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  • 5/3/2025
In Washington (1943) is a patriotic American drama set during the height of World War II. Produced as both entertainment and wartime propaganda, the film captures the essence of duty, sacrifice, and integrity within the heart of the U.S. capital. With its timely release, it offered audiences a powerful narrative reinforcing the ideals of democracy, courage, and national unity.

📽️ Overview
Set against the backdrop of World War II, the story follows a group of political insiders, reporters, and idealistic newcomers navigating the complex and often morally grey corridors of power in Washington, D.C. The film weaves together themes of journalistic integrity, political corruption, loyalty, and the burden of leadership.

🕰️ Runtime: 1h 19min
🎞️ Released: 1943
🎟️ Genre: Drama / War / Political

📜 Plot Summary
The movie begins with a young war veteran and journalist, Tom Howard, returning to Washington after being wounded on the European front. Determined to expose the inefficiencies and corruption he believes are holding back the war effort, Tom joins a reputable Washington newspaper. There, he is mentored by seasoned reporter Edna Marshall, who warns him that politics in Washington is not for the faint-hearted.

Tom soon discovers a network of backdoor deals between defense contractors and certain corrupt members of Congress. His investigations lead him to Senator Charles Brent, a patriotic lawmaker fighting to push through legislation that would reform the military procurement system. As Tom digs deeper, he must decide whether to publish information that could destroy political careers—or worse, hinder the nation's unity during wartime.

At the same time, a romantic subplot unfolds between Tom and Edna’s daughter Nancy Marshall, a Red Cross nurse recently returned from North Africa. Their relationship adds emotional depth to the otherwise tension-filled narrative.

As the story progresses, Tom becomes a reluctant hero. In the film’s climax, he delivers a passionate public testimony before a Senate hearing, revealing the corruption while defending those fighting for transparency. The film ends on a hopeful note, with reforms passing and unity restored in the nation's capital.

🎭 Cast
🎩 John Loder as Tom Howard – The idealistic war veteran-turned-journalist.

📰 Fay Bainter as Edna Marshall – A seasoned and ethical Washington correspondent.

💼 Raymond Massey as Senator Charles Brent – A principled senator fighting against war profiteering.

👩‍⚕️ Marsha Hunt as Nancy Marshall – A compassionate nurse and love interest to Tom.

📊 Gene Lockhart as Senator Claymore – A suspicious figure entangled in wartime profiteering.

📞 Edward Arnold as Newspaper Editor Clark – Tom’s boss who wrestles with censorship and duty.

🕵️ Marc Lawrence as Milo Grover – A shadowy lobbyist linked to defense contracts.

Transcript
00:00:00Transcription by CastingWords
00:00:30CastingWords
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00:01:29CastingWords
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00:02:29Mark.
00:02:30Have you a word, Sir Henry?
00:02:31Do you wish to make any comments, sir?
00:02:32Sir Henry, what is your destination, New York or Washington?
00:02:35I'm sorry, I have nothing to say.
00:02:37Sir Henry Marchmont, official business.
00:02:39Oh, Sir Henry Marchmont.
00:02:42Sir Henry?
00:02:45Good luck, Sir Henry.
00:02:46Thanks, I may need it.
00:02:48Shall I take your case, sir?
00:02:50Definitely not.
00:02:52I see.
00:02:54You think the old boy carried the fate of the Empire in that little black case?
00:02:57Perhaps he does.
00:02:58Time's up, boys.
00:02:59Roll it away.
00:03:00Lively now.
00:03:01Hey, just a moment, you shy of one passenger.
00:03:03Hold on.
00:03:04Wait a bit.
00:03:06Wait, I say.
00:03:07I've got fatigue.
00:03:08Yes, all right, your name, sir.
00:03:09Grayson's her name, John Grayson.
00:03:11Senior clerk, Palo National Palo.
00:03:13Solicitors, Chancery Lane.
00:03:15You've got it all there.
00:03:16Everything quite regular.
00:03:18Sorry to delay you.
00:03:20Missed the bus.
00:03:21Had to take a taxi.
00:03:22Careful, Newson.
00:03:23Yes, hop aboard, will you?
00:03:24We'll be late now.
00:03:25Thanks.
00:03:26Thanks awfully.
00:03:27Excuse me, sir.
00:03:28I'm awfully sorry.
00:03:29Quite all right.
00:03:30There's no sense of balance.
00:03:31None whatever.
00:03:32Thanks.
00:03:33Clumsy of me.
00:03:34No sense of balance.
00:03:35That's what it is.
00:03:36The effect of the inner ear, I fancy.
00:03:37The effect of the inner ear, I fancy.
00:03:47No sense of balance.
00:03:48No sense of balance.
00:03:49That's what it is.
00:03:50The effect of the inner ear, I fancy.
00:03:52No sense of balance.
00:03:53No sense of balance.
00:03:54No sense of balance.
00:03:56No sense of balance.
00:03:58I fancy.
00:05:29Hey, when I read that you were on the route of Washington, Sir Henry, I just couldn't
00:05:35rest until I found you.
00:05:37Now, when can you dine with us?
00:05:38Very kind, Mrs. Jetherson.
00:05:40I'll put you first on my unofficial list.
00:05:42Oh, I have a much better idea.
00:05:44You must let me put you up during your stay.
00:05:45Thanks very much.
00:05:45Washington is so crowded.
00:05:47I'll put you in the blue room.
00:05:49Come in.
00:05:52Thank you, sir.
00:06:05But if Sir Henry isn't the one, who is?
00:06:13I don't know.
00:06:15But the head received a cable from London tipping him off.
00:06:17It's up to us to find the real British Asian before this train reaches Washington.
00:06:20Yeah.
00:06:22Whoever's got the document will be protected there.
00:06:25If Sir Henry isn't carrying it, I've got it.
00:06:31Besides Sir Henry and myself, only one man has come all the way from London.
00:06:36A chap called Grayson, John Grayson.
00:06:39Well, then Grayson's our man.
00:06:41Grayson's carrying the document, while Sir Henry's being used as a decoy.
00:06:45It's so old, it's new.
00:06:49When Grayson leaves the club car and goes to get his luggage.
00:06:53That's our cue.
00:06:58We know what to do, Easter.
00:07:00Good.
00:07:01That's Grayson standing at the bar.
00:07:03The little fellow.
00:07:06Excuse me, sir.
00:07:22Don't give it a thought, brother.
00:07:23I'm in politics.
00:07:24I'm used to hard knocks.
00:07:26I'm Henry Babcock, Senator Babcock.
00:07:28How do you do?
00:07:29John Grayson.
00:07:30Sit down, Grayson.
00:07:31Have a glass of great juice from my home state.
00:07:33Used to know a man named Grayson.
00:07:35Mighty fine man.
00:07:37He was murdered.
00:07:39Two grapes, George.
00:07:40On the fire, sir.
00:07:42This book has got me all confused.
00:07:44I do wish you'd set me straight on the international situation.
00:07:47Rather large order, I'm afraid.
00:07:51Oh, you're so right, Sir Henry.
00:07:53One must take the broader view, I always say.
00:07:56Another great juice, Grayson.
00:08:06You can't have too many vitamins, I always say.
00:08:09Thanks, Senator.
00:08:10But if you don't mind, I'll have a whiskey and soda.
00:08:13Why, sure.
00:08:15George, bring them over, will you?
00:08:17Hey, let's get a chair.
00:08:18I was built for comfort.
00:08:19It's all a little beggar's hot.
00:08:32Kept her myself as a lad.
00:08:34Till mother got a cat.
00:08:36Shh.
00:08:38Don't say, Z.
00:08:39A.T.
00:08:40Oh, sorry.
00:08:42Don't say, Z.
00:08:48Permit me, ma'am.
00:08:49Oh, thank you.
00:08:50You're very kind, I'm sure.
00:08:52There, pardon me, sir.
00:08:55Here we are.
00:08:57Porter.
00:08:58Yes, sir?
00:08:59Are we on time?
00:09:00Yes, sir.
00:09:01Be in Washington in 20 minutes.
00:09:07By the way, Grayson, what's your line?
00:09:10Line?
00:09:10Yeah, what business you in?
00:09:11And what's your racket?
00:09:12Oh, I represent a London legal firm.
00:09:15Parlow Nash & Parlow.
00:09:16Parlow?
00:09:17I used to know a man named Parlow.
00:09:20No, no, it was Marlow.
00:09:21Couldn't have been the same fellow.
00:09:22No, I suppose not.
00:09:25I've been making a tour of my state,
00:09:27getting the opinions of the home folks.
00:09:29Taking a lot of their ideas back to Washington.
00:09:31I'd like to hear more of your activities, Senator.
00:09:34Give me your address, sir,
00:09:35and I'll have all my speeches mailed to you.
00:09:38You're quite too kind, sir.
00:09:39I'm sorry I have no card.
00:09:49Oh, Porter.
00:09:50Yes, miss?
00:09:52Permit me.
00:09:53Thank you very much.
00:09:59Not at all.
00:10:04I'll be at this address for the next week or so.
00:10:08I hope.
00:10:10I'll get my papers together.
00:10:13Pleasure meeting, my friend.
00:10:15Better look me up in Washington.
00:10:16I'll just get my bag.
00:10:23Oh, I forgot to pay George.
00:10:25Excuse me, sir.
00:10:27What's wrong with the lights?
00:10:29Everybody be excited.
00:10:30Look at the sight.
00:10:32Just a little blackout.
00:10:33Keep your seats.
00:10:35Look at the sight.
00:10:37Just a little blackout.
00:10:38Keep your seats.
00:10:39No, no, no.
00:10:41Mice.
00:10:46Oh, dear.
00:10:47All gone.
00:11:09Here.
00:11:09Peter.
00:11:12Nancy, darling.
00:11:14I didn't dream you'd be able to meet me.
00:11:17I got leave.
00:11:18Oh, darling, that's wonderful.
00:11:19Just three days.
00:11:20Oh, that's awful.
00:11:21We haven't a second to lose.
00:11:23First thing I did.
00:11:24As I was saying, sir.
00:11:25Let's get this.
00:11:26Darling.
00:11:28This thing.
00:11:29Well, I haven't had much experience.
00:11:34Look, the day after tomorrow,
00:11:36your aunt's giving us a reception.
00:11:37Until then, you and I are going to be a couple of busy people.
00:11:40Oh, I beg your pardon.
00:11:47Goodbye.
00:11:49Who's your boyfriend?
00:11:51You needn't worry.
00:11:52He just lit a cigarette for me.
00:11:53It's awful, of course.
00:11:55It's terrible.
00:11:57You're his wife.
00:11:57Well, what is your birthday?
00:11:58Oh, dear.
00:12:11Come here.
00:12:12It's horrible.
00:12:13Come here.
00:12:13Come here.
00:12:14Come here.
00:12:15You soon.
00:12:16Euuuu you?
00:12:16This is the BBC News Bureau, broadcasting from London.
00:12:27At this time, we present our regular morning summary of the news.
00:12:33A British subject has disappeared under curious circumstances.
00:12:38John Grayson, senior clerk in the firm of Parlow, Nash & Parlow, solicitors,
00:12:44Chancery Lane, has not arrived at his firm's representatives in Washington.
00:12:50Foul play is suspected.
00:12:53Deplorable. Simply deplorable.
00:12:55It's the sort of thing that shakes your faith, by Jorah.
00:12:58I say, Holmes, shakes your faith in everything.
00:13:01You alarm me, Watson. I've never seen you affected by the news, however, startling.
00:13:04Startling, my dear fellow, it's devastating.
00:13:06Seen the scores? The Navy got 428 for six wickets against the Army at Lord's.
00:13:11May I draw your attention to the fact that really momentous things are happening in the world today?
00:13:16Hmm? I know all about that. I'll get to them later on.
00:13:19Excuse me.
00:13:20Mind my egg, old bean.
00:13:21Oh, I'm sorry.
00:13:23With your consuming interest in the game, I'm surprised that you've changed your mind
00:13:26about running up to Lord's Cricket Ground this afternoon.
00:13:28Well, it can't be helped. I had to put it off.
00:13:32How did you know I changed my mind?
00:13:33Elementary, my dear Watson.
00:13:35Invariably, when you go to a cricket match,
00:13:37you fill your flask with my best whiskey.
00:13:39Just now, I noted in passing that the flask was empty.
00:13:43A single quiff informed me that it had been recently filled.
00:13:45Obviously, after filling it,
00:13:47you had poured the contents back into the bottle.
00:13:49Therefore, you had changed your mind about a cricket match.
00:13:51You amaze me, Holmes.
00:13:53You positively amaze me.
00:13:57Come in, Mrs. Hudson.
00:14:00Oh, excuse me, Mr. Holmes.
00:14:02There's a gentleman, and he's very insistent.
00:14:04Well, I do declare he followed me right up the stairs.
00:14:07Didn't I ask you to wait?
00:14:08My good woman, you may ask me to wait,
00:14:10but not the British Empire.
00:14:12Mr. Holmes, I must talk to you immediately.
00:14:15How are you, Mr. Arlons?
00:14:16That will be all now, thank you, Mrs. Hudson.
00:14:18My good woman, indeed.
00:14:21Arlons?
00:14:22I seem to know that name.
00:14:23Oh, tell me, my dear Watson,
00:14:24that you don't recognize Mr. Arlons at the Home Office.
00:14:26Oh, yes, of course.
00:14:27I knew it the moment you came in.
00:14:28How are you, Arlons?
00:14:29How do you do?
00:14:29Do you see what the Navy did to the Army at Lord's yesterday?
00:14:31All right, Watson, go on with your breakfast.
00:14:32Vanshaw, 428, six wickets.
00:14:34Mr. Holmes, I'm here on a matter of the utmost secrecy.
00:14:39Now, I assure you, Mr. Arlons,
00:14:40that Dr. Watson is the very sole of discretion.
00:14:42Won't you sit down?
00:14:44By the way, Watson,
00:14:45please be so good as to keep tapping on the table with your knife.
00:14:47Tapping on the table with your knife?
00:14:48It will break the wavelengths
00:14:49if by any chance there's a dictograph in the walls.
00:14:52Oh, will it?
00:14:55Take it red?
00:14:56No, thank you.
00:14:56Well, Mr. Arlons, I take it you've called on me
00:15:06in connection with the kidnapping of John Grayson
00:15:09in America last night.
00:15:11Oh, yes.
00:15:13Yes, exactly.
00:15:16Grayson was carrying a document of a very confidential nature.
00:15:19Indeed.
00:15:20Its contents are of such great international importance
00:15:23that I am not at liberty to reveal them.
00:15:25But if that document falls into the hands of the enemy,
00:15:29I can only say it will be absolutely disastrous
00:15:32for this government and our allies.
00:15:35For that reason,
00:15:36we did not wish to transport it to Washington
00:15:39in the usual way.
00:15:41So, a regular King's messenger,
00:15:42Sir Henry Marchment, was dispatched.
00:15:44Not carrying the document, of course.
00:15:45That's right. Sir Henry was the sort of...
00:15:46Sort of where the heading, shall we say?
00:15:47Precisely.
00:15:49The document was actually entrusted
00:15:51to a reliable but insignificant man
00:15:54in our secret service.
00:15:56On his arrival in Washington,
00:15:58he was to make himself known to Sir Henry
00:16:00and deliver the document.
00:16:03Now, not even Sir Henry knew that this man,
00:16:04Pettibone, who travelled under the name of John Grayson,
00:16:07was the real messenger.
00:16:09Pettibone?
00:16:09Yes.
00:16:10Alfred Pettibone?
00:16:11Yes.
00:16:11Good man.
00:16:12None better.
00:16:13I've worked with him often.
00:16:16I hope you may be able to work with him again.
00:16:19But he's completely disappeared.
00:16:21He's vanished.
00:16:21Gone.
00:16:22Without leaving a trace.
00:16:24I can see the possibility
00:16:25of serious ramifications in his disappearance.
00:16:28Exactly.
00:16:30So far, we've been able to keep the knowledge of our loss
00:16:32from both the American and British public.
00:16:35Holmes,
00:16:35you must retrieve that document
00:16:38before it can be used against us.
00:16:42Of course,
00:16:43the Washington police have been notified
00:16:45of Grayson's disappearance,
00:16:46but even they don't know
00:16:47that he was carrying the document.
00:16:49Now, that's about
00:16:50all the detail I'm at liberty to give you.
00:16:52Well, if you've got Grayson,
00:16:53that is Pettibone,
00:16:55they must have got the papers.
00:16:56Not necessarily, Watson.
00:16:57It doesn't follow
00:16:58because they've got the man,
00:16:59they've got the document.
00:17:01What form was this document in?
00:17:03It was typed
00:17:03on two sheets of legal paper.
00:17:05Two sheets?
00:17:06That's too bulky to swallow.
00:17:07And dry, Watson.
00:17:08Fearfully dry.
00:17:09Especially legal papers.
00:17:11Well, whatever shape the document was in,
00:17:13I trust Pettibone to get rid of it
00:17:15before anyone could lay hands on him.
00:17:17The document must be found
00:17:18before it falls into the hands of our enemies.
00:17:20I'm here on behalf of His Majesty's government
00:17:22to urge you to find it.
00:17:23That means going to Washington, of course.
00:17:25With all possible speed.
00:17:26A bomber is waiting for you at Croyton.
00:17:29Goodbye, Dr. Watson.
00:17:30Goodbye, sir.
00:17:30Goodbye, Arons.
00:17:31Goodbye, Holmes.
00:17:32Good luck.
00:17:33Thanks very much.
00:17:34We're relying on you.
00:17:37Well, Watson.
00:17:39We're off to Washington at once.
00:17:40America, sir.
00:17:41That's exciting.
00:17:42I've never seen a game of baseball.
00:17:43Let's go and start packing it.
00:17:44Watton, then.
00:17:46First, I'd like to take a look
00:17:47at the home of Alfred Pettibone.
00:17:50Come on, Watson.
00:17:50Why, Dr. Watson.
00:18:05Why, Dr. Watson.
00:18:19What a surprise.
00:18:21And Mr. Holmes, won't you come in?
00:18:24I'm frightfully sorry, but you won't find my son in.
00:18:27He's gone to Washington.
00:18:29Some business or other.
00:18:30Poor fellow.
00:18:31I'm afraid that he'll never, never get used to the climate over there.
00:18:34Oh.
00:18:35Would you mind if he looked over your son's room?
00:18:36Why, of course.
00:18:37It's upstairs.
00:18:39Some friends tell me it's very, very muggy.
00:18:41Very sticky.
00:18:42I had a letter from Philip Duffler the other day.
00:18:43You'll find his room in a dreadful pickle, Mr. Holmes.
00:18:46Quite miffed he is.
00:18:47If I as not just put my nose inside.
00:18:50As if I cared anything about his silly old collection.
00:19:03This sort of Pettibone, secret curious sort of fellow.
00:19:06Sort of collective collections.
00:19:09Posted stamps.
00:19:12Military buttons.
00:19:14Butterfly.
00:19:15Oh, no.
00:19:16Bugs.
00:19:18Snapshots.
00:19:20Hmm.
00:19:21All sorts of rubbish.
00:19:23Yes, I shall write a monograph someday.
00:19:27On the noxious habit of accumulating useless trivia.
00:19:36Please be so good as to stop pacing, Watson.
00:19:39You distract me.
00:19:40All right, all right.
00:19:48Unless I'm greatly mistaken, now,
00:19:50friend Pettibone did not carry two pages of legal paper
00:19:54when he left this room.
00:19:55I wouldn't be too sure, Holmes.
00:19:57Ashes are deceptive, you know.
00:19:59On the contrary, my dear Watson.
00:20:01A rag used in artificial documents
00:20:03leaves an ash that is unmistakable.
00:20:06Oh, do stop pacing.
00:20:08I'm not pacing.
00:20:09I haven't moved an inch.
00:20:10I'm sorry, old fellow.
00:20:12My error.
00:20:12Must be Mrs. Pettibone.
00:20:19Heavy woman, light on her feet.
00:20:21Doesn't follow.
00:20:22Our friend seems to be quite a camera enthusiast.
00:20:25What's this?
00:20:27Cook F-1-5.
00:20:28That's a very fast lens.
00:20:30F-3-5.
00:20:33Summer.
00:20:36Copying setup.
00:20:38American match folders.
00:20:40Oh, sir?
00:20:40USA.
00:20:42Now, why would Pettibone want American match folders
00:20:45in his work?
00:20:47And a microscope.
00:20:49Most interesting.
00:20:50What was this?
00:20:55Watson, this microscope was last used
00:20:58for examining microfilm.
00:21:00I'm beginning to see the pattern.
00:21:03Stop now.
00:21:04Did you know that the letters of our soldiers overseas
00:21:06are being photographed on microfilm
00:21:07so that one carrier pigeon can carry
00:21:09the equivalent of 18,000 letters?
00:21:11Well?
00:21:11Well, we had to carry a pigeon in the last war.
00:21:14Back in 1915, belonging to the Brigade Signal Corps.
00:21:17Did you?
00:21:17The poor bird kept flying round and round in circles
00:21:21all day long.
00:21:22Found out later on that it was cross-eyed.
00:21:25Tragic thing.
00:21:26Well, I suppose we took, where are you going?
00:21:29Huh?
00:21:29Oh, dark room.
00:21:34Huh?
00:21:35This is what I was looking for.
00:21:37Huh?
00:21:37This projector magnifies tremendously anything placed on the slide.
00:21:41Like this piece of microfilm.
00:21:42Like this piece of microfilm.
00:21:43Oh, dear.
00:21:44You understand?
00:21:44I can't say you do exactly enough.
00:21:46Wait a minute.
00:21:46I'll show you what he's photographed.
00:21:47Understand?
00:21:49I can't say I do exactly now.
00:21:50Wait a minute.
00:21:53I'll show you what he's photographed.
00:22:00Oh, it's that match folder.
00:22:01What do you want to photograph that for?
00:22:03Probably to line up his equipment
00:22:05before he photograph the document.
00:22:07We've got it, Watson.
00:22:09Over?
00:22:10Yes.
00:22:11Come along.
00:22:12Oh, it's all as clear as much to me.
00:22:15Just as I thought.
00:22:16This document has been reduced to microfilm
00:22:18to make its concealment possible.
00:22:20Alfred Pettibone is a most ingenious fellow.
00:22:22A bulky document is obviously difficult to conceal.
00:22:25But two pages of a state paper
00:22:27photographed on microfilm
00:22:29would be reduced to a size no larger than a halfpenny stamp.
00:22:32Slitting a match folder with this, uh...
00:22:35with this razor blade...
00:22:41Pettibone placed the now minute document inside,
00:22:43stuck it together again, and there he had it.
00:22:45An American match folder, rare in London,
00:22:46but completely inconspicuous in the United States.
00:22:49What do you mean to say we're off to America
00:22:50just to look for a match folder?
00:22:52It's a big country.
00:22:54A big country, Watson.
00:22:55And a small match folder.
00:22:57Come along.
00:22:58Did you find what you were looking for, Mr. Holmes?
00:23:07Yes, thank you, Mrs. Pettibone.
00:23:08By the way, you haven't been up on the roof
00:23:10in the last many minutes, have you?
00:23:11Why, no!
00:23:12What made you think that I...
00:23:13Well, we distinctly heard footstep...
00:23:14Nonsense, Watson.
00:23:15It was the house settling.
00:23:16Gracious, yes.
00:23:17Such popping and groaning.
00:23:18We're quite used to it.
00:23:25Goodbye, Mr. Holmes.
00:23:26Goodbye, Mrs. Pettibone.
00:23:27Goodbye, Dr. Watson.
00:23:28Goodbye.
00:23:29So sorry you, Mr. Alfred.
00:23:30I'll tell him the minute he gets back.
00:23:32Gets back?
00:23:33Oh, yes, yes, yes, of course.
00:23:35Well, goodbye again, Mrs. Pettibone.
00:23:36In just a minute, Watson.
00:23:50That was no accident, I assure you, Watson.
00:23:52Well, aren't you going to find out who did it?
00:23:54Time's too precious now.
00:23:56But at least I know they've learned of my entry into the case.
00:23:58They? Who are they?
00:24:00The same group that took Alfred Pettibone off the train
00:24:02on his way to Washington.
00:24:04A group that will stop at nothing
00:24:06to get their hands on the document he carried.
00:24:08Their leader is a clever, resourceful criminal
00:24:11who seems to have sources of information from everywhere.
00:24:14Oh, that means a worldwide organization
00:24:17who will stop at nothing, you sir.
00:24:18Quite.
00:24:19That's why we must get our bags and ourselves
00:24:21aboard that bomber without delay.
00:24:23We're opposed by an adversary worthy of our best efforts.
00:24:25At present, he has all the advantages.
00:24:28Even that of being only a merciless, nameless shadow.
00:24:33Think of it, Watson.
00:24:35In a few hours, we'll be flying out over the Atlantic.
00:24:38That's good.
00:24:45We're flying over New York, sir.
00:24:50New York, eh?
00:24:54Yes, sir.
00:24:55We're being cleared by radio.
00:24:56Non-stop, Washington.
00:25:04What is that book that so engrosses your attention, Watson?
00:25:07A book on the quaint customs and manners of America.
00:25:10We must be halfway across, and I've only got to page 37.
00:25:14For your information, my dear fellow,
00:25:16we are now flying over New York.
00:25:19Flying over New York?
00:25:21Oh, gracious me.
00:25:23It's a poor thing.
00:25:44This is the empty car, Mr. Holmes.
00:25:45You're being very helpful, Mr. Lange.
00:25:46Detective Lieutenant Grogan of the Washington police.
00:25:47How do you do?
00:25:48Welcome to Washington.
00:25:50This is my associate, Dr. Watson.
00:25:51How do you do, sir?
00:25:52How are you?
00:25:53I suppose I should say, how are you, buddy?
00:25:54What's, uh...
00:25:55What's cooking?
00:25:56Oh, come along, Watson.
00:25:57Oh, so's the same.
00:25:58Oh, what's cooking?
00:25:59Oh, so's the same book.
00:26:00Oh, what's cooking?
00:26:01Oh, so's the same book.
00:26:02What's cooking?
00:26:03Oh, what's cooking?
00:26:04Oh, what's cooking?
00:26:05Oh, what's cooking?
00:26:06Oh, what's cooking?
00:26:07Oh, so's the same book.
00:26:08Oh, what's cooking?
00:26:09Oh, what's cooking?
00:26:22Grogan had charged for investigating the Grayson case for the Washington police.
00:26:24Any new developments, Grogan?
00:26:26None, Mr. Holmes.
00:26:27We'll be glad to let you have our complete file.
00:26:30And, of course, we'll cooperate in every way.
00:26:32Thank you, Ashler.
00:26:33Appreciate your help.
00:26:34Especially as I'm unfamiliar with your country.
00:26:36Oh, yes, of course.
00:26:37This is your first visit.
00:26:38Oh, there's the Lincoln Memorial.
00:26:45Most impressive.
00:26:46Oh, by the by, Mr. Lang.
00:26:48Thank you for your cable grab.
00:26:50I received it just before I left London.
00:26:52Cable?
00:26:53I said no cable.
00:26:54No, but our reservations at the Hotel Metropole.
00:26:56Why, no.
00:26:57We thought you'd stay at the Embassy, of course.
00:26:59Look at that.
00:27:01Well, since some strange person has taken such an extraordinary interest in my welfare,
00:27:06I think I shall stay at the Hotel Metropole.
00:27:08Oh, Mr. Holmes, there's the Washington Monument.
00:27:15There's the capital, Mr. Holmes.
00:27:17I've seen everybody known to have been in that club car.
00:27:18It's a matter of course.
00:27:19Sir Henry Marchmont confirms…
00:27:20...that Grace is a journalist.
00:27:21Magnificent.
00:27:34We're expecting you, Mr. Holmes.
00:27:40I questioned everybody known to have been in that club car.
00:27:43It's a matter of course.
00:27:44Sir Henry Marchmont confirms that Grayson had contact only with the people on this list.
00:27:51He had a drink with Senator Babcock.
00:27:54He chatted with Miss Pringle about some mice she had in the cage.
00:27:58And he picked up a book dropped by Mrs. Jellison.
00:28:01Not very much to go on.
00:28:03How many of these people have been attacked already?
00:28:06I've heard about your deductions, Mr. Holmes.
00:28:09Senator Babcock was held up on his way from the station with nothing taken.
00:28:13Mrs. Jellison's home was ransacked that night.
00:28:16And she found the book that you carried from the train literally torn to bits.
00:28:20That's right.
00:28:21Mrs. Pringle?
00:28:22Mrs. Pringle says someone released the mice from the cages during the night sometime.
00:28:26And she found the cage torn apart.
00:28:28What happened to the mice there, Willa?
00:28:30An intriguing line of thought, Watson, but not essential to the case.
00:28:34Mm-hmm.
00:28:35Apparently, Grogan, they're still looking for the document.
00:28:38I'd very much like to have a look at that club car.
00:28:41Well, that'll be easy.
00:28:42I have the car held in a siding in the railroad yards.
00:28:44Good.
00:28:45But we've searched the car thoroughly, Mr. Holmes.
00:28:47We couldn't find a thing.
00:28:48Well...
00:28:55What are you doing? What's this?
00:28:56Mr. Holmes, your trunk.
00:28:57Trunk? I have no trunk.
00:28:58It says right there.
00:29:00To Sherlock Holmes, Hotel Metropole.
00:29:02How was this trunk delivered?
00:29:04An expressman brought it, sir.
00:29:05What's the name of the company?
00:29:06Do you remember the license number?
00:29:08Naturally, I didn't notice that. I just signed for it.
00:29:10All right, thank you. That'll do.
00:29:11Well, this trunk's not locked.
00:29:21Great Scott!
00:29:23Poor chap.
00:29:25You recognize him, Mr. Holmes?
00:29:26Yes.
00:29:27Who was he?
00:29:29The man we're looking for, John Grayson.
00:29:32His real name is Alfred Pettibone.
00:29:34British Secret Service.
00:29:36Why should they send the body here?
00:29:38Obviously, to frighten us.
00:29:39Or to tell us they know that Sherlock Holmes is on the case.
00:29:42Gentlemen, they knew we were on the case as early as their attempt on our lives in London.
00:29:46They're much too intelligent to believe that a corpse would frighten a trained detective.
00:29:51No, I rather think they intend this as a message.
00:29:55And they wanted to be sure that I'd be here at the Hotel Metropole to receive it.
00:29:59Message? What do you mean?
00:30:00They want us to believe that they found the document.
00:30:03And therefore have no further use for Grayson.
00:30:06Well, if that's true, then we're done for.
00:30:08I'm not so sure that it is true, Watson.
00:30:10If they have the document, why are they wasting time sending me this?
00:30:13No.
00:30:14It's an attempt to throw me off the track.
00:30:16Rogan, you have a police laboratory, of course.
00:30:19Certainly.
00:30:20I'll see what I can find out about the body.
00:30:22Yes, whatever marks it reveals.
00:30:23And the trunk.
00:30:24A microscopic examination.
00:30:26Everything about it.
00:30:27The lining.
00:30:28The blanket in which the body is wrapped.
00:30:30Everything.
00:30:31Let nothing escape.
00:30:32We have the best police laboratories in the world, Mr. Holmes.
00:30:34I beg your pardon, Lieutenant Rogan.
00:30:36You see, I'm so accustomed to working quite alone at my lodgings in Baker Street,
00:30:40that I sometimes forget the more modern scientific methods so particularly effective here in America.
00:30:45But if there's anything there, they'll find it, Mr. Holmes.
00:30:47While you're doing that, I'll take a look at the club car.
00:30:49Coming, Watson?
00:30:50Here we are, Mr. Holmes.
00:30:52I have the port, as you asked, and the railroad company sent Mr. Moore to unlock for us.
00:30:56Delighted.
00:30:57How do you do?
00:30:58Very good. Let's go in.
00:30:59This way, gentlemen.
00:31:03Well.
00:31:06It looks as if the police had made a thorough search.
00:31:10Whoever did it, it wasn't the police.
00:31:14There have been visitors here since our friend, Grogan.
00:31:18My goodness, look at our car.
00:31:20Talk about a blitz.
00:31:23I say, Holmes.
00:31:24If Grayson hit anything in this car, it certainly isn't here now.
00:31:28Not necessarily, Watson.
00:31:31If you'll help me put this place in some kind of order.
00:31:34Yes, sir, boss.
00:31:36This would go about here, I imagine.
00:31:38That's it, boss.
00:31:39Yes, sir.
00:31:40And, uh...
00:31:41Wait a minute.
00:31:43Oh, yeah.
00:31:44That's certainly more like it.
00:31:45Yes, sir.
00:31:47That'll be all.
00:31:49Watson, will you be, uh, Mr. Grayson for the moment?
00:31:51Grayson?
00:31:52Oh, if you want me to, old man.
00:31:54What do you want me to do?
00:31:55You're having a drink at the bar.
00:31:56Oh, drinks?
00:31:57Oh, that's a bad idea.
00:31:58Drink at the bar.
00:31:59Uh, bring me a whiskey and soda, will you, Stuart?
00:32:02Stuart?
00:32:03Sorry, Dr. Watson, but the bar's closed.
00:32:05Well, it says the bar's closed.
00:32:06Well, it says the bar's closed.
00:32:08According to Grogan's reconstruction of the scene, let me see, uh...
00:32:13Yes.
00:32:14Grayson pauses at the bar,
00:32:16while Senator Babcock moves across and sits down here.
00:32:19Do you mind being Senator Babcock for the moment, Watson?
00:32:22Oh, going up in the world.
00:32:25Sit down, please.
00:32:27Now, uh...
00:32:28Miss Pringle is seated there.
00:32:30Over there, Watson.
00:32:31Hmm?
00:32:35Oh, the mouse woman.
00:32:36Uh, Watson, over here, please.
00:32:38Oh.
00:32:39No, not there.
00:32:40Not there.
00:32:41That's Senator Babcock.
00:32:42Oh, pardon me, Senator.
00:32:43Sit down, please.
00:32:44Now, you're Mrs. Jellison.
00:32:45Oh, excuse me, Mr. Holmes.
00:32:46He ain't Mrs. Jellison.
00:32:47He's a young lady.
00:32:48What?
00:32:49Sir Henry Marshmott was sitting right here,
00:32:51and Mrs. Jellison was right here.
00:32:54Oh, excuse me.
00:32:55Mr. Holmes.
00:32:56He ain't Mrs. Jellison.
00:32:57He's a young lady.
00:32:58What?
00:32:59Sir Henry Marshmott was sitting right here,
00:33:01and Mrs. Jellison was right here.
00:33:03She's a sort of a big, fat lady.
00:33:05What did Grayson do that attracted your attention
00:33:06so particularly to Mrs. Jellison?
00:33:07The little man, he retrieved her book.
00:33:09And the young lady sitting here,
00:33:10didn't she converse with the little man?
00:33:11No, sir.
00:33:12That young lady didn't have no converse with no one.
00:33:14When the little man lit her cigarette,
00:33:15she ran back and said,
00:33:16Thank you very much.
00:33:17But you have matches here for your customers.
00:33:18Oh, yes.
00:33:19She called me,
00:33:20and I saw her somewhere.
00:33:21I saw her somewhere.
00:33:22I saw her somewhere.
00:33:23I saw her somewhere.
00:33:24I saw her somewhere.
00:33:25I saw her somewhere.
00:33:26I saw her somewhere.
00:33:27I saw her somewhere.
00:33:28I saw her somewhere.
00:33:29I saw her somewhere.
00:33:30I saw her somewhere.
00:33:31She called me,
00:33:32and I saw her cigarette,
00:33:33and I knew she wanted a match.
00:33:34And Grayson used one of his own matches?
00:33:36Doggett.
00:33:37Oh, yes.
00:33:38He took a folder from his coat pocket.
00:33:40Did he put the match folder back in his pocket,
00:33:42or did he give it to the young lady?
00:33:44I don't remember.
00:33:45I was fairly busy.
00:33:46Try to remember.
00:33:47Well, if I should try to doomsday,
00:33:48I couldn't rightly say just what happened to that match folder.
00:33:51Oh, yes.
00:33:52I remember just one important thing.
00:33:54What?
00:33:55Well, when a little man lit her cigarette,
00:33:57he said something very peculiar.
00:33:59What was it?
00:34:00He said,
00:34:02Permit me.
00:34:03Oh.
00:34:06Well,
00:34:08gentlemen,
00:34:09I'm extremely grateful to all of you.
00:34:11That's all we can do for the present, I think.
00:34:13Since the place was torn to bits,
00:34:16after the murder of Grayson,
00:34:18the attacks on Senator Babcock,
00:34:20Mrs. Jellison and Miss Pringle,
00:34:22I'm convinced that the document left the club car
00:34:24long before these events.
00:34:25But how?
00:34:26By whom?
00:34:28And who was the mysterious young lady
00:34:30whose cigarette Grayson lighted?
00:34:34Did anyone meet the young lady?
00:34:35He sure did.
00:34:36He?
00:34:37Who was he?
00:34:38Tall, handsome,
00:34:39in a uniform.
00:34:40I see.
00:34:41I suppose you wouldn't remember what kind of a uniform.
00:34:43I certainly would.
00:34:44Lieutenant.
00:34:45Navy flyer.
00:34:46My boy's in the army.
00:34:48He's gonna be a flyer, too.
00:34:49Splendid.
00:34:50Did you happen to hear them say anything?
00:34:51Oh, I didn't happen.
00:34:52I just couldn't help hearing it.
00:34:54Mm-hmm.
00:34:55Well, what did they say?
00:34:56Oh, yes.
00:34:57They said he had three days leave.
00:34:58They had to move fast
00:34:59before the big part of her aunt was giving them.
00:35:01Then, too, he put a ring on her finger
00:35:03and they both looked mighty happy.
00:35:05Mm-hmm.
00:35:06Just the way you're looking right now.
00:35:08Ken?
00:35:09The way I'm looking myself.
00:35:11Come along, Watson.
00:35:14That's the girl.
00:35:16I told the head.
00:35:17I could swear to it.
00:35:18Is the address there?
00:35:19All there.
00:35:20Right in our laps.
00:35:21And also right in the lap of Sherlock Holmes.
00:35:22That's the least of our worries.
00:35:23The head could handle ten like Holmes.
00:35:24I hope so.
00:35:25But don't underrate that Englishman.
00:35:26I have several friends who did.
00:35:27They now grace some of the best prisons in England.
00:35:32Yes, sir?
00:35:33I talked to the catering company.
00:35:34It's quite all right.
00:35:35They could hardly refuse me.
00:35:36It's the Acton Company.
00:35:37The Acton Catering Company.
00:35:38Yes, sir.
00:35:39I know what to do.
00:35:41Hop over there.
00:35:42You're going to work for the catering company.
00:35:43Right.
00:35:44When you get in the house, find out all you can.
00:35:45Katie.
00:35:46Yes?
00:35:47You're going to work for the catering company.
00:35:48Yes, sir?
00:35:49I talked to the catering company.
00:35:50It's quite all right.
00:35:51They could hardly refuse me.
00:35:52It's the Acton Company.
00:35:53The Acton Catering Company.
00:35:54Yes, sir.
00:35:55I know what to do.
00:35:56Hop over there.
00:35:57You're going to work for the catering company.
00:35:58Right.
00:35:59When you get in the house, find out all you can.
00:36:00Katie.
00:36:01Yes?
00:36:02You ought to go as a guest.
00:36:03Will it be safe?
00:36:04It'll have to be.
00:36:05I'll try and get in the girls' room.
00:36:06Unless you hear from me, carry on as we planned.
00:36:09Flash Gordon.
00:36:10Seems a very capable fellow.
00:36:11Oh.
00:36:12Oh.
00:36:13Oh.
00:36:14Oh.
00:36:15Oh.
00:36:16Oh.
00:36:17Oh.
00:36:18Oh.
00:36:19Oh.
00:36:20Oh.
00:36:21Oh.
00:36:22Oh.
00:36:23Oh.
00:36:24Oh.
00:36:25Oh.
00:36:26Oh.
00:36:27Oh.
00:36:28Oh.
00:36:29Oh.
00:36:30Oh.
00:36:31Oh.
00:36:32Oh.
00:36:33Oh.
00:36:34Oh.
00:36:35Oh.
00:36:36Oh.
00:36:37Oh.
00:36:38Oh.
00:36:39Oh.
00:36:40Oh.
00:36:41Oh.
00:36:42Oh.
00:36:43Oh.
00:36:44Oh.
00:36:45Oh.
00:36:46Oh.
00:36:47Oh.
00:36:48Oh.
00:36:49Oh.
00:36:50Oh.
00:36:51Oh.
00:36:52Oh.
00:36:53Oh.
00:36:54I've never seen you take an interest in the society columns before.
00:36:58It's a concern I'll drop at once, I assure you, Watson.
00:37:01You find what you're looking for?
00:37:04How do you know this is a girl?
00:37:06It would be an extraordinary coincidence, wouldn't it?
00:37:08If more than one naval lieutenant in Washington
00:37:10were to become engaged in the last few days to a girl from New York
00:37:13whose aunt was giving them a reception.
00:37:15Fine, Joe, you must be right.
00:37:17She's a pretty girl.
00:37:19Yes.
00:37:21She's walking around with a dynamite in her handbag.
00:37:51I'm sorry.
00:37:52I'm sorry.
00:37:53I'm sorry.
00:37:54I'm sorry.
00:37:55I'm sorry.
00:37:56I'm sorry.
00:37:57I'm sorry.
00:37:58I'm sorry.
00:37:59I'm sorry.
00:38:00I'm sorry.
00:38:01I'm sorry.
00:38:02I'm sorry.
00:38:03I'm sorry.
00:38:04I'm sorry.
00:38:05I'm sorry.
00:38:06I'm sorry.
00:38:07I'm sorry.
00:38:08I'm sorry.
00:38:09I'm sorry.
00:38:10I'm sorry.
00:38:11I'm sorry.
00:38:12I'm sorry.
00:38:13I'm sorry.
00:38:14I'm sorry.
00:38:15I'm sorry.
00:38:16I'm sorry.
00:38:17I'm sorry.
00:38:18I'm sorry.
00:38:19I'm sorry.
00:38:20Who is it?
00:38:26Me, Pete.
00:38:27You can't come up here.
00:38:31I did, though.
00:38:35One gets you two.
00:38:40That party's going to be awfully dull after this.
00:38:43Let's not go.
00:38:45Let's go away and get married.
00:38:47We've only got one more day.
00:38:48That's an idea.
00:38:50No, we can't do that to Andy.
00:38:52I'll tell you.
00:38:54Let's take a look at the new apartment.
00:38:56It was so sweet of Andy to give us the whole floor of this house for our apartment.
00:39:00The least we can do is let her have the fun of showing it to us.
00:39:03Okay.
00:39:05Let's face the party.
00:39:07I'll get my bag.
00:39:16Oh, no.
00:39:17Oh, no, you don't.
00:39:18That's the way I got them.
00:39:19Mm-hmm.
00:39:25Oh, my God.
00:39:30Oh, how do you do? So glad you could come. This is Mrs. Oh dear, what is your name?
00:39:52Ruxton. Of course I know it as well as my own. And this is Mrs. Vale. How do you do?
00:39:57Isn't it? Quite. Oh, of course.
00:40:04Do you love it? Not yet.
00:40:08It must be Lieutenant Merriam with Mrs. Partridge over there.
00:40:12Certainly glad to hear the news, Pete. Congratulations.
00:40:14Thank you, Major. Thank you. You're a lucky guy, Pete.
00:40:17I'll see you later. Third floor, first door.
00:40:21Right. I'll wait till you bring him up. Thank you, sir.
00:40:27A toast to the happy couple. A toast. Thank you.
00:40:32Very good. Happy landings.
00:40:36Me too. Thank you.
00:40:40Lieutenant Merriam. Telephone, sir. Navy department calling.
00:40:44Oh, yes. Be right back. Lead on, McDuff. This way, sir.
00:40:49Matches. Match me, darling.
00:40:51Dig them up.
00:40:59Oh, Pete, hold it.
00:41:01You can keep them, Major. Oh, thank you.
00:41:12Not for me, thank you. No, thank you.
00:41:13No, thank you.
00:41:17Why up here?
00:41:18They said it was private.
00:41:20There's a phone in here, sir.
00:41:21Hey, it's my new apartment.
00:41:22Mrs. Partridge didn't want me to see it till after it was finished.
00:41:28Here you are, sir.
00:41:30Quite a smell of paint, sir.
00:41:35In here, sir.
00:41:53We should get some action, Sir Henry, with Sherlock Holmes and Washington.
00:41:57Yes. I don't mind telling you I'd give anything to get my hands on that document.
00:42:02Yes, I know.
00:42:04Or at least know that it's in safe hands.
00:42:13Engaged today and married tomorrow.
00:42:16No, thanks.
00:42:21Have you a match?
00:42:22Miss Partridge?
00:42:23Yes.
00:42:24Lieutenant Merriam asked if you would come to the new apartment.
00:42:26But he's not supposed to see it yet.
00:42:27The new apartment?
00:42:29He must think you're already married.
00:42:30Yes, I don't dare let that man out of my sight.
00:42:33Excuse me, will you, please?
00:42:34Surely.
00:42:37Oh, I'm so sorry.
00:42:43Oh, may I?
00:42:51This way, please.
00:42:54Oh, I know the way. Thank you.
00:43:00Peter!
00:43:10Where are you?
00:43:11Peter! Where are you?
00:43:30Well, here we are, Grogan.
00:43:31Good collections.
00:43:32We'd better go into the party.
00:43:33Well, I think you'd better go in first, Mr. Holmes.
00:43:34I'm not very good at this sort of thing.
00:43:35I think you do, all right.
00:43:36I think you do, all right.
00:43:38The only possible explanation.
00:43:40Mrs. Partridge, forgive my intruding, but is your niece the kind of girl who would just disappear in this manner of her own free will?
00:43:43Well, ordinarily, of course not.
00:43:44But the girl's in love.
00:43:45In love?
00:43:46Well, of course, if they're in love, that's...
00:43:47Well, of course, if they're in love, that's...
00:43:48...that's...
00:43:49...that's...
00:43:50...that's...
00:43:51...that's...
00:43:52...that's...
00:43:53...even so...
00:43:54...they'd naturally tell you of their destination.
00:43:55Really? I've no idea.
00:43:56Oh, but they'll be back here again tomorrow.
00:43:57You see, I've prepared an apartment for them.
00:43:58An entire floor in this house.
00:43:59By the by, Mrs. Partridge.
00:44:00I gather the rug you ordered to the apartment.
00:44:01Well, that's...
00:44:02...that's...
00:44:03...that's...
00:44:04...move.
00:44:05Well, of course, that's...
00:44:06...in the good way.
00:44:07Wait, why, Mrs. Partridge,
00:44:08I've got the rug at the hospital.
00:44:09Why, Mrs. Partridge?
00:44:10I don't know.
00:44:11It's a ship.
00:44:12Mrs. Partridge, not my fault.
00:44:13Did you ever get it?
00:44:14One day...
00:44:15I've got it.
00:44:16I have to go after the funeral.
00:44:17It's a party.
00:44:18By the by, Mrs. Partridge, I gather the rug you ordered to the apartment was not entirely satisfactory.
00:44:24Oh, those tiresome workmen. I told them not to come in here this afternoon, but they did.
00:44:28And walked out with a rug which they no doubt informed you had been sent by mistake and would be replaced tomorrow.
00:44:33Yes, but how ever did you learn that?
00:44:35Quick, show me the apartment.
00:44:39Yes, there were two rugs there. One for the living room and one for the dining room.
00:44:43Well, your workmen wear rubber-soled shoes, do they not?
00:44:46Oh, yes, always. Their company requires them to.
00:44:49Nevertheless, there have been leather heels on this floor, and a woman's heels.
00:44:53Very recently, I should say. Not yours, Mrs. Partridge.
00:44:56But recently enough, so that no dust has had time to settle in the imprints.
00:45:01Say over there, please.
00:45:09There seems to be a struggle over there.
00:45:11A woman's footprints disappear and a man's leather heels come round.
00:45:16And stop there.
00:45:18Either she was carried out on the carpet or else...
00:45:21Where does that door lead to?
00:45:23Why, it's a dressing room.
00:45:27Perhaps an ordinary skeleton key.
00:45:29Try it.
00:45:33Watson, this is a matter for you, I'm afraid.
00:45:35Excuse me.
00:45:36Who is he?
00:45:37Is it Miriam?
00:45:38Peter!
00:45:39Take it easy, Mrs. Partridge.
00:45:40Let the doctor examine him.
00:45:41How is he, Watson?
00:45:42Nasty crack of the head.
00:45:44Nothing serious, thank heavens.
00:45:46Is there somewhere where he can lie down?
00:45:48Of course.
00:45:49Poor Peter.
00:45:50Take him to my room.
00:45:51Here, sir.
00:45:52Put your arm on my neck.
00:45:53That's the old chair.
00:45:54Mr. Holmes, you must find Nancy.
00:45:56Quite.
00:45:57Poor Peter.
00:46:03That girl disappeared right from under our noses.
00:46:04It's unbelievable.
00:46:07I better try to trace that truck.
00:46:08That won't lead us anywhere.
00:46:09Our antagonist is too clever for that.
00:46:12But the girl must be found immediately.
00:46:15You're sure the police chemists found nothing definite in their examination of the trunk?
00:46:19Not one thing pertinent to the case.
00:46:21What about Grayson's body?
00:46:22And the blanket it was wrapped in?
00:46:23Nothing.
00:46:24Every object connected with this case has some kind of story to tell.
00:46:28Do you think they'd mind if...
00:46:31The laboratory is completely at your disposal, Mr. Holmes.
00:46:34Dr. Watson, I will go there at once.
00:46:37The usual findings on the trunk, Mr. Holmes.
00:46:39Bought in Washington.
00:46:40Been banged about a good deal.
00:46:42All labels removed.
00:46:43And the body?
00:46:44No marks of any kind.
00:46:46Very well.
00:46:47If you need me, call.
00:46:55Watson, please.
00:46:56Just tidying up a bit.
00:46:58This blanket is beginning to tell me many things.
00:47:00Really?
00:47:01Don't say, sir.
00:47:02It only remains to translate them properly.
00:47:06Yes.
00:47:07And just as I thought, this blanket has had a most varied history.
00:47:11It's been on many a sea voyage.
00:47:13The latest not six months ago.
00:47:16Since then it has been used to wrap a multiplicity of objects.
00:47:20Carvings of teak wood.
00:47:22Candle snuffers made of pewter.
00:47:24Yes.
00:47:33And furniture.
00:47:34Furniture?
00:47:36Yes.
00:47:37Teak wood leaves an unmistakable stain.
00:47:39Pewter rubs off easily.
00:47:41And there are evidences of wax drippings.
00:47:43But what particularly concerns us, Watson,
00:47:46is the furniture.
00:47:48Most likely a chair.
00:47:49Louis the 15th.
00:47:52In yellow and maroon satin.
00:47:54What do all these things suggest to you, Watson?
00:47:56What do I say?
00:47:57An aunt of mine, Matilda, lives in Brighton.
00:48:00Very old fashioned.
00:48:01Very aged.
00:48:02Exactly.
00:48:03Antiques.
00:48:06We have another ground to cover before nightfall.
00:48:09Ground?
00:48:10What ground?
00:48:11What ground?
00:48:12If necessary.
00:48:14And the antique shop's in Washington.
00:48:16A-A-N-T-I.
00:48:17Here we are.
00:48:18Antiques.
00:48:19Antiques?
00:48:20What connection is a Louis the 15th chair with his partridge girl?
00:48:24This slipper of wood came from a Louis the 15th chair
00:48:27that had once been wrapped in that blanket.
00:48:29From other evidences the blanket supplies,
00:48:31I deduce that it's been used in an antique shop.
00:48:33And whoever controls those antiques,
00:48:35murdered Grayson and kidnapped the girl.
00:48:37What?
00:48:38That's it, Watson.
00:48:43Come along.
00:48:44Before the girl's kidnapper becomes her murderer.
00:48:50щuchs,
00:48:52Miss Voiceover.
00:48:53As you've discovered,
00:48:55the moral of the enjoyments.
00:49:00Another thing is to becerning.
00:49:01It doesn't matter a lot.
00:49:02Each one had to jump in.
00:49:08Assuming two victims.
00:49:10Ones!
00:49:12Ini stole my lassen!
00:49:13Fe ripping off and down.
00:49:14The vanity.
00:49:15Elf.
00:49:17Tarn dog!
00:49:18Hello. Hello.
00:49:20Oh, sir. What is it?
00:49:22This isn't the place it seems to be.
00:49:24Look, Watson.
00:49:26Those cabinets.
00:49:28Obviously imitation, and yet they're priced as if they were authentic.
00:49:31Ah, beware and all that, eh, Holmes?
00:49:33Watson.
00:49:34I feel certain this is it.
00:49:36This is my purse.
00:49:37May I?
00:49:40What kind of a joke is this?
00:49:42Oh, don't bother to answer. You can tell the police all about it.
00:49:45And you shall, I promise you.
00:49:47But there are no police here, haven't you noticed?
00:49:49We are quite alone.
00:49:51I sent for you to ask you a few questions.
00:49:54You always sent a rug for your guests.
00:49:56That was a very nice rug, Miss Partridge.
00:49:59It's not my idea of a method of transportation.
00:50:02No, I'm sorry about that, but I'm afraid it was unavoidable.
00:50:05But why? You've no right to bring me here like this.
00:50:08I've always found it wise to take what rights I can get.
00:50:12Miss Partridge, you have a document which I must have.
00:50:16Document. I have no document.
00:50:18It won't do you any good to deny it.
00:50:20But I do deny it. I don't know what you're talking about.
00:50:23You'll remain a prisoner until you produce it.
00:50:25How can I produce it when I haven't got it?
00:50:27But you have.
00:50:29It was observed that on the train you had contact with a little British agent named Grayson.
00:50:34He gave you something. Where is it?
00:50:37But I hardly even noticed the man.
00:50:40I wouldn't even have remembered him if I hadn't seen his picture in the paper.
00:50:44He disappeared or something.
00:50:46He's dead, Miss Partridge.
00:50:49Oh.
00:50:51Now will you tell me what I want to know?
00:50:54But I can't.
00:50:56You won't?
00:50:57I can't, I tell you.
00:50:59Let me out of here. He gave me nothing.
00:51:02That's strange because I know he spoke to you.
00:51:07There's something very curious about that door up there.
00:51:09To open it, you'd have to know the combination.
00:51:13But I tell you, I spoke to no one on that train.
00:51:16Now didn't the little man try to be attentive to you?
00:51:18Oh, he, he may have offered the usual courtesies. I don't even remember.
00:51:22I see.
00:51:25I'm sorry.
00:51:27Aren't you spoke one of these?
00:51:33And you're quite sure he said nothing at all to you?
00:51:36Of course I'm sure.
00:51:38Permit me.
00:51:51And you're certain that nothing passed between you?
00:51:54I'm certain.
00:52:00Mr. Howe, please.
00:52:05I must ask you to trust me with your bag a little longer.
00:52:08I have an eccentric interest in the linings of Percy's.
00:52:11It's a foible.
00:52:16Ah, you know Mr. Howe, I believe.
00:52:19Mr. Howe is a gentleman of unusual accomplishments.
00:52:22Under his influence, I've known people talk fluently who never talked before.
00:52:29But I don't know anything, I tell you. Nothing.
00:52:31Nothing, I swear it.
00:52:33I don't know anything.
00:52:35Anything.
00:52:40You stay out here.
00:52:41I'll go inside.
00:52:42I'll assume the character of an eccentric art collector.
00:52:46As soon as I'm convinced that this is the place we're looking for,
00:52:48I'll signal to you.
00:52:50And you get Grogan and bring him here on the run.
00:52:52But don't lose any time.
00:52:53An extra second may cost a life.
00:53:05No, madam, I don't know who she is.
00:53:07But notice the modeling.
00:53:09It has good symmetry, good lines.
00:53:11Oh, I'll be right with you, sir.
00:53:12Oh, thank you.
00:53:13I'll just take a look around.
00:53:23What an extraordinary cabinet.
00:53:25Spanish.
00:53:26Mauritius.
00:53:27Imitation, of course.
00:53:28It is not an imitation.
00:53:29It's authentic.
00:53:30Oh, come now, my dear man.
00:53:32Ah.
00:53:33May I see some of these ceramics?
00:53:35Those aren't for sale.
00:53:36They're Ming vases, mostly, and they haven't been marked yet.
00:53:38Well, that's really a very little consequence.
00:53:42You see, if they're genuine,
00:53:45I can tell to within a shilling what the international price might be.
00:53:49If you please, sir.
00:53:50There are other customers.
00:53:51Oh, yes, yes, yes, of course.
00:53:52Well, I'll just look around.
00:53:54Ah.
00:53:55What a very interesting collection of pewter.
00:53:57Pewter.
00:54:27Uh, that'll be $500.
00:54:41Now, would you just give me the address where you want it sent?
00:54:44Yes, Mrs. J. Wellington, Jr.
00:54:47DuPont Circle.
00:54:57Good night, I'll have it sent out in the morning.
00:55:27Oh, dear, oh, dear.
00:55:32I'm most terribly sorry.
00:55:35You've broken one of our best pieces, sir, Ming Dynasty.
00:55:38Uh, Tang Dynasty, not Ming, definitely not Ming.
00:55:41It is my business to know, sir, the pottery is Ming and worth $2,300.
00:55:46As we're closing for the evening, I must ask you to settle at once.
00:55:49Oh, nonsense, my good man.
00:55:51Tang pottery is worth $600 at best.
00:55:54Just a moment, please.
00:55:56Yes, of course.
00:55:57Hello?
00:56:00What's going on up there?
00:56:03A customer dropped a valuable piece of pottery.
00:56:05I'll finish with him immediately.
00:56:10How can you say that it's Ming, $2,300 fiddlesticks?
00:56:13You asked $2,300 for something that's worth no more than $600.
00:56:16I demand to see the proprietor.
00:56:17Now, wait a minute, please.
00:56:18There are heroes for the protection of innocent customers.
00:56:20Show me to the owner of this establishment,
00:56:22or I'll turn the entire affair over to my legal representative.
00:56:24Ming, indeed.
00:56:25Just a minute.
00:56:26What chicanery, what skullduggery.
00:56:27I mean to put an end to it this very night.
00:56:30Ming for Tang, indeed.
00:56:31And I won't be put off.
00:56:34Call the proprietor immediately.
00:56:36Very well.
00:56:37Just a minute.
00:56:42Yes?
00:56:42This man's mad.
00:56:44An eccentric collector.
00:56:45I can't get rid of him.
00:56:46Insists on seeing you in person.
00:56:49All right.
00:56:49Stall him for half a minute, then send him into my office.
00:56:52I'll get rid of him, and quickly.
00:56:58Now, how?
00:56:59No screams till the customer's gone.
00:57:00You get downstairs.
00:57:26Yes, sir.
00:57:43Okay.
00:57:43Let's go.
00:57:46Yes, sir.
00:57:47Yes, sir.
00:57:49Do you want to go now?
00:57:50Yes, sir.
00:57:51Yes, sir.
00:57:51Yes, sir.
00:57:53I'm most frightfully sorry about vows, but really sir, your clerk is guilty for taking the most obvious fraud.
00:58:06You see, he tried to convince me that I'd broken a Ming pottery when anyone could see that it belonged to the Tang era.
00:58:12Its value is no more than $600.
00:58:15All right, you pay him with the $600. We'll call the matter settled.
00:58:18Oh, thank you very much, sir. Thank you. I'll send you my check in the morning.
00:58:22I see you know the London value of these pieces.
00:58:28It's my business.
00:58:30Exactly. Yes, exactly.
00:58:32You know, I think you're just the man to help me find some furniture I'm anxious to get.
00:58:36I'm most frightfully bored with the usual conglomeration of pieces that we can pick up on the other side.
00:58:44What do you really want, Mr. Sherlock Holmes?
00:58:48Here, Heinrich Henkel, or as you now call yourself, Mr. Richard Stanley, in 1914 secret agent of the German Kaiser.
00:58:58Since then, head of the most insidious international spy ring that ever existed.
00:59:02You're wrong. A case of mistaken identity.
00:59:06I've been a respected member of this community for a great many years.
00:59:10I deal in antiques because of their rarity and beauty.
00:59:13Merely a device to cover up your real business of transporting secret information to the enemies of this country.
00:59:19Very interesting, but just a figment of your imagination.
00:59:22I am a very busy man, Mr. Sherlock Holmes.
00:59:25Where is Nancy Partridge?
00:59:27You're not looking for that girl. You're looking for a certain document.
00:59:30Oh, dear me, no. The document's perfectly safe.
00:59:35You see, the man who has it doesn't know he has it.
00:59:41That's a very pretty tale, but quite untrue.
00:59:44The only man who had any contact with Grayson on the train was Senator Babcock.
00:59:48The Senator doesn't have the document. We took the trouble to find out.
00:59:57Let's see.
01:00:01Permit me.
01:00:06Perhaps you've been misled by the common notion regarding the shape and bulk of state papers.
01:00:12They might easily have been reduced to a convenient size, you know.
01:00:16Say, a document no larger than a postage stamp.
01:00:20A postage stamp, huh?
01:00:22That's a very interesting theory, but not supported by the facts.
01:00:25I'm quite beside the point.
01:00:27Where's the girl?
01:00:28She's not here, of course, but you're quite at liberty to look round if you care to.
01:00:32Thank you. I shall do so.
01:00:34Interesting piece.
01:00:39Spanish, isn't it?
01:00:40Moorish.
01:00:41Oh.
01:00:42My error.
01:00:43It's an amazing specimen.
01:00:44I assure you you won't find what you're looking for there.
01:00:45You stimulate my curiosity.
01:00:51This might be interesting.
01:00:52Hmm.
01:00:53Hmm.
01:00:54Hmm.
01:00:55Hmm.
01:00:56Hmm.
01:00:57Hmm.
01:00:58Hmm.
01:00:59Hmm.
01:01:00Hmm.
01:01:01Hmm.
01:01:18The Moors were an incredibly inventive people, weren't they?
01:01:33Yes, it was in shocking condition when I got hold of it.
01:01:36But I had it restored.
01:01:38It's very lively now.
01:01:40Hmm.
01:01:41But old fashioned.
01:01:42If that's the best you can do, Mr. Stanley, I think I may safely examine the rest of the
01:01:47room.
01:01:48Now help yourself.
01:01:50Make your hand away from that drawer.
01:01:53Why, Mr. Holmes.
01:01:56You didn't think I was going to draw a weapon.
01:01:59I never touch the things.
01:02:01How odd to find you squeamish.
01:02:16That connects only with the shop.
01:02:17You're very quick to say so.
01:02:19And yet a short while ago, I saw two other men in this room.
01:02:22And they didn't go back into the shop.
01:02:25So there must be another exit.
01:02:27And perhaps another room.
01:02:29Yes, Mr. Stanley, what is it?
01:02:34Bring Miss Partridge here at once.
01:02:37Excellent, Holmes.
01:02:39I see your voice hasn't lost its flexibility.
01:02:42And my hand hasn't lost its cunning either.
01:02:50When they come here, tell them to leave the girl with you and to clear out.
01:02:54You think I'll do that?
01:02:56Yes, you will.
01:02:58You're playing with lives now, Stanley.
01:03:00Not just the girls.
01:03:01Thousands.
01:03:02Millions, perhaps.
01:03:03And we don't intend to let one man have that much power.
01:03:06Not now.
01:03:07Not at any time in the future.
01:03:13I'd prefer you alive to face the retribution that's coming to you.
01:03:16But if I have to do it.
01:03:23All right, Mr. Holmes.
01:03:25I suppose we must all meet our mates sooner or later.
01:03:28That's enough, boys.
01:03:29Take your hands off him.
01:03:41Well, Mr. Holmes.
01:03:43Tell the clerk to go home and see the phone door's locked.
01:03:56Well, Mr. Stanley, it's the last trick that counts, eh, Holmes?
01:04:00I'll remind you of that later.
01:04:15Miss Parfait, allow me to present Mr. Sherlock Holmes, the world famous detective.
01:04:19He's come to rescue you.
01:04:21I don't believe you.
01:04:24Oddly enough, he's telling the truth.
01:04:26My name is Sherlock Holmes, and I did come here to help you.
01:04:29But I seem rather to have missed it.
01:04:31I'm sorry.
01:04:32I'm afraid you've had a bad time.
01:04:34Well, that doesn't matter.
01:04:35It's Peter.
01:04:36They say they'll do something to him if I don't tell them.
01:04:39They say they've got him.
01:04:40Cheer up.
01:04:41He's quite safe.
01:04:42A tough customer like Peter.
01:04:44Isn't disabled very long by a clout on the head.
01:04:46He's all right.
01:04:48All okay, Mr. Stanley.
01:04:49Thank you, Stanley.
01:04:50This girl knows nothing.
01:04:51I promise she won't even identify you.
01:04:53Well, unfortunately, she knows enough to hang us.
01:04:56So do you.
01:04:57I'm surprised that you're walking into a trap like this.
01:05:00But you see the position I'm in, and what has to be done.
01:05:03Katie, how?
01:05:12It will give me great pleasure to attend to Mr. Holmes personally.
01:05:29He's up and the girl's yours.
01:05:38It's the police.
01:05:39Open up.
01:05:40It's the police.
01:05:42Tommy.
01:05:43Come.
01:05:44Come.
01:05:53What are you?
01:05:54You all right?
01:06:00Where are they?
01:06:12Come on, sir.
01:06:16Don't let me.
01:06:21Thank heavens you're safe.
01:06:31Quick!
01:06:31Stallions escaped.
01:06:35All right, boys, bring them along.
01:06:36Come on, Lieutenant.
01:06:37Let's go, sir.
01:06:41The Senate office building, double quick.
01:06:55Come in.
01:07:00I'm glad you're safe, Senator.
01:07:02Safe? No man is safe.
01:07:04Look at the way my constituents snipe at me.
01:07:11I don't recall seeing your face before, stranger.
01:07:16I don't think we've met.
01:07:17Well, that explains it.
01:07:18My name is Sherlock Holmes.
01:07:19Glad to know you, Holmes.
01:07:20What's on your mind?
01:07:21Senator Babcock.
01:07:22I'm here to inform you of great peril to your life.
01:07:24Richard Stanley, a dangerous criminal, is now on his way here.
01:07:26Richard Stanley?
01:07:27Why, he's the most respectable citizen of Washington.
01:07:30Has been for years.
01:07:31What could Stanley possibly want from me?
01:07:33A document.
01:07:34From under the stamps of a letter given to you by a chap named Grayson.
01:07:37Grayson? Grayson?
01:07:39Used to know him, Andy.
01:07:40Grayson?
01:07:41Why, that's the fellow disappeared.
01:07:43Say, I've got that envelope right here in my wallet.
01:07:47Now, what does Stanley think could be under these stamps?
01:07:51A secret document of grave import.
01:07:53Reduced to microfilm and concealed under these very stamps.
01:07:58Thank you very much, Mr. Holmes.
01:08:00That's just what I wanted to know.
01:08:03I might have missed this microfilm if you hadn't let me to it.
01:08:07I seem to have underestimated your capabilities, Mr. Stanley.
01:08:10Yes, Mr. Holmes.
01:08:11Your famous powers of deduction and observation made very well in Limehouse or Soho.
01:08:16But here in America, I believe you're out of your depth.
01:08:19If so, the verdict of history will be severe indeed.
01:08:22You're nervous, Sherlock Holmes.
01:08:24I must confess to a marked irritation.
01:08:27Do you mind if I smoke?
01:08:38The whole course of the world might be changed by your acquisition of the microfilm.
01:08:43Oh, it will be in for the better.
01:08:45If you match.
01:08:47You can keep those.
01:08:50And now, if you'll pardon me, Mr. Holmes.
01:08:57Why don't you do something, Holmes, if that thing's so all-fired important?
01:09:00The English senator.
01:09:01Cricket old boy, always cool in the crisis.
01:09:04The last trick, eh, Holmes?
01:09:06Yes.
01:09:07The last trick.
01:09:13Say, you're a smart fellow, Holmes.
01:09:19Here's the microfilm, Holmes.
01:09:21Thank you, Senator.
01:09:29I see, Holmes.
01:09:36This is the microfilm with the document on it.
01:09:47It will be in the proper hands within the hour.
01:09:50As I told you, Mr. Stanley, the man who had it didn't know he had it.
01:09:55Come on, let's go.
01:10:00Well, it'll be nice to get home to Baker Street, eh, Holmes?
01:10:03Yes.
01:10:04But this is a great country, Watson.
01:10:07It certainly is, my dear fellow.
01:10:10Look.
01:10:11Up there ahead.
01:10:12The capital.
01:10:14The very heart of this democracy.
01:10:16Democracy.
01:10:18The only hope for the future, eh, Holmes?
01:10:22It's not given to us to peer into the mysteries of the future.
01:10:26But in the days to come,
01:10:28the British and American people will, for their own safety and for the good of all,
01:10:32walk together in majesty and justice and in peace.
01:10:38That's magnificent.
01:10:40I quite agree with you.
01:10:42Not with me.
01:10:44With Mr. Winston Churchill.
01:10:46I was quoting from the speech he made not so long ago.
01:10:49In that very building.
01:10:50I'm sure I'm here in that very building.
01:10:51That one?
01:10:52Is it over here?
01:10:53Who?
01:10:54Who?
01:10:55Who?
01:10:56Who?
01:10:57Stop.
01:10:58That one?
01:10:59And that one is on the very building.
01:11:00Who?
01:11:03Who?
01:11:04Who?
01:11:05Who?
01:11:06Who?
01:11:07Who?
01:11:09Who?
01:11:10Who?
01:11:11Who?
01:11:12THE END
01:11:42THE END

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