In an exclusive interview with Ishaan Gambhir for Lehren Retro, Versatile Actor Zakir Hussain opens up about his early life, Meerut Memories & drama days at NSD with college fellows Ashutosh Rana, Rajpal Yadav, Yashpal Sharma, Mukesh Tiwari & more... Zakir Ji talks about his Bollywood Journey from working with Amitabh Bachchan in Sarkar to delivering a recent hit like Farzi with Vijay Sethupathi. Hussain Sahab also elaborates upon his experience of working with dynamic directors like RGV - Ram Gopal Varma, Sriram Raghavan (Andhadhun), Rajkumar Santoshi (Ajab Prem Ki Ghazab Kahani) & highlights his friendly bond with Murshid co-star Kay Kay Menon. The Silent-Scene-Stealer shares his unfiltered opinion on underworld, relationships, politics & discusses food and philosophy in a never before seen way... Enjoy this heartfelt podcast only on your favourite online digital destination - Lehren. #zakirhussain #zakirhussainactor #zakirhussainpodcast #sarkar #farzi #amitabhbachchan #vijaysethupathi #rgv #chachavidhayakhainhumare #meerut
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00:00:00Mr. Bachchan comes in front of you, his personality is like that.
00:00:03People's dialogues get stuck, he can't speak.
00:00:05You all look into his eyes and speak.
00:00:08Dominate, don't get scared at all.
00:00:10How did you bring so much passion and perfection?
00:00:13So when the shooting came on the first day, I didn't get scared.
00:00:18I must be lying if I say this.
00:00:20So it happened, I thought it must have happened.
00:00:23I didn't like it.
00:00:25Take your time.
00:00:26Then the second take happened.
00:00:28You saw what happened during the take.
00:00:30Sir asked me, do you have a good underwear?
00:00:34I said no.
00:00:35He gave me his new underwear.
00:00:39I took it back.
00:00:41You took it back?
00:00:42Yes.
00:00:43You play the role of a gangster.
00:00:46You played the role of Mr. Dawood Ibrahim.
00:00:50When you were playing that role, did you think it would be controversial?
00:00:54If something goes wrong, you might get a call from Karachi or Dubai.
00:00:59If someone calls me, why would I get a call?
00:01:02I got a call from the production.
00:01:04They asked me how I did it.
00:01:07Mr. Dawood Ibrahim called you?
00:01:09I was standing with a friend and we were talking.
00:01:12Two girls ran and one came and kissed me.
00:01:15I said, what was this?
00:01:18Sir, did you like it?
00:01:20What's wrong with it?
00:01:24Sir, you consider yourself a common man.
00:01:27If there is an offer from a common man party, will they join you?
00:01:31Because you are a common man.
00:01:32No, I don't want to go there.
00:01:34It's not my field.
00:01:35Everyone has their own respective job.
00:01:37Everyone should do what they know.
00:01:40We are lazy people. We are actors.
00:01:42We wake up at 9 in the morning and go home at 6 in the evening.
00:01:45Sir, when you abused each other, there was some awkwardness.
00:01:54A few days later...
00:02:04Hello friends, you are watching Lehre. My name is Ishaan.
00:02:08The person I am going to introduce to you today,
00:02:11you must have seen him in Sarkar, Singham Returns, Farzi and Murshid.
00:02:21Please welcome a legendary artist.
00:02:27Mr. Zakir Hussain, welcome to Lehre.
00:02:31How are you?
00:02:32I am fine.
00:02:33God bless you.
00:02:35What a modest reply.
00:02:38Sir, you have taken a lot of time to come to Lehre.
00:02:42All your contemporaries, actors, directors,
00:02:45Manoj Bajpai, Anurag Kashyap, Ramu sir,
00:02:48their first interview was mostly in Lehre.
00:02:51But sir, you took 20-25 years to come to Lehre to talk to us.
00:02:55They were famous then.
00:02:58I was not famous then.
00:02:59When I was famous, did you call me?
00:03:01Sir, it's not like that.
00:03:02You must have called me earlier too.
00:03:04But now that you are here, I am very happy.
00:03:08Sir, let's start from the beginning.
00:03:12Sir, you are from Meerut.
00:03:14In our language, we say,
00:03:16you are the son of Meerut, you are the son of Meerut.
00:03:18Most of the boys from Meerut,
00:03:21they are either landlords,
00:03:23or they do business,
00:03:24or they do some action,
00:03:26which you do in movies too.
00:03:27But sir, you chose to become an actor,
00:03:29to become an artist.
00:03:31You chose this field.
00:03:32Why is that, sir?
00:03:33I don't know.
00:03:34I can say that I didn't choose it.
00:03:36Destiny pushed me in that direction.
00:03:40I am neither a landlord nor anything.
00:03:44My family is from Lahore.
00:03:46We are laborers.
00:03:48So, coming to Delhi from Meerut,
00:03:52and studying in Delhi,
00:03:54shifting to the other side of the family,
00:03:58and getting some things there,
00:04:02and slowly moving towards this direction,
00:04:05from schooling,
00:04:08to going to the theater,
00:04:11and then,
00:04:13moving forward,
00:04:15doing it, doing it, doing it,
00:04:17I understood that this is what I can do.
00:04:19So, I did my studies,
00:04:22I did my training,
00:04:24all those things were there.
00:04:25So, sir, we have read that
00:04:27you have done honors in political science,
00:04:29and after that,
00:04:31you went to ISD,
00:04:32which is the biggest theater college in the country.
00:04:35You went there,
00:04:36to the National School of Drama,
00:04:37and all those,
00:04:38Ashutosh Rana, Mukesh Tiwari, Rajpal Yadav,
00:04:41Yashpal ji,
00:04:42and those who say,
00:04:43look at this man carefully,
00:04:45all of them were your seniors and juniors,
00:04:47mostly juniors.
00:04:48Mostly, they are all juniors.
00:04:50The one you are talking about,
00:04:52his name is Shrivardhan Trivedi.
00:04:54Yes, yes, yes,
00:04:55we kids know him from him, sir.
00:04:57So, Shrivardhan, Yashpal, Ashutosh,
00:04:59Mukesh Tiwari,
00:05:00they are from the same batch.
00:05:01Okay.
00:05:02And he is my one-year junior batch.
00:05:04Oh, so you are a senior, sir.
00:05:06Yes, one year.
00:05:07One year.
00:05:08One year senior,
00:05:09so we lived together in NSD for about two years.
00:05:13He was in the second year,
00:05:14he came in the first year,
00:05:15when I went in the third year,
00:05:16he was in the second year.
00:05:17Okay, okay.
00:05:19Rajpal is a little more,
00:05:20two years,
00:05:21three years junior,
00:05:22four years.
00:05:24But yes,
00:05:25we were all there,
00:05:26so we all knew each other,
00:05:27I went to the repertory,
00:05:28Yashpal also came to the repertory,
00:05:30Shrivardhan also came to the repertory.
00:05:32So, sir, do you meet now,
00:05:33sometimes on set,
00:05:34or at parties?
00:05:35Yes, yes,
00:05:36we work together.
00:05:37Yes, sir.
00:05:38Now we were working in Lucknow,
00:05:39Yashpal and I,
00:05:40then there is a web series,
00:05:44called Glory.
00:05:45Okay.
00:05:47We are working together in that too.
00:05:49Yashpalji is also in Welcome to the Jungle.
00:05:51He is in that too.
00:05:52Yes, he will also come in that later.
00:05:54Sir, like your name,
00:05:55I said in the introduction,
00:05:56it is a very legendary name.
00:05:58Zakir Hussain,
00:05:59he was the former president of India.
00:06:02Then there was Tabla Maestro,
00:06:03Padma Hussain,
00:06:04Zakir Hussainji was also there.
00:06:05He also passed away recently.
00:06:07Wherever he is,
00:06:08may he be happy.
00:06:09So sir,
00:06:10this is such a big name,
00:06:11so has there ever been
00:06:12such a confusion,
00:06:13or was it a good thing for you,
00:06:15or was it a burden,
00:06:16that such a big name?
00:06:17It used to happen with him.
00:06:18Okay.
00:06:19Now the President,
00:06:20how can anyone confuse me
00:06:21with him?
00:06:23But yes,
00:06:24because Zakir sahib,
00:06:25who was a teacher,
00:06:26he used to call me
00:06:27many times
00:06:28in his name,
00:06:29that I have to
00:06:30do your program.
00:06:31I said,
00:06:32I don't do programs,
00:06:33he is the teacher,
00:06:34I am not.
00:06:35So,
00:06:36he simply told me
00:06:37what to do.
00:06:38But sir,
00:06:39you must also have
00:06:40some knowledge
00:06:41of music,
00:06:42taal,
00:06:43sur,
00:06:44I think we have
00:06:45heard that.
00:06:46No,
00:06:47it is not like that.
00:06:48In theatre,
00:06:49things come automatically.
00:06:50Yes.
00:06:51If you keep doing theatre,
00:06:52then you have to do
00:06:53singing,
00:06:54whether it is
00:06:55in sur
00:06:56or without sur.
00:06:57So,
00:06:58there are
00:06:59some classes
00:07:00in drama school,
00:07:01or something like that.
00:07:02A little
00:07:03sense of rhythm
00:07:04comes.
00:07:05A little bit
00:07:06like this.
00:07:07Because everything
00:07:08is available,
00:07:09there is
00:07:10harmonium,
00:07:11tabla,
00:07:12dholak,
00:07:13everything is there.
00:07:14You feel like
00:07:15doing a little bit
00:07:16like this
00:07:17and see
00:07:18what else is there.
00:07:19So,
00:07:20a little bit,
00:07:21not much.
00:07:22So sir,
00:07:23you had a
00:07:24film,
00:07:25Haseena,
00:07:26with which
00:07:27you initially
00:07:28got fame.
00:07:29So,
00:07:30sometimes
00:07:31my friends
00:07:32ask me
00:07:33to wear
00:07:34my watch,
00:07:35my shoes,
00:07:36my T-shirt.
00:07:37But sir,
00:07:38it was
00:07:39a little
00:07:40strange with you.
00:07:41The Nawabs
00:07:42give you their
00:07:43underwear.
00:07:44Actually,
00:07:45yes,
00:07:46they saw
00:07:47Saif sir
00:07:48and had
00:07:49a big incident
00:07:50with him.
00:07:51Now,
00:07:52there is
00:07:53no family
00:07:54in the hospital.
00:07:55So,
00:07:56at that time,
00:07:57something like
00:07:58this happened.
00:07:59They said,
00:08:00he is wearing
00:08:01clothes,
00:08:02he is a
00:08:03villain,
00:08:04make him
00:08:05sit naked.
00:08:06So,
00:08:07I said,
00:08:08make him sit.
00:08:09So,
00:08:10you said
00:08:11to make him
00:08:12sit.
00:08:13Yes,
00:08:14but that
00:08:15scene was
00:08:16shot in
00:08:17two parts.
00:08:18In the first
00:08:19part,
00:08:20we had
00:08:21shot
00:08:22that scene.
00:08:23So,
00:08:24I said,
00:08:25if I sit
00:08:26naked,
00:08:27how will
00:08:28you put
00:08:29the rest of
00:08:30the footage?
00:08:31Technical
00:08:32glitch.
00:08:33So,
00:08:34Saif sir
00:08:35said,
00:08:36do you
00:08:37have
00:08:38good
00:08:39underwear?
00:08:40I said,
00:08:41no,
00:08:42he is
00:08:43a villain.
00:08:44So,
00:08:45he gave
00:08:46his new
00:08:47underwear.
00:08:48He took
00:08:49it back.
00:08:50I said,
00:08:51I will
00:08:52change
00:08:53and come back.
00:08:54So,
00:08:55all my
00:08:56dialogues
00:08:57went to
00:08:58the bathroom.
00:08:59There were
00:09:00only one or
00:09:01two lines
00:09:02left.
00:09:03So,
00:09:04seeing that,
00:09:05RGV
00:09:06called me
00:09:07then.
00:09:08They
00:09:09felt
00:09:10that
00:09:11there
00:09:12is
00:09:13some
00:09:14current
00:09:15in this.
00:09:16So,
00:09:17the rest
00:09:18of the
00:09:19dialogues
00:09:20went to
00:09:21the
00:09:22bathroom.
00:09:23I
00:09:24said,
00:09:25I
00:09:26will
00:09:27change
00:09:28and come
00:09:29back.
00:09:30I
00:09:31said,
00:09:32I
00:09:33will
00:09:34change
00:09:35and come
00:09:36back.
00:09:37I
00:09:38said,
00:09:39I
00:09:40will
00:09:41change
00:09:42and come
00:09:43back.
00:09:44I
00:09:45said,
00:09:46I
00:09:47will
00:09:49change
00:09:50and come
00:09:51back.
00:10:18He wears a lens and roams around like a blind man.
00:10:21What happens is that people have this kind of sound.
00:10:28And what happens with that is, this is also a science,
00:10:33that when you don't have one sense,
00:10:38then one sense develops with some other power.
00:10:41It is believed so.
00:10:43Because if a person cannot see,
00:10:46but he can recognize notes.
00:10:51So what happens is,
00:10:53there are a lot of people, especially in the West,
00:10:57who are blind, but they don't bump into anything,
00:11:00they just keep walking and make sounds.
00:11:05So the system of their radar is based on that sound.
00:11:13The sonar system of the radar does not have eyes.
00:11:19It is an obstacle in front of the recognition of sound.
00:11:25You can watch a video,
00:11:27there are such people who will tell you what is in front of you.
00:11:31And they are 100% blind.
00:11:34Sir, I would like to ask,
00:11:36the knowledge and details you have given us,
00:11:39did you get all this knowledge during the time of Andhadhun?
00:11:44Yes, from before.
00:11:46I thought it was Ayushman sir's role,
00:11:48he made you read it, or you made him read it.
00:11:51No, it was Shriram's role.
00:11:53He called me and we discussed the story.
00:11:56He said, if we keep it like this, there is no problem.
00:11:59Yes.
00:12:00I said, there is no problem.
00:12:02There are such people.
00:12:05He is doing it for his singing,
00:12:08to increase his talent.
00:12:10He is cutting from one sense.
00:12:13So you can do that.
00:12:16In the end, when he leaves,
00:12:18he removes the cane from the stick.
00:12:22Now he has left the suspense.
00:12:24Will Andhadhun 2 come or not?
00:12:26I don't know.
00:12:27Did you talk to Shriram sir?
00:12:30There is nothing to talk about this.
00:12:32He has left it.
00:12:34Sir, I like your film very much.
00:12:37We are all from the same era.
00:12:39Rom-Com was an amazing love story.
00:12:41You play Sajid Don in it.
00:12:43You, Govind Namdev ji,
00:12:45who plays Pitambar Jalan,
00:12:47keep calling him to give money.
00:12:49And sir, your character,
00:12:51you have 5-10 people in it.
00:12:53You have a big gang.
00:12:54They all wear the same clothes as you.
00:12:56Black clothes, etc.
00:12:57And there is Ranbir, Katrina,
00:12:59they are stars, they are still there.
00:13:01So sir, how was the experience
00:13:03of playing such a big part
00:13:05in such a big film?
00:13:07It was good.
00:13:09Rajji or anyone else
00:13:11used to think
00:13:13that will he be able to do comedy or not?
00:13:15Because his face is very serious.
00:13:17He appears very serious.
00:13:19A serious type of man.
00:13:21The roles are also not like
00:13:23your villain type.
00:13:25So his chief assistant said,
00:13:27sir, he calls himself an actor.
00:13:29He calls himself an actor.
00:13:31If he is an actor, then he will do comedy.
00:13:33If not, then what is the use of being an actor?
00:13:35Oh, the assistant said this, sir.
00:13:37So you were present there.
00:13:39No, he told me.
00:13:41So I said, call him well.
00:13:43Let's see.
00:13:45So Rajji is a very good narrator.
00:13:47He does it very well.
00:13:51I did what he did.
00:13:53He didn't have to do anything.
00:13:55Everything is in his mind.
00:13:57He narrates each character himself.
00:13:59He reads the entire script himself.
00:14:01With the
00:14:03characterization
00:14:05of each character.
00:14:07He will keep narrating.
00:14:09Like this, like that.
00:14:11There were some things
00:14:13that I asked him to do.
00:14:15How do you see it?
00:14:17He said, I see it like
00:14:19K.N. Singh type.
00:14:21There was a villain
00:14:23K.N. Singh.
00:14:25She started talking crazy in the villain.
00:14:27I see.
00:14:29So he used to do like this.
00:14:31She was a small girl.
00:14:33He said,
00:14:35if something like this happens,
00:14:37I said, see.
00:14:39I mixed it.
00:14:41And you did it very well.
00:14:43And sir, your bonding
00:14:45with her was such that
00:14:47she made the movie Fattah Poster
00:14:49with you.
00:14:51Yes, when the second film came,
00:14:53I called her.
00:14:55She said, I did the villain last time.
00:14:59I will do the police role.
00:15:01Sir, there was another question
00:15:03about Ajab Prem.
00:15:05Because we are all from that generation.
00:15:07So the world has progressed.
00:15:09But sir, the fans
00:15:11used to get the news that
00:15:13Ranbir sir and Katrina ma'am
00:15:15were friends. That relationship
00:15:17evolved at that time.
00:15:19So sir,
00:15:21did this happen on the set?
00:15:23Were there rumors of dating?
00:15:25You were on the set.
00:15:27You were in the entire film.
00:15:29We were in the entire film.
00:15:31But we didn't have that much sense.
00:15:33And even if something happened,
00:15:35it was late at night.
00:15:37Everyone was in their own family.
00:15:39So what can I say about that?
00:15:41I don't have
00:15:43any special
00:15:45relation with anyone.
00:15:47I don't have that interest.
00:15:49I don't keep anything.
00:15:51I don't keep anything.
00:15:53If it's happening, it's good.
00:15:55If it's not happening, it's okay.
00:15:57If you work so closely,
00:15:59there is an intimacy.
00:16:01So it's not a big issue.
00:16:03Sir, let's talk about
00:16:05fake news.
00:16:07You become the finance minister.
00:16:09There is a lot of
00:16:11swearing.
00:16:13But it's okay.
00:16:15We boys enjoy hearing it.
00:16:17We can laugh at it.
00:16:19Vijay Shetupati
00:16:21calls you
00:16:23and tells you something sweet.
00:16:25He says,
00:16:27it was a butt dial.
00:16:29You say, I didn't even send you
00:16:31the photo.
00:16:33Sir said something else.
00:16:35There are a lot of
00:16:37scenes on social media.
00:16:39Tell us about that scene
00:16:41and your collab with Vijay.
00:16:43Actually,
00:16:45Vijay Shetupati
00:16:47was standing outside
00:16:49my vanity.
00:16:51I asked him,
00:16:53how are you?
00:16:55He said, hello sir.
00:16:57He was very humble.
00:16:59In 2005-06,
00:17:01I did a Tamil film.
00:17:05The producer was
00:17:07Sibbiraj.
00:17:09Who is Sibbiraj?
00:17:11He plays Katappa.
00:17:13He is a great hero.
00:17:15He made a film
00:17:17about his son.
00:17:21The hero was his son.
00:17:23One of his four friends was Vijay Shetupati.
00:17:25Oh!
00:17:27I didn't remember him.
00:17:29What happened?
00:17:31He was outside
00:17:33my vanity.
00:17:35I opened the door
00:17:37and said,
00:17:39Sir, I know you.
00:17:41Sit with yourself.
00:17:43He was so humble.
00:17:47In that film,
00:17:49there is a non-Hindi language.
00:17:51Tamil is his mother tongue.
00:17:53If we speak Tamil,
00:17:55he gets very happy.
00:17:57He used to come
00:17:59prepared.
00:18:01He doesn't forget anything.
00:18:03The prep is perfect.
00:18:05It feels weird
00:18:07that a Hindi actor
00:18:09forgets a Tamil word.
00:18:13I got to know him better.
00:18:15I had worked with him before.
00:18:17I got to know him better.
00:18:21He became the highlight
00:18:23of the entire series.
00:18:29It was like
00:18:31a comic relief.
00:18:35It was a good experience.
00:18:39You don't know what will happen
00:18:41when you watch it.
00:18:45Later,
00:18:47it was released.
00:18:51People received it well.
00:18:55Mr. Shahid called me
00:18:57and told me that I did a good job.
00:19:03When you abused each other
00:19:05with heavy words,
00:19:07did you feel awkward?
00:19:09Did he know the meaning?
00:19:11Or did you teach him?
00:19:13He was ready.
00:19:15Did you tell him the meaning?
00:19:17No.
00:19:19He understands Hindi.
00:19:23When you become
00:19:25Mr. Rashid in Sarkar,
00:19:27when we watch
00:19:29your and Mr. Bachchan's scene,
00:19:31you look into each other's eyes.
00:19:33Mr. Bachchan's personality
00:19:35is obvious.
00:19:37He can't speak.
00:19:39You look into his eyes
00:19:41and speak.
00:19:43You dominate.
00:19:45He looks into your eyes.
00:19:47Both of you
00:19:49dominate each other.
00:19:51How did you bring
00:19:53so much perfection?
00:19:55Look,
00:20:01good things happen under pressure.
00:20:05Pressure means
00:20:07you have financial pressure.
00:20:11You don't have money
00:20:13to pay people.
00:20:15There are many such old stories.
00:20:17You meet good people.
00:20:21We were under pressure
00:20:23from the beginning.
00:20:25What was the second pressure?
00:20:27You met Mr. Bachchan
00:20:29on the first day.
00:20:31So,
00:20:33Mr. Bachchan was under pressure
00:20:35to make a comeback.
00:20:37So,
00:20:39when you are in a difficult situation,
00:20:41you have to prove yourself.
00:20:45There are many layers.
00:20:49The producer says,
00:20:51will you be able to do it
00:20:53in front of Mr. Bachchan?
00:20:57He has a different pressure.
00:20:59It's justified.
00:21:03He says,
00:21:05he wants justice.
00:21:07If he doesn't do it,
00:21:09someone else will.
00:21:11So, on the first day,
00:21:13when the shooting started,
00:21:15I was scared.
00:21:17I was lying.
00:21:21On the first take,
00:21:23I said it.
00:21:25Ramu said,
00:21:27I am not enjoying it.
00:21:29Take your time.
00:21:31Why are you in a hurry?
00:21:33Did you give the first take in a hurry?
00:21:35It happens.
00:21:39How will you do it
00:21:41when you see someone sitting in front of you?
00:21:43It happened.
00:21:45I thought it would happen.
00:21:47Ramu said, I am not enjoying it.
00:21:49Take your time.
00:21:51On the second take,
00:21:53you saw what happened.
00:21:55It was timeless.
00:22:01Then I understood
00:22:03that
00:22:05he wanted to
00:22:09There is a dialogue in the film
00:22:11about who is coming to meet him.
00:22:13I don't know.
00:22:15He is from Nepal.
00:22:19If he doesn't know,
00:22:21then the audience
00:22:23shouldn't know who he is.
00:22:25If you keep
00:22:27a famous actor in the film,
00:22:29no matter how much you hide him,
00:22:31they will understand.
00:22:33The audience will get an image.
00:22:35If they don't know
00:22:37who he is,
00:22:39then the audience shouldn't know.
00:22:41There should be suspense.
00:22:43The actor should threaten
00:22:45the audience.
00:22:47Someone else can threaten
00:22:49the audience.
00:22:51That is not the issue.
00:22:53If you cast a famous actor,
00:22:55then the audience
00:22:57will know
00:22:59who he is.
00:23:01Then the fear
00:23:03will go away.
00:23:05The audience
00:23:07and the actor
00:23:09will know who he is.
00:23:13The audience should know
00:23:15who he is.
00:23:17When he comes,
00:23:19the audience will know.
00:23:21That is why
00:23:23God is
00:23:25fortunate.
00:23:27Do you work hard?
00:23:29Yes, I have to work hard.
00:23:31Without hard work,
00:23:33things don't work out.
00:23:37When you met Bachchan
00:23:39after the shooting,
00:23:41what did he tell you?
00:23:43What did he say after
00:23:45seeing your performance?
00:23:47No one said anything.
00:23:49But he asked me
00:23:51where I was from.
00:23:53He called me.
00:23:55Was your house on the set?
00:23:57Yes.
00:23:59Meena Kumari Mangalore.
00:24:01Yes.
00:24:03He asked me
00:24:05where I was from.
00:24:07I told him everything.
00:24:09Later,
00:24:11when it was his turn,
00:24:13things started to work out.
00:24:21The film was released.
00:24:23People liked it.
00:24:27Abhishek Bachchan is his son.
00:24:29In the movie,
00:24:31Shankar is his son.
00:24:33Did he ever
00:24:35tell you
00:24:37that he
00:24:39didn't have the courage
00:24:41to look into Bachchan's father's eyes?
00:24:43You looked into his eyes.
00:24:45Did you have any interaction with Abhishek?
00:24:47No, nothing like that.
00:24:49When the scene was being shot,
00:24:51it didn't happen in front of him.
00:24:53He must have seen the film only then.
00:24:55We met later.
00:24:57We breathed together.
00:24:59But we didn't have
00:25:01scenes together.
00:25:03You became a police officer.
00:25:05I didn't do anything else.
00:25:07Sometimes, we meet in private.
00:25:09We met Abhishek Bachchan
00:25:11once or twice.
00:25:13We fought later.
00:25:15Later, we meet
00:25:17in parties
00:25:19or functions.
00:25:21We meet at inaugurations.
00:25:23We say hello to each other.
00:25:25You meet him quite often.
00:25:27Yes.
00:25:29Do you ever talk about that scene?
00:25:31No, no.
00:25:33It stays in my mind.
00:25:35It stays in my mind.
00:25:37He gives me
00:25:39so much respect.
00:25:43And
00:25:45if there is anyone
00:25:47like him,
00:25:49the entire media should look into him.
00:25:53You are very subtle.
00:25:55You don't show up in the media.
00:25:57We have talked about Bachchan sir.
00:25:59We have a retro channel.
00:26:01Did you work with Dharmendra sir
00:26:03and Johnny Gaddar?
00:26:05Yes.
00:26:07How was your experience working with them?
00:26:09It was great.
00:26:11They are legends.
00:26:15I worked with
00:26:172-3 people.
00:26:19I couldn't work with
00:26:21the younger legends.
00:26:23But the old legends like
00:26:25Vivek sir, Dharmendra,
00:26:27Amitabh Bachchan,
00:26:29Gaurav Khanna
00:26:31all of them
00:26:35are great people.
00:26:37To work with them,
00:26:39to share the screen with them
00:26:41I am very fortunate.
00:26:43I got that chance in the second film.
00:26:45In Johnny Gaddar.
00:26:47Did Dharmendra sir
00:26:49say anything about your performance?
00:26:51Like Bachchan sir said
00:26:53if there was any incident.
00:26:55My scene was going on.
00:26:57He was sitting outside.
00:26:59He said you are a bad boy.
00:27:03I said no sir.
00:27:07That's it.
00:27:09If Dharmendra sir is saying
00:27:11then what else do you need?
00:27:15You have worked with Ramu sir
00:27:17and many other projects.
00:27:19You have worked with him.
00:27:21He is a great director.
00:27:23Satya Rangeela.
00:27:25As a filmmaker,
00:27:27what is your bond with him?
00:27:29RGV the brand.
00:27:31We are
00:27:33especially
00:27:35in our time
00:27:37the one who gave
00:27:39chance to
00:27:41new comers
00:27:43was the same person.
00:27:45He gave
00:27:47chance to many people.
00:27:49Rajpal Yadav,
00:27:51Murad Kashyap assistant,
00:27:53Shri Ramji,
00:27:55many directors, editors,
00:27:57actors, writers.
00:27:59He gave chance to everyone.
00:28:01And
00:28:03he is a futuristic person.
00:28:07At that time
00:28:09it was difficult to keep a camera.
00:28:11Camera was big.
00:28:13There were no small cameras.
00:28:15There was a big trolley.
00:28:17Yes.
00:28:19From under the table.
00:28:21He changed the language a bit.
00:28:25His biggest contribution
00:28:27was that he
00:28:29finished the grade.
00:28:31A grade, B grade, C grade.
00:28:33He said that in a small budget
00:28:35a good film can be made with new people.
00:28:37He proved it.
00:28:39Isn't it?
00:28:41This is what I mean.
00:28:43Giving chance to so many actors.
00:28:45Sometimes you face
00:28:47failure.
00:28:49But
00:28:51their success rate is more.
00:28:53But later
00:28:55whatever was happening
00:28:57to make something,
00:28:59their good image
00:29:01got dissolved.
00:29:03But a person
00:29:05is a person who
00:29:07moves with time.
00:29:09He did another thing.
00:29:11He did a horror
00:29:13cinema.
00:29:15It was in the beginning.
00:29:17Who was Mahal
00:29:19at that time?
00:29:21He was 20-30 years old.
00:29:23He came from Ram.
00:29:25He brought it back.
00:29:27Night.
00:29:29It is important to be scared.
00:29:31Realistic
00:29:33horror.
00:29:35He revived it.
00:29:37It is one of his best films.
00:29:39Rest
00:29:41are his films.
00:29:43If you watch
00:29:45one of his films every 2-3 years,
00:29:47it is a cult.
00:29:51Shiva, Satya,
00:29:53Daud,
00:29:55Langeela,
00:29:57Bhoot,
00:29:59Company,
00:30:01Sarkar.
00:30:03What happens in between
00:30:05is fine.
00:30:11Overall it was good.
00:30:13Everyone has
00:30:15his own era.
00:30:17He was there, he left.
00:30:19I don't know.
00:30:23I don't know.
00:30:25How is he an in-person person?
00:30:27He says the world is on one side
00:30:29and RGV is on the same side.
00:30:31He is a different type
00:30:33of person.
00:30:35I understood that he
00:30:37only eats, drinks,
00:30:39sleeps in films.
00:30:41He doesn't say anything else.
00:30:43Only films.
00:30:45Characters, camera, angles.
00:30:47Nothing else.
00:30:49His daughter-in-law
00:30:51ran away with him.
00:30:53He doesn't say anything.
00:30:55Nothing.
00:30:57He is seen on social media.
00:30:59He has a lot of
00:31:01girlfriends.
00:31:03He should be given
00:31:05a lot of freedom.
00:31:07Let him breathe.
00:31:09He is breathing well.
00:31:11He is not a diplomat.
00:31:13He is not a diplomat.
00:31:15He is on his face.
00:31:17He doesn't keep things
00:31:19in colours.
00:31:21What is there in his heart.
00:31:23Basically
00:31:25there were a lot of characters
00:31:27like Manto.
00:31:29He was a big mouth.
00:31:33We were shooting a film,
00:31:35Not a Love Story.
00:31:37There were girls and he said,
00:31:39I don't like sisters.
00:31:43RGV said that.
00:31:45So,
00:31:47his statements are like that.
00:31:49There is a lot of commotion.
00:31:51Bhatt sir once said,
00:31:53if I didn't have a daughter,
00:31:55I would have married her.
00:31:57What kind of a father is he?
00:31:59So,
00:32:01he said
00:32:03if I didn't have a daughter.
00:32:05If I didn't have a daughter.
00:32:07According to you, he was right.
00:32:09What is wrong in that?
00:32:11What is wrong in that?
00:32:13Sir, this is also
00:32:15a good intention of yours.
00:32:17Correctly perceive.
00:32:19Finish it.
00:32:21There is a lot of commotion.
00:32:23What kind of a man is he?
00:32:25He is not a saint.
00:32:27Leave it.
00:32:29You don't like him.
00:32:31Don't like him.
00:32:33What is wrong with Ramu?
00:32:35I don't know.
00:32:37I am his secretary.
00:32:39I don't know.
00:32:41He used to call me when he needed me.
00:32:43He never called you for parties.
00:32:47Only when
00:32:49I was working with him.
00:32:51Otherwise, no.
00:32:53Sir, there is another director
00:32:55Mr. Shriram Raghavan.
00:32:57All the films he has made,
00:32:59like Haseena,
00:33:01Johnny Gaddar,
00:33:03Agent Vinod, Badlapur
00:33:05and Andhadhun,
00:33:07he has always included you in all of them.
00:33:09Does he like you as an artist?
00:33:11Or is he an astrologer?
00:33:13He said,
00:33:15Zakir Hussain will hit a picture.
00:33:17What is this relationship?
00:33:19I was also in Agent Vinod.
00:33:21It didn't work.
00:33:23So, it won't happen.
00:33:25Sir, this is a feel good factor.
00:33:27A lot of people liked it.
00:33:29I liked it.
00:33:31It is like a bonding.
00:33:33His first film was also his first.
00:33:35His films.
00:33:37So, it is like that.
00:33:41The next film was also
00:33:43a good one.
00:33:47There was a continuity.
00:33:49Will you continue
00:33:51your saga series?
00:33:53Will we see you in his films?
00:33:55If he calls me,
00:33:57I will definitely go.
00:33:59Sir, I have a question.
00:34:01A lot of fans and
00:34:03it is personal.
00:34:05He made Merry Christmas.
00:34:07He had Katrina and Vijay.
00:34:09You did Farzi
00:34:11with Vijay Setupati.
00:34:13Your duo has become a cult.
00:34:15People get mesmerized.
00:34:17They get to know your acting.
00:34:19It has already become a hit.
00:34:21And Shriramji
00:34:23didn't take you in Merry Christmas.
00:34:25If he had taken you in that,
00:34:27it would have been great.
00:34:29I don't know.
00:34:31In that,
00:34:33he wouldn't have felt
00:34:35that there is something for me.
00:34:37So,
00:34:39because of that,
00:34:41it didn't happen.
00:34:43There was Sanjay Kapoor sir,
00:34:45Pathak sir,
00:34:47you were also an established duo.
00:34:49Did you ask him
00:34:51if you have met him?
00:34:53I will ask.
00:34:55But,
00:34:57I don't know what he is doing.
00:34:59Sometimes,
00:35:01such things happen
00:35:03that he is busy.
00:35:05I don't know where he is busy.
00:35:07I don't stay
00:35:09in that way.
00:35:11If he feels like it,
00:35:13he calls me.
00:35:15It is like RGV.
00:35:17You don't approach from the front.
00:35:19If the director calls you,
00:35:21you may like to go then.
00:35:23How will I approach?
00:35:25If I call you
00:35:27and you don't respond,
00:35:29how will I do it?
00:35:31I can wait.
00:35:33You have done so many movies with them.
00:35:35You have bonded with them.
00:35:37If they don't respond,
00:35:39I don't think it is right.
00:35:41Yes.
00:35:43Everyone has their own problem.
00:35:45Sometimes,
00:35:47we have to say
00:35:49why is this happening?
00:35:51Sometimes,
00:35:53it happens. Sometimes, it doesn't.
00:35:55Do you ever feel like
00:35:57approaching someone?
00:35:59See,
00:36:01I understand one thing.
00:36:07There are many people
00:36:09with whom I have done something.
00:36:13If they don't respond,
00:36:15how can I do it?
00:36:17Sometimes,
00:36:19I feel like
00:36:21I have done something
00:36:23for them.
00:36:25Suppose,
00:36:27you are thinking
00:36:29that you want to meet
00:36:31a good actress.
00:36:33I will say that I am shooting.
00:36:35You can come that day.
00:36:37I can't call them and go to their house.
00:36:39I know the limit.
00:36:43They will come to the set.
00:36:45I will introduce you to them.
00:36:47You will be happy.
00:36:49I have introduced so many people
00:36:51who are upcoming.
00:36:53I can introduce you to them
00:36:55only if I am shooting with them.
00:36:57They won't say anything in front of me.
00:36:59It is their decision.
00:37:01It can't be mine.
00:37:03But, when it happens,
00:37:05we are not in the scene.
00:37:09Then, I feel it is amazing.
00:37:11Sir,
00:37:13the thing is
00:37:15as long as you are on the set,
00:37:17you are friends.
00:37:19Then, it becomes difficult
00:37:21to connect with them.
00:37:23It is very difficult.
00:37:25You can't call them directly.
00:37:27No.
00:37:29No one entertains me.
00:37:31You have done so many movies.
00:37:33You belong to NSD.
00:37:35Every person is big in himself.
00:37:37Why will someone consider me big?
00:37:39He is big in himself.
00:37:43Sometimes,
00:37:45we also know
00:37:47about each other.
00:37:49One of my friends
00:37:51helped me a lot.
00:37:53Sir, you have to play this role.
00:37:55I told him that
00:37:57the hero I have made you play
00:37:59will not be accepted by the producer.
00:38:01He cried.
00:38:03Would you like to take the name?
00:38:05There is no problem with the name.
00:38:07Why should I take it?
00:38:09Okay, sir. You tell me.
00:38:11I have done it.
00:38:13He is still my friend.
00:38:15I still work with him.
00:38:17If he is in trouble,
00:38:19I talk to him.
00:38:21When I told him that he will do it,
00:38:23he said that the producer will not accept it.
00:38:27I told him that
00:38:29if he refuses,
00:38:31he can take someone else's name.
00:38:33It happened like that.
00:38:35It happened as you said.
00:38:37I told him that
00:38:39the person in front of me
00:38:41needs a face in the market.
00:38:43I am a face for you, but not for him.
00:38:45What will you do?
00:38:47Many things
00:38:49come and go.
00:38:51Sir,
00:38:53do casting companies
00:38:55have a hand in this?
00:38:57There were no casting companies
00:38:59at that time.
00:39:01Even now,
00:39:03if there is an upcoming
00:39:05producer,
00:39:07they try to cast
00:39:09themselves.
00:39:11I have an old friend.
00:39:13I talk to him.
00:39:15Casting companies
00:39:17have a higher budget.
00:39:23Sir, Farzi
00:39:25was a big hit.
00:39:27You were A1 from the beginning.
00:39:29Do you want to audition
00:39:31for a web series
00:39:33or a film?
00:39:35People who know
00:39:37or don't know, they don't audition.
00:39:39They won't audition.
00:39:41Mostly,
00:39:43people who make commercials
00:39:45ask me to test them.
00:39:47I said I don't have time.
00:39:49You can cast,
00:39:51but don't audition.
00:39:53Or
00:39:55there is a big banner
00:39:57that we will test you.
00:39:59I said don't test.
00:40:01Leave it.
00:40:03You will test
00:40:05and send the names of 4 people.
00:40:07If they select you,
00:40:09then select them first.
00:40:11You have seen everyone's work.
00:40:13If you want
00:40:15the end result first,
00:40:17then how will it happen?
00:40:19The thing is
00:40:21that the system
00:40:23is not like that in our country.
00:40:25Why call
00:40:27and reject?
00:40:29Just say it.
00:40:31Why do you
00:40:33have to call?
00:40:35I am in your character.
00:40:37I am in your script.
00:40:39Call me if you are fit.
00:40:41Don't call if you are not.
00:40:43I can't deliver.
00:40:45How will I deliver
00:40:47after reading one page?
00:40:49It is very difficult.
00:40:53These are the things.
00:40:55But
00:40:57as far as I remember,
00:40:59wherever I auditioned,
00:41:01I always got selected.
00:41:03And I couldn't do it.
00:41:05I said leave it.
00:41:07In the beginning,
00:41:09in TV,
00:41:11it all started.
00:41:13There are a lot of old stories.
00:41:15Leave it.
00:41:17Now there are castings.
00:41:19You must be getting calls.
00:41:21I like it.
00:41:23It is going on.
00:41:25Sir, one more film of yours
00:41:27was Coffee with D.
00:41:29You play the role of a gangster.
00:41:31You played the role
00:41:33of Mr. Dawood Ibrahim.
00:41:35I would like to know
00:41:37his experience.
00:41:39I would like to ask you
00:41:41that when you were playing
00:41:43the character,
00:41:45did you feel
00:41:47Mr. Ibrahim's call
00:41:49from Karachi or Dubai
00:41:51would be controversial?
00:41:53It is a matter of thinking.
00:41:55In which light
00:41:57are you showing the character?
00:42:01You are not showing him wrong.
00:42:03It was a fun movie.
00:42:05Sunil Grover,
00:42:07Pankaj Tribhati,
00:42:09Assistant Kelly Jaya.
00:42:11If someone calls,
00:42:13why would they call us?
00:42:15Sir, they can call
00:42:17for appreciation.
00:42:19Rishi Kapoor sir came once.
00:42:21You played his role.
00:42:23Rishi sir also did it.
00:42:25He came to the production
00:42:27to see how you did it.
00:42:29Mr. Dawood Ibrahim's call.
00:42:33He called me
00:42:35and asked me
00:42:37what to do.
00:42:39I portrayed him.
00:42:41I am not showing
00:42:43anything wrong about Dawood
00:42:45as a Dawood.
00:42:47Sunil Grover
00:42:49is doing it.
00:42:51He was also a journalist.
00:42:53He was lying.
00:42:55How could you show it?
00:42:57He called me.
00:42:59If he had come, then?
00:43:01He said he had come.
00:43:03I don't know if I should believe it or not.
00:43:05Suppose there is an interview
00:43:07in Karachi or Dubai.
00:43:09If someone sees it
00:43:11and you get a call from Dawood
00:43:13that you did a good job.
00:43:15What would be your answer?
00:43:17I am an actor.
00:43:19I have been hired.
00:43:21I have a job to do.
00:43:23Either
00:43:25as a Dawood
00:43:27or
00:43:29if I am a bad person
00:43:31then it is different.
00:43:33I am portraying him
00:43:35as a good person.
00:43:37As that man.
00:43:39He is good in himself.
00:43:41He might be bad for the society.
00:43:43But sir,
00:43:45in all his cases
00:43:47you had a fear
00:43:49that if you portray
00:43:51Mr. Dawood in a good light
00:43:53then the government
00:43:55or the NGO
00:43:57might vote for you.
00:43:59Look at the film.
00:44:01There is no positive or negative in it.
00:44:03It is neutral.
00:44:05It is a fun film.
00:44:07Just a fun film.
00:44:09Sir,
00:44:11you have been in the industry for a long time.
00:44:13Have you ever met
00:44:15an underworld person?
00:44:17You play the role of a villain.
00:44:19Not yet.
00:44:21They know who is in the water.
00:44:23I am scared of your role.
00:44:25You look like a villain.
00:44:27They know
00:44:29that he is earning a living.
00:44:31What will they do by threatening him?
00:44:37They will put their hands
00:44:39in a place where
00:44:41they don't get hurt.
00:44:43Sir, we are talking about Don Gangsters.
00:44:45I am a little scared
00:44:47that the phone might ring.
00:44:49Sir, you did a web series
00:44:51called Murshid on Gangsters.
00:44:53You were there.
00:44:55Mr. KK Menon was there.
00:44:57You both have a lot of fan following.
00:44:59It is a typical fan following.
00:45:01Critics also like you a lot.
00:45:03Sir, when you and Mr. KK
00:45:05are two great artists
00:45:07you were both gangsters.
00:45:09You both have a lot of scenes.
00:45:11Sir, do you ever feel
00:45:13that you are overshadowing each other?
00:45:15Or if someone's scene
00:45:17is getting overshadowed,
00:45:19you feel insecure?
00:45:21Because you both are great artists.
00:45:23How were you and Mr. KK in that?
00:45:25I don't think we have that.
00:45:31What can I say?
00:45:33You did movies with him.
00:45:35He was in Sarkar.
00:45:39Actually, we don't have
00:45:41anything to lose.
00:45:43Sir, elaborate.
00:45:45If we get overshadowed,
00:45:47what do we have to get overshadowed?
00:45:49We don't have anything.
00:45:51Sir, you have earned so much.
00:45:53Don't you feel that
00:45:55you are overshadowing each other?
00:45:57I feel that
00:45:59if I get overshadowed,
00:46:01you are spoiling your scene.
00:46:03So, you both
00:46:05clash well.
00:46:07If there is a spark in it,
00:46:09the scene will be good.
00:46:11You will think that
00:46:13let him do it.
00:46:15If it doesn't look good
00:46:17or not right,
00:46:19he is the director.
00:46:21You understand the scene
00:46:23and give him what he wants.
00:46:25Right?
00:46:27And when you give him,
00:46:29the scene comes out good.
00:46:31Sir, that was overshadowed.
00:46:33So, if you think
00:46:35that I will
00:46:37eat KK.
00:46:39So, what will I do by eating him?
00:46:41I will spoil my scene.
00:46:45The thing is that
00:46:47I should be right
00:46:49on my performance.
00:46:51I should see what he wants
00:46:53and he should see what I want.
00:46:55Only then
00:46:57there will be balance in both.
00:46:59If the mind
00:47:01goes on this
00:47:03that I will show you.
00:47:05Then where is the scene?
00:47:07KK sir must have felt the same.
00:47:09Do you have a mutual understanding?
00:47:11Do you like working with him?
00:47:13We are friends from before.
00:47:15We are friends since the time of TV.
00:47:17So, when you collaborated
00:47:19this time, what was the atmosphere
00:47:21on the set?
00:47:23Nothing. We just sat and
00:47:25talked.
00:47:27Yes, it was that time.
00:47:29It was like that.
00:47:31I liked that film of yours.
00:47:33Oh, yes.
00:47:35What is there to talk about?
00:47:37We talk about other things
00:47:39other than films.
00:47:41Friendship.
00:47:43You might not be able to tell
00:47:45that on camera.
00:47:47Oh, yes.
00:47:49We are friends
00:47:51apart from being actors.
00:47:53Sir, in Singham Returns
00:47:55you played the role of a politician.
00:47:57Prakash Rawat played
00:47:59Amol Gupta
00:48:01and you worked with him
00:48:03and troubled Singham a lot.
00:48:05It was Rohit Shetty's film.
00:48:07Your character was very strong.
00:48:09Sir, when you work with Rohit Shetty
00:48:11I have heard that you treat your
00:48:13artists and crew like family.
00:48:15It is very fun and loving.
00:48:17What was the experience like?
00:48:19Actually,
00:48:21in itself
00:48:23the shooting of a film
00:48:25is a huge burden.
00:48:27You are directing
00:48:29and producing a film.
00:48:31There are 300-400 people.
00:48:33It is a huge burden
00:48:35to lead a film.
00:48:37Ajay Devgan
00:48:39and Rohit Shetty
00:48:41are all
00:48:43very witty people.
00:48:45They are pranksters.
00:48:47There is a huge
00:48:49crowd of assistants.
00:48:51They show
00:48:53the rehearsals
00:48:55and then they do the pranks.
00:48:57And
00:48:59after that
00:49:01the prank is over.
00:49:03Now it is time to work.
00:49:05It is a good atmosphere.
00:49:07Everyone works in a good mood.
00:49:09There is no tension.
00:49:11Everyone is doing their job.
00:49:13And
00:49:15everyone knows the limit.
00:49:17There is a lot of fun.
00:49:19So, did you
00:49:21get pranked?
00:49:23No.
00:49:25Luckily or unluckily?
00:49:27Luckily or unluckily.
00:49:29It is not like that.
00:49:31It is not like that.
00:49:33We have to see
00:49:35who we have to work with.
00:49:39Most of the time
00:49:41they say,
00:49:43let's do this.
00:49:45I don't know.
00:49:47It is time to time.
00:49:49The rooster
00:49:51that gets caught.
00:49:53But you are not that rooster.
00:49:55You are always safe.
00:49:57I think he is very serious.
00:49:59Let him be.
00:50:01Sir, we saw your work.
00:50:03Your name is Zakir Hussain.
00:50:05Another heartthrob of youth
00:50:07is Zakir Khan.
00:50:09He is a great poet.
00:50:11He is a great actor.
00:50:13He is a great comedian.
00:50:15He is a big fan of girls.
00:50:17You played
00:50:19the role of his father's
00:50:21uncle.
00:50:23How was
00:50:25your experience with Zakir?
00:50:27I got a call
00:50:29for the first season.
00:50:31He said,
00:50:33meet him.
00:50:35I said,
00:50:37okay.
00:50:39We kept shooting.
00:50:41He said,
00:50:43my father is like
00:50:45your habits.
00:50:47I said,
00:50:49he must be good.
00:50:51It is a compliment.
00:50:53His father
00:50:55came to the set.
00:50:57He was like that.
00:50:59I said, okay.
00:51:01That is why
00:51:03I cast him.
00:51:07It was a good
00:51:09work.
00:51:11It was fun.
00:51:17Was it like
00:51:19you could see your son
00:51:21and his father.
00:51:23Was it a bond?
00:51:25You have to make it.
00:51:27So it was made.
00:51:29People liked it.
00:51:31Yes.
00:51:33Sometimes
00:51:35such things
00:51:37come up.
00:51:39There is a scene
00:51:41in all three
00:51:43seasons
00:51:45where you see a bonding between father and son.
00:51:47Yes.
00:51:49Sweet and sour love.
00:51:51On the roof.
00:51:53There is a scene on the roof.
00:51:55The roof was small.
00:51:57All those things.
00:52:01There was a scene
00:52:03in the first season.
00:52:05I thought it was a bonding scene.
00:52:07They kept it in every season.
00:52:09A signature mark.
00:52:11A signature mark.
00:52:15It was a good experience.
00:52:17It was an experiment.
00:52:19In every series
00:52:21there was abuse, nakedness.
00:52:23It was not in this.
00:52:25Everyone thought
00:52:27web series is not like this.
00:52:29It is family oriented.
00:52:31Everyone was discussing
00:52:33if it will work.
00:52:35How much nakedness
00:52:37will people see in the future?
00:52:39You will hear such abuses.
00:52:41After hearing such abuses
00:52:43you feel
00:52:45it is done.
00:52:47I refuse.
00:52:49Sometimes.
00:52:51Even in Murshid.
00:52:53Why?
00:52:55It is a web series.
00:52:57You will put fatwa on it.
00:52:59By abusing.
00:53:01Why?
00:53:03Why not?
00:53:05There is no need
00:53:07to force it.
00:53:09We will abuse
00:53:11in the scene.
00:53:15Leave it.
00:53:17People will see your performance.
00:53:19You should not abuse.
00:53:21But you abuse a lot.
00:53:25There was a question
00:53:27about Zakir.
00:53:29He is the son of entire India.
00:53:31People consider him down to earth.
00:53:33Is it only on camera?
00:53:35He is a good person.
00:53:37He loves you a lot.
00:53:39There is no tension.
00:53:41There is no fight.
00:53:43He carries
00:53:45his character
00:53:47of a small city.
00:53:49He is from Indore.
00:53:51Let's go.
00:53:53Did he ever tell you poetry?
00:53:55Poetry?
00:53:57He does not write much.
00:53:59He
00:54:01writes poetry.
00:54:03I don't know
00:54:05if he writes poetry.
00:54:07He is a writer.
00:54:09He must have been scared
00:54:11to tell it on screen.
00:54:13No.
00:54:15We talked about gangsters
00:54:17and abuses.
00:54:19Let's talk about something fun.
00:54:21I heard about you.
00:54:23You were
00:54:25with your friend
00:54:27in Lokhandwala.
00:54:29One of them
00:54:31came towards you
00:54:33and kissed you.
00:54:35He was standing
00:54:37in front of ICICI bank.
00:54:39Which building?
00:54:41ICICI bank.
00:54:43Yes.
00:54:45There was no light.
00:54:47It was dark.
00:54:49Okay.
00:54:51It was 2005.
00:54:53My friend and I
00:54:55were talking.
00:54:57Two girls
00:54:59from Indore
00:55:01came to me
00:55:03and kissed me.
00:55:05I was surprised.
00:55:07I thought
00:55:09it was a joke.
00:55:11Yes.
00:55:13It was a friendly joke.
00:55:15They kissed me and
00:55:17gave me Rs. 500.
00:55:19I was surprised.
00:55:21They kissed me.
00:55:23Did you like it?
00:55:25I didn't like it.
00:55:27What's wrong in it?
00:55:29There's nothing wrong in it.
00:55:33I don't even remember
00:55:35their faces.
00:55:37I laughed.
00:55:39I didn't know what to do.
00:55:41I lost my mind.
00:55:43Was she young?
00:55:45Do you remember her?
00:55:47She was around 16-18 years old.
00:55:49I didn't know
00:55:51what to do.
00:55:53It's good.
00:55:55Yes.
00:55:57I took it as an appreciation.
00:55:59It happens.
00:56:01There are female fans on Star Look.
00:56:03I don't know.
00:56:05I have never had this misunderstanding.
00:56:07If someone laughs,
00:56:09I become a star.
00:56:11You don't get trapped.
00:56:13No.
00:56:15I have never seen you
00:56:17in films.
00:56:19In real life,
00:56:21you don't kiss or romance.
00:56:23You act like a comedian.
00:56:25Why is that?
00:56:27I don't know all that.
00:56:29Romance or kiss.
00:56:31Why would anyone kiss me?
00:56:35Girls
00:56:37kiss stars
00:56:39anytime.
00:56:41Why would they kiss a villain?
00:56:43Does anyone kiss a villain?
00:56:45Anu Kapoor said
00:56:47he had a scene with Priyanka.
00:56:49Priyanka refused to kiss her.
00:56:51Is that what you are trying to say?
00:56:53Yes.
00:56:55Tell me.
00:56:57It happens.
00:56:59Apart from your
00:57:01ability,
00:57:03your
00:57:05level of stardom,
00:57:07you don't want to
00:57:09be below that.
00:57:11This
00:57:13doesn't exist.
00:57:15People in Bollywood
00:57:17talk like Hollywood
00:57:19but they can't do that.
00:57:21They don't do that.
00:57:27The thinking there is different.
00:57:29If a black actor
00:57:31plays the role of Idi Ameen,
00:57:35if he kisses someone,
00:57:37he will do it.
00:57:41But if Irfan Bhai
00:57:43does it, he won't do it.
00:57:45Irfan Bhai
00:57:47will do it.
00:57:49If Shah Rukh Khan does it, he will do it.
00:57:51That's the difference.
00:57:53So it exists?
00:57:55Yes.
00:57:57It happened with me too.
00:57:59I just had to hug her.
00:58:01Why would I hug her?
00:58:03We will hug you
00:58:05today.
00:58:07I don't know which heroine
00:58:09didn't hug Zakir sir.
00:58:11What I am trying to say is
00:58:13don't feel bad.
00:58:15Everyone has their own limits.
00:58:19And then they claim
00:58:21that we get into character
00:58:23and do anything.
00:58:25But
00:58:27you have inhibitions
00:58:29that if this happens,
00:58:31I won't do it.
00:58:33If that happens, I will do it.
00:58:35Normally,
00:58:37girls have their own limitations.
00:58:39Maybe.
00:58:41And I
00:58:43never get into that.
00:58:45You tell me.
00:58:47I got a script.
00:58:49They show father and daughter.
00:58:51But inside,
00:58:53their relationship is different.
00:58:55I said, okay.
00:58:57How will you show it?
00:58:59A small kissing scene.
00:59:01I said, ask them first.
00:59:03If the heroine
00:59:05or actress is big,
00:59:07if they are willing
00:59:09to do it,
00:59:11then I will do it.
00:59:13I don't have any objection.
00:59:15But it is a little suggestive scene.
00:59:17If they are ready,
00:59:19ask them.
00:59:21If they don't have papers,
00:59:23I don't have to force them.
00:59:25Don't take me.
00:59:27Take someone else who is compatible.
00:59:31There are many such situations.
00:59:33I don't say anything wrong to anyone.
00:59:35Everyone has
00:59:37their own limitations.
00:59:41Should I do it or not?
00:59:43The writer
00:59:45will write anything.
00:59:47He is the one who does it.
00:59:49Whether he does it or not.
00:59:51There are many other ways.
00:59:53It is not necessary
00:59:55that you have to show it.
00:59:57To establish
00:59:59that relationship.
01:00:01It is very suggestive.
01:00:03In old movies,
01:00:05it was not suggestive.
01:00:07Like a pen,
01:00:09a pigeon,
01:00:11a flower.
01:00:13It is suggestive.
01:00:15If you have to show it,
01:00:17what can you do?
01:00:19You do it in web series.
01:00:21You know how it is.
01:00:23I don't do it.
01:00:25People do it.
01:00:27I don't do it.
01:00:29You won't do it.
01:00:31I am not comfortable with
01:00:33those kind of scenes.
01:00:35There was a scene in Farzi.
01:00:37I saw it on Whatsapp.
01:00:39It was a photo
01:00:41to show that I know
01:00:43what your reality is.
01:00:45They keep spying
01:00:47to trap you.
01:00:49It was done in
01:00:515-10 minutes.
01:00:53There was not much in it.
01:00:55I said
01:00:57no.
01:00:59Sir,
01:01:01were you romantic
01:01:03during your college days?
01:01:05Were you flamboyant?
01:01:07We had a group.
01:01:09There were 2 girls
01:01:11and 3 boys.
01:01:13We were friends.
01:01:15We used to hang out.
01:01:17We used to study.
01:01:19There was no
01:01:21flamboyant culture.
01:01:23There was no
01:01:25flamboyant culture
01:01:27in 83-82.
01:01:29Most of the boys
01:01:31used to hang out like
01:01:33Amitabh Bachchan.
01:01:37It was the era
01:01:39of Amitabh Bachchan.
01:01:41Apart from that,
01:01:43there was no flamboyant
01:01:45culture.
01:01:47There was no
01:01:49flamboyant culture.
01:01:51Sir,
01:01:53there are many boys and girls
01:01:55who fall in love,
01:01:57break up and get upset.
01:01:59Do you want to give a tip
01:02:01to young boys
01:02:03to focus on their life?
01:02:05Do you know if a girl
01:02:07breaks her heart,
01:02:09a boy betrays her?
01:02:11Yes,
01:02:13you will get
01:02:15what you deserve.
01:02:17Before time,
01:02:19no one has
01:02:21got or will get.
01:02:23So,
01:02:25it's okay.
01:02:27Forget the song that is gone.
01:02:31And move ahead.
01:02:33Man re tu kahe na dhir dhare
01:02:35Wo nirmohi moh na jane
01:02:37Jin ka moh kare
01:02:39To usse pata hi nahi
01:02:43Pyaar kya hota hai?
01:02:45Aapne chalo di na, kurbani kare, khatam kare.
01:02:47Ja chal, aish ka, ja tu.
01:02:49Ladka ho, chal ladki ho.
01:02:51Doosra aayega wo shayab,
01:02:53bhaithar hoga jo parwadan hi nahi.
01:02:55Aayi kyu, aap apne time ko...
01:02:57Akele hi rahe le sir, bina mohabbat.
01:02:59Mujhkil hai, wo bhi sakta.
01:03:01Ho jayega, jo nahi hoga.
01:03:03Akele, bohot saare
01:03:05log akele rahe.
01:03:07Bhagat Singh.
01:03:0923 saal umar mein.
01:03:11Toh kya hota hai ki,
01:03:13aapko mujhe aisa lagta hai ki,
01:03:15life mein jo aara hai,
01:03:17usse toh aapko guzarna padega.
01:03:19Jo kishmat mein likha hai,
01:03:21jo usko bhogna padega.
01:03:23Aap yaha se metro pakde,
01:03:25aur aapko jana hai Boriwali,
01:03:27bina malar cross ke kaise jayenge aap?
01:03:31Yaha se church gate jana hai,
01:03:33toh Bendrao toh cross karna hi hai na.
01:03:35Lekin aapko,
01:03:37destination pata hai,
01:03:39wahan jana hai.
01:03:41Wahan aise toh nahi ja sakte aap.
01:03:43Toh jab aise jayenge,
01:03:45toh raste mein malad bhi aayega,
01:03:47bendra bhi aayega,
01:03:49ganda nala bhi aayega,
01:03:51sealink bhi aayega,
01:03:53sab kuch aayega.
01:03:55Toh usko enjoy karte hi jana chahiye aap.
01:03:57Na ki,
01:03:59ye sochke, yaar ye kyun aa gaya,
01:04:01ye kya ho gaya.
01:04:03Toh wo safar ka maza lejiye saab,
01:04:05aur chalte rahiye bas.
01:04:07Jo aayega,
01:04:09wo jayega bhi.
01:04:11Na na.
01:04:13Isi safar mein,
01:04:15jab chalte chale jayenge,
01:04:17aapka dil toot gaya malad mein,
01:04:19wo aap bhi ruk gaye,
01:04:21phir kaise aayega wo church gate.
01:04:23Nahi aasakta kabhi life mein.
01:04:25Aur aap dil todhe baithe,
01:04:27church gate nahi aaya mera.
01:04:29Toh jaa toh sahi,
01:04:31church gate chalke thodi aayega.
01:04:33Jana toh aapko padega na.
01:04:35Toh wo toh theek hai.
01:04:37Sir ab maze ki baat hui,
01:04:39khaane peene ki baat karte hain sir,
01:04:41jo aapke chehre pe glow hai,
01:04:43usko dekh ke lagta hain,
01:04:45khaane peene ki sir,
01:04:47shaukeen hunge thodi.
01:04:49Haan, shaukeen mein baut hu,
01:04:51khata thoda aaj ke liye mai kam hu.
01:04:53Lekin shaukeen toh pehle se hi khane,
01:04:55north Indian khana,
01:04:57north ke log hain.
01:04:59Sir, kya kya pasand karte hain khana,
01:05:01kaisa pakwan aapko?
01:05:03Dekhi, kya mujhe sabse zyada pasand hai,
01:05:05daal masoor ki aur gobi,
01:05:07ko khaate hain,
01:05:09bahot khaaya yaar,
01:05:11bazaan nahi aata,
01:05:13aur zyada khaaya bhi nahi jaata,
01:05:15toh, par theek hai biryani,
01:05:17korma, shorma, nahari bhaari ban jaate hai ghar mein,
01:05:19thoda bhaat do chamach khaalete hain.
01:05:21Khud banate hain sir?
01:05:23Kabhi kabhi bana bhi lete hain.
01:05:25Kya kya jaise?
01:05:27Jaise biryani bana lete hain,
01:05:29korma bana lete hain,
01:05:31chicken, mutton, veg,
01:05:33daalwal toh bahot aasaan hain,
01:05:35kya baat hai?
01:05:37Toh banana banana aisa koi nahi,
01:05:39bachpan se bainon ke saath,
01:05:41bhaiyon ke saath,
01:05:43kaam kar rahe hain,
01:05:45bainon ke haath bata rahe hain,
01:05:47yeh banana seekh liya,
01:05:49daal banana seekh liya,
01:05:51baaki aaj ki date mein toh sab khana bana banana,
01:05:53bahot aasaan hai,
01:05:55youtube bhara padha hai,
01:05:57kuch bhi banana khol ke,
01:05:59baith jo,
01:06:01par uske liye aapko
01:06:03bhi hai,
01:06:05nah toh khana banana seekh sakta,
01:06:07aur nahi phir
01:06:09artist ban sakta.
01:06:11Sir aur khana banana bhi art craft hi hai,
01:06:13aap jaise acting karte hain,
01:06:15ab sir khane ki toh baat hogi,
01:06:17chodi sir peene ka agar aap se poochna hoon,
01:06:19maazurat chahata hoon pehli poochnu,
01:06:21kabhi kabhi sir,
01:06:23party party hoon,
01:06:25jam jam lag jata hai ki nahi?
01:06:27Aata jaata rehta hai,
01:06:29toh apna toh aise hi hai ki,
01:06:31jo pakda jaaye,
01:06:33wohi chor hai,
01:06:35baaki toh sab...
01:06:39Aisa toh khair,
01:06:41sochna hi galat hai,
01:06:43kisi ko pata nahi lagta hai,
01:06:45sab pata lag jata hai,
01:06:47baaki sab jo hai,
01:06:49jo saamne aa gaya toh,
01:06:51theek hai nahi ho raha hai.
01:06:53Juice piya ghar jaayenge.
01:06:55Sir aapne itne saare
01:06:57roles karein hain,
01:06:59Singham Returns mein kiya,
01:07:01Dewara mein kiya,
01:07:03toh kya aap kabhi asli hi jeevan me bhi
01:07:05politics mein aana chahenge,
01:07:07MLA, MP banne ge,
01:07:09desh seva karenge?
01:07:11Desh seva karni ke liye,
01:07:13MLA, MP banne ki zaroorat nahi hai,
01:07:15jaise ab
01:07:17desh seva toh
01:07:21Ravi sahab bhi karte the,
01:07:23Ravi Shankar sahab ne bhi kiya,
01:07:25desh ka naam kiya na,
01:07:27toh bhi seva hi hai,
01:07:29aap apni kalaat ke throo kar sakta hai,
01:07:31political science mein
01:07:33padhaayi karna majboori thi,
01:07:35majboori hai ki kahin aur admission nahi mila,
01:07:37number itne khamn the,
01:07:39toh mein kya reservation kar linge,
01:07:41naam thappa lag jaye,
01:07:43baaki usme utna shauk
01:07:45nahi hai mujhe,
01:07:47ki MP banne, MLA banne,
01:07:49wo bilkul bidaayi alag hai,
01:07:51full time job hai wo,
01:07:53school, college se shuru karni hai,
01:07:55toh apna us taraf
01:07:57ujhaan tha nahi kabhi bhi,
01:07:59Sir, actors karte hain,
01:08:01jaise aap Meerut ke aapki constituency sahi,
01:08:03Arun Gogil ji hai,
01:08:05uske liye bada hona chahiye,
01:08:07political parties ko bhi yeh pata hai,
01:08:09ki yeh worth hai ke nahi hai,
01:08:11agar isko khada karenge,
01:08:13toh koi aadmi isko
01:08:15ek vote dega ke nahi dega,
01:08:17Arun Gogil sahab ne apna ek status,
01:08:19unka hai itna bada,
01:08:21toh unhone wo banaya tha,
01:08:23unko log pasan karte hain,
01:08:25aur wo waise hi
01:08:27unhone jeevan shaili banali hai,
01:08:29Ramayan ke time se hi,
01:08:33toh uska unko faida mila hai,
01:08:35toh usme bhi
01:08:37ek capability toh honi chahiye,
01:08:39usko carry karna
01:08:41humare raski nahi hai bhai,
01:08:43Sir, public speaking me interaction me
01:08:45aap thoda prefer nahi karta hai,
01:08:47haan main nahi karta,
01:08:49kya bolenge public,
01:08:51hum doosron ko kya samjhaye,
01:08:53Sir, farji dikha di na,
01:08:55public ko dekh legi,
01:08:57finance minister bade de,
01:08:59nahi nahi,
01:09:01lekin wo alag vidha hai bhai,
01:09:03uske liye
01:09:05gyaan bahut saara chahiye,
01:09:07chahe agyaanta
01:09:09jhalakti ho sab mein,
01:09:11lekin wo agyaanta ka gyaan
01:09:13bhi toh hona chahiye,
01:09:15wo toh hummein hai nahi,
01:09:17yeh toh sir aapki bahut sharafat hai,
01:09:19usko bole yeh,
01:09:21ki aapko falana party ticket deri,
01:09:23aapko yeh karna ho,
01:09:25toh fath se chunav ladle,
01:09:27ya kuch bhi campaign karle,
01:09:29aap is maamne honest hai,
01:09:31we should appreciate that,
01:09:33apni capability humein pata ho nahi chahiye,
01:09:35aur saamne wala aapko chunega tabhi na,
01:09:37jab unko yeh bharosa hoga,
01:09:39ki ismein wo capability,
01:09:41ya iski wo market value hai,
01:09:43baaki jitne bhi humare saath ke
01:09:45actor hai, Ravi Kishan hai,
01:09:47wo capability hai,
01:09:49unmein wo character hai,
01:09:51unke andar wo,
01:09:53usko sambhal ke rakhne ka,
01:09:55usko carry karne ka,
01:09:57hum jaise logon mein nahi hai,
01:10:01ab jise popularity se aap ban jaate hain,
01:10:03govinda sahab bane,
01:10:05wo ek popularity hai,
01:10:07bachchan sahab bhi ek baar bane,
01:10:09lekin kya hota hai ki,
01:10:11ab ek time ke baad wo cheezein badal jaate hain,
01:10:13carry karna pahut muskil hai,
01:10:15bahut kathin hota hai,
01:10:17wo koi part time job nahi hai,
01:10:19full time hai,
01:10:21apni constituency ko dekhna,
01:10:23kaise balance karna,
01:10:25idhar se udhar kya,
01:10:27koi bhi sawal,
01:10:29bahut muskil hai,
01:10:31abhi ke jaise politicians hai,
01:10:33Modi ji hai, Rahul Gandhi hai,
01:10:35Mamata ji hai, Uddhav ji hai,
01:10:37Akhilesh Yadav hai,
01:10:39to in sabme se 4-5 naam,
01:10:41ya mujhe se koi miss hogaya,
01:10:43kya favourite kaun hai,
01:10:45aur nahi puchenge,
01:10:47main isme jaana bhi nahi chahata,
01:10:49kya thak favourite favourite ki baat hai,
01:10:51kinka aapko kaam pasand aata hai,
01:10:53desh ke liye achha karna hai,
01:10:55agar kuch aap batana chahiye,
01:10:57lekin kya hai,
01:10:59jab desh me koi aisi,
01:11:01muskil aati hai,
01:11:03tabhi samajh mein aata hai,
01:11:05kaun aadmi,
01:11:07kitne level pe hai,
01:11:09jo kuch legendary log hote hain,
01:11:11Atal Bihari Vajpayee the,
01:11:13sunne unko sab aate the,
01:11:15Malvinagar mein ham log
01:11:17jab Delhi mein rahte the,
01:11:19to wahan aate the,
01:11:21wo speech dene,
01:11:23sunne sab jaate the,
01:11:25chahe vote na dete ho,
01:11:27to unka kya tha ki,
01:11:29ek persona unki samajh,
01:11:31sochh, videsh neeti pe,
01:11:33badi achhi pakadat thi unki,
01:11:35Indira Gandhi ne bhi ek baar unko
01:11:37opposition mein the to bheja tha,
01:11:39videsh mein bheja tha,
01:11:41to ye capability,
01:11:45jo apni shishya ko
01:11:47Pradhan Mantri tak bana de,
01:11:49to aise capability,
01:11:51bahut kam logon mein hoti hai,
01:11:53Manmohan Singh the,
01:11:57binaon chanaon ke Pradhan Mantri ban gaye,
01:11:59Rajya Samajh,
01:12:01capability,
01:12:03desh ko sankat se ubarna,
01:12:05financial crisis,
01:12:07to itna,
01:12:09wo aasaan kaam nahi hai,
01:12:11to wo padhaay likhaay ka kaam hai,
01:12:15baaki mujhe lagta hai ki
01:12:17jitne bhi leaderon ka naam
01:12:19aapne liya,
01:12:21current ke,
01:12:23wo depend karte hain apne officers pe,
01:12:27lekin,
01:12:29Pranab Mukherjee sahab,
01:12:31Pranab da,
01:12:33aur Manmohan Singh,
01:12:35create karne wale log the,
01:12:37ki is samasya ko
01:12:39aise nipta ja sakta hai,
01:12:41ye planning banao,
01:12:45baaki sab ke apni
01:12:47input to hain hi,
01:12:49slow,
01:12:51kisi cheez ki pehle slow,
01:12:53Rajiv Gandhi sahab leke aaye saara digital maamla,
01:12:55computer leke aaye,
01:12:57phir aur cheez, mobile leke aaye,
01:12:59sab leke aaye,
01:13:01wo uss level pe slow rahi thi,
01:13:03Pranab Mukherjee sahab,
01:13:05usko faster usme,
01:13:07digitize nation bana diya,
01:13:09ye le idhar scan kar,
01:13:11payment gaya,
01:13:13to wo slow rate of development tha,
01:13:15unhone push kiya,
01:13:19lekin mera ye maanna hai ki,
01:13:21society strong ho,
01:13:23GDP,
01:13:25growth achchi honi chahiye,
01:13:27per day,
01:13:29per capita,
01:13:31income badni chahiye,
01:13:33aur,
01:13:35thoda sa mai isko,
01:13:37hazam nahi ho pata hai,
01:13:39freebies jo kate hai,
01:13:41revdi culture,
01:13:43wo theek nahi hai,
01:13:45usse kya hota hai ki,
01:13:47nikammapan zyada hai,
01:13:49kaya ko kaam karega koi,
01:13:51to wo nahi,
01:13:53unko is kaabil banayi hai,
01:13:55to unke jo basic,
01:13:57padhayi likhayi hai,
01:13:59sasta kar diya,
01:14:01free mat kariye,
01:14:03free mat kariye,
01:14:05usko is laayak bana diya,
01:14:07ki wo dasvi karke,
01:14:09college karke,
01:14:11apne 20, 25, 30, 40,000 ki naukri,
01:14:13karne wala ban jaye,
01:14:17ya wo culture badhawa ki,
01:14:19tum kuch bhi abhishkar karo, chalo,
01:14:21jo sometime,
01:14:23somewhere,
01:14:25Shishodiya sahab ne Delhi mein kiya tha,
01:14:27education banayi tha ki,
01:14:31start up karo,
01:14:33start up,
01:14:35to wo basically kya hai ki,
01:14:37naya samaj gajne wali,
01:14:39to wo ek achi pehle hai,
01:14:43hum itne paise de denge,
01:14:45utne de denge,
01:14:47kyu de rahe ho paise,
01:14:49wo ek alag baat hai,
01:14:51widowa pension hai,
01:14:53old age pension hai,
01:14:55wo ek alag,
01:14:57lekin aurto ko free denge,
01:14:59kyu denge free,
01:15:01wo kehte hai sir,
01:15:03thodi suvidah ke liye,
01:15:05free se kya hota hai na,
01:15:07buson mein aapne ticket free kar diya,
01:15:09achi baat hai,
01:15:11suvidah hi hoi na,
01:15:13aap mehga hi kam karo,
01:15:15apne aap bhi khush ho jayenge aurte,
01:15:17aadmi, sab mila ke,
01:15:19mehga aapne itna kar rakha hai,
01:15:21udhar se kama hai,
01:15:23yeh ko fayda hai,
01:15:25yeh theek nahi hai,
01:15:27to sir yeh political humari segment ka ek last sawal lete hain,
01:15:29thoda apne Shishodia sahab ki tarif kari,
01:15:31education ke hawale se,
01:15:33unhone achha kiya,
01:15:35to sir aap apne aapko aam aadmi maante hain,
01:15:37unki party bhi aam aadmi ho ki,
01:15:39aur zyada nahi poochunga,
01:15:41nahi to sahi,
01:15:43aam aadmi party ka offer aaya to,
01:15:45wo karenge join ki nahi,
01:15:47kyuki aam aadmi hi,
01:15:49bus,
01:15:51aise bahut saare,
01:15:53aap direct kyu nahi karte,
01:15:55main director hoi nahi hain,
01:15:57main kaya ko direct kar doon,
01:15:59sab ke apne apne
01:16:01respected job hai,
01:16:03sab ko wohi karna chahiye,
01:16:05jo usko aata hai,
01:16:07jo woh kar sakta hai,
01:16:09jo unki expertise hai,
01:16:11apni nahi hai bhai,
01:16:13agar kisi ko,
01:16:15kuch suggestion de diya,
01:16:17iska matlab yeh thodi ki director ban gaye hum,
01:16:19direction
01:16:21apna apne ek bada alag vision hai,
01:16:23wo director
01:16:25wohi ban sakta hai,
01:16:27jo itni himmat rakhta hai,
01:16:29hum to aalsi log hai,
01:16:31actor hain,
01:16:33sab ko 6 baje dialogue bolke aabe,
01:16:35aalsi to bilkul nahi sir,
01:16:37kitna kaam hota hai,
01:16:39yeh to aap fun loving tariqe me sab lete hain,
01:16:41sir political ki bahut baat ho gaye,
01:16:43thodi si geography late hain,
01:16:45thoda neeche down south chalte hain sir,
01:16:47Indian 2 me,
01:16:49aur jo aapne shuruaat me,
01:16:51Shetupati sahab ke saath,
01:16:53tamam kitni hongi,
01:16:55to bharat ek hi hai apna,
01:16:57thoda thoda farak rehta hai,
01:16:59Tamil Telugu industry aur Bollywood me,
01:17:01aap kya thoda farak dekhte hai,
01:17:03work culture ka thoda,
01:17:05pehle tha farak,
01:17:07ab zyada nahi raha,
01:17:09bohot kareeb aa gayi hai,
01:17:11Pan India film hai na,
01:17:13film alag baat hai,
01:17:15sabko ab yeh malum hai ki bhai,
01:17:17time is money,
01:17:19ab wo late latifi aur wo sab sari cheeze,
01:17:21wo starism,
01:17:23wo sab khatam ho gaya,
01:17:25aap samay ki value,
01:17:27sabko pata hai,
01:17:29sab samay pe aate hain,
01:17:31aaj ki late mein govinda sahab tak the shahad,
01:17:33jo late kabhi aaye,
01:17:35sir sachhi mein aate the aisa,
01:17:37humne koi suna bahut hai,
01:17:39haan nahi aate the ho,
01:17:41apne hi production me wo late aate the,
01:17:43apne hi,
01:17:45apne bhai ki direct ki the,
01:17:47humne ek film,
01:17:49usme hi wo chaar bhaji aate the,
01:17:51apni khudi producer the,
01:17:53toh aisa kuch tha,
01:17:55apna jo bhi tha,
01:17:57lekin kya hai ki,
01:17:59producer jo hai,
01:18:01producer ko paise kama ke deta hai,
01:18:03wo insaan na,
01:18:05bolega ki bhaiya,
01:18:07yeh chaar bhaji aake bhi,
01:18:09poore din ka kaam khatam karke jata hai,
01:18:11dikkat maha hai ki aap aayenge bhi chaar bhaji,
01:18:13aur chale bhi paanch bhaji jaayenge,
01:18:15toh phir shooting kaise ho gaye,
01:18:17toh pehle hota tha aisa,
01:18:19lekin ab jo hai cheezein,
01:18:21ekdum on time hogi hai,
01:18:23chahe wo Bachchan sahab ho,
01:18:25chahe Akshay Kumar ho,
01:18:27sab time pe aate,
01:18:29ekdum on time,
01:18:31abhi main parshon shooting kar raha tha unni ke saath,
01:18:33Akshay sir ke saath?
01:18:35haan, Bhoot Bangla,
01:18:37Priyadarshan sahab ki,
01:18:39Jaipur mein tha,
01:18:41sab time pe aate, normal,
01:18:43Sir, koi set ka kisa suna dijiye,
01:18:45Bhoot Bangla, Akshay sir bhi prankster,
01:18:47Priyadarshan sir,
01:18:49haan, nahi, aisa kuch nahi tha,
01:18:51kuch aise scene the,
01:18:53kaafi lamba lamba,
01:18:55itna lamba lamba bolna tha,
01:18:57aapne chat karke yaad kar liya hoga,
01:18:59wo do dil pehle se yaad tha mujhe,
01:19:01yaad kar,
01:19:03kaisa yaad kar lete hai yaar,
01:19:05aadat hai kya kar,
01:19:07haan,
01:19:09unka sir, kaha jaata hai aise teleprompter,
01:19:11screen laga ke bolte hain dialogue,
01:19:13aisa kuch hota hai,
01:19:15mere se yaad hi nahi ho jaata,
01:19:17itne time se sustain karne hai,
01:19:19longevity unki,
01:19:21unko yaad thoda,
01:19:23yaad kyu nahi ho pata,
01:19:25paper hai,
01:19:27aapko lagta hi nahi hoga,
01:19:29kahin dekhte bol raha hai,
01:19:31wo bhi ek apnaapne kala hai,
01:19:33safai se bol dena,
01:19:35aur film ki jahaatak baat hai ki,
01:19:37bahot zyada zyada liney hoti nahi hai,
01:19:39do do liney hai,
01:19:41cut ho jaata hai,
01:19:43utna to aadmi soch hi leta hai,
01:19:45lekin wo 1.5 page ka dialogue ho,
01:19:47wo phir laate bhi aapi jaise
01:19:49kalakar ke paas hai,
01:19:51wo yaad karke suna dega,
01:19:53haan, nahi wo aisa kuch nahi hai,
01:19:55pehle se script aa jaati hai to,
01:19:575 baar, 10 baar padha,
01:19:59ho gaya yaad,
01:20:01theatre ke experience hai,
01:20:03aaj sir NSD ke project hai,
01:20:05aur bhi,
01:20:07NSD se pehle bhi kaafi theatre ho jaata hai,
01:20:09to wo aisa koi masla nahi hai,
01:20:11shanti se kaam hota hai,
01:20:15aap tayyaar hai, tayyaar ho ke aapka,
01:20:17do din ka kaam ek din me
01:20:19khatam ho jaata hai,
01:20:21production wale ke liye bhi achha hai,
01:20:23director ke liye bhi tension kariye,
01:20:25producer ke liye aur achha hai,
01:20:27to sab ke liye achha hi,
01:20:29achha hai, aur aur kya,
01:20:31aap toh dekhi kya,
01:20:33to ki hum South Telugu ki baat kar rahi hai,
01:20:35nahi wo dekhi nahi,
01:20:37abhi tak kuch nahi dekhi,
01:20:39badi achhi paisa ho,
01:20:41hindi ke ho gaye,
01:20:43agar saari bhaashayin mila de hum,
01:20:45Tamil, Telugu, Malayalam,
01:20:47Kannada bhi mila de 400 crore,
01:20:49to 1200 crore ho gaye bharat mein,
01:20:51to aapko sir,
01:20:53koi aisi film ka chance aaye,
01:20:55to aap bilkul usme kaam karna chahenge,
01:20:57chali nahi,
01:20:59chali achhi,
01:21:01hindi mein sir,
01:21:03Indian 2,
01:21:07Indian 3 bhi toh sir ban rahi,
01:21:09unhone kaaye Shankar sir ki,
01:21:11Indian 3 bhi bohot jal laayegi,
01:21:13aayega kuch toh,
01:21:15agar apne liye hoga toh, bula liye,
01:21:17aur sir,
01:21:19Welcome to the Jungle naam ki movie aayi hai,
01:21:21log kehte hain ki Welcome 3 hai,
01:21:23wo shayad Ahmed Khan sahab ki,
01:21:25usme Akshay Kumar,
01:21:27Akshay Dwarsi, Sanjay Dutt, Raveena Tandon,
01:21:29poora Rajpal,
01:21:31Yashpal, aap sir Zakir Hussain ji,
01:21:33toh aapne wo kuch shoot bhi kiya tha,
01:21:35promo kiya tha,
01:21:37batalion mein,
01:21:39toh sir thoda gayab ho gaye film audience,
01:21:41wait kar rahi, kuch update hai sir aapko?
01:21:43Kuch update nahi hai,
01:21:45bhai ab wo ruki hui hai,
01:21:47ya kisi wajah se kuch hoga,
01:21:49shooting jab hogi toh,
01:21:51aapko khabar aayi jaayegi,
01:21:53humare paas koi update aisa hai nahi,
01:21:55ke,
01:21:57aur nahi kisi ke paas hai,
01:21:59kisi ke paas hoga bhi toh batana nahi,
01:22:01Paresh bhai hain,
01:22:03Akshay ji hain,
01:22:05hum kya pooch hain,
01:22:07par wo Welcome 2 ka hi aagla part ho,
01:22:09Welcome 3 aisa?
01:22:11nahi wo alag hai kahani,
01:22:13franchisee thodi alag hai shayad,
01:22:15wo bahut different hai,
01:22:17wo bilkul alag hai,
01:22:19uska promises bilkul alag hai,
01:22:21wo toh aapko,
01:22:23wo pata lagi raha tha,
01:22:25wo theek hai,
01:22:27ban jaye, kisi tarah se aa jaye,
01:22:29toh phir maza hi aa jaye,
01:22:31toh sir bas jaate jaate,
01:22:33aapka sir kuch upcoming projects,
01:22:35agar aap fans ke saath,
01:22:37audience ke saath share karna chahein,
01:22:39abhi ye D2R ke saath farzi ki thi,
01:22:41toh unke saath ek badi ajeeb
01:22:43alag kism ka project
01:22:45chal raha hai,
01:22:47um
01:22:51Rakta Brahmand,
01:22:53usse pehle ek aur kiya tha,
01:22:55toh main uska kuch dikha bhi nahi sakta hai aapko,
01:22:57photo-photo,
01:22:59sir bata dijiye sir,
01:23:01wo ancient time pe aadharit hai,
01:23:03oh
01:23:05maitho nahi hai,
01:23:07historical, ancient,
01:23:09third century me kaise raat hai,
01:23:11India me type ka aisa,
01:23:13kal ki toh modern hai,
01:23:15usse pehle
01:23:17pankaj tripathi aur
01:23:19kunal ke muh
01:23:21main,
01:23:23toh isme shayad
01:23:25south ke koi hain,
01:23:27aur ye hai,
01:23:29farzi me,
01:23:31pushpa 2 mein jo ladki
01:23:33dance karte hai,
01:23:35shree leela,
01:23:37shaman tha,
01:23:39pushpa 1 mein,
01:23:41toh wo hai,
01:23:43aur
01:23:45Ali Khan hain,
01:23:47aise aur characters hain,
01:23:49kya baat hai,
01:23:51toh wo thoda sa maamla atrangi hai,
01:23:53kaafi vishal star cast aur
01:23:55aap jaise bata rahe hai,
01:23:57wo ancient hai,
01:23:59big director,
01:24:01abhi ye,
01:24:03ek red chilli ki film ki thi,
01:24:05Saif sahab ke saath,
01:24:07kab aayegi pata nahi,
01:24:09oh Shahrukh Khan sir ka,
01:24:11shahrukh sir kuch mulaqat,
01:24:13nahi wo toh nahi mil paaye,
01:24:15toh shooting kar rahe the Punjab mein,
01:24:17unke office mein rehearsal thi,
01:24:19toh wo thei nahi,
01:24:21aur phir ek,
01:24:23Bhoot Bangla ki shooting
01:24:25chali rahi hai,
01:24:27shooting chali rahi hai,
01:24:29ek aur web series Glory,
01:24:31maine bataya,
01:24:33usme ye log hain,
01:24:37Devendra Sharma,
01:24:39me hoon,
01:24:41Yashpal hai,
01:24:43aur bhi log hain,
01:24:49ek aur film ki thi maine,
01:24:51woh bhi shayad abhi hai,
01:24:53Bhool Chuk Maaf,
01:24:55Rajkumar Rao,
01:24:57Vamika,
01:24:59Vamika ke saath mirko jaise aapne bola yaad aaya,
01:25:01aapne jab woh bohot choti thi,
01:25:03ek 16 naam ki picture aayi thi,
01:25:05aapne usme bhi unke saath kaam kiya hua,
01:25:07mere saath uske scene nahi the,
01:25:09toh ussi ne mujhe bataya,
01:25:11Vamika thi usme,
01:25:13Bhool Chuk Maaf mein,
01:25:1516 mein,
01:25:17nahi,
01:25:19ye abhi film ki Rajkumar Rao ke saath,
01:25:21Banaras mein,
01:25:23ye inki hai,
01:25:25Dinesh Vision,
01:25:27Mad Dog ki,
01:25:29toh tab usne mujhe bataya ki,
01:25:31sir main uss film mein thi,
01:25:33jab woh choti thi,
01:25:35toh usme bhi hai Vamika,
01:25:37toh ye toh sir bohot achi baat hai,
01:25:39khubsoorat baat hai,
01:25:41unko yaad tha unhone aapse share kiya,
01:25:43nostalgiya hi toh,
01:25:45maine dekhi bhi nahi film woh,
01:25:47toh usne bataya ki,
01:25:49sir uss film mein thi,
01:25:5116 naam se film mein thi,
01:25:53Teenage ki problem,
01:25:55bohot achche se usme dikhaya gaya tha,
01:25:57ab sir jaate jaate hume toh,
01:25:59aapne hume bohot zyada excite kardi hai,
01:26:01itne saare apni movies ka naam bata ke,
01:26:03aur fans bhi bohot zyada excited ab ho jayenge,
01:26:05wait karenge,
01:26:07kab Zakir sahab ka aayega sab kaam,
01:26:09web series, filme aur sab hum dekhenge,
01:26:11ab sir jaate jaate ek guzaarishe thoda,
01:26:13aap kyuki Meerut ke hain,
01:26:15thodi theht boli hoti,
01:26:17wahaan Haryanvi type ekdum khadi boli,
01:26:19toh usme sir kuch camera mein dekhke,
01:26:21lehre ki audience ko,
01:26:23poore Bharat ko kuch acchi acchi baate boli,
01:26:25dekho aisa kuch nahi hai,
01:26:27baat ye hai ki,
01:26:29sabar rakho,
01:26:31aur mahinat krte roo,
01:26:33aur kuch nahi dharha,
01:26:37baaki sab jo hai,
01:26:41kuda hai,
01:26:43jitna karoge,
01:26:45utna hi milega,
01:26:47baas,
01:26:49khao piyo mastro bhai,
01:26:51Jai Hind.
01:26:53Wah sir, yeh Jai Hind ekdum
01:26:55wo farji wala tha,
01:26:57asli tha farji series wala tha,
01:26:59aap se baat karke,
01:27:01aap wada karenge sir,
01:27:03aap lehre pe aate rehenge,
01:27:05humse milte rehenge,
01:27:07door aur paas ka masla nahi hai,
01:27:09wo toh sir aapne samjhaye ki,
01:27:11Borivali se Chowdhury Gate kaise jaate hain,
01:27:13toh dosto yeh Zakir Hussain saab the,
01:27:15aap inki har web series dekhe,
01:27:17har film dekhe,
01:27:19hum lehre se hai,
01:27:21aap hamare bhi saare YouTube pe content dekhe,
01:27:23bahot bahot dhanyavaad.
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01:27:33pe missed call de sakte hain,
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