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The Game 2025 - S01E03 HD (TvShows)
The Game 2025 - S01E03 HD (TvShows)
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TVTranscript
00:00Gov, I've, uh, got you a present.
00:02Frank?!
00:03I did what you asked, and had a look at that PM report for your neighbour.
00:07Let me show you something.
00:08Is that a ballerina?
00:10Declan gave it to me. Do you remember?
00:12Everyone thought he was the stalker.
00:14You can't come in.
00:15Are you serious?
00:16Are you okay?
00:18Honestly, I don't know.
00:19You let me stand in front of him.
00:21I was trying to end all this.
00:25It's you.
00:27Yes, it's me.
00:30It's you.
01:00It's me.
01:30It's me.
02:00Hugh?
02:10Hugh?
02:14Hugh, are you awake?
02:20Oh.
02:22How are we feeling?
02:24A bit rough.
02:26Coffee?
02:30How do you like it?
02:41What did you put in my drink?
02:45I think you'll find that was your own doing.
02:48I heard what you said.
02:51What, you think I didn't hear you?
02:55I'm sorry, what?
02:57I knew it was you.
03:00I always knew.
03:02Hugh, you were off your face last night.
03:04I don't know what you think you heard.
03:06Think?
03:07All I know is you came in,
03:09you were staggering around,
03:11saying very weird stuff about
03:13death, guilt,
03:15Ruth.
03:17No.
03:18And then you passed out.
03:20Now, let me make you some breakfast.
03:22Toast.
03:25You coppers and your booze.
03:28Bet you've ended up here a few times.
03:31I heard Frank liked a tipple.
03:33Don't
03:35you mention
03:37my friend.
03:39It's terrible that he's gone.
03:41I know you killed him.
03:43And I know,
03:45I know what you are.
03:48And now I know
03:51I'm coming for you.
03:53I'm coming for you.
03:57I'm going to put you away.
04:03Whatever you say, Hugh.
04:06I think you're still drunk.
04:23No, you're not coming in.
04:24Oh, Margot.
04:25No, and Mum says so too.
04:26Oh, where is she?
04:27She's at work.
04:29Oh, love, come on.
04:30How's Ruth?
04:32Or was it just like the old days?
04:34And the daughter you never had?
04:37The daughter?
04:38Is that what you think?
04:40Oh, sweet, she's never that.
04:42She's just a troubled young woman.
04:43Who needs you more than I do.
04:45Don't worry, Dad.
04:46My skin's pretty thick these days.
04:48Look, you just don't understand what is going on.
04:50I do, Mum told me.
04:52You think Patrick's the stalker?
04:54Well, he is a snake.
04:56The guy that moved in, opposite.
04:58You're sick.
05:00Margot, I just...
05:01You're sick, and you won't get better.
05:04It's hard.
05:23I'm sorry.
05:24I can't get through.
05:25I'm sorry.
05:26I can't get through.
05:27I'm sorry.
05:28I can't get through.
05:29I'm sorry.
05:30I can't get through.
05:31I'm sorry.
05:32I can't get through.
05:33I'm sorry.
05:34I can't get through.
05:35I'm sorry.
05:36I can't get through.
05:37I'm sorry.
05:38I can't get through.
05:39I'm sorry.
05:40I can't get through.
05:41I'm sorry.
05:42I can't get through.
05:43I'm sorry.
05:44I can't get through.
05:45I'm sorry.
05:46I can't get through.
05:47I'm sorry.
05:48I can't get through.
05:49I'm sorry.
05:50I can't get through.
05:51Sorry, can't get through the phone right now.
05:52Leave a message.
05:54Hi, hi, Jenny.
05:55Listen, I need to talk to you,
05:58because could you just ring me urgently, please?
06:02I need to look into the PM report for my neighbour, Frank.
06:06He's...
06:07There's something wrong with him.
06:09There's something...
06:10Yeah, OK.
06:11Yeah, just call me.
06:22CAR STARTS
06:34Hey, Patrick.
06:36You're back.
06:38Was it somewhere nice?
06:39Yeah.
06:40Grotty hotel and a conference room.
06:42Didn't see the sky for three days.
06:44How's Liz?
06:46She's a bit out of sort.
06:48You heard about this?
06:49About what?
06:51She said someone was in our house.
06:54She's seen someone?
06:55No, but...
06:58She's a bit freaked out.
07:00Feels like someone's casing the joint, you know?
07:03What?
07:05Nothing, no, nothing.
07:08Well, it's just this...
07:10This thing happened last night.
07:12What?
07:15Hugh turned up in the middle of the night.
07:18As in, there he is, walking into my house.
07:21Seriously?
07:22Yeah, he was drunk.
07:23He was off his tits.
07:25He ended up passing out on my sofa.
07:27What was he doing in your house?
07:30I have no idea.
07:32You know, when he was doing that big case,
07:34the one he flunked,
07:35he had some sort of breakdown.
07:38He had a breakdown?
07:40God.
07:44So...
07:45So he's got form for odd behaviour.
07:49And you think it could have been Hugh in your house?
07:52No, come on, Steve, he's a cop.
07:54He was a cop.
07:56Just keep an eye out, yeah?
08:18Oh, my God.
08:20Oh, my God.
08:22Oh, my God.
08:26Oh, my God.
08:28Oh, my God.
08:49Hello, Jacqueline.
08:56No.
08:57I know that I'm the last person you want to see, but...
08:59I am not the stalker.
09:01Stop harassing me.
09:03I know.
09:05I'm sorry.
09:06You've ruined my life.
09:09You left me to rot.
09:11I did.
09:13I did.
09:14I did.
09:17Something's happened.
09:19I don't care.
09:20Jacqueline, I need your help.
09:22God, no.
09:24No.
09:25No!
09:26No!
09:27Jacqueline.
09:28No!
09:34Mark.
09:41You said he's been calling you.
09:45He's a twat.
09:47Asking for favours.
09:48He's supposed to be retired.
09:49Yeah, well, I'm not answering.
09:50All right?
09:58Ruth's expecting us, yeah?
09:59Yeah.
10:01Yeah, she said she'd be in all morning.
10:07Curtains are still shut.
10:14Look.
10:28Lights are still on.
10:45Ruth?
10:48Hi, it's Jenny.
11:01Martin?
11:09Oh, man.
11:10Oh, man.
11:14Call Ian.
11:17Okay?
11:21I've seen this before.
11:41Mark, you?
12:07Hi, it's Ruth.
12:09Yeah, hi, Ruth.
12:10Listen.
12:12I'm just so sorry.
12:14What I've done to you, I...
12:17I just can't stop.
12:22Somehow, I've always found a way to hurt you.
12:27And now, well...
12:29Now what I've done is even worse.
12:33Just so sorry, Ruth.
12:35I know it's...
12:36I know it's...
12:37Well, it's way too late.
12:38I...
12:40Oh, God.
12:55Sometimes he gets a bit...
12:59Hi.
13:00Hi, Mum.
13:01Patrick.
13:02Hello.
13:03Alice.
13:05I need to ask you something.
13:06Go on.
13:09Hugh ended up on my sofa last night.
13:12Oh, that's where he went.
13:13Yeah.
13:15It was a little worse for wear.
13:16I'm not judging, but...
13:19Yeah, he seemed a bit...
13:22What was the word?
13:23Yeah, ragged.
13:27Oh.
13:29Is he okay?
13:30Yeah, yeah, of course he's okay.
13:32He thinks you're trouble, though.
13:35Get him smashed like that?
13:38He's blaming me?
13:40Well, I'm guessing he wasn't the one pouring the troubles.
13:42Oh, well, my bad.
13:44Great.
13:45Well, stop worrying.
13:48It's just some of the stuff he was saying.
13:51What stuff?
13:53Oh, you know what your dad's like.
13:55Give me a hand with the shopping, please.
13:57Thanks.
14:00Let's not watch.
14:05I'll leave you to it.
14:07Okay.
14:15I hope I didn't say anything wrong.
14:17No, not at all.
14:18It's just I sometimes wonder how you cope with Hugh.
14:22I sometimes wonder how you're single.
14:25A handsome, charming man like you.
14:28Alice, behave.
14:31But Margot's too young for that.
14:32What?
14:34Oh.
14:35No, I just see her as a friend.
14:38She's too young for that, too.
14:41Nice seeing you.
14:42Take care.
14:49He's a good guy, you know.
14:51No matter what Dad says.
14:53Your dad is a complicated man, Margot.
14:56And I know he's not the father you wanted.
14:58But he's a good man.
14:59And I know he's not the father you wanted.
15:01But he's never been a fool.
15:03Yeah, what does that mean?
15:04It means that just stay away from Patrick, please.
15:08How can you still believe Dad after all the bullshit?
15:14He finally turned up, by the way.
15:16Your dad?
15:17Well, where is he?
15:18I don't know.
15:20I told him to get lost.
15:21Well, how did he seem?
15:23He seemed rough.
15:24And he stank.
15:25Margot, what was he like?
15:27He was like how he was before.
15:30And he'd disappear for days.
15:33You remember?
15:35And then he'd finally turn up, just as he was about to solve the case.
15:39This time, I've got him.
15:41So it's just you wait.
15:42Tomorrow.
15:44You do remember.
15:46And then he'd vanish again.
15:49Go see Ruth.
15:51And he'd be left.
15:52Standing by the door, trying to pretend everything was okay.
15:55And I didn't know how to help.
16:00I don't know why you're not more angry.
16:03Because I am worried about him.
16:07I'm sorry, Mum.
16:16Declan?
16:20Declan!
16:21I know you're in there, just open up!
16:27I told you.
16:28I know that you hate me.
16:29And I'd feel the same way, but...
16:33Listen.
16:36I'm coming in, alright? I've got nowhere else to go.
16:50I still get a brick through my window every now and then.
16:54Doesn't matter that I didn't do it.
16:57Because once your face is all over TV...
16:59You know, I pay for my failures too.
17:03Not like me.
17:06Well, you had links to all the victims.
17:07Which he must have planted.
17:10I didn't know any of them.
17:11Well, you knew Ruth.
17:13She's different.
17:15I never did anything bad, I just like to watch her.
17:20She's so pretty, you know.
17:22She's like a little sugar fairy.
17:24On top of a cake.
17:27Why did he pick you?
17:29I don't know.
17:31Because no one cares about me.
17:33Why did he even know about you?
17:35When you realised it wasn't me,
17:37and that CCTV proved that I couldn't have done half the crimes that you've charged me for,
17:43no one, not even you, asked me that.
17:46I was taken off the case, so...
17:48You wouldn't have come anyway!
17:50So Ruth was the only one that you actually had a connection with.
17:55All the rest were...
17:56Total strangers.
17:57So that means that he would have been watching Ruth,
18:00and that's why he would have noticed you,
18:01or he's watching you, and that's why he would have seen her.
18:04And you were stalking her, so...
18:05I wasn't stalking her!
18:08I just thought we could be friends.
18:12She's a beautiful dancer.
18:16I saw this ballerina statue in an antique shop.
18:21And it made me think of her.
18:24So I...
18:27I got it fixed up and...
18:30I gave it to her.
18:32You scared her.
18:33No.
18:34No, I'm not like that!
18:38What do you care?
18:40It's done.
18:41You're done.
18:43I'm done.
18:44I know, but something's changed.
18:45Something's happening.
18:46Something...
18:47Something new.
18:48Sure it has.
18:49Sure it has.
18:50If I can find out what the connection is between...
18:52between you and the...
18:53and the victim,
18:55and why he picked you,
18:56and why he even met you,
18:58then I can work out why he chose the rest.
19:00You see?
19:01And do what?
19:02Then I've got the proof!
19:03So think!
19:05Think, what are you?
19:07The same reason he wrote you all of those letters.
19:10He knew you loved the chase as much as the catcher did.
19:14You and him.
19:15Me and him.
19:16Dirty men.
19:19Do you ever think about the link...
19:22between you and your victims?
19:25What?
19:26You met me, and my life is trashed.
19:31Ruth too, right?
19:33As your wife.
19:35Your family.
19:38Who's done more damage?
19:40You or the stalker?
19:43That's a stupid thing to say.
19:45Really?
19:47Name me a single person...
19:48who's better off for knowing you!
19:54Hey!
19:55Give Ruth my love,
19:56if you dare!
20:08Neighbour says she saw a man banging on Ruth's door two nights ago,
20:11trying to break in.
20:13Guess the description she gave.
20:16Male, white, 50s, balding.
20:20I can't believe Hugh went back there after he promised...
20:22What a prick!
20:23Prick?
20:24Jen, he was there at the scene of the crime,
20:26at the time of the murder.
20:29A murder which looks just like all the other victims of the old Ricton stalker case.
20:32No, see, I was wrong about that.
20:34It's not the same.
20:36It's cruder.
20:37I mean, it's similar, but the stabbing's different.
20:39It's a different kind of rope,
20:40a different knot.
20:42Right, so a copycat then?
20:43Yeah, maybe.
20:44Or someone pretending to be the stalker?
20:46I just, I don't know.
20:49Hugh Wood?
20:51Yeah, well, we could ask him.
20:53Nice and formally, with his solicitor present.
20:55Martin...
20:56Look, Jen, I know he's your mate.
20:57No, he's not a mate.
20:59Five minutes ago, he was my boss,
21:01and he was a great boss too.
21:03Whoever you all thought.
21:04He's involved in this.
21:05You don't know that.
21:06He was there.
21:07He left that weird phone message.
21:09There's all these links to the stalkers.
21:10It's all circumstantial.
21:12It's dodgy.
21:13It's what it is.
21:15Look, I'm not saying he's the killer, okay?
21:21Not yet, anyway.
21:29Scary.
21:30But you're okay.
21:32Bit wobbly, to be honest.
21:33Not bad.
21:35But Paul's home.
21:36What, him?
21:37What's he gonna do?
21:38Scare him off with his kindle?
21:40Oh, he's better than nothing, I suppose.
21:42Oh, I don't like it.
21:43It just feels like we're being watched.
21:45Um, what's this about you catching Hugh
21:47in your house?
21:51I think...
21:52I hope...
21:53it was a misunderstanding.
21:54Like how?
21:59And don't worry about the twins.
22:02Oh, my God.
22:03Whatever this is,
22:04I'm sure they're perfectly fine.
22:07Okay, okay.
22:08It's okay.
22:09Tina...
22:11Just call me whenever you want.
22:13Thanks.
22:14I mean it.
22:25What did he want?
22:27Um, he was just being friendly.
22:30What?
22:31He said that we can call him
22:32if anything happens.
22:34What do we need him for?
22:35Why have you got your pants in a twist?
22:37He's been saying shit about Hugh.
22:40Hugh was the first friend I made
22:41when we moved in.
22:42Yeah.
22:43And you've always thought he was a hero
22:44because he was a cop,
22:45you and your true crime podcast.
22:46No, I admired him
22:47because he's bloody good at his job
22:48and he's a proper friend, too.
22:51What? He's not a friend now?
22:52Because Patrick's here?
22:56How does that work?
23:10Oh!
23:11Oh, thanks for coming.
23:13There's some fruit,
23:14salad,
23:16puddle pasta.
23:18Yeah.
23:19Have you got the report?
23:23Frank's post-mortem, yes.
23:25There.
23:32You know Margot's still fuming with you.
23:34Well, she'll calm down.
23:36I mean, you'll talk to her.
23:37What were you doing at Patrick's last night?
23:39Yeah, Lizzie, no.
23:40He confessed to me.
23:41He admitted it.
23:42What?
23:43Yeah, yeah.
23:45Just out of the blue?
23:46He admitted it?
23:47Yeah, no, but he just said it
23:49just to kind of mess with my head
23:51and then, of course,
23:52he denied it in the morning.
23:53When you were sober?
23:55No, but he said it
23:56and then he kept going on about Frank
23:58and just teasing me, almost.
24:01Letting me know that he killed him.
24:03He killed him?
24:06They spotted that there was no chloroform
24:08or other sedatives,
24:10but I think that he was drugged
24:11with some kind of natural herb
24:14that showed the same qualities.
24:17Oh, there it is.
24:19Gelcinium.
24:21There.
24:22Yeah, it traces it in the bloodstream,
24:24but they said they don't tell me how much.
24:26Do you think the coroner
24:27wouldn't have spotted something like this?
24:30Listen to yourself.
24:31You think that Patrick confessed to killing Frank?
24:34I don't think, I don't think.
24:36I know, I heard him.
24:37Because he told you when you were so drunk
24:39that you passed out.
24:41I know what I heard.
24:42You just don't see it, do you?
24:44You don't see how bad you are.
24:46And I've told you, I've warned you,
24:49but you just carry on anyway.
24:52But I know it's Patrick.
24:54And I need you to believe me, Alice.
24:58I can't do this anymore.
25:01I can't.
25:02You're drowning,
25:03and you're pulling me down with you.
25:05But this, this, I know, I know I'm right.
25:08This time, oh, you.
25:12I promise.
25:14I promise, Alice.
25:16Just save your promises, please.
25:20Just prove it.
25:23Or I can't be with you.
25:31I can't be with you.
26:01I can't be with you.
26:29Steve.
26:30Steve.
26:31Oh, my God.
26:34Someone is out there.
26:41It's Steve.
26:42Wait, wait, wait.
26:43Wait, what are you going to do?
26:44What are you going to do?
26:53What?
26:55What are you?
26:56No, you can't do that.
26:58Steve, Steve, wait.
27:00Oh, my God.
27:22I've got a baseball bat.
27:24So wherever it is in there,
27:25you're going to get your skull caved in, you hear me?
27:31No.
27:50Cheers, mate.
27:51I'd do it myself, but you need a special drill bit.
27:54Oh, no worries.
27:55Happy to help.
27:57What are we going to do about Hugh?
27:59Are we going to tell Alice?
28:01We didn't actually see him, though, did we?
28:03Well, no-one's getting past that.
28:04What are you saying?
28:05You don't think it's Hugh?
28:08Is it his golf club?
28:11You called the police, right?
28:13Yeah.
28:14Well, they said they'd send someone around,
28:16but I'm not holding my breath.
28:17Yeah, well, Hugh, they'll look after one of their own, I bet.
28:20Right, so what are we going to do?
28:21What, do we just wait for Hugh to break in again?
28:23He's been in all of our houses over the years.
28:25He's going to know how to get in.
28:27I don't want to think about it.
28:28I'm off to the hardware store.
28:29I'm going to get a chunky hammer.
28:31What?
28:32If anyone wants to break in again, bring it on.
28:34For God's sake!
28:35Bring it on!
28:37Try not to stress too much, guys.
28:56PHONE RINGS
29:02Yeah.
29:03Hi, yeah, Paul, yeah.
29:05Are you around?
29:07What?
29:08No, I'm...
29:09I want to talk to you about Patrick.
29:27DOOR OPENS
29:32Oi.
29:36Did you hear that someone broke into Liz and Steve's house?
29:40No.
29:41Nothing's been stolen yet,
29:43but things have been moved around, haven't they?
29:47Been reordered.
29:49Yeah.
29:52How many houses?
29:53I don't know, but a few.
29:57And everyone thinks it's you.
30:02It's because Patrick's being a devious arsehole, isn't he?
30:07I knew it.
30:10He's way too chummy.
30:13Liz is winding Tina up about all the break-ins.
30:16The two of them are getting really shrieky.
30:18Yeah, well, they need to be.
30:20You think he's dangerous?
30:21Yes, yes, Paul.
30:23He's dangerous.
30:25How about I help?
30:27I could have a snoop about his place when he's out.
30:30No, no, he mustn't know that you're on to him.
30:32No, no, he'd be at work.
30:34Just, Paul, whatever you do, just...
30:36Just, um...
30:38Just don't get involved, right?
30:40Oh, fuck.
31:11So think!
31:12Think, why you!
31:14The same reason he wrote you all of those letters.
31:17He knew you loved The Chase as much as The Catches.
31:21She's a beautiful dancer.
31:23I saw this ballerina statue in an antique shop
31:27and it made me think of her.
31:29So I...
31:30I got it fixed up
31:32and I gave it to her.
31:35I saw this ballerina statue in an antique shop
31:39and I got it fixed up and...
31:42Wait, what?
31:43This ballerina statue that you gave to Ruth...
31:46Now, what was wrong with it?
31:47Just slow down!
31:49You said you got it fixed up, right?
31:50Now, what did that actually mean?
31:52Declan, OK, so what was wrong with it?
31:54I dropped it.
31:55When I first got it, I dropped it and the arm snapped.
31:57So you repaired it, OK?
31:58You took it to a repair shop, didn't you?
32:00Yes.
32:01Yeah, well, was it Harbuckle Repair Shop?
32:03Yeah, Harbuckle Repair Shop on Murray Street.
32:05I don't know, maybe.
32:06Maybe?
32:07I don't remember.
32:08I'd know it if I saw it.
32:10OK, so the guy, the guy who repaired it, OK,
32:13so just describe him.
32:15He was a nice guy, friendly, didn't charge too much.
32:18No, no, what did he look like?
32:20It was years ago.
32:22I popped in, dropped it off, came back a week later,
32:25barely spent five minutes with the fella.
32:27Is that him?
32:29Are you seriously telling me that you can't even describe this guy?
32:31What if I took you down to the police station?
32:33What would you say then, eh?
32:35Um...
32:36Eh?
32:38Well, he...
32:40He, um...
32:44Well, he was really charming.
32:48And he loved the statue.
32:51And he...
32:53He said that he could see that I wanted to give it to someone really special,
32:56so it deserved a special treatment.
32:59He did a perfect job.
33:01He shook my hand, took my picture, cos he could see how pleased I was.
33:07He was a nice guy.
33:11Maybe it's not him.
33:30Dad?
33:32I just came to get this.
33:34Don't worry, I'm not staying.
33:38I understand that I've hurt you and how much I've hurt you.
33:43I didn't mean it, I promise.
33:47I hate it.
33:49It's the worst thing in the world, just the way you look at me.
33:53One day I'll make you proud of me.
33:56One day I'll make you proud of me.
34:02See you soon, sweetie.
34:06I love you.
34:20I knew you'd need me.
34:26Right.
34:29So...
34:32What are we looking for?
34:35Ah, well, we're looking for a link.
34:38Right.
34:39These are crime scene photographs from the second victim,
34:42he's a 64-year-old man called Brian Townsend.
34:46Right.
34:48And this is his paperwork from his home office.
34:51See, he was a bit of a hoarder, see?
34:53He never threw anything away.
34:57Oh, that...
34:59Oh, my God, that's it.
35:01What?
35:02That's the link, it's a receipt.
35:05Recondition and repair of an antique carriage clock.
35:08Yeah, but look who signed it.
35:11Patrick Harbottle.
35:13Let's go and tell the cops.
35:15No, they're not going to do anything.
35:17This is just another piece of paper.
35:19This is the link, you see, it's the shop.
35:21The shop is the link.
35:27Oh, my God.
35:52How are you getting on?
35:54Yeah, good, I'm just typing up the report now.
35:58Oh, great, well done.
36:00Er, one last thing.
36:01Forensics found this fallen under the mattress,
36:04lodged at the back.
36:06Add it to the report, yeah?
36:10What?
36:13I just, um...
36:17I need to talk to Hugh.
36:21About what?
36:24I don't know.
36:55Well, what a nice surprise.
37:00I know what you are.
37:04Even if no one else, even if...
37:08Even if all of these lot fall for it.
37:13Well, what can I say?
37:15I'm a people pleaser.
37:19I'm a people pleaser.
37:21I'm a people pleaser.
37:24Are they all up there?
37:27How do you mean?
37:30Do any of them not make it onto the wall?
37:35Well, the ones who aren't happy,
37:37normally they don't want their photograph taken.
37:41So there's them?
37:44You really are very charming.
37:48He was right.
37:50Catch you later.
38:21Oh, fuck!
38:23Fuck! Fuck!
38:37Hi, Hugh. What's up?
38:39Yeah, hi, Paul, it's...
38:41I know what I said earlier on, but I really do need your help.
38:44Yes.
38:46Here we go. What do you need?
38:48OK, I want you to go into Patrick's back garden,
38:50and in there, there's a key.
38:52Oh, the note's ours, right?
38:54Yeah, that's right, so promise me that you go in and out in a flash, OK?
38:58I promise I won't be a hero. What do you need?
39:01OK, so there's...
39:03Upstairs in his bedroom, under his bed, there's an old case.
39:07Oh, yeah. I know the one.
39:10How could you possibly know?
39:13Because I just took it out of his house.
39:19You what?
39:21Yeah. I decided to have a little snoop around after all.
39:24I was in and out like a ninja.
39:26Sorry, you've got the case?
39:29Yeah. I can't get it open, though.
39:32That combination lock is a bugger, eh?
39:35What do you think's inside?
39:37Polaroids. There are polaroids of every victim that he has killed, OK?
39:42So I just want you to stay put, Paul.
39:48Come on.
39:55Are you all right, Mum?
39:58You're not getting a divorce, are you?
40:00No. Not yet.
40:04He just won't stop lying, Margot.
40:07He won't stop.
40:09He's obsessed. He won't do anything that doesn't suit him.
40:13He is bloody minded.
40:15He's not thinking about us at all.
40:19I shouldn't even be talking to you about this.
40:24But you're the only person I trust.
40:29Do you think that Patrick is the stalker?
40:33Really?
40:36I don't... I don't know.
40:40What do you think, Mum?
40:46I think your dad's right.
40:50When I saw the way Patrick was with you,
40:53I knew something was wrong.
40:55Yeah.
40:59I'm going to call them, tell them to come home.
41:11Oi. Hey, Q, we need to talk.
41:14Sorry, mate, I can't. Not now.
41:16No, you really can.
41:18Steve, Steve, I can't.
41:20Fine. Fine, I'll tell you what.
41:22I'll be back in a second. You can explain something to me.
41:30Paul?
41:32Hey! Recognise this?
41:34Don't walk away!
41:37Hey. Excuse me.
41:39Come here.
41:41Come here.
42:12Shit.
42:21Paul?
42:23Paul, is that you?
42:35Oh, my God. God, Paul.
42:37Oh, God, no.
42:39It's all right. Oh, no, no, just stay calm.
42:42Stay calm. It's all right. I'm here, Paul.
42:45It's OK. It's OK.
42:48SIREN WAILS
43:07That was Tina's house.
43:09That's Dad's. Q!
43:11What's happened? It was Dad's.
43:13No, no, no, that was his wife.
43:15You can't go any further.
43:17Fuck you.
43:24Excuse me.
43:29Has there been an accident?
43:45SIREN WAILS
44:15MUSIC CONTINUES