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25:29There's no problem. You don't have any problem. Tell me.
25:33Tomorrow you'll get a termination letter on your desk tomorrow.
25:37Okay?
25:39Sir, I just wanted my story and credit for my work.
25:44There's nothing else.
25:46I don't know who killed Kiran's mom's murder.
25:50I really don't know.
25:52Who killed and why killed her?
25:54Sir, believe or not, Kiran had no good woman.
25:58He was also angry with everyone in this office.
26:00And who was angry with her?
26:02With Rohit.
26:07Mr. Lohi, what happened with you?
26:10Sir, I and Kiran were playing the show at the primetime show.
26:14He took me blackmailed me in the afternoon slot.
26:19Blackmail is when someone has done something wrong.
26:21Do you know what you did?
26:23I'm saying, sir.
26:25And I don't even know what to do with you.
26:27Sir, I had to write a wrong news with the wrong news.
26:31And the truth came out that Kiran passed away.
26:34And that was the right one.
26:36She gave me the wrong career.
26:38And so, I left the prime slot.
26:42Mr. Rohit, the news is a very important job.
26:46If you don't have any wrongs, it's better.
26:48If you don't do it, it's better.
26:49Yes, sir.
26:53I've checked it properly, sir.
26:55I've traced it anywhere.
26:58Okay.
27:02Dr. Gargi,
27:04did you get anything?
27:06Sir, I've checked everything,
27:07but I didn't get any source of Zehar.
27:10What are you talking about?
27:12If you've been murdered,
27:13then how will everything happen in the air?
27:15Sir, I've got to take the body to the lab.
27:17I can tell you something about the post-mortem.
27:19Okay.
27:20We're going to take the body to the forensic lab.
27:33Sir.
27:36Sir, this girl has complained about Ranjit
27:38on social media.
27:40She's got to know.
27:41Who?
27:42Her name is Aakanshah.
27:43She's got to know.
27:46Aakanshah.
27:50There will be a place in the world, right?
27:52I'll go there again.
27:54Okay.
27:57No change.
28:00What do you mean?
28:01I mean, Aakanshah,
28:02what you posted on social media,
28:04in terms of Ranjit,
28:05in the anger.
28:06She doesn't think you leave Ranjit as well.
28:09Ranjit has cheated on me.
28:14I don't know that she's married.
28:18I was in depression.
28:19I got out of trouble.
28:20I got out of trouble.
28:21And ma'am,
28:22today's social media is the safest place
28:24for your anger and frustration.
28:26You'll find thousands of posts there.
28:28Okay.
28:29Those thousands of people
28:31go to Ranjit's art gallery, right?
28:34She's stuck in her head, ma'am.
28:37How can you tell me that I am?
28:40Where were you at night?
28:41My stomach was upset at home.
28:43With a little fever.
28:44I was sleeping with medicine.
28:46Is there any proof you have?
28:48Ma'am, I live alone.
28:49How can anyone give proof to alone?
28:51You're from CID, right?
28:53You're from CID, right?
28:55You're from CID.
28:56You're from CID.
28:57We'll take care of it.
28:58Sir, I checked the location of the phone.
29:01That's right.
29:02During the murder of Ranjit,
29:03he was on the house.
29:04Sir, the name of Ranjit is Ranjit.
29:06Ranjit?
29:09There are so many paintings
29:10that can be sold for millions of dollars.
29:12Besides keeping it in the heart gallery,
29:14he kept it in the old house.
29:17Sir,
29:18he was telling me that Ranjit was something
29:20that was a common number with Ranjit.
29:22There was a common number in those details.
29:24Is there any Vikram?
29:26After one,
29:27there are new people
29:28who are increasing in this case.
29:29What is Vikram's address?
29:30Who is Vikram's address?
29:31Who is Vikram's address?
29:32Who is Vikram's address?
29:37Mr Vikram?
29:38Who are you?
29:39It's been a long time
29:40to open the door.
29:41What are you talking about?
29:42What are you doing?
29:43What are you doing?
29:44We were in the washroom.
29:45Who are you?
29:46Who are you from?
29:47We are from CID.
29:49Sorry, sir.
29:50I'm saying something wrong.
29:52Where were you today?
29:53Where were you today?
29:54This is your house.
29:55You know Ranjit, right?
29:56I don't know him.
29:57I don't know him, sir.
29:58He was a fraud and a fool.
30:01He was a big painter.
30:02He was a painter.
30:03What a painter, ma'am.
30:04He copied his style and ideas.
30:07He had established his career.
30:09He copied my style.
30:11He killed him for such things.
30:13How are you doing?
30:14I haven't done any murder.
30:16I don't know him, sir.
30:17Trust me.
30:18You have a lot of fights on his phone.
30:20But you also gave him a gun.
30:23Sir, he was so wrong, sir.
30:26He said something to me.
30:28That's all.
30:29That's all.
30:30I don't know him.
30:31I don't know him.
30:32I don't know him.
30:33I don't know him.
30:34I don't know him.
30:35I don't know him.
30:41How are you, sir?
30:42Abhijit.
30:43Take everyone to my lab.
30:47Okay, sir.
30:48Sure.
30:49Assalamuala, sir.
30:50Assalamuala, sir.
30:55Assalamuala, sir.
30:56Where are you going?
30:57Assalamuala, sir?
30:58Where are you going?
30:59Assalamuala, sir?
31:00Where are you going?
31:01Assalamuala, sir?
31:02Where are you going?
31:03Assalamuala, sir?
31:04This exhibition exhibition is going on, sir.
31:06Is there any new house open?
31:08What?
31:09Why are you shouting, punkaj?
31:11You shouldn't see.
31:12So, why would you go to my house?
31:13No.
31:14Sir, why did you call that urgently?
31:15Urgently, I asked that to me for that.
31:16I said that, Abhijit.
31:17because I got Ranjit's blood.
31:21What?
31:22Who?
31:23Beezal.
31:24Beezal has killed Ranjit.
31:26What are you talking about sir?
31:28Beezal has died himself. How will he kill?
31:30Pankaj!
31:33Beezal has killed Ranjit's painting.
31:36Beezal's painting?
31:38Sir, sir, how did this happen?
31:40I mean, how do you know?
31:42Look, when Gargi was in the central lab,
31:45Ranjit's blood and his tissues were checked,
31:48the reports were checked,
31:49then I got the post-partum of Kiran.
31:52But you know what?
31:53I got the organs of Kiran,
31:55as well as Ranjit's organs were decomposed.
32:02I mean, Ranjit and Kiran died from one another?
32:05Yes.
32:06Cytonium-47.
32:07After AK-47,
32:09the first time,
32:10it's a dangerous name.
32:11What's that, sir?
32:12Cytonium-47.
32:14What?
32:15Yes, it's very dangerous, Pankaj.
32:17In fact, it's more than AK-47.
32:20It's done in seconds.
32:22Yes.
32:23And then,
32:24it's also decomposed its organs very quickly.
32:28Sir, it was very dangerous,
32:30so why didn't you get in the body?
32:32That's the point, sir,
32:33that the victims' lives
32:35are diluted after a few hours.
32:37Ranjit's case also happened.
32:39But where did they come from from their bodies?
32:42I mean, Ranjit and Kiran
32:44didn't eat anything before they die,
32:46and they didn't have any injection on their bodies.
32:49You're right.
32:50I thought about this,
32:52the same thing was troubling me also.
32:55But when I saw the report,
32:57it was clear.
32:58And then I went to Ranjit's studio,
33:00and there was a lot of information from Ranjit's studio.
33:03And there was a lot of information from Ranjit's.
33:05It was a very special chemical.
33:07It can go into the body of the skin.
33:09And in Ranjit's case,
33:11there was a lincid oil in the case.
33:15Lincid oil.
33:17Lincid oil.
33:18Which,
33:19most of the painters use their paint.
33:24The painters,
33:25most of the brushes,
33:27use their eyebrows as well.
33:29That's the only trick for Ranjit to kill Ranjit.
33:35And sir,
33:36how did Kiran's death?
33:37How did it happen?
33:38I put it on his face with this lipstick.
33:41Before going to the camera,
33:42it won't be used to it.
33:44And that's it.
33:45Game over.
33:46So if this chemical,
33:48I mean,
33:49if it's so dangerous,
33:51then to arrange it
33:53or to make it
33:54will be so difficult.
33:55Actually,
33:56the chemical is so dangerous,
33:58it will be so easy.
34:01To make it,
34:02the chemicals and the components
34:04need to make it,
34:05all are easily found
34:07in the market.
34:08No one can see low IQ
34:10on the internet
34:11and make it.
34:12Ranjit and Kiran
34:13both have died
34:14from one hand.
34:15Definitely,
34:16it will be one of them.
34:18So then,
34:19if you know
34:20if they have died
34:21from one hand
34:22is a coincidence
34:23or
34:24a connection?
34:35Sir.
34:36Sir,
34:41Sir,
34:42Sir,
34:43Sir,
34:44Kiran
34:45we got some famous painters
34:46portfolio,
34:47and some paintings
34:48photos.
34:49Look at this.
34:50These.
34:51These.
34:52This.
34:55These paintings?
34:56Paintings?
34:59This is the same painting that we saw in Ranjit's bungalow.
35:05This means that it's not just murder in this case.
35:08The angle of making the ugly paintings is also similar.
35:13Do one thing.
35:15You get all the paintings from Ranjit's bungalow.
35:18Take it all.
35:26Sir, we have known what these paintings are in London, Australia and South Africa.
35:43This means Ranjit has made the original paintings of the duplicate.
35:47And maybe he killed this car.
35:50Close the light and check with UV light.
35:52Do it.
35:53Look, these paintings tell us what a story tells us.
36:15For the paintings, we will probably use the code for these paintings.
36:19Ankur Jara, check that painting.
36:22I have seen the painting.
36:30This is the flower.
36:33There was also a painting.
36:34There is also a painting.
36:36Can you see the other one?
36:40Here, sir.
36:41There is also a painting on the painting and a flower.
36:45I have seen the flower.
36:47Let's meet your brother.
37:17You got a knuckle painting, understand?
37:19What do you have?
37:20It's my painting.
37:21You're doing it.
37:25Vikram Ji,
37:27you have to tell the truth that you don't have to do anything else.
37:35Yes, sir.
37:37I will make a flower on my paintings.
37:40It's a good price, sir.
37:42Who gives a contract?
37:43I don't know, sir.
37:45I've never seen him.
37:47In fact, I've never heard of him, sir.
37:49I've just made my paintings and put it in the bagel.
37:52But I'll get money later.
37:54And then, who made a painting is his photo.
37:57So, what was your fault with Ranjit?
38:01I knew about him about this illegal job.
38:04He gave me a mistake.
38:05Then, if I leave him, he will expose me to everyone.
38:08Sir, Ranjit killed him,
38:09because he was exposed to the knuckle paintings.
38:12But why did Kiran kill him?
38:15What do you have to give him?
38:17There's nothing to give him.
38:19But it doesn't happen like that.
38:21Sir, you can't believe in Vikram's story, sir.
38:24Every person is telling him.
38:26When the criminal says the truth, Pankaj.
38:28It's our job to take the truth and take the truth in front of him.
38:31Until the case is not found,
38:34this Vikram will remain on our radar.
38:39The girl is missing,
38:40the girl is missing,
38:41the girl is missing.
38:42Sir, Ranjit's old building,
38:43where I got a painting in Ranjit's old building.
38:45Where I got a painting in Ranjit's old building.
38:47Where I got a painting in Ranjit's old building.
38:49Where I got a painting in the past,
38:50I traced their numbers.
38:51You will see a name and you will go.
38:53Listen.
38:54The car is missing.
38:55The car is missing.
38:59The car is missing.
39:25Hey, madam, tell me about this story.
39:49The NRI party is very big.
39:52But the boss said that it's not.
39:54It's very risky now. CID reached to Vikram and all the paintings are seized.
40:00Tell them, it will take a little time.
40:02Madam, I'm surprised.
40:03I'm giving 5,500,000 paintings.
40:06We take this deal and we'll have a rest for a few months.
40:12Hello? Hello, ma'am?
40:14Okay, I'll arrange the paintings for the time and location.
40:17And yes, the client says we need the payment in cash.
40:21And that's also Indian currency.
40:23Okay, I'm done, ma'am.
40:29I just told you and told you.
40:31I don't have anything.
40:33Hello, sir.
40:41That's our client.
40:43Hello, sir.
40:53That's our client.
40:55The client is okay, but where are cash?
40:59There's cash, sir.
41:01It's in the car. Let's go.
41:03Take two paintings.
41:05After the cash, stay back.
41:07Okay, sir.
41:09Thank you, sir.
41:11Let's go.
41:12Let's go.
41:13Let's go.
41:14Let's go.
41:15Let's go.
41:17Let's go.
41:18Help
41:22I have been getting out of my face in front of Kieran.
41:27He was after a while.
41:29He could do anything for that.
41:35Today's social media is a safe place to take off our anger and frustration.
41:44Sir, paintings.
41:48The other paintings, we have to give cash back to cash.
41:52Cash.
42:01Cash.
42:03Cash.
42:22Cash.
42:29Cash.
42:33Get through it.
42:36Cash.
42:41Cash.
42:43топ
42:46If you want to go to the house, where will you come from, Kabir-Sahab?
42:56Nuckli painting is nuckli cash.
43:00Lady?
43:02No.
43:07Huh? No.
43:16Sir Ranjit got to know about my business.
43:21He said that I have to stop this business.
43:24If not, he will expose me in front of everyone.
43:29But when I didn't stop this business,
43:31I got to meet Kiran so that I could come in front of the media.
43:34He didn't know that Kiran is your wife. No sir.
43:38But Kiran had to take advantage of my wife.
43:41I heard that he will expose me in the prime time.
43:47He will go to jail.
43:49And then he will take divorce from me.
43:51He will pay for his money.
43:54Sir Ranjit and Kiran had to leave a plan for the road.
43:58And I got to meet Akang Shah.
44:02Because I know about Akang Shah and Ranjit's past.
44:06And I also knew that he will change.
44:10Ranjit would die like a cheater.
44:13I'm glad that he died.
44:15That's why I got to meet Kabir.
44:17When I got to meet Ranjit,
44:19I exchanged his linseed oil with poison mixed oil.
44:22And that's why I changed my lipstick to my house.
44:30Now, let's see how you change your life.
44:33When you die in jail,
44:35you will die in life.
44:36Unless you stop this.
44:37I shut down and get you shut down.
44:38You will die in life.
44:39Before we die in the morning,
44:41you will die in the morning 5 o'clock,
44:43and you will die in the morning.