Hold me.
20:55Till the end of time, till the well runs dry.
20:57Till the waiter leaves.
20:59Till...
21:00Oh, Margie, as you say, you knock me out.
21:03All right, boy, you may serve.
21:05Margie, I'm going to say something to you I have never said to any other girl.
21:08What is it, Angio?
21:09I think I could really fall for you.
21:11And you've never said that to any other girl.
21:14If I'm lying, may there never be another sunrise.
21:17It's going to be a long night tonight.
21:20Did anyone speak to you?
21:21Oh, I'm sorry, sir.
21:22No offense, sir.
21:26You know, I could spend the rest of my life here with you.
21:28May I have your autograph, Mr. Piazza?
21:31You're getting on my nerves, you know that?
21:33Just wanted your autograph.
21:34You could put it on my cuff.
21:35I'll be the envy of the commissary.
21:37Later, please.
21:38Later!
21:42You have lovely teeth.
21:43So white.
21:44Hey, speaking of teeth, look at mine.
21:51People ask me why that's so white, but you see, it's only an effect.
21:53I have a dark mouth.
22:00Say some more of those lovely things to me, Angie, dear.
22:03Margie, words fail to express my feeling for you.
22:06Let this be my messenger.
22:10Get out of here.
22:11I'll serve dinner myself.
22:12I'm sorry, sir.
22:13Union rules.
22:14I brought in the wagon.
22:15I got to serve.
22:16Doesn't the union have rules about your making a decision for yourself?
22:18Yes, sir.
22:19That's why when I serve, nobody even knows I'm around.
22:22Serve the champagne!
22:23Yes, sir.
22:24That's what I'm doing.
22:25May I propose a toast to the most charming young lady I have ever met?
22:31This is milk!
22:33Why did you serve the young lady milk?
22:35I'm not getting into any trouble serving minors.
22:37How do I know she's 21?
22:38Have you got a license?
22:39Get out of my apartment.
22:41I rang, but I guess nobody heard me.
22:43I'm here to fix the phone.
22:45Margie, I'm sorry for all these interruptions.
22:47I'll get rid of these people just a moment.
22:49Don't touch me.
22:50Margie, just a moment ago you...
22:52I'm leaving.
22:53Margie, dear.
22:54Ben Albright, what are you doing here?
22:56I don't have to do any guessing as to why you're here.
22:58Well, I have a perfectly good reason for being here, but I don't have to explain it to you.
23:01Well, the question is, what am I doing here?
23:03I'm taking my daughter home.
23:04Your daughter?
23:05And my girlfriend.
23:06Get out of my apartment, all of you.
23:09You can't push my father.
23:13Being as you were having so much company, Mr. Piazza,
23:16I thought it wouldn't dice if I stopped at the store and brought you some groceries.
23:23I'm sorry I made such a fool of myself when I saw you there.
23:26Well, I suppose it did look suspicious.
23:28But how were you to know that I was there for the same reason as you and Freddy?
23:31We have our little differences, all of us.
23:33But we do stick together.
23:36I'm glad you didn't really go for that character.
23:38He kissed my hand.
23:40Which one?
23:41This one.
23:42Go wash it.
23:44And now, ladies and gentlemen, may I present a most gracious substitute for your regular host on the hour of symphonic charm.
23:50The romantic Angio Piazza.
24:03Oh, dear, dear.
24:33Oh, dear.
25:03Oh, dear.