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00:00:00THE END
00:00:30The End
00:01:00The End
00:01:30The End
00:02:00The End
00:02:29There's no use arguing any further, Mr. Powers. I've determined to go through with it.
00:02:56I'm going to Guatemala in search of the lost goddess.
00:03:08Hello, Raglan.
00:03:09Well, what success?
00:03:11She's still determined to go through with it.
00:03:14So what?
00:03:15She must be prevented from getting that formula. There's a fortune in it for us.
00:03:21And for Lee?
00:03:23You'll be well taken care of. But don't fail.
00:03:27Hey, Martlin's across at the Adventurers Club now. You'd better get over there and learn what you can of their plans.
00:03:38You'll not come in.
00:03:53I must go in. Let me go. I tell you, I must see Major Martlin.
00:03:57Jenkins, what is it?
00:04:01Just that the man is Terlick, Major Martlin.
00:04:04Major Martlin! Major Martlin!
00:04:06Allow him to come in.
00:04:07Major Martlin, you've got to help me.
00:04:23Help you?
00:04:25Yes, you must. They say that you are going to Guatemala. And they tell me that you know Tarzan.
00:04:32Yes, I do. Why?
00:04:35Then you've got to take Tarzan with you on your expedition to the Dead City.
00:04:42But, my dear fellow, Tarzan, or rather Lord Greystokes, as they now call him, is in England.
00:04:48Oh, but Major Martlin!
00:04:51Your era, Martlin.
00:04:53Today, Stokes came back to Africa.
00:04:56He has deserted his British estates and returned here to his native pawns.
00:05:00Then you must take Tarzan with you. He will always give his friend, huh?
00:05:05Penny.
00:05:07That'll be delighted.
00:05:09But why take Tarzan?
00:05:11To rest to Lieutenant Darno. His very best friend.
00:05:17Darno?
00:05:18The French Aviator, lost in Guatemala last year. You'll remember.
00:05:23Oh, yes, of course.
00:05:25I tell you, he is still alive. You have got to go and save him.
00:05:30My dear fellow, I may not even find the Dead City.
00:05:34After all, five expeditions have found it inaccessible.
00:05:36But, Major, isn't it a known fact that you have deciphered that old Mayan inscription which tells us where to locate this place?
00:05:45Everyone knows the French aviator went in search of the lost goddess.
00:05:51The lost goddess?
00:05:52Yes, yes, the goddess that contains the priceless gems of ancient Mayan rulers.
00:05:57Did you send for me, sir?
00:05:59Do you know where to find Lord Greystokes?
00:06:02You mean Tarzan, sir?
00:06:04Well, sir, you see, Tarzan moves around the jungle quite a bit.
00:06:08Take a native guide along. I want this man to meet Tarzan.
00:06:13Yes, sir.
00:06:14Oh, thank you very much. You are my friend.
00:06:23Where's Major Martin?
00:06:25He's been inside, miss.
00:06:30Well, Father, packing all done, shopping all done, all set to the quest for Golden Sea.
00:06:35You caught already?
00:06:36I have a better surprise.
00:06:38Gordon is ready to come, too.
00:06:41He simply insists that he must take care of me.
00:06:43Welcome, my boy. Welcome.
00:06:46The aboard the Mongoli before it sails.
00:06:49Two hours before.
00:06:51On the Mongoli, did I hear you say?
00:06:55Yes. Why?
00:06:58Well, a pleasant coincidence, Major.
00:07:00I'm sailing on the same ship.
00:07:04Raglan seems intensely interested in Marland's expedition to the dead city.
00:07:09Undoubtedly, he, too, speaks to the lost goddess.
00:07:12He will indeed have to be clever and very alert.
00:07:14Yes, I will.
00:07:30Well, I guess it's hopeless.
00:07:32Well, we'll never find Tarzan.
00:07:35But we must find him.
00:07:38He is the only one who can rescue Lieutenant Darnot.
00:07:42Lieutenant Darnot?
00:07:43Oui.
00:07:45The man who took Tarzan out of the jungle,
00:07:48educated him,
00:07:49and established his identity as Lord Greystoke?
00:07:51Oui, oui, monsieur.
00:07:53Then we will find him.
00:07:54All five.
00:07:55Come on.
00:08:25We'll find out.
00:08:37What?
00:08:51Oh, no, no.
00:08:51AHHHHHHHHHHHHH
00:09:21Oh, my God.
00:09:51I don't know.
00:10:21I don't know.
00:10:51I don't know.
00:11:21I don't know.
00:11:51I don't know.
00:12:21I don't know.
00:12:51I don't know.
00:13:21I don't know.
00:13:51I don't know.
00:14:21I don't know.
00:14:51I don't know.
00:15:21I don't know.
00:15:51I don't know.
00:16:21I don't know.
00:16:51I don't know.
00:17:21I don't know.
00:17:51I don't know.
00:18:21I don't know.
00:18:51I don't know.
00:19:21I don't know.
00:19:51I don't know.
00:20:21I don't know.
00:20:51Can I go with you?
00:20:52No.
00:20:53I don't know.
00:21:23I don't know.
00:21:53I don't know.
00:22:23I don't know.
00:22:25I don't know.
00:22:26I don't know.
00:22:28I don't know.
00:22:35I don't know.
00:22:36I don't know.
00:22:38I don't know.
00:22:40I don't know.
00:22:41I don't know.
00:22:42I don't know.
00:22:43I don't know.
00:22:44I don't know.
00:22:45I don't know.
00:22:46I don't know.
00:22:47I don't know.
00:22:48I don't know.
00:22:49I don't know.
00:22:50I don't know.
00:22:51I don't know.
00:22:52I don't know.
00:22:53I don't know.
00:22:54I don't know.
00:22:55I don't know.
00:22:56I don't know.
00:22:57I don't know.
00:22:58I don't know.
00:22:59I don't know.
00:23:00I don't know.
00:23:01I don't know.
00:23:02I don't know.
00:23:03I don't know.
00:23:04I don't know.
00:23:05I don't know.
00:23:06I don't know.
00:23:07I don't know.
00:23:08I don't know.
00:23:09I don't know.
00:23:10I don't know.
00:23:11I don't know.
00:23:12I don't know.
00:23:13I don't know.
00:23:14I don't know.
00:23:15I don't know.
00:23:16I don't know.
00:23:17I don't know.
00:23:18I don't know.
00:23:19I don't know.
00:23:20I don't know.
00:23:21I don't know.
00:23:22I don't know.
00:23:23I don't know.
00:23:24I don't know.
00:23:25I don't know.
00:23:26I don't know.
00:23:27I don't know.
00:23:28I don't know.
00:23:29I don't know.
00:23:30I don't know.
00:23:31I don't know.
00:23:32I don't know.
00:23:33I don't know.
00:23:34I don't know.
00:23:35Perfect night for room, Anthony.
00:23:38Yes, it is.
00:23:39Can't waste any more time.
00:23:43Just saw Major Martin put that cablegram in his hip pocket.
00:23:47Now get it.
00:23:49And get it at any cost.
00:23:53Good evening, Major Martin.
00:23:55Hello, George.
00:23:56What have you got there?
00:23:57It's a yo-yo, sir.
00:23:59Is this hard to do?
00:24:01Do you want to try it?
00:24:03Watch this one.
00:24:07Can you do any others?
00:24:33I got him, I will be the ones...
00:24:37Empire.
00:24:38I will not wear for the Charlie Bands.
00:24:43Oh, no one will be.
00:24:44Oh, yes.
00:24:45Chairman 58.
00:24:47Get your help.
00:24:48The only one left.
00:24:49It's notFree.
00:24:51Get your help Kinderman!
00:24:52Get your help.
00:24:54Here!
00:24:55Be or lake!
00:24:56Get your help!
00:24:57Oh, this is where we're locked, dressed up.
00:25:09Right.
00:25:15You're sure that's Padre Miller?
00:25:18Please, senor.
00:25:24Where are his quarters?
00:25:25This way, for Padre.
00:25:26No, no, you can't come, Chiquilla.
00:25:29You'd scare everyone.
00:25:31Besides, it won't be long before I can turn you loose in the jungle.
00:25:39Wait here.
00:25:42Why, it's Padre.
00:25:45Good to see you again.
00:25:46And you.
00:25:48May I introduce my daughter?
00:25:50How do you do, Padre?
00:25:51Gordon, this is Padre.
00:25:53How do you do?
00:25:54How do you do?
00:25:54And Lord Greystock, sir.
00:25:56Here you go, sir.
00:26:26I am Major Martland.
00:26:42D.C. Major Martland.
00:26:44I'm glad to come back soon.
00:26:49John, we go from my house.
00:26:51We should enjoy it.
00:26:52George, why didn't you leave that case in the cart?
00:26:59I forgot it, sir.
00:27:22Pick up those bags and let's go.
00:27:38Come on.
00:27:39Pick up those.
00:27:40You have a nice place here, Padre.
00:27:57Yes, I'll say.
00:28:02But it's gone.
00:28:05Gone?
00:28:06It has been stolen.
00:28:10Help, help.
00:28:11Major Martland.
00:28:13Major Martland.
00:28:21What happened, boy?
00:28:22Major Martland, he hit me on the head.
00:28:26Stop this nonsense.
00:28:28Here is Major Martland.
00:28:29Was he a dark, heavyset man with a small moustache and beard?
00:28:33Si, senor.
00:28:33I thought so.
00:28:37Ragland?
00:28:38Yes.
00:28:39I sensed this presence the moment we enter this room.
00:28:45Come on, hurry it up there.
00:28:50I would suggest we start at once, Martin.
00:28:52You're familiar with the country.
00:28:54Let's get across to the Rio de Janeiro and head them off.
00:28:59Right.
00:28:59Let's proceed immediately.
00:29:03Let's go.
00:29:10I'll just go.
00:33:43I doubt if we can overtake Raglan now.
00:33:59If he should overtake the entrance before we do.
00:34:01I might overtake him before we can use the document.
00:34:07Hold those pedals.
00:34:09Hold those pedals.
00:34:11Hold those pedals.
00:34:13Hold those pedals.
00:34:17Hold those pedals.
00:34:21Hold those pedals.
00:34:23Watch out behind.
00:34:33Look out behind him.
00:35:03Hurry!
00:35:04Hurry!
00:35:05Hurry!
00:35:06Hurry!
00:35:07Hurry!
00:35:33Help!
00:35:34That's a little bit of a shake.
00:35:40I've got an attachment.
00:35:43Sorry for that.
00:35:46Oh, my God.
00:35:49Oh, my God.
00:35:56Oh, my God.
00:36:01One white woman, two Indians.
00:36:16Now, it's always mine to follow the trail to the river.
00:36:23Come on with me.
00:36:31I want you boys to guard this trail.
00:36:40I'll circle around and try to cut them off in the rear.
00:36:43You follow the signal to me if you see them first.
00:36:45Don't follow, Clay.
00:36:46See.
00:37:01Come on with me.
00:37:26Come on.
00:37:27Poppy, Poppy, Poppy!
00:37:57Are you sure we're on the night trail?
00:38:24What?
00:38:25Peaky.
00:38:26It's home, Denny.
00:38:27It's just where we take my hand.
00:38:54It's home.
00:39:24So cold-blooded murder is another of your accomplishments.
00:39:38Get up, you contemptible cat. Get up.
00:39:54Get up.
00:40:24Get up.
00:40:54Get up.
00:41:24Get up.
00:41:27The music song is Shitful.
00:41:51Is that creepy?
00:41:52Wait.
00:41:53Get your breath first.
00:41:57In as much as I owe you my life, I might as well tell you the truth.
00:42:09But, Miss Neus, I don't quite understand.
00:42:13What is your interest in this goddess?
00:42:15My fiancé, David Brent, lost his life in an attempt to get to the goddess.
00:42:21David Brent?
00:42:23You mean the young scientist who was with Dino and Bouchard when they crashed?
00:42:27Yes.
00:42:29Brent's purpose was not mercenary.
00:42:31His only concern was to prevent the contents of the goddess from falling into the hands of such vandals as Raglan.
00:42:41Put up those fights.
00:42:49To Martin and folks, Raglan has not only the means of finding the goddess, but instructions for opening it safely.
00:42:57You!
00:42:58Cover up that fire.
00:42:59Put it down.
00:43:04Let's get going before that ape man picks up our trail.
00:43:09Then you must overtake him.
00:43:10There's no time to wait.
00:43:12But, but I can't leave you here alone.
00:43:14Don't bother about me.
00:43:15I can't be alive.
00:43:16The important thing is to stop Raglan.
00:43:17Right.
00:43:18Stop Raglan.
00:43:19Right.
00:43:20Stop Raglan.
00:43:21Stop Raglan.
00:43:22Right.
00:43:23I can't wait.
00:43:24Let's go.
00:43:25It's fine.
00:43:26I can't wait.
00:43:27I don't know.
00:43:28I can't wait.
00:43:29I can't wait.
00:43:30I can't wait.
00:43:31No, it's fine.
00:43:32I can't wait.
00:43:33You can't wait.
00:43:34I can't wait.
00:43:35I can't wait.
00:43:36No.
00:43:37But look at the moonlight of the princess.
00:43:38I can't wait.
00:43:39There's no reason to wait.
00:43:42I want to get one of your Cayucas.
00:44:12All right, boys, get that guy as a quick.
00:44:42Oh, come on, come on.
00:44:44Come on.
00:44:46Come on.
00:44:50Come on.
00:44:52Come on.
00:44:56Come on.
00:44:58Come on.
00:45:00Come on.
00:45:02Come on.
00:45:08Come on.
00:45:14What's the matter?
00:45:34In your bed. One bike.
00:45:36Tell him our friends.
00:45:38We wish no trouble.
00:45:40Go on. Tell him.
00:45:42Go on. Tell him.
00:45:55Keep a white man no friends.
00:45:57White man still Indians.
00:45:58But that's absurd. We haven't done anything.
00:46:12Good girl.
00:46:28Let's go!
00:46:58Screams! Screams!
00:47:28Peter!
00:47:58Let's go.
00:48:28Alice, you all right?
00:48:56My dear, are you all right?
00:48:58Oh, Father!
00:49:00It's all right, you'll be all right in a moment.
00:49:10All right, let's go.
00:49:11You ready?
00:49:15All right.
00:49:17Take care of Alice.
00:49:20I don't know how we're going to get out of here.
00:49:22Let's get out of here before the savages recover their wits.
00:49:24Pick up the Texas follow-up.
00:49:26Hurry!
00:49:27Hey!
00:49:28Come on up with you, Father.
00:49:29Why are you going to get out of here?
00:49:30Come on up with you, Father.
00:49:31Why are you going to get out of here?
00:49:32Hey!
00:49:33Come on up with you, Father.
00:49:34Hey!
00:49:35Come on up with you, Father.
00:49:36Where are you going?
00:49:37Get along there.
00:49:38Pick up that pack.
00:49:39Hey!
00:49:40Come on up with you, Father.
00:49:41Hey!
00:49:42Hey!
00:49:43Come on up with you, Father.
00:49:44Where are you going?
00:49:45Get along there.
00:49:47Pick up that pack.
00:49:49Hey! What's going on with you fellas? Where are you going? Get along there. Pick up that pack.
00:50:11I guess we're out of danger now. We'll come along this trail while I take to the sea. I might yet overtake Radler.
00:50:18Whatever you say old men.
00:50:31No Chiquillo.
00:50:36You have to go with Marjorie.
00:50:49Oh, gosh.
00:50:56You've got to scare me.
00:51:01You could tell me that I get burned part, but that drink would cool.
00:51:04It is Pujillo.
00:51:07Ah, there it is.
00:51:28Here, put them over there.
00:51:52Hey, where are you going?
00:51:57Come back here.
00:52:12Ah, here it is.
00:52:15Come on.
00:52:22Come on.
00:52:29Come on.
00:52:37Come on.
00:52:52Come on.
00:52:59Hello, little fellow.
00:53:01What's the matter with you?
00:53:07This must be the way.
00:53:22This must be the way.
00:53:37Bats.
00:53:38Bats.
00:53:39Well, what of it?
00:53:42Vampire bats.
00:53:43No.
00:53:44Don't shoot.
00:53:45Don't shoot.
00:53:46They're violent.
00:53:47You die.
00:53:48No.
00:53:49No, don't shoot.
00:53:50No, don't shoot.
00:53:51No, don't shoot.
00:53:52No, don't shoot.
00:53:53Now you've dropped the light.
00:53:54Give me that light.
00:53:57There now, you see?
00:53:58It's broken.
00:53:59Oh, look, father.
00:54:00Up there.
00:54:01Where's folks?
00:54:02I'm Mr. Raglan.
00:54:03But I can lead you to your secret passage.
00:54:06How on earth did you?
00:54:07I found a monkey.
00:54:08It's not located.
00:54:09Fine.
00:54:10Lead on.
00:54:37Confound it, where's that pheasant?
00:54:45Will you shut up and look around for it?
00:54:53This is where Agra disappeared.
00:54:55The trail is still fresh.
00:54:57Pick up that torch.
00:54:59This way, boys.
00:55:07Someone is coming.
00:55:23You go over there and hide.
00:55:25When they come by, they'll show us the way.
00:55:27See, see.
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01:09:17to Major Martinet.
01:09:20And I'd be pleased to share my good fortune with you, my dear.
01:09:24That is, presumably, what is complaining that we speak.
01:09:28What's going on?
01:09:40Chikima.
01:09:58THE END