NYPD Blue Season 3 Episode 21 Closing Time
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00:00Thank you for listening.
00:30Thank you for listening.
01:00Thank you for listening.
01:30What are you talking about?
01:31Don't insult me.
01:33These late night walks, you won't even get near me because of some chest cold.
01:37You want me to get the both of you sick?
01:40I have given you your time and if you don't want to talk to me about Andy Jr., okay, but I will not stand here while you lie to my face.
01:50I'm not lying.
01:51I have a few drinks, trying to deal with things.
02:00I walk till I'm sober.
02:01I make sure I'm sober coming home.
02:03You are not sober when you come home.
02:07And having a few drinks isn't not drinking.
02:11I'm sober at home, at work.
02:13I meet my responsibilities.
02:14You are not meeting your responsibilities.
02:19Andy, God.
02:21Get out.
02:25What?
02:25Put some stuff in a suitcase and get out until you are not, not drinking or you are not, not lying to me.
02:34I don't want you here if you can't even acknowledge the problem.
02:38I acknowledge some things.
02:40Didn't I just acknowledge a few drinks?
02:44All the baby sees me do is cry.
02:47You're telling lies inside lies and you are slapping me in the face.
02:51I have never laid a hand on you.
02:57Gray, you want me out of here, Sylvia?
03:00I'm gone.
03:01Just let me get a suitcase.
03:05You mind if I touch the baby?
03:07Yes.
03:08No, go ahead.
03:24Meeting my responsibilities.
03:26Close all these.
03:27Hold all these.
03:44Bye.
05:14Yeah.
05:16May I help you?
05:17I'm looking for the lieutenant.
05:19I wrote the name, but I can't read it.
05:22I'm Lieutenant Fancy.
05:23That's it.
05:24I'm Lucy Kinley from Newboro.
05:27I'm the new PAA.
05:28It's good to meet you.
05:30What?
05:30Fancy.
05:31Is that West Indian?
05:33You look just like somebody I know who's from Guyana, but so...
05:36Uh, no.
05:39There's your desk.
05:41Oh.
05:42So I can see everyone coming in?
05:44Yeah.
05:44You'll meet the squad as the day goes on.
05:47Um, you should also be aware there was a tragedy last week involving one of our men, Detective
05:54Sip, which his son was murdered while intervening in a holdup.
05:58Okay.
06:01Take a minute to settle.
06:03Then I'd like to get you started.
06:05Are you familiar with the monthly stats of coming to the borough?
06:08No, I don't know how to do those.
06:11Okay.
06:12Okay.
06:13A little later, I'll show you how.
06:15For now, um, type out our roll call.
06:18I scratched it out for you there.
06:20And then fax it to the borough when you're through.
06:22No problem.
06:24Thank you, Detective.
06:25Yes, Lieutenant Fancy.
06:27Last time.
06:29I promise.
06:29Hi.
06:33Morning.
06:34Hi.
06:35Hi.
06:36I'm Bobby Simone.
06:38It's time to listen.
06:40I'm Lucy Kinley.
06:41I'm your new PAA.
06:43How you doing?
06:44We'll do better at the PAA.
06:49I've been at the borough for the last year.
06:52I'm going to do the roll call now.
06:53And then Lieutenant Fancy is going to teach me how to do the monthly stats later in the day.
07:00That's great.
07:06Hey, good morning, Lieutenant.
07:09How's it going?
07:12I feel like today is the day.
07:17We're getting the same pattern parole releases from Connecticut, New Jersey, and Pennsylvania at about 9.30.
07:24Boy, I'll tell you, all these leaps forward, progress, sons of bitches that killed him, got to be shaking in their boots.
07:35Andy, we've run every skull on the Lower East Side through this house.
07:38We're going to keep on doing it until we turn these guys up.
07:41I like to meet the asshole that made these things.
07:44Do you throw in here or do you want to look for clues?
07:50Clues.
08:14Okay, a woman was treated last night at an ER for a knife wound.
08:19She said it was accidental.
08:21Now she wants to press charges on her boyfriend for attempted murder.
08:24She's coming up?
08:25Yeah, she's on her way upstairs.
08:27Angela Bowie's her name?
08:28Yeah, I'm Angela Bowie.
08:30I'm Detective Russell.
08:31Angela got stabbed above the elbow with attempted murder.
08:35I'm up.
08:36I can take it, Andy.
08:37Interview needs a woman's touch.
08:39She got sexually assaulted on the elbow.
08:41Why don't you work it with me?
08:42Why don't we all talk in the coffee room?
08:55Why don't you have a seat?
08:59Guy who stabbed me is named Bobby Kupcher.
09:02It's a miracle I'm even alive.
09:04What's your relationship with him?
09:06Well, he's a violent jerk I'm sick of even trying to deal with.
09:09You know, you could pick him up at Shea Stadium.
09:12He's got a big job there selling for us.
09:14Slow down, Miss Bowie.
09:15Does Bobby Kupcher live with you?
09:17Huh.
09:19Sort of.
09:20Yeah.
09:21What led up to him stabbing you?
09:23Okay, see, what led up to it was we had a fight,
09:26he took a knife, and he tried to murder me.
09:29Hey, we're here to help you, Angela,
09:31so let's lose the attitude.
09:32Okay.
09:33He smacked my kid.
09:40Well, she got no business even touching him,
09:43let alone raising a hand in anger.
09:45What's your boy's name?
09:48Timothy.
09:49This asshole smacks him in the back of the head.
09:51Timothy told you Bobby hit him.
09:53Well, he hit him yesterday morning,
09:55I found out last night.
09:56And last night was when Bobby stabbed you.
10:00Okay.
10:01I brought home a chocolate cake, right,
10:03because, you know, I like cake.
10:07Anyway, I was slicing it
10:08when Timmy says he's afraid of being home alone
10:11with Bobby mornings,
10:12and when I ask him why,
10:13he tells me Bobby hit him for dropping his lunchbox,
10:16running out to make the school bus.
10:18Right then, in comes Mr. Asshole.
10:20I send Timmy to his room
10:22and ask Bobby where he gets balls big enough
10:24to hit on a kid ain't even his own blood
10:27in a place he don't pay 50 cents rent.
10:30So I'm holding up the knife,
10:31the butcher knife,
10:32to defend myself, and...
10:34Hey!
10:39Asshole!
10:40Cut it out, Angela.
10:41Am I boring you?
10:42Because I almost died.
10:44What, you threw a soda can at me?
10:46Yeah, that's what I did.
10:47You threw a soda can at me?
10:49Oh, are you gonna...
10:51Andy, shut on him!
10:53Shut up, my God!
10:55Andy, what's your name?
10:57Shut up!
10:57Never finish!
10:59Andy, get the hell out of here!
11:12Throws a soda can at me, cigarette ashes.
11:16All right, thanks.
11:19These newer cops,
11:24they think it's worth the interview.
11:27I wanna go talk to these guys.
11:28They're the same pattern, stick up.
11:30You think I should tell Andy
11:31maybe you got something?
11:33Maybe you should hold off on that, James.
11:35You know, uh...
11:37Spay some of the abuse.
11:41You're sure it's okay?
11:43What are you,
11:43a nurse or a detective?
11:46How's that?
11:46It's fine, fine.
11:51Angela,
11:52that detective had a personal tragedy.
11:55I'm sorry it's made this more difficult for you.
11:58There's snores in my face.
12:00This is gonna hit me?
12:01I'm really sorry that happened.
12:02Are you thinking I'm gonna sit still for that?
12:04And maybe his boss should know.
12:05But that's not gonna help
12:06with the problem you came here to solve.
12:10I also want you to know
12:11I'm gonna give this case number one priority.
12:14Just let me know
12:14where I can pick up this Bobby Kopchick
12:16and we're gonna go after him.
12:17Didn't I say he works at Chase Stadium?
12:20I was talking about the daytime, Angela.
12:22And I'm telling you,
12:23it's a day game today.
12:26All right.
12:27We're gonna go after him right away.
12:29I'll be in touch with you
12:30with any developments.
12:32Your phone number's here on the 61, right?
12:34Yeah, right.
12:35Okay, Angela.
12:37Why don't we go to the stairs this other way?
12:47Detective Sipovich?
12:49I'm Lucy.
12:50I'm in the PAA.
12:51That's great.
12:52It's okay, I understand.
12:54There's a priest here to see you,
12:55Mr. Knackaridi.
12:57Andrew.
12:58Sylvia, you sent you down here?
13:01I'd like to speak somewhere privately.
13:03This is my workplace.
13:05I work here.
13:07I had hope we could talk.
13:14Let's go to an interview room.
13:16That's like our confessional.
13:18People confess the sins they did.
13:28My deepest sympathies on the death of your son.
13:42Thanks.
13:44To answer your question,
13:45Sylvia's very concerned,
13:46but it was I who suggested
13:47that I would like to speak with you.
13:49You should be talking to her.
13:51She's who you should take care of.
13:53Andrew, before you and Sylvia got married,
13:57when you and I spoke at our counseling session,
14:00I felt that you were a soul in struggle.
14:03I got no interest in what you got to say.
14:10I know you're in pain of what's happening.
14:12You're angry, but...
14:13Why in the hell should I pay attention to you, huh?
14:18You believe in God?
14:20Where was God when my boy got killed in that bar?
14:25He was there.
14:26Then he can kiss my ass.
14:29How could he stand there and that boy die?
14:32You're not made to understand God's purposes, Andrew.
14:35Was he trying to punish me?
14:37All right, I deserve punishment.
14:39But what about my first wife?
14:42She did nothing but keep care of him
14:46and take abuse from me.
14:48And what about him?
14:49He tried to help someone.
14:51He got his whole life in front of him.
14:54And he was as sweet as ever was born.
14:58Don't you tell me that I did something so bad
15:03to do that to them.
15:11God is not in the punishment business, Andrew.
15:14And you're not in the center of the world.
15:18Your son's death is not part of some equation.
15:21It's a mystery.
15:24Yeah, well, my job is working on the mystery part.
15:32Sylvia tells me you're involved in a 12-step program.
15:35Oh, I'm one of their big success stories.
15:39Try to accept again the third step of your program.
15:43Turn your life over to God.
15:45Be its witness and part of its process.
15:48You never had a son.
15:52God had a son.
15:54Well, I'm not God.
15:59And I want you to go.
16:05God is with you, Andrew.
16:08Try to feel his love.
16:09Lucy, Burrell said there's something wrong with the room.
16:39I'm going to roll call you faxed him.
16:41Should I roll it out for you?
16:43Right away.
16:45Excuse me.
16:46No.
16:47I'm going to go pick up the stabbing victim's boyfriend.
16:51I need someone for backup.
16:53Andy's not available?
16:55No, he's busy.
16:55So what was that shouting about before?
17:00In the coffee room?
17:01Mm-hmm.
17:02Complaining got a little excited.
17:04You know, she was excited, high-strung, tossed a soda can at Andy.
17:07It's all squared away now.
17:09So what's Andy doing now that he's unavailable for backup?
17:12He's, uh, he's working another aspect of the case.
17:17All right.
17:19Take Greg.
17:20Can I take somebody from any crime?
17:22I hate to take anyone off Andy J.'s task force.
17:25Take Greg.
17:30I, uh, I need you to...
17:32Uh, um, I got to...
17:37I'll be down on a second.
17:38Okay, I'll be down.
17:40Yeah.
17:41Great.
17:43No.
17:44I'll be down on a second.
17:45I guess it's a...
17:46Okay, I'll have to clear it back a second.
17:54Let's talk, Andy.
17:56Of course.
17:57Let's go to my office.
18:00What will be our topic?
18:02Okay.
18:02I, um, want you to take some sick days.
18:20No.
18:24Take some days, Andy.
18:26Go home.
18:27Russell's pissed off.
18:31My attention wandered.
18:33Can't say it to my face.
18:35She wants the interview?
18:36What, I'm supposed to stay in there
18:37the whole damn time at attention?
18:40All Diane said about the interview
18:41was the woman was high-strung.
18:44Well, well, what's the point if you're...
18:46if you're trash and you can't act like it, huh?
18:49As much as I feel for what happened to your boy,
18:52you make it so I can't look the other way.
18:54You ruin the morale.
18:57Everyone in the squad's covering for you,
18:59pulling your weight for you.
19:01Tell them to cut it out.
19:02I do my job.
19:03Give me something to do.
19:05Diane wouldn't say so.
19:07But she's afraid to go on the street with you.
19:09And she's right.
19:10That's her problem.
19:12That's her job.
19:13Don't be afraid to go out on the street.
19:17My kid's dead.
19:22Andy, go home.
19:24This is what you've been waiting for, huh?
19:32This is the day you've been waiting for, isn't it, pal?
19:36If I was looking to do you in,
19:38I'd take your gun right now and send you to the farm.
19:42But I'm giving you a last chance to fix this yourself
19:45because I respect you doing it before.
19:48But understand, the next time I see you,
19:50you're sober and ready to work or you're through.
19:53What, Brotherhood's got a meeting tonight?
19:55You'll be up for a big award at the Brotherhood meeting?
19:58Get out of here.
19:58They know about it.
19:59We got Sipowitz.
20:01Shut your mouth.
20:02We got Sipowitz.
20:02Shut your mouth.
20:08You're embarrassing the job.
20:10And you're embarrassing your son's memory.
20:20Please, go.
20:22May I help you?
20:44Go on for the day, minimum.
20:46All right, detective.
20:49I need to talk to a detective.
20:56Hey, what's up?
20:57You sent me home.
20:59Wait, wait.
21:01How far did we go?
21:02We were going to fight,
21:03and we just agreed no cards on Martin Luther King Day.
21:07Go home, Andy.
21:09Are you going to give me a hard time, too?
21:10What's your big feast day?
21:12I don't want to send you no card, either.
21:14Excuse me, detective.
21:24I think maybe you should know this right away.
21:27This woman says she knows something about the men
21:29that you're looking for in this big case.
21:32Why don't you put an ad in the post?
21:35You're looking to talk to the detective
21:36on that case with the big reward?
21:40It's about these guys.
21:42Yeah, come on.
21:43What's your name?
21:46Dina Farnham.
21:48It's right in here.
21:53I'm six.
21:57What do you got for us, Dina?
22:00That one's name is Ray, and he's Mitch.
22:06Ray and Mitch, huh?
22:07Mm-hmm.
22:08I mean, I knew they were dirtball-type guys,
22:11but I never thought like killers.
22:14You know, this Andrew Zipowitz Jr.
22:17You were working, girl.
22:18You did these guys, huh?
22:20Mm-hmm.
22:20So the day they got killed, that night, they're stoned,
22:26and they're partying with me.
22:27Where's this?
22:28The Mohawk.
22:30I mean, they were stoned, like on speed and liquor.
22:33Then later, like the next day, I'm back at my own place,
22:39and I see on the TV about this young guy getting killed
22:42trying to stop a hold-up.
22:44And now I'm remembering these guys,
22:48all messed up and loaded,
22:50saying how they messed up some guy in a bar.
22:54I mean, the guy tried to be a hero,
22:55and they really messed him up.
22:57So now a whole week goes by,
22:59and these flyers, they're all around,
23:03sketches of these guys from the bar waitress's description.
23:07And I know you've seen it on TV, too,
23:09with this big reward number.
23:11What is it now?
23:1265,000.
23:1365,000 in.
23:18And you don't reach out.
23:20And now, here you are.
23:23I don't care about the money.
23:25I mean, I care.
23:26Yeah, I take it.
23:28But I'd have left it sit, too.
23:32Except they paged me last night.
23:35And now I'm scared they're going to kill me.
23:37Why?
23:38Off suspecting what I know.
23:40It's what I figure.
23:42And they figure just as well kill me.
23:45Dino, why don't you think that they're just calling you to party again?
23:48I just didn't get that feeling from their voices.
23:53Where'd they call you from?
23:54I don't know.
23:57And they said a pay phone.
23:58So we're about 85% here, right, Dino?
24:03What do you mean?
24:04And you know, ordinarily, I would settle.
24:07I'd figure 85% for pretty good.
24:10Andrew Sipwitz Jr., this kid, this is a cop's son.
24:18This is a kid who tried to save a woman's life.
24:21Now, you bring it all, Dino, or you're going to be taking a beating.
24:26If I knew something and didn't say it till now, what does that mean about jail?
24:45Help us now, Dino.
24:48The only way we would jam you up is if you killed him yourself.
24:51They left the Mohawk before me.
25:03And it must have took a week remembering that they had lost it or maybe that they'd ever
25:12even had it, but they asked about it last night.
25:31That's how I know they're going to kill me.
25:33That's a Hackensack shield.
25:45I'm supposed to meet them at 4th and D at 2 o'clock to give it back.
26:0340 minutes late.
26:14Yeah, she says they're late coming to party, too.
26:18I'm afraid I'm going to throw up.
26:20Don't.
26:21This is Morrissey.
26:22Two white males who walk past our unit, same side of the street, headed toward the restaurant.
26:26The bitter description looked like our guys.
26:28Is that them?
26:33Yeah.
26:33Oh, my God.
26:34Are you sure that's them?
26:36I'm positive.
26:37I get them.
26:38What's going on, man?
26:39Can you move your ass?
26:42Hey.
26:43I've got some place to be here.
26:45I'd kick your ass good for you, you slanty piece of crap.
26:49We're coming out on foot about 150 feet behind him.
26:52What are they beating with that guy?
26:56You die?
26:57Stay here with the Japs.
26:59You want to go?
27:03I'll kick your ass good for you.
27:08Yo, yo, cop.
27:10I've got it.
27:10Police!
27:23Police!
27:40Police!
28:04Police!
28:07Police!
29:08Great job, Bobby.
29:14Thanks, boss.
29:15Yeah, every witness makes it a good shoot.
29:18So I'm excused from Left Rack City?
29:20No, no, you gotta see the shrink.
29:22Get your gun to ballistics.
29:23I know Andy went home.
29:28I sent him home.
29:30Thought maybe I'd go tell Sylvia.
29:32Okay, go ahead.
29:33You want someone to drive you to the frick?
29:47No, I'm good.
29:47It's important to let him know.
29:58Hello.
29:59Detective, the whole time I was in the laboratory, I forgot it was unisex.
30:17I sat there the whole time without the door locked.
30:21I sat there the whole time without the door locked.
30:51Does Andy know?
30:56We don't know where Andy is.
30:59I see.
31:03Bobby wanted to tell you about after something like this.
31:06They make you go to Left Rack City to see the department doctors.
31:10It was Bobby who caught him?
31:14We were set up to take them.
31:16They drew down and Bobby had to shoot them both.
31:19He's all right?
31:20Yeah.
31:25Bastards.
31:30I'm glad they're dead.
31:31How are you and Theo?
31:36You know Andy's out of the house.
31:40I can't have him here drinking.
31:43I agree with you.
31:45I just hope that this will help him turn the corner.
31:56It's up to him.
32:00I don't want to help him, but I know I can't.
32:03You're doing what you have to Sylvia, looking out for yourself and Theo.
32:14But I think you're right.
32:16You know, these guys going down can be Andy's excuse for the day to stay drunk.
32:21But if he wants to, he'll turn the corner.
32:23I hope he does.
32:51You want to pace it a little?
32:52I'm not going anywhere.
32:55Two things you got to say to me.
32:5886 and closing time.
33:02Why don't you try and keep a civil tongue in your head, okay?
33:04A robbery and sexual assault in a bar in the 15th precinct of Manhattan,
33:10where his father has served as a detective for 14 years.
33:14Today, the young man's assailants lost their lives
33:17after initiating a gunfight in the street with precinct detectives
33:21who were closing in for an arrest.
33:24Now, back to you in the studio.
33:25I'm just checking to say and confirm two skulls were involved in a homicide.
33:50And they've been taken down this afternoon.
33:56That's all been established, correct perps and so forth.
34:01What's the matter to you?
34:07I don't know who's calling.
34:08I don't know who's calling, Father Christmas.
34:10Has anybody the cops involved know from anyone there was appreciation?
34:22Well, let them know that there was appreciation.
34:28Never mind who.
34:30Rabbi Wolf.
34:32Look at the look on his face.
34:51Now, don't even have a clue to.
34:52Calls itself a bass play.
34:54Don't you listen to is supposed to be so funky.
34:59Rick James.
35:00Oh, Rick James.
35:02What?
35:03I'm hot to kick your ass.
35:05I thought the electric was going to do this.
35:09Excuse you?
35:10I'm going to have to ask you to move it along.
35:13Why, we got to move it along.
35:15I want this corner clear.
35:16We ain't even doing nothing.
35:18I want you off this corner.
35:20My son and I were looking at this corner.
35:22Look, buddy.
35:23I can smell the liquor on your breath.
35:25So, uh, why don't you go pick on somebody else, huh?
35:30What's your name, Mouth?
35:32Knowledge.
35:33Supposed to be funny?
35:35Drunk-ass cop, you the funny one.
35:38Why don't you go buy what you was going to buy so you could get even drunker?
35:42We ain't moving.
35:43I don't say something I'm not prepared to say.
35:46Hey, you don't move.
35:49I'm going to move you.
35:50Let's go, y'all.
35:51It ain't even working.
35:52It ain't even working.
35:54Hold up.
35:54Hold up.
35:58Move me.
36:00Come on, devil.
36:02Move my black ass.
36:04You don't think I'm going to move you?
36:06I'm going to show him what you do and don't.
36:10Show me.
36:10Show me.
36:16Yeah, how you like it?
36:27How you like it, huh?
36:29How you like it?
36:30I'm okay.
36:31I'm okay, Steward.
36:32What's up?
36:35I'm okay, son.
36:37You're not okay.
36:42You okay, Nip?
36:46Where you going at, pig?
36:52I got it.
36:53Come on, let's go, let's go, let's go, let's go.
37:07Call a radio car.
37:11I woke up.
37:16How is it?
37:37One of the nurses talking about broken ribs, but I don't know what else is going on.
37:41Your job go over the air?
37:43No, off the books so far.
37:45Look at Bobby.
37:47This guy's got his gun.
37:52Detective?
37:52Doc, what's going on?
37:54Well, neurologically, he's intact.
37:56He's got two broken ribs.
37:58We fitted him for a belt to protect them.
38:00Bobby.
38:01Yeah, Andy, I'm right over here.
38:03Look, Doc.
38:04If Andy's name gets on the books for this, he's jammed.
38:08I'll put my college dean's name on the admitting form.
38:12Tell Mr. Kramer.
38:12I hope he feels better.
38:13I appreciate it.
38:15Hey, Bobby.
38:17I got a good idea on the mutts that did this.
38:19You're my partner.
38:20I'm going to go try and snatch him up.
38:22Hang on until I get Andy set up, and then I'll go look him with you.
38:25All right.
38:25All right.
38:25All right.
38:25All right.
38:25All right.
38:29How's it going?
38:39Thanks for getting those guys.
38:47Either of them say anything about Andy.
38:50It was a gunfight in the middle of the street.
38:52Nobody said nothing.
38:56You gave Shannon a pretty good description, huh?
38:58He thinks we could find these guys who beat you.
39:05I got my gun.
39:11I'm finished.
39:14Made a mess already.
39:17You wouldn't let nobody help you, Andy.
39:20Threw me for a loop.
39:24I felt the kid was going to be happy.
39:28I could help him after I never did nothing for him.
39:35You got killed, and you started drinking, and you left Sylvia alone, and the baby, just like you did Andy J.
39:43So what are you going to do about that now?
39:54I don't know what to do.
39:59Do you want people to help you, Andy?
40:03Please help me.
40:12Yeah.
40:19Yeah, that's great.
40:23Can you walk?
40:25Yeah.
40:28Hey, Andy.
40:28Thanks for showing up.
40:31Yeah.
40:32You need a chair?
40:34No.
40:34No, I can walk.
40:36I want to get you back over to the house and help Shannon look for these guys.
40:41If we got lucky, and you can make an ID, and we can get that gun back before the boss came in.
40:48And, uh, I don't know how else we're going to save your job, Andy.
40:55Let's go.
40:55You better not cost me my job.
41:13If we're wrong, we're going to strip your boss.
41:17How long have you been working at the A&P?
41:20Four years in June.
41:22I figured I haven't seen you that long.
41:26You got promoted, huh?
41:28Restock clerk to produce.
41:30Hey, now.
41:35What a lot you got going.
41:37What you saying I did, man?
41:38He'll talk to you.
41:39Where till the detective gets back?
41:49Find any of those guys?
41:52Andy.
41:55Andy.
41:59Hey.
42:02Andy.
42:03Is this guy right?
42:12Drink this.
42:15I lost my glasses.
42:17I'll put this, uh, right here, right in your coat, Andy.
42:21Uh-huh.
42:24Uh-huh.
42:30Uh-huh.
42:36Is he right?
42:37Uh-huh.
42:40He was one of them.
42:42He was a mouth.
42:47I'm going to talk to this guy.
42:50Andy.
42:50Stay right where you are.
42:52Uh-huh.
42:53Uh-huh.
42:53Uh-huh.
43:02Tough leaving things in other people's hands.
43:04Uh-huh.
43:05You want me to take those glasses, Andy?
43:16Yes, please.
43:18Yes, please.
43:18Hey, boss.
43:41What's going on?
43:42Andy got beat up last night out in the street.
43:48How bad?
43:49A couple busted ribs.
43:56Who's in there?
43:57The mutton and the pokies.
43:59One of the three guys who snobbed him.
44:00Andy, I did him off a photo.
44:03Andy, I did him off a photo.
44:05Where's Andy?
44:06Upstairs in the Metavoy's crib.
44:09Why?
44:11Diane says Sylvia threw him out.
44:16Luke.
44:19They stole his gun.
44:20The guys are stomped.
44:23Does the one in there know what a gun is?
44:25I think probably he does, Lieutenant.
44:27What's his name?
44:28Knowledge Islam.
44:29Knowledge Islam.
44:35It's my boss.
44:41What's this about?
44:43Assault on a cop.
44:45Debt of his weapon.
44:47Cop picked you up.
44:48Crazy drunk-ass police.
44:51He never showed us his badge.
44:53We figured he was some drunk white guy looking for a fight.
44:56You dumb?
44:57I took his gun in self-defense.
45:00Are we supposed to run and trust him not to shoot us in the back
45:03after he instigates the whole damn thing?
45:05You done now?
45:12I'm going to make this simple.
45:14You're looking at five years in jail.
45:17You take us to his gun, you walk away.
45:20Oh, damn, do I look that stupid?
45:23I take you to that gun, you kick my ass about four hours,
45:27and then lock me up anyway.
45:28We lock you up, you go to trial.
45:31You think we want it out in court?
45:32The cop's drunk, looking for a fight, loses his gun.
45:36So maybe I take you to the gun, you dump me in the river.
45:41You know where your mother's at?
45:43What's that supposed to mean?
45:45You, me, and your mother.
45:47Three of us go for the gun, you walk home with her.
45:50Okay.
45:57Okay.
45:59All right.
46:02I'll go with my aunt.
46:03I don't care if he's got a job.
46:21An RRR release won't discourage this guy much
46:23from beating up this woman or her kid.
46:25Can't you make it $20,000?
46:29We halfway owe this woman.
46:31There was a little excitement between her and one of our detectives.
46:37Appreciate it.
46:40That's the woman Andy was saw in wood during her interview?
46:43Yeah.
46:45Hey, boss.
46:47How'd you do?
46:49I got it.
46:49So, now what?
46:54Now I'm going to wash my hands and I'm going to talk to Andy.
46:58Okay.
46:58Okay.
47:19This is yours.
47:38Do I get it back?
47:43Think about something, Andy.
47:47You come back to work and you're still drinking.
47:50Something like last night is going to happen again.
47:54But maybe you'll wind up dead.
47:58Then Sylvia won't have a husband.
48:01Your baby won't have a father.
48:03And some guys will spend the rest of their lives in jail
48:06for something that didn't have to be.
48:08What's left for you on this job, Andy?
48:23I could do good for people.
48:31If I could stop drinking.
48:33The key for me is not to drink no more.
48:41Can you stop?
48:43I want to stop.
48:45I realize now he's gone.
48:50You bent over backwards to keep me on the job.
49:02And I had a wrong mouth and everything else.
49:05Please, don't take my job.
49:13Let me take some days.
49:16Come back and try.
49:17All right.
49:23Right now, your work's at home anyway, isn't it?
49:26Don't make me sorry.
49:42I won't, boss.
49:57Thanks.
49:58I won't, boss.
50:28I'm taking the next set off to get myself together
50:32and be with Sylvia.
50:35That's good.
50:37Would you let the squad know my appreciation?
50:41Yeah.
50:42What everyone did and with me being such a sport.
50:52And you especially.
50:53I know what you did for me.
51:01Andy, out on the street there, those were good shootings.
51:04What you did otherwise.
51:11What you did otherwise.
51:15Gave you nowhere to go.
51:18You still stood up with me.
51:19I asked Shannon.
51:32I know right I can ask him to...
51:38thank the uniformed cops.
51:54Could you give Sylvia a call?
51:57Let her know I'm going to look pretty bad.
51:59I got a dude arrest.
52:14I got a dude arrest.
52:14I didn't need you to walk.
52:25I got a man.
52:29I got a man.
52:33I don't know.
53:03Hi, Andy.
53:12Fourteen hours since I drank.
53:17I apologize for what I've done.
53:21I love you and the baby if you take me back.
53:33We love you, Andy.
53:39And we want you back.
53:41I love you, Andy.
54:11I love you, Andy.
54:41I love you, Andy.