_Rajini_sir_shouldn_t_do_Vikram,_Kamal_sir_shouldn_t_do_Coolie__-_Lokesh_Kanagaraj___Sudhir(360p)

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"Rajini sir shouldn't do Vikram, Kamal sir shouldn't do Coolie" - Lokesh Kanagaraj | Sudhir  #lokeshkanagaraj #60minuteswithsudhir #coolie #leo   Presenting the official YouTube channel of Sudhir Srinivasan – renowned journalist and distinguished film critic. With an illustrious career spanning leading publications and major broadcasters, Sudhir curates a rich mix of sharp film reviews, in-depth celebrity interviews, thought-provoking podcasts, and exclusive post-release conversations. Whether it's cinema or sport, his distinctive voice offers rare insight and compelling perspectives that captivate and inform.  ==================================  0:00 - Prologue 2:08 - Greetings 3:00 - Lesson learned in Coolie 6:00 - Never-ending Process 8:51 - Retro Songs  16:05 - Kamal & Rajini 19:04 - Script To Screen  23:34 - Coolie vs Vikram 25:52 - Kaithi 2 28:54 - Master 2 30:00 - LCU Map 31:34 - Leo Negative Reviews 33:13 - Writing Characters 35:33 - Coolie & Business 36:48 - Nagarjuna, Soubin, Upendra 37:40 - Kaithi & Maanagaram 42:00 - Cinema & Family 45:16 - Rajini The Legend 47:23 - Interval Block 50:25 - Origin Of Coolie 55:31 - Loki's Percentage 57:01 - Epilogue  ==================================   Business Operator: Legendary Network Pvt Ltd.  For Advertisement Inquiries: +91 88257 88572  For updates, follow along at X : https://x.com/sudhirsrinivasn Facebook : https://www.facebook.com/sudhirsrinivasanofficial Instagram : https://www.instagram.com/sudhir_srinivasan/  Subscribe and enable notifications to stay updated with our latest exclusive content.  lokesh kanagaraj, coolie, coolie rajinikanth, coolie movie, thalaivar 171 coolie, coolie teaser, coolie songs, lokesh kanagaraj movies, tamil movie coolie, coolie teaser tamil, coolie teaser reaction, coolie update, coolie trailer, lokesh kanagaraj interview, lokesh kanagaraj coolie, coolie updates, lokesh kanagaraj 's coolie, coolie movie update, lokesh coolie, coolie lokesh kangaraj, lokesh kanakaraj coolie, lokesh kanagaraj coolie interview

Transcript

00:00:00Rejni Sir is also doing a micro and Kamala Sir is also doing a coolie.

00:00:04That's right.

00:00:16Rejni Sir is not doing the same thing.

00:00:20Two months ago, we were talking about a green phone.

00:00:23We were talking about the same thing.

00:00:25We were talking about the same thing.

00:00:27We were talking about the same thing.

00:00:29It was really cool.

00:00:32I said Jali's very book.

00:00:34Look at me too.

00:00:36Rejni Sir wants to take my time with a dialogue.

00:00:39He seems to be able to talk about the same thing.

00:00:40There was a respect for him.

00:00:42He will be ready for his 20's.

00:00:44After that, I was able to come back home.

00:00:46I'm not alone at any time.

00:00:48He doesn't get me nervous enough.

00:00:51Even Kuli will be on that line.

00:00:53Kulis is a very good advice.

00:00:55It's kind of a good advice.

00:00:57If I had to do this, I would like to do something in my shoot.

00:01:02I would like to do something in my shoot.

00:01:03Mr Rajani, I am a bad artist in the interview.

00:01:07I am a bad artist now.

00:01:09I am a bad artist in my shoot.

00:01:14I am a bad artist.

00:01:19In almost two and a half years, they were not doing anything else.

00:01:22I felt a feeling like action.

00:01:24I don't know what I did in my life.

00:01:28All I did was coolie, coolie, coolie.

00:01:30Family functions, friends meet,

00:01:32all the time to go.

00:01:34I was like,

00:01:36coolie.

00:01:37That was like a trip with Rajani sir.

00:01:46He made me sit and relax.

00:01:48He made me think about life.

00:01:50He made me cry.

00:01:52He made me laugh.

00:01:54He made me laugh.

00:01:56Who feels like a feeling?

00:02:08Hello, Loki.

00:02:10I'm happy.

00:02:12I'm so excited.

00:02:14I'm talking about the same thing.

00:02:16It's so good to see you.

00:02:18Yes, I'm happy.

00:02:20It's so good to see you.

00:02:22It's so good to see you.

00:02:24It's so good to see you.

00:02:26It's so good to see you.

00:02:28You're very excited about it.

00:02:30You're very excited about it.

00:02:32In fact, same day, you're released.

00:02:34You must first look.

00:02:36Correct, first look.

00:02:38There's a cycle gap, if I'm not wrong.

00:02:40You're very excited about it.

00:02:42You're very excited about it.

00:02:44You're very excited about it.

00:02:46But then,

00:02:48you know,

00:02:50Vikram, Leo,

00:02:52you're very excited about it.

00:02:54You're very excited about it.

00:02:56You're very excited about it.

00:02:58You're very excited about it.

00:03:00I mean it with a lot of pride and affection.

00:03:02But,

00:03:03you know,

00:03:04how have you changed as a person in this world?

00:03:08With all these pressures,

00:03:09people,

00:03:10budgets, etc.

00:03:11In fact,

00:03:12I'm not a pressure.

00:03:14I mean,

00:03:15I mean,

00:03:16You're very excited about it.

00:03:18No.

00:03:19Actually,

00:03:20I don't have to say anything about it.

00:03:22I don't have to say anything about it.

00:03:24But still,

00:03:25I've always felt that pressure.

00:03:27I've had to fix my date.

00:03:28In fact,

00:03:29if you're going to get a release date,

00:03:32I'm going to shoot.

00:03:34But,

00:03:35I've had to say anything about it.

00:03:37I've had to say anything about it.

00:03:39I also need to say,

00:03:40no,

00:03:41I don't have to say anything about it.

00:03:43I don't have to say anything about it.

00:03:45And,

00:03:46yeah,

00:03:47that's how we learn.

00:03:48And,

00:03:49that comes from that.

00:03:50So,

00:03:51in the production house,

00:03:52first,

00:03:53I said only one thing.

00:03:54I said,

00:03:55I'm going to get a release date.

00:03:56I'm not a pressure.

00:03:57I'm going to get a shoot.

00:03:58I'm going to shoot.

00:03:59I'm going to edit.

00:04:00I'm going to get a dub.

00:04:01I'm going to get a out.

00:04:03Then,

00:04:04I said,

00:04:05I'm going to release August 14th.

00:04:06And,

00:04:07all thanks to the producers,

00:04:08because they listened to me.

00:04:09And,

00:04:10you can also tell people to do this.

00:04:12Do you have to say anything about it?

00:04:14Yes,

00:04:15I think that's a good thing.

00:04:17It's not a pressure.

00:04:19It's not an entertainment business.

00:04:21But,

00:04:22at the same time,

00:04:23when a film is done,

00:04:24it's going to stay forever in the earth.

00:04:26And,

00:04:27if you do anything,

00:04:28it's going to be there.

00:04:29So,

00:04:30if you do anything,

00:04:31it's an idea.

00:04:32It's not a good thing.

00:04:33It's not a compromise.

00:04:34It's not a compromise.

00:04:35It's not a compromise.

00:04:36It's not a compromise.

00:04:37Do you have any other people in the world?

00:04:40What are your thoughts on specific stage?

00:04:44No.

00:04:45It's not a multi-starers.

00:04:48And,

00:04:49at that point,

00:04:50there's a lot of money.

00:04:51It's not a good thing.

00:04:52It's not a good thing.

00:04:53It's not a good thing.

00:04:54It's not a good thing.

00:04:55It's not a good thing.

00:04:56Yes.

00:04:57That's a good thing.

00:04:58You know,

00:04:59I didn't even use it for 3 years.

00:05:01I'm in the business of 3 years.

00:05:04So,

00:05:05I will shoot the film in 6 to 8 months.

00:05:08So,

00:05:09that is also,

00:05:10you can get up,

00:05:12get up,

00:05:13go and get up.

00:05:14You can tell me.

00:05:15Mostly,

00:05:16I don't tell you.

00:05:17But,

00:05:18they'll choose to do it.

00:05:19Because,

00:05:20Arjun or Shauvin.

00:05:21Why do you not say that?

00:05:22You can't tell me.

00:05:23You can tell me.

00:05:24No,

00:05:25but,

00:05:26No matter what the role is, he has already done it.

00:05:29He has already told me about the show.

00:05:33He has already been able to get up.

00:05:35So, you can't wait for him.

00:05:38So, he cancelled 6 or 7 films in the span of like 7 or 8 films.

00:05:42He has already done it.

00:05:44He has already done it.

00:05:46He has already done it.

00:05:48Now, that's why he can't do it.

00:05:50Like that.

00:05:51He has already done it.

00:05:56Mr. Sobin, I'm telling you.

00:05:58Now, I know one thing about the show.

00:06:01If you are in a place, you will be in a place.

00:06:04Do you have the temptation to make the most of them?

00:06:07No.

00:06:08No.

00:06:09No.

00:06:10No.

00:06:11No.

00:06:12No.

00:06:13No.

00:06:14No.

00:06:16No.

00:06:17No.

00:06:18No.

00:06:19No.

00:06:20No.

00:06:21No.

00:06:22No.

00:06:45They also prefer?

00:06:46I don't know how to do it, but that's the process in making a film.

00:06:52One year after that, I was talking about the process of shooting.

00:06:56After shooting and editing, he would go to the artist.

00:07:00But one year after that, he would travel.

00:07:03So, he would be equal to space.

00:07:05Now, he wouldn't be able to take care of it.

00:07:07I would be able to take care of it.

00:07:09But he wouldn't be able to take care of it.

00:07:14He would enjoy it.

00:07:15Do you notice any common thing?

00:07:17If you are talking about Fahad or Sobhi or Malayalam,

00:07:22What do they bring?

00:07:23Do you think that is common for them?

00:07:26No, they are not.

00:07:28Actually, they will form a group.

00:07:32If they come here,

00:07:34Girish, Fahad, Marion, Shemban Vinop, Gayatri,

00:07:41Everybody is Malayalis.

00:07:43They are also one of them.

00:07:46Actually, they are a very Asian network.

00:07:48Now, they are the Sun network.

00:07:50Now, they are also one of them.

00:07:51This is Girish.

00:07:53This is all of them.

00:07:54They will be able to take care of their team.

00:07:56They will be able to take care of their team.

00:07:59Shauvan himself is the director first.

00:08:01Yes.

00:08:02Girish also wants to direct somebody.

00:08:05Girish wants to become a director himself.

00:08:07So, they will be the same approach for the same team.

00:08:10They will be the same approach for the same team.

00:08:11They will be the same director.

00:08:13They will be the same director.

00:08:14Yes.

00:08:15It is not a group of ideas.

00:08:17It is not a proper conversation between an actor and director.

00:08:21It is always a group.

00:08:22It is always a group.

00:08:23It is always a creative mind.

00:08:24Yes.

00:08:25Yes.

00:08:26Every day, we all hang out together.

00:08:28We all hang out together.

00:08:29That is the way that we are going to create space.

00:08:36I know.

00:08:37Not well.

00:08:38There is a script reading session.

00:08:39Somewhere where we hang out.

00:08:41If we talk about the cinema,

00:08:42we will make us do something.

00:08:45You are still able to create identity for yourself.

00:09:13There is no language in Tarantino.

00:09:17So, the location is a different language.

00:09:21But, you have to do something like this and you can do something like this.

00:09:28I have to do something like this.

00:09:33The major reason is that if you look at a part,

00:09:38He was able to say something like that and he was able to say something like that.

00:09:43He was able to say something like that.

00:09:45He was able to say something like that.

00:09:49Because they all need a song like this.

00:09:53They all need a song like this in a huge film.

00:09:56That's why they don't need it.

00:09:59I don't want to miss my signatures as well.

00:10:05I think he was able to say something like that.

00:10:08But Leo released 2 shows.

00:10:10So there was no release for me in the theater.

00:10:12He was able to say something like that.

00:10:14So I don't want to disappoint them.

00:10:19So he was able to say something like that.

00:10:22At the same time, he was able to say something like that.

00:10:26For example, I used to say something like that.

00:10:30I would say something like that.

00:10:35I don't want to tell you something like that.

00:10:36I don't want to say something like that.

00:10:40Is this a thing like Leo's name?

00:10:43Yes, he is.

00:10:44For example, because we were talking about this,

00:10:47not the least filming of the video of Leo's name,

00:10:48we were talking about the video.

00:10:49Why don't we say something like that?

00:10:52No, actually.

00:10:53As the same time, Leo's name is a song like that.

00:10:58He is also writes an introduction song.

00:11:00But he doesn't like that.

00:11:02He is able to sing it hard.

00:11:03But he's also made a problem.

00:11:05Even though if I wasn't still a dancer,

00:11:07he is a dancer like this,

00:11:09I don't want to imagine his name.

00:11:11It's a commercial film.

00:11:12It's not a commercial film. It's not a commercial film.

00:11:17But what did you say about your story?

00:11:19You know what I said about your story?

00:11:21There's a lot of value in your story.

00:11:23Yeah, and that's why I always play larger than life role.

00:11:29In the span of 15 minutes,

00:11:33you can't do anything like that.

00:11:36You can't do anything like that.

00:11:38You can't do anything like that.

00:11:41So, it's the same story again.

00:11:43So, that's what I'm saying.

00:11:45I'm going to answer your previous question.

00:11:48I'm going to tell you a question about the signature.

00:11:51I think that's why I'm tired of it in the audience.

00:11:55You can see a lot of things that you can enjoy.

00:12:00You can see a lot of things in the Jumbalakar song.

00:12:03You can see a lot of things in the Jumbalakar song.

00:12:06You can see a lot of contrast.

00:12:08I mean, I don't know if I'm going to see it.

00:12:12To credit to you, you can see a lot of things in the Jumbalakar song.

00:12:16I don't know if you're going to see it.

00:12:20It's the same thing.

00:12:22You can see a background score.

00:12:26You can see the quality of the scene.

00:12:31Max to the max, it's the same thing.

00:12:36You can see a lot of things in the Jumbalakar song.

00:12:38So, you can do that little trick in the stereo.

00:12:42But if you're going to see it, you can see it in the gramophone.

00:12:47So, you won't get that stereo kind of effect there.

00:12:51So, if you're going to see it, it will stop.

00:12:53If you're going to see it, people will lose that excitement.

00:12:58You can see it in the middle of that idea.

00:13:01And if you're going to see it, then you have to come up with different ideas.

00:13:04So, you can see it in the middle of that idea.

00:13:06You can see it in the middle of that idea.

00:13:09But you're going to see it in Tamil cinema.

00:13:11So, you're going to see it in the middle of that idea.

00:13:16You can see it in the middle of that idea.

00:13:17Many old songs are repetitive.

00:13:19I'm not in the middle of that idea.

00:13:21Which is a good thing because they're all good songs.

00:13:23So, I wonder if we can't do this.

00:13:26There is an expectation that we can't do this.

00:13:30Do you think we can't do this?

00:13:34One point, I was overused.

00:13:37I thought I was doing it.

00:13:40What I'm saying is that an idea can't be destroyed by Joker.

00:13:45It was an idea.

00:13:46I used to do it in the first short film.

00:13:52But on the point of view, I will show a trailer for the first time of the Ra

00:13:59with the trailer and the song will be on the car.

00:14:05I like that idea.

00:14:07I want to somehow make it like that.

00:14:11So, everything is an idea.

00:14:16Everybody will get inspired from something else.

00:14:17And that's it.

00:14:18You can't think that you can't do anything.

00:14:24You can't do anything.

00:14:26If you do it every weekend, you can't do anything.

00:14:31We have to do anything.

00:14:32We have to do a remix.

00:14:34We have to do anything.

00:14:37We have to do anything.

00:14:38If you have to do anything, it's not saturated.

00:14:41Maybe if you have to do anything in 10 years,

00:14:44then we will explain again.

00:14:47That's the basis.

00:14:50I mean, if you have to do anything,

00:14:53if you have to do anything,

00:14:55you can't do anything.

00:14:57If you have to do anything,

00:14:59then you can't do anything.

00:15:01No, you can't do anything.

00:15:04One thing is,

00:15:05if you can shoot a shot,

00:15:07I can't do anything.

00:15:09I have a habit.

00:15:10I'm afraid of it.

00:15:12I can't do anything.

00:15:14But all those guys and technicians and all my ADs will go watch

00:15:17and they will update me whatever happens around me.

00:15:19They will be here.

00:15:20The first time I was telling you,

00:15:22they are here.

00:15:23They are here.

00:15:25They are here.

00:15:26They are here.

00:15:27They are here.

00:15:28They are here.

00:15:29They are here.

00:15:30We will keep the discussion.

00:15:32We had an idea on the paper.

00:15:35If you have any part,

00:15:37it was an idea.

00:15:38One year,

00:15:39one year,

00:15:40we have no part.

00:15:41Yes, we have no part.

00:15:42We have rights here.

00:15:43So, nobody can use it also.

00:15:44Nice.

00:15:45The thing is,

00:15:46should I use it or not?

00:15:48That's it.

00:15:49If I use it,

00:15:50we can't do anything.

00:15:51If you have any excitement,

00:15:52we can't do anything.

00:15:53That's it.

00:15:54Just want to know.

00:15:55We have no part.

00:15:56Maybe last year,

00:15:57we have no part.

00:15:58I can't do anything.

00:15:59I can't do anything.

00:16:00We have no part.

00:16:02What is the name of the budding director?

00:16:06I don't know.

00:16:07At least,

00:16:08we have no difference in our generation.

00:16:09Mr. Kamal and Mr. Rajani.

00:16:12We have two names.

00:16:13We have two names.

00:16:14We have two names.

00:16:15We have two names.

00:16:17We love each other.

00:16:19We have two names.

00:16:21We have to talk about the same time.

00:16:23We have two names.

00:16:25We have two names.

00:16:26We have two names.

00:16:27We have two names.

00:16:28We have two names.

00:16:29We have two names.

00:16:31I tried sincerely,

00:16:32but it didn't happen.

00:16:33Correct.

00:16:34COVID-19.

00:16:35COVID-19.

00:16:36Yeah.

00:16:37We have two names.

00:16:38Yeah.

00:16:39We were all about to sign.

00:16:40They spoke in front of me.

00:16:42Both Rajani and Kamal sir.

00:16:43We have to talk about that.

00:16:45They spoke in front of me.

00:16:46They spoke in front of me.

00:16:47Because Kamal sir produced,

00:16:50I was directed and said,

00:16:52Rajani sir went to the same time.

00:16:53They had a commitment early.

00:16:55They had a commitment early.

00:16:56In this situation,

00:16:57we could do this.

00:16:59We could do this.

00:17:00How much?

00:17:01They had a discussion.

00:17:02They had a discussion.

00:17:03If anyone was going to do it,

00:17:04they would do it.

00:17:05Why not now?

00:17:06I think many things have changed.

00:17:09That's the idea of the film.

00:17:11Whatever you wanted to make.

00:17:12No.

00:17:13That idea won't change.

00:17:14It's not.

00:17:15It's not.

00:17:16It's again two aged gangsters.

00:17:18So, that will never change.

00:17:19But the thing is,

00:17:20the sizeable market is completely different.

00:17:23Yeah.

00:17:24Yes.

00:17:25I don't know.

00:17:26It doesn't work.

00:17:27It doesn't work.

00:17:28It doesn't work.

00:17:29It doesn't work.

00:17:30Now, the size of the business is so huge.

00:17:33Now, the scale of the film may not make sense.

00:17:37How will it make sense?

00:17:38Yeah.

00:17:39Financially, how will it make sense?

00:17:40That's right.

00:17:41That's right.

00:17:42They have a salary,

00:17:43then pay me,

00:17:44and then suit me.

00:17:45The process is very difficult.

00:17:47What do you think about it?

00:17:48It doesn't work.

00:17:49It doesn't work.

00:17:50It doesn't work.

00:17:51But, let's see.

00:17:52It doesn't work.

00:17:53It doesn't work.

00:17:54It doesn't work.

00:17:55They should take a call.

00:17:56They should only sit in.

00:17:57But practically,

00:17:58you think,

00:17:59it's custom.

00:18:00Practically,

00:18:01it's custom.

00:18:03Mr. Kamal,

00:18:04Mr. Vijay,

00:18:05Mr. Rajani,

00:18:06Mr. Rajani,

00:18:21Mr. Rajani.

00:18:22He is curious.

00:18:26I am very comfortable with this process.

00:18:27Is there no collaboration with you?

00:18:29Of Fears어지��?

00:18:31It wants to escape power?

00:18:33From day one, there was a freedom from my mainstream film.

00:18:40Luckily, and fortunate enough, thanks to all the producers who never touched me.

00:18:46Everybody likes the idea.

00:18:50The way I narrate my film is that I can narrate.

00:18:54So, I don't know what I'm going to say.

00:18:58I don't know what I'm going to say.

00:19:00If I'm going to tell you, that's what I'm going to say.

00:19:02If I'm going to tell you, that's what I'm going to say.

00:19:04And the last ever process is writing.

00:19:10This is the writing process.

00:19:11If I'm going to tell you, I'm not going to tell you.

00:19:15Probably, I'll record every day.

00:19:17So, there's a lot of money.

00:19:18For sure.

00:19:20And you see that it's a very rare thing.

00:19:23To remember all the details, coherently and specific.

00:19:26No, that's part of life.

00:19:28With all the crores that I get, it comes for that.

00:19:31So, that's what I'm going to say.

00:19:33That's what I'm going to say.

00:19:34If I'm going to tell you, first, I'm not dependent.

00:19:37I'm going to tell you that I'm going to tell you.

00:19:40And I plan my stuff.

00:19:42And I put schedule myself.

00:19:44So, I'm going to tell you that I'm going to tell you.

00:19:48So, the character nuances, midpoint, first act, second...

00:19:55Mentally, you have the story in mind.

00:19:57Mentally, you have the story in mind.

00:19:58You watch the film in mind.

00:19:59You watch it.

00:20:00Right.

00:20:01So, when you see it, you are just writing it.

00:20:04Yeah.

00:20:05That's what I'm going to tell you.

00:20:07The paper is for like...

00:20:08That's what I'm going to tell you.

00:20:09That's what I'm going to tell you.

00:20:10That's what I'm going to tell you.

00:20:12That's what I'm going to tell you.

00:20:13But, I mostly go to the paper, because I know exactly what I'm going to tell you.

00:20:16And, actors will know who to tell you.

00:20:19What I'm going to tell you is, we will have to talk a lot.

00:20:21So, that's why.

00:20:22That's a conference.

00:20:23Why didn't people come to the blueprint on the left?

00:20:26Why didn't people come to the right?

00:20:30Like, we have to try and work out the right?

00:20:36I'm going to take a lot of paper.

00:20:37I'm going to tell you how to be my good.

00:20:40Mostly, there is no dialogue for me.

00:20:42I have been working with all the other artists from various states.

00:20:49They are very important.

00:20:50If I am in Tamil, I will try to make a dialogue for me.

00:20:55What is it?

00:20:56I am not sure if I can tell my friends.

00:20:58That is their working style.

00:21:00I know that they have to settle up.

00:21:03I will try to get respect for 20 minutes.

00:21:07I will try to make a change.

00:21:09But if there was a show or a show or a show, he couldn't do anything.

00:21:16So, Mr Rajani is talking about a script.

00:21:20If there is a blueprint in the situation,

00:21:23do you think it's specific to the situation?

00:21:28It's specific to the situation.

00:21:30It may be a connection or a connection.

00:21:34Just to connect the dots.

00:21:37It's important to talk about the context.

00:21:40People tend to change.

00:21:44People tend to talk about it.

00:21:49If they say,

00:21:52I don't want to use it.

00:21:55Rajani Sir told me that

00:21:57if you use it,

00:21:58you don't want to use it.

00:22:00Sir, Dyson will use it.

00:22:02That's what I want to do.

00:22:05I think you said,

00:22:07and I found it very interesting.

00:22:09Because you said,

00:22:10if you come to set-piece in mind,

00:22:11you have to connect with the set-piece

00:22:13and you have to connect with the set-piece

00:22:15and you have to connect with the set-piece.

00:22:18Which is a very unusual thought, I think.

00:22:21It's not an action.

00:22:23When you first set-piece

00:22:25you can see the set-piece.

00:22:26You can see the set-piece,

00:22:27and you can see the set-piece.

00:22:28You can see the set-piece.

00:22:29You can see the set-piece.

00:22:30That's a school of thought.

00:22:31Because otherwise,

00:22:32you can see the story telling.

00:22:34Okay,

00:22:35let's start talking.

00:22:36Now,

00:22:37if you go to set-piece,

00:22:38you can see the set-piece,

00:22:39you can see the set-piece.

00:22:40That's a school of thought.

00:22:42In fact,

00:22:43I told you that.

00:22:44I told you that

00:22:45I told you that

00:22:46it was before four or five years.

00:22:48During Master's.

00:22:50He told you that

00:22:52you can see it and you can see it.

00:22:53You can see it and you can see it.

00:22:54That's the same thing.

00:22:55I told you that

00:22:56you can see it.

00:22:57After four years,

00:22:58you can see the set-piece.

00:23:00You can see it.

00:23:01You can see it.

00:23:02That's why

00:23:03you can see it.

00:23:04It's not a set-piece.

00:23:05It's not a set-piece.

00:23:06You can see it.

00:23:07So,

00:23:08you can see it.

00:23:09You can see it.

00:23:10You can see it.

00:23:11You can see it.

00:23:12And it's all because

00:23:13my opinion is

00:23:15a straight and linear story.

00:23:18It's all sequence of events.

00:23:19And the sequence of events

00:23:21has to be tied up like this.

00:23:23That's the same thing.

00:23:24I'll tell you.

00:23:25I'll tell you,

00:23:26I have to tell you the set-piece.

00:23:27I'm not going to let you see it anywhere.

00:23:29You can see it.

00:23:30I'll tell you something in the first place.

00:23:31So,

00:23:32I'm going to let you see it.

00:23:33This is a majoralympic результат.

00:23:34However,

00:23:35I came to the set-piece in the Kooli,

00:23:37I ended up doing three or four-piece set-piece

00:23:38and I was going to do this.

00:23:39And

00:23:40I'm going to see it.

00:23:41I'm not going to let you see it in the first place.

00:23:42Because

00:23:44I can see it.

00:23:45I'm not going to check it out.

00:23:46I'm not going to see it.

00:23:47But

00:23:48I'm going to check it out.

00:23:49I'm going to check it out.

00:23:50I'm going to see it.

00:23:51So, the excitement is coming.

00:23:53Tell me about your set-piece ideas.

00:23:56Are you that loyal to that film?

00:24:04Yes, 100%.

00:24:07For example, if we take a look at Vikram,

00:24:10it's not the same thing.

00:24:12If we take a look at Vikram,

00:24:14it's a silent fight.

00:24:17In fact, I want to tell you about it.

00:24:19Rajini Sir is doing Vikram,

00:24:22and Kamen Sir is doing Coolie.

00:24:24That's right.

00:24:26That's right.

00:24:27So, all the set-pieces are done.

00:24:29So, if the action scene comes to Rajini Sir,

00:24:34and Kamen Sir is doing it,

00:24:36it's not a mind game.

00:24:38So, you can do that too.

00:24:40So, if you think about the set-piece ideas,

00:24:42Mr. Rajini, do it separately?

00:24:44Yes.

00:24:45That's right.

00:24:46That's right.

00:24:48That's right.

00:24:49That's right.

00:24:50If you think about it,

00:24:51that's right.

00:24:52That's right.

00:24:53Mr. Kamen Sir,

00:24:54he told me,

00:24:55Mr. Vijay,

00:24:56he told me,

00:24:57he told me,

00:24:58he told me,

00:24:59he told me,

00:25:00he told me,

00:25:01he told me,

00:25:02he told me,

00:25:03he told me,

00:25:04he said no longer,

00:25:05but he told me,

00:25:06he told me,

00:25:07he said,

00:25:08he said no longer,

00:25:09he said no longer.

00:25:10In fact,

00:25:11he told me,

00:25:12he told me,

00:25:13what he told me,

00:25:14what you wanted,

00:25:15he told me,

00:25:16how to do it,

00:25:17Kamal Sir is here in the office.

00:25:20He talked about anything like that.

00:25:21He said, first of all, he said that he did a song.

00:25:24He did a good song.

00:25:26He said that he was very good.

00:25:28Mr. Vijay said that.

00:25:30He said that he did a good job.

00:25:33He said that he did a good job.

00:25:34He said that he was talking about it.

00:25:36He said that he did a good job.

00:25:39He said that he did a good job.

00:25:42I think that's a compliment for you.

00:25:45He said that during this episode,

00:25:51we have a good job comes to working with a Nutshatharam.

00:25:53For some fans,

00:25:54Is that he is the stopper,

00:25:57that he knew not do the way to you?

00:26:01Hey, I could say,

00:26:03GB over are there.

00:26:06Oh my god,

00:26:09guy Ma久andr withだけ gotui.

00:26:12Yeah, him theス tMonster.

00:26:13You seem really good at using star power, but without compromising on what you are trying to do.

00:26:22I just want to play with their strengths.

00:26:24That's why they don't have to do anything.

00:26:26They can prove it.

00:26:28So, if they don't have to do anything with their strengths, they can be extra.

00:26:33I have that high.

00:26:36I've seen them in my frame.

00:26:39I've seen them in your filmography.

00:26:43You are going to be a Nepo-Lean or Tina.

00:26:47You are going to be a star power.

00:26:50But in this world, it is a star power.

00:26:55It tells me that the star moments and high moments will be able to do anything with your strengths.

00:27:02Yeah, but at the end of the day, I don't think that the story has changed.

00:27:08If we talk about Mansoor Elikan Sir, how many artists have come from here?

00:27:14There is a change between actors and the size and scale.

00:27:18But there is no value in the paper.

00:27:20There is no value in the game.

00:27:21But in the game, did you think about the ghost?

00:27:26How did you think about that?

00:27:28It was in the game.

00:27:29It was in the game.

00:27:30I was in the game.

00:27:31I was in the game.

00:27:32I was in the game.

00:27:33So, you think about the ghost?

00:27:35No, I didn't think about it.

00:27:37It was just a passing.

00:27:39That is very strange.

00:27:41Yes, I was in the game.

00:27:42It was not a crossover.

00:27:45I was in the game.

00:27:47But it was two companies.

00:27:49It was very easy to come to the game.

00:27:51Now, I was in the game.

00:27:53I was in the game.

00:27:54I was in the game.

00:27:56When I was in the game, I reversed Kaidi.

00:28:01Yes, that was a good idea.

00:28:03Just to use all those words.

00:28:05That is why I was in the game.

00:28:07If you were to use anything, you know,

00:28:09you would know what to do.

00:28:10It was really good.

00:28:11There is a very good work out.

00:28:12Yes, there is a great work out.

00:28:13It was a great work out.

00:28:15It is a good work out.

00:28:16If you were to do it,

00:28:18you will do it properly.

00:28:20You can do it properly.

00:28:21Nice.

00:28:22Okay.

00:28:23I was finished with the game,

00:28:24but I was ready to come.

00:28:25It was like a remake of Kaidi.

00:28:28Again, this is a remake of Kaidi.

00:28:32That was a dialogue.

00:28:33It was designed to do that.

00:28:34This is a dialogue.

00:28:35Kaidi 2-0, we will see you next time.

00:28:38At least, I need to watch Vikram and Leo back-to-back.

00:28:41Kaidi?

00:28:42Kaidi?

00:28:43Kaidi?

00:28:44Yes, Kaidi.

00:28:45Kaidi is at least a few years ago.

00:28:47I was looking for him to see him.

00:28:49If he had a few years ago, I just need to go sit.

00:28:52Actually, Leo said that, Mr. Vijay is not going to go to the end of the season.

00:28:59I know he is not going to go to the end of the season.

00:29:02Is there any plans for the LSU in the season?

00:29:06Is there any plans we can see?

00:29:08Only time can tell.

00:29:11And that's what Vijay has to tell.

00:29:13But if you don't want to come to the end of the season,

00:29:16saying it's okay, you want to come to the end of the season?

00:29:18No, that's fine.

00:29:20But I just want to do Master with him again.

00:29:25I mean, I want to do Master with him.

00:29:29Really? Okay.

00:29:31I think there is a part of the story which is not said that.

00:29:34I just want to do that for him.

00:29:37And that's why he has a lot of vibe.

00:29:41Personally, he has a lot of vibe.

00:29:43Obviously, Leo is a strong character in LSU and people love it.

00:29:47But he has a lot of personality.

00:29:49He has a lot of personality.

00:29:51Yeah, I have a proper idea for that also.

00:29:54He also knows that.

00:29:55But it's not all time.

00:29:58He has some other thing in his head to achieve.

00:30:01Now, if you don't want to go to LSU, you have to go to a map.

00:30:05Yeah, yeah.

00:30:06All I have.

00:30:07I have to do a film with Kamil sir also.

00:30:08Mikram too.

00:30:09And finally, it has to be Leo too.

00:30:10And Rolex is a standalone film.

00:30:11And I have an idea for that.

00:30:12That's an origin story.

00:30:13Yeah, yeah.

00:30:14I have to do a film with Kamil sir also.

00:30:15Mikram too.

00:30:16I have to do a film with that story.

00:30:17And finally, it has to be Leo too.

00:30:20And Rolex is a standalone film.

00:30:21And I have an idea for that.

00:30:22And we are...

00:30:23That's an origin story.

00:30:24Yeah, yeah.

00:30:25And I am talking about that.

00:30:26And the timeline is that.

00:30:28But someday, I have to do it.

00:30:31If Leo doesn't have a plan,

00:30:33we will have to get a new plan.

00:30:35Yeah.

00:30:36Yeah.

00:30:37So, we will have to get a new plan.

00:30:42We will have to deal with that.

00:30:43That's why we are part of that.

00:30:45We are also a part of that.

00:30:47Yeah, that's why.

00:30:48We have to deal with that.

00:30:50But when we are like this,

00:30:52we will have to get a new plan.

00:30:53You can always reference the character.

00:30:55Yeah, I can do that.

00:30:56I can do that.

00:30:57I can do that.

00:30:58I can do that.

00:30:59Yeah.

00:31:00I can do that.

00:31:01One of the reasons why Vikram is not in Dillie,

00:31:05I can't do that.

00:31:06I can't do that.

00:31:07I can't do that.

00:31:08I can't do that.

00:31:09I can't do that.

00:31:10When Vikram was released,

00:31:12I shot that in one week.

00:31:15Okay.

00:31:16In June 3 was the release.

00:31:18That was June 3.

00:31:19I was shooting it in May 25-26.

00:31:22That's why Vikram is the value of that.

00:31:24But you still manage it.

00:31:25Even if you have to get a new plan.

00:31:28Yeah.

00:31:29I don't know.

00:31:30Because we don't have to talk about that,

00:31:34probably in your career,

00:31:36first time in your career,

00:31:37I think,

00:31:38Silla Yedir Mariana Vemerson.

00:31:39Yeah.

00:31:40First time.

00:31:41I don't know.

00:31:42I don't know.

00:31:43I don't know.

00:31:44So,

00:31:45one of the questions,

00:31:46one of the questions,

00:31:47how did you process all of this?

00:31:49Why are you talking about it?

00:31:50At the time, it was too fresh.

00:31:52Did you go to a few days?

00:31:54That is part of our journey.

00:31:57That is part of our journey.

00:31:59When we react,

00:32:00we don't know how to do it.

00:32:01Yeah.

00:32:02But,

00:32:03I don't think it's a big deal.

00:32:05In fact,

00:32:06that's a big deal.

00:32:07In fact,

00:32:08that's a big deal.

00:32:10That's a big deal.

00:32:11That's a big deal.

00:32:12That's a big deal.

00:32:13I think,

00:32:14if the film completely failed,

00:32:15I'm thinking about it.

00:32:17That's a big deal.

00:32:18That was a big deal.

00:32:19In the flashback.

00:32:20Yes,

00:32:21that was a big deal.

00:32:22That's why I'm only going to get a big deal.

00:32:24There are many reasons.

00:32:25I don't know if you're going to blame games.

00:32:27I take all the blame.

00:32:28I'm going to take all the blame.

00:32:29You're going to take all the blame.

00:32:30But,

00:32:31that 20 minutes

00:32:32doesn't affect the business of the film.

00:32:34And,

00:32:35now,

00:32:36we're going to re-value.

00:32:37You're going to see it.

00:32:38That's a big deal.

00:32:39Yeah.

00:32:40In this video,

00:32:41isn't it?

00:32:42It's not a big deal.

00:32:43It's not a big deal.

00:32:44Okay.

00:32:45In all the mistakes.

00:32:47You know,

00:32:48lots of parallel cuts.

00:32:49I liked what you said.

00:32:50You said it's a sequence of events.

00:32:52You didn't see a story like this.

00:32:54I never saw anything.

00:32:55I thought,

00:32:56the story is done with a story.

00:32:58I didn't say something.

00:33:00I didn't say something.

00:33:01I didn't say something.

00:33:02You didn't say anything.

00:33:03Yeah.

00:33:04You said something.

00:33:05You didn't say something.

00:33:06I didn't say something.

00:33:07I didn't say something.

00:33:08Even Kooli will be on that line.

00:33:09You have all these characters.

00:33:16Do you start off thing?

00:33:18You have all these characters.

00:33:20Do you start off thing?

00:33:21Do you have all these characters?

00:33:26Do you start off thing?

00:33:29Do you start off thing?

00:33:34What you said is exactly right.

00:33:36I do the opposite way.

00:33:37You have all the characters.

00:33:39This is the same way.

00:33:41I have all these characters.

00:33:43I have all these characters.

00:33:45I have all these ideas.

00:33:48In my case,

00:33:50I will be excited about this village.

00:33:56You will be confident in that development.

00:33:59On the goal,

00:34:01we will be very good to start with this character.

00:34:04He didn't say that he didn't make the character.

00:34:08He didn't say that he was a artist.

00:34:10He was a dancer assistant.

00:34:14He was a dancer assistant.

00:34:16He was a dancer and he was a dancer.

00:34:19He was a dancer and he was a dancer.

00:34:22Maybe he was a little bit of a character.

00:34:24But we should plan better for our new characters.

00:34:30Like how I set for Fahad Fassil and Shobin sir.

00:34:34We can't do anything with those characters.

00:34:36If you're not a fan of these characters, you can't do anything with them.

00:34:41If you're not a fan of these characters, you can't do anything with them.

00:34:43You can't do anything with them. How did it work?

00:34:47I'm a fan of the master.

00:34:50He's a teetotler.

00:34:54He can't do anything.

00:34:56But it's hard to do anything with the character.

00:35:00That's why I'm a finalist.

00:35:03I'm a fan of the character.

00:35:05I'm a fan of the character.

00:35:09I don't want to name any actors.

00:35:11But I'm not a fan of the character.

00:35:16He's a fan of the character.

00:35:18If I'm a fan of the character, you can't do anything.

00:35:21That's why I'm a fan of the character.

00:35:23If I'm a fan of the character, the mannerism and everything else,

00:35:27I'm a fan of the character.

00:35:30That's why I'm a fan of the character.

00:35:32Now, Koolimari is a film.

00:35:34Do you have a pre-determined cast?

00:35:37Yes.

00:35:38Do you have a business or a market?

00:35:40I'm a fan of the character.

00:35:42I'm a fan of the character.

00:35:44They're all playing characters.

00:35:48And that is even more tough for me to achieve.

00:35:51I think maybe because of the characters,

00:35:53where the business is,

00:35:55we can't get a formula.

00:36:00This is how we can make business sense.

00:36:03That's why I'm a fan of the character.

00:36:08Yes.

00:36:08If we can make a camera,

00:36:10obviously, that's why we can make a camera.

00:36:12Now,

00:36:13you can't tell us about the character.

00:36:15If you're a Rolex character,

00:36:16you can't tell us about the character,

00:36:18it's the soul of the film.

00:36:21That's why we can make a high point.

00:36:23So, that's why we can't do that.

00:36:25We can't do that.

00:36:26We can't do that.

00:36:27We can't do that.

00:36:28We can't do that.

00:36:30So, we can't do that.

00:36:31We can't do that.

00:36:32We can't do that.

00:36:33We can't do that.

00:36:34But the characters are the same.

00:36:36That's why we can't do that.

00:36:37So, that's why we can't do that.

00:36:38Maybe if we can release it,

00:36:39we can't do that.

00:36:40I love Naarjuna, sir.

00:36:42I love Shobin, sir.

00:36:44I love Uppendra, sir.

00:36:45I love Uppendra, sir.

00:36:46You can't do anything like this.

00:36:47You are a fan of Tamil.

00:36:49You can't do anything in Hollywood.

00:36:50You can't do anything in Hollywood.

00:36:54Do you have exposure to all the different languages in the cinema?

00:36:59He's very selective.

00:37:01Like Naarjuna, sir, Maina, Shiva.

00:37:05Of course.

00:37:06He's very selective.

00:37:08He's a fan of Shobin, sir.

00:37:10He's a fan of Shobin, sir.

00:37:12He's a fan of Shobin, sir.

00:37:13Personally, he's a fan of Shobin, sir.

00:37:16Obviously, he's very selective.

00:37:19But he's very selective, very minimal.

00:37:20Uppendra, sir.

00:37:21I'm a fan of his direction.

00:37:23For his wacky ideas and all those things.

00:37:25He's a fan of Shobin, sir.

00:37:27We've done a lot of homework.

00:37:30We can use them.

00:37:32If I'm not sure if I'm not sure if I'm a fan of Shobin,

00:37:37then I can't bring it on.

00:37:39If I'm not, his fans are disappointed.

00:37:41You've got a lot of filmography.

00:37:43What is your favorite film?

00:37:44Kaidi.

00:37:45Because I think there's relentless momentum.

00:37:47Of course, Master Leo, Vikram,

00:37:50it's a very good film.

00:37:52But Kaidi, I thought, was a product.

00:37:56It was from start to finish.

00:37:58Each time, I think, okay,

00:38:00if I'm not sure if I'm not sure if I'm not sure if I'm not sure if I'm not sure if I'm not sure.

00:38:05What I wanted to ask you was,

00:38:07if you have any approach for the film,

00:38:12if you have any approaches for the film?

00:38:15I think I have been an agent,

00:38:17I think that's all the time.

00:38:19If you're 20, 30, 30,

00:38:21it's because it's not the case.

00:38:23I don't have to be a rush.

00:38:26Maybe, I'm not sure if you were thinking about this.

00:38:31You were thinking about this.

00:38:35Maybe you were thinking about this.

00:38:40No, I was afraid of that.

00:38:44I was shooting in 2015.

00:38:48I was shooting in 2015.

00:38:52I was shooting in 2017.

00:38:54So almost 2 and half years, we were not doing anything else.

00:38:58So I felt like our feelings were changed by action.

00:39:00We just had a learning curve and we had to go through the learning curve.

00:39:05Then everything was changed by both.

00:39:08The time we had to go through the coursework.

00:39:12We had to go through the coursework.

00:39:18Everything was changed by the coursework.

00:39:20So I had to release.

00:39:21I just want to go shoot.

00:39:26I just want to go shoot.

00:39:28At the end of the day, we are going to do everything.

00:39:31We are going to do everything.

00:39:34Not for my life, but just for me, I want to go shoot.

00:39:41What is happening in my life?

00:39:44What is happening in my life?

00:39:46Maybe I can do that too.

00:39:49It is a long time.

00:39:52You can do everything, you can do everything.

00:39:55It is a long time.

00:39:56I don't know who is talking about this pressure.

00:39:58I don't know who is talking about this market value.

00:40:01I just want to know who is the only identity.

00:40:04I want to know who is the only one.

00:40:06That made me do all those things.

00:40:08Later, when you work with so many other stars,

00:40:12you can start a business.

00:40:18I don't know who is the only one.

00:40:20I don't know who is the only one.

00:40:22You still have to take the financial burden.

00:40:25What are you doing?

00:40:26I am going to go shoot.

00:40:31I am going to go shoot.

00:40:32It is very low.

00:40:34That is not the pressure.

00:40:36Subconsciously, your mind is not occupied.

00:40:39You cannot release it.

00:40:41So, there is no pressure.

00:40:42There is no pressure when we come to the cinema.

00:40:44We have to convince you to have the budget.

00:40:46I am not getting it.

00:40:48I have to ask you about the entertainment industry,

00:40:50I am not getting it.

00:40:52You are not getting it.

00:40:53I am not getting it.

00:40:58Fortunately, I collected more than 100%.

00:41:00Now, it's about 10 to 15 minutes.

00:41:02Yes, now.

00:41:03Now, my next film is Kaidi 2.

00:41:06Now, if you tell me, it's only a product in my film.

00:41:10Now, my target is my own film. Kaidi 2.

00:41:13If you compare it to all, it's a curse.

00:41:17The second part is a curse.

00:41:18Correct. Fair enough.

00:41:19Maybe there is a bias in that film.

00:41:22So, what do we consume?

00:41:25Now, I'm going to take one shot.

00:41:29I'm going to cross-high.

00:41:31That was something else I wanted to do.

00:41:33I watched it in a Spanish film or something else.

00:41:34I'm going to do anything.

00:41:36I'm going to do anything.

00:41:37That took me like 18 to 19 hours for that one shot.

00:41:41I'm going to shoot it in a full day.

00:41:44Now, I'm going to take a few shots.

00:41:47I'm going to match it.

00:41:50That is the pressure I have.

00:41:52And I take it in a good way.

00:41:53That is the challenge I've seen.

00:41:54I just need to come across.

00:41:56I want to do something else.

00:41:57What is the fundamental and basic thing?

00:42:01What is your goal for you to achieve?

00:42:06I used to have that high.

00:42:07I used to have that high.

00:42:08I used to have that high.

00:42:10I used to have that high.

00:42:13But that's what you know.

00:42:14When you do a film,

00:42:15and when you go to the theater,

00:42:17you have a feeling that you don't know if you want to go to the theater.

00:42:21And that gives you a godly feel.

00:42:22I mean,

00:42:23I told you that I was going to talk to you.

00:42:27And then when I started realizing it,

00:42:28yes, it gives you a feel that only you can experience it.

00:42:33Probably.

00:42:33And now, the scale is a high.

00:42:35I'm sure that feeling is a good feeling.

00:42:37Yes.

00:42:38If you think about it,

00:42:39it was released on August 14th.

00:42:42I don't know what I've done in my life.

00:42:46All I have done was coolie, coolie, coolie.

00:42:48Family functions, friends meet,

00:42:52anything else.

00:42:54All I have is a film named Coolie.

00:42:58So, when the day comes,

00:43:05we will see what we call the name and the name.

00:43:10That day, on the release day,

00:43:11we will see the name of the two.

00:43:13We will see the name of the two and the name of the Tathri.

00:43:16It will be worth it.

00:43:19It will be worth it.

00:43:21It is worth every penny.

00:43:24It is worth every second of your time.

00:43:27It is worth it.

00:43:27In a very strange way,

00:43:28we see that you are sacrificing years for days.

00:43:31Yes.

00:43:32Some days of joy.

00:43:33Yes.

00:43:33I actually don't want to bring about my personal life.

00:43:36I mean, family.

00:43:37I can't tell you about it.

00:43:38But I've missed so many good moments with my family.

00:43:41It can't be worth it.

00:43:43I can't tell you about it.

00:43:44There are so many stars.

00:43:45They are shooting in India.

00:43:49And so, obviously, it happens.

00:43:51If it is worth it for a film,

00:43:55that is the good thing,

00:43:56that you have to do a good thing,

00:43:57that you have to do a good thing.

00:43:59You are happy with that.

00:44:01Yes.

00:44:02No.

00:44:03If you are looking for a film,

00:44:04it is worth it.

00:44:05It is worth it.

00:44:06It is worth it.

00:44:08Clearly, money is good.

00:44:10But it is not the only thing.

00:44:11You have to risk it in the first place.

00:44:13Yes.

00:44:14See, money is always good.

00:44:15But the first time,

00:44:16it is worth it.

00:44:20It is worth it.

00:44:21We have to pay a cashier in the first time.

00:44:25It is worth it.

00:44:26They have to pay a cashier in the first time.

00:44:30It is worth it.

00:44:31They have to pay the cashier in the second time.

00:44:34We will pay for it.

00:44:35We will pay for some money.

00:44:36So, money is worth it.

00:44:38You do not pay for everything.

00:44:40I don't know anything about it.

00:44:44But it's not that feeling.

00:44:46You don't have to worry about it.

00:44:48You're still there.

00:44:52You're still there.

00:44:54You're still there.

00:44:56You're still there.

00:44:58You're still there.

00:45:00That's our human tendency.

00:45:02You're still there.

00:45:04So financially, you will be sorted.

00:45:06When it comes to movie industry and that too if you are successful, life is sorted.

00:45:09But that's why I'm happy about it.

00:45:12I'm happy about it.

00:45:14That's why I'm happy about it.

00:45:16In Spaces, Mr Rajani,

00:45:18he's still there.

00:45:21You're still there.

00:45:23I can't even say what and all I shared with that man.

00:45:28In the past one year.

00:45:30He made me sit and relax.

00:45:33He made me think about life.

00:45:35He made me cry.

00:45:36He made me laugh.

00:45:37He made me cry in a good sense.

00:45:39Of course.

00:45:40A man can't even think about life.

00:45:42Every day, there was a learning from him.

00:45:44There was a person in life.

00:45:46There was a person in life.

00:45:48There was a person in life.

00:45:49There was a person in life.

00:45:50There was a person in life.

00:45:52There was a person in life.

00:45:54There was a person in life.

00:45:55He was a person in life.

00:45:56I have never heard that person.

00:45:58I haven't even heard that person.

00:45:59If you came to work for爱情.

00:46:01People need to talk about the movie,

00:46:02You've heard that person in life.

00:46:03People just hear that person in life.

00:46:05If you have a interview with me, you will be able to talk about Mr. Rajini.

00:46:12We know that it is happening. It is happening.

00:46:17But, it is happening with star power.

00:46:22It is happening with a lot of names.

00:46:24But, it is happening with a lot of people.

00:46:30Yeah, we talked about the simplicity and the simplicity of Rajanisar.

00:46:39We don't want to talk about that.

00:46:42If we talk about Satiraj sir, we don't want to talk about Satiraj sir.

00:46:48We don't want to talk about Satiraj sir.

00:46:51We don't want to talk about Satiraj sir.

00:46:55Just for his understanding.

00:46:57We don't want to talk about Satiraj sir.

00:47:00Even though we don't want to look at the scene, please don't want to talk about Satiraj.

00:47:04We all talked about the scene, but the feeling was there.

00:47:09Actually, I want to talk about the hero.

00:47:12When a man was like a human, he felt so nervous.

00:47:15He told that.

00:47:17You know, they didn't know how to talk about it.

00:47:21He was unbelievable.

00:47:23Yeah.

00:47:24In the past, the generation of Instagram is getting addicted to this generation.

00:47:29It's not a good idea.

00:47:31It's not a good idea.

00:47:32It's not a good idea.

00:47:35It's not a good idea.

00:47:38But in your opinion, you really make us work for it.

00:47:41Right?

00:47:42It's not a good idea.

00:47:46It's not a good idea.

00:47:48It's not a good idea.

00:47:54It's a good idea.

00:47:57It's a good idea.

00:48:00But in the first half, it's a good idea.

00:48:04I think you can do it.

00:48:06Talk to me about working towards the high.

00:48:09It's not a good idea.

00:48:11But why do you think it's a good idea?

00:48:13It's very easy.

00:48:15Why is it not a good idea?

00:48:18I think it's a good idea.

00:48:20I think it's a good idea.

00:48:22I think Mr. Blue Settemaran is one of the people.

00:48:24They told me about that review about it.

00:48:26You know, there's not a good idea.

00:48:29I don't know about it.

00:48:30But if you know, that's where I'm going to be.

00:48:32You know, I know that's where I'm going to be.

00:48:34But I could say, you know, that's where I'm going to be.

00:48:36That's where I'm going to be.

00:48:38I know what's going on in the first frame.

00:48:40But I know, if I'm going to be a good idea.

00:48:42You can't do anything.

00:48:44You can't do anything.

00:48:46You can't do anything.

00:48:48You can't do anything.

00:48:50You can't do anything.

00:48:52You can't do anything.

00:48:54But I enjoy all those things.

00:48:58For me,

00:49:02I don't know how to work.

00:49:04I went to a country and watched Goodfellas.

00:49:08I don't know how to work.

00:49:12I'm not sure how to work.

00:49:14I'm not sure how to work.

00:49:16There's an interl block.

00:49:18There's an interl block.

00:49:20There's an interl block.

00:49:22But we started realizing there's no break in between.

00:49:28You have to watch the film for 2 hours and 10 minutes.

00:49:30You can't do anything.

00:49:32We can't do anything.

00:49:34We can't do anything.

00:49:36We can't do anything.

00:49:38In the middle point,

00:49:40you get a bang.

00:49:42That's when you go get your popcorn and cool drinks and come back.

00:49:44In the format, we can't do anything.

00:49:46That's why I'm very important.

00:49:48The interl block is not an important thing for a film.

00:49:54Obviously, all three acts.

00:49:56You can't do anything.

00:49:58There's an interl block.

00:50:00You can't do anything.

00:50:02You can't do anything.

00:50:04I'll start writing that.

00:50:06There's a good climax.

00:50:08There's a good midpoint.

00:50:10There's a good beginning.

00:50:12There's a good beginning.

00:50:14There's a good beginning.

00:50:16I'm not going to sign it.

00:50:18I'll tell you something,

00:50:20You have to go and make some fun.

00:50:22We're going to support that.

00:50:23Rajani Sir,

00:50:25we will only do anything.

00:50:27We'll do it for two months.

00:50:30I got paid to RAJANI Sir,

00:50:31I got paid to pay the move too.

00:50:33I got paid to pay.

00:50:34I got paid for 2 months.

00:50:36When I met him and met him, he told me what he was doing.

00:50:41Then he told me that he was coolie.

00:50:44Somewhere down the line, I lost excitement towards that film.

00:50:51I need to work for like a year to get in.

00:50:56Rajini sir, I have to waste that time in prime time.

00:50:58So, let's do coolie and that's fine.

00:51:02Mr. Kamal Hasan, you told me that he was very similar to Kaidi.

00:51:11Coolie, there is no origin.

00:51:13I can't hear anything about it.

00:51:16It's a straight standalone Rajini sir.

00:51:19No, it's not an inspiration or any idea.

00:51:23Kamal sir, Kaidi will talk about Kaidi and talk about it and he will talk about it.

00:51:29Sir, Kaidi made me ride Kaidi.

00:51:33He told me that Kaidi made me ride Kaidi.

00:51:39Kamal sir, he told me that Spartacus made me do Kaidi.

00:51:43He told me that Spartacus was in the 60s.

00:51:46I told him that he was inspired by that.

00:51:50If you want to get a Spartacus, you can hear it.

00:51:53Why are you inspired me?

00:51:55So, it is like...

00:51:56There is a periodical...

00:51:58What are you doing?

00:52:00What are you doing?

00:52:01It is easy to say that he is not going to be able to get a copywriter.

00:52:04But it is not easy to get a copywriter.

00:52:06It is a good idea.

00:52:07It is a good idea.

00:52:08It is a good idea.

00:52:09If you want to get a Spartacus, Kaidi is coming.

00:52:11Easy.

00:52:12It is easy.

00:52:14I can't hear anything.

00:52:15Mr. Rajini, I was told you that I am a bad artist.

00:52:21Mr. Manirathram did not know about the show of a passion, not the show of a man.

00:52:27You will be able to find that.

00:52:28I will tell you the show of a man who is a man.

00:52:33He is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man.

00:52:40You are told me that.

00:52:41That is my friend.

00:52:43You should have been told me.

00:52:44You should have been told me.

00:52:44I am told you that I am not going to visit you.

00:52:46He told me, I'm not going to be afraid of him.

00:52:52He said, I'm not afraid of him.

00:52:55I was going to tell him.

00:52:58He told him that he was telling legend status.

00:53:01Unbelievable.

00:53:03He told him that he was the age and the age.

00:53:07One year ago, he told him that he was the age.

00:53:14If you have a note or a key note, that's not true.

00:53:17He says he's in the mind and says something.

00:53:19He says, why are we doing this?

00:53:22Why are we doing this?

00:53:24Why are we doing this?

00:53:26It's not our fault.

00:53:28That's why we're doing this.

00:53:30I think you revealed a story about Mr. Deva.

00:53:35Do you want to see an inspiration in Talabad?

00:53:38Devraj is a name I love so much. That is because of Talabad.

00:53:44That's right.

00:53:45If you have a character of Devraj, Rajini sir, I don't want to see you in Talabad.

00:53:52Devraj is a name.

00:53:54That sounds good.

00:53:56That's why I use his name.

00:53:59There is no peak.

00:54:03There is no peak in the 80s and 90s.

00:54:06There is no peak in the 80s.

00:54:10There is no peak in the 80s.

00:54:15I think that's my first thought.

00:54:19I don't know what I'm talking about.

00:54:21But my first association was that.

00:54:23I was like, oh, that's right.

00:54:25There is a period where he would do taxi driver.

00:54:28That's why we have to do a relationship with Rajini sir.

00:54:32We have to connect with our friends.

00:54:34I don't know what to do.

00:54:37I didn't know that there was no peak in the 80s.

00:54:40I have to connect with a lot of people and I know that there is no peak in the 80s.

00:54:46I am so happy that I have to do this but I have to do that with the 80s.

00:54:52But I am so happy that there is a lot of people who are watching this.

00:54:55He has a memory that will be with Rajini sir.

00:55:04And the way he connects with people, by doing all this common kind of characters.

00:55:10So, that's why he has an easy way.

00:55:12That's why he has a transformation in this way.

00:55:18Absolutely.

00:55:20I think that you have a problem with this.

00:55:25If you don't know anything about this,

00:55:27there is a low-key percentage and actor percentage.

00:55:32So, how do you think about this?

00:55:34That's our point.

00:55:39There is a time where you don't know how matured I am.

00:55:45If you don't know anything about the mainstream film,

00:55:50I can't value myself.

00:55:51I can't say anything about this percentage.

00:55:54That's when Master started.

00:55:57He was 50-50.

00:55:58He told me that.

00:56:00He told me that.

00:56:02He told me that.

00:56:03He told me that.

00:56:05He told me that.

00:56:06He told me that.

00:56:08It became a thing.

00:56:12He told me that.

00:56:13He told me that.

00:56:14Every film is 100% your film.

00:56:16He can't do it.

00:56:18He can't do it.

00:56:19Every day you set it.

00:56:21And you will see that.

00:56:23You will see that.

00:56:24You will see that.

00:56:25You will see that.

00:56:26You will see that.

00:56:27You will see that.

00:56:29So, it is very close to your heart.

00:56:31I would say that 100% is what every film deserves.

00:56:35I mean, he can't do it.

00:56:37There is a lot of work in the commercial space.

00:56:42There is a lot of work in the commercial space.

00:56:43So, he will get into it.

00:56:44He will get into it.

00:56:45I think that movie was a little bit free.

00:56:47This film was a very free movie.

00:56:51It was a very free movie.

00:56:56Lovely.

00:56:57I don't know what we had for a long time.

00:56:58It is like a trip.

00:57:00With Rajini sir.

00:57:02It was fun.

00:57:04Lovely. You don't want to tell us about a pure love story that you are making a pure love story.

00:57:12What do you want to tell us about a pure action film?

00:57:14How do you want to tell us about John Wickmer?

00:57:18And you seem like the guy for it.

00:57:20You love set pieces, you are happy.

00:57:22It's not that emotion.

00:57:25See, I value people more than anything else first.

00:57:29When I tell the universe and the LCU,

00:57:33I don't know how many people support me.

00:57:37Personally, I don't know how many stars are.

00:57:41I don't know how many people support me.

00:57:43I don't know how many people support me.

00:57:45I don't know how many people support me.

00:57:49It's not just me.

00:57:51It's for all the actors and producers who got involved.

00:57:54They support me.

00:57:57I don't know how many people support me.

00:57:59Everybody has a production company.

00:58:01Everybody wants to do a film.

00:58:03Now, I'm going to tell you how many people support me.

00:58:06I'm manifesting that I want to do a proper action film.

00:58:12Somewhere, somewhere.

00:58:13Super.

00:58:14I'm afraid of the censors.

00:58:16Three.

00:58:17Super.

00:58:18Are you still stronger?

00:58:21Those are the contests of the censors.

00:58:23What was the reason for that?

00:58:24No.

00:58:25I'm not afraid of the censors.

00:58:26I'm afraid of the censors.

00:58:28If you must follow them,

00:58:29that's why you were whimpering.

00:58:31I told him to follow him and he said,

00:58:33I told him to follow him.

00:58:36I didn't think he was so good.

00:58:39But he told me to follow him.

00:58:42I think he is going to follow him.

00:58:45He said he is still there.

00:58:47He said he is still there.

00:58:50He said he is still there.

00:58:53He said he is still there.

00:58:55I thought he was done immediately.

00:58:57The following weekend we had a party.

00:58:59I mean, with all the other directors.

00:59:02So, I said a very important thing about the directors.

00:59:07Why?

00:59:08In the cinema, we decided that we didn't decide.

00:59:13We did it.

00:59:15We did it.

00:59:17We did it.

00:59:19We said that we should go and quit.

00:59:24Take this advice for your lifetime.

00:59:26He said that we are the main director.

00:59:29And I'm following it.

00:59:30And I'm not going to do it.

00:59:31If they're talking about the violence, they mean it.

00:59:36It means a lot for me.

00:59:38So, I'm not going to say that.

00:59:39You'll be happy.

00:59:41Let's see.

00:59:42I'll get up for it.

00:59:56Bye.

00:59:57Bye.

00:59:58Bye.

00:59:59Bye.

01:00:00Bye.

01:00:01Bye.

01:00:02Bye.

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