#ladychatterleyslover # larkrisetocandleford #bethfreed25
The Monks has destroyed the last clue to Oliver's identity, but Nancy warned Rose of the danger. Starring: Lysette Anthony, Ben Rodska, Eric Porter, Michael Attwell, Godfrey James, Frank Middlemass.
The Monks has destroyed the last clue to Oliver's identity, but Nancy warned Rose of the danger. Starring: Lysette Anthony, Ben Rodska, Eric Porter, Michael Attwell, Godfrey James, Frank Middlemass.
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Short filmTranscript
00:00I'm not a man, but I'm a man, but I'm not a man, I'm not a man.
00:29Oliver would seem to be in greater danger here in London than we realized if this
00:34girl Nancy is to be believed. for what reason I do not know but she seemed as
00:39desperate to save him as we are. seemed yes but by her own admission she's as
00:44bad as her associates. nevertheless you have no choice but to remain in London
00:48till we've learned more from her. I am indebted to you for your advice Harry.
00:53nonsense mother. Oliver's safety is my concern as well as yours and as you
00:58know I need no urging to call on you. and Rose? so long as we do not forget we are
01:04gathered together on Oliver's behalf.
01:14faster Oliver! boy he's taken pounds off me today.
01:23the less Oliver knows about this at present the better for his peace of mind
01:27but we must be prepared for a trap.
01:30Oliver for heaven's sake what has happened?
01:32where is Giles? master Oliver? he tried to run away from his mum. I don't know what got into him.
01:37Oliver that's very wrong. what is it Giles? what's happening?
01:40well the lad thinks he's seen someone he knows sir. I have seen him. I've seen him at last.
01:45not the man at the inn. the madman. the gentleman who was so good to me.
01:49where was this Giles? just near the strand mum.
01:53he was in a coach. I saw him.
01:55shh. gently now. master Oliver got so excited miss he just up and went.
01:58left me standing. are you sure Oliver? you didn't imagine this.
02:02no no no no take me to his house you'll see i told you you'll see i told you truth about everything.
02:06oh dear child we never thought otherwise.
02:09can i visit him? i shan't know what to say but. we shall go at once. of course we will.
02:27Oliver twist.
02:30you remind me of a name i have been trying to forget young lady.
02:34played you false has he? i'll eat my head if he hasn't. no sir and he never would. he's an honest
02:41loyal loving boy. all the evidence is contrary. he imposed on my friend, robbed him and then
02:48returned to his criminal associates. if you knew how he had grieved that you might think this of him
02:54he sought you out to explain some six months since but you had gone abroad. we've heard his
02:59explanations before and sought out the facts to fit them. during those six months my friend grimwig and
03:06i traveled to the indies and back to seek the truth about this unhappy boy but to no avail. in that case
03:13mr brownlow it can only be providence which has brought you back to him now.
03:20mr mayley you make me regret i stayed a bachelor. i'll eat my head off if you don't. sweet girl.
03:50i like you. oh don't be afraid. i'm old enough to be your father.
04:01old brownlow would have moped himself into an early grave if you had not walked in here today.
04:07oh this is great happiness to me. greater than you can possibly know at the moment miss mayley.
04:14i will call upon your aunt and her son tonight. there's somebody else who should be here now.
04:20you remember me boy. i shall shortly be under the necessity of eating my head off on your account.
04:28i'll eat my head. you see he ain't a mealy boy no more. no he's grown to be a regular beefy one.
04:43we must thank this young lady and her aunt for that. excuse me sir.
04:48shall i bring in muffins with the tea as usual?
04:52mrs bedwin you get blinder every day. that i do sir. people's eyes don't improve with age.
05:00well put your glasses on and you'll see what you were wanted for. dear me. dear me. dear me.
05:05mrs bedwin. oh god be good to me. it's my innocent boy.
05:13i knew he would come back. how well he looks. where have you been this long long while?
05:21my little oliver. we never could bear to put that portrait back up once you were gone.
05:29do you remember? come oliver sit down. you must tell us all about your new friends and
05:34and what you've been up to all these past months. no. as your legal advisor i insist
05:41first. first things first. fetch in the tea and muffins. oh yes.
05:55oh lord. london's so very big. right. it's the only place for a man of my sort. i'll tell you.
06:02oh walk straight woman. oh i do try noah dear.
06:11what a lazy boat you are. oh my feet won't carry me no more.
06:15if you're enough to turn anybody's patience you are. oh noah. it sure works.
06:21well where are we to stop for the night? i don't know.
06:25get out of the way. hey what about that place we've told of on the road? you know. let's try down here. come on.
06:30so that monks is keeping a little ollie watch then? watching and nebbing is two different things.
06:44all right.
06:47is this the three cripples? him him and me. that's us. we've got a room. oh five cripples would be two.
06:53i don't know too many. ha ha. just walked up from the country have you? no. we...
06:59hey hey hey hey hey hey hey hey hey hey hey was you uh recommended by the charge?
07:10gentleman on the road. he said it was safe. gentleman was too fudder the gab.
07:16wait in there. in there he said.
07:25no dear. i'm hungry. oi. could you get us a drop of beer and some cold meat?
07:32could you pay? that's the question. no luck of money at this here address young shaver. who asked you eh?
07:37that's some of the fagans line if i'm mistaken. right of fitting charlie. yeah go on.
07:54thank your stars i've got in here to keep you safe. i know i ain't as cunning as you are.
07:58yeah well old sowerberry will have you in the back of the cart with the handcuffs on.
08:01why should only me be locked up? because you took the money from the till.
08:04well i took it for you noah dear and you've been taking it for years.
08:08yeah well you cleared it all out this time didn't you?
08:10so as we could seek a fortune like you said and you make me a lady.
08:15you trust me shodder. i i will.
08:19well my man hey?
08:24oh yeah yeah i could uh fard you lodging with a friend.
08:31oh a bit better than any moment.
08:38what name should i say?
08:41bolter. mr morris bolter yeah and this is mrs bolter.
08:45i would know her. oh yeah.
08:48he knows how to train a girl jolly. i like him.
09:01i mean to be a gentleman charlotte. no more jolly old coffins for me but a gentleman's life.
09:06well tills ain't to be emptied every day noah dear.
09:08tills be blowed. there's more besides tills to be emptied.
09:11such as what? pockets. women's bags. houses. mail coaches. banks.
09:18oh but you can't do all that do you?
09:20no but i shall get into the company of them as can.
09:22and gentleman of that sort could change that 20 pound note you've got.
09:26yeah. he'd be glad to have us.
09:28why you were 50 women. so precious sly and deceitful you can be when i let you.
09:33oh laura how nice it is to hear you say so.
09:37don't don't you be so affectionate. we'll get cross with you.
09:53a pleasant day sir for the time of the year.
09:58eh?
09:58mr morris balter.
10:06he just walked up from the country i see.
10:09why do you see that?
10:10we have not so much dust as that in london.
10:13well you're a sharper aren't you?
10:14oh you have to be sharp in this town my dear.
10:17i am mrs balter's humble servant.
10:22would you be with a gentleman?
10:23yes no idea.
10:26she calls me that as a sort of fond way of speaking.
10:29yeah i understand perfectly my dear.
10:32you require lodgings i hear.
10:35you hear or not that's for sure.
10:36yeah i can provide you my dear.
10:40two of my young friends will lead you to my apartments tonight.
10:45you're very obliging sir.
10:48we'll talk tonight.
11:00my friends i i have a confession to make.
11:03my concern for oliver is no longer disinterested.
11:07from the first moment i saw that boy i have been haunted.
11:10haunted by his resemblance to a portrait i possess.
11:14in a word i suspect he may be related to a late dear friend of mine.
11:19you know who oliver is mr brownlow.
11:23he merely suspects ma'am.
11:25suspicion is not evidence brownlow.
11:28my suspicions were strong enough for you to accompany me to the west indies in search of
11:33evidence.
11:33as a friend not as a lawyer.
11:36if i went as your lawyer i'll eat my head in open court.
11:40why was it necessary for you to travel to the indies sir?
11:43after oliver disappeared i confided my suspicions to my
11:48to my lawyer.
11:49he established that my late friend's only surviving relative a son called edward
11:54leiford was living there.
11:56was.
11:57well you found no evidence then?
11:59not a scrap.
12:00so i advised the abandonment of the search before it ruined this gentleman's health.
12:05however it seems that the search has not abandoned me.
12:09this young woman nancy she spoke of a man claiming to be oliver's brother did she not?
12:14yes indeed a brother who had conspired or rather is conspiring to defraud him.
12:21no more evidence and suspicion.
12:24young edward leiford is a corrupt degenerate sir.
12:27that is a fact.
12:29you infer that he and monks are one in the same?
12:32infer precisely.
12:36would the man that you know as leiford associate with such as fagan?
12:39he'd associate with the devil if it served his turn. i'd eat my head if he wouldn't.
12:48two tender chickens ready to rust.
12:52yeah fresh from the country fagan.
12:54he he he he.
12:56a-ha.
12:57ha-ha.
12:57don't mind them my dears then.
13:00leave us off.
13:04go.
13:05Thank you for your very good health, Mr. Bolter and Mrs. Bolter.
13:19That's good stuff, that.
13:25It costs money.
13:27A man who drinks that regular must always be empty in a pocket.
13:33Or a lady's bag.
13:35Or a house. Or a mail coach.
13:38Or a bank.
13:40Or a till. Here!
13:42Oh, Lord!
13:43Yes, my dear.
13:45It was lucky if it was only me overheard you by chance. Very lucky.
13:50Someone else might have given you away.
13:52I didn't take it. It was her doing!
13:54No, her luck!
13:56No matter, my dears. Who took it? I like you for it!
14:00You do? Yes!
14:05I'm in that way myself.
14:09That way?
14:12That way of business.
14:15I've taken a fancy to you and a young woman.
14:19Have you?
14:23And are you in a good way of business?
14:27Oh!
14:28Top of the tree, Mr. Bolter.
14:32I mean, you could live here like gentlefolk.
14:39Food and lodging, pipes and spirits, all three.
14:42And you keep half of all you and the young woman.
14:49Here, what do you say?
14:51Where on? In Charlotte?
14:55Yes, nowhere.
14:57Morris, dear.
14:59Well, that's settled then, eh?
15:05Now, you...
15:06You spoke of a...
15:09...a 20-pound note.
15:11We are agreed then.
15:14My friend Brownlow will accompany this young lady
15:17to London Bridge between 11 and midnight on Sunday.
15:21The woman may not appear, of course.
15:23She will.
15:24We must persuade her to lead us to monks and his accomplices.
15:28Nancy will never betray them.
15:30There is one among them whom she loves.
15:33Once she falls into our hands, she will not escape.
15:36If she does, I need my...
15:38No, that cannot be.
15:40Rose has promised that we shall not reveal the girl's secrets,
15:43nor even have her followed.
15:45She said that she placed her own life in danger
15:47and I believe she spoke the truth.
15:49But we must lay hands on monks somehow.
15:52He is the key to it all.
15:54Let the woman but point him out.
15:56We'll undertake to deal with him direct, outside the law.
16:01Well, we can but try, I suppose.
16:03Mrs Mayley?
16:05Yes.
16:06Rose's promise must be respected.
16:08Then, my dear, I will call for you at a quarter before 11 on Sunday.
16:13Now, Grimwig and I have kept you from your beds quite long enough.
16:26Charlotte, where are you?
16:28I'll send her out with another of my young ladies, Mr Boulter.
16:34What for?
16:36Why, to work.
16:41What?
16:42Whatever takes her fancy, Boulter.
16:45I must say, you've trained her up quite perfectly.
16:49You are a genius.
16:51Well, I suppose I shouldn't be here if I wasn't, eh?
16:53No.
16:55Well, what shall we put your genius to work at, eh?
16:59You must consider yourself, you know.
17:02Oh, I do.
17:03Number one forever, I see.
17:05Ah, but in a little community like ours,
17:08you can't look after yourself, number one,
17:11without looking after me.
17:12Fagin!
17:13Fagin!
17:14Fagin!
17:15What's wrong?
17:16Everything!
17:17Are they after you?
17:18You fool!
17:19You should have known better than come back here!
17:20Don't you trouble yourself.
17:21What?
17:22You are safe.
17:23So am I.
17:25But the Dodger's been taken.
17:27What?
17:28The Artful's in Quad.
17:29Oh, no!
17:30This morning, dip in a pocket.
17:39Silver sneeze box.
17:40They took you in a bowstring.
17:44Dodger!
17:45Gone!
17:49My best hand taken up like a common trig.
17:54There was no one to match him, Boulter.
17:57You should have known him.
17:59I hope I shall.
18:01If...
18:02He ain't gonna be hanged.
18:04No, no, of course not.
18:05What are you talking about?
18:07No, if they don't get the evidence...
18:10Snuff box can't be valuable, eh?
18:12He could swear it was his own.
18:14I'm very fond of Snuff as the Dodger.
18:17Ah, we'll...
18:19We'll get him back.
18:21Yeah, we'll get him off.
18:22He'll be back dipping again within two days!
18:24He won't!
18:25They got the evidence, Fagy.
18:27The owner sworn to the box.
18:28And two gentry coves see him lift it.
18:31That is for a lagging.
18:33Transportation, me pipping.
18:34Off to Botany Bay.
18:36Poor old Dodger.
18:39Ah, what are you blubbering for, eh?
18:44He's my pal.
18:45And no-one'll know the half of what he was.
18:48Oh, yeah, the boy.
18:50It are my blubbering.
18:52Me, what taught him his heartfulness, called him Dodger.
18:56Dry your eyes, Charlie.
18:58He won't disgrace his pals before the bench, nor pitch on them, neither.
19:01Yeah, you can be sure of that.
19:02But Nab, for a tuck in his sneeze box, should've been a gold watching chain at the lowest.
19:08Ah, it's a distinction to be lagged at his time of life, Charlie.
19:12That bull stands in the new git calendar.
19:16Oh, yeah, it is an honour, innit?
19:18And he shall have everything he wants in jungle.
19:21Beer every day, money in his pocket to pitch and toss me.
19:24Shall he, though?
19:26Yeah, that he shall.
19:28But we must find out how he gets on.
19:31Someone must be at the court.
19:32I'll be there.
19:33I see him turned off.
19:34Are you mad?
19:35One of the times enough to lose.
19:37Well, send this new cove, then.
19:39No-one knows him.
19:40No, none of that.
19:41That's not in my department, that ain't.
19:43What department have you got, then?
19:44Clearing off when there's anything wrong and eating all the Whittles when there's everything right?
19:48Is that your branch?
19:49You'll never mind.
19:50Don't you take liberties with your superiors, little boy,
19:52or you'll end up in the wrong shop.
19:54Hey, hey, hey, hey.
19:55We're all friends here.
19:57Friends?
20:00There's nothing to mind, my dear.
20:03You can go in disguise.
20:20Next.
20:23Look here.
20:24I'd like to know why I'm placed in this here disgraceful situation, football.
20:29Hold your terms.
20:30I'm an Englishman, aren't I?
20:31Where's my privileges?
20:33You get your privileges soon enough and pepper on them.
20:39Now then, gentlemen, speak up.
20:41What is this business?
20:43I shall thank the magistrate to dispose of it sharp.
20:46Because I've got an appointment in the city.
20:52Name?
20:53John Dawkins, Your Worship.
20:57With a W.
20:58I hope that's caught the plate you're writing.
21:01What's the name of the old father at the back?
21:05Wake him up and say,
21:07Mr Dawkins is waiting.
21:09The secretary of state for the home affairs will have something to say about this.
21:17What is this?
21:19My attorney will be bringing an action of damages, Your Worship.
21:26A pickpocketing case, Your Worship.
21:28Has a boy ever been here before?
21:30He ought to.
21:31Many times.
21:32The police know him well.
21:34Oh, no way, do they?
21:36Very good.
21:37That's a case of deformation of character.
21:40They can expect an affidavie after dinner.
21:45Silence in court.
21:48Let us proceed.
21:49Call the first witness.
21:51Call the witnesses.
21:53Witnesses, please.
21:54Where are the witnesses?
21:57Oh, yeah, where are they?
21:59I should like to see them.
22:01If they'd have any shame at all,
22:03they'd have stayed at home and he didn't wash us.
22:06I'm accused to tell me I'm coming at 500 a year with a couple of homes and a carriage.
22:27Stand down, stand down.
22:30I hesitate to ask this,
22:33but has the accused anything further to say?
22:38His Worship asks if you've anything further to say.
22:44I beg your pardon?
22:45Did you redress yourself to me, my man?
22:49Silence!
22:50What is there?
22:51Any further disturbance and the court will be cleared.
22:54Have you anything more to say?
23:00No.
23:02But this ain't the shot for justice.
23:04Besides which, my attorney is breakfasting with a vice president at the House of Commons.
23:11He's committed for trial.
23:13Court adjourned till tomorrow.
23:15Take him down!
23:17All right, all right.
23:18There's no use you looking frightened.
23:21I won't show no mercy.
23:23Not an ape of...
23:25You'll pay for this, my fine fella.
23:27You'll be sorry.
23:28Yeah.
23:29I wouldn't go free now, even if you was to beg me.
23:32Here, take me off.
23:33Hey!
23:35Good job!
23:37Now you should call him.
23:38Good job!
23:39Good job!
23:40Good job!
23:41Good job!
23:42Good job!
23:43Good job!
23:45Good job!
23:46Good job!
23:47Good job!
23:48Good job!
23:50What a game, eh?
23:51Yeah?
23:52What a regular game!
23:53Yeah, I thought Fagin says he wasn't to come here!
23:54Get off, Bolter!
23:55Dodgers with me power and I don't care who knows it!
24:03Oh, there it is, Bill.
24:05Up for trial next month.
24:07Then...
24:09Off to Australia.
24:10We're all bound for Botany Bay sometime.
24:13If Jack Ketch don't have us first.
24:16Who asked you?
24:21He'll be back amongst us one day.
24:24Which is more than could be said for that whiny puppy Oliveira.
24:26If you know where he is, why don't you snatch him?
24:28Yeah, he's kept pretty close, Bill.
24:32We must bide our time.
24:33I feel too much biding these last months.
24:38Eleven o'clock.
24:41Dark and heavy it is, too.
24:44Good night for business.
24:47Sunday often is, eh?
24:49What a pity there's none ready to be done.
24:53I just think a bit.
24:55All those cribs all over London.
24:57Don't forget, driver, come back at ten minutes after twelve.
24:58Don't forget, driver, come back at ten minutes after twelve.
25:03Don't forget, driver, come back at ten minutes after twelve.
25:08I do not see her, my dear.
25:09She's only just past the hour.
25:10There's a crib at Chelsea.
25:14Toby Cracket fancy some fine silver.
25:16Don't make up for lost time.
25:17Oh.
25:18Now that does my heart good to hear you, girl.
25:19Does it good, eh?
25:20Does it?
25:21Well, you sound more like your old self today.
25:22Hello.
25:23Next.
25:24Where are you going to this time of night?
25:25Not far.
25:27What else is that?
25:28What answer is that?
25:29I'm sorry!
25:30Yeah.
25:31Well, I can.
25:32That's so powerful.
25:33I'm not going to do anything.
25:34I'm not going to do anything.
25:35You're about to do anything.
25:36But I'm not going to do anything else.
25:37I'll go.
25:38That's lovely.
25:39I'm sorry.
25:40I'm sorry, I can.
25:42It's my heart.
25:43I'm sorry.
25:44I'm not going to do anything else.
25:45I'm sure, mate.
25:46I don't know.
25:47I'm fine.
25:48I'm sorry.
25:49Here, I just want to go.
25:50There's a crib at Chelsea.
25:51Tobey Cracket fence.
25:52It's all fine silver.
25:53Don't make up for lost time.
25:54Oh.
25:55What answer is that? Where are you going?
25:57I don't know where.
25:59Then I do. Nowhere. Sit down.
26:02I don't feel well. I want a breath of fresh air.
26:04Put your head out the window.
26:06I want it in the street.
26:07Don't shut up.
26:08Have it.
26:11There. Stop quietly where you are, will you?
26:14It's not the lack of a shawlers will keep me.
26:16She's out of her senses.
26:18Give me the key, will you? This minute, this instant.
26:21No.
26:22Fagan, tell him to let me go.
26:24It will be better for him.
26:25Do you hear me?
26:28Any more from you and the dog shall tear your throat out if I don't.
26:33What's good into you, you Jade?
26:36What is it?
26:36Give me the key. Let me go!
26:39You don't know what you're doing. You don't indeed.
26:42Cut my limbs off. She's gone raving mad.
26:45Get off!
26:46Not until you let me go. Never! Never!
26:49Now, stick her in your fucking room and call it.
26:53Let me go! Where you are!
26:54For an hour! One hour!
26:56For my heart!
27:02She's fair warming out.
27:05What a precious, strange girl that is.
27:07You may say that, Bill.
27:13Oh, you may say that.
27:19There is no sign of her.
27:22She said we must wait until midnight.
27:25Very well.
27:26But I fear your trust may be misplaced.
27:29What's she taking into her head to go out to night for?
27:44No.
27:46Woman's fancy, I suppose, Bill.
27:49I'd never known her like this before.
27:53Thought I'd tamed her.
27:54I thought you had, Bill.
27:56Yeah.
27:56I thought you had, Bill.
28:03Tell me, she, er...
28:04She'd been acting strange of late.
28:10Well, she's been a bit restless this last week.
28:14Yeah?
28:16Sometimes she'll be quiet.
28:17Sometimes she'll laugh or fall her trembling for no reason.
28:21She's caught a fever, I reckon.
28:24Yeah, perhaps she has, Bill.
28:26Perhaps she has.
28:28If she carries on anymore,
28:30I'll let her a little blub without troubling the doctor.
28:33Ah!
28:38Has she been, er...
28:40out alone much lately?
28:42One of us has got to work.
28:47Ah, to be sure, Bill, to be sure.
28:51Well, we must all take care of her, eh?
28:54She's a good girl.
28:58Be a pity to lose her.
29:12Be a pity to lose her.
29:19Twelve o'clock.
29:21She has broken her word.
29:23Perhaps she could not come.
29:26Perhaps she thought better of it.
29:31We must come again next Sunday.
29:33And waste another hour?
29:36A hundred hours of Oliver's safety and happiness depend on it.
29:39Yes?
29:40Yes.
29:50Bye.
29:51Bye.
30:00Bye.
30:05Bye.
30:07Bye.
30:08Bye.
30:08Bye.
30:08Bye.
30:08Bye.
30:09ORGAN PLAYS
30:39ORGAN PLAYS