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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59Remember we have to leave in 45 minutes
00:02:02Thank you
00:02:03Thank you
00:02:04Grazie
00:02:05Grazie
00:02:06Waiter
00:02:12Waiter
00:02:14Waiter
00:02:16Waiter
00:02:24Waiter
00:02:26Waiter
00:02:28Waiter
00:02:30Are you looking for a match?
00:02:38Si senor
00:02:39Grazie
00:02:40Thank you very much
00:02:41You desire
00:02:42Two coffees
00:02:43And a couple of sandwiches
00:02:44Salami
00:02:45Not salami
00:02:46I beg your pardon
00:02:47I know this place very well
00:02:49I would not recommend salami
00:02:50But the cheese isn't bad
00:02:52Thank you
00:02:53Two cheese sandwiches
00:02:54And some coffee
00:02:55And as for me
00:02:56A double brandy
00:02:56Orazio
00:02:57Mind if I sit down for a moment
00:03:01It's so nice to meet people
00:03:03From the states
00:03:04You speak english very well
00:03:06Are you a native?
00:03:08I mean an italian
00:03:09No I'm an american
00:03:10Have you been in italy long?
00:03:11No we just arrived
00:03:12From switzerland
00:03:13Nice little country
00:03:14Switzerland
00:03:15Yes
00:03:15It would not be so little
00:03:16If they could only flatten it out
00:03:18That's a good one
00:03:20I'll have to write that to the boys
00:03:21If they could only flatten it out
00:03:22But how could they ever
00:03:24La senora likes Italy?
00:03:28I think it's wonderful
00:03:29It's our first treat
00:03:30There are many treasures
00:03:32In these little towns
00:03:32But you have to get off
00:03:34The beaten path
00:03:34They are hard to find
00:03:35What do you mean?
00:03:36I happen to be a collector
00:03:38I find things in private homes
00:03:40For example
00:03:40That are of great value
00:03:41One can buy them for his own
00:03:43Only this morning
00:03:44As it happens
00:03:45I came across
00:03:46Cameos
00:03:47Of the finest
00:03:49Most minute workmanship
00:03:50And absolutely authentic
00:03:51Fifteenth century mostly
00:03:53Could I
00:03:54Could we see them?
00:03:55I love cameos
00:03:57They are not often
00:03:57As beautiful as this
00:03:58I was most fortunate
00:03:59Forgive my appearance
00:04:01But that is so
00:04:02They do not take me
00:04:03To be wealthy
00:04:03You see I buy
00:04:04For Lire
00:04:05And sell in London
00:04:06And New York
00:04:07For pounds and dollars
00:04:08It is not so much
00:04:11The money that interests me
00:04:12It is the pleasure
00:04:13And difficulty
00:04:13Of the search
00:04:14Oh do let us see them
00:04:15Oh they are lovely
00:04:19They knew how to make
00:04:20These things in the old days
00:04:21Now this one is really
00:04:22A museum piece
00:04:23Feel the sharpness
00:04:25Of the relief
00:04:25The smoothness
00:04:26Of the mardled surfaces
00:04:27That is a portrait
00:04:29That is a portrait of Savonarola
00:04:29You have heard of Savonarola
00:04:31Oh yes
00:04:34Yes yes of course
00:04:35I am thinking of having it
00:04:37Mounted into a ring
00:04:37Or perhaps as a pendant
00:04:39Two small diamonds
00:04:40Oh yes as a pendant
00:04:42Permit me if you will
00:04:44Put it on my bill
00:04:45That's here
00:04:46Could I ask you
00:04:47How much you'd have to pay
00:04:48For a thing like that
00:04:49I am almost ashamed
00:04:51To tell you
00:04:51About 50 liri
00:04:54That's around $10
00:04:55But these people
00:04:56Know nothing of values
00:04:58Would you sell it?
00:05:09Of course
00:05:10I'll send it to my brokers
00:05:11In London
00:05:12No no
00:05:12I mean a quick turnover
00:05:13I'll give you 50 for it
00:05:15Right now
00:05:15But carasignore
00:05:16That is exactly
00:05:17What I paid for it
00:05:18Oh wait a minute
00:05:18$50 gives you plenty of profit
00:05:20Did you say dollars?
00:05:22That's what I said
00:05:22It's not the money
00:05:25I assure you
00:05:26But I find it hard
00:05:27To bear a lady's disappointment
00:05:28There you are
00:05:29Edward
00:05:30You darling
00:05:31It is sometimes
00:05:33More important
00:05:34To bring happiness
00:05:35Into the world
00:05:35And to make money
00:05:36Thank you
00:05:37Au revoir
00:05:37Au revoir
00:05:38What a charming young man
00:05:41Senor Corrad
00:05:49Oh Ovidio
00:05:51And how is a commissario of police?
00:05:52Oh I am well
00:05:53I am very well
00:05:53Thank you
00:05:54But senor Corrad
00:05:55I must remind you again
00:05:57That it is unlawful
00:05:58To sell anything here
00:05:59Without a license
00:05:59You mean the American?
00:06:01Yes
00:06:01But you could not call that selling
00:06:02After all I paid 50 for it
00:06:04And received 50 for it
00:06:0650 well
00:06:06That is a fair exchange
00:06:07Very fair
00:06:08But of course
00:06:09You are aware of the law
00:06:10That forbids the export
00:06:11Of authentic antiques
00:06:12Without a special permit
00:06:14Ma certo commissario
00:06:15I am well aware
00:06:16Of every law
00:06:17And I would not dream
00:06:18Of dealing in authentic
00:06:19Antiques
00:06:19And now if you will
00:06:20Forgive me
00:06:21I am expected
00:06:21At the Villa Francesco
00:06:22Oh yes yes
00:06:23I presume it is
00:06:24To say goodbye
00:06:25To senorina Julia
00:06:27Huh?
00:06:27Julie
00:06:28Is she going away?
00:06:29Oh yes
00:06:30She asked me for her exit permit
00:06:31A few hours ago
00:06:32Oh I hope
00:06:34I have not given away
00:06:35A secret
00:06:35No no not at all
00:06:37She would have told me
00:06:38Good day
00:06:39Good day
00:06:40Give senor Ingram
00:06:43My fondest regards
00:06:44Good night
00:06:45Tío
00:06:45I am sorry
00:06:46He is on the ground
00:06:48The clerk
00:06:49eka
00:06:50Tell
00:06:50Captions
00:06:52And
00:06:53Ainken
00:06:53A content
00:06:53Many
00:06:54Spirited
00:06:54Gameti
00:06:55Ale
00:06:55I am
00:06:57Garge
00:06:57People
00:06:58Many
00:07:58It's Bruce Conrad, Mr. Ingram.
00:08:21You asked him to come up today.
00:08:23Oh, yes, I remember.
00:08:24Hello, Julie.
00:08:38Ah, Senor Ingram, you're looking exceptionally well today.
00:08:50No, Bruce, not with me.
00:08:52Save that for the tourists.
00:08:54But I really mean it.
00:08:55You are looking well.
00:08:56And it's reflected in your playing.
00:08:57I've been listening.
00:08:58You played masterfully.
00:09:00You think so?
00:09:01Now that all my strength, all my will is concentrated in these fingers?
00:09:05Exactly.
00:09:06The power, the tonal quality, the prodigious technique.
00:09:09You have suffered no loss and the world has gained another miracle.
00:09:13Yes.
00:09:14Perhaps you're right.
00:09:17Julie, since you came, I found new life.
00:09:21A new source of energy.
00:09:23A stronger ambition to live and enjoy.
00:09:25I've only tried to take care of you, Mr. Ingram.
00:09:28No.
00:09:29You've done much more than that.
00:09:31You've brought beauty before my eyes.
00:09:35The beauty I've always loved.
00:09:37And always saw it.
00:09:38You wanted to see me, Mr. Ingram.
00:09:43To see you?
00:09:45Oh, yes, of course.
00:09:46You'll have dinner with us.
00:09:48I shall be delighted.
00:09:49I'm expecting Jufrax, my lawyer from Rome.
00:09:52You must meet him.
00:09:53I want Hillary to be present, too.
00:09:55Shall I tell him?
00:09:56Yes, but don't leave me alone too long.
00:10:00Mr. Conrad will stay with you.
00:10:04I'll still be alone.
00:10:06I'm always alone with everyone.
00:10:08Except with her.
00:10:11If you understand, except with Julie.
00:10:15I need her, Bruce.
00:10:19How about a game of chess?
00:10:22You want to take the money away from me again?
00:10:25The money doesn't matter.
00:10:27But just to make it interesting, how about 10 lire a game?
00:10:38What's the matter?
00:10:46What's the matter? Don't you feel well?
00:11:05Just tired.
00:11:07It's very demanding, isn't it?
00:11:09Oh, but Julie, I know he has to go to Milano to see his doctor.
00:11:12You're going with him.
00:11:14Change will do you good.
00:11:16And while you're there, you can take in the opera and meet new people.
00:11:21That won't help very much.
00:11:23What I need is a complete change.
00:11:26Hillary, I've been thinking seriously of going home.
00:11:30No.
00:11:32Please don't.
00:11:33If you go, what will happen to my work?
00:11:36What has my going away to do with your work?
00:11:38Don't you see, Julie, since you begin looking after him,
00:11:42he's forgotten about me. I've had time for my studies.
00:11:44But if I go, he'll have another nurse to look after him.
00:11:47No, if you leave, he won't let me out of his side.
00:11:50I need every minute of the day for my work.
00:11:53I have to stay right here in his library.
00:11:55And his books and his shelves are the great secrets I'm after.
00:11:59The key to the future, who is known only to the ancient astrologists,
00:12:06has been lost since the burning of the Alexandrian library.
00:12:10And now I, I am about to rediscover them.
00:12:15If I'm left alone just a little while longer, I have it.
00:12:18Please stay. You, you must stay till I find it.
00:12:22Hillary, you know I'd like to help you, but...
00:12:24Julie! Julie!
00:12:26There's Mr. Ingram calling.
00:12:33Oh, I nearly forgot.
00:12:35He wants you to have dinner with us tonight.
00:12:36When did you decam this wine, Antonio?
00:12:55This afternoon, Signor Ingram.
00:12:57It's cloudy.
00:13:04You haven't eaten anything since this morning, Mr. Ingram.
00:13:07You take good care of me, Julie.
00:13:09You notice everything.
00:13:11Everything.
00:13:13But I don't need food.
00:13:16You may wonder why I asked you to have dinner with me tonight.
00:13:20It's because this is a special occasion.
00:13:23And a very important one.
00:13:26Hillary.
00:13:28Do you know why you were here?
00:13:30No, I don't.
00:13:31Some anniversary, perhaps?
00:13:33No. No such thing.
00:13:35I merely want your testimony
00:13:37that I am not insane.
00:13:41It's very important to me to be certain
00:13:43that not one of you thinks I'm of unsound mind.
00:13:47Bruce, you are an artist, a musician.
00:13:53You have been with me a long time.
00:13:55You have been with me constantly.
00:13:57Therefore, you are in a position to speak.
00:13:59Are you convinced that there is nothing wrong with my mental balance?
00:14:09Your mental balance is equal to mine.
00:14:11And while I consider that a tribute to your sanity,
00:14:14there are certain people in San Stefano
00:14:15who consider me slightly eccentric.
00:14:18Perhaps they're right.
00:14:19Hilary, you have been my secretary for the last 20 years.
00:14:25Could you testify that I was always thinking rationally?
00:14:29There's no question about that.
00:14:31Julie,
00:14:33you, of all people, know me well.
00:14:35I engaged you to look after me.
00:14:39And you have become my friend.
00:14:41Have you ever heard me say anything irresponsible?
00:14:46Think.
00:14:46No, Mr. Ingram.
00:14:48If you had to swear to it...
00:14:50I don't think that question would ever be asked.
00:14:53Answer me.
00:14:53Yes, Mr. Ingram.
00:14:55I would swear to it.
00:14:57Mr. Duprex,
00:14:59you have just listened to the people who have known me best.
00:15:03Now your testimony is of the greatest importance.
00:15:06What's your impression of me?
00:15:08I have no doubt that you are able to think as clearly
00:15:12as anyone in this room.
00:15:15None of us have ever doubted your mental health, Mr. Ingram.
00:15:19I'm glad you ought to agree with me.
00:15:23Do preps.
00:15:26Bruce.
00:15:28Hillary.
00:15:30I want you to sign this document as witnesses.
00:15:38You first.
00:15:41What is it?
00:15:42I'd like to read it before signing.
00:15:45It's my will.
00:15:47My last will
00:15:48and testament.
00:15:50I hope my signature doesn't spoil its validity.
00:16:00Will you kindly sign, please?
00:16:03Make a will is to think of death.
00:16:06And to think of death is to anticipate the end.
00:16:09Don't be alarmed.
00:16:10Though I think of it,
00:16:12I don't anticipate it yet.
00:16:14Judy,
00:16:15will you be kind enough to take me into the hall?
00:16:18Yes, Mr. Ingram.
00:16:19Come with me.
00:16:25All of you.
00:16:35Come with me.
00:17:14So, you're going away, Julie?
00:17:37Yes. How did you know?
00:17:39There are three kinds of communication.
00:17:42Telegraph, the telephone, and the commissario.
00:17:45The commissario, of course, is the fastest.
00:17:56Didn't you want me to know?
00:17:58Yes, I would have told you, but until I'd spoken to Francis, I...
00:18:02Why speak to Francis?
00:18:04I don't understand.
00:18:06Go abruptly, suddenly, without warning, without goodbyes.
00:18:09But I couldn't do that.
00:18:13It isn't fair.
00:18:15Fair?
00:18:18Has he been fair to you?
00:18:20Yes, he's been fair.
00:18:22But that isn't why I'm leaving.
00:18:24I know, Julie.
00:18:25You're afraid.
00:18:33He's holding you with his pain and his helplessness.
00:18:36He draws his energy from your life.
00:18:38He'll never let you go.
00:18:39But I must go.
00:18:40But I can't leave without telling you.
00:18:42It's your only chance.
00:18:44He's had his life.
00:18:46You have the right to yours.
00:18:47But I thought you were his friend.
00:18:50Yes.
00:18:51But I'm thinking of you.
00:18:53For him, I have only pity.
00:18:56For you, something quite different.
00:18:58You might not even believe me.
00:19:01Tell me.
00:19:02I love you, Julie.
00:19:05Why shouldn't I believe you?
00:19:07Perhaps because I don't believe in myself anymore.
00:19:11Because I'm urging you to go.
00:19:13Away from him and away from me.
00:19:15And you'd stay here.
00:19:17Listen.
00:19:18When I first heard Francis Ingram in his New York recitals,
00:19:21long before I ever came to know him,
00:19:22he'd sit down and play a group of compositions
00:19:24and the audience would cheer.
00:19:26Then I found out that you'd written them.
00:19:28It was you I was listening to.
00:19:29It's you I hear now when Francis plays your music.
00:19:33There's genius in it.
00:19:34Genius.
00:19:36All I did was transcribe Bach.
00:19:38It gave him a chance to play again.
00:19:41It gave him new hope.
00:19:43It was a trick, a stunt for a one-handed pianist.
00:19:46Don't say that.
00:19:47It's beautiful.
00:19:47It's inspired.
00:19:49Then it must have been my last inspiration.
00:19:51I haven't been able to write anything since.
00:19:53Look what I've become.
00:19:54A court jester to a cripple dependent upon his charity.
00:19:57A dealer in modern antiques.
00:19:59You must find yourself again.
00:20:02You say that you love me.
00:20:04Yet you want me to go away alone.
00:20:07I do love you, Jerry.
00:20:08But what if I'd offer you?
00:20:11Have I asked for anything?
00:20:13I have something to offer you.
00:20:16Hope.
00:20:17Courage.
00:20:18Devotion.
00:20:19A new life.
00:20:20Judy.
00:20:25Judy.
00:20:26Judy.
00:20:29Judy.
00:20:34Judy.
00:20:36Did you call Mr. Ingram?
00:20:38Anything I can do?
00:20:40Judy.
00:20:40I want Judy.
00:20:41Where is she?
00:20:43Don't you know?
00:20:44I know where she is.
00:20:45Well, tell me.
00:20:46Where is she?
00:20:47She's in a garden.
00:20:49She's not alone.
00:20:51Mr. Conrad is with her.
00:20:53Bruce.
00:20:54Yes.
00:20:55Look, Mr. Ingram.
00:20:56They are going away together.
00:20:58I'm afraid she will leave you.
00:21:01Hillary.
00:21:02Why do you lie to me?
00:21:05I'm not lying.
00:21:06I'm telling you the truth.
00:21:07No.
00:21:08No.
00:21:09The truth is that you don't want anybody around here close to me.
00:21:12I heard what they said in a garden.
00:21:14I couldn't help but hear them.
00:21:16You are a liar.
00:21:18I am not a liar.
00:21:19You're afraid to hear the truth.
00:21:20Go away.
00:21:21I won't listen to you.
00:21:22You must listen to me.
00:21:23I even remember what they said.
00:21:25He said he's had his life.
00:21:27You have the right to yours.
00:21:28And she said, yes, I'll have to go.
00:21:30He took her in his arms and he kissed her.
00:21:34He kissed her.
00:21:35Do you hear?
00:21:36He kissed her.
00:21:40Julie.
00:21:42Julie.
00:21:43Help.
00:21:43I can't hear you, Hillary.
00:21:47She's out in the garden, isn't she?
00:21:50She's out in the garden with Bruce Conrad.
00:21:54She couldn't hear me.
00:21:56So how could she possibly hear you?
00:22:00Mr. Ingram.
00:22:06Mr. Ingram.
00:22:08Mr. Ingram.
00:22:10Get out of my house.
00:22:14I never want to see you again.
00:22:18Get out!
00:22:19Get out!
00:22:19I love you.
00:22:25People are in the garden.
00:22:27Look out.
00:22:28HER adjudication.
00:22:29sau families.
00:22:30Clara.
00:22:31There we go.
00:22:31Oh, can you?
00:22:32I never want to see you again.
00:22:32Have a minute.
00:22:33I'll see you next time.
00:22:34My great.
00:22:35I'll see you again.
00:22:36Hi, Lord.
00:22:37I'll see you next time.
00:22:38I пр calendar.
00:22:39RIilii
00:22:39from the old community.
00:22:40Thanks, données,
00:22:41Sue Candes,
00:22:41please leave me.
00:22:42とか pour now better do you hear.
00:22:42we go.
00:22:43The来 and here scene,
00:22:44esco over the last week.
00:22:45I have to co-being.
00:22:46Well, thank you, Antonio. I think you can go to bed now.
00:23:06He seems to be resting quietly.
00:23:08Good night, senorina.
00:23:10Good night.
00:23:16Good night.
00:23:46I had to wake till Mr. Ingram fell asleep.
00:23:59He really did hurt you.
00:24:06His fingers, they had like claws.
00:24:10I'm sure if you hadn't come, you would have killed me.
00:24:13How did it happen?
00:24:17I don't know.
00:24:19He asked for you.
00:24:21He said you were in the garden.
00:24:23So he started choking me.
00:24:26I haven't told to get out of his house.
00:24:29He didn't mean what he said.
00:24:31I'll talk to him in the morning.
00:24:32He didn't mean what he thought he might have heard.
00:24:33No, no.
00:24:34No, no.
00:24:35I was not sure.
00:24:35Julie!
00:24:36I can't tell him.
00:24:36Nancy!
00:24:37Julie!
00:24:37Julie!
00:24:38Julie!
00:24:39Julie!
00:24:40Julie!
00:24:41Julie!
00:24:42Julie!
00:24:53Julie!
00:25:03Julie!
00:25:04Julie!
00:25:05Julie!
00:25:06Judy!
00:25:36Judy!
00:26:01Judy!
00:26:31Judy!
00:26:33Judy!
00:26:37Judy!
00:26:38Judy!
00:26:39Judy!
00:26:52Judy.
00:28:30To whom does one condone?
00:28:32To whom does one express his grief and sympathy?
00:28:35To me.
00:28:37I made a very fair living playing chess and gambling with him, eating his food, drinking his wine. Now that he's gone, I'm without doubt the chief mourner.
00:28:46Well, he had no family. He left no one?
00:28:50Yes, there's a brother-in-law and a nephew just arrived from England. You'll find them in the library.
00:28:54Well, that is better. Present to me if you please, then I may offer proper consolation.
00:28:58Of course. This way to the grief-stricken relatives.
00:29:02Sorry to interrupt, gentlemen. This is Senor Ovidio Castanio, commissario of police. Mr. Raymond Arlington and his son Donald.
00:29:20Police? Please, Senor Conrad, explain that I'm here merely to express my heartfelt sympathy, my profound regret, my deepest condolences on this unhappy occasion.
00:29:33I think you've expressed it very well yourself.
00:29:35Thank you very much.
00:29:37Uh, do you expect other members of the family to arrive?
00:29:41We are his only relatives. Francis was married to my sister.
00:29:44Ah, you are American?
00:29:46Yes, living in England.
00:29:51What on earthly noise is that?
00:29:55The professional mourners, they've been hired to chant until sunrise, unless you care to extend the time.
00:30:01You mean they'll keep that up all night?
00:30:04It is an ancient custom, Mr. Arlington.
00:30:06Your brother-in-law was a man of great eminence in this community.
00:30:10It is only natural his passing should be attended by a certain amount of lamentation.
00:30:16Our grief, as you see, is very great.
00:30:19But having known Francis well, I'm sure he would have preferred that the lamentation be somewhat less vocal.
00:30:26In a word, Senor Commissario, ask those witches to stop howling.
00:30:30As you say, Senor, I shall merely explain your desolation is very great.
00:30:39And under the circumstances, you would prefer quiet and solitude.
00:30:44The Commissario does have a way of putting things, doesn't he?
00:30:56Dad, this has a crest with a bull and three swords.
00:30:59Yes, it once belonged to one of the Borgias.
00:31:02The Borgias, eh?
00:31:03That chest will bring at least 300 pounds at Christie's.
00:31:06It's a small fortune in these books and antiques.
00:31:09If you gentlemen are really interested in authentic antiques...
00:31:12Look, Roma, 1743.
00:31:15La Vita de Lorenzo Borghese.
00:31:18This is worth a hundred pounds at the British Museum.
00:31:24History of the Constellation.
00:31:26Florence, 1603.
00:31:28I wish you'd keep your hands off my books.
00:31:33Your books?
00:31:34Yes, they are mine.
00:31:37They are part of the estate, and until the will is read...
00:31:39No, they belong to me.
00:31:41All of them.
00:31:42I want you to keep away from them.
00:31:44How did you get them?
00:31:45Out of their salary?
00:31:46He bought them.
00:31:47For me, they are mine.
00:31:49You leech.
00:31:50You've lived on Francis' charity for years.
00:31:54Now you'll have to get out.
00:31:55You and your theories.
00:31:56You won't live on my charity.
00:31:59The stars should have told you that.
00:32:01Perhaps they told me more than you know.
00:32:03Gentlemen.
00:32:04Don't you think this discussion is somewhat premature?
00:32:07I don't want him to touch my books.
00:32:09For your information, Hillary,
00:32:10I'm going to close this place as soon as Francis' will has been read.
00:32:14All this stuff will be shipped to England.
00:32:17Including, of course, your books.
00:32:45Julie.
00:32:48The gentlemen downstairs are waiting for us.
00:32:50But I have nothing to do with them.
00:32:51I don't belong to the family.
00:32:53Please tell them to go ahead without me.
00:32:55What's wrong, Julie?
00:32:56It's only reading of the will.
00:32:58For some reason, Mr. Duprex wants you to be present.
00:33:01I can't face Mr. Arlington again.
00:33:03It wouldn't have happened if I'd only stayed with Mr. England.
00:33:07Why do you blame yourself?
00:33:09Nobody expected him to crawl out of bed.
00:33:11In a way, I'm glad it happened while you were here.
00:33:15Well, suppose he had died after you'd left.
00:33:17You'd never have forgiven yourself.
00:33:20It's all in the way you look at things, isn't it?
00:33:23I suppose so.
00:33:26I'm going to send Stefano tomorrow to get my exit visa.
00:33:29You decide to leave with me?
00:33:31Yes.
00:33:32Yes.
00:33:34I wish we could get away from here right now.
00:33:36It won't be long.
00:33:37Only a few days.
00:33:39In the meantime, keep your chin up.
00:33:41Why?
00:33:42So that I can kiss you.
00:33:44Well, it's about time.
00:33:57I beg your pardon?
00:33:58Please, please be seated.
00:34:00I called you together for the reading of the will and testament of Francis Warren Ingram.
00:34:05It was witnessed by Hilary Cummins, Bruce Conrad, in the presence of Francis Ingram and myself.
00:34:13I, Francis Warren Ingram, being of sane mind and in full possession of my mental powers, herewith declare my last will.
00:34:21I leave all my worldly goods, cash, properties and valuables, of whatever nature, to Miss Julia Cecilia Holden, my companion and friend, as an inadequate compensation for her kindness and devotion to me.
00:34:34I wish my body to be interred in the ancient chapel adjoining the Villa Francesco, so that I can be near to her and therefore rest in peace.
00:34:42That is all.
00:34:44No word about me?
00:34:45None.
00:34:46We shall contest that will.
00:34:48On what grounds, may I ask?
00:34:49This will was made in consideration of her kindness and devotion, his very words.
00:34:54But it was her duty to stay with him and take care of him.
00:34:56And if she had done so, Francis Ingram would be alive at this moment.
00:34:59This is an insult to Miss Holden.
00:35:01These are not insults, they're facts.
00:35:03This woman is responsible for Francis' death.
00:35:05You'd have a hard time proving that in a court of law.
00:35:08That's a criminal charge.
00:35:09I have no desire to place Miss Holden in a position of jeopardy.
00:35:12I shall do all in my power to have this so-called will thrown out of court.
00:35:17I think you're needlessly alarmed, Mr. Arlington.
00:35:21You haven't asked Miss Holden of her own desires in the matter.
00:35:24As far as I know, she hasn't the slightest intention of accepting any part of this magnificent bequest.
00:35:31Is that true, Miss Holden?
00:35:33Are you willing to resign your rights to the entire estate without further litigation?
00:35:37In view of the circumstances of my uncle's death, that might be a very wise procedure.
00:35:42I'm afraid Mr. Conrad has misled you.
00:35:44I accept the legacy.
00:35:46And furthermore, I intend to remain here in this house.
00:35:53Yes.
00:35:54And my books remain here, too.
00:35:57Oh, no. This thing isn't over yet.
00:36:00Let me go.
00:36:07What's the matter with him?
00:36:09What's happened to his throat?
00:36:10I believe that Francis Ingram tried to choke him.
00:36:13Oh, that's interesting.
00:36:15Why?
00:36:16It seems that Mr. Ingram resented.
00:36:18Go on.
00:36:19Well, it's almost as if he suspected some kind of conspiracy between Hillary Cummins, Miss Holden, and Mr. Conrad.
00:36:26What kind of a conspiracy?
00:36:27You think he felt himself threatened?
00:36:29That's hard to say.
00:36:31Conspiracy.
00:36:33That would explain who pushed Francis down the stairs.
00:36:36No luck, Arlington.
00:36:37There's no evidence that it was not an accident.
00:36:40I wouldn't be so sure.
00:36:41Mr. Conrad's quite right. The idea's absurd.
00:36:44But even Mr. Conrad stated that Francis Ingram's behavior was eccentric.
00:36:48Did I?
00:36:49When?
00:36:50At the dinner table.
00:36:51I don't remember.
00:36:52But I do.
00:36:53Excellent.
00:36:54If my brother-in-law was not in full possession of his mental powers.
00:36:57Don't count on me as a witness.
00:36:59He won't have to.
00:37:00Luckily, there were others present.
00:37:02I'm sure you gentlemen will excuse me.
00:37:08You're quite right.
00:37:09We don't need Mr. Conrad's testimony.
00:37:11The things I saw during my short stay in this house would certainly be conclusive for any judge.
00:37:17Perhaps you are a man of extreme perception.
00:37:19As it happens, I know the existence of a former will, which names your son Solaire.
00:37:24Only a few months ago, Francis Ingram changed his mind.
00:37:27I have the impression that he acted under a neurotic obsession, which certainly affected his willpower.
00:37:33Then it would be simple to have this will known.
00:37:35It would take a certain amount of handling.
00:37:38Would you like me to represent you in the matter?
00:37:40Of course.
00:37:41What would my share be?
00:37:43Share?
00:37:44You mean your fee?
00:37:45I said share.
00:37:47What do you want?
00:37:48The participation.
00:37:49Let us say one third.
00:37:50You understand?
00:37:51I would offer my services to Miss Holden under the same circumstances.
00:37:55You mean you'd help her instead of us?
00:37:57I'm on the side of those who engage me.
00:37:59All right.
00:38:00Will you take the case?
00:38:02Tomorrow the will shall be broken.
00:38:25There's a light in the Marseillaum.
00:38:32Santa Teresa Prodictus.
00:38:55Strange.
00:38:56Now I'm here.
00:39:25I'm here.
00:39:26Let's go.
00:40:26Somebody was playing. Did you hear it?
00:40:37Of course I did.
00:40:42Hillary, who was playing?
00:40:44I don't know. I didn't see anybody.
00:40:56The piano was closed when I went upstairs.
00:41:05Yes, it's been locked since today Mr. Ingram died.
00:41:09There.
00:41:11There.
00:41:13Don, Donald.
00:41:15It's Mr. Ingram's ring.
00:41:17He always put it there.
00:41:19What are you trying to say?
00:41:21I don't know.
00:41:23I don't understand.
00:41:25The music, it was his style, his technique.
00:41:29I couldn't be mistaken.
00:41:32What's the matter?
00:41:34Come down here.
00:41:35Dad! Dad, quick!
00:41:51Listen.
00:41:52Two bricks.
00:42:01He's dead.
00:42:03No.
00:42:04Don't touch him.
00:42:06What?
00:42:07Sent for the police.
00:42:08The fingerprints on the key that lock the piano do not match any of your signorina, signore, or any of the servants.
00:42:27That we have proved beyond a doubt, thanks to my colleague, Monsieur Bertillon.
00:42:31To eliminate a possible clue is almost as good as finding one.
00:42:37You mean you suspected one of us?
00:42:39No, I do not suspect, signor Conrad.
00:42:41I am here merely to investigate.
00:42:44Signore, please, a little closer.
00:42:47Now, let us be methodical, huh?
00:42:50A murderer must have a motive.
00:42:53Who would have gained by Mr. Duprecht's debt?
00:42:57Why don't we tell him, Dad?
00:42:58Hmm?
00:42:59Tell what?
00:43:02Duprecht's could have proved that my uncle was insane.
00:43:04And also that a former will exists, which was made while he was still in his right mind.
00:43:08Somebody in this room is just lucky he died so suddenly.
00:43:12I could scarcely strangle a man.
00:43:14And I don't play the piano.
00:43:16Because nobody's ever heard you, it doesn't prove you can't play.
00:43:19If you remember, I was upstairs when we heard the music.
00:43:22So you were.
00:43:23But Duprecht's must have been dead by that time.
00:43:25Fine reasoning, Arlington.
00:43:27And, uh, how did the ring get on the piano?
00:43:30He'd probably have an explanation for that, too.
00:43:33Of course.
00:43:34Anybody could have taken the ring off Francis' hand and placed it on the instrument.
00:43:38Yes.
00:43:40No marks on his throat.
00:43:42Just like the ones I have.
00:43:43I can still feel his fingers.
00:43:47And it was Ingram playing that night.
00:43:48How about that?
00:43:50I am not enough of a musician myself to recognize Francis' technique.
00:43:54But this man is.
00:43:56In fact, he is himself an expert pianist.
00:43:58Thank you for the compliment.
00:44:00But unfortunately, I wasn't here at the time.
00:44:04Can you prove it?
00:44:06Orazio can.
00:44:07He put me to bed at the inn.
00:44:09But don't worry, commissario.
00:44:11The whole mystery is easy to solve.
00:44:13Huh?
00:44:14You see, Francis' ghost not won his will contested.
00:44:17So he murdered Duprecht's.
00:44:18And to leave a clue for the police, he played the piano.
00:44:21But there are no such things as ghosts, Senor Conrad.
00:44:26In all my life, I have never seen one.
00:44:29For that matter, neither have I.
00:44:31But one can never be sure, can one?
00:44:33I'm sure the ghost would respond to a bullet between his ribs.
00:44:36Somebody very much alive went into that vault last night.
00:44:38We saw a light.
00:44:41And who entered the mausoleum, Senor Donal?
00:44:44I don't know.
00:44:45If I knew, don't you think I'd have told you?
00:44:46Maybe.
00:44:48But sometimes the people tell me things after it's too late.
00:45:03Senor, you did not have to come down here.
00:45:05For me, this is merely a matter of routine.
00:45:07Do you wish to reconsider?
00:45:09We are just as anxious to know as you are, commissario.
00:45:11And we are just as brave.
00:45:13As you wish.
00:45:15After you.
00:45:15This window was not broken when we were here at the funeral.
00:45:43I'm sure it wasn't.
00:45:46Unless you were smashed from the inside.
00:45:49And yet, no one could possibly climb through a jagged little opening like that.
00:45:53Somebody's been here.
00:45:54This lid's been moved.
00:45:55What did I tell you?
00:45:57That's how the ring was stolen.
00:45:59Let's make sure.
00:45:59Give me a hand with the lid.
00:46:11Horrible.
00:46:12He cut off his own hand.
00:46:15A corpse?
00:46:15Very likely indeed.
00:46:16Yes, the corpse.
00:46:18Dr. Scornemilla was positive he was dead when they buried him.
00:46:21There's no doubt about it.
00:46:22And even if he wasn't, his right side was paralyzed.
00:46:25There's fingerprints on the glass.
00:46:41We'd better take it with us.
00:46:42If you'd like it, I might drop it.
00:46:43A knife.
00:46:52No blood on the blade.
00:46:54A keen observation.
00:46:56Make a note.
00:46:58Let us see if there are some other pieces of glass in the garden.
00:47:01There aren't any footprints.
00:47:18No.
00:47:25The print of a hand.
00:47:31It broke the window and clamped through.
00:47:37And walked away.
00:47:46Anna, Teresa.
00:47:47Go in the house, quick.
00:48:01If you look at her, you will be cursed.
00:48:23They've turned their eyes away.
00:48:24All of them.
00:48:26They believe that evil spirits can only be evoked by people who are yet to Torrey.
00:48:29And whoever lives at the Villa Francesco may possess the evil eye.
00:48:38I don't want to stay here any longer.
00:48:40Don't show them you're afraid.
00:48:42That will convince them.
00:48:43You're hurting me.
00:48:44Oh, I'm sorry.
00:48:45I guess I'm a bit rattled myself.
00:48:47Horacio.
00:48:49Senor, contact.
00:48:52Bring me some brandy and a coffee for La Signorina.
00:48:55You wanted proof?
00:49:00Tomorrow the bakery will be closed to us.
00:49:02The butcher will have no meat.
00:49:04They'll try to starve us out of town.
00:49:05And if we don't leave...
00:49:06I can't believe the people could be so superstitious.
00:49:09It's their folklore.
00:49:10They've been brought up on it for centuries.
00:49:12I have been looking for you and the Signorina.
00:49:20What's the bad news, commissario?
00:49:22The fingerprints on the piece of glass we picked up at the mausoleum correspond with the imprint on the piano key.
00:49:28You mean it's the same hand?
00:49:30Precisely.
00:49:30Then it was Francis' hand that unlocked the piano and played?
00:49:35Can you give me a better explanation, Senor Conrad?
00:49:37That I will be only too happy to accept it.
00:49:41I found the fingerprints of a identical pattern in the library, in the hall.
00:49:47Even on the window pane in your room, Signorina.
00:49:51Fingerprints not older than they.
00:49:53Are you sure of it?
00:49:54In my mind, there is no doubt a hand that's walking around.
00:49:58You don't believe in things like that.
00:50:01Unfortunately, for the peace of our souls, one cannot explain everything logically that happens in this world, Senor Conrad.
00:50:08So, even the commissario is afraid of getadura.
00:50:12Horatio.
00:50:15Where's my drink?
00:50:17I'm sorry.
00:50:17It might be better if you were served elsewhere.
00:50:26Here's the money I owe you.
00:50:27Now bring us something to drink.
00:50:28I have the right to refuse service to anybody.
00:50:32Let's get away from here, Bruce, please.
00:50:34You're right, Signorina.
00:50:35It would be much more comfortable in my office.
00:50:37Please come.
00:50:38What for?
00:50:40Mainly to ask a few questions, Signor Conrad.
00:50:49May I be so bold as to ask where you got all of that money?
00:50:52Francis Ingram gave it to me.
00:50:54Oh, he did.
00:51:00Why?
00:51:01I asked him for it.
00:51:03After all, he owed it to me.
00:51:04Sometimes I cannot help but wonder where a man of your education and background chooses to bury himself in our little village.
00:51:13Well, you can stop wondering, commissario.
00:51:15I was just on my way to get an exit visa from you.
00:51:25Signorina, after Signor Ingram was stricken in New York, he brought you along to take care of him?
00:51:31Yes.
00:51:32Mr. Ingram had the choice of many nurses.
00:51:34I am not surprised that he chose you, Signorina.
00:51:38I would have done the same, believe me.
00:51:40But recently, Signorina asked for her exit permit, too.
00:51:44And now she seems to change her mind.
00:51:46No, I've decided to leave here as soon as possible.
00:51:51I see.
00:51:51Did you know that the Signorina, after a little more than a year in Signor Ingram's service, would have the good fortune of inheriting all of his wealth?
00:52:04Of course not.
00:52:06Then why do you want to leave with her?
00:52:08Has this something to do with her sudden inheritance?
00:52:13What's the reason for these questions?
00:52:14Well, when a man picks up his living, as you do, collecting so-called antiques, one is naturally a bit curious.
00:52:22Is that not so?
00:52:23Si.
00:52:24Have you a match, please.
00:52:31Where were you the night of the accident, Signor Conrad?
00:52:34I told you.
00:52:37Orazio can testify that I was at the inn.
00:52:39And the night the lawyer was murdered?
00:52:41In bed.
00:52:42Orazio brought me a hot drink.
00:52:51May I have your passport, Signorina?
00:53:02What does that mean?
00:53:04It is merely a routine.
00:53:06In the meantime, I suggest that you stay at the villa.
00:53:09I shall be there, too.
00:53:10I have no doubt we shall see a great deal of each other.
00:53:13Please come.
00:53:40Still working, I see.
00:53:55Yes, and?
00:53:57Well, it's after midnight.
00:53:59Why aren't you asleep?
00:54:01Tell me, Hillary.
00:54:02Just what do you expect to find?
00:54:06The law that changes the conception of unknown fate into very predictable facts.
00:54:11Sounds like a lot of nonsense to me.
00:54:13Why don't you let me finish?
00:54:15Applying that knowledge to your life, I think I can foretell the exact circumstance of your death.
00:54:22What a charming thought.
00:54:23And what's going to happen?
00:54:25You were born on the 15th of August, 1882, right?
00:54:28So they told me.
00:54:29That is under the sign of Leo, Libra in your sentence.
00:54:32You know, you should take the trouble to read the life story of one Gautamalata and one Aurelia Versace.
00:54:38They were born on the same day you were.
00:54:41Only a few hundred years ago.
00:54:44But under the same constellation.
00:54:46Come on, just give me the cold facts.
00:54:48Well, they both died a death of violence.
00:54:51Poison?
00:54:52Shooting?
00:54:52Hanging?
00:54:53No, they were choked to death.
00:54:55Well, I'm glad to know what to expect.
00:55:00I hate surprises.
00:55:12Why don't you go to bed?
00:55:14I'm not a bit tired.
00:55:16Just wondered.
00:55:20Abracadabra, here it is.
00:55:21How did you know about that safe?
00:55:23When I was a boy, no higher than that, Uncle Francis opened it for me.
00:55:26He pretended it was magic and I never forgot it.
00:55:28You know that this house belongs to Julie.
00:55:30Everything in it is hers.
00:55:32Everything, do you hear?
00:55:33I'm not so sure about that.
00:55:35There's another well in the safe that might change that picture considerably.
00:55:38Uncle Francis taught me a jingle to remember the combination.
00:55:41How did it go again?
00:55:43It just escapes me.
00:55:46Get out of here!
00:55:48Good night.
00:55:49Don't work too much.
00:55:53Have a good night.
00:55:54Don't work too much.
00:55:56Come on.
00:55:56You look good.
00:55:57THE END
00:56:27THE END
00:56:57THE END
00:56:59THE END
00:57:03THE END
00:57:05THE END
00:57:07THE END
00:57:17THE END
00:57:19THE END
00:57:21THE END
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00:57:27THE END
00:57:29THE END
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00:57:41THE END
00:57:43THE END
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00:57:51THE END
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00:57:57THE END
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00:58:01THE END
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00:58:07THE END
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00:58:49THE END
00:58:51THE END
00:58:57ITED
00:58:58THE END
00:59:01THE END
00:59:13THE END
00:59:15THE END
00:59:16the END
00:59:17the END
00:59:18THE END
00:59:20Well, it can't hurt to be on the safe side.
00:59:30Look, there they go.
00:59:32Giovanni and Antonio and Clara.
00:59:35They're more afraid of ghosts than of the law.
00:59:38The Lord doesn't like it too much either.
00:59:41If I were not the commissario, I would be right with them.
00:59:43I wonder what the commissario would think of all this packing.
00:59:51Well, he can't keep us here forever, can he?
00:59:54It depends on the ghost of Francis Ingram.
00:59:56Oh, Bruce, let's get away from here.
00:59:58We're not under arrest.
00:59:59What can they do if we just disappear?
01:00:01Nothing.
01:00:01There's a bus that crosses the border at Chiasso.
01:00:03We can be in Lugano tomorrow and in Zurich
01:00:05before the commissario even knows we've left.
01:00:07Well, let's leave.
01:00:08Why do we stay?
01:00:09I don't know.
01:00:10Perhaps I'm a bit curious.
01:00:13I don't know.
01:00:43I don't know.
01:00:44I don't know.
01:00:46I don't know.
01:00:58I don't know.
01:01:00Please.
01:01:03How?
01:01:03How?
01:01:05How?
01:01:06Good.
01:01:07Good.
01:01:07Good.
01:01:10Good.
01:01:12I'll see you next time.
01:01:42BIRDS CHIRP
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01:04:06BIRDS CHIRP
01:04:08BIRDS CHIRP
01:04:10BIRDS CHIRP
01:04:12BIRDS CHIRP
01:04:14BIRDS CHIRP
01:04:16BIRDS CHIRP
01:04:18BIRDS CHIRP
01:04:20BIRDS CHIRP
01:04:22BIRDS CHIRP
01:04:24BIRDS CHIRP
01:04:26BIRDS CHIRP
01:04:28BIRDS CHIRP
01:04:30BIRDS CHIRP
01:04:32What are you talking about?
01:04:49Oh, it's gone. It wasn't here. I threw it in here myself.
01:04:53Oh, I think of death, I don't anticipate it yet.
01:05:02That's what Mr. Ingram said to me at dinner that night.
01:05:06Isn't this your handwriting, Hillary?
01:05:08Oh, it's Ingram's. His hand wrote it.
01:05:13Don't you see the panic? It must be here.
01:05:17I have to find it. It must be somewhere.
01:05:21You must help me find it. You must help me find it.
01:05:25Hillary, you must.
01:05:31There's no hand, Hillary. It's only in your mind.
01:05:33I saw it. It moved.
01:05:35Listen to me. There's nothing here I tell you.
01:05:38In the note?
01:05:40You must have written it, unknowingly.
01:05:42Try to think. I couldn't have written it. I didn't.
01:05:48Oh, Bruce. Please take me to my room.
01:05:51Oh, Bruce.
01:05:54Please take me to my room.
01:05:58Oh, Bruce.
01:05:59Please take me to my room.
01:06:01Let's go.
01:06:31Let's go.
01:07:01Let's go.
01:07:31Let's go.
01:08:01Let's go.
01:08:02Let's go.
01:08:03Have you ever heard him play the piano?
01:08:05No.
01:08:06Not that I can remember.
01:08:08Are you sure he can't play?
01:08:10No.
01:08:11But I am sure that only Francis Ingram could have played that thing I wrote for him.
01:08:15Good night, Julie.
01:08:16And don't forget to lock your door.
01:08:21Here, I caught it.
01:08:35Here, I caught it.
01:08:51I caught it.
01:08:52I locked it up.
01:08:54It's fine.
01:08:55It's fine.
01:08:56It's a horrible hand.
01:08:58It can't escape anymore.
01:09:00But now it can't get out.
01:09:03It can't.
01:09:05Of course it can't.
01:09:07Now go to bed.
01:09:08Dad.
01:09:13Dad.
01:09:14Yes?
01:09:15Eight bones has the carpus, five the metacarpus, 14 the phalanges, all in all, all in all, 27.
01:09:28You must lie down, Don, please.
01:09:29It came back in my sleep.
01:09:30Eight bones has the carpus, five the metacarpus, 14 the phalanges, all in all, all in all, 27 all in all.
01:09:36You must lie down, Don.
01:09:37Please.
01:09:38It came back in my sleep.
01:09:39Eight bones has the carpus.
01:09:40Uncle Francis studied medicine once.
01:09:41He told me the jingle when I was a kid.
01:09:42They are the number of bones in the hand.
01:09:43Oh, don't worry.
01:09:44This isn't fever.
01:09:45I'm feeling well.
01:09:46I'm not a fever.
01:09:47I'm feeling well.
01:09:48I'm a fever.
01:09:49I'm feeling well.
01:09:50I'm a fever.
01:09:51I'm a fever.
01:09:52I'm a fever.
01:09:53I'm a fever.
01:09:54I'm a fever.
01:09:55Oh, don't worry.
01:09:56This isn't fever.
01:09:57I'm feeling well.
01:09:58I'm all right.
01:09:59You've got to stay in bed, Don, please.
01:10:00That's the combination of the safe downstairs.
01:10:02Eight, five, 14, 27.
01:10:05Let's open the safe.
01:10:06Let's open the safe and get the first will.
01:10:08Why not wait till tomorrow?
01:10:09It may not be there anymore.
01:10:11Well, you stay here, Don.
01:10:13I'll go.
01:10:14What were those numbers again?
01:10:15See, how can I trust your memory?
01:10:17Come along, Dad, and don't worry.
01:10:18I feel great.
01:10:25It's strange how things you thought you'd forgotten suddenly come back to you.
01:10:50I even remember the eau de cologne Uncle Francis used.
01:10:53It was lemon verbena.
01:11:00One moment, senor.
01:11:01May I ask what you are doing here, senor Raymond and you, senor Donald?
01:11:05I was under the impression you were very ill.
01:11:07A commissario on his path of duty.
01:11:09You're just in time to see a safe being cracked.
01:11:11This will send you to prison, senor Donald.
01:11:12On the contrary, commissario,
01:11:14now you can testify that we took nothing but the will of Francis Ingram.
01:11:18This is unheard of, asking the police to witness an awful act.
01:11:21Suppose somebody better remove that document tonight.
01:11:24I don't think you care to take that responsibility.
01:11:27I feel quite sure that you'll give us your permission.
01:11:30Whatever you do is your own responsibility.
01:11:32Go right ahead.
01:11:33But remember, it is without my permission.
01:11:36Thanks a lot, commissario.
01:11:38Do you remember the combination, Dad?
01:11:40Five bones has the carpus.
01:11:41No, no, you'll mix me up.
01:11:42Eight bones has the carpus.
01:11:44Five the metacarpus.
01:11:47Fourteen the phalanges.
01:11:50All in all, all in all, twenty-seven all in all.
01:11:54Abracadabra.
01:11:57Francis Ingram is a hand.
01:12:10Arnold!
01:12:12Arnold!
01:12:13Arnold!
01:12:14Come back!
01:12:15Arnold!
01:12:16Arnold!
01:12:17Arnold!
01:12:18Stop him!
01:12:19He's gone mad.
01:12:20Arnold!
01:12:21Arnold!
01:12:22Hen!
01:12:25I'm not!
01:12:34Oh!
01:12:35No!
01:12:36No!
01:12:37No!
01:12:38No!
01:12:39No!
01:12:40No!
01:12:41No!
01:12:43what's the matter why did you run away i saw it there in the safe but it's dead it can't hurt
01:13:01you anymore arlington i found him
01:13:13do you believe me now see the hand really exists
01:13:43hillary
01:13:47listen to me i've got something to say to you
01:13:55i'm sorry i'm almost sorry i even know but i do know what was you who tried to kill don wasn't it
01:14:07remember i'm not the police i'm your friend hillary but i do know you pretended to come
01:14:11from the garden the night he was attacked and i know that it was you who murdered duprex
01:14:15no you can talk to me but i nailed it down so it could not kill again it was the hand
01:14:25i tell you it was the hand
01:14:29that's what you wanted people to believe
01:14:33you used it to put fingerprints everywhere proof that it was the hand that committed the crimes
01:14:38you can follow what i'm saying can't you
01:14:49you're ill hillary you can't distinguish anymore between what is right and what is wrong
01:14:56between imagination and reality raymond threatened to take your books away you'd have done anything
01:15:01to prevent it i know how much they meant to you
01:15:04now now you'll have to face it the charge will be murder
01:15:10murder
01:15:12never hurt anybody
01:15:15i'm not a murderer
01:15:17mr hand
01:15:19you'll have to go to the police and tell them about the hand
01:15:21yes
01:15:22and yourself
01:15:23you'll have to tell them everything hillary
01:15:25yeah
01:15:26and they'll put me away
01:15:29they'll put me away there's nothing else for you to do i'm sure they'll let you take your books with you
01:15:34my books
01:15:37they let me take my books are you sure of that i'll do everything i can to help you
01:15:43but if they take the house away from you
01:15:46julie you didn't tell the commissary did you
01:15:51no i haven't told anyone
01:15:52that's nice of you julie
01:15:54i'm sure you didn't tell anybody
01:15:57anybody
01:15:58yes
01:15:59not even conrad
01:16:01no
01:16:03i'm very fond of you hillary
01:16:05i want to give you the chance
01:16:06and if i don't
01:16:09then i'll have to tell the police
01:16:12i still have so much work to do
01:16:16you're the only one that knows
01:16:19i can't let you stop me
01:16:21and i can't trust you any longer
01:16:24i can't
01:16:26hillary
01:16:26no i can't trust you
01:16:28i'm right
01:16:29No, no, no, no, no.
01:16:59It's Ingram.
01:17:09He's playing again.
01:17:22Listen.
01:17:23Her hand, it's playing down there.
01:17:29Hand, it's Ingram's hand.
01:17:36There's nobody playing, Hilary.
01:17:38It's only in your mind.
01:17:40No, it's...
01:17:42It's not in my mind.
01:17:44Don't you hear it?
01:17:46It's rust in my ear drums.
01:17:49I can't stand it.
01:17:52I can't stand it.
01:17:54I can't stand it.
01:17:56I can't stand it.
01:17:59I can't stand it.
01:18:03Jolie.
01:18:05Jolie.
01:18:06Jolie.
01:18:07Jolie.
01:18:08Don't leave me alone.
01:18:10Jolie.
01:18:11Open the door.
01:18:13Jolie.
01:18:14Open the door.
01:18:15Jolie.
01:18:16Jolie.
01:18:17Jolie.
01:18:18Jolie.
01:18:19Jolie.
01:18:20Jolie.
01:18:21Jolie.
01:18:22Jolie.
01:18:23Jolie.
01:18:24Jolie.
01:18:25Jolie.
01:18:26Jolie.
01:18:27Jolie.
01:18:28Jolie.
01:18:29Jolie.
01:18:30Jolie.
01:18:31Jolie.
01:18:32Jolie.
01:18:33Jolie.
01:18:34Jolie.
01:18:35Jolie.
01:18:36Jolie.
01:18:37Jolie.
01:18:38Let's go.
01:19:08Let's go.
01:19:38It's the hand playing. It's the hand.
01:19:40You were right all the time. It was Ingram's hand that committed murder.
01:19:43I'm your friend, Hillary.
01:19:45Please save me from the hand.
01:19:46He wants to kill me.
01:19:47Please help me.
01:19:48Destroy it before it kills again.
01:19:50Yes, I will.
01:19:54I'll destroy it.
01:19:57Yes, you're my friend.
01:19:58It won't hurt you.
01:20:06No.
01:20:08No.
01:20:09Let's go.
01:20:39Let's go.
01:21:09Let's go.
01:21:39Let's go.
01:22:09Let's go.
01:22:39Let's go.
01:23:09Let's go.
01:23:38Let's go.
01:24:08Let's go.
01:24:38Don and his father ought to be pleased when they find out I've signed over the Villa Francesco
01:24:51to them.
01:24:52Let's go.
01:24:53Let's go.
01:24:55Let's go.
01:24:57Let's go.
01:24:59Let's go.
01:25:01Let's go.
01:25:03Let's go.
01:25:05Let's go.
01:25:07Let's go.
01:25:08Let's go.
01:25:09Let's go.
01:25:11Let's go.
01:25:12Let's go.
01:25:14Let's go.
01:25:15Let's go.
01:25:16Let's go.
01:25:17Let's go.
01:25:19Let's go.
01:25:20Let's go.
01:25:22Come, let's go.
01:25:23Let's go.
01:25:24Let's go.
01:25:25Let's go.
01:25:27Let's go.
01:25:30The secret of the ghost, signorina.
01:25:37Signor Conrad and I, we discovered it.
01:25:44A mere record.
01:25:45After Hillary's death, I found a receipt from the Milano Edison Recording Agency
01:25:49indicating that Francis Ingram had made a record of the Bach arrangement.
01:25:53But I couldn't find a trace of such a recording until I discovered the hidden gramophone.
01:25:56And Hillary was in sound mind when he installed this contraption.
01:26:01Then, after committing one murder and attempting another, his brain snapped.
01:26:06He started to imagine he was hearing the piano and seeing the hand.
01:26:11The hand was always in the safe or in his desk.
01:26:14All ready?
01:26:15All except the passports.
01:26:16I have them. All signed and stamped.
01:26:21I'm going to be very sorry to see you both go.
01:26:24We're going to miss you too, Ovidio.
01:26:25You know, I like this place now that I found there are no ghosts.
01:26:29It's a good thing I did not write to headquarters in Milano about the ghosts.
01:26:32I saved myself from ridicule.
01:26:34That you did, Commissario.
01:26:43Goodbye, Commissario.
01:26:45Arrivederci, Ovidio.
01:26:46What is the matter?
01:26:52The hand.
01:26:54Huh?
01:26:55You should know by now there's no such thing as a ghost, sir.
01:27:19I think I better get out of this house.
01:27:36Can you imagine anybody believing a hand that can walk around?
01:27:39How do you like that, by my own hand?
01:27:53Ha, ha, ha, ha!
01:27:58Ha!
01:28:00Ha, ha, ha!