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Baa Bahoo Aur Baby - Episode 36
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Fun
Transcript
00:00ཤོར དམ སྭབསསསསསསསསསྟ
00:30Every day, every day, every day
01:00All day, every day, every day
01:28I don't know what to do.
01:29What did you do?
01:31You were packing the last 3 hours.
01:34Today, you will miss my train.
01:36Please, please.
01:37I won't do the same way.
01:40But you will have to do it.
01:42I feel very strange.
01:44If it doesn't happen to me,
01:46then you will have to come with me.
01:48Don't worry, don't worry.
01:49I will reach you.
01:50And also, I'm taking your dad's plane.
01:53How will you do it alone?
01:56Now, the big bad's brain is not that good.
02:00Don't worry, don't worry.
02:02You're taking your head, right?
02:04I will take my head.
02:06Let's go.
02:07One minute, wait.
02:09Keep this in your pocket.
02:11Oh, new mobile.
02:13Don't call me a phone every day.
02:16Look, my son.
02:19Let's go.
02:21Jashikrashna.
02:23You'll have to take your head.
02:25Let's go.
02:26Let's go.
02:27Let's go.
02:28Let's go.
02:29Let's go.
02:30Yes.
02:31Hello?
02:33Oh, Sharman, tell me.
02:35It's not 28 minutes, Mr. Mehta.
02:38Now, you leave there from 3 to 22 minutes.
02:413 to 28 minutes and 3 to 22 minutes,
02:44there's a difference between 6 minutes.
02:47And in this 6 minutes,
02:49no one can run away.
02:56This will be the dialogue.
02:57If I'm not wrong.
02:58Sharman, what a pleasant surprise.
03:01Yeah.
03:02All right?
03:03All right?
03:04All right.
03:05That's all right.
03:06Do you remember?
03:07Yes.
03:08How are you?
03:09I've seen your style.
03:12Sorry.
03:13No, no.
03:14Good.
03:17But you don't keep our style.
03:19No, why, Praveen.
03:20What can you do?
03:21You can sell our sardis.
03:23No, no.
03:24Praveen, in fact,
03:25I have brought you a proposal today.
03:26Okay.
03:27But before that,
03:28let's meet with your friend.
03:29What's your problem?
03:30What's going on?
03:31I'm just that theater, Zindabad.
03:33Your new film,
03:34Shadi No. 1,
03:36I've done a very good job.
03:38Thanks, guys.
03:39Did you get it?
03:40Praveen, I don't know anything.
03:42We're just like that.
03:44Praveen,
03:45let's go ahead.
03:46Let's lift your first job.
03:47Huh.
03:48Praveen,
03:49this is our sardis No. 1 picture.
03:50His production manager,
03:51Shiva Ji Rav Vaag.
03:52Hello, sir.
03:53How many sardis do you?
03:54Praveen,
03:55there's no sardis.
03:56Actually,
03:57we've done an urgent patchwork
03:59in our film.
04:00So, in that film,
04:01we're...
04:02Patchwork,
04:03embroidery,
04:04jariqam,
04:05I don't know.
04:06Praveen,
04:07it means,
04:08if you have to put extra shots,
04:09if you have to put extra shots,
04:10or if you have to put a couple of cuts,
04:12they call patchwork.
04:14We want to shoot some patchwork
04:15in your house.
04:16In our house?
04:17No, no.
04:18I mean, if it's possible.
04:19Actually,
04:20you have to have a suicide scene,
04:22in which we need a cue.
04:23And if you have a cue,
04:24I thought,
04:25we can shoot.
04:26How much money will you get?
04:28No, no.
04:29But,
04:30I don't allow it.
04:31Praveen,
04:3230,000?
04:3330,000?
04:3430,000?
04:35One day.
04:3690,000?
04:37One?
04:38Done.
04:39Done.
04:40Done.
04:41Done.
04:42I'm sorry, Sharman.
04:43But,
04:44we don't have to say yes.
04:45One time,
04:46we'll have to talk about it.
04:47I'll tell you tomorrow.
04:49No, no.
04:50Please take your time.
04:51And if it's not possible,
04:53then also it's fine.
04:54No, no.
04:55It's not fine.
04:56Sharman,
04:57your work.
04:58Where are you?
04:59Advance?
05:00Advance.
05:01Advance.
05:02Advance.
05:03Advance.
05:04But Sharman,
05:05it's my main business.
05:06No, no.
05:07That's all.
05:08The next film is 100%.
05:09It's with you.
05:10Stop it.
05:11Eli!
05:12I'll give it.
05:14I'll give it.
05:16Draven?
05:17What happened?
05:18What happened?
05:21Hello, my brother.
05:24Subodh.
05:27Himal?
05:28Draven,
05:29why are you doing this?
05:30What happened?
05:31What happened?
05:32When Praveena can help me in my business,
05:35I can't help her in the kitchen.
05:37But this is a ladies' work.
05:39Praveena will be angry.
05:40If Praveena is gone out,
05:42then Praveena will work.
05:43What's the show?
05:44Subodh,
05:46look at this.
05:47Where did it come from?
05:48Where did it come from?
05:49It's late.
05:50It's late.
05:51It's 8 o'clock.
05:52Oh, my brother.
05:53He's saying this.
05:55He's saying this.
05:56Is it right?
05:57Roti?
05:58Oh, boy.
05:59Sorry.
06:00What did you say?
06:01What did you say?
06:02I didn't give it to my mother.
06:03I didn't give it to my mother.
06:04What?
06:05Praveena,
06:06all the money is gone to Praveena.
06:07I don't have to forget it.
06:08I don't have to forget it.
06:11Subodh,
06:12you didn't tell them
06:14that you were shooting at your house?
06:15Shooting?
06:16Which one?
06:18Subodh's friend,
06:20Sharman Joshi,
06:21he was supposed to shoot for his bungalow for three days.
06:24I thought that we would also do the rest of the house.
06:27So,
06:28I said yes.
06:29You said yes?
06:30Did we ask all of them?
06:32I said yes.
06:34Give it.
06:35Give it.
06:36Give it.
06:37Give it.
06:38One minute.
06:39If you have to serve the bungalow,
06:41he will go out of the house.
06:43After the rest of the house,
06:44there will not be anything in this house.
06:46Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
06:50Oh, oh, oh, oh.
06:51What movie?
06:52Shadi number one.
06:53Yes.
06:54Now, this is Subodh's friend.
06:56I don't know.
06:57I don't know.
06:58If that movie is a film,
07:00Fardin Ghane or Zayat Ghane,
07:03Ayesha Taqya or Swo Ali,
07:06or then Esha Deol.
07:08Esha Deol?
07:09Yes.
07:10Is Hema Malini's daughter?
07:12Yes.
07:13Stop it.
07:15Give it.
07:16Yes.
07:17The dog.
07:18You're saying that you're your daughter,
07:20like Hema Malini's daughter.
07:22And if it happens,
07:23the dog doesn't say the dog's a dog's a dog.
07:25Why does he say the dog's a dog's a dog?
07:27I know the dog's a dog's a dog.
07:28You're giving him for the dog's a dog's a dog.
07:30You're giving him for the dog's a dog's a dog.
07:32One second, one second.
07:33Brother, don't do a dog's a dog's a dog.
07:36Do you have a phone to ask him?
07:37Oh, wow, Hema.
07:39Hema.
07:40You eat another dog.
07:41This is me.
07:42I don't know.
07:43Take it.
07:44You've already talked about the first time.
07:46Shubhat.
07:47Do you have a phone?
07:48Do you have a phone?
07:49Do you have a phone?
07:50Do you have a phone?
07:51Yes.
07:52Hello?
07:53Yes, I'm Shri Krishna.
07:54Shubhat, I'm Shri Krishna.
07:55Roti.
07:56Give the dog.
07:57Shubhat.
07:58How are you?
08:00I'm fine.
08:01But your dad has been in my mouth.
08:04I don't know.
08:06I'm so tired.
08:07I'm so tired.
08:09I'm so tired.
08:10I'm so tired.
08:12Why are you so tired, Labar?
08:14I'm so tired.
08:15I'm so tired.
08:16You're so tired.
08:17I'm so tired.
08:18I'm so tired.
08:19I'm so tired.
08:20Sometimes, you'll change their mind.
08:22And now, you're coming to me?
08:24When are you?
08:25If you're okay, then I'll come to me three or four days.
08:29Okay.
08:30Yes, I'm Shri Krishna.
08:31I have one second and I'll come to me three hours later.
08:32I don't know.
08:34Usually, you will answer your question again.
08:37Oh, no.
08:38Oh, I'm Shri Krishna.
08:39Yes, I'm Shri Krishna.
08:42What the hell are you talking about?
08:44Oh, you are Shri Krishna.
08:45Yes.
08:46Listen agree.
08:47I'll tell you some important words.
08:49Brother.
08:50Brother.
08:51Tell me, then, I want to tell you the tree.
08:52I want to tell you the tree I have.
08:53Okay.
08:54So, you have to tell you the tree for Home.
08:55I want to tell you the tree for Home.
08:56I want to tell you the tree I have.
08:58I don't have to talk with you.
09:00I have never heard of you.
09:01One minute.
09:02I don't have to talk with you.
09:04What?
09:06One minute.
09:07I don't even know.
09:08If you have to talk with me,
09:10then you'll never take your place.
09:12Is it?
09:14No.
09:15Let's talk with you.
09:16Talk with me.
09:17Go.
09:18Come on.
09:18Come on.
09:20Come on.
09:22Come on.
09:24Listen to me.
09:26you should never hear me
09:28and then don't call me the phone
09:31You should stop
09:33Your friend, Sharman Joshi
09:38you should be a human
09:44Hey language, listen to nothing
09:50I never know about shooting
09:53shooting would never be
09:56No, no, no, no, no.
09:57No, no.
09:58It shouldn't be for me.
09:59I'll explain to you later.
10:00No, no, no.
10:02I'll give you money, right?
10:03I'll give you to my brother, you too.
10:05I will take you money, okay?
10:06Pranay, please give me a little.
10:08Just a minute.
10:10Okay.
10:12Okay.
10:14Keep it back.
10:15Keep it back.
10:17You did it.
10:18You did it?
10:19You did it?
10:23Pranay, cut off.
10:24Oh, Leila, you're a rotting?
10:26Oh, you don't need to do so quickly.
10:31The shooting hasn't started.
10:33No, no.
10:35I'm not standing in front of you.
10:37My sister's mother.
10:39No, no.
10:41One second.
10:43What are you doing in the house?
10:46These people give me to me to go to their house.
10:48Then I'll go to Lila.
10:50Look, they're all in the house.
10:52What are you doing in the house?
10:54Why did you put the fire on the ground?
10:56The train is going on.
10:58There will be a camera here.
11:00Look, if you don't know anything about shooting.
11:03Everyone knows.
11:04I don't need to teach you, Leila.
11:06And what are you doing?
11:07What are you doing in the house?
11:09What are you doing in the house?
11:11Oh, brother.
11:12You're on the side.
11:14Don't mind.
11:16The bar gave me permission.
11:19If you're so frustrated,
11:20then tell me to call them.
11:22Don't mind.
11:23Oh, Leila.
11:24Don't understand.
11:25You have to pay a bill of roaming.
11:27You have to pay a bill.
11:29So, you can't pay a bill.
11:31You don't have to pay money like that.
11:34Leila.
11:35Oh, brother.
11:36You're on the track.
11:37You're on the side.
11:38Go outside.
11:39Go outside.
11:40Go outside.
11:41Go outside.
11:42Go outside.
11:43Don't mind.
11:44Go outside.
11:45Go outside.
11:46Go outside.
11:47Go outside.
11:48I don't want to do anything with you, Leila.
11:50I don't want to do anything with you.
11:51I don't want to do anything with you.
11:52Oh, brother.
11:53I'm going.
11:54I'm going.
11:55That's right.
11:56Hello?
11:57Yes.
11:58No, it didn't start.
11:59Come on.
12:00Come on.
12:01Come on.
12:02Writers.
12:03We have written a story in our family.
12:04We'll get a new character.
12:05I'll tell you.
12:06Come on.
12:07Come on.
12:08You're ready.
12:09It's going to start.
12:10Yes, one minute.
12:11What?
12:12How long are you going to start this shooting?
12:14Why?
12:15There are some guests.
12:17No, Leila.
12:18Don't tell anyone.
12:19No, don't tell anyone.
12:20No, don't tell anyone.
12:21No, it's a mess.
12:22People are locked up.
12:23Wait, wait, wait.
12:24Hello?
12:25I'm cutting you in the back.
12:26But why?
12:27It's a mess.
12:28It's a mess.
12:29They'll be disturbed, right?
12:30Yes, please.
12:31Don't tell anyone.
12:32Look, if people are coming,
12:33you will also be disappointed.
12:34We will also be disappointed.
12:35And the same thing,
12:36Praveen,
12:37said for 9 hours.
12:39That's correct.
12:40Okay, but...
12:41Isha Devul is coming, right?
12:42Yes.
12:43So,
12:44please call me.
12:45Yes, please.
12:46I'm ready.
12:47I'm ready.
12:50Who is here?
12:51Oh,
12:52I'll put 40-50 chairs in there.
12:54Go, go, go, go.
12:55Chess?
12:56Who's for this?
12:57We will come here.
12:58We will come here.
12:59We will come here for shooting.
13:01No, don't worry.
13:03They won't disturb you.
13:04Look,
13:05it's very difficult for them.
13:06And now,
13:07you are...
13:08No,
13:09they were 200-300 men.
13:10They were just 40-50.
13:12And they are also
13:13poor,
13:14poor people.
13:15Now,
13:16take care of your shooting.
13:17I'll handle it all.
13:18Huh?
13:19Did you see the chair?
13:23That's all right.
13:24Today,
13:25let's finish the work.
13:27The great scene for me.
13:28Oh,
13:29first,
13:30let's finish the work.
13:31Come on.
13:32Come on.
13:33Come on.
13:34Come on.
13:35Come on.
13:48Hey,
13:49hello.
13:50How are you?
13:51Good.
13:52Hi.
13:53Sowa Khan.
13:54Gattu.
13:55Sowa Khan.
13:56Sowa Khan.
13:57Sowa Khan.
14:01Good.
14:02Good.
14:03I'm sorry.
14:04I'm sorry.
14:05Is it going to be very little?
14:06We'll have to go.
14:07I'm sorry.
14:08No.
14:09No.
14:10No.
14:11No.
14:12No.
14:13No.
14:14No.
14:15No.
14:16No.
14:17No.
14:18No.
14:19No.
14:20It's fine.
14:21No.
14:22It's fine.
14:23Can we shoot?
14:24I'm a body.
14:25I'm a body.
14:26Do I go?
14:27I'm a body.
14:28I'll stop watching myself.
14:29I'm going to go home from the dress.
14:30He's so cute.
14:56What did you say?
15:00Let me handle this.
15:26Okay.
15:28Okay.
15:30Okay.
15:32Okay.
15:34Okay.
15:36Okay.
15:42Okay.
15:46Okay.
15:48Action.
15:50Manemang, I'm always going to go for him.
15:52Stop, Aryan.
15:54Stop.
15:55After the last time, bye-bye.
15:57Soakhan!
15:58Soakhan, why don't you say this wrong?
16:00Why don't you say this wrong?
16:02Cut!
16:03Hiren says this, right?
16:05How do you say this?
16:06Hiren says this,
16:08Aryan, you can't die.
16:10Aryan, my mother will fall.
16:12My son will fall.
16:14My son will fall.
16:16My son will fall.
16:18Aryan, you can't die.
16:20My son.
16:21My son is your son.
16:23She will fall.
16:24She will fall.
16:27Aryan, think about it.
16:29Hey!
16:30Wow, Gattuji, wow.
16:32Wow.
16:33I will speak such a dialogue.
16:35My mother will fall.
16:38My sister will fall.
16:39My sister will fall.
16:42I will die.
16:44My sister will fall.
16:46My sister will fall.
16:48My brother will fall.
16:51My mother will fall.
16:52My sister will fall.
16:53My sister will fall.
16:54My sister will fall.
16:55My sister will fall.
16:56My son.
16:57My sister will fall.
16:58My sister.
16:59Soha control.
17:00Tony, you wanna go home?
17:01Ah?
17:02Ah, Gattu.
17:03Gattu, you will be working in this picture.
17:07No?
17:08Yes, man.
17:09What is the dialogue?
17:10No, take a juice for Suhaji.
17:12I don't know! Juice!
17:13Juice!
17:14Juice, one minute.
17:15Let's work in the picture first.
17:16What do I say?
17:17Just like this scene is finished,
17:18the director will shoot you like this.
17:20Like this.
17:21The director will shoot you in the scene.
17:22But for that, you will have to sit in the hall.
17:25And as soon as we don't call you,
17:26you won't come here.
17:27Okay? Manzoor?
17:28Manzoor.
17:29Good.
17:30I work in the picture!
17:31I'm very sorry for it.
17:35No, not at all.
17:36But great going up.
17:37You're doing a lot of good work.
17:38Thanks, God bless.
17:39Look, what's going on?
17:47Silence.
17:48Let's go shooting.
17:53I won't do anything.
17:58Why did you cut the phone?
18:01Hey!
18:02You're right, Itsro, Yourself.
18:03You're right, Isro.
18:04Why did you cut the phone away?
18:05Man?
18:06To see you, what did you say?
18:08Listen, tell me to a point.
18:09I meant to have to do something.
18:10You're right.
18:11Who is so is it?
18:12I was like you.
18:13My name is Jokhari and Jokhari Anad.
18:14I'm so sorry.
18:15I'm so sorry.
18:16No, go!
18:17Don't do anything.
18:18It's my name.
18:19It's my name.
18:20It's my name.
18:21It's my name.
18:22It's my name, Jokhari.
18:23Not like this.
18:25Saruman Josi,
18:28Suha Khan,
18:30and that's what he does like this.
18:35He was saying,
18:37baby's slams.
18:39Who was saying this?
18:41What the fuck?
18:43Then get up quickly and get up.
18:45No, because I have to leave here.
18:47Why?
18:49There is a shooting here.
18:51Shooting?
18:53That's right.
18:55Rolling, sound, camera, action.
19:01Cut! Cut! Cut!
19:03That's right, and everyone calls silent.
19:06Who is shooting shooting?
19:08You know that you're making me a doll.
19:10Why would you make me a doll?
19:13No, you're making me a doll. You know that.
19:16You said that you should shoot shooting.
19:21But you shouldn't have to be a doll.
19:23That's right.
19:25That's right.
19:27You're making me a doll.
19:29No, son.
19:30That's right.
19:31That's right.
19:33I'm coming tomorrow.
19:35Hello, hello.
19:37Listen, girl, girl.
19:39Don't tell anyone.
19:42Don't tell me that I'm coming tomorrow.
19:45I'm coming tomorrow.
19:47What's going on?
19:48What's going on?
19:49What's going on?
19:51What's going on with the baby?
19:53What's going on with the baby?
19:55Do you do something like that?
19:58It's not.
20:00Let me see.
20:02Let me see.
20:04Yes, you do something like that.
20:07Let's go.
20:09Let me go.
20:10Let me see.
20:12Let me see.
20:14I'm gonna.
20:15Maybe she did something.
20:16But...
20:17I am so glad to see you.
20:18We're going for you.
20:19Grab a doll.
20:20I will.
20:21To go, boy, give me a doll.
20:24I paddle myself bare for you.
20:25I want you on my noi.
20:26Before I move somewhere, boys.
20:28I will correlate her.
20:29Schon man
20:30landscape.
20:31Probably lose.
20:32appointment is what ends on with anything.
20:33Tort hac.
20:34Nothing, lose myadoch, nigga.
20:36There is nothing.
20:37I, I Chief, I, you know,
20:38I'm sure.
20:48Help!
20:53No, no, no, no, no, no.
20:54Yeah, tell what?
20:57Waterfall on bed, waterfall on bed.
21:00Waterfall on bed?