NYPD Blue Season 4 Episode 10 My Wild Irish Nose
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00:00is that a detective yes uh-huh morning i have to get to work but um i want to report a bullet in
00:28my wall well why don't we talk over you no no i have to get to work but i'm saying this person
00:34has had fights and loud arguments and music and he frightens you even politely asking to be
00:42considering in the hall tell me about the bullet four nights ago there was a noise from his apartment
00:48which he says is electrical he says it's a kitchen appliance but then last night i found a bullet in
00:54my wall and that was the noise from his apartment and he knew this all the time ma'am i want you to
01:00try to calm down because we're absolutely gonna look into this i've had it i can't stand this anymore
01:06i need your name and address james leary 4c that's his name 854 mercer and what's your name i'm not
01:16saying i have to get to work ma'am i need to look at the bullet in your wall and i need your name
01:22james leary and he's a dangerous man i'm sure he's a criminal i'll get shot or die from fear
01:29you hear what that woman just said
01:36dying from fear found a bullet in her wall since james leary put it there
01:44good morning how's it going bobby that kind of complaint if we can't access the apartment do we
02:09still take a case would you um mind if i worked it no uh yes how you gonna do it your promotion
02:23ceremony just gotta try not to trip
02:27i gotta go some place
02:42i gotta go some place
02:54so
03:08so
04:15Detective, Clark grabbed this kid walking out of a silk shirt.
04:22Huh.
04:23Expensive taste, huh?
04:25What's your name?
04:26Walkover mirrors.
04:28Tell the detective what you told me.
04:30I know where body's at, but you gotta drop your stoplifting.
04:34Thanks, Daddy.
04:36Come here.
04:36All right, the body's where you say it is, and you're not the one to put it there.
04:43We got a deal.
04:44All right, then.
04:49This is Dead Man laying on the floor in apartment 3D, 947 4th Street.
04:56How'd you come to know this?
04:57Some guy brought me up there saying he was gonna give me a boombox.
05:01Only the son of a bitch ain't give it to me.
05:03What's the guy's name?
05:04Some guy I met in the street tried telling me that that man was this drunk, but he was dead.
05:10His eyes was all weird.
05:12What were you supposed to do for the guy to get the boombox?
05:14Who said I was gonna do anything?
05:16How old are you?
05:1716.
05:18No, you're not.
05:19Well, not yet.
05:20I'm 15.
05:21I don't think you're 15.
05:22Where do your parents live?
05:24Ohio, they're dead.
05:26You're dealing drugs?
05:27No.
05:28So you're on the street?
05:30Yeah.
05:31And you gonna let this boombox guy get over on you so you could get AIDS and die?
05:35Come on.
05:35I'm taking care of business.
05:36I'm making a living.
05:37Yeah, you're doing great, kid.
05:38You don't know nothing.
05:39You're a damn fool.
05:40Okay, Marco, you're gonna stay here, and we're gonna check out the corpse at the apartment
05:45you gave us.
05:46Come on.
05:48We're going out looking for a possible VOA.
05:50When he gets in, can you tell the boss?
05:51Sure.
05:52Where are you putting me?
05:53The youth office.
06:03Detective Sibowicz.
06:05Walter White.
06:06Those bastards stole my paintings.
06:08Which bastards?
06:10Two years' work.
06:11They ransacked my place, stole my paintings so I wouldn't be a witness in that murder trial.
06:16That bastard Frank Bajora sent him.
06:18There's no question in your mind it was Pesciotta?
06:22I went and saw him at his restaurant.
06:24He just about admitted it was him.
06:26You could have gotten yourself stomped, Walter.
06:29Pesciotta said he'll make some calls, and if he gets my paintings back, then I should
06:34go see the great art in Italy.
06:35And he'd buy the plane ticket?
06:37He'd have the ticket with the paintings.
06:39Walter, we want to convict Pesciotta soldiers for that murder you saw, but I know how important
06:51them paintings are to you, so you gotta do what you gotta do.
06:56Well, I was thinking, when I go to Bajora to get my work back, maybe I can be wearing one
07:03of those body microphones.
07:04Get him to incriminate himself, so you guys can arrest him.
07:11That'd be a plan.
07:20Man, I smell like grease.
07:22Why do people eat all that fried food?
07:26I like fried eggs.
07:27I fry my burgers.
07:29You shouldn't.
07:29Too much fat.
07:31I shouldn't eat hamburger?
07:37How's it going?
07:37Yeah, good.
07:38Four bucks, four bucks, five bucks.
07:50Please, hands over your heads.
07:53Get back, everybody.
07:54Back.
07:56Turn around.
07:57Hands against the wall.
07:58Who's the dead guy on the floor?
08:01Huh?
08:01Who's that on the floor?
08:03It's his place, I guess.
08:05Look, I got nothing to do with this.
08:07I just come up here to buy some stuff.
08:09Who's auctioning the stuff off?
08:11Him.
08:11Huh?
08:12Him?
08:13Down.
08:15You?
08:16Me and him.
08:17What's your name?
08:18Arnie Schreiber.
08:19What happened here?
08:20How'd that man die?
08:21I don't know.
08:22Heart attack?
08:26Get down.
08:28What's your name, pal?
08:29Tommy Marlin.
08:30Huh?
08:31I wasn't here.
08:32I don't know what happened to him.
08:33It doesn't bother you.
08:35Auctioning off effects in the corpse's presence.
08:37We don't know the man.
08:39Oh, oh.
08:40I didn't know you weren't acquainted.
08:42Yeah, that's why I was setting the bar too high.
08:45Get down.
08:45Hey, what's up?
09:11You're going to see the detective.
09:15What's it about?
09:16Come on, open the damn door here.
09:18Hey, why don't you kiss my ass?
09:25Right now!
09:27What's this about, man?
09:30It was about your next-door neighbor getting a bullet in a wall.
09:34I know nothing about no bullet.
09:35Nothing about you being a smart mouth.
09:37Uh, you're going to pop me for a personality disorder?
09:40Sit down over there.
09:49Now try again how that bullet got in your neighbor's wall.
09:52Have you ever looked to protect the broad?
09:57You know how that goes?
09:59And?
10:02This girl I'm screwing, she gets crazy on me, throws a shot.
10:08Now I know this battle axe ain't hurt, because here she comes running out into the hole.
10:13Sold her on the toaster blowing up, but I guess you found the evidence.
10:16So, here's protecting someone buying me a broken nose.
10:25Sure hate to have to give up the broad's name.
10:31Where you going?
10:32There's someone screaming in here.
10:37Come on, you don't need to flake me.
10:38I'm not looking to jam you for the facelift.
10:41Sit down.
10:42Sit down.
10:46Listen, AK-47, what are you with, the Russian military?
11:03Da.
11:05Get up and turn around.
11:11That's right, turn around.
11:13Because you're a collar.
11:17You think this is holding up, you dream it.
11:20Yeah, what do you think, I'm punchy?
11:22Maybe somebody slipped me a Mickey.
11:24All right.
11:27Come on.
11:28I'm going to put all the cards on the table here about what happened in the apartment, even if it don't look too good for me, okay?
11:55I like your attitude.
11:56I know this don't look good, but we were doing drugs.
12:06Is that right?
12:07Yeah, and we were smoking a lot of rock.
12:11All weekend, we were just smoking and smoking.
12:13Where'd you get the money for the crack?
12:15You got a job?
12:16You know, I'm unemployed.
12:18But me and Tommy, we had a little money.
12:22And Neil worked, so he bought most of it.
12:27But then Neil, he had to go to work.
12:30That's when me and Tommy left.
12:33But then we came back, and that's when we found him.
12:38He just crashed on his bed and died.
12:42I'm sorry we sold that stuff for his.
12:48It's just that we were all shook up and we wanted to make another bias, straighten our nerves.
12:53Sure.
12:54That's the truth.
12:56Win or lose.
12:58My guess is his heart just conked out.
13:02In other words, you're innocent.
13:06Guilty of bad judgment?
13:08Maybe otherwise, yes.
13:09You ever offer anyone a boombox to handle your Johnson, Arnie?
13:13Not to my recollection.
13:16Give me a smile.
13:24Keep an eye on him for a second right there.
13:26Sarge, you need a couple of vouchers, please?
13:28Okay.
13:35Hey, Gina.
13:36Yeah, it's Detective Simone.
13:37I'm calling from downstairs.
13:39What interviews are open?
13:41Okay.
13:43All right, I'm going to take the pokey.
13:46Just do me a favor.
13:47Tell Detective Russell that she's going to want to be in the locker room for the next few minutes.
13:51And I'll let the boss know that I need to see him.
13:54Great.
13:58Up this way.
13:59From James Leary, it's 11.24 a.m.
14:02Requesting an attorney in front of witnesses.
14:05Tell him about your notes.
14:07James Leary, darling.
14:08Ask him for a lawyer.
14:13Hey, boss.
14:20Who's this?
14:21This is James Leary.
14:23I was investigating a complaint on a firearms discharge.
14:26He had an AK-47 on his bed.
14:28Yeah, I use it for a pillow.
14:31James Leary requesting his precious right to counsel.
14:35Set him up with a phone.
14:37Then come talk to me.
14:38Absolutely.
14:40Come on.
14:42Hey, Harold.
14:43Give me a hand here.
14:44Why do you want me out of sight?
14:54He just brought in Jimmy Leary.
14:56What?
14:57You don't know anything about it.
15:01Hank's bringing him a phone.
15:03What are you doing, Bobby?
15:05I was working a complaint.
15:07Leary answered the door.
15:08So you turned around and left?
15:10He had a machine gun.
15:11In plain sight.
15:12We took a complaint on this asshole about a week ago, Lou, for almost beating the guy half to death.
15:20Now, you don't think this toss on the apartment's gonna hold?
15:22Then bring in the Vic.
15:24Have him pick out Leary for the assault.
15:26Never mind.
15:27I'm working the guy undercover.
15:28Call Jane Wallace.
15:30We need to figure out how we're gonna do this.
15:32How we should do it is put the guy back outside.
15:35I want to talk to her, Diane.
15:36Diane.
15:42Don't try to sell Papa in this guy.
15:47It's a coincidence, Bobby.
15:48He's a psycho.
15:49And we need to be off the street.
15:51I want to talk to Wallace.
15:52Oh, she's really got an 86 in operation that she put together.
15:55I'm going to talk to her and get her to close as quickly as she can.
16:02Hoyt's wired.
16:03All right, catch Bobby out.
16:06Then the two of you take Hoyt to Pichata's restaurant.
16:08I'm not going to be here for the other conversation.
16:11Take Russell, too.
16:12I borrowed Medivoy and Martinez off that stiff auction.
16:16Take Simone and Russell, too.
16:19Soft clothes.
16:25They collared Leary.
16:27They're gonna let him go.
16:28They figured their way to him through Russell collars him and his crew.
16:32Well, Fancy don't know this guy drugged her.
16:34Made her crazy enough that she took a shot.
16:37What do you want to do?
16:42I thought we were supposed to take this painter.
16:44Okay.
17:02I like this guy.
17:07I hope you don't get killed.
17:11Yeah.
17:17Walter Hoyt looking for Frank Bichata.
17:20Yeah, hang on.
17:21Sylvia's catching today at the 2-7.
17:24Might have a sitter problem this afternoon.
17:26If I'd be unable to make the ceremony.
17:31No, I...
17:33I understand.
17:39Andy, you know you're supposed to be getting it, too.
17:41Sure.
17:43I got a fan club at 1PP meets in a storage closet.
17:48Only thing I'd hope that guy put me up.
17:53Fancy?
17:54Well, he was past hating me.
17:59But you're a man.
18:04You know that.
18:05He went out of his way to say so.
18:09Detective First Grid that you are, you know he's telling the truth.
18:12If you're not worried about Russell, maybe we'd put some stink on Larry with his bells.
18:30I heard her say in the bar where they've been at.
18:35We straighten Walter out and maybe we'll make a stop.
18:39Mr. Hoyt.
18:40That's right.
18:41Yeah, he's sorry to hold you up.
18:43Here, come in with me.
18:45This way.
18:50What's your name, Walter?
18:52Yeah.
18:52Right this way, Walter.
18:53I'm not going to any place without my work.
18:55We're going to pick your stuff up on the way to the plane.
18:57We should have said the work would be in the car.
18:59It's in the trunk.
19:00Hey, get your hands off me.
19:01Yeah.
19:02Let's get out of here.
19:03We're going to whack him.
19:04James, pull up and block the street.
19:06And pull off.
19:11Hey, open the door.
19:26Get out of the car.
19:27Get on the trunk.
19:28Get out of there.
19:29Get down in the trunk.
19:31On the hood.
19:32On the hood.
19:33You all right?
19:34My heart's not beating right.
19:36All right, sit down.
19:37Don't you move.
19:38I don't have my panties.
19:40I got a gun.
19:41Walter, you OK?
19:42I think I'm OK.
19:43My heart's like fluttering.
19:45Can we check the trunk?
19:46I am.
19:46Pop the trunk.
19:47You got some set of balls there, Walter.
19:50You're not there.
19:54Can you help me find my panties?
19:55Yeah, I will help you, Walter.
19:57Come on, let's get out of here before the guy's in the restaurant and see what's going on.
20:00I'll take this back to the house.
20:07And it's a mistake.
20:23Then get the hell up.
20:24I'm telling you it's a mistake.
20:25Now you want to tell me in Chinese?
20:28Well, what do you need?
20:29You to pay attention.
20:32I'm all ears.
20:33Yeah.
20:34And your pal's all mouthed and he bitches up in a minute and a half.
20:39I don't follow.
20:40Hey, give us a second.
20:41No, we don't need no seconds.
20:43Walk away.
20:44Hey, what did you guys buy a controlling interest in this place?
20:47Walk to the other side of the bar there.
20:49I'm going to wind up padlocking this rat hole.
20:51Andy, I'm saying it's one last time you are going to buy yourself every jackpot you can imagine trying to get this asshole up.
21:08Where am I in the case now, huh?
21:10Leary's a collar.
21:11He's given up this douchebag.
21:14OCCB's going to take all the credit in this and my hands on my joint.
21:18Yeah, but if this guy doesn't work with you, what are you going to do, live in Switzerland?
21:21I'm no worse off than I am now.
21:23Hey, you don't like it, take off.
21:26I'm getting crocked and I'm making my play.
21:28Hey, tube steak, get over here.
21:30You hear it once.
21:39We call it up on your pal, Jimmy Leary.
21:43Very tough guy.
21:44Took 14 seconds to stick the pin in your donkey ass for those AK-47s and the fun coming up at the airport.
21:52Ignorant as you look, Leary's probably got another partner and you're just holding the bag.
21:57Now you give up a name and get out of the middle.
22:02No.
22:03No, huh?
22:05Two donkeys but only one rat?
22:08I don't know what you're talking about.
22:10Are you happy now?
22:11Sure, perfect.
22:13Because if you had half a brain, I'd have half a chance at a career.
22:19So you guys are cops, huh?
22:21Give me a bottle of scotch.
22:34You must have another source of income.
22:37Dump on my play and break my balls?
22:40I don't know any Jimmy Leary.
22:43Well, he knows you, pal.
22:45And he turned you over good.
22:47Do what you gotta do.
22:57We going or you want to wring your hands some more?
23:00You're a pain in the ass.
23:02Must be why I never get promoted.
23:04I want to get out of here.
23:28Okay, I got sidetracked a little while, Marco.
23:31I got some pictures I want to show you.
23:34And tell me if you recognize anybody, okay?
23:36Thanks, Josh.
23:44There's that dirty bastard that beat me at the boombox.
23:48He's a dope fiend.
23:50He gave you the dope?
23:51Just one hit.
23:52He smoked all the rest.
23:54Having himself a master blaster.
23:56What's that?
23:57A BJ in the pipe.
23:59A BJ in the pipe?
24:01Kids doing what you're doing.
24:02They don't last long, Marco.
24:04I want to get you in some kind of program.
24:07I don't want no program.
24:08Well, you're going into one or else.
24:09I don't want no program, man.
24:11I can't go home.
24:15Oh, so your parents are alive?
24:18My old man's always beating on me.
24:20It got so bad, I had to take off.
24:23It's going crazy.
24:25You tell him what I'm doing, he's going to kill me.
24:27Well, we won't tell him.
24:29Is your mother with him?
24:31Yeah.
24:32You want to see her?
24:35Sometimes.
24:36What's her name?
24:38Angela Romero.
24:39That's your name?
24:41Romero?
24:42Yeah, Romero's is my fake name.
24:46Where do your parents live?
24:48119th Street.
24:49All right.
24:51Write down your address and the apartment number, okay?
24:57James.
24:58Yeah.
25:02That dead guy on the floor near Rutledge,
25:07Emmy says that he died from a fractured skull
25:10and a cerebral hematoma.
25:13Got that cracked on the back of the head
25:14with some kind of blunt object.
25:16Didn't break the skin.
25:17You know, good thing we had crime scene dressed as the place.
25:20Yeah.
25:21Anyways, we got to go back at those two skills.
25:24Okay.
25:25Marco,
25:26you mind staying here a little while longer?
25:29Hey, hang on.
25:30There's some comic books in one of those cabinets
25:32out in the hallway.
25:33Yeah, okay.
25:34That could have been a murder weapon,
25:38that bottle we found on the apartment floor.
25:41Champagne bottle.
25:43What was the brand?
25:45I don't remember.
25:46Cold duck?
25:49It was cold duck.
25:52Let's go up mulling with that.
25:54I'm just going to books.
26:00Right this way, Walter.
26:01I'm not going to any place without my work.
26:03You're going to pick your stuff up on the way to the plane?
26:05Oh, for sure I'd have said the work would be in the car.
26:07It's in the trunk.
26:08Hey, get your hands off me.
26:09Yeah, let's get out of here.
26:12Hey, open the door!
26:14Get out of the car!
26:15Get out of the car!
26:16That's you busting him.
26:17Get out of here!
26:18It's nothing on the shot, huh?
26:19He doesn't even say he's buying a plane ticket.
26:22I guess we could charge the two in the car
26:23with unlawful imprisonment.
26:25Unlawful imprisonment,
26:26the best you can do off of getting one mope
26:28telling the other,
26:29don't do nothing here?
26:31You figure he's saying,
26:32don't take a leak outside the restaurant?
26:34Those two guys intended to kill me.
26:36I don't have any doubt about it.
26:37I understand that's how you're feeling, Mr. Hoyt,
26:40but my best look at a conviction
26:41is still prosecuting the busboys
26:43who actually did kill that graffiti artist.
26:46I'm pretty much just going to guarantee
26:47I'm not going to get my paintings back.
26:49Truth is, Walter,
26:51looking to croak you how they were,
26:53that means they already destroyed the paintings.
26:57Getting rid of the evidence.
27:00Try flipping one of the busboys again.
27:02Off what new leverage?
27:03It's what we got, all right, Cohen?
27:05Meanwhile, we want guards
27:08with Walter around the clock.
27:10I'll get a detail from the DA squad.
27:12I'm ducking a call from Stephen Monahan
27:14of counsel to Jimmy Leary.
27:16Yeah, I spoke to Inspector Wallace at OCCB.
27:19We're going to avoid Leary's arrest.
27:21Folks, I'll get your left and right hands introduced.
27:23I can get the one busboy in
27:34without his lawyer wrapped around him.
27:36Benetti.
27:37Keep Mr. Hoyt with you
27:38till the DA squad shows up.
27:41It really bothers me to lose everything
27:42I work for or trying to help.
27:46I can appreciate your feelings.
27:48You understand how people come to violence.
27:50Come on, Walter.
28:02Turn Leary loose.
28:05Yep.
28:10You going to release him now?
28:11Yeah.
28:11Yeah.
28:11Yeah.
28:11Yeah.
28:11Yeah.
28:20You can go.
28:34You lose the machine gun.
28:37Must have been a real slow warning.
28:40Time for that.
28:41You said something before.
28:54Someone slipped you a Mickey.
28:57Slipped me a Mickey?
28:59Hey.
29:01No.
29:03You didn't say it.
29:04I must be punchy.
29:08Somebody slipped me a Mickey
29:10in your apartment.
29:11Yeah.
29:12Yeah, I said it.
29:14Yeah.
29:14But nobody slipped me a Mickey.
29:17Just an expression.
29:19Just an expression.
29:32You want me to poke you, buddy?
29:33Yeah.
29:33No.
29:37Maybe I ought to put some paper on you
29:39and the mayor cluster for the sucker punch.
29:41Well, we can go outside.
29:42I'll give you something to sue about.
29:44Come on.
30:03Stay away from him for a few days, Diane.
30:10Why?
30:12Just let it quiet down.
30:14It could close in the next few days.
30:17Bobby, just stay out of it.
30:19Yeah, I'm the worried ex-boyfriend
30:21that doesn't realize that everything here
30:23is under control.
30:26Ex, huh?
30:27Thanks for letting me know.
30:31We're talking about a guy who drugged you,
30:33who could do anything else,
30:35and is in your head enough
30:36that you're doing stuff that could cost you your shield.
30:39What are you talking about?
30:41The bullet in that lady's wall.
30:43Is that from your gun?
30:43I don't know why you would hurt yourself over this guy.
30:55But I'm asking you to let it sit.
30:57Dad's my ex-boyfriend.
31:04If I'm your boyfriend, will you let it sit?
31:13Look, my thing is I don't want something stupid to happen
31:16before it has a chance to get straightened out, okay?
31:20Okay.
31:22I'll stay away from him for a few days.
31:27When you tell me Neil died unnaturally,
31:34I say I'm uninvolved.
31:36That's your story.
31:37It's God's truth.
31:38Yeah?
31:39Well, we know you're lying,
31:41and that makes you a murder suspect.
31:43What are you talking about?
31:44Look, we not only know
31:45that somebody fractured Rutledge's skull.
31:48We know whose prints came off
31:49that cold duck bottle, Tommy.
31:51We were all three of us drinking from that bottle.
31:53How it looks now, Tommy,
31:55you're going to get charged with this homicide.
31:57And you're going to draw some beat-up legal aid lawyer
32:00who couldn't get a walk for St. Francis.
32:03Now, if your pal Arnie was the bad guy,
32:06you've got to get in front of that fast.
32:09Oh, what must have happened?
32:10Neil must have fell on the stairs
32:13and hit his head
32:14and come back up and lay down and died.
32:17You know, the more crap you make up,
32:18the more I've got to figure it's you that did it.
32:20Nobody can walk even a step with a head injury like that.
32:23We got it, Prince.
32:25I'm ready to charge this guy.
32:26Come on.
32:27Come on.
32:27Get up.
32:28Get out!
32:28No, no.
32:29I'm going to give you Arnie.
32:35There was a big stink over money.
32:38Neil still has some left,
32:40but he wouldn't make another buy.
32:42He wanted to go to work
32:43and Arnie wanted to keep binging,
32:44so we were going to tie him up and rob him.
32:51It was Arnie's idea,
32:54only Arnie turns out to be scared of him,
32:56so he hits him with the cold duck bottle.
32:58They just knocked Neil on his knees
33:00and he didn't seem that out of it,
33:02so Arnie just let go of this big swing
33:06and it was just too much.
33:08Arnie's so stupid,
33:12you wouldn't believe it.
33:15So here's what he gets me in.
33:18Yeah.
33:19You're a real hard luck guy.
33:21Come on.
33:31Sit down, Panetti.
33:33All right.
33:34All right.
33:34All right.
33:38Are you ready for the big day?
33:40What, the trial?
33:43I just want to get my name clear.
33:45That's it.
33:47Frankie Pichada
33:48buy you these clothes?
33:49No.
33:50I pay for it.
33:52Now, these days,
33:53you're probably the best-paid busboy
33:55in America, huh, Jerry?
33:57Is Frank Pichada a stand-up?
34:01Yes.
34:01What the hell are you guys looking to do?
34:03Make a crime of that, too?
34:05Jerry, we're looking to take
34:06the dice out of your hands
34:08where, A, you're found guilty
34:10or either one night,
34:11Frankie puts four lines extra
34:13up his nose
34:14and he decides that you
34:16and Paul Bellini
34:17would look better in a ditch.
34:19It's not gonna happen.
34:20Jerry, say,
34:21it's not gonna happen,
34:22I don't think, okay?
34:24Otherwise, you sound like a moron.
34:27Do these clothes look like
34:29Frankie don't look out for us?
34:30All right.
34:31Here's a little quiz for you, Jerry.
34:33Where are they now?
34:35You ready?
34:36Where's Sammy the Bull Gravano
34:38present time?
34:40I wish I knew.
34:41And Gotti would send me
34:42a million bucks from prison.
34:44So the answer to the category,
34:46where are they now?
34:48You don't know where the bull is,
34:50correct, Jerry?
34:52Correct is correct.
34:53Whereas John Gotti,
34:54you know his exact location.
34:57Yeah, he's in the joint.
34:59Because Gotti rolled the dice
35:02and the bull took the sure thing.
35:04Gotti got convicted,
35:06which you're eligible to get, too.
35:08And Gravano, that gave him up,
35:11he's sunbathing with some broad
35:12on a beach somewheres,
35:14and nobody knows where the hell it is.
35:18Now, Jerry,
35:19you gotta ask yourself,
35:21are you ever gonna be safe?
35:24From one day,
35:25Frank Fischiata decided,
35:27you know,
35:27there are two guys out there
35:28that can put me away
35:30just like the bull put Gotti away.
35:34Now, these two guys,
35:35they are better off
35:36lying dead somewhere,
35:38in a ditch,
35:39with their heads beaten in,
35:41covered up with lye.
35:42Yeah, that's a situation
35:44that you don't need to buy
35:45no new wardrobes.
35:47This is a conspiracy
35:51which you guys are doing.
35:53Jerry,
35:54the bull did 18 murders
35:56he admits to,
35:57and he's kicking back
35:58on a beach
35:59because he had
36:00what the government wants,
36:02more than they want him.
36:03You know how much more
36:05the government wants
36:06Fischiata than you, Jerry?
36:08You know what kind of deal
36:10they'd give you
36:11in witness protection?
36:12The A deal, Jerry.
36:14A Gravano-type deal.
36:17Otherwise,
36:17you roll the dice.
36:18Does the jury convict you
36:20or wait for Fischiata
36:21to beat your head in?
36:29They'd write a deal out?
36:33Theoretically.
36:34Chapter and verse?
36:35A Gravano-type deal.
36:41I tell you what I demand.
36:46Gravano's type of deal,
36:48word for word.
36:50But I'm not saying
36:51I'm going for it.
36:52How could they say no?
36:53He's got fistfuls
36:55that are short hairs
36:55in either hand.
36:57This man is completely
36:58in the driver's seat.
37:11It's not the first time
37:22he's done this.
37:23He doesn't care
37:24if his mother's worrying.
37:26Three months.
37:27You won't hear nothing from him.
37:29Will you rough on him,
37:29Mr. Romero?
37:30We treat him good
37:31like all our kids.
37:33I'm asking you,
37:33did you personally
37:34beat him a lot?
37:35I don't need no lectures
37:36from you, all right?
37:37I'm a taxpayer.
37:38I'm not on the street.
37:40Marco's in there.
37:47Marco,
37:48father's going to
37:49take you home.
37:52Is my mother here?
37:54No, it's just me.
37:54Let's go.
37:55Can I take the comic books?
37:57Yeah, you can have them.
37:58No, no, don't go
37:59bumming things, all right?
38:00They don't belong to you.
38:01They're how you get along
38:02on the street begging.
38:04You can have the comic books.
38:07What about my sleeping bags?
38:08Can we go down
38:09to first and pick up
38:10my sleeping bags?
38:11No, forget your junk.
38:14You know, I said
38:15you can't take this guy.
38:16Hey!
38:18Let's go back
38:19outside a minute.
38:24What's the matter with you?
38:25How many loved ones
38:26do you think you've got?
38:27You better not
38:28lay hands on me.
38:30Mr. Romero,
38:31I'm going to be
38:31keeping in touch
38:32with Marco,
38:33and if I find out
38:33you're knocking
38:34that kid around,
38:35I'm going to come back
38:36and lock you up
38:37for child abuse.
38:38Now go back in there
38:39and take your kid home.
38:52Come on.
38:55Can I?
38:57Yeah, take...
38:58I'm Jack Palermo,
39:19counsel for Frank Pichota.
39:21Mr. Pichota's been asked
39:22to turn himself in.
39:23That'd be our case.
39:25You know,
39:25it's a sick perversion
39:26on American justice.
39:27All right, Frank.
39:28You're hound-working people
39:29till they give up
39:30the dear ones
39:30like Nazi fascist Germany.
39:32You get told
39:33how you look like
39:34Hitler, Frank,
39:35and a little bit
39:36bongo to chimp?
39:38Hey, you told me
39:39you act like a gentleman
39:40and then you expose me
39:41to this?
39:42All right,
39:43come on in here.
39:45Greg,
39:46why don't you take
39:46Mr. Pichota
39:47to arrest processing?
39:49Oh, yeah, sure.
39:52This way.
39:52Where are we going?
39:53We can take
39:54this route here.
40:00I got a message
40:01to bring him back?
40:02How many squats
40:03if we're on this guy,
40:05we're off this guy?
40:06Why?
40:07We throw off
40:07your meal pattern?
40:09Walter,
40:09come on,
40:09sit over here.
40:10What's going on?
40:14I got some good news,
40:16but there's no point
40:17in pissing this guy off.
40:18Where's your coffee room?
40:20Over there.
40:22Did you find
40:23my paintings?
40:25No,
40:25but, uh,
40:27one of the bus boys
40:28is going for the homicide.
40:30Why would he do that?
40:33He gets a deal
40:34for giving up Pichota,
40:36ordered the whack.
40:38It's a,
40:39it's a nice package
40:40from witness protection.
40:46That's Pichota
40:47getting taken
40:47to be booked.
40:49I see.
40:56Won't get your work back
40:57or so forth.
41:01I'm going to try
41:02a more direct expression
41:03in my work.
41:04a long time
41:06my painting's
41:07been inferential
41:08to find things
41:10by what they're not.
41:13But my heart
41:14is so full now.
41:16If I don't engage
41:17the canvas more,
41:20this thing's
41:21going to beat me.
41:24Does that make
41:25that painting you gave me
41:26worth more or less?
41:29Depends what happens next.
41:31Yeah, I guess
41:34that's true,
41:35General.
41:39Mr. Hoyt
41:40will be going
41:41to Brooklyn.
41:43Brooklyn.
41:46Thanks.
41:46Thanks.
42:01Hey, Gina.
42:07Hey, James.
42:08How you doing?
42:09You going to
42:09detective Simone's
42:10promotion ceremony?
42:11Yeah, just a little bit.
42:13I, uh,
42:14I feel bad for this
42:16kid's situation.
42:17Case we worked today?
42:18Boy reported the body?
42:20Yeah, his real name's
42:21Marco Romero.
42:22He's, uh,
42:23involved with things
42:24on the street.
42:25Kind of reminds me
42:26of the mistakes
42:27my brother made.
42:27Has your brother
42:29straightened out?
42:30No, he, uh,
42:31passed away.
42:34I can imagine
42:35why you're upset.
42:36Yeah, my father
42:37had problems
42:38giving Roberto
42:39guidance.
42:40Not wanting to know
42:41what he was into.
42:43That's hard for parents.
42:45It's not exactly
42:46similar.
42:47This boy's father
42:49seems more like
42:50just a jerk.
42:51Anyways, um,
42:57I guess I'll
42:58head over to
42:58one police plaza.
43:00Okay, James.
43:01Yeah.
43:03I appreciate
43:04you, uh,
43:05letting me share
43:05this with you.
43:06Okay.
43:06Excuse me.
43:35How's it going?
43:35All right, so
43:36I'll try you.
43:37Good.
43:37He wants to talk
43:38to you.
43:39Yeah, huh?
43:40Don't worry,
43:40he's a nice guy.
43:42Commissioner,
43:43this is Detective
43:44Bobby Simone.
43:46Good to meet you,
43:47Bobby.
43:47Congratulations.
43:48Thank you very much,
43:49Commissioner.
43:50Ordinarily,
43:50we would have done
43:51this in my office
43:51yesterday,
43:52but I was upstate
43:53visiting Frank Latimer.
43:54How's he doing?
43:55He's got a long way
43:56to go.
43:57All he talks about
43:57is coming back
43:58to the job.
43:59I'll have a good
44:00thought for him, sir.
44:01Sit down.
44:06Bobby,
44:07sometimes promotion
44:08of first grade
44:09is based on
44:09a specific case.
44:11My uncle got it
44:12for arresting
44:13Willie Sutton.
44:14Is that right?
44:15But you're being
44:15recognized for
44:16a series of cases.
44:18Your lieutenant
44:18specifically pointed
44:20out the multiple
44:20homicides
44:21at the Sixth Street
44:22playground.
44:23Commissioner,
44:24not to speak
44:24out of turn,
44:25but my partner
44:26worked those
44:27homicides
44:28as well as
44:29every other case
44:30that I've been on.
44:31Andy Sipowicz.
44:33I know of Sipowicz,
44:34but this is your day.
44:35Let's worry about you.
44:37Maybe he'll get
44:37lucky down the road.
44:39Yeah.
44:45I'm really glad
44:45we had an opportunity
44:46to talk just a little.
44:48I appreciate
44:48what you do.
44:49That means a lot
44:50to me, Commissioner.
44:56Congratulations.
45:01Jimmy Leary got murdered.
45:16Shot outside
45:17Patrick's bar.
45:18Oh, yeah?
45:19Mm-hmm.
45:19They collared his partner,
45:21a guy named Habib.
45:22OCCB had the place up.
45:24They got the whole
45:25thing on tape.
45:26So everybody's happy.
45:28Jane Wallace said
45:29OCCB had you
45:30and Andy on tape, too.
45:32Going into Patrick's
45:33early this afternoon.
45:35Did you tell him
45:35Leary was cooperating?
45:37Tell who?
45:38I never heard
45:39about the partner.
45:40Did you and Andy
45:41chat it up in front
45:41of the bartender, Bobby?
45:43Let him put it out.
45:45The guy who killed
45:46Leary, whoever he is,
45:48he had a heart
45:49to do murder, Diane.
45:52Me and Andy,
45:53we just had a conversation
45:54in a bar.
45:56Huh.
45:57Excuse me, Bob.
46:00Yeah.
46:03If I'm supposed
46:04to feel bad
46:05about Leary's death,
46:07I don't think
46:10you should come in.
46:18Andy,
46:19I got a silver.
46:21Thanks, man.
46:22All right.
46:22All right.
46:22All right.
46:22All right.
46:23All right.
46:23All right.
46:23To the rank
46:35of Detective 2nd Grade,
46:373rd Grade Detective
46:38Luis Anunciato.
46:45Congratulations.
46:45We have one promotion
46:59to a rank some people
47:01considered the most
47:02prestigious and difficult
47:03to achieve in the
47:04department and symbolic
47:06of its highest traditions
47:08and standards.
47:10To 1st Grade Detective,
47:12Detective 2nd Grade,
47:13Bobby Simone.
47:14Ladies and gentlemen, this concludes our promotion ceremony.
47:43Thank you all for coming.
48:47Hey.
48:48Hi.
48:49Give me a Coke.
48:50No.
48:51I don't know.
49:05I'm so scared.
49:12Now what?
49:13Now what?
49:14The wind used to scare me.
49:23Snow coming out of the dark.
49:29Friday nights in high school, my dad be working up his weekend bender, going off on my mom
49:38and Dougie, making me his pretty pet.
49:44After supper, I'd get out of there and walk back to school for the hockey game.
49:55My leather jacket wasn't warm enough, but I wouldn't wear anything covered up my figure.
50:06You want something warm now?
50:08I'd make you some tea.
50:09No.
50:10No, why not?
50:11Okay.
50:12How did Andy seem?
50:13What do you mean?
50:14He didn't ride your home?
50:15Um...
50:16He seemed okay.
50:17Why?
50:18What was the matter?
50:19What the matter.
50:20What was the matter?
50:21What?
50:22What?
50:23What did Andy seem?
50:24What do you mean?
50:25He didn't ride your home?
50:26Um...
50:27He seemed okay.
50:28Why?
50:29What was the matter?
50:30What did he matter?
50:31I got promoted and he didn't.
50:44He's got a license to be pissed off.
50:47He's got a license to be pissed off.
50:51Well, Andy's got to know he's an orphan off his time drinking.
51:04I realize with Leary you were trying to help me.
51:12Yeah.
51:17I cry for you every day.
51:20I don't know why I couldn't say yes.
51:33At the, um...
51:35At the hockey rink, we all stood on the benches through the whole game.
51:43Boys had crushes on me, and...
51:47Walking home, I...
51:50Always felt like I could never stop being cold.
52:01You just needed a warmer coat.
52:08Yeah.
52:11I couldn't put one on.
52:15I was afraid to cover up my figure.
52:19I thought...
52:20I thought I was always just going to be cold.
52:31You made me warm.
52:36And I couldn't make you happy.
52:38I couldn't say yes.
52:46I wanted to, and I couldn't.
52:49It's okay, Diane.
52:51I didn't know I could love anybody like this, and then...
52:54Not to be able to say yes.
52:56You want this?
53:11Yeah.
53:14See, I wanted you so hard.
53:15I can't believe in you.
53:23No, no.
53:24Right, Linda, I can't believe in you.
53:27Transcription by CastingWords
53:57Transcription by CastingWords