Miami Vice Season 3 Episode 20 By Hooker By Crook
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TVTranscript
00:00Well, I sat on you and his name, the seat was less than tired.
00:17A man sat down next to me, I knew something couldn't be right.
00:25You know the students were given instructions on the emergency flight.
00:35I guess what I'm reading my book, if I've had no something like the long way on.
00:48Yes, it's a longer way down.
01:06More sociologists should come to these charity bashers.
01:10What, kind of like reverse slumming?
01:14Well, for the sake of enlightenment, I mean, isn't it tribal?
01:17Everyone trying not to step on the wrong toes in a mating dance for the overprivileged.
01:26Are you just here to watch?
01:28And to make a few business contacts.
01:31But I guess I am a bit of a voyeur.
01:36How about you, Mr. Burnett?
01:38Do you have any confessions tonight?
01:41Well, me and my partner, we're here to size up the situation.
01:45And if something should happen to turn up.
01:49Is that something that has strictly to do with business?
01:52Absolutely not.
01:53In fact...
01:54In fact, the gentleman that we came here to see is leaving and going back to the park.
02:02Can't wait, huh?
02:05Um, Christine Von Marburg, this is my partner, Ricardo Cooper, who promises to improve his timing.
02:16This is timing.
02:18Pleasure.
02:19Pleasure.
02:21Money's not made lying in the shade.
02:26My conscience.
02:28Uh...
02:31I guess this really is urgent.
02:36I'll call you sometime.
02:39I'm not listening.
02:43Don't worry about it.
02:46Three thousand feet.
02:48Three thousand feet
02:53On the ground
02:55On the ground
03:00They've whipped me
03:01So far
03:03With now the pilot
03:06The victory
03:10Thirty thousand
03:12Dead pródiquation
03:14I'm going to shut it off.
03:34I wish I had a nickel for every minute I spent out in front of some joker's apartment,
03:41waiting for him to come out after having been in some nice, warm sheets.
03:49Yeah, we'll climb and do it quick.
03:56Come on, Ali.
04:00Oh, dear.
04:02Ali, how is it here?
04:11Come on.
04:12Come on.
04:13Oh, dear.
04:14Oh, dear.
04:15I'm going to fall asleep.
04:18I'll go around.
04:21I'll be around.
04:23Yeah.
04:24It's a long way gone.
04:35Yeah.
04:40I'll be around.
04:41I'll be around.
04:44Yeah.
04:47Is it Simonton?
05:11It ain't the bluebird of happiness.
05:17It ain't the bluebird of happiness.
05:47It ain't the bluebird of happiness.
06:17It ain't the bluebird of happiness.
07:17He had an MBA from Harvard.
07:25It would have done him more good if he'd used it for a parachute.
07:28He must have had some very unhappy customers.
07:31The guys in his line of work got even by cheating at golf.
07:35We ever gave him the flying lessons wasn't a country clubber.
07:40I'm guessing he was laundering money for some new player and got sticky fingers.
07:44The girl?
07:47Gonzo.
07:49She didn't even come down to check the poor sap's pulse.
07:52Yeah, the only way she could have killed him was in the bed.
08:00What's one of the suspects?
08:04Tubbs and I will check with the society dame that threw the party.
08:08Maybe she'll know something about the girl.
08:09Come on, sonny.
08:28We've got to step on it.
08:29Rich women don't wait.
08:30Yeah, I know, I know, I know.
08:41You let her get away.
08:45She runs kind of fast.
08:48Now his death looks like what it was.
08:51Murder.
08:51And Ali is still wandering around out there with a tale to tell.
08:59But I thought you hired her.
09:02Yes, yes.
09:03Both of you.
09:06Are you so used to jail that you think of it as some sort of vacation?
09:12Hmm?
09:12If the police get to her, she's going to identify you.
09:20And if the police arrest you...
09:23We're not that way, Mr. Tocaro.
09:27Why not spare us all the anxiety of waiting to find out?
09:33Hmm?
09:34Kill her.
09:35Well, it certainly put a damper on my party.
09:49Honestly, I couldn't have been more surprised.
09:54Murder.
09:57Dear Charles.
09:59You see, this type of thing just doesn't happen in our circle.
10:03We're more likely to get robbed.
10:06Give me your money.
10:08Hand over those municipal bonds.
10:11Murder.
10:13Murder.
10:14It's just so...
10:16lower class.
10:24Do forgive me.
10:26Sometimes I'm such a princess.
10:30Yes, well, just a couple more questions.
10:33And then we'll let you grieve in private.
10:38You're so kind.
10:42The girl that was with Symington.
10:45Do you happen to know her name?
10:47Yes.
10:48Ali.
10:51Ravishing.
10:53But definitely not a murderess.
10:57Well, lady, we're not accusing her of anything.
10:59We just want to talk to her.
11:02Do you happen to know where she lives or a phone number or maybe even a last name?
11:08No.
11:09No, I'm afraid not.
11:10Did she ever say where she worked?
11:12Well, she's a model.
11:15That much I know.
11:17As a matter of fact, she was very excited.
11:19She'd just gotten some new pictures for her portfolio.
11:24Rather risque, from what I understand.
11:26But, you know, when you're a girl who looks like that, you can get away with anything.
11:33Would you happen to know the modeling agency she's with?
11:37No.
11:38Oh.
11:39Okay.
11:40Uh, I do think I have the photographer's name.
11:46You know, actually, I was thinking of having some pictures taken myself.
11:51You know, for my husband.
11:53A gift.
11:55Yes, here it is.
11:57De La Marino.
11:59Strange name, isn't it?
12:10Boudoir photography by I. De La Marino, Paris, Rome, New York, Miami, and San Juan.
12:25The only way this guy ever got to any of these places is from extradition.
12:30Reminds me of my first massage barter bus.
12:33You look on the rap sheet as he was probably running the joint.
12:36Is he?
12:47Go away, huh?
12:50Come on, open up.
12:51You got no right, you know that?
12:53You're defecating the First Amendment.
12:58Open this door.
13:00I'm going to pull you through that peephole.
13:02You got it?
13:04You get this?
13:05Come on.
13:09One second.
13:09It's stuck on his side.
13:11Push on your side.
13:13No, no, you're pushing the wrong way.
13:15Push on this.
13:16All right?
13:17Now, hold on in.
13:23Open this door.
13:25It's stuck.
13:25You have to come around the side.
13:27There we go.
13:28We got it.
13:28Come on in.
13:30Shh.
13:31She's having a private moment.
13:33That's the cornerstone of the Strasburg inner technique.
13:38Dorinda, Dorinda, don't break character.
13:42No.
13:43Don't break it.
13:44I know we're supposed to be alone.
13:46Get up.
13:47Back on that stage.
13:50Get.
13:50Izzy, what are you doing with these women?
13:57Taking it out in trade?
13:59Uh, have some respect, Crockett, eh?
14:03I will do whatever is necessary to attain attitudinal pomposity.
14:07And that includes the arousal of certain photogenic voluptuaries.
14:13Okay, enough of the misto babble, you Hispanic Hugh Hefner.
14:18You ever photograph a model named Ali?
14:22Brunette.
14:24Lots of hair, lots of inseam.
14:26Like a lawyer and a priest, when I'm immoralizing women?
14:30Sacred vows.
14:33I get it.
14:34Kind of like a monk.
14:35Yeah, exactly.
14:36Uh-huh.
14:37The only difference is, uh, the monastery you're gonna go back to doesn't believe in chastity.
14:44Or abstinence.
14:49Cops and priests.
14:51Whenever I see them, I got a weird feeling.
14:55I gotta make some kind of compassion.
14:56Now you're getting warm.
14:58Um, I'm sizzling, mon ami, Ali.
15:05There you go.
15:06Nice posture.
15:08Mm-hmm.
15:10Uh, does she have a last name, or did that come off with her clothes?
15:16Elefran, Elefran, Elefran.
15:211207 Portofino, 14A.
15:24You want me to go with you?
15:25Maybe knock on the front door?
15:26Uh, thank you.
15:28No.
15:29What happened to your neck?
15:31Oh, this is the, uh, Eric von Stroheim School of Directors.
15:39It's European discipline.
15:43It's a grand illusion, huh?
15:45Don't get your thumb in front of the lens, pal.
15:48Don't get your thumb in front of the lens, pal.
15:49Dorinda?
15:50Dorinda?
15:51Dorinda?
15:53Come on.
15:54It's all right.
15:55Now, listen.
15:56This time, remember your subtext, okay?
15:58Uh-huh.
15:58It looks like our little lady left in a hurry.
16:12Well, at least we know she can pass a current events exam.
16:26How far do you think it scared her?
16:28Across town?
16:29Out of town?
16:30I hope scared is all she is.
16:34Come on.
16:35We'll put Swiatek on the building.
16:45Yes, ma'am.
16:46I am persistent.
16:48No.
16:49No, no, no.
16:50Sorry.
16:50How I got your number is a trade secret.
16:55Huh.
16:56Tell you what, though.
16:57We can, uh, discuss it over dinner tonight.
17:00You know Emilio's?
17:04What do you mean, too well?
17:09By too well, I meant that this is where I broke up with my last significant other.
17:17And how long were you with this, uh, significant other?
17:25For about a year, but I should have moved out after a week.
17:29Why is that?
17:32It's my turn to ask questions.
17:35What is it that you do that gives you access to unlisted phone numbers?
17:40Mine, for example.
17:42Oh, a little of this, a little of that.
17:45I guess you're a jewel thingy.
17:51Or maybe a traveling evangelist.
17:55Or maybe a gigolo.
17:59None of the above.
18:02How about you?
18:03I have a company called CVM Enterprises, and its existence makes me an entrepreneur.
18:12Meaning?
18:15A little of this.
18:16And a little of that.
18:18I got it.
18:19We better get out of here before somebody puts a light in Hector on us.
18:25Um, at Brown, I, I minored in theater, and, um, I was kind of hooked on Shakespeare.
18:37I can't believe anybody reads all that.
18:41Thank you for a wonderful night.
18:43Oh, I guess that means it's over.
18:49For now.
18:53Can I try again tomorrow night?
18:56I'd be real disappointed if I didn't.
18:59Good night.
19:08Good night.
19:38Allie, what's the matter?
19:56Christine, you always said that you'd help me, right?
20:00Yeah.
20:02What?
20:06Chuck, Chuck.
20:08Chuck, they killed Chuckie.
20:14What?
20:15They killed Chuckie.
20:17Oh, God.
20:21I got away.
20:24Oh, God.
20:25I'm so scared.
20:27It's okay, honey. It's okay. It's all right.
20:30By the time the light hits her in a different way, I see something new about her.
20:42She's read Shakespeare and she likes that post-impressionist art or whatever the hell it is.
20:49And last night, she asked me what I think about Buddy Holly.
20:54Oh, as a singer or as a totem figure?
20:58Hey, suck eggs, pal, all right?
21:02Oh, boy.
21:04Sonny, man, you don't even know what this chick does for a living.
21:07She makes mucho dinero. I can tell you that.
21:09Oh, that's right. Wonderful.
21:12But what's Miss Make Plenty of Bucks gonna say when you tell her you're a cop?
21:21So far, we got zip.
21:24Your partner must have given you something.
21:26Yeah, I told her she was gone.
21:28She and her, Trudy, I want you to dig up as much as you can on Ali Ferrand.
21:36F-E-R-R-A-N-D.
21:41She's a model.
21:42Ali? As in Muhammad Ali?
21:45What else?
21:46I like her already.
21:48According to Homicide,
21:52everyone around Symington said he was a boy scout.
21:55It's getting harder to win merit badges.
22:00She's being poor.
22:17May I see you, man?
22:19You can't leave. We just got here.
22:22I knew she was married.
22:23Shut up and get back inside.
22:25Let's wait for another choice.
22:27But, you know, it's okay, though.
22:31I'm a boudoir photographer.
22:34That's all.
22:34Boudoir.
22:35You know what a boudoir is?
22:37It's like a bed.
22:38It's got, like, lacy curtains and a tan over the top of it.
22:41It's tremendous architecture.
22:43And you know what they say about architecture.
22:45It's like frozen music.
22:48Well, Goethe said it, not me.
22:49You know what I mean?
22:50It's just that all boudoirs have, the important thing is the bounty.
22:55And that's a woman.
22:56You know, women who are not afraid to take off their clothes in front of people, you know?
23:01And then...
23:02Ali Faran!
23:03No, that's not her.
23:06Excuse me, could you please put that down, huh?
23:12I thought we were going to have a meaningful diabolical here.
23:18But listen, I'm no reluctant witness.
23:21Ali Faran.
23:23Yeah, the phone number's in the desk right over there, if you want.
23:27I don't think anyone can help you get it.
23:31What reward do I get, huh?
23:37For telling you that Godzilla and Rodin came by and immortalized me.
23:43You ever seen him before?
23:46How many times do I have to tell you?
23:49I photograph beautiful women, not meatballs, Tos Momos.
23:57How did they know about you anyway?
24:03The truth.
24:07She's a hooker.
24:09What?
24:10She's a hooker!
24:11Who?
24:12Ali Faran!
24:15Why didn't you tell me that in the first place?
24:18Because you didn't ask!
24:20The next time you withhold information from me, pal,
24:24I'm going to have a little chat with your parole officer,
24:27and then you're going to get to go play hide-to-soak.
24:29Oh, you'd do that, wouldn't you?
24:31You'd defoliate my freedom!
24:33That's right, you got it.
24:34Was she freelance?
24:36No, she worked for this escort service, Caprice.
24:39I do a lot of their photos.
24:41From now on, you're sending copies to the vice office.
24:44That phone doesn't work.
24:45You got to use the pay phone.
24:47You don't need any change.
24:52I've already rigged it.
24:56If you want to go long distance, you can use this one down here.
25:04It's Witek.
25:05Yeah, you caught me right in the middle of a magic trick.
25:08Yeah, what a coincidence.
25:09Get a hold of Gina and Trudy.
25:13Have them track down and do a check on the Caprice escort service.
25:19Any sign of Ali?
25:22No, if you ask me, she's never coming back.
25:25Ah, well, nobody asks you.
25:26And while you're at it,
25:28keep an eye out for the couple of leg breakers
25:30that just paid Izzy a visit.
25:32Oh, they break his legs?
25:34We couldn't get that lucky.
25:39Ali, you know,
25:45the last thing that I want to do
25:47is throw you out on the street.
25:49But I just, um,
25:52really think that I need a little bit...
25:56Privacy.
25:57Privacy.
25:59Don't worry about it, honey.
26:01I'm leaving.
26:03I figured you were going to walk in with him last night.
26:06I didn't know which bedroom to hide in.
26:08Is it serious?
26:17I don't think so.
26:19Yeah.
26:21It's serious.
26:23Well then, maybe you can keep me up to date.
26:26That is, if you accept collect calls.
26:29I think I better get out of town for a while.
26:35You sure?
26:35Yeah.
26:38Huh.
26:39God, yeah.
26:44Well, you can always come back here.
26:46Really?
26:47Mm-hmm.
26:48Well, if I do,
26:50I'll certainly give you plenty of warning.
26:52physical training.
26:52I gotta do that.
26:53Bye-bye.
26:54How do you start seizing?
26:56Okay.
26:56Bye-bye.
26:57Bye-bye.
27:02Namaste.
27:03Bye-bye.
27:04Bye-bye.
27:06Bye-bye.
27:08Bye-bye.
27:09Bye-bye.
27:10Bye-bye.
27:14Bye-bye.
27:16Bye-bye.
27:16Bye-bye.
27:17Bye-bye.
27:18Ciao-bye.
27:19Bye-bye.
27:20Bye-bye.
27:21Bye-bye.
28:21I'm not happy.
28:25No, I'm happy.
28:27I could be happier.
28:29Is there anything that I could help you with?
28:31Yeah, I'm sure you could.
28:34Do you have something specific in mind?
28:36Well, if pressed, I could probably come up with something.
28:40Sometimes I think we've come too far
28:45If we're lost, if not where we are
28:51I'll survive the heat
28:53Oh, I'll have a heart
28:56Even though we do our best
29:00Could ever be a star
29:02Never coming from the left to choose
29:08Going for the fire line
29:11The ever light that you lose
29:14It's a fine line
29:17Very fine line
29:23It's good decision
29:25It's a fine line
29:29It's good decision
29:37Oh, it's a fine line
29:40It's a very fine
29:46Many things that I need
29:49It's a fine line
29:52It's a very fine line
30:00Explanations
30:10Explanations
30:24If I had gotten a little closer
30:28I might have been able to recognize her
30:29But you can't do a stakeout
30:32From someone's front porch, can you?
30:40Mr. Marty, there's no way
30:41He could have guessed
30:42He was going to wear a wig
30:43It's a long shot
30:44That she'd even come back here
30:46The killers did not wear wigs
30:49Security's a rumor in this joint
30:52You could sneak a 747 in here
30:54From a million places
30:55I talked to the neighbors
30:57Now, there's a couple girls
30:59About all these age
31:00Says that she was not
31:01Triggered from this apartment
31:02They look like they know
31:03What they're talking about
31:04Thank you
31:05Cubs and I'll check out Caprice
31:07Caprice, Caprice
31:17That's a C
31:18Caprice
31:22Look at this
31:24Christine's office is here too
31:27Does Christine know who her neighbors are?
31:30So what are you wearing?
31:33Ooh, are they nice and tight?
31:37Why don't you just relax for me?
31:40Sinful Cindy
31:41Yeah
31:41Don't be afraid
31:43Okay
31:44Pain is pleasure
31:46Mm-hmm
31:47Yeah
31:48Take care of me
31:49Oh, don't lie to me
31:55I'll tell you anything you want to hear
31:56Just give me your credit card
31:58You're my first
31:59If you want an escort
32:06Let me have your name and phone number
32:08And I'll call you right back
32:09Fauntleroy?
32:10Fauntleroy
32:11Is that your first name or your last name, hon?
32:15No
32:16No, I need your name
32:18Look, someone just came in
32:20Why don't you, uh
32:21Call me back when you're ready to tell the truth
32:25Or, uh
32:25Fauntleroy gets its own listing, okay?
32:28Sorry, fellas
32:29No walk-in
32:30Strictly out call
32:31Well, maybe you can make an exception in our case
32:34For the police?
32:37For anything
32:38Being a strictly legitimate small business
32:42It's our pleasure to cooperate with the man
32:46Well, that's good
32:48We got a little bad news for you, though
32:51One of your girls got herself killed last night
32:55I'll leave for Rond
32:56She was always screwing something up
33:02How about a list of, uh
33:07Some of those somethings
33:09Or someone she might have been involved with
33:11In the past
33:12Week or so
33:14It's in the computer somewhere
33:17Well, I sure hope you're computer friendly
33:23I'm just friendly
33:25How about your boss?
33:28Maybe he could help us
33:30Can't say
33:32Who is your boss?
33:35I can't say that, either
33:37Okay, I'll tell you what you do
33:44You tell your boss to get us that information
33:48And phone it in
33:50To this number
33:51Tell him not to make me get a warrant now
33:54Because that'll make me mad
33:56And then I'm gonna clear my desk
33:58Of all my other cases
33:59And make his life
34:02One living hell
34:03For the next six months
34:04So what do you think?
34:21Well, I think since we're here
34:23I may as well just stop in
34:25And say hello to Christine
34:26Can I help you?
34:31Yeah, Christine von Marburg, please
34:33And do you have an appointment?
34:35Uh, just tell her Sonny Burnett's here
34:37Burnett
34:38Sonny?
34:45Hi
34:45Hi
34:46Are you all right?
34:51Yeah, yeah
34:52No, I'm fine
34:53I just had some upsetting news
34:55This land that we wanted to buy
34:57And build condos on
34:58The competition just outbid us
35:00Oh
35:01Hey, what kind of food
35:02Would sell to your competition?
35:04Don't they know your business
35:05Woman of the year?
35:06You're kidding
35:07Front page
35:09Well, Chamber of Commerce
35:10Is easily swayed
35:12Well, congratulations
35:14Yeah, congratulations
35:16Thanks
35:17Well, this calls for a little celebration
35:19How about if I take you to dinner tonight?
35:22Oh, I don't think so
35:24Hey, hey
35:25Are you giving me the brush off, lady?
35:27No, nothing like that
35:29Then I'll be buying it around
35:31Eight o'clock
35:33With a pizza and a bottle of champagne
35:35Okay, but no anchovies in the pizza
35:38You got it
35:40All I know about you
35:50Is that you drive a Testarossa
35:53And you live on a boat
35:54I mean, I don't even know
35:59Where your office is
36:00Me and Cooper moved too fast to have one
36:07Well, what if I wanted to send you a present for your birthday?
36:15You don't even know when my birthday is
36:18You see, that's another secret that you're keeping from me
36:22July 29th
36:28There, are you satisfied?
36:31I lost the shroud of mystery
36:34Who wants to live to?
36:39Okay, your turn
36:40You gotta tell me one of your secrets now
36:45Tell me
36:49Tell me something
36:50What are you interested in?
36:53Um...
36:56Oh, wait, wait, wait
36:57I know
36:57I am a TV star
37:00What?
37:04Tomorrow
37:04I'll be on Miami at midday
37:07You know, from the
37:08That award I got
37:10No kidding?
37:11Yeah, you promise you'll watch
37:13I promise
37:15If you promise
37:17You'll remember me
37:18When you make the big time
37:20Yeah, I promise
37:23When it's over
37:24I'll come right back to you
37:26You better
37:29I love him, buddy
37:32If it doesn't take your breath away
37:41Then I think you better move to Cleveland for a while
37:43Greetings, everybody
37:45We're coming to you from the port of Miami
37:47And I think we have a very special show for you
37:52Special certainly is an adjective that's been used to describe the woman to my right
37:57This is Christine von Marburg
38:00She is a very successful businesswoman
38:03Chairman of her own corporation, CBM Enterprises
38:06And just named by the Miami Chamber of Commerce
38:09One of the three outstanding businesswomen of the year
38:12She's lovely
38:14Obviously
38:16And I think we're going to find out that she's also rather intriguing
38:21Comfortable?
38:23Yes
38:24It's too nice of a day not to be
38:26You know, I'd venture to say you've been comfortable all your life
38:29Why is that?
38:31Well, your late father, Klaus von Marburg
38:34Heir to millions in German munitions
38:36And, of course, your mother
38:37The former Elizabeth Babbitt
38:39With a pedigree that traces all the way back to the pilgrims
38:43And as for you
38:44After one of the decades most laughing
38:46I think you should
38:47Trudy, not now
38:48Gotta watch this
38:49I'm situated with honors in history
38:51And that's why I was frankly flabbergasted
38:56At the report from our research people
38:58On a month-long investigation into your background
39:01Why is that?
39:03Well, a goodly portion of your annual high six-figure salary
39:08Is derived from ladies of the night
39:10I don't know what you're talking about
39:15Well, the telephone company may call it
39:19The Caprice Escort Service
39:21Which certainly sounds respectable
39:23But you're running a string of prostitutes
39:27Miss von Marburg
39:29You're a madam
39:30How'd you get into the business?
39:39That's what I was trying to tell you
39:40I'm sorry, I really don't
39:42Don't know what you're talking about
39:44Did you do this yourself?
39:46I mean, were you involved in actually turning tricks yourself?
39:49Or was this just something you saw as a business opportunity?
39:52Um, I don't think that we should continue this conversation
39:57It was just luck that I found it
40:07I ran all Florida corporations
40:10Nodded
40:11Then I ran all the U.S. corporations
40:13Finally, I tried foreign corporations
40:16With subsidiaries
40:17Doing business in Florida
40:19Caprice is owned by a holding company
40:23In the Dutch Antilles
40:24Which is subsidiary of a Delaware corporation
40:28And the principal stockholder is Christine von Marburg
40:33I just got a phone call from downtown
40:38We're to pick up a madam by the name of Christine von Marburg
40:42Gina, Trudy, please
41:03First a junkie
41:25Now a hooker
41:27I think I've been in the business too long
41:32I'm starting to fall for the players
41:36Rico
41:46Do me a favor
41:49Pull the phone records on Christine von Marburg
41:55And Charles Symington
41:58What a tangled web these criminal virtuosos weave
42:09Well, not exactly Kim's cutting hookers in half on vacant lots
42:14You know, our guy's a little different style
42:16He strangles them and then drops them off buildings
42:20Christian made 42 calls in three months
42:23Simonton?
42:25Yeah
42:26Eight calls in the past two weeks
42:30Before Symington took the big belly flop
42:32A guy named Kenneth Tegaro
42:35I never heard of him
42:39You have now
42:40See?
42:42Eight holding companies later
42:43There he is
42:45Chairman and CEO of the Bigham Group
42:48Got some interesting associates too
42:51Charles Symington
42:54He was chief financial advisor
42:57And there she is
43:00Christine von Marburg
43:03I'd like to talk to the lady
43:26Christine?
43:32It's okay
43:34I'll be outside if you need me
43:41Fine
43:42Is that up?
43:58I never had a clue
44:07I never had a clue
44:07I never had a clue
44:11I tricked you, you tricked me
44:15I mean, pardon the pun
44:18Pretty clever, aren't we?
44:26Well, I got my reasons
44:36What are yours?
44:42First, it was the excitement
44:45Private joke on my
44:49Oh-so-respectable family
44:52Sonny, then it became a job
44:57And the money was just too good to be true
45:03And it was mine
45:06But Sonny
45:12I never did any hooking
45:15It's your life
45:23It's the truth
45:27I want you to know
45:31Since you're in the mood for telling the truth
45:39Tell me about Symington
45:41I just arranged a date for him
45:45And made sure
45:47And made sure Togaru
45:48Knew all about it
45:50How did Symington wind up in the soup?
46:05He was laundering money
46:08And not all of it came out in the wash
46:11Skimming?
46:14Yeah
46:15What about your girl, Ali?
46:20What'd she have to do with it?
46:22She was an innocent bystander
46:24Tell me about Kenneth Togaru
46:32He was a client who became a friend
46:40A very good friend
46:44He was my mentor in the corporate world
46:50I owed him
46:52Enough to take a murder rap for him
46:56Business is business
47:04I don't want to go to jail
47:06That's good
47:08So you'll set up a meeting
47:12Between Burnett
47:13And his Bahamian banker friend
47:15Mr. Cooper
47:16Tell Togaru
47:19That you want him to make the deal
47:21Because you need the cash
47:24To get out of the country
47:25Tell him when we busted you
47:27All of your funds were frozen
47:29Good idea
47:32Getting out of the country?
47:43You can't if you're an accessory
47:45To murder one
47:46Will this clear me?
47:56I can't make that decision
47:58But there's a good chance
48:02Besides
48:04You've got no choice
48:07You'll also have to wear a wire
48:12You don't trust me
48:14You don't trust me
48:14No, I don't trust him
48:18And the DA will go to town on you
48:22If we don't nail Togaru
48:24Sonny
48:26You don't know what you're asking
48:29He was in love with me
48:33It could get rough
48:37Like you say
48:43Business is business
48:47That bug you put in your purse
49:04Is working great
49:05The storm will pass
49:13Not this time, can it
49:17I've got to get out of here
49:20Someplace
49:22Where it's not so hot
49:26And you need me
49:28To subsidize that journey
49:30Just until my assets thaw
49:33I found someone
49:36To take Sammington's place
49:37Who?
49:41He's a friend
49:42His name is Burnett
49:44Friend?
49:46Acquaintance
49:47He has a banker
49:49A Mr. Cooper
49:51Burnett says he's a genius
49:53At laundering money
49:54I've had enough bankers
49:57They're so smarmy
49:59Kenneth, please
50:01If I can put you together with them
50:05They'll give me a piece of the action
50:07Then I'll have some cash
50:10So that I can leave Miami
50:11Will you do it for me?
50:19And what will you do for me?
50:22Remember Christine?
50:24The first rule of business
50:26Be a friend
50:33We can do better than that
50:37Ladies
50:38We'll go watch
50:39We'll be doing it for another rule
50:41Bye
50:42Thanks
50:43Thanks
51:13And remember, nobody can make a move until we strike a hard deal with Tagaru.
51:24So it's simple. When Christine walks out, everybody in. The party's starting.
51:28Any more questions? That's it.
52:13As we understand it, you're hurting for a financial washeteria.
52:20Hurting?
52:22That's right.
52:24I mean, your banker proved that he can't bounce like a rubber ball.
52:29And then Miss Von Marburg's escort service gets its pants pulled down on TV.
52:37And now you're here as a goodwill gesture.
52:42Not goodwill.
52:45Good business.
52:48I'm listening.
52:49We can provide you with what you're lacking.
52:55Legitimate business for your, let's say, how shall I say this, uh, less than legitimate funds.
53:04Is that the picture Miss Von Marburg has painted?
53:10Listen, pal, we don't care if you call your funds cotton candy.
53:14We just want to keep them from getting sticky.
53:17For, let's say, uh, 15%.
53:21Your rates are steep.
53:26Who says prime doesn't pay?
53:28Since you seem to be in a philosophical mood, I'd like to give you my thought for the day.
53:44It is unfortunate that our mutual friend neglected to enlighten me regarding her newly discovered love of the Lord.
53:59A lie is an ugly thing.
54:14A lie is an ugly thing.
54:44A lie is an ugly thing.
55:14Can I talk to you?
55:40Sure.
55:41The fish aren't biting anyway.
55:44I wanted to say goodbye.
55:57I'm leaving the country.
56:01Yeah, you've been taking a little heat in the press lately.
56:04I don't blame you.
56:08Yeah, I still can't believe it.
56:11You know the newspaper that's been crucifying me?
56:17Well, the publisher was one of my biggest clients.
56:24And so is that little worm that does the editorials on Channel 8.
56:31They're bastards all over.
56:33Did that go for me, too?
56:47You might be the biggest one of all.
56:49Thank you for having a Charger's truck.
57:05You held up here, Ann.
57:06Thanks, Chris.
57:08Thanks, Chris.
57:26I've wasted all my tears
57:33Wasted all those years
57:39Nothing has the chance to be good
57:48Nothing ever proved
57:56Nothing ever proved
58:26Nothing ever proved
58:28Nothing ever proved
58:34Nothing ever